- 9 months ago
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00:00The woman of the year 2008 is Lola Lolo!
00:17We would like you to read to us this wonderful article you wrote about the ideal man.
00:24This text was what gave you the victory.
00:28The ideal man is not the macho man who has the women in his arms.
00:34The ideal man is sensitive, generous,
00:39conscious both politically and socially,
00:42an activist and constantly in the protection of the environment and the family.
00:46The ideal man supports his fellow men of the same age,
00:51is happy with his character, and sometimes is sad.
00:54He accepts his social equality, or even a higher version of it.
00:59The ideal man is the one who can be the perfect father and the perfect husband.
01:06The ideal man, when you need him,
01:10is willing to stay with you all night to help you with your problems.
01:15In a few words, the ideal man is brave.
01:24Lola Lolo
01:48Hello Lola it's me again
01:51I thought a lot about you Lola
01:55Hello Lola don't hang up
01:59Don't call me Lola, Lola, Lola
02:03Hello Lola I miss you
02:09Well done, the food is very good.
02:11Yes, it's very good indeed, but you should try my tzatzoukaki too.
02:16I hope next time.
02:19Excuse me.
02:22Excuse me, I have to answer.
02:29Daddy
02:30Yes, my baby, what happened?
02:32My belly hurts.
02:34Tell Irini to make you a smiley face,
02:38tell her to go to sleep and I will come later, ok?
02:41And since when have you been together?
02:44Ah, as a souvenir.
02:46As a souvenir, Argyris.
02:48It seems to me like yesterday when we met.
02:51My little girl.
02:53A few months ago we celebrated our Argyris anniversary.
02:56We had a party here, the place was on fire.
02:59Elvira, you invited 300 people.
03:01A few friends, we did it in a closed circle.
03:04What closed circle, my love, what Athens did we invite?
03:07This man is always exaggerating.
03:09Exaggerating, exaggerating.
03:11I made all these 8mm films that we had in a 20-minute DVD
03:16and so we have a whole movie and the whole world can be happy
03:19and see how beautiful Elvira is still.
03:22Yes, don't be surprised to see how much I have grown and how much I have grown.
03:26My Elvira, you are very beautiful.
03:29And whatever you say about time, you are wonderful.
03:33Honey, honey, I have to tell you how happy I am that you are here.
03:37Natalia did very well to invite you to our house.
03:40Honestly, I am very happy.
03:42Yes, me too.
03:44And I am happy that I am here with you.
03:47Come on guys, let's make a toast.
03:51Cheers.
04:03Good night, Julia.
04:04Good night.
04:07Come on, my child, you said two minutes and it's been an hour.
04:11I'm coming, I'm coming.
04:13I have to leave this in Mr. Argyris' office, I have to go to the bathroom.
04:16I promise I won't do it for more than five minutes.
04:18Okay.
04:21Now, I have to go to the bar.
04:24I have to get the booze.
04:26I'll tell you when I get there.
04:36Okay.
04:52That's it, it's ready.
04:54Okay, I'll tell you what, I won't take you to the station, we'll go out.
04:57I'll take you to the tavern for food.
04:59I'll walk around you once, I'll pay.
05:01Two minutes to get my bag.
05:02Okay.
05:03Shall we go?
05:04Let's go.
05:08It's a nice thing, family.
05:10To go back to your people, to your home.
05:13To their warmth.
05:15To the safety of life.
05:16Exactly.
05:17You fill up with energy and then you can go back to the arena.
05:20Well, my Argyris, I envy you.
05:22I didn't manage to make a family in my life.
05:25To live these joys of life.
05:27Come on, my son, it's never too late.
05:29Yes, yes, yes, you never know when you'll find your partner.
05:34Yes.
05:47That's it, that's it.
05:48You'll see that very soon a great woman will be found for you.
05:52That's how it happens.
05:54Suddenly, out of nowhere, you expect it.
05:56Yes.
05:58Life is full of surprises.
06:01They say that every man has his share.
06:03But sometimes, a little more than a share.
06:07Sweetie.
06:08Girls, come to the table.
06:11I, my God, have only one share and it's enough for me.
06:1525 years of marriage and a wonderful daughter.
06:19Thank you, dad.
06:20And don't start counting.
06:22No, I'm not hiding it.
06:23It's a year older because I got pregnant before the wedding.
06:27My love, don't say such things publicly.
06:30Come on, mom.
06:31I find it amazing that you got me pregnant before the wedding
06:35and you didn't get pregnant with a virgin.
06:37Because, as far as I know, in your time, you had to marry a virgin.
06:41No, my love.
06:42We weren't even in the time of the pagans.
06:44Yes, yes.
06:45Your mom is right, Natalia.
06:47I can tell you that she was more liberated then.
06:51Let's not forget, there was a sexual revolution.
06:54The hippies.
06:55May 1968.
06:56Foti, don't we leave the ancient history?
06:58Because I'm starting to feel like an abandoned child.
07:01Foti, we don't care about the movements and the revolutions.
07:04We were clasped together, hugging each other.
07:07We didn't care about anything.
07:09My love.
07:13Foti, if you weren't here with your wedding ring,
07:17I would tell you that women don't leave you alone.
07:21I'm sorry, but there is a family issue.
07:25Mind your own business.
07:30Girls.
07:31Girls.
07:32Come to the table.
07:34This is the second time I'm calling you.
07:36Yannaki.
07:37Yannaki, are you deaf?
07:38Or do you have MP3 in your ears?
07:40Hurry up and put it on the table.
07:46It's me again, dad.
07:48Melina, I told you I have work.
07:50Yes, but my belly still hurts.
07:53Look, you're not alone at home.
07:55It's Irini.
07:56And Irini knows that if something serious happens to you,
07:59she'll let me know right away.
08:01Yes, but you'll be back early.
08:03Isn't that right?
08:05Look, you'll make me hang up the phone
08:07because I can't stand your whims anymore.
08:09Okay?
08:10Please, please.
08:12Go to bed like a good girl.
08:15You see, you care more about Natalia than I do.
08:19My belly hurts.
08:21That's not true and you know it.
08:23Anyway, I'm hanging up now.
08:25I'll see you tomorrow.
08:33Is everything okay?
08:35Yes, yes.
08:41Melina.
08:43Melina, what are you doing there?
08:45Get out and give me the phone.
08:47No.
08:48Melina, get out.
08:50Melina, come on, get out.
08:52Be careful not to hit your head.
08:57Don't you understand?
08:59If you behave like this,
09:01you'll make your dad not trust me anymore
09:03and he'll bring you a babysitter.
09:05Be quiet.
09:06Everyone cares about me.
09:08How can you say that?
09:10Aren't you ashamed?
09:12Come and eat.
09:14I've been serving your dish for an hour
09:16and you've never touched it.
09:18Melina.
09:20Do you want to watch a movie?
09:22Your dad bought you a movie ticket.
09:24He bought it for me to get out of this mess.
09:27Anyway, if you don't want to, you don't want to.
09:30But at least eat.
09:32Eat?
09:33No.
09:34Melina, you have to eat.
09:36Come here.
09:37Come here.
09:39Eat.
09:40Food.
09:42Girls, come and gather.
09:45It's strange.
09:46We have two servants
09:48and they have a family problem.
09:50Why are you talking so quietly?
09:52I'm sorry.
09:53Both of them?
09:54Yes.
09:55It's a legal matter.
09:56What legal matter?
09:57What happened to the girls?
09:59Anyway, there's a curse
10:01on my wife's family.
10:03It's a matter of course.
10:05Imagine, they had a little girl
10:07at her parents' house
10:09who got old and blinded.
10:11It's a curse.
10:12No, it's a disaster.
10:14Mrs. Maria got blinded.
10:16Maria?
10:17What did she say?
10:18She didn't know.
10:20That's what I said.
10:21By chance.
10:22We had a girl, Maria.
10:23She lived there.
10:24She helped us out.
10:26Her name was Maria.
10:27It was a very common name.
10:29Of course.
10:30It was a curse.
10:31Maria, Maria.
10:32Here's the lady.
10:33She washed the dishes.
10:34The cat bit her.
10:35Yes, it's a very common name, Maria.
10:37I'm going inside to bring the food.
10:44Excuse me.
10:45Is the bathroom available?
10:46Go straight.
10:47The sea is very clean.
10:48It's fine.
10:50The bathroom.
10:51Excuse me.
10:52I'm sorry.
10:53It's the second door on the left.
11:03Wow.
11:04I can't believe it.
11:06Lola is a great fighter.
11:09He must have taken something.
11:11Cut it out, Panoulis.
11:13You're probably talking from personal experience.
11:16Are we going out tonight?
11:18I don't think so.
11:22Do you know how much I want you to leave on your own?
11:25I can do that.
11:27Really?
11:28Try me.
11:29Tell me to leave you and I will.
11:31You don't have to, Grigori.
11:33I'll leave.
11:34You know what, Grigori?
11:36In the end, I only have eyes for you in the office.
11:40And maybe even there.
11:42Let's go, Efigenia.
11:43But...
11:44Let's go, Efigenia.
11:49Good night.
11:50Good night.
11:51Good night, my love.
11:58What's going on?
11:59It looks like you're having a hard time.
12:01What are you talking about?
12:02Vicky?
12:03Come on.
12:04What do you mean, Vicky?
12:06She left.
12:07She left?
12:09I have Vicky in my pocket.
12:12Don't make it hard for me.
12:14I'll eat her up.
12:15What can I say?
12:16Nouris.
12:17A woman who will cast a spell on Grigori has not been born.
12:22That's right.
12:23She's not going to fall for your trick.
12:26Oh, another baby.
12:31Oh, another baby.
12:38What are you doing there?
12:39What do you want?
12:40Can you stop your nonsense in front of my family?
12:42What nonsense?
12:43I came back for you.
12:44And this time, I won't leave empty-handed.
12:46Shut up, my child.
12:47Look, I'm very sorry, but I'm not the manager of Hi-5.
12:51I'm not involved in the company's affairs.
12:54Don't confuse the company with love.
12:56I came back after all these years for you.
12:58And here I am, all yours.
12:59All yours.
13:00Stop it.
13:01Stop it.
13:02Stop it.
13:03No one can see.
13:04Your scent is intoxicating.
13:05You have the same smell as me.
13:06The children will hear us.
13:07You think I'm a servant?
13:08I'm a chef.
13:09Only at 35%.
13:10Come on.
13:11Come on.
13:12Stop it.
13:13Stop it, please.
13:14My husband may be very angry.
13:15Look, I won't allow it.
13:16You came back after all these years to destroy my marriage.
13:20To destroy it?
13:21I think you're doing it yourself.
13:23If I tell you what I see, Elvira, you and Argyris are now completely free.
13:27What do you mean?
13:28If you want to fall for the stupid wife who ignores her husband's whims, you're in trouble.
13:33Are you crazy?
13:34How dare you say such things about my husband?
13:36Don't tell me you believe him every time he tells you he has a job offer.
13:40Don't you suspect he might be lying to you?
13:43It's in the models.
13:46Don't let your husband suffocate anyone.
13:54I'll grow old until Grigoris gets old and doesn't make me a spoiled brat.
13:58And the candy is ready, right?
14:00Of course.
14:01He was a soldier and he needed reassurance.
14:04But if you find them, you run to Vickoula to save him.
14:07Because Panoulis...
14:08Panoulis, my child, who is in need, does the same thing.
14:12As soon as Viagra's operation was over, suddenly, from a spoiled brat, he became a spoiled brat.
14:17Of course, my love.
14:18Since he has a model, Grigoris, they're all the same.
14:21Oh, my God.
14:22How many times do I have to say goodbye?
14:24How many stairs do I have to climb?
14:27He doesn't even talk to me in the office.
14:29As if I don't exist.
14:30I go up to him today to talk to him.
14:32And he says, no, let's not give rights to work.
14:35I say, okay, let's go out later to have a drink.
14:37He says, no again.
14:38Why?
14:39Because he says we're going out as a couple.
14:41Do you understand?
14:42The complete rejection.
14:43It's someone else's fault.
14:44It's my fault.
14:45It's my fault that I've cheated on so many men to be with Grigoris.
14:48Now, Vickoula, go home and cry and eat some candy.
14:51I don't deserve it.
14:53No, Vicky.
14:54No.
14:55And you're falling for him a lot.
14:56It's over.
14:57It's over.
14:58I'm not going to be sad again.
14:59Not for Grigoris.
15:00Not for any other polygamist.
15:02Not at all.
15:03And I'm not going to talk to Panoulis again.
15:05Not even good morning.
15:06Cheers.
15:07Cheers.
15:08Cheers.
15:09To the health of the next.
15:11Exactly.
15:12Cheers.
15:13It's over, Grigoris.
15:14It's over for me, Grigoris.
15:15I'm not eating.
15:16I'm not eating.
15:17I'm not eating.
15:18Panoulis is not eating.
15:19His boyfriend is not eating.
15:20He's not eating.
15:21He's not eating.
15:22Cheers.
15:23Cheers.
15:24He's not eating.
15:25He's not eating.
15:26This investment is a fact.
15:27The company belongs to the family of the great-grandfather of Natalia.
15:31Of course, it would take a lot of effort to survive and to be handed over to my own children.
15:39Dad, let's not rush it.
15:42Why, my girl?
15:43Why?
15:44After all you said with the light.
15:45Of course, as is known, I also forbid relationships between the staff in our workplace.
15:50But anyway, for you, I'll make an exception.
15:53What can we do now?
15:54The family is the family.
15:55We can't do anything about it.
15:56And since my love, Fotis, loves you, let's go to the pieces, the tips and the principles.
16:05Mom, are you okay?
16:07No, I'm worried.
16:09I have to take care of everything in this house.
16:11I don't understand why we pay these girls.
16:14In a little while, we will let the guests collect the dishes and wash them.
16:18You are very lucky, Argyris.
16:20You see how Elvira takes care of us.
16:23I can only imagine what she will do for you.
16:25Lucky you, lucky you.
16:27I should have caught up with her.
16:29Then you would have been in the position of the Mayor tonight.
16:35Girls!
16:46Perfect.
16:48My favorite movie, Casablanca.
16:51This is what we will watch.
16:53I can't stand this.
16:55Bring me the remote control.
16:57Give it to me.
16:58There is no fight.
17:00We will see.
17:01We will see stupidity.
17:04What happened again?
17:05Is it broken again?
17:11Look!
17:15Nice car you have printed.
17:22How can she not fall in love with such a beautiful girl?
17:25Do you understand?
17:26Roda has a girlfriend.
17:52Wow!
17:54How is your time, my baby?
17:56It's still early.
17:58It's still early for you to wake up at 2 am.
18:00I have to deliver the newspaper by noon.
18:04Do you want me to pick you up in the evening?
18:06No, my girl.
18:08Tomorrow you will be crazy.
18:09We close at dawn and you will understand.
18:11I will have a lot of work.
18:12I will call you.
18:13Come on.
18:14Come on.
18:15Do you want me to sleep here?
18:16It's too early for that.
18:18It's too early for that.
18:20When I sleep with someone, I want to.
18:22Do you understand?
18:23I understand.
18:24You are so sensitive.
18:26I am.
18:27I am.
18:28Come on.
18:29Come on now, my good girl.
18:30Come on.
18:33And don't forget your ring, Vicky.
18:35Elena.
18:37I will not forget it.
18:39Really, who is this Vicky?
18:41Who is she?
18:42I don't know.
18:43You said Vicky.
18:44Me?
18:45Yes.
18:48Yes.
18:49Vicky is a girl we have in the office.
18:53You know.
18:54You are so used to it.
18:56Come on now, my good girl.
18:58Come on.
18:59Good night, my good girl.
19:02Talk to you later.
19:03Talk to you later.
19:04I will call you.
19:06I will call you.
19:07I caught her in the act.
19:09She should not have been so harsh.
19:12I hurt her.
19:15But that can be easily rectified.
19:17I will call her and apologize.
19:22And Vicky will run to my feet.
19:27It's easy.
19:28I will ask her to forgive me.
19:30I will ask her to forgive me.
19:32I will ask her to forgive me.
19:34And Vickoula will run straight to my feet.
19:37I can't believe it! I can't believe it!
20:04I can't believe it! We just bought it!
20:06800 euros for the whole thing!
20:08Our sister just had a baby at home.
20:11She has a baby every two months.
20:13You have no idea how much I've been looking for this.
20:15And all this for...
20:17Chocolate.
20:18Come on, honey, don't be like this. It was an accident.
20:20Accident, huh? Of course!
20:22You don't care. And why should I care?
20:25Have you ever taken care of the house?
20:27No, of course not. I take care of everything.
20:29And you, too.
20:30Of course. Because I work.
20:31Because I don't work.
20:32And you work very hard. You have an excellent taste, my dear.
20:36Yes, yes, indeed.
20:38This house is like it came out of a dedication to design.
20:42Did I say that you don't get tired, that you don't work?
20:45It's in your daily routine, though, and you don't appreciate it.
20:47Besides, you know what I do every day.
20:50I know what you do.
20:51What do you mean, my dear?
20:52You know what I do at the company, too.
20:54I know, I know, I know.
20:55I know you have dozens of appointments.
20:58That's all. Nothing else.
21:00Fine, then I'll tell Julian to send you my daily schedule so you can check it.
21:06Women.
21:07Even if they are jealous, they are wonderful.
21:09Their relationship is very deep.
21:12Really?
21:14And it doesn't seem so.
21:15Yes, and this colony lasts for years.
21:18Bravo, bravo, bravo.
21:19And since we're talking about relationships, the one I met today, the one I discovered today, I think it's the best.
21:24The best.
21:28We're going to smoke a chicken, right?
21:30It's a must.
21:31Yes, you knew the chickens from your village.
21:33You told me in the newspapers that you were going to cut the cigars.
21:36I'll tell you now what I'm going to cut.
21:39Fotis, tell Teo how they make the chickens in Cuba.
21:44Yes, he's interested, because in Cuba women cut the chickens in their legs.
21:52And that's why it's so tasty.
22:12Come back, you idiot, you love him.
22:17Leonida.
22:18I'm fine.
22:19But I don't believe you.
22:32Please.
22:34You were crying.
22:36Elina?
22:37Yes?
22:39No, I just... I got cold somewhere and that's why you heard me like that.
22:44And I'm sick.
22:46Really?
22:47Yes.
22:48What's wrong?
22:50I have a stomachache and I miss my dad.
22:53Did he go out?
22:55Yes.
22:56I called his cell phone.
22:58Irini?
22:59Did you see her there?
23:01She's here, but she fell asleep and she doesn't want me to wake her up.
23:05And I have a stomachache.
23:08And where did your dad go?
23:11He didn't tell me.
23:13Lola, my stomach hurts a lot.
23:15A lot.
23:16I'm scared.
23:17Listen, we'll try to do something, okay?
23:20You'll try to calm down and I'll come from there.
23:23Okay?
23:25Perfect.
23:33Did you understand? She left the child alone and he went out.
23:37What does she have?
23:38Her stomach.
23:40That's why she's missing.
23:42Why doesn't Fotis take care of her? He has a weakness for his daughter.
23:46His cell phone is off.
23:48He can't live his love life with Mrs. Natalia.
23:53And the child has passed into a second life.
24:02You're making fun of me because I'm jealous, aren't you?
24:04And you're praising me in front of God.
24:06And you think you can humiliate me in front of everyone?
24:10What are you talking about?
24:11Agiris, you're lying to me.
24:13How did you come up with that?
24:16All those dates you say you have in reality are dates with women.
24:20Look, my dear, I understand that this issue with Halis has upset you.
24:24But don't accuse me that I have a girlfriend now.
24:26Please.
24:28Do me a favor.
24:29Don't make a scene with the people waiting for us in the living room.
24:33Don't cry.
24:34Don't cry, please.
24:35We're having such a good time.
24:36Don't ruin it.
24:37Don't worry.
24:38We don't need to get to know each other.
24:40I like that a lot.
24:42Don't cry.
24:43Fine.
24:44Fine.
24:45But I'm warning you.
24:46If I ever see you with someone else,
24:48it will be the end of you.
24:56Cheers.
24:57Cheers.
25:02I hope after all these glasses I look at least likeable to you.
25:05You're a good kid.
25:06But you lack passion and ambition.
25:09Really?
25:10Look, I live my life the way I like it.
25:13I really don't feel like I'm lacking anything.
25:16So you're going to tell me that you like me because I'm flirting with you?
25:19Slowly.
25:20You're a writer, too.
25:22Yes, but I'm only a beginner.
25:23I'll move on.
25:25When?
25:26Oh, yes, when you get your degree.
25:28The Holy One, that is.
25:29Why?
25:30When will you be able to read?
25:32Our Holy Father constantly sends you for tasks.
25:34He pays me and now, you know...
25:36There you go.
25:37Did you see how the passion went?
25:39I have goals and I will achieve them.
25:41That's what matters to me.
25:42Bad.
25:44Do you know that people die because they don't enjoy anything in life?
25:49Do I look sick to you?
25:50No.
25:51No.
25:53It seems to me that you can live your life much better.
25:57Fall in love.
26:01Okay, I know that...
26:04Falling in love with a flirt is not the best thing to do for a girl with your philosophies.
26:10It seems to me that you have a lot of imagination.
26:16However, you proved to be much smarter than I expected.
26:23Well, I should go, too, because tomorrow morning I'll wake up early.
26:27What exactly are you afraid of, since you're so sure about what you want?
26:34Forget it, mom. Forget it.
26:36You won't clean it today anyway.
26:39I can't, baby.
26:40I can't forget it.
26:42How can I forget a whole chocolate bar in my room?
26:45And what's more, it's bitter.
26:47Or milky.
26:48Why don't you serve the champagne?
26:50I agree.
26:51Although I prefer to continue with cognac.
26:53Do you, Foti, want a glass?
26:55No, thank you very much.
26:57I have to go anyway.
26:59How?
27:00So early?
27:01Ah, we were going to go to a dance.
27:03Ah, fine.
27:04If that's the case, go.
27:05Go with my wish, too.
27:06Enjoy yourselves.
27:07As young as it is not a matter of age.
27:09I felt like I was twenty.
27:11Just like then.
27:12Exactly like then.
27:13Uh, yes.
27:14Well, thank you very much again for everything.
27:16Good luck.
27:17Uh, the food was wonderful.
27:20Thank you, Kostas.
27:21Have fun and see you tomorrow.
27:23Bye.
27:24Bye.
27:26Throw a dance for me, too.
27:28Throw a dance for me, too.
27:30Preferably, a glance.
27:36So, uh, you'll forgive me, too.
27:38I say I'm going to bed.
27:40I forget to say it.
27:42You, I guess, will continue.
27:44Of course.
27:45We still have a lot to do.
27:47And then we'll get rid of them.
27:49And to discuss your professions.
27:52And not only that.
27:55We're going to have a good time.
28:02Cheers.
28:03Cheers.
28:25I thought you weren't coming.
28:28But I came, huh?
28:32I promised you, didn't I?
28:35Where's your dad?
28:39He's not here?
28:41How's your cell?
28:43You always sound better than what I hear on the phone.
28:47He never picks up.
28:48All of a sudden.
28:49All of a sudden.
28:50I see.
28:51Did you eat too many candies?
28:53What did Irene cook for you?
28:55Rice.
28:56Rice?
28:57Give me a kiss.
28:58Tell me if you're in pain.
29:03Are you in pain?
29:04Yes.
29:05Yes?
29:06Seriously?
29:08Do you think you've had a heart attack?
29:12Dad, no, no.
29:13You've had something much more serious.
29:16Melina, you've probably had a heart attack.
29:24What's your problem, Fotis?
29:26My parents aren't strangers.
29:28We gave the wrong impression.
29:30And I don't like that at all.
29:32Come on, don't take everything so seriously.
29:34It's just a game.
29:36No, no, no.
29:37It's not that.
29:38It's not just a game, okay?
29:40Even your father started to treat me differently.
29:43We both know the truth.
29:45What are you afraid of?
29:46We don't have any problems, any complaints, any complaints between us.
29:50I don't want to be misunderstood.
29:52Who's going to misunderstand us?
29:54After all, none of us has any other bond.
29:58I don't like to give a false impression.
30:01Do you understand?
30:02And this has nothing to do with whether I have another bond or not.
30:06I'm sorry, I'm afraid.
30:08The most important thing is to talk a little to the company.
30:11But either way, they're already doing it.
30:16Shall we go dance?
30:18No, I don't like this music.
30:21Do you mind if I sit here?
30:23No, no, not at all.
30:25After all, the dance was a proposal.
30:29To hug each other.
30:31To come a little closer.
30:33To feel each other's bodies.
30:35That's how it's supposed to be.
30:37Ah, yes.
30:39Nice game.
30:41But I can't dance to this music.
30:45I don't like it.
30:46Fine.
30:47Then you will suggest music to me.
30:49You will tell me about your favorite songs.
30:52You will have a lot of ideas.
30:54Will you write some for me?
30:56Yes, of course.
30:58Great.
31:00Shall we have a drink?
31:02Yes, of course.
31:03Excuse me.
31:04Not here.
31:05At your house.
31:08At my house?
31:10I don't think we can go to my house at this time.
31:14It's late.
31:15It's never late.
31:18Come on, let's go.
31:20Let's go.
31:22Come on, get up.
31:27Come on, let's go.
31:29No, I can't.
31:30Come on, let's go.
31:31I can't drink anymore.
31:37Do you know what I want now?
31:39Something sweet.
31:41Whatever my girl wants.
31:43Do you want me to order honey with yogurt?
31:45First of all, I'm not your girl.
31:47And I won't let you eat your own sweet.
31:50I was just asking.
31:52Anyway, it's a good thing that I'm young.
31:54Otherwise...
31:55Are you having a good time?
31:56No, no, I'm having a great time.
31:58Anyway, the price you made me drink so much is the crime.
32:01And in a little while I'm ready to commit another crime.
32:04Come on, come on.
32:05Stop with the insults here.
32:07Let's pay and leave.
32:08What are you doing there?
32:09We said I would pay.
32:10No, no, it's too much.
32:11Half, half.
32:12We said I pay, my lady.
32:14Enough.
32:15No, at least I should pay each one of you.
32:17Listen to me.
32:18Stop fighting, please.
32:20What?
32:25Listen, we're going to take a deep breath.
32:28And then we're going to blow.
32:29So that the breath passes.
32:30Okay?
32:31Let's go.
32:37I heard.
32:38One more.
32:45Perfect.
32:46So, let's see.
32:54Does it warm your belly at least?
32:56Yes.
32:57Good.
33:02Okay.
33:03I'm leaving.
33:04I don't need you.
33:05But when your dad comes, you'll explain to him why you bothered the lady so much.
33:11Oh, you're talking about me?
33:12Don't worry.
33:13I'm not in a hurry.
33:14No problem.
33:15But there is a problem.
33:16And the problem is the little one.
33:17She doesn't listen to me.
33:18She doesn't have limits.
33:19What can I say?
33:20But I...
33:21My lady, we'll talk tomorrow.
33:22I'm leaving now.
33:23I'm going home.
33:24Good night.
33:25Good night.
33:26Good night.
33:27It seems she's angry.
33:28Yes.
33:29She's angry.
33:30She's angry.
33:31She's angry.
33:32She's angry.
33:33She's angry.
33:34She's angry.
33:35She's angry.
33:36She's angry.
33:37She's angry.
33:38She's angry.
33:39She's angry.
33:40She's angry.
33:41She's angry.
33:42She's angry.
33:43She's angry.
33:44She's angry.
33:45She's angry.
33:46She's angry.
33:47She's angry.
33:48She's angry.
33:49She's angry.
33:50She's angry.
33:51Really?
33:52And I don't want to go.
33:53Is Irini angry?
33:54Yes.
33:55And she's probably right.
33:56Can I ask you something, my sweet girl?
33:57Come over here so I can hug you.
33:58Really?
33:59Why do you call me Irini?
34:00No.
34:01I thought you called me auntie.
34:02Aunt.
34:03Bye-bye.
34:04Bye-bye.
34:05That's it.
34:06That's it.
34:09It's enough.
34:12That's enough.
34:14Come on, for goodness sake.
34:17Now, don't worry.
34:27Hello! How's it going?
34:30Yes, I'm fine.
34:33Melina, what are you doing?
34:36Something got into my eye and your father was trying to get it out.
34:41Come here, I'll take you to your room.
34:45I'll be back in a minute.
34:51How are you, Lola?
34:54I'm fine.
34:56I don't know what you're doing with Melina.
35:00Did you cut your teeth?
35:02Why? What else do teeth have?
35:10I'm sorry, I'm really sorry.
35:13Accepted, I'm sorry, but I want you to tell me what you're doing in my house.
35:17My little girl called me because she said her stomach hurt.
35:20Before she came here, I called her father, but his phone was off.
35:24The father was furious.
35:26Her father let Irini take care of her.
35:28Irini is a woman, she wants to go home to rest.
35:31Lola, can you tell me where this is going?
35:33You're coming into my house at this time, do you understand?
35:36I'm not coming in at this time.
35:38And now, who are you asking?
35:41I told you my little girl called me.
35:43Do you understand? And by the way, go to the doctor because her stomach hurts.
35:47Do you know what the irony is?
35:49That she's lying to get my attention.
35:53Really? So I'm wrong?
35:56Probably.
35:58I don't want you to apologize to me.
36:00I want you to stop meddling in my life.
36:03Oh.
36:05I see.
36:07Of course, I don't want to meddle in your life.
36:10After all, your life belongs to you, you can do whatever you want.
36:13You're free to do whatever you want.
36:17What I would like to tell you is that what you're doing is completely uneducational.
36:22I mean, it's not nice for the child to see you in this situation.
36:25Uneducational?
36:26Yes.
36:28First of all, stop wearing this dress.
36:31What dress?
36:33The dress of this perfect woman, but everyone condemns her.
36:36Oh, really? Is that how you see me?
36:38Okay, thank you.
36:40Well, I'm leaving now to empty the corner for you.
36:43Finally, he understood.
36:56Hi.
37:04Why did you ignore me?
37:06For any of these people you're picking on?
37:08But why all of a sudden? I thought you wanted it.
37:10Since when?
37:12Since the last time you kissed me and I kissed you?
37:14Call to pay now.
37:16Leave it. I'll pay.
37:18No, you don't understand. I'll pay.
37:20I don't want to believe you have rights.
37:22I know you're a criminal.
37:24Me.
37:26We ate so much!
37:27I'm telling you, I'll take care of it, my girl.
37:29Good.
37:30And forgive me, I forgot a leaf.
37:32You're welcome.
37:41This time, you pulled it off on stage.
37:44And we both know very well why you brought all this up.
37:47Because I was out with Natalia.
37:49No, I don't care about this nonsense at all.
37:52This nonsense is your father's friend, okay?
37:55You have a problem, you should know that.
37:57Don't talk to me like that!
38:01My love.
38:03My little girl, my gold.
38:06You are what I love the most in my life.
38:12And no matter what happens, no matter who I meet,
38:15you will be the most important thing that has happened to me.
38:18You know that, you know that.
38:21But, there are some things that you have to respect.
38:25Like you, for example, you have your secrets that I don't know.
38:28And I have some personal moments.
38:31In which it's not possible to be together.
38:35But that doesn't mean that I love you less or that I let you go.
38:39But I wanted to see Lola.
38:42Look, I know that Lola is your friend.
38:45But she is also my boss.
38:48I haven't forbidden you to talk to her.
38:50But it's not possible to keep her in our family.
38:55Okay?
38:57Okay?
39:00What do we say?
39:02I'm sorry.
39:03And?
39:04I won't say it again.
39:06I won't say it again.
39:09Give me a kiss here.
39:13Another kiss.
39:18Leonidas.
39:19Not Leonidas, not Leonidas.
39:21Because right now Leonidas is listening to Lola.
39:24You were with Melina, weren't you?
39:25Yes, I was with Melina.
39:27Until Fotis came with Natalia and it became a mess.
39:30Not a mess.
39:31A mess.
39:34What happened, then?
39:36My child, the guy is not doing well.
39:39He made a personal attack on me, you understand?
39:41On me.
39:42Why?
39:43Why, why, why?
39:44I kissed him with Natalia.
39:46That's why.
39:47With whom?
39:48With Natalia, my child.
39:49We went with Melina and then we took him to the salon to kiss this bitch.
39:53Well done, Fotis.
39:55It was not a big deal.
39:56Any woman he meets now, he kisses her in front of him.
39:58Obviously.
39:59I don't know what else to say.
40:00To tell him that he has taken the wrong path.
40:03That's what you should tell him.
40:04My child, you can't imagine his situation.
40:06I mean, the guy.
40:07What can I tell you?
40:08What did he do with the little girl?
40:10Such a brave child.
40:11I told her that he made a personal attack on him, that he wanted to destroy him at night.
40:14I mean, I'm going crazy.
40:16What did we destroy for him to understand?
40:18Slowly, the woman he kissed, that is, Bazos.
40:20Well, now.
40:21You don't know men.
40:23Whatever he finds in front of them.
40:25I don't know what he's doing.
40:26Really.
40:27Really, like that?
40:28How much I care about everything.
40:30I don't even care what Fotis is doing.
40:32What I care about is for you to respect me, you understand?
40:34Because we can't, sir, take care of the girl.
40:37And you tell us everything from above.
40:39Don't go crazy.
40:40I mean, you have to see him, right?
40:42Such a hysteria.
40:43Not even you women.
40:45Why do you say that now, honey?
40:47You men are much more hysterical than we are.
40:51Are you talking to me?
40:53Oh, yes, I do.
41:00What is this?
41:01Do you work well?
41:02I have to tell you.
41:03You can't see it with your eyes that it's completely yellow.
41:06What yellow, that is?
41:07I'm a Japanese, too.
41:09I speak Chon-Chon.
41:10If you can't do your job well, tell us.
41:13Let's bring someone else.
41:15Fortunately, you didn't fall into Orgyr's hands and fell into mine.
41:18I came up with the idea first.
41:19What are you looking at me for?
41:20Throw it away and print it all over again.
41:22Come on, from the beginning.
41:23We're running now.
41:24Work.
41:25We're running.
41:33I can't see well.
41:34It's hot, isn't it?
41:35It's hot.
41:36It's hot in here, isn't it?
41:37Yes, in the printing houses.
41:39They don't have the greatest comforts.
41:41That's why only men usually work.
41:45I can't stand it.
41:46By the way, what are you doing in here?
41:48I came to see if the exits to visit the machines are real.
41:52I see.
41:55And?
41:56And I saw the kids, too.
41:57Yes, they're really broken.
41:59Look.
42:00Can you see?
42:01Yes.
42:03I see.
42:04Nice.
42:05Where are you going now?
42:06To my office.
42:08Nice.
42:10My day has started very well.
42:14Hello, little boy.
42:18Oh, my!
42:20There!
42:26Good morning.
42:28Oh, my!
42:29Welcome, my child!
42:30Welcome, our boy!
42:31Welcome, our boy!
42:32Welcome, our boy!
42:33Welcome, our boy!
42:36What's up, Argyris?
42:37What's going on?
42:38What's up?
42:39How did you spend last night at the club?
42:41We?
42:42Good.
42:43You were having a good time.
42:45You were watching me with Elvira.
42:47I was out every night.
42:48We were having a disco.
42:49You were watching me.
42:50I was dancing with you.
42:53We were talking.
42:54It was a dream.
42:55Elvira from the other side.
42:56She introduced you to Elton John.
42:58Olivia Newton-Jones.
43:00Olivia Newton-Jones.
43:01That's right.
43:02You panicked.
43:03You panicked.
43:04You're still panicking.
43:06It's not a big deal.
43:07It's all in the past.
43:08It's all in the past.
43:09Life is for the young, my boy.
43:11It's for the young.
43:12There's a bright future ahead of you.
43:14I can see that.
43:15Look, if you mean me and Natalia...
43:17Of course.
43:18You, my boy.
43:19Have fun.
43:20Have fun.
43:21Please.
43:22You're such a perfect couple.
43:23I was watching you last night at home.
43:25I was jealous of you.
43:26I was saying,
43:27I was jealous of you.
43:28Wait, wait, wait.
43:29We're not yet...
43:30Okay, the truth is that you know
43:32that I can't be in a relationship with you in the company.
43:34Yes.
43:35Yes, but it's about my girlfriend.
43:37And as you can see,
43:38I'm a bit nervous.
43:39You got me, didn't you?
43:40Come on.
43:41Natalia and I are not a couple.
43:43We're just dating.
43:44I know.
43:45You're still at the stage of getting to know each other.
43:47But as far as I'm concerned,
43:48I mean,
43:49you'll get to know...
43:50Huh?
43:51You got me, didn't you?
43:52I...
43:53I...
43:54I don't know.
43:55I'll show you.
43:56I'm not talking to you right now.
43:57I'm listening.
43:58Of course,
43:59I like that you're protective.
44:01You're very selective,
44:02but also very methodical.
44:03Just like you are at work.
44:05Yes.
44:06After all,
44:07whoever is in a hurry,
44:08is in a hurry, right?
44:09Yes.
44:10But I'm not afraid of you.
44:11I'm not afraid of you at all.
44:12You know very well
44:13that step by step,
44:14careers are being built.
44:15Houses are being built.
44:16Houses are being built.
44:17Families are being built.
44:18Do you understand?
44:19Do you understand?
44:20Do you understand?
44:31Do you understand?
44:32Do you understand?
44:33Do you understand?
44:34Do you understand?
44:35Do you understand?
44:36Do you understand?
44:37Do you understand?
44:38Do you understand?
44:39Do you understand?
44:40Do you understand?
44:41Do you understand?
44:42Do you understand?
44:43Do you understand?
44:44Do you understand?
44:45Do you understand?
44:46Do you understand?
44:47Do you understand?
44:48Do you understand?
44:49Do you understand?
44:50Do you understand?
44:51Do you understand?
44:52Do you understand?
44:53Do you understand?
44:54Do you understand?
44:55Do you understand?
44:56Do you understand?
44:57Do you understand?
44:58Do you understand?
44:59Do you understand?
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