Dive into the world of classic B-movie horror with Creature from the Haunted Sea (1961). Directed by Roger Corman, this cult favorite mixes crime, comedy, and horror as a gangster’s getaway plan goes terribly wrong when a mysterious sea monster appears. Quirky, campy, and unforgettable, it’s a vintage gem from the golden age of low-budget horror.
This film is in the public domain and preserved for historical and entertainment purposes.
#CreatureFromTheHauntedSea #PublicDomainFilm #VintageHorror #ClassicHorror #1960sCinema #BMovieHorror #CultClassic
This film is in the public domain and preserved for historical and entertainment purposes.
#CreatureFromTheHauntedSea #PublicDomainFilm #VintageHorror #ClassicHorror #1960sCinema #BMovieHorror #CultClassic
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Short filmTranscript
00:00:00For more information, visit www.fema.org
00:00:30THE END
00:01:00THE END
00:01:30THE END
00:02:00I had to go to the Santa Domingo bar, and I had to find Agent XK120, whom I'd never met.
00:02:26I looked around the room.
00:02:46Long training and my own instinct told me that the girl sitting at the table seemed the most likely prospect.
00:02:53The END
00:03:00The King is dead.
00:03:25Long lives the King.
00:03:28The King is dead.
00:03:35Is that supposed to be a political remark?
00:03:37I don't know anything about politics.
00:03:40Do you play?
00:03:41I never work, if I can help you.
00:03:44I meant chess.
00:03:46It's a very interesting game.
00:03:48So is this one we're playing.
00:03:50Would you like a drink?
00:03:52I wouldn't mind.
00:03:53Waiter, bring us a bottle of Chateau Marmont, 1907.
00:04:001911 was a better year.
00:04:041911 a day.
00:04:06We don't have any Chateau Marmont, but we have a good Chateau Rial in 1922.
00:04:11Forget it.
00:04:12Make it a couple of rum columns, kilo 58.
00:04:18I had to be sure it was you.
00:04:21XK120?
00:04:22Right.
00:04:23Please await her.
00:04:24One of them.
00:04:25Thinks I'm on their side.
00:04:26She was beautiful.
00:04:27I could have killed myself for wearing this stupid disguise.
00:04:30Now she would never know me as I really am.
00:04:32I'm leaving tonight.
00:04:33We'll keep in touch by radio.
00:04:34You have the code.
00:04:35And you point us back.
00:04:36Yes.
00:04:37Point of fact.
00:04:38Yes.
00:04:39Point of fact.
00:04:40Yes.
00:04:41And point of fact.
00:04:42I've got my Dakota ring.
00:04:43Right.
00:04:44Pay no attention to me when I leave.
00:04:45Right.
00:04:46Right.
00:04:47I'm leaving.
00:04:48I could have killed myself for wearing this stupid disguise.
00:04:49Now she would never know me as I really am.
00:04:52I'm leaving tonight.
00:04:53We'll keep in touch by radio.
00:04:54You have the code.
00:04:55In point of fact.
00:04:56Yes.
00:04:57In point of fact, I've got my Dakota ring.
00:04:58Right.
00:04:59Pay no attention to me when I leave.
00:05:00Right.
00:05:01I'm leaving.
00:05:02I'm leaving.
00:05:03I'm leaving.
00:05:04I'm leaving.
00:05:05I'm leaving.
00:05:06Just don't you have to kiss me back.
00:05:11Right.
00:08:53Next question.
00:08:54Here we have one-fourth
00:08:55of the Cuban treasure.
00:08:57Yulbrück, General Tostada,
00:08:58Coronel Cabeza Grande,
00:08:59and a squad of men will proceed to Ciudad Trujillo.
00:09:01There you'll wait for us to contact you and relieve you of the money,
00:09:03one-fourth of which will be paid to you.
00:09:05Do you understand?
00:09:06I get the whole picture.
00:09:08Now you do the rest.
00:09:09Señores.
00:09:10General Tostada, Coronel Cabeza Grande,
00:09:23Señor Renzo Capetto y...
00:09:24My name is Happy Jack Monaghan. Glad to meet you, Jim.
00:09:28Mis buenos amigos americanos,
00:09:30nos cabe el honor de preservar el honor del honor cubano.
00:09:34En un solemne acto de confianza han confiado en nuestras confiables manos
00:09:38ese botín con el cual reconstruiremos todo lo que Castro piensa construir.
00:09:43Yo saludo.
00:09:47And now, the gold.
00:10:08You two had better get into the car.
00:10:14The general doesn't know any English, Señor Capetto.
00:10:17I'll be his translator for you.
00:10:20Bueno?
00:10:21Bueno.
00:10:21Bueno.
00:10:22Métanse al auto.
00:10:24Now it's time to go.
00:10:26Adios.
00:10:27Adios.
00:10:28I'll see you later, huh?
00:10:29Pronto.
00:10:30I'll see you later.
00:10:39I'll see you later.
00:10:46Oh my God.
00:10:47Let's go!
00:11:17The first move and the great conspiracy had been made.
00:11:34The Cuban treasury was now in the gentle hands of Renzo Capetto,
00:11:39the most trustworthy man ever to be deported from Sicily.
00:11:42They thought they were smart.
00:11:43But little did they know that I, Sparks Moran, was an American agent.
00:11:49Luckily, I had been able to work my way into the crew
00:11:51by posing as a notorious gun machine burglar from Chicago.
00:11:56My real name is XK-150.
00:11:58Hey, you.
00:12:00Come on down here and help with this.
00:12:02How'd it go, Fusty?
00:12:05We had a hairy little chase, but we got the stuff.
00:12:08Crazy.
00:12:09Hey, Colonel Grande, you can bring your men aboard.
00:12:11What happens with all that mob?
00:12:15I don't know.
00:12:16I thought we'd just have an officer or two,
00:12:18but it looks like we're going to have a little difficulty.
00:12:22You don't think of a way to remove them and grab that loot.
00:12:27Because you're my big, strong, swinging brain.
00:12:32You're sweet, baby.
00:12:33Hi, Tish.
00:12:40Hi, baby doll.
00:12:42Did they scare you?
00:12:43Ah, just a little.
00:12:45Oh.
00:12:45All right, boys.
00:12:46Get ready to go.
00:12:48Pete, take the wheel.
00:12:50Jack, you and Clarks, Sparks, get ready to cast off.
00:12:56Well, well, this is a beautiful night for sailing.
00:13:12And so we left Cuba forever.
00:13:15Sailing the most astounding adventure to be inflicted upon man.
00:13:20And what a group we were.
00:13:21The big cheese was Renzo Capetto, alias Capo Rosetto, alias Rato Pizzetti, alias Zeppo Staccato, alias Shirley Lamour.
00:13:33At 15, he served his first stretch for rolling a drunk in the lobby of the Waldorf Astoria on New Year's Eve, 1934.
00:13:41In 1940, he was involved in an unsuccessful attempt to nominate Benito Mussolini for the Republican ticket.
00:13:47During the war, he was rejected by the Navy, Marines, and the SS.
00:13:53Now deported, he has retained his contacts with a syndicate and is still regarded as a dangerous character.
00:14:03Mary Bell Monaghan, alias Mary Monaghan Bell, alias Bell Mary Monaghan, alias Monaghan Mary Bell.
00:14:10They say she was a gun mall just because Lucky Luciano gave her a Rolls Royce every Christmas.
00:14:16And they can't really prove that she sneaked into the Hollywood Bowl with a Tommy gun and rubbed out the convention of police chiefs in 1956.
00:14:22Oh, I know that she got nailed cold when she was pushing heroin in the laundry room in Boys Town.
00:14:28But I'm willing to give anyone the benefit of the doubt.
00:14:32Especially when she's as crazy looking as Mary Bell.
00:14:35This is Happy Jack Monaghan.
00:14:38So called because he developed a muscle spasm in his cheeks from watching too many Humphrey Bogart pictures.
00:14:44Happy Jack's record is brief.
00:14:47His only crimes having been committed after his sister, Mary Bell, talked Renzo into giving him a job.
00:14:52Up until that time, Happy Jack had been a tennis bum.
00:14:56Sleeping under the bleachers at Forest Hills and Mooching Nichols in the BMT subway.
00:15:01Since taking up with Renzo, he has become a well-known dice loader and murderer.
00:15:06The most number of the dark quartet is Pete Peterson, Jr., son of Pete Peterson, Sr., famed vaudeville bird mimic.
00:15:14Pete, Jr. inherited his father's talent for animal imitations, but unfortunately blew his brain out of whack
00:15:20while imitating a whooping crane at the Yelts Convention picnic in Oshkosh in 1942.
00:15:26Since then, anyone has been able to convince Pete of anything.
00:15:29Renzo found him struggling along as a pickpocket at Jones Beach and took him with him in his exile.
00:15:36Since then, he has been Renzo's faithful servant, shining his shoes and rubbing out his enemy.
00:15:41In return, Renzo permits him to imitate any animal that comes into his head.
00:15:50That, for instance, was the mating call of the Himalayan yak.
00:15:56There they are, my shipmates.
00:16:00I didn't know where they were taking those unsuspecting Cubans, but I knew they were taking them.
00:16:04And so, with grim faces, we set our helm against the perilous future.
00:16:09Okay, now, before I begin, does anyone have anything to say?
00:16:22Pete?
00:16:24How about you, Jack? What do you think we should do?
00:16:28You, huh?
00:16:29Oh, now, honey, is there any way for Maribel's big man to talk?
00:16:33Now, look.
00:16:35We've got to get rid of at least half of these Cubans without making the rest of them suspicious.
00:16:45There used to be a Cuban fisherman by the name of Hemingway.
00:16:50He got hooked on a sea monster in these waters a couple of years ago,
00:16:55and he was dragged for miles.
00:16:56He's got a lot of publicity.
00:16:59We're going to show these boys the greatest sea monster they ever saw in their lives.
00:17:04Jack, in my trunk, there's some garden rakes used for weeding tomatoes.
00:17:10You get them and sharpen them like scalpers.
00:17:13Pete, you mix up a mess of olive oil and green ink
00:17:17and snag some seaweed from over the side.
00:17:20Now, Jack, what are you going to do?
00:17:23Sharpen up the garden rakes?
00:17:25Good boy.
00:17:26Pete, how about you?
00:17:31Does he have to do that?
00:17:34All right, Jack, Peter.
00:17:35We've had a good life together, haven't we, baby?
00:18:00You know it, Boops.
00:18:05Winters in Tijuana.
00:18:07Sallars in Cicero.
00:18:10Remember that wonderful trip we took to Monte Carlo?
00:18:13You mean it's time we heisted all those hundred-dollar chips?
00:18:17Sure.
00:18:20I'll admit, I couldn't really hear anything through that door,
00:18:23but I was sure they were up to no good.
00:18:25I knew it was up to me.
00:18:26I knew it was up to me to stop them.
00:18:29Now we're off again to parts unknown.
00:18:32It's like a second honeymoon.
00:18:35You know something?
00:18:38We ought to get married.
00:18:41Now don't be a drag, baby.
00:18:42How much Jack do you think's in that strong box?
00:18:48There's plenty of Cuban sugar, though.
00:18:51What are we going to do with all of it?
00:18:52I don't know.
00:18:59I always wanted to open up a home for the aged hoodlums.
00:19:04Baby, you got a heart as big as all I thought was.
00:19:18A government agent lives in constant peril.
00:19:21I devised my undetectable radio set
00:19:24using simulated hot dogs for knobs
00:19:27and tubes inside of dill pickles
00:19:29while watching a number of sewer workmen during lunch hours.
00:19:34It comes in mighty handy, believe you me.
00:19:37One little slip and I could be headed for Davy Jones' locker.
00:19:43Hello, Havana.
00:19:44This is Agent XK-150.
00:19:47Over.
00:19:47I'm making my first official report.
00:19:52So far,
00:19:54not too much has happened.
00:19:56But I'm anticipating.
00:19:58Renzo Capetto and his gang are on board as suspected.
00:20:01I am with them.
00:20:02I will call you again soon, one of them dead.
00:20:06Agent XK-150, signing off.
00:20:08What's happening?
00:20:17Just having a bite.
00:20:22Gee, that looks good.
00:20:24Do you mind if I join you?
00:20:25Mama.
00:20:34Mama.
00:20:41Come to mama.
00:20:47Crank.
00:20:48Crank.
00:20:48Crank.
00:20:52Crank.
00:20:53Crank.
00:20:54Crank.
00:20:54Crank.
00:20:55Good morning, encantadora y hermosa criatura.
00:21:01The General says, good morning, you gorgeous, beautiful creature.
00:21:07Would you ask the gentleman to remove himself from my presence?
00:21:15Ella dice que, muy buenos días para usted, mi general.
00:21:19Usted para mí es como una flor del mar, como un ángel de Neptuno sonriéndole al fondo.
00:21:27The General says, you are a... you are a...
00:21:31Golden King Gilfowel singing.
00:21:35Would you tell the general that I feel that he'd be most at home, barbecuing slowly over a hot pit?
00:21:43Ella dice que mi general es un hombre muy digno y de gran empuje.
00:21:54You must be a glutton to punish me.
00:22:07Now, what do you want?
00:22:09You're too good for this life.
00:22:13You're young and you're innocent. You should get out.
00:22:16All we get are you good.
00:22:20Are you unwell?
00:22:22The getting is great.
00:22:23You're a victim of circumstance.
00:22:26I try.
00:22:28I do try.
00:22:30You're a crazy mixed up kid.
00:22:33I am perfectly adjusted to my life of crime.
00:22:36Now, what is your story?
00:22:37Oh, well, you see, I'm beyond help.
00:22:39But you're not.
00:22:40You can find a clean young man to marry and...
00:22:43I haven't got the time.
00:22:45But I can help you, Mary Bell.
00:22:48You can turn blue.
00:22:50Don't worry, Mary Bell.
00:22:52I'll save you.
00:22:53Or die.
00:22:57That's a comforting alternative.
00:23:03A secret agent should never sleep.
00:23:08But there I was, dreaming of mom's apple pie.
00:23:12While up on deck, Renzo and his cutthroats were taking the first step.
00:23:17Killing an innocent Cuban.
00:23:18And pretending some imaginary monster did it just so they would be panicked into changing course.
00:23:25So that Renzo could steer them to his own picked destination.
00:23:49Please wait one minute and give the alarm.
00:23:58But what none of us knew...
00:24:00Was that the monster invented by Renzo had already been invented by somebody else.
00:24:06By a couple of other monsters, I guess.
00:24:18You just had to kill him.
00:24:21You are a monster!
00:24:23And they're the monster!
00:24:28Come on!
00:24:30Help!
00:24:31Stop!
00:24:32Police!
00:24:33They might have entered the monster.
00:24:39What happened earlier, by a single horse?
00:24:44What did he say?
00:24:54Did you know this what happened?
00:24:57Well, I have an idea, if you'd like to hear.
00:25:00Please go ahead.
00:25:02Well, I don't think it was anything human that killed your soldiers.
00:25:07Seeing the tracks and the claw wounds on their bodies.
00:25:12Now, in my studied opinion, those soldiers were attacked by some weird creature from the sea.
00:25:19Came in, did your boys in, and vanished again.
00:25:26It was so funny.
00:25:28That creature! How silly! Did you really think it is?
00:25:34What is the grace?
00:25:37This stupid gringo thinks that Alejandro killed himself a monster, who came out of it.
00:25:43Silencio!
00:25:44This stupid gringo is right.
00:25:47I think this has only been done by an unknown amphibian of unknown waters.
00:25:54You're a turtle.
00:25:57Well, uh...
00:25:58The general says, uh...
00:26:00You're right. It is the monster.
00:26:03Estas aguas son muy peligrosas.
00:26:05Debemos trazar una nueva ruta.
00:26:09The general says these waters are very dangerous, so we must flood a new car.
00:26:14They devuelta a la derecha.
00:26:16Ya!
00:26:17De frente, marcha!
00:26:26Catch that?
00:26:29Our brave general, Tosaro, didn't miss an excuse to blow the trip and change course.
00:26:35Do you think he's got a glint in his eye?
00:26:38Pure gold.
00:26:41Maybe one when I have to knock them all off.
00:26:44Oh...
00:26:46You boys are getting careless. I told you to kill one, not two.
00:26:50What's that? I can't just count.
00:26:53Okay, Pete.
00:26:55Now take the wheel.
00:26:57But, Gio, I thought it was only one.
00:27:00Well, I can't figure this out.
00:27:02Well, we were going somewhere I didn't know.
00:27:07Washington didn't know.
00:27:09Renzo didn't know.
00:27:11We all had to find out.
00:27:13Now, gentlemen, I think we ought to make our decision.
00:27:17Got it.
00:27:20Sorry, Pete.
00:27:22Now, has anybody got an idea?
00:27:24About what?
00:27:26About where we're going.
00:27:27I thought he was with you. That's where he knew we were going.
00:27:30Oh, no, no. That's been changed.
00:27:33General Tostado thinks we ought to change course in order to escape the monster.
00:27:39Por fin, donde vamos, General?
00:27:40Caracas, Venezuela.
00:27:41No. Oh, no, no. I think we ought to go to...
00:27:44Let's go to India.
00:27:45I've always wanted to be on the second floor.
00:27:47Actually, I think we ought to go to Cannes.
00:27:49It's really strange this time of the year.
00:27:51Were you arrested?
00:27:52It's strange, my friend.
00:27:54I always had a secret desire.
00:27:56I always wanted to go to Bali, you know.
00:27:58Bali?
00:27:59Bali!
00:28:00Bali!
00:28:01Bali!
00:28:12We are not going to Bali.
00:28:14Caracas, Venezuela.
00:28:15No.
00:28:16Well, no.
00:28:17Please tell the General that I am convinced we ought to go to San Juan, Puerto Rico.
00:28:22El dice que está convencido el único sitio puede ir en San Juan de Puerto Rico.
00:28:26This is Agent XK150 calling Agent XK120 via 190SL.
00:28:37Come into that house.
00:28:39Now, the first thing we've got to think about is to escape this stinky monster.
00:28:43Now, if you take a look at the chart, you'll notice there's a lot of deep water just north of Puerto Rico.
00:28:48Too deep for the monster to live in.
00:28:50Well, how do you know he can't live in deep water?
00:28:53Because of his feet, he's a walker and he's got to stay at the bottom.
00:28:58Now, right, stupid?
00:28:59Right, stupid.
00:29:00Now, when we get to Puerto Rico, we'll take the strong box ashore.
00:29:05Now, as an American, I won't be noticed.
00:29:08I'll take a plane up to see a Dr. Trujillo.
00:29:11Take the box with me.
00:29:13I can say unequivocally without the slightest qualm of doubt that this gang is heading for Bali.
00:29:22I think the government should watch for us at the Panama Canal.
00:29:27Over.
00:29:30The general says if so right, we may go to Puerto Rico.
00:29:34But he won't keep the strong box out of his sight.
00:29:38Okay, let's see.
00:29:40What do you think of it, Sparks?
00:29:57Looks like a Portuguese fishing vessel to me.
00:29:59Good guess.
00:30:01But you're around.
00:30:03The Cuban Coast Guard.
00:30:05Looks like they're coming this way.
00:30:08Maybe they're looking for the gold.
00:30:11Hey, Pete.
00:30:12Tell us about this man to stay below.
00:30:15Sparks, you can catch a fish.
00:30:17Everybody keep your guns handy.
00:30:18I don't have any guns.
00:30:19Maribel.
00:30:20Give them one of your guns.
00:30:21Ow!
00:30:22Give them one of your guns, Maribel.
00:30:23Now, let's appear casual.
00:30:24Maribel, sing a song.
00:30:26My heart.
00:30:27Tell me it's good.
00:30:28Hey, he's a good man.
00:30:29Oh, I'll never go.
00:30:30He's a good boy.
00:30:31I know.
00:30:35I can't do it.
00:30:36I can't do it.
00:30:40And I can't do it.
00:30:41I can't do it.
00:30:42It's fine.
00:30:43I can't do it.
00:30:44I can't do it.
00:30:45I can't do it.
00:30:46Stop him.
00:30:47Give them one of your guns.
00:30:48How?
00:30:49Give them one of your guns.
00:30:50Oh, kiss me, baby.
00:31:01Please kiss me fine.
00:31:11I'll make you forget
00:31:17what you've got on your mind.
00:31:25Oh, kiss my voice.
00:31:34Then I can move it.
00:31:41So kiss me, baby.
00:31:47I'll make you forget the war.
00:31:56Remember somewhere
00:32:00in 52
00:32:04I met you
00:32:09somewhere
00:32:11in 52
00:32:14You kissed me somewhere
00:32:21Oh, boy, with me
00:32:28Oh, kiss me, baby
00:32:36Don't you make me mad
00:32:43I can make you forget
00:32:50I can make you forget
00:32:52All that you've never had
00:32:59Oh, kiss me, baby
00:33:04And I can make you forget
00:33:08I can make you forget
00:33:13If you'd ever loved me, then you'd be fine.
00:33:27And that creature from the haunted sea, you'll never need to be here.
00:33:41Ahoy there!
00:33:43You're looking for some gold that was stole from the people of Cuba.
00:33:52Baby, come here.
00:33:58I'm going to be here.
00:34:08We're next to the fellow Floyd.
00:34:10We're Americans on a pleasure trip out here.
00:34:13I don't think you've got any authority to search this ship.
00:34:17I think this gives us the authority to search this boat.
00:34:28Well, as you see, there's nothing on board.
00:34:32I haven't seen anything. I'm going to take a look down below.
00:34:35He didn't sound like a Cuban to me.
00:34:37I figured in this situation I'd better stick with Renzo.
00:34:41So I decided to knock out the leader of the Cubans with a fish I had on the end of my line.
00:34:48Sparks!
00:34:49Sparks!
00:35:00Hey, good work, Pete.
00:35:02Listen, we'd better check the boat and see if there are any others.
00:35:05Oh, excuse me.
00:35:06Maribel, you can stop singing now.
00:35:08You have this terrific voice.
00:35:13Oh, if I could only push you overboard.
00:35:16Your talents are being allowed to molder away unknown to humanity.
00:35:21You could be a star.
00:35:24The toast of three continents, your name in life.
00:35:26Let me take you away and deliver you.
00:35:29I just can't believe that you're real.
00:35:33She was madly in love with me, only she didn't know it yet.
00:35:36I think it's from Maryland.
00:35:45Are we almost there?
00:35:46Oh, about six or eight hours.
00:35:53Another lucky shooter.
00:35:54Pause the point.
00:36:00You're ravishing.
00:36:02I'm sick.
00:36:03Listen, I have a plan.
00:36:04As soon as we get there, we'll wait for night.
00:36:08And when Renzo isn't looking, we'll jump off and swim for shore through shark-infested water so no one will follow us.
00:36:15Then we'll steal a sailing dinghy and head for Brazil. How do you like it?
00:36:20I think it's grand. You ought to do it.
00:36:22Well, I meant you too.
00:36:26Funny.
00:36:28I wouldn't ride on the same bus with you.
00:36:31Now, Pete, I want you to listen carefully.
00:36:35Now, on the north coast of the big island, there's a teeny speck of land called La Isla del Boraccio, named after one of Columbus's lieutenants.
00:36:49It should be deserted by now.
00:36:51We ought to be able to land there, huh?
00:36:54Good.
00:36:55Now, there's a reef around the island and a very narrow opening which we have to go through.
00:37:03I am going to run this yacht on the rocks, right at the entrance.
00:37:08Now, during the panic, we'll take the strongbox, load it on a skiff, and head for shore.
00:37:13Now, Pete, when we get over 30 feet of water, I'll give you a signal.
00:37:20And then I want you to capsize the boat.
00:37:25Do you understand?
00:37:28Later, Pete, we'll come back and dive for it.
00:37:32Do you understand everything?
00:37:34Sure.
00:37:36We hit the rocks, and then we'll put the box in the skiff, and then we'll dump it over 30 feet of water so we can come back and get it.
00:37:44And that's because it's still a natural west run.
00:37:49That shouldn't be on board anyway.
00:37:53Hello, Morocco.
00:37:55Look at the reef.
00:38:01Reef, stay ahead.
00:38:11We're starting through.
00:38:13We're starting to break it up.
00:38:14Don't get me off, please.
00:38:34You are safe.
00:38:35Very well, I won't leave you. I'll never leave you. We'll drown together.
00:38:37On your hands, Sheriff.
00:38:39Very well. I won't leave you. I'll never leave you.
00:38:41We'll drown together.
00:38:42You're tremendous.
00:38:43My life's back.
00:38:46My, what a short memory.
00:38:48Open the hell open!
00:38:49Behind the car!
00:38:51Shut up!
00:38:52Shut up!
00:38:53Shut up!
00:38:54Shut up!
00:38:55Shut up!
00:38:56Shut up!
00:38:57Shut up!
00:38:58Shut up!
00:38:59All right, be calm, everybody.
00:39:01The boat's insured.
00:39:07Don't do it!
00:39:08Don't do it without the car!
00:39:09They don't do it without the car!
00:39:10Oh.
00:39:11Please.
00:39:12Don't do it without any car.
00:39:17Don't do it with the car!
00:39:18No.
00:39:20Not.
00:39:21No.
00:39:22No!
00:39:23No.
00:39:24No.
00:39:25No.
00:39:26No.
00:39:27No.
00:39:28We'll have a car.
00:39:29No.
00:39:30No.
00:39:31No.
00:39:32No.
00:39:33No.
00:39:34No.
00:39:35No.
00:39:36The Renzos and the Monsters.
00:39:50Roll, roll, roll your boat gently up the creek.
00:39:54Mary, Mary, Mary, Mary, I'm going to be sick.
00:40:06You know, this reminds me of one time on Lake Minnetonka.
00:40:09Louise Schmidt and I were paddling along.
00:40:12When what do you think happened?
00:40:28General says you have your orders as soon as you can estimate the situation.
00:40:32Well, you can tell our generals.
00:40:36Got to be through giving orders around here.
00:40:39Now, look, you men have no money and you have no guns and you're on U.S. soil.
00:40:45That's all right, I'm on your side.
00:40:47Peace.
00:40:48I want you to search the items, see if anybody lives here.
00:40:51Jack?
00:40:52You take one of the lifeboats and load ashore.
00:40:55Take your way to San Juan and rent us a fishing boat and plenty of diving gear.
00:40:59Yeah, uh-huh. Come on, boys.
00:41:06Colonel, just even get your men to build us a lean-to or something to keep the rain off.
00:41:12Atención.
00:41:15De frente.
00:41:16Marche.
00:41:17Tap.
00:41:18Tap.
00:41:20Tap.
00:41:21Tap.
00:41:22Tap.
00:41:23Tap.
00:41:24Tap.
00:41:25Tap.
00:41:26Tap.
00:41:27Enter.
00:41:33Metal.
00:41:34You're always still working.
00:41:35Amen.
00:41:36Can you?
00:41:38Good day after Prim".
00:41:40Whichever?
00:41:41Well done.
00:41:42It'll never be necessary, please.
00:41:44Well, the way I figure it, these Cubans aren't very much at diving.
00:41:50But Jack, Pete, and I are all pretty good spear fishermen.
00:41:54We'll go down, find the strong box, and hide it in a hole in a reef.
00:41:59After that, we'll tell the Cubans that it's no use and give up.
00:42:04It'll be safe there for months, even years, until we're ready to come back and get it.
00:42:11You like it?
00:42:12Oh, Bubsy, sometimes you are so smart you make me sick.
00:42:42Hello, operator.
00:43:06Get me Havana, Cuba, 652-314.
00:43:14Cuba.
00:43:15Oh, listen, I don't have the right change, so would you mind charging that to my home phone, which is in Washington, D.C., in the U.S.A.?
00:43:33It is 762-691.
00:43:37Uh, Estada Unida, Washington, uh, six, uh, six, uh, six, uh, six, uh, six, uh, six, uh, six, nueve, duo, whatever.
00:43:49Um, right, thanks a lot.
00:43:54The service is terrific.
00:43:56Hello, Santa Domingo Barr.
00:44:02Is there a girl there playing chess?
00:44:04You're right.
00:44:05I want to talk to her.
00:44:10Hello.
00:44:11I'll give you all my utilities and all my railroads for Park Place.
00:44:17Not a chance.
00:44:18Go directly to jail.
00:44:20Do not pass go.
00:44:21Do not collect your $200.
00:44:24XK120?
00:44:25Right.
00:44:26XK150?
00:44:27Right.
00:44:28Listen, I, uh, I can't really talk now.
00:44:30I don't know exactly what's happening or where I am.
00:44:33But I have the feeling that this case is about to bust wide open.
00:44:37I can't talk now.
00:44:39Someone's waiting to use the phone, but I'll keep in touch.
00:44:41Did you get that?
00:44:42Repeat the last part of that message.
00:44:46I'll keep in touch.
00:44:49Did you get that?
00:44:51Right.
00:44:53Which way do I turn this Dakota pin?
00:44:55Left.
00:44:56Left?
00:44:57Right.
00:44:58Right.
00:45:07Back?
00:45:08Right.
00:45:09Right.
00:45:10Left.
00:45:11Back.
00:45:12Back.
00:45:13I see the st。
00:45:14Right.
00:45:15I see the st.
00:45:17N150.
00:45:19Down, back.
00:45:20Down, back.
00:45:21Down.
00:45:24Down, back.
00:45:26Down, back.
00:45:28Down.
00:45:30Down, back.
00:45:32THE END
00:46:02THE END
00:46:32THE END
00:47:02THE END
00:47:04THE END
00:47:06THE END
00:47:08THE END
00:47:10THE END
00:47:12THE END
00:47:14THE END
00:47:16THE END
00:47:18THE END
00:47:22THE END
00:47:24THE END
00:47:28THE END
00:47:30THE END
00:47:32THE END
00:47:34THE END
00:47:36THE END
00:47:38THE END
00:47:40THE END
00:47:42THE END
00:47:44THE END
00:47:46THE END
00:47:48THE END
00:47:50THE END
00:47:52THE END
00:47:54THE END
00:47:56THE END
00:47:58THE END
00:48:00THE END
00:48:02THE END
00:48:04THE END
00:48:06THE END
00:48:08THE END
00:48:10THE END
00:48:12THE END
00:48:14THE END
00:48:16THE END
00:48:18THE END
00:48:20THE END
00:48:22THE END
00:48:28THE END
00:48:30THE END
00:48:32THE END
00:48:34THE END
00:48:36THE END
00:48:38THE END
00:48:40THE END
00:48:42THE END
00:48:43THE END
00:48:44THE END
00:48:45THE END
00:48:46THE END
00:48:47THE END
00:48:48THE END
00:48:49THE END
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00:48:51THE END
00:48:52THE END
00:48:53THE END
00:48:54THE END
00:48:55THE END
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00:48:57THE END
00:48:58THE END
00:48:59THE END
00:49:00THE END
00:49:01THE END
00:49:02THE END
00:49:03THE END
00:49:04THE END
00:49:05THE END
00:49:06You mean your men are divers?
00:49:09Yes, they are Cuban army frogmen.
00:49:13Olé.
00:49:18I have a situation well on hand.
00:49:20Mary Bell was weakening, as I'm sure you've noticed.
00:49:23Then she came into my life.
00:49:25I didn't see her coming, but somehow I sensed her presence
00:49:28and knew that my life was changed forever.
00:49:36No, who are you?
00:49:43Sparks Moran.
00:49:44As a trained espionage agent, I could tell that she was attracted to me.
00:49:48But I wanted Mary Bell.
00:49:50And Mary Bell wanted Renzo.
00:49:52And Renzo wanted the gold.
00:49:54Hey! Hey! Hey!
00:49:57Sparks! Sparks!
00:49:59Idiot!
00:50:00Let's keep this thing firm.
00:50:02You all right? Oh, yeah.
00:50:06All right, we're ready. We can keep it on.
00:50:09I don't know, but I'm ready.
00:50:12Vamos, soldados cubanos!
00:50:14A sumergirnos!
00:50:17A sumergirnos!
00:50:22Uno!
00:50:25Otro!
00:50:29No!
00:50:30No!
00:50:35No, Pip, no!
00:50:36No!
00:50:38Ah!
00:50:42Ah, he's exactly there.
00:50:44Ah!
00:50:49Bye.
00:50:55Good luck, Boopsy.
00:50:56THE END
00:51:26The search for the strongbox had begun, but the sea was cluttered up with Cubans, dispersed by General Tostada to search independently.
00:51:45All those Cubans alone in the deeps. This was a chance for Renzo to again become the sea monster.
00:51:56A lonely Cuban had found one of the many wrecks on the bottom.
00:52:05And Renzo had found the lonely Cuban.
00:52:08A lonely Cuban.
00:52:38Cleanly executed.
00:52:40The victim was dead. The killers delighted.
00:52:45But not satisfied.
00:52:48Renzo must have another quart of Latin blood.
00:52:50We waited, sensing the dangers below.
00:53:01While the unholy three sought new prey.
00:53:04It didn't take them long to find it.
00:53:12What happened to them? What's this type?
00:53:29No, it was a monster.
00:53:30What do you mean a monster?
00:53:32A real, live, honest-to-goodness monster with claws and everlings.
00:53:35Oh, you're nuts. Who's this type?
00:53:37Carmelita, it's too dangerous for you here. Let's run away and live a little.
00:53:41No, no. I'm in love with the Sparks. Sparks Moran?
00:53:44Let's see.
00:53:45Well, how can you be in love with him? He's an idiot. You ought to be in love with me.
00:53:48No, I'm in love with him. And I don't care if he'll never see you again.
00:53:54Oh, if I'd only pay my life insurance premium, I'd kill myself.
00:53:58Oh, no, no, no. Don't get yourself for one hour.
00:54:02No, you come with me. I'll tell you. Come with me to the jungle.
00:54:05You've seen one jungle, you've seen them all.
00:54:06If you come with me, you'll see and you'll like it.
00:54:11Hello, Carl.
00:54:12Senor, I'm very much afraid of his phone.
00:54:16Well, let's now speak up and go home.
00:54:18No. I am an officer.
00:54:21We will not stop until we have this flambang.
00:54:24From now on, we'll dive with spear guns.
00:54:27Crazy.
00:54:36Man-go!
00:54:40Man-go!
00:54:42Man-go!
00:54:48Man-go!
00:55:06Mr. Haticek, this girl is my daughter. Her name is Mango.
00:55:24Mango?
00:55:26Oye, la novia lo dejó ahora por un idiota y el pobrecito, tú sabes, quería matarte.
00:55:31Pero yo le dije que no lo hiciera, que él necesitaba una persona que lo alegrara.
00:55:35Uh, I was telling her what that no good of Carmelita do to you.
00:55:40I was telling her to cheat you up.
00:55:43Gee, thanks, Porcina.
00:55:45But it really wasn't necessary.
00:55:47Oh, you know I like Mango?
00:55:49Oh, yeah, I like it.
00:56:00She no speak good English, señor.
00:56:03Well, I don't think that's gonna matter at all.
00:56:05Okay, uh, I'm going back now.
00:56:09Mr. Peterson Junio.
00:56:12He is waiting for me now.
00:56:14Adios, Porcina.
00:56:15Adios.
00:56:15Adios.
00:56:15Adios.
00:56:15I'm sorry.
00:56:29Adios.
00:56:31Are you all right, Pozina?
00:57:00Oh, I'm all right, my hero.
00:57:04Hey, who was happy, Jack?
00:57:07Oh, come on.
00:57:08I'll take you to them.
00:57:10Ben?
00:57:11Yes.
00:57:14Oh, I don't know what you said, Manga.
00:57:21But it sure was wonderful.
00:57:30I feel the same way, Manga.
00:57:34Well, I never felt like this in my whole life.
00:57:44Oh, I know, Manga.
00:57:46I know.
00:57:52Well, here comes Pete and Pozina.
00:57:54Hey, Jack, who's your friend?
00:58:03Well, this is Manga Perez, Pozina's daughter.
00:58:05Gee, he's almost as pretty as our mother.
00:58:08Yes, she's wonderful.
00:58:10Yeah, but can't she do imitations?
00:58:12Well, I don't know.
00:58:13And I don't care, because I love her.
00:58:15What?
00:58:16You're going to marry her?
00:58:17Yeah, well, why not?
00:58:18Why not?
00:58:20If you marry Manga, then I marry Pozina.
00:58:23I'll be your father.
00:58:26Woo-hoo!
00:58:27Forget about boy tall with that.
00:58:29Oh, we can not talk here.
00:58:31We can not talk.
00:58:32My move.
00:58:33You're going to talk to him.
00:58:34He may be troubled.
00:58:36Yeah, I just had a fight with him.
00:58:39You know, Pete, I'm getting tired of all this running around.
00:58:44You know what I'd like to do?
00:58:45I'd like to marry Manga and settle down here.
00:58:50Well, I could start a tennis club.
00:58:53They don't have clubs.
00:58:54They have rackets.
00:58:56You know, you're right.
00:58:57If you know something, though, I'd like to do the same thing myself.
00:59:03Say, why don't we rub them all out?
00:59:05And this way, we can keep the strong box for ourselves?
00:59:08Oh, yes.
00:59:09Will even marry Belle?
00:59:11Oh, gee.
00:59:12I don't know about her.
00:59:14Well, she is my sister.
00:59:17Of course, we could keep her around to do the housekeeping.
00:59:19Sure.
00:59:20And you get over losing Renzo.
00:59:22Sure.
00:59:23Well, how about it?
00:59:24Is it a deal?
00:59:24Sure.
00:59:26Besides, they've been cheating on their income tax anyway.
00:59:29Ay, ya, yo me estoy cansando de esta jeringonza.
00:59:32¿Vamos a dar flame?
00:59:33Uh, mango.
00:59:34Chee-guongo.
00:59:35Swimming.
00:59:35All right.
00:59:36All that.
00:59:36Go.
00:59:37Where's Pete and the boys?
00:59:38They know we should be diving this afternoon.
00:59:40I think they're somewhere in the jungle.
00:59:42No.
00:59:43Señor, usted me está proponiendo una cosa sucia.
00:59:49Le exige una satisfacción.
00:59:51What's this?
00:59:52What, what is it?
00:59:53This man's wife is playing around with Mr. Pierce.
00:59:57He's very angry.
00:59:59That's tough.
01:00:00Mire, lo único que puedo hacer es venderla.
01:00:02Yo creo que 50 dólares si no ha cajado a caldilla está en orden.
01:00:05This man wants to sell you his wife for 50 dólares and a case of wrong.
01:00:10That of his nuts.
01:00:11Ay, dice que está loco.
01:00:13Señor, no acepto esa clase insulto a nadie.
01:00:15Ahora le pido 100 dólares.
01:00:17Tom Alita, will you talk to him?
01:00:19We're busy.
01:00:20No, sure.
01:00:21I would tell him to cut down to 20 for a fifth of gin.
01:00:25Gin nothing.
01:00:26Who wants to buy his improbable wife?
01:00:30Come on, Gerald, let's start.
01:00:32Let's get going.
01:00:34Soldados, cubanos.
01:00:36Then we're up to men.
01:00:37Ten, dos, tres.
01:00:55All right, baby.
01:00:58Listen, you hold on to these, because I can't use them without Peter and Jack to help me.
01:01:02I'll keep them warm for you.
01:01:07Oh, my God.
01:01:37Renzo Capetto had at last found the Strongbound, and the unknown partner had found Renzo Capetto.
01:02:07Oh, my God.
01:02:25All right, all right, all right.
01:02:55All right, all right.
01:03:25All right, all right.
01:03:32All right, all right.
01:03:39Michael!
01:03:44Michael!
01:03:46Michael!
01:03:50Michael!
01:03:54Michael!
01:03:56Michael!
01:03:57Michael!
01:03:58Michael!
01:04:03Michael!
01:04:07Michael!
01:04:10Maribel! Maribel!
01:04:15Maribel!
01:04:17Maribel!
01:04:23What'd you have to do, Maribel?
01:04:25Why did I have to do what?
01:04:27Don't play games with me. Why'd you kill her?
01:04:29Jack, I swear I had nothing to do.
01:04:31I said don't play games. We all saw her.
01:04:34The same five incisions in the ground mark from that stupid toy plunger.
01:04:38Why'd you ask Maribel? I gave her the rakes before I went under.
01:04:41That won't play. You have two more in your trunk. Just in case, you said. Remember?
01:04:45Yeah, I remember, but they're still there.
01:04:48I can't convince them, honey. Maybe you can.
01:04:51Sorry, honey. I'm afraid I'm going to have to go along with Jack.
01:04:55Do you think I did it?
01:04:57Well, what else can I think?
01:04:59You made that monster up out of thin air, and I don't try to tell me it's real.
01:05:02I'm not that stupid.
01:05:04Well, I am. I always believed in it.
01:05:07But it's got to be real.
01:05:09Either that or the Cubans are trying to kill us all.
01:05:11I can't buy that.
01:05:12I don't care what you buy.
01:05:14From now on, we're going to die with spirits like the rest of them.
01:05:17We've got to get rid of the rest of those Cubans as quickly as possible.
01:05:20Now, we'll start tomorrow morning with Tostado.
01:05:24Jack?
01:05:26Pete?
01:05:28Possible death notwithstanding.
01:05:38The courageous general and two of his men dove once more into the deadly sea.
01:05:43But, as usual, they were not alone.
01:06:00Renzo waited for them to separate.
01:06:14One pulled away and then there were two.
01:06:16Hone ...
01:06:20Toi.
01:06:21Toi.
01:06:24Tostado went on alone into the forbidding void...
01:06:26The murder is closing in.
01:06:27Tostado went on alone into the forbidding void...
01:06:30a forbidding void, with the killers closing in.
01:06:55The giant observer stood watching over a pathetic bit of cloth
01:06:59and all that remained of mango.
01:07:02At last, Tostada had found his gold in his own watery grave.
01:07:07The giant observer stood behind her.
01:07:17The giant observer stood behind her.
01:07:20The giant observer stood behind her.
01:07:25The general died as all generals should.
01:07:46His greedy murderers let his body drift away while they congratulated each other.
01:07:55Happy Jack found the scrap of the dress and knew what had happened to his beloved.
01:08:02Suddenly...
01:08:05Don't touch me.
01:08:12Oh, honey.
01:08:13Go ahead, try to talk yourself out of it.
01:08:14Try to talk yourself cool this time.
01:08:16Baby.
01:08:17Go ahead, tell me the Cubans did it.
01:08:18Only they were on board fooling into it.
01:08:20Now, who was down there with that?
01:08:21No, baby, you gotta believe me.
01:08:22I'm gonna have to look at you again.
01:08:27Oh, Renfrew.
01:08:28Mary Bell, I saw what he did.
01:08:29You just do it.
01:08:30You just do it.
01:08:31I'm gonna do it.
01:08:32You just do it.
01:08:33I know.
01:08:34I'm gonna do it.
01:08:35You just do it.
01:08:36No, I'm gonna do it.
01:08:37I don't know.
01:08:38You're just gonna do it.
01:08:39Okay.
01:08:40Mary Bell, I saw what he did to you.
01:08:50They killed your brother.
01:08:51And now you've got to leave, Mary Bell, and there's no one to help you but me.
01:08:55Oh, Mary Bell, I love you so much I could slip.
01:08:57Just get on.
01:09:04What do you do to my man?
01:09:06Oh, shut up.
01:09:10It was dusk.
01:09:22I could tell because the sun was going down.
01:09:30You were right, senor.
01:09:32All my arm is finishing.
01:09:35I knew when the chin was dying.
01:09:37I don't care about the coxswain, more than the mother.
01:09:41I don't want him to kill any mother of my men.
01:09:45He's alive, colonel.
01:09:47I think we must go to Ciudad Trujillo in the morning.
01:09:50You can go anywhere you like.
01:09:52I'm going home.
01:09:54To America?
01:09:56America?
01:09:56No, I can't go back there anymore.
01:10:03Cicero.
01:10:04Oh.
01:10:06I've got an uncle there who's been after me for years to help me stamp grapes.
01:10:11He's beginning to appeal to me.
01:10:17Mary Bell hates me.
01:10:18I know.
01:10:21But I love you.
01:10:24Kind of nice having somebody love you.
01:10:28Whether you try to love me.
01:10:31You might like it.
01:10:34I guess I can try.
01:10:35She pressed her hot, Latin lips against mine.
01:10:40And I forgot everything but Harmelita.
01:10:42But our silent partner was not going to let me forget.
01:10:47This was it.
01:10:48There was but one thing a responsible, trusted representative of the United States government
01:10:52could do at a time like this.
01:10:54Get out of there.
01:10:57Mary Bell.
01:10:58Yes?
01:10:59Yes?
01:11:00Hey.
01:11:01I'd just like one more chance to explain.
01:11:04Hey.
01:11:07All right, Booksy.
01:11:09It doesn't really matter.
01:11:11No matter where you go or what you do or who you kill.
01:11:17I love you till the day I die.
01:11:25Big up, big up.
01:11:30Big up, big up.
01:11:34Big up, big up.
01:11:35Big up, big up.
01:11:36Big up, big up.
01:11:37Big up, big up.
01:11:38Big up, big up.
01:11:39Big up, big up.
01:11:40Big up, big up.
01:11:41Big up, big up.
01:11:42Big up, big up.
01:11:43Big up, big up.
01:11:44Big up, big up.
01:11:45Big up, big up.
01:11:46Big up, big up.
01:11:47Big up, big up.
01:11:48Big up, big up.
01:11:49Big up, big up.
01:11:50Big up, big up.
01:11:51Big up, big up.
01:11:52Big up, big up.
01:11:53Big up, big up, big up.
01:11:54Big up, big up, big up.
01:11:55Big up, big up, big up.
01:11:56Big up, big up, big up.
01:11:57Big up, big up, big up.
01:11:58Big up, big up, big up.
01:11:59Renzo loved Mary Bell, but he was the skipper and decided to go down ahead of his ship.
01:12:29The End
01:12:59Let's go.
01:13:29You want to spend your whole life in a monastery?
01:13:32Tomlita, I love you and I want to marry you and take you away from all this.
01:13:36That I would like it, I think.
01:13:38Of course, we'd have to live on the salary of an American spy, which is $41.50 a week.
01:13:43I don't care.
01:13:44You're so strong, so intelligent.
01:13:47You see how you saw the whole day?
01:13:50You're this magical spirit in the whole world.
01:13:53I'm not really as smart as I look, Tomlita.
01:13:54You see, I have to admit that all that time I thought Renzo and the Cubans were trying to steal that strong buff.
01:14:02But I was wrong.
01:14:04The real killer was the monster.
01:14:07You're what?
01:14:08You're beautiful.
01:14:09So I got the girl.
01:14:14And guess who got the gold?
01:14:16And guess who got the gold?
01:14:17And guess who got the gold?
01:14:18And guess who got the gold?
01:14:19And guess who got the gold?
01:14:20And guess who got the gold?
01:14:21And guess who got the gold?
01:14:22And guess who got the gold?
01:14:23And guess who got the gold?
01:14:24And guess who got the gold?
01:14:25And guess who got the gold?
01:14:26And guess who got the gold?
01:14:27And guess who got the gold?
01:14:28And guess who got the gold?
01:14:29And guess who got the gold?
01:14:30And guess who got the gold?
01:14:31And guess who got the gold?
01:14:32And guess who got the gold?
01:14:33And guess who got the gold?
01:14:34And guess who got the gold?
01:14:35And guess who got the gold?
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