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Andrew Scott | Ripley | Cutdown
Deadline
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1 year ago
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00:00
Do you just go from movies to TV to theater?
00:03
You're one of those actors that does it all, basically.
00:05
Yeah, yeah.
00:06
Well, I always I always did a play a year right from the from the get go.
00:10
So I'm kind of reluctant to give that up because I love the theater
00:13
and it's the actor's medium and stuff.
00:15
So, yeah, I'll take what I can get.
00:18
It's amazing.
00:19
All the things and Hamlet, every actor has.
00:22
My favorite line is what did Olivier say?
00:25
Like, forget about competition between actors at award shows and things.
00:29
Let them all play Hamlet and then pick the best one.
00:31
Oh, wow.
00:33
I've never heard that.
00:34
Oh, yeah. Yeah, yeah, yeah.
00:36
Well, what's extraordinary about Hamlet is that it that's why it's
00:38
so brilliantly written and why talk about enduring characters.
00:41
You can sort of take Hamlet as a
00:45
as a vessel and you can pour in the personality
00:48
or the instincts of any actor, male, female, whatever.
00:53
And in some ways it will still take take flight.
00:55
You know, and that's why it's so, so beautiful.
00:58
It's incredibly humane and it's
01:01
fantastically funny.
01:02
Yeah. And people forget that it's really, really, really, really funny.
01:06
That was important in Ripley, too. Absolutely.
01:09
Yeah, yeah.
01:09
You know, it's one of the things Steve and I talked about how witty it is.
01:12
Yeah, I do believe that.
01:13
And also why Fleabag was so effective was because it was a comedy with soul.
01:18
So I do feel like when you get something that particularly something
01:21
that's preconceived as that's a great tragedy, that's a sociopath
01:24
that you have to, in some ways, find the the opposite.
01:28
And yeah, that's something that that's a theme that
01:35
arises time and time again.
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