00:00The lighting of the film was very important to how I designed the costumes.
00:03I knew there would be candlelight and I knew that there would be lots of natural light.
00:07So this leads me back to why the lightest of cotton fabrics were to be used,
00:12so that there was movement and we could catch the light through the costumes.
00:16And when I was designing Marianne's ball gown, I knew we'd be seeing it in candlelight.
00:21So this one is the finest gold silk that shimmers and is very, very, very loose.
00:27It moves like water and drapes beautifully.
00:30And that was designed specifically to be seen in candlelight.