00:00I know that you're playing Mrs. Dashwood. I'm curious if you can tease anything for the
00:03Austinites about the tone or the feel of that one. Yeah, I'm really excited to see it. I've
00:10seen a sizzle reel, which, you know, is a very small slice of it. And I was very, very excited
00:17by what I saw. Georgia Oakley, who's our director, is the reason I signed on to do the film. You
00:24know,
00:24I was such a huge fan of the Ang Lee version. And, you know, when somebody sort of said to
00:31me,
00:31you know, Sense and Sensibility, I was like, oh, you know, another period drama. Like,
00:37I just got off one. And it's so great. Like, not the original, but, you know, the last
00:41one that we've had. And when I found out Georgia was doing it, and I had loved her first film,
00:47Blue Jeans, so much, I was like, oh, this is interesting. Like, let me talk to Georgia.
00:51And her vision for it was so exciting. And I think what Georgia really wanted to do,
00:56and what I think that she has achieved, is ground it in a way that's very much more
01:04naturalistic, I guess, and much more, I don't know, I think it might speak to our generation
01:11in a sort of fresh way. These stories that we keep going back to time and time again,
01:16is that every new generation has their own take on it. And so I'm very excited about it.
01:22And, you know, and to play kind of a Mrs. Dashwood, who's not necessarily,
01:26you know, I think before, she's always been this sort of like older, more, you know, kind of like
01:31removed matriarch. But, you know, she sort of spoke about the similarities between Marianne and
01:38Mrs. Dashwood, and that there's this link. And it's very much, I think, a return to some of the
01:43stuff in the book. And that was exciting. So.
