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Writer-director Colin Trevorrow has hit the big time in every sense. His first feature was an ingenious low-budget science-fiction relationship movie called Safety Not Guaranteed; his second is Jurassic World, an exploration of scale, threat and excess that carries massive box-office expectations.
He knew what he was getting himself into – a filmmaking tradition he admired, a franchise that began in 1993 but had languished since 2001, when Jurassic Park III was released. When he came on board, Trevorrow says, there had been false starts and abandoned scripts, but there was will to get a fourth film up at last. "I showed up around three months out from what was supposed to be a movie going into production, but there was no functional screenplay."
He and his writing partner, Derek Connolly, whom he met when they were both New York University students, "started from scratch, with three fundamental ideas from Steven Spielberg. They were, he says: "An open functional park, which is awesome. A raptor trainer who's communicating with them and learning to see if he can work with them, which is a crazy idea, but could be awesome. And a genetically modified dinosaur that breaks free and tries to kill everyone in the park."
Jurassic World is the island holiday park that gives the movie its name, and it's a state-of-the-art dinosaur destination swarming with creatures. But it has an image problem, bluntly explained at the beginning of the film by park operations manager Claire (Bryce Dallas Howard): "Let's be honest, no one's impressed with dinosaurs any more. Consumers want them bigger, louder and with more teeth." So the park's lab is turning out its own in secret, and there's a new genetically modified hybrid, Indominus rex, tailored for maximum audience appeal. But no one has considered how much havoc she might wreak.
That "more teeth" line, Trevorrow says, has been taken to refer to Hollywood. "But it wasn't intended to be some meta-commentary on the movie, it was a little bit more about the world we live in – how we are surrounded by wonders both natural and technological, but it seems that we have become a bit blase and bored and somehow expect that they are going to be improved upon and upgraded at our whim, every second."
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