š Description:
Experience the suspenseful blend of science fiction and horror in Black Friday (1940), a classic film directed by Arthur Lubin. This cinematic gem stars Boris Karloff as Dr. Ernest Sovac and Bela Lugosi as Eric Marnay, delivering captivating performances that have stood the test of time.
Plot Summary:
When mild-mannered professor George Kingsley is critically injured in an accident involving gangster Red Cannon, his friend, brain surgeon Dr. Ernest Sovac, performs a radical procedure to save himātransplanting part of Cannon's brain into Kingsley's. The operation results in a dual personality, with Kingsley intermittently adopting Cannon's criminal tendencies. As the gangster's persona seeks vengeance and hidden loot, Dr. Sovac becomes entangled in a dangerous game of science and morality.
Film Details:
Director: Arthur Lubin
Screenplay: Curt Siodmak, Eric Taylor
Production: Universal Pictures
Release Date: April 12, 1940
Runtime: 70 minutes
Language: English
Country: United States
Black Friday delves into themes of identity, ethics in science, and the duality of human nature, making it a must-watch for fans of classic horror and thriller genres.
š Tags:
#Black Friday 1940, #Boris Karloff, #Bela Lugosi, #Classic Horror, #Full Movie, #Vintage Thriller, #Brain Transplant Movie, #Dual Personality Film, #Universal Pictures Classic, #1940s Cinema, #Arthur Lubin, #Stanley Ridges, #Public Domain Film, #Classic Sci-Fi Horror, #Old Horror Movies
Experience the suspenseful blend of science fiction and horror in Black Friday (1940), a classic film directed by Arthur Lubin. This cinematic gem stars Boris Karloff as Dr. Ernest Sovac and Bela Lugosi as Eric Marnay, delivering captivating performances that have stood the test of time.
Plot Summary:
When mild-mannered professor George Kingsley is critically injured in an accident involving gangster Red Cannon, his friend, brain surgeon Dr. Ernest Sovac, performs a radical procedure to save himātransplanting part of Cannon's brain into Kingsley's. The operation results in a dual personality, with Kingsley intermittently adopting Cannon's criminal tendencies. As the gangster's persona seeks vengeance and hidden loot, Dr. Sovac becomes entangled in a dangerous game of science and morality.
Film Details:
Director: Arthur Lubin
Screenplay: Curt Siodmak, Eric Taylor
Production: Universal Pictures
Release Date: April 12, 1940
Runtime: 70 minutes
Language: English
Country: United States
Black Friday delves into themes of identity, ethics in science, and the duality of human nature, making it a must-watch for fans of classic horror and thriller genres.
š Tags:
#Black Friday 1940, #Boris Karloff, #Bela Lugosi, #Classic Horror, #Full Movie, #Vintage Thriller, #Brain Transplant Movie, #Dual Personality Film, #Universal Pictures Classic, #1940s Cinema, #Arthur Lubin, #Stanley Ridges, #Public Domain Film, #Classic Sci-Fi Horror, #Old Horror Movies
Category
š„
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:29Father, which art in heaven, hallowed be thy name, thy kingdom come, thy will be done,
00:01:53in earth, as it is in heaven.
00:01:58Give us this day our daily bread, and forgive us our debts, as we forgive our debtors.
00:02:07Lead us not into temptation, but deliver us from evil.
00:02:12For thine is the kingdom, the power, and the glory forever.
00:02:17Amen.
00:02:31I'd like you to have my notes and records.
00:02:34Of all the newspapers, yours was the only one which was fair to me.
00:02:40Thanks, doctor.
00:02:41Oh, sir.
00:02:42I'll be there.
00:02:42Let's go.
00:03:12Friday the 13th.
00:03:16This morning, my old friend George Kingsley was conducting his class at the University of Newcastle.
00:03:27And in 1547, Sir Joshua Peachtree wrote,
00:03:31Thou who breakest glass, will find. Fate can be, O most unkind.
00:03:37Under ladder walkest thee, most unlucky thou wilt be.
00:03:40Each Stred Friday do take care, else thou fallest down the stair.
00:03:46And with that little epic, Sir Joshua proved that he was a poet of the first rank.
00:03:51In fact, I should say he possibly was the rankest poet that England ever turned out.
00:03:59Just a moment, please, just a moment.
00:04:02This being the end of the semester, I have an announcement to make that I'm sure will give you a great deal of pleasure.
00:04:09Although I myself am sorry to tell you that I may not be with you next term.
00:04:15Today I must leave to appear before the Inquisitional Board of Regents of a very large university in the East.
00:04:22Very large university indeed.
00:04:28How many of the dunce that has been sent to Rome excels the dunce that must stay at home.
00:04:36I sincerely hope the board does not like me.
00:04:39I'll try and be back next term.
00:04:41Oh, my umbrella.
00:04:42Dr. Kingsley.
00:04:43Yes, sir.
00:04:44I wish you the best of luck, but...
00:04:45Thank you, Edmund.
00:04:46Yeah, we hope to see you next semester, doctor.
00:04:48We'd better hurry, Professor. Dad will be waiting to take us to the station.
00:04:51Have a good trip, Professor.
00:04:52Hurry back.
00:04:53Thank you very much.
00:04:54Professor.
00:04:55Yes, sir.
00:04:56English won't seem the same without you.
00:04:58Well, that's very nice of you indeed, sir.
00:04:59Come on, Professor.
00:05:00You know, Jean, I'm going to miss all this.
00:05:04But most of all, I'm going to miss your father.
00:05:07A brilliant man, Jean.
00:05:09It distresses me to think that such a great brain surgeon should be so utterly wasted in Newcastle.
00:05:14Newcastle is a very welcome port in a very bad storm.
00:05:18Why, if it hadn't been for you, Professor, I don't know what we would have done.
00:05:21Oh, Jean, my dear.
00:05:22Well, Margaret, you don't know how sorry I am to see you and George leave.
00:05:32You've befriended Jean and me in so many ways since we came to live here.
00:05:35We're going to miss you too, Ernst.
00:05:36Thank you, Margaret.
00:05:37Oh, here they are.
00:05:38Hello, darling.
00:05:39Hello, Margaret.
00:05:40Ernst, if I could only drive, I'd never impose on you like this.
00:05:43It's a pleasure, George.
00:05:44Rather a mixed one, you know.
00:05:45We hate to see you go.
00:05:47Hello, Dad.
00:05:48Oh, I knew I'd forgotten something.
00:05:51Oh, as usual.
00:05:52What an hour.
00:05:53Ernst, would you mind stopping at the students' cleaning shop?
00:05:55My one and only hat is there.
00:05:57And a professor must have dignity when he goes to the city.
00:06:06There we are, George.
00:06:07Mrs. George, may I hear?
00:06:08George!
00:06:09Oh, yes.
00:06:10Hurry, I'll miss the train.
00:06:11Oh, Professor, don't let them sell you one of those fancy feathers.
00:06:14I won't, Jean, I won't.
00:06:16And George.
00:06:17George.
00:06:18George.
00:06:19Yes, dear.
00:06:20Now, watch the traffic, won't you?
00:06:21Be careful, please.
00:06:22Yes, darling, I don't worry.
00:06:23Be careful, now, please.
00:06:24Please.
00:06:25Dougie.
00:06:26Come on!
00:06:27Go back!
00:06:28Let's go.
00:06:58Mr. Red Cannon now belongs to the history of crime.
00:07:06Past tense.
00:07:07But what about our door? We ain't got it back yet.
00:07:09Yeah.
00:07:09Yeah, how about it?
00:07:10Mystery of all, it would have been poor business to kill Red...
00:07:13unless I knew how to locate the money.
00:07:16Turn back to the city.
00:07:25Ernst.
00:07:25He's going to be all right, my dear.
00:07:27Now, you go home with Gene and I'll call you later.
00:07:30We'll be waiting, Dave.
00:07:32Come on.
00:07:49Ambulance, huh?
00:07:50Uh-huh.
00:07:51Some men were shooting at you.
00:07:52Who were they?
00:07:54Just a few of my pals.
00:07:58How bad am I hurt?
00:07:59A few minor cuts on the scalp, that's all.
00:08:04Any pain?
00:08:06No, not much.
00:08:08Who's the other customer?
00:08:10The man you ran down, he's dying.
00:08:15Softy.
00:08:17Did those guys get away?
00:08:19Yes.
00:08:20And pull the bell cord of this bus.
00:08:22This is where I get off.
00:08:23And I'm going rat killing.
00:08:26Hey, I'm tied down.
00:08:27What is this, a pinch?
00:08:34Turn that thing off.
00:08:35I can't stand it.
00:08:35It's driving me crazy.
00:08:49No use, Sovec.
00:08:51Kingsley has compound frontal and parietal fracture.
00:08:53And severe concussion of the cerebrum.
00:08:56Just a matter of hours.
00:08:58Or minutes.
00:08:58Paul's 65.
00:09:11He's in a coma.
00:09:27All right, nurse.
00:09:28You can go.
00:09:28I'll stay.
00:09:32What's the matter with me, Doc?
00:09:44Thanks.
00:09:46What's the matter with me, Doc?
00:09:49I can't feel nothing.
00:09:50My legs are there, but I can't feel them.
00:09:53Your spine is broken.
00:09:55You're paralyzed.
00:09:56Don't pull me through, Doc, will you?
00:10:01Pull me through and I'll pay you anything.
00:10:02I can feel it.
00:10:13I can feel it.
00:10:30Come here.
00:10:30Come here.
00:10:30The only possible way to save George Kingsley's life is by a brain transplantation,
00:10:38an operation I performed successfully on animals.
00:10:41This is a dangerous and illegal operation, but a chance to make a great scientific discovery
00:10:46and perhaps save my friend's life.
00:11:00Ernst, how long will his head be bandaged?
00:11:17Oh, not long now.
00:11:19Dr. Sauvac.
00:11:21Yes?
00:11:23Two gentlemen want to see you.
00:11:25Who are they?
00:11:27They are detectives, I believe.
00:11:29I'll see them.
00:11:32Excuse me, please.
00:11:33I'll be right back, George.
00:11:36A miraculous recovery, Mrs. Kingsley.
00:11:39Amazing.
00:11:43It's cannon, all right.
00:11:48Well, doctor, the head injuries caused death?
00:11:52And many complications.
00:11:54His spine was broken.
00:11:56We did all we could for it.
00:11:57Don't feel badly about it, doctor.
00:11:59He wasn't worth it.
00:12:00He had nothing but the electric chair to live for.
00:12:02Did he say anything before he died?
00:12:04About money, for instance?
00:12:06Not that I know of.
00:12:08Thanks, doctor.
00:12:27$500,000.
00:12:41Five hundred thousand dollars.
00:12:43With that money, I could build my own laboratory and continue with my experiments.
00:12:59Kingsley is convalescing and seems to show some of Red Cannon's traits.
00:13:05Does the Cannon brain in Kingsley's head retain the knowledge of the hidden money?
00:13:10I've been waiting to see you, Ernst. I'm worried about George. He just doesn't seem himself.
00:13:20Why, he's getting stronger every day, isn't he?
00:13:22Physically, yes. But his mental condition doesn't seem right. He's irritable.
00:13:27Flies into a rage for no reason at all. That isn't like George.
00:13:30No, it isn't. He has been acting strangely lately.
00:13:35I don't think I'd be too alarmed about it, though, if I were you.
00:13:38Well, I hope you're right.
00:13:40I think so.
00:13:42You're late today, Ernst. Come and sit down and talk to me. I'm feeling very low.
00:13:46Will you have some tea?
00:13:48Perfect. The trouble with you is you're feeling too well.
00:13:51Too well? I used to think that a long period of convalescence would be like an ocean voyage.
00:13:56That I'd have a chance to read all the books I want to that I haven't time to ordinarily.
00:14:02But nothing seems to interest me.
00:14:05A boring period, convalescence.
00:14:07Yes, indeed it is.
00:14:09I'm afraid I've got to go to New York for a few days, George.
00:14:13You've got to?
00:14:14Yes, a little business for the hospital.
00:14:16Well, that's nice. I must say, what am I going to do for companionship?
00:14:20Well, why not come with me?
00:14:22Come with you?
00:14:24Oh, no, I couldn't do that. New York's too big, too noisy.
00:14:28I never have wanted to go there.
00:14:30And yet...
00:14:32It's the very thing you need, George.
00:14:34You've had your fill of peace and quiet.
00:14:36You'll find New York exciting, stimulating.
00:14:40Just the thing to lift you out of the doldrums.
00:14:43As my doctor, do you prescribe it?
00:14:45As your doctor, I insist on it.
00:14:48Very well.
00:14:50I'll tell Margaret to pack.
00:14:52Oh, no, George. Let's go alone.
00:14:54Alone?
00:14:56In New York, without Margaret?
00:14:58What you need is a radical change.
00:15:01Well, perhaps you're right.
00:15:03Ernst.
00:15:04I've been like a bear lately.
00:15:06I'm quite sure she'd be glad to be rid of me for a time.
00:15:10New York.
00:15:12New York.
00:15:14I wonder...
00:15:22I'm taking Kingsley to Red's old environment.
00:15:24In fact, to the Midtown Hotel which Cannon used as his hideout.
00:15:34Good afternoon, gentlemen.
00:15:35We'd like adjoining rooms.
00:15:36Uh, yes.
00:15:37Yes.
00:15:38Uh...
00:15:39505 and 506, if they're available. Are they?
00:15:40Well, yes, they're available.
00:15:42Uh, you've, uh, been with us before, sir?
00:15:43Well, I...
00:15:44No.
00:15:45Of course not.
00:15:46But I...
00:15:47I like a corner room with three windows and a fire escape.
00:15:49This way, gentlemen.
00:15:50This way, gentlemen.
00:15:51This way, gentlemen.
00:15:56Thank you, sir.
00:15:58Thank you very much.
00:16:00Thank you, sir.
00:16:01Well, you've been with us before, sir?
00:16:02Well, I...
00:16:03No.
00:16:04Of course not.
00:16:05But I...
00:16:07I like a corner room with three windows and a fire escape.
00:16:13This way, gentlemen.
00:16:24I'm in the next room, Ernst.
00:16:28Will you bring the black bag in here, please?
00:16:40I'm in the next room, Ernst.
00:16:44Will you bring the black bag in here, please?
00:16:54I'm in the next room.
00:17:12You picked a room with a history, Mr. Kingsley.
00:17:14Really? But history is not my subject.
00:17:17I don't mean that. I'm talking about Red Cannon.
00:17:20He hid out in these rooms for nearly six months from cops, G-men and his own gang.
00:17:26Nobody in the hotel suspected him, but his gang got wise and Red tried to run out.
00:17:30They caught up to him in some small town in the sticks.
00:17:33Imagine when we found out who he was and him with nearly a million bucks hidden away.
00:17:38Say, the manager locked himself in here and took these rooms apart.
00:17:41Yes, yes, yes.
00:17:42But he's still the manager, so I guess he didn't find it.
00:17:45Anyway, I made plenty out of Cannon. I was the only one he allowed up here.
00:17:49I had a special way of knocking.
00:17:57Yes, sir. That's it.
00:18:01Thanks.
00:18:19You've got to go.
00:18:20Thanks, sir.
00:18:21Hey, sir.
00:18:22You have to be seated.
00:18:23You're a little bit.
00:18:24You're a little bit.
00:18:25You're a little bit.
00:18:26You're a little bit.
00:18:27You're a little bit.
00:18:28You're a little bit.
00:18:29I'm going to freshen up a bit.
00:18:30And then, let's go out.
00:18:32and then let's go out let's do the town you know what I mean a good dinner and perhaps a bottle of
00:18:50wine splendid George I'll get changed and then we'll go I chatter chatter as I flow to join the
00:19:01brimming river for men may come and then they go but I go on forever
00:19:26the cannon brain remembers this hotel will it also remember Red's
00:19:31friends Miller Kane DeVore and Marnie I'm taking Kingsley to the Club Royale where he'll see Sonny Rogers
00:19:39Cannon's former sweetheart
00:19:41my kisses captured your lips but never reached your heart
00:19:53last night I thought you loved me dearly
00:20:01and I was old-fashioned George I'm ready for anything
00:20:11but now you're as far as far as the tidiest star
00:20:25I find the singer rather interesting don't you George
00:20:30who is she Ernst I seem to know her could she be one of my former students
00:20:39I really am surprised George that you're pretending to know the singer
00:20:48oh come come come now Ernst I'm a college professor not a college boy
00:20:53all these people here on pleasure vent and pleasure brings as surely in her train remorse and sorrow and vindictive pain as William Cowper says
00:21:00and vindictive pain as William Cowper says
00:21:07oh pardon me
00:21:10sure
00:21:12sure
00:21:13why what's wrong George my head Ernst that pain again I can't stand it
00:21:35we'll leave instantly
00:21:45yes yes the next train leaves at noon do you wish me to make a reservation
00:21:50yes please and send up a boy to help me pack will you
00:21:56well good morning George you slept late
00:22:04but my sleep doesn't seem to refresh me
00:22:11Ernst we're old enough friends that we don't have to deceive each other
00:22:16why do you say that
00:22:17then tell me what is the matter with me
00:22:21my sleep only seems to tire me
00:22:24and I'm haunted by the most horrible dreams
00:22:28a perfectly normal reaction to the shock of your accident George
00:22:32come in
00:22:39what do you mean by that ridiculous tap tap tap tap tapping
00:22:43why don't you knock the door like anybody else
00:22:46anything you say sir
00:22:48you wanted me to pack
00:22:49yes
00:22:50I don't know what I'm doing here anyway
00:22:54Ernst
00:22:56Ernst
00:22:57Ernst
00:22:58I'm going home
00:22:59I need Margaret
00:23:01I don't think I tried to leave today George
00:23:06now you can stop the packing
00:23:08yes sir
00:23:14I don't think you're well enough to travel
00:23:17Now, let's wait and see how you feel tomorrow.
00:23:36Red.
00:23:38Red Cannon.
00:23:40You were the leader of a gang.
00:23:42They tried to kill you.
00:23:44You came back to get revenge.
00:23:46Red.
00:23:58Do you remember the name Marnie?
00:24:02Marnie.
00:24:05He's the one who took your place.
00:24:10Marnie, Miller, Kane, Duvall.
00:24:14Why did they try to kill you, Red?
00:24:18To get your money?
00:24:22But they didn't find it, did they?
00:24:26It's safe just where you hid it.
00:24:30Where is it, Red?
00:24:34Marnie.
00:24:36Miller.
00:24:38Kane.
00:24:40Duvall.
00:24:42You've been ill, Red.
00:24:54You've been ill, Red.
00:24:58I remember that, that hick town.
00:25:00You're the doc, ain't you?
00:25:02Yes.
00:25:04Say.
00:25:06My back's better.
00:25:08You cured me?
00:25:10Yes.
00:25:11You're perfectly well now.
00:25:12Thanks, Doc.
00:25:13I won't forget it either.
00:25:22Midtown Hotel, huh?
00:25:24How'd I get here?
00:25:25You asked me to bring you.
00:25:26That must have been out of my head.
00:25:27Like every copper in town will be looking for me.
00:25:31I've got something to tell you, Red.
00:25:34How'd I get here?
00:25:35You asked me to bring you.
00:25:37I must have been out of my head.
00:25:39Like every copper in town will be looking for me.
00:25:41I've got something to tell you, Red.
00:25:42How'd I get here?
00:25:43You asked me to bring you.
00:25:44That must have been out of my head.
00:25:46Like every copper in town will be looking for me.
00:25:49I've got something to tell you, Red.
00:25:54Oh, yeah? What?
00:25:57You were smashed up in an accident, you remember?
00:26:00I had to operate to give you another body.
00:26:03You had to do what?
00:26:05What are you talking about?
00:26:12Why did you do this to me?
00:26:30It was the only way to keep you alive.
00:26:33Oh.
00:26:39Doc, you're a genius.
00:26:41But you could have given me a better chassis.
00:26:44I never saw plastic surgery like that before.
00:26:47I used the body of the other man who was dead.
00:26:49It was the only way to save you.
00:26:53Say, wait a minute.
00:26:55Nobody will know me like this.
00:26:58Why, I can do anything.
00:27:02Who was the other guy?
00:27:04He was a professor of English literature.
00:27:06English literature?
00:27:08Well...
00:27:13Well, how are you, Prof?
00:27:14You're now Professor George Kingsley.
00:27:16And you teach in the university at Newcastle.
00:27:20What a disguise.
00:27:22What a break for, uh...
00:27:24Red Cannon.
00:27:31Come in.
00:27:32Telegram, sir.
00:27:34Hey, what is...
00:27:35Next time, you do as you're told.
00:27:36When you come to my room, knock like this.
00:27:37Now, scram.
00:27:38Yes, sir.
00:27:39Next time.
00:27:41Mm-hm.
00:27:47Hello, Amy.
00:27:48Oh, uh...
00:27:49Hey!
00:27:50What is...
00:27:51Next time, you do as you're told.
00:27:52When you come to my room, knock like this.
00:27:54Now, scram.
00:27:55Yes, sir.
00:27:57Next time.
00:27:59Red, I think.
00:28:29Let's go.
00:28:59Let's go.
00:29:29Let's go.
00:29:33Let's go.
00:29:35Let's go.
00:29:43Good morning, sir.
00:29:45I'll take them.
00:29:47Good morning, sir.
00:29:49I'm going to take them.
00:29:52Good morning, sir.
00:29:53I'll take them.
00:29:55Good morning, sir.
00:29:57I'll take them.
00:29:59And, uh, here's the morning paper, sir.
00:30:01Compliments of the house.
00:30:03Say, you sure get around, mister.
00:30:04From the looks of those clothes last night,
00:30:06it would seem like you fell into a cement mixer.
00:30:07That'll be all.
00:30:08Yes, sir.
00:30:25Thank you, sir.
00:30:48Good morning.
00:31:02Yes.
00:31:07How do you feel?
00:31:09Not very well.
00:31:11I'm afraid coming to New York was too exciting.
00:31:14I feel as if the life were drained out of me.
00:31:19She will be all right as soon as you've had a little rest.
00:31:22Well, perhaps so.
00:31:28Here's a curious thing, George.
00:31:31It seems that Louis DeVore, one of the Red Cannon gang,
00:31:35was found early this morning in a deserted building,
00:31:38dying from the effects of a brutal beating.
00:31:41His back had been broken.
00:31:44Good heavens, Ernst.
00:31:46Why on earth bother me with that gruesome stuff?
00:31:50Sorry, George.
00:31:56Things have taken a dangerous turn.
00:31:58Kingsley has killed DeVore.
00:32:00While in this environment, I never know when the murderous brain
00:32:03of Red Cannon may take possession of Kingsley.
00:32:05But I will not stop my experiments.
00:32:07I must find out where the Cannon money is hidden.
00:32:10I must find out where the Carson Rabbit is the dragon.
00:32:13przez me that Š²ŠøŠ“Šµoląø
00:32:18Not thatOC hurt, George.
00:32:20I must find out who I am
00:32:23as follows.
00:32:25Charles!
00:32:26Oh,Ćørre!
00:32:27conclude!
00:32:28Ha-er!
00:32:32ä¹å¾å„½!
00:32:35N bisous dough
00:32:38All ready, George?
00:33:08Oh, Miss...
00:33:10Yes, sir?
00:33:12I wonder if you'd be kind enough to open my friend's door for me.
00:33:16I'm a little worried about him. He hasn't been very well.
00:33:19Yes, sir.
00:33:22I ain't been feeling so well myself lately.
00:33:26I'm a little worried about him. He hasn't been very well.
00:33:28Yes, sir. I ain't been feeling so well myself lately.
00:33:56Evidently, my friend has gone out.
00:34:20You can wait for me.
00:34:26No, thank you. I was here the other night with a friend.
00:34:30The rather middle-aged gentleman.
00:34:32That's right. Has he been here tonight?
00:34:34I don't think so.
00:34:35Oh, wait a minute. There was a gentleman that looked like him at the bar.
00:34:38At the bar?
00:34:39Oh, no, no, no. On second thought, he couldn't have been your friend.
00:34:43And besides, that man left a little while ago, sir.
00:34:45Oh.
00:34:52I don't think Sunny was pleased to see us.
00:34:55Why are we wasting time fooling around here?
00:34:57Didn't you see that newspaper picture of the boy's battered body?
00:35:00Say, maybe they'll kill us after us, too.
00:35:02A good deduction.
00:35:04But who would want us dead except some friend of Red's?
00:35:07And who would know about Red Cannon's friends better than Sunny?
00:35:12That's right.
00:35:13Tell your nerves to stop doing nip-ups.
00:35:15Marnay'll handle this.
00:35:16Yes, you will handle this thing.
00:35:19I've seen you trying to take Red's place here.
00:35:22Go on.
00:35:46I didn't have any part of DeBoer's killing.
00:35:56Nobody said you did.
00:35:58And everything's just lovely.
00:36:00I'd like to see you at your apartment after you get through.
00:36:03Maybe if we put together what you know about Red and what I know,
00:36:06it'll add up to some money.
00:36:08Say, if I knew anything about a half a million bucks,
00:36:12do you think I'd be working in this joint?
00:36:14We'll go over all that later.
00:36:20Like it?
00:36:21Sure.
00:36:22Sure.
00:36:23It's yours.
00:36:27Tonight.
00:36:44Hey.
00:36:45What is this?
00:36:48Get out of my car.
00:36:52What do you want?
00:36:55You ought not to have to think very hard after what happened to DeBoer.
00:36:58Who are you?
00:37:23Hello, Bill.
00:37:27Who is it?
00:37:28Who is it sent you that money to get out of that trouble in Chicago?
00:37:31Red.
00:37:40You're alive?
00:37:47Yes.
00:37:48I'll be right up.
00:37:52Don't.
00:38:03Fred!
00:38:13Well, of all the....
00:38:15Don't speak.
00:38:16Don't even move.
00:38:17Just let me look at you.
00:38:18It's great to be back, Sonny.
00:38:22Why did you move the piano?
00:38:24You know I always liked it in that corner.
00:38:26How do you know about that?
00:38:28Surely you didn't think I'd forget in two short months.
00:38:30Are there any cigarettes in the door?
00:38:32Yes.
00:38:38You look good, darling.
00:38:40Come on, let's have a drink.
00:38:48Come on.
00:38:58Nothing touched, eh?
00:39:00Good girl.
00:39:18Well, here we are.
00:39:28How do you like the trimmings?
00:39:42Let me put it on.
00:39:48How did you get it?
00:39:54Just picked it up.
00:39:56Well, you don't seem very glad to see me.
00:40:00You're afraid.
00:40:04What are you afraid of?
00:40:06I'm not afraid.
00:40:18Great Cannon must be jumping with joy in his grave the way his boys are getting knocked off.
00:40:24All right, boys.
00:40:28About the DeVore and Cain murders.
00:40:30You know, they were both Cannon's men.
00:40:32We've always believed that his own gang was responsible for Red's death.
00:40:35Can some friend of his be systematically killing off his murderers?
00:40:38A dead gangster has no friends.
00:40:40I want you to go out and find Marnie and Miller.
00:40:43Yes, sir.
00:40:44Okay.
00:40:45Take a couple of men with you and check the rich manor apartments.
00:41:15You're sure?
00:41:16This is Marnie's apartment.
00:41:17Oh, good afternoon.
00:41:21I'm sorry, but Mr. Marnie is not at home.
00:41:25Do you mind if we wait for him?
00:41:26Not at all.
00:41:27Are you a friend of Mr. Marnie?
00:41:28In a way, I'm just waiting until he comes back.
00:41:29Who are you?
00:41:30What?
00:41:31We're from police headquarters.
00:41:32Oh, I see.
00:41:33I see.
00:41:34We're gone.
00:41:35He's a friend of the river.
00:41:36I see.
00:41:37He's a friend of the river.
00:41:38He's a gentleman.
00:41:39I got a friend.
00:41:40Who's going on?
00:41:41Oh, you're going off?
00:41:42Oh, I'm your friend.
00:41:43I'm your friend?
00:41:44I'm your friend.
00:41:45Good afternoon.
00:41:46You're a friend.
00:41:47Good afternoon.
00:41:48I'm sorry, but Mr. Marnie is not at home.
00:41:50You mind if we wait for him?
00:41:51Not at all.
00:41:52Are you a friend of Mr. Marnie?
00:41:53In a way.
00:41:54I'm just waiting until he comes back.
00:41:55Who are you?
00:41:56What?
00:41:57Oh, I see.
00:42:00My name is Kingsley.
00:42:02I'm a professor of English at the University of Newcastle.
00:42:05From Newcastle?
00:42:06Yeah.
00:42:07You, the professor, was hit the time Red Cannon was killed?
00:42:09That's right.
00:42:11What business could you have with Marty?
00:42:13You'd better come along with us and explain that to the D.A.
00:42:27Hey, look, you know thekins, the boss, come on.
00:42:31Captain.
00:42:33You've got to know the whole discussion.
00:42:36Well, where did you go?
00:42:37Do you know me?
00:42:41No.
00:42:42You have to know me.
00:42:43Come here.
00:42:44You have to know me, my you are.
00:42:45I've been in the building.
00:42:46I've been in the building.
00:42:47You've got to know me.
00:42:48I've been in the building.
00:42:49Don't worry about it.
00:42:50I've been in my building.
00:42:51I've been in the building.
00:42:52I've been in the building.
00:42:53Just you, Mr. President.
00:42:54Well, I've been doing it.
00:42:55Good morning, Sonny.
00:42:57Marnie.
00:42:59What's the matter?
00:43:01Aren't we welcome?
00:43:05So, Cain was here last night.
00:43:07Well, I, uh...
00:43:09had a date with him, but he didn't show up.
00:43:11The police found his buddy this morning strangled.
00:43:13Yeah, and his back was broken, just like divorce.
00:43:15Well, I don't know anything about it.
00:43:17No? Yes.
00:43:19Well, I don't know anything about it.
00:43:21No? Yes.
00:43:23If Cain wasn't here, where did you get that watch?
00:43:25Well, I expected him, but somebody else came and gave me the watch.
00:43:27Who?
00:43:29He said he was Red Cannon.
00:43:31What did he drive up in? A hearse?
00:43:35Try again.
00:43:37And be a little more believable.
00:43:39Well, I'm trying.
00:43:41Hey, Red was here. Look.
00:43:43Red always killed his cigarettes this way.
00:43:45Now, you've got to be alive to do that.
00:43:47Red's been dead since two months.
00:43:49That's what I thought.
00:43:51Well, last night this man came here and he didn't look like Red, but...
00:43:57This is the first thing he did when he came in.
00:43:59He knew everything that only Red knew.
00:44:05He even acted and talked like Red.
00:44:07Probably somebody Red coached carefully.
00:44:11Somebody from the tick town who got close to him before he died.
00:44:15If he knows so much, he may know where Red hid the money.
00:44:17That would be his payoff.
00:44:19He gets Red's money for killing all of us.
00:44:21Where does he live?
00:44:23I suppose you're going to say room 505 at the mid-bound.
00:44:27Who left his matches here?
00:44:29Asked of all. And Cain.
00:44:33Um...
00:44:35Anybody to Professor Kingsley?
00:44:37Nothing, Doctor.
00:44:39Hmm.
00:44:41Dad.
00:44:43Margaret was so worried.
00:44:45We talked it over and decided to come on to New York.
00:44:47Ernest, I just had to see George. Where is he?
00:44:49Well, he's out. I don't quite know where.
00:44:51But I... I thought you were always with him.
00:44:53I'm afraid you're not going to like this, Margaret.
00:44:55But I'm going to be quite blunt with you.
00:44:57When George was convalescing at home, you were a marvelous nurse.
00:44:59Well, I did what I could.
00:45:01Exactly.
00:45:02Well, he turned his head. You were there to adjust the pillow.
00:45:04If he reached for a glass of water...
00:45:06You were there.
00:45:07If he reached for a glass of water...
00:45:09You were there.
00:45:10You were there.
00:45:11You were there.
00:45:12You were there.
00:45:13You were there.
00:45:14I did what I could.
00:45:15Well, he turned his head.
00:45:16You were there to adjust the pillow.
00:45:18If he reached for a glass of water, you were pouring it for him.
00:45:20I'm sorry.
00:45:21I couldn't have done more.
00:45:22But that was just the trouble.
00:45:23If you'd kept it up, he'd have been a permanent invalid.
00:45:26Well, why didn't you tell me?
00:45:28Well, naturally.
00:45:29I didn't want to hurt your feelings.
00:45:30And fortunately, George himself rebelled in time.
00:45:33And that's why you brought him to New York alone with you?
00:45:35Of course, my dear.
00:45:37He had to have a change.
00:45:38Has it helped?
00:45:39Is he better?
00:45:40Yes, he is.
00:45:41But we must still be careful.
00:45:43Now, I suggest that you allow him to remain here...
00:45:46until he's perfectly ready to go home of his own accord.
00:45:49And don't try to see him.
00:45:50Oh, but I...
00:45:51Now, you and Jean go up to your rooms and get some rest...
00:45:53and take the first train out for Newcastle in the morning, huh?
00:45:56Well, if it's best for him.
00:45:58All right.
00:45:59Believe me, it is.
00:46:00But there's George.
00:46:02Margaret, you said you wouldn't try to see him.
00:46:04Now, please, will you take her to my room?
00:46:05Oh, please, but Dad!
00:46:06Jean!
00:46:07I can't understand.
00:46:08I'll show you what I'm doing is for his own good.
00:46:10Now, please believe me.
00:46:16Who were the women?
00:46:17Never mind that.
00:46:18Why, what's happened to your shoulder?
00:46:19I got nicked.
00:46:20Who were those women?
00:46:21My daughter and your wife.
00:46:23My... my wife?
00:46:25Oh, Kingsley, sir.
00:46:27Well, get them out of here.
00:46:28I don't want any dames around here.
00:46:29Let me see.
00:46:30You've been shot.
00:46:31Yeah, fix it up, will you?
00:46:32How'd you get it?
00:46:33The coppers shot me.
00:46:34It's only a scratch.
00:46:35How'd you get it?
00:46:36Well, don't ride me.
00:46:37It's your fault anyway.
00:46:38Mine?
00:46:39Yeah.
00:46:40You told me to use this Kingsley gag.
00:46:41Well, I pulled it and it didn't work.
00:46:42Where were you?
00:46:43In Marnie's apartment.
00:46:44They tried to question Professor Kingsley,
00:46:45and I wouldn't stand for it.
00:46:46You killed them?
00:46:47Well, what do you think?
00:46:48Come on, get to work.
00:46:49You little fool.
00:46:50They'll catch you before we get the money and you...
00:46:54What money?
00:46:57What do you know about the money?
00:46:59Why, I...
00:47:00You know too much, Doc.
00:47:03Just a minute, Red.
00:47:05You kill me, what becomes of you?
00:47:08You think you're Red Cannon, don't you?
00:47:10But whose body are you wearing?
00:47:11Well, you told me.
00:47:12Exactly.
00:47:13George Kingsley's.
00:47:14Professor of English Literature at Newcastle.
00:47:17How'd you like to be George Kingsley for good?
00:47:19What do you mean?
00:47:20You're walking around in Kingsley's body, all right.
00:47:23But part of your brain is his and you can't control it.
00:47:26That's not true.
00:47:27That's not true.
00:47:28You killed the war.
00:47:29Last night you murdered Cain in his car outside the club.
00:47:33I saw it.
00:47:34Remember?
00:47:36But do you remember how you woke up?
00:47:38In this very room you woke as Kingsley, complaining of nightmares,
00:47:42not knowing why you were here.
00:47:44I can't think.
00:47:45What's happened to my brain?
00:47:46I can't remember.
00:47:47Of course you can't.
00:47:48And if I hadn't forced you back into Red Cannon,
00:47:50you'd have gone to Newcastle as Kingsley for the rest of your life.
00:47:53Stop it.
00:47:54I can make you forget you have a rare Red Cannon.
00:47:56Stop it, I tell you.
00:48:03I'll cut you in on the dough.
00:48:05You get your share.
00:48:07From now on you do exactly as I say.
00:48:13Okay, Doc.
00:48:15Now I'll fix that shoulder.
00:48:25It's no use, Jean.
00:48:26I'm not going home in the morning.
00:48:27Not unless George goes with me.
00:48:28But you told Dad...
00:48:29I don't care what I said.
00:48:30When George came in, your father practically ran me out of the room.
00:48:33He's trying to conceal something.
00:48:35No, Margaret.
00:48:36I'm going to see George now.
00:48:37And if Ernst tries to stop me, I'll call a New York doctor.
00:48:40Margaret, I'm sure you're worrying over nothing.
00:48:42But I'll go talk to Dad.
00:48:44There you are.
00:48:45Okay.
00:48:46Nice job, Doc.
00:48:47Not safe to stay here too long.
00:48:48You get that money tonight.
00:48:49Maybe you're right.
00:48:50I'll get going right away.
00:48:51You...
00:48:52Professor King?
00:48:53Dad!
00:48:54Jean.
00:48:55Dad?
00:48:56He didn't even know who I was.
00:48:57Oh, nonsense, Jean.
00:48:58And the way he looked.
00:48:59He was like the man.
00:49:00He was a man.
00:49:01He was a man.
00:49:02He was a man.
00:49:03He was a man.
00:49:04He was a man.
00:49:05He was a man.
00:49:06He was a man.
00:49:07He was a man.
00:49:08He was a man.
00:49:09He was a man.
00:49:10He was a man.
00:49:11He was a man.
00:49:12He was like Professor Kingsley, and yet...
00:49:16Dad, what is back of all this?
00:49:18Haven't you guessed?
00:49:20The operation I performed was a brain transplantation.
00:49:24Then his brain...
00:49:27Is partly the brain of Red Cannon.
00:49:30Dad.
00:49:32Your best friend.
00:49:34Oh, you couldn't.
00:49:35I saved his life, didn't I?
00:49:36Well, what's the good of that if you've turned him into a criminal?
00:49:38My only thought was to keep him alive.
00:49:39I swear it.
00:49:40But when I saw signs of the gradual awakening of the Cannon brain...
00:49:43I knew I'd made a great discovery for science.
00:49:46Cannon's a gangster.
00:49:47Murderer.
00:49:48All right.
00:49:49But in the meantime, I've proved what I always knew to be true.
00:49:52Transplanted human brain cells will live and function.
00:49:55What a triumph.
00:49:56Think of it.
00:49:57I'm not a scientist, Father.
00:49:58I can only see you destroying your best friend.
00:49:59Oh, it's too late to think of that.
00:50:00But you must.
00:50:01Think what you're doing to him and Margaret.
00:50:02Oh, he'll be all right.
00:50:03As soon as I get him back to Newcastle, he'll forget all about this.
00:50:04But I can't do that until...
00:50:05Until what?
00:50:06Until the experiment is completed.
00:50:07You've got to take him home tomorrow.
00:50:08Why?
00:50:09Because it's the only human thing to do.
00:50:10Margaret is suspicious.
00:50:11She has to be suspicious.
00:50:12She has to be suspicious.
00:50:13She has to be suspicious of the reason.
00:50:14Take his eyes.
00:50:15I'm afraid of him.
00:50:16I'll be afraid of his father.
00:50:17I can only see you destroying your best friend.
00:50:19Oh, it's too late to think of that.
00:50:20But you must.
00:50:21Think what you're doing to him and Margaret.
00:50:22Oh, he'll be all right.
00:50:23As soon as I get him back to Newcastle, he'll forget all about this.
00:50:25But I can't do that until...
00:50:26Until what?
00:50:27Until the experiment is completed.
00:50:29You've got to take him home tomorrow.
00:50:30Why?
00:50:31Because it's the only human thing to do.
00:50:33Margaret is suspicious.
00:50:35She threatens to call in a New York doctor,
00:50:37then the truth is bound to come out.
00:50:39Don't forget that. You had no legal right to operate.
00:50:42It means prison.
00:50:44And every chance you might have had for a career in this country is lost.
00:50:52Very well.
00:50:55Tell Margaret we'll go back to Newcastle in the morning.
00:50:59I'll tell her.
00:51:09Gang killer slays two detectives.
00:51:11You'd think the police would catch that killer by now.
00:51:13A guy like that must be a lunatic.
00:51:15If I got one look at him, I could tell his type.
00:51:21Same, sir.
00:51:29Oh, hello, darling.
00:51:31I sent you a message.
00:51:32I was coming back to your dressing room.
00:51:33I went home and packed.
00:51:35Pack?
00:51:36Where are we going?
00:51:37South America, for a starter.
00:51:39Have we, um, money enough?
00:51:41All the money in the world.
00:51:43Understand?
00:51:44All the money in the world.
00:51:46All the money in the world.
00:51:47Yeah.
00:51:48Let me have the keys to your car.
00:51:49I don't want any taxi drivers hanging around.
00:51:50Yeah, sure.
00:51:52Hear from me in an hour and I'll have everything we need.
00:51:53Be ready.
00:51:54What do you think?
00:51:55He wants me to run away with him.
00:51:56Oh, my God.
00:51:57I'm going to run away with him.
00:51:58All the money in the world.
00:51:59All the money in the world.
00:52:00I don't want any taxi drivers hanging around.
00:52:01Oh, my God.
00:52:02I've got my money.
00:52:03I don't want any taxi drivers hanging around.
00:52:04I don't want any taxi drivers hanging around.
00:52:05Yeah, sure.
00:52:06Hear from me in an hour and I'll have everything we need.
00:52:07Be ready.
00:52:08What do you think?
00:52:09What do you think?
00:52:24He wants me to run away with him. He's going to pick up the money now.
00:52:27Good. I knew he would. Sooner or later, we'll get it and split it three ways.
00:52:33Well, that's all right with me. I'll point him out to you.
00:52:39There he is, at the bar. Just getting up.
00:52:47He's taking my car. It should be easy to follow.
00:52:52What do you think of this guy? The way Red got hit, he couldn't have told everything he knew before he died.
00:52:58I only know that Red is planted in a graveyard, and I'm not afraid of anyone else.
00:53:02Me neither.
00:53:04Knowing this guy knows everything Red knew, and he gives me the creeps.
00:53:07He's leading us to a half million dollars.
00:53:09He's leading us to a half million dollars.
00:53:11He's leading us to a half million dollars.
00:53:13I don't know.
00:53:14I don't know if you're going to be the creeps.
00:53:17Come on.
00:53:18Come on.
00:53:19Here.
00:53:20Knowing this guy knows everything read to, and he gives me the creeps.
00:53:24He's leaving us to a half million dollars.
00:53:50Let's go.
00:54:50We'll take that box.
00:55:00Go ahead and shoot if you want to dive 200 feet for it.
00:55:04The money is what we want.
00:55:06Hand it over and we'll give you a break.
00:55:09Okay.
00:55:11Come and get it.
00:55:13Keep him covered.
00:55:20Come and get it.
00:55:50You never saw the day I couldn't break you apart, Miller.
00:56:10Come and get it.
00:56:36What's happened?
00:56:52Where's Miller?
00:56:53Get me something to open this.
00:56:55Hurry.
00:57:06Go get me a drink, and then we're on our way.
00:57:09Sonny, the split on this now is two ways.
00:57:33Sonny!
00:57:36Sonny!
00:57:42Get in there!
00:57:52You're late.
00:57:56Where's Molly?
00:57:57I don't know.
00:57:58I haven't seen him.
00:58:03Why is the bar open?
00:58:04I was getting a drink.
00:58:05I was almost packed and just waiting for you.
00:58:10Why are you staring at me?
00:58:12What's happened to you?
00:58:13Marnie and Miller followed me from the nightclub.
00:58:16Now I know why you didn't want me to come back to your dressing room.
00:58:19They were there.
00:58:20Red, what are you looking for?
00:58:21Don't you believe me?
00:58:22I haven't seen Marnie for six months.
00:58:26Red, look at me.
00:58:27There's never been anybody but you.
00:58:28Believe me.
00:58:29Believe me.
00:58:30I haven't seen Marnie for six months.
00:58:35Red, look at me.
00:58:36There's never been anybody but you.
00:58:37Believe me.
00:58:38What were you saying?
00:58:39What were you saying?
00:58:44What were you saying?
00:59:05Let me out.
00:59:15let me out I tell you where the money is I hear it I hear it is in the oven
00:59:35It's in the oven! Let me out!
00:59:38I'll tell you where the man is.
00:59:41It's in the oven! Let me out!
00:59:44Let me out!
00:59:46Let me out!
00:59:55Let me out!
00:59:58Out!
01:00:05Taxi.
01:00:08Yes, sir.
01:00:13Where to?
01:00:14That's in the airport.
01:00:15Yes, sir.
01:00:16Pardon the order.
01:00:20A hot driver that works all night shouldn't have kids.
01:00:23All night you work your heart out for the little woman and the little darling.
01:00:26All day long while you're trying to snatch 40 winks,
01:00:29the old lady slams the doors.
01:00:31The kids chase each other in and out of the room.
01:00:33One kid jumps up on the bed, hops on your stomach.
01:00:36Daddy, tell me a story.
01:00:38Tell me a funny story.
01:00:40I knock him out of the bed.
01:00:41He screams.
01:00:42The old lady calls me a tramp.
01:00:43Home sweet home.
01:00:45I'll kill him.
01:00:46Shut up.
01:00:47I don't like gappy taxi drivers.
01:01:03Sorry.
01:01:04Hello.
01:01:11I don't like gappy.
01:01:16I don't know what to do.
01:01:24Wesley Airport.
01:01:32Wesley Airport.
01:01:37What?
01:01:38Wesley Airport.
01:01:43Drive me to the Midtown Hotel.
01:01:46It's a crazy business, but it's a living.
01:01:58Midtown Hotel.
01:02:01480.
01:02:04Thank you. Keep the change.
01:02:09Hey, you forgot your box.
01:02:161,000 books.
01:02:21George.
01:02:23Ernst.
01:02:24Something's happened to my mind.
01:02:26I found myself in a taxi.
01:02:29And I don't know how I got there.
01:02:32I found myself in a taxi.
01:02:35And I don't know how I got there.
01:02:36Ernst.
01:02:37Just a minute, George.
01:02:40Ernst.
01:02:41Just a minute, George.
01:02:42Do you know Margaret and Jean are here?
01:02:43Margaret?
01:02:44Here?
01:02:45Margaret?
01:02:46Here?
01:02:47No.
01:02:48No.
01:02:49No.
01:02:50No.
01:02:51No.
01:02:52No.
01:02:53No.
01:02:54No.
01:02:55No.
01:02:56No.
01:02:57No.
01:02:58No.
01:02:59No.
01:03:00No.
01:03:01No.
01:03:02No.
01:03:03Do you know Margaret and Jean are here?
01:03:05Margaret here?
01:03:07Yes.
01:03:09Now drink this.
01:03:15I want you to get some rest before you see them.
01:03:27Now don't worry about a thing.
01:03:29Tomorrow...
01:03:31everything will be all right.
01:04:02I hope you enjoyed your visit, Mr. Kingsley.
01:04:04Yes, very much indeed.
01:04:06May I have the bill?
01:04:07Oh, no, George, allow me.
01:04:08If it was understood, you would be my guest, you know.
01:04:11Mr. Kingsley?
01:04:12Yes, that's my name.
01:04:14The Chief of Police would like to see you.
01:04:16Oh, really?
01:04:17But I don't even know him.
01:04:18We'll introduce you.
01:04:19What can the Chief of Police possibly want?
01:04:21There can't be any charge against Professor Kingsley, surely.
01:04:23The Chief will explain all that.
01:04:25Who are you?
01:04:26I'm his doctor.
01:04:27He's just recovering from an extremely serious illness.
01:04:30Come along.
01:04:31I'd like to go too, if you don't mind.
01:04:32All right.
01:04:33Come on.
01:04:34Well, uh, you go ahead to the station, dear.
01:04:37Yes, but George...
01:04:38No, no, no.
01:04:39It's all right.
01:04:40We'll meet you there.
01:04:41Goodbye.
01:04:47This is Mr. Kingsley, Chief.
01:04:48And his doctor.
01:04:49Sit down, gentlemen.
01:04:51Oh, thank you very much.
01:04:53The cab driver tried to change this at the bank.
01:04:56Circumstances are so unusual, we're holding him for investigation.
01:04:59A thousand...
01:05:01Look, Ernest.
01:05:02A thousand dollar bill.
01:05:03They really exist.
01:05:04The cab driver said you gave him that for a tip.
01:05:06The cab drivers?
01:05:08Well, that's a kingly gesture.
01:05:10I'm sure you honor me, but a thousand dollars, why, that's almost six months' salary.
01:05:14Bring the driver in.
01:05:16What's your occupation, Mr. Kingsley?
01:05:18I'm, uh, I'm a professor of English literature.
01:05:22And I might add a very underpaid professor.
01:05:25Come on.
01:05:26I gotta get out of here.
01:05:27I tell you, I gotta get out of here.
01:05:28In there.
01:05:29My wife.
01:05:30You will like having me stayin' in jail.
01:05:32Is this the man that gave you that thousand dollar bill?
01:05:38How do you do?
01:05:42Him?
01:05:43Does he look like a grand note to you?
01:05:46The guy I was talkin' about was a gangster.
01:05:49Who pushed me in the face.
01:05:51Can you imagine him pushin' me in the face?
01:05:54Oh, no.
01:05:57That's all, Mr. Kingsley.
01:05:58Sorry to have inconvenienced you.
01:06:00Thanks for coming in.
01:06:02We've barely time to catch the train, George.
01:06:04Yes, sir.
01:06:09Back in Newcastle, the red cannon brain has become completely dormant.
01:06:13Kingsley has returned to his classroom.
01:06:15Now I can actually bring to a realization my plans for a great laboratory and give the world the benefit of my scientific knowledge.
01:06:25Thus, you see, the Elizabethan novel was a minor passing form and fed the drama of the period.
01:06:30Which, I might add, devoured it avidly.
01:06:34I'm going to let you go a little early this afternoon.
01:06:37Early, but not immediately.
01:06:40And I'm quite sure you'll all be glad to hear that tomorrow we're going to have a quiz on the past two weeks' work.
01:06:46I must apologize for not giving you your full hour this afternoon.
01:06:53But my closest friend, Dr. Sovak, is leaving Newcastle.
01:07:03What was that?
01:07:06What is it?
01:07:07What's that noise?
01:07:10What is it?
01:07:11Why don't you answer me?
01:07:12It's a siren.
01:07:13Probably an ambulance or a police car.
01:07:27Come on.
01:07:28We can help you.
01:07:29What can we do?
01:07:42We can help you.
01:07:47Here you are.
01:07:48Thank you, dear.
01:07:50Gosh, Dad, I hate to leave this place.
01:07:53Seems so much like home to me.
01:07:55I know, Jean, but at least I'm going to a better position.
01:07:58Of course, then.
01:07:59I'll pack the rest of the books.
01:08:02Oh, Dad, I've packed all your instruments.
01:08:04Good girl, Jean.
01:08:13What?
01:08:15Where is he?
01:08:17Where's the duck?
01:08:18I want my dough.
01:08:19Where is it?
01:08:20You know where it is.
01:08:21You're sneaking away with it.
01:08:22What do you mean?
01:08:23Yes, you do.
01:08:24Tell me where it is.
01:08:25Dad!
01:08:26Stop it.
01:08:29Red!
01:08:42Ernst.
01:08:43Why?
01:08:44Why did you do it?
01:08:57Why, Ernst?
01:08:59I think you know the answer now, George.
01:09:12I've pronounced this man dead.
01:09:42It's gone.
01:09:43You're lying.
01:09:44How does that go?
01:09:45I did not know where it is.
01:09:46Let's stand with another son.
01:09:53Can you define me?
01:09:55You can't.
01:09:57No doubt you guys.
01:10:00I'm him.
01:10:02I'm not a man.
01:10:04All you fellas have to come on.
01:10:05Let's go.
01:10:07That way, in the voicekey ride.
01:10:08There that way, son.
01:10:10Let's go?
01:10:10Why?