Mumbai, Maharashtra: In an exclusive interview with IANS, where legendary singer Kumar Sanu opened up about his extraordinary musical journey spanning over four decades. From his upcoming collaboration with Udit Narayan and the magic of Aashiqui to his early struggles in Mumbai, the challenges of the 90s music industry, and his experiences with fame, fear and professional rivalry, he shared stories and lessons from a remarkable career. He also opened up about honesty, self-confidence, his daughter Shannon’s musical achievements and the timeless connection he shared with his fans. A candid conversation celebrating music, resilience and the making of a legend.
#KumarSanu #UditNarayan #songcomposed #healthycompetition #professionalrivalry #collaboration #industry #legendarysinger #KalyanjiAnandji #musicindustry #GulshanKumar #GrammyJurymembers #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #BollywoodHindiNews #IANS
#KumarSanu #UditNarayan #songcomposed #healthycompetition #professionalrivalry #collaboration #industry #legendarysinger #KalyanjiAnandji #musicindustry #GulshanKumar #GrammyJurymembers #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #BollywoodHindiNews #IANS
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FunTranscript
00:00Hello sir, welcome to ANAS.
00:01First of all congratulations to your new song is about to come up with Udiq sir, Suniyo Zara.
00:08A collaboration after so long.
00:10What made this collaboration happen?
00:13How did you play?
00:14What inputs are you and Udiq sir?
00:16How did you collaborate?
00:17Actually, I didn't know what I was playing with you.
00:21I don't know.
00:23I didn't know that.
00:24But then what happened is that I was going to be a producer.
00:34He called me and told me,
00:38Suniyo Zara, you have to do a song.
00:40So I said, okay, I will do it.
00:43So now let's go.
00:44So I went and realized that Suniyo Zara is going to be a song.
00:48Suniyo Zara's song is going to be a song.
00:51So I was going to be a song.
00:54So I was going to be a song.
00:57I was going to be a song.
00:59I was going to be a song.
00:59Because my whole concern was my whole concern.
01:02My whole friendship.
01:03We have done a lot of work together.
01:05So now I came to be a chance.
01:08So I was very happy.
01:11And after that, my song was good.
01:13My song was good.
01:15And I was done.
01:16Okay.
01:17Okay.
01:18And you talked about the previous friends.
01:20Now, when you work with such a person,
01:22who are your friends,
01:23plus there is also a professional rivalry.
01:25There is a healthy competition between the two of you.
01:27You do something,
01:28you do something,
01:28you do something,
01:29you do something,
01:29you do something,
01:29you do something,
01:29you do something.
01:30I want to know a little bit about this space.
01:32When you come together,
01:34what is the collaborative space,
01:36what is the environment,
01:36what is the environment,
01:36what is the environment,
01:37what is the environment?
01:38Mahaul is a great sport.
01:40My friends are working,
01:41as soon as 10 days before,
01:42I released a song called My YouTube channel.
01:47Your hey, Rana.
01:48And I also requested my song to Udidit.
01:51So she joined us by singing over.
01:53There will be a video,
01:54it will be in the market,
01:55so people can see how I do my friends.
01:58What do you tell us about this?
02:00We have to know that there is a competition.
02:02There is also a good competition.
02:03There is a good competition.
02:04There is a nice competition.
02:15he is a great singer and definitely undoubtedly he is a great singer great great singer so
02:23is my daughter and she also loves me so the song is good this is a very big thing that
02:39our colleague is a good singer this is a very big thing so we have to ignore it that we
02:54So that's why we have to say that it's okay, your position is yours and our position is ours.
03:01The other thing is that all the fights are all fans.
03:04They don't understand who's big or who's small is behind them.
03:09Who's fan falling is less, who's less.
03:11There's nothing in it.
03:12Our will be more, our will be more, our will be more.
03:14What's happening?
03:15So you should understand this.
03:18We both have friends like Kishorda Rabi and Mukherjee.
03:26I've heard a lot of stories about how much love they were.
03:31But they were competitors.
03:34But what happened?
03:36Around 45-50 years, you have been in the industry.
03:42To continue to do so, even to this age.
03:4980s, 90s, 2000s, 2010s, 2020s.
03:54What does it take to have such a consistency for all the tickets?
04:02What can I do?
04:04It depends on the quality.
04:06If the public wants, I will come to the quality.
04:10It depends on the quality.
04:12It depends on the quality.
04:13Our work is to give good production, to sing a good way.
04:17So that people have to touch their hearts and perform it.
04:21My focus is on that.
04:23Not that we are working on that.
04:25We will have to do ten years.
04:27No, it's not that.
04:27Every day the public wants, I will sing.
04:31When I understand that it's not happening from me,
04:34I will give up.
04:35I will not sing.
04:36I will not sing.
04:37I will not sing.
04:37So that's my mentality.
04:40And I think that's the best thing about you.
04:43Beyond your art, of course.
04:44You are a great singer.
04:46But it's your honesty and your self.
04:50I'm a big fan of these two things.
04:52To be honest, I've been focused on these two things.
04:54I've been focused on that for all.
04:57I would say that the industry is working
04:59and people are pressuring you,
05:02producers, composers and composers,
05:03and you are talking about other people.
05:05And they want to be happy.
05:06They want to be happy.
05:07How important to preserve this person in their own personal lives?
05:11It's very important.
05:12Because every director of the music director is different.
05:15Every director of the music director is different.
05:18Every director of the music director is different.
05:20Every director of the composition of the composition is different.
05:23So you have to understand the music data that you are going to sing, what is his demand?
05:36What is his demand from a singer?
05:38He is a very sweet guy.
05:46He is a different person.
05:50He is a different person.
05:55Anand Milin Ji, Kalayan Ji, Anand Ji, Lakshmi Kanthapirayal Ji, even Nausat Saab, Riddhaanath Magishkar Ji, Sumit Saen, Dilip Saen.
06:08How many music directors have done this?
06:11I have not done any of the people who have worked.
06:15Ilya Raja.
06:16He is a different person.
06:21He is different from each other.
06:22He is different from each other.
06:24He has to match each other.
06:26That's what he needs to be like.
06:29He needs to be a better person.
06:31I need to do that.
06:32We need to do that.
06:33Then we need to do that.
06:37Then we need to do that.
06:39We need to do that.
06:40So we need to do that mentally prepared.
06:41So think that we are going to be singing, but we need to keep our attention on that.
06:50That is very interesting.
06:52I know that later, I was doing it.
06:54But then, when we are sitting at a time and thinking about it,
07:03and how it happened to them, and why it happened to them,
07:06I know that they are all different.
07:09They are different, different ways.
07:13They are different.
07:13They are different.
07:13What kind of singing is that?
07:17That's why this is a singer.
07:19A very interesting thing.
07:21Do you psychologically read composers or composers?
07:25Yes, 100%.
07:27If you don't read it, you have to satisfy them.
07:31You don't have to read it.
07:32After reading, you have to satisfy them.
07:34This is the biggest challenge.
07:38There is a lyrics writer, a producer, a director, a music director.
07:44Even the recordist.
07:46We don't forget everyone.
07:49What is this?
07:51That's what I did.
07:55That's what I did.
07:57I heard a story a few days ago.
08:00When you first came to Mumbai, after a few days,
08:03Jagjit Singh Ji had heard your songs.
08:06It all happened within a single day.
08:08It was a record record.
08:10Then, after a few days later,
08:12the song came to Sanjidat.
08:14We reached out to Sanjidat.
08:16Today, when you think about that day,
08:19there will be a lot of things in the day.
08:21How do you feel about it?
08:23How do you feel about it?
08:40Yes, we have done it.
08:43When you are in a room,
08:48you have to be able to take out the entire room.
08:52You want to take out the entire room.
08:54It happens every time,
08:56that you have to be a music director,
08:57or in every sector,
08:59that you have to take out the room.
09:03That's what we have done.
09:07Because you started singing in the hotels,
09:10you started from Kolkata.
09:12That was in Bombay.
09:13Yes, absolutely.
09:15Within 5-6 days of you coming to Bombay,
09:17is when you met Jagjit Singh.
09:19I got the job.
09:20Yes.
09:20In this case,
09:21you recorded your cassettes,
09:22and the demo record,
09:24and the directors,
09:25and the producers,
09:26and the directors,
09:27That was the initial phase of 4-5 days.
09:30I wanted to go a little bit more.
09:33Singing in the hotels,
09:34live in front of you.
09:35That's a different thing.
09:36Live.
09:37And then,
09:38you have to record your demo,
09:42and then,
09:42distributing it to composers,
09:44and producers.
09:46What happened in these 4-5 days?
09:48What happened to you?
09:48Can you tell us a little bit?
09:52First of all,
09:55I was doing whatever I was doing,
09:57and I was doing whatever I was doing.
09:59I was doing my own mindset.
10:01I had to achieve that goal.
10:03I had to achieve that goal.
10:04If you are a singer,
10:06or actor,
10:07or someone else in our field,
10:08or an art field,
10:09whatever,
10:09they had to set a goal.
10:14That we had to play in films.
10:18We had to play in films.
10:21When I was playing in films,
10:22then I was playing cassettes.
10:23I was playing cassettes.
10:24I was playing music director.
10:25I was playing music director.
10:26I worked and he was listening.
10:28Were those simple works ages.
10:31Because,
10:32But now,
10:33I was either thinking
10:34that my mindset,
10:35what goal was by
10:36being alone in the cinema.
10:40So,
10:40I did that.
10:42See,
10:45David Roth's music doesn t mention
10:46something of a man's loan.
10:48We produz things in that?
10:49Is a фильма scene enough?
10:49No bread,
10:50No bread,
10:52No bread,
10:53No bread.
10:54So we hold anything
10:54in the place.
10:55It means that you are achieving what you are doing at that time.
11:01It is a small thing that you are doing in life.
11:04So, there was a lot of attention on it.
11:06That's why there was a joy and a fear.
11:14What is going on in the future?
11:16It was a joy that I have done this today.
11:20What is going on in the future?
11:29It is very interesting when you use a fear in the world.
11:32Because when I look at your face, I see every human, you relate to a spirit animal.
11:39The way I see Mr. Kumar Shanu, the silhouette that I see is that of a lion,
11:45with a long mane, commanding presence inside a room.
11:51When a lion figure talks about fear, what does fear do to you?
11:56How do you deal with fear?
11:59I deal with fear.
12:01First of all, I have the way I am talking about.
12:07I don't know.
12:08I have a way to do it.
12:10I have a way to do it.
12:11First of all, the way to do it is to do it.
12:13First of all, the fear is to do it.
12:16The way to do it is to do it.
12:18I have two or three things.
12:19First of all, I have a lot of fun.
12:22I am a lot of fun.
12:25People say that you have a sense of humor.
12:29You are a lot of fun.
12:31You are a lot of fun.
12:32And you are very fun.
12:33You have a good comedy.
12:35I am a little bit of fun.
12:39I have to do it.
12:40I have to do it.
12:41I have to do it a lot of fun.
12:44In my friends, I have made a lot of fun.
12:56foreign
13:01foreign
13:02foreign
13:02foreign
13:02foreign
13:02So, in this way, I have taken care of myself and taken care of myself, and I always run away
13:12from that fear.
13:12Because every day, there are different fears, different things.
13:17But our history was the same.
13:19The history was the same.
13:20That, brother, let's do it and then leave the song again.
13:24So, that was the same.
13:25I applied it.
13:28Let's go ahead and talk about Aashi's album.
13:30Unprecedented success.
13:32At that time, Hindustan had something that happened in film music.
13:35More specifically.
13:37When you saw that film, there were many related stories that Golshan Kumar said to him,
13:43but Mahesh Bhad-sar wanted to make a film.
13:46Then, he convinced him to make a film.
13:48He took the film's role.
13:51When you came to all these songs, did you know that all of them are like chartbusters?
13:57No.
13:58Not at all.
13:58I didn't think that something happened.
14:03It was a miracle.
14:05But I didn't think that it happened before.
14:08I didn't think that I had any assumption.
14:10Or I didn't think that it was a super-duper hit.
14:14Or it was a film that could be made.
14:16Just casually, we had recorded it.
14:18I had written it before.
14:20I was a user and told him that he called him a album.
14:25He called him a song.
14:26It was called the Chahat Sanad.
14:28When I heard that album, I told him that it was a miracle.
14:37I never thought that it could be like this, but it will become such a record and my life will
14:44become set.
14:45I never thought about it.
14:48In the 90s, if I talk about it, I was in the bombing.
14:53There was a lot of different people.
14:55There was a lot of underworld involved.
14:59There was a lot of social-political landscape.
15:03How difficult it would be to perform an artist in that space?
15:07How difficult it would be to perform an artist in that time?
15:10It is difficult for every artist.
15:13You have to face a lot of things.
15:16First of all, when you keep a step in a place,
15:20you have to know the atmosphere first.
15:22After that, our step is always stuck.
15:28It's not that we are going right, right, right, right.
15:31It's always like that.
15:32It's always like that.
15:33But what is my goal?
15:37I didn't have to do it.
15:39My target was moving towards the target.
15:44I was moving towards the target.
15:46I did what I wanted to do for the target.
15:49The most important thing was singing.
15:54The style of singing.
15:56When I heard the song in Aashiki,
15:58you heard the song in Aashiki,
15:59you thought that it was a little touch.
16:02But in Aashiki,
16:03I did a lot of effort for you to get a little bit.
16:06Because before that,
16:07I was doing all the songs of Aashiki,
16:10and a cover version of Aashiki,
16:13and a cover version of Aashiki.
16:13It happens that
16:15there is a lot of singer
16:16who follows a singer,
16:17who follows a singer,
16:17who lives as well.
16:19In my mind,
16:20there was that
16:21if I wanted to be a singer,
16:26then I could have a limit to it.
16:29That's not much.
16:31I didn't know that.
16:31It's not much.
16:33Or I had to do some achievement
16:35that I had to achieve
16:36that we can make ourselves
16:40and make something
16:42I didn't say that
16:43it was a singer
16:45of Aashiki
16:46and a singer
16:47of Aashiki
16:49or Aashiki
16:49or Aashiki
16:49So, when I got something, I got something positive and cut it out of a way to cut it out.
16:58Then, I explained to you, like Muhammad Raffi was following all of them, but he recognized himself.
17:09Kishorda followed him, Mukesh Ji followed him, but he recognized himself.
17:15Lata Ji, Nour Jahan Ji followed him, Asha Ji, Gita Dutt Ji followed him.
17:21Then, after that, he made a different approach.
17:24How did he get a good opportunity?
17:25When he came to the right opportunity, what did he say to his voice and his talent?
17:32When he got a chance to see him, he showed him.
17:35He showed him that he was approved, accepted, and he was super-duper hit.
17:40I was also in the right direction of this and thought about it.
17:46Sometimes, I felt like a little bit like Kumar-sanu.
17:50I did a lot of effort to establish this.
17:54and
17:54in a few years, people liked it and it was super duper heat.
18:01Then he sat in his head and said, now I am, I can do whatever my talent, my passion
18:08So, I went to one-on-one step.
18:12So, it's okay, every singer has done this.
18:16So, I also have to follow him and follow him.
18:19So, I have to follow him and follow him.
18:24So, I have to follow him and follow him.
18:25He is a man, he is a man, he is a man, he is a man.
18:30So, I have to follow him.
18:36We are talking about the 90's.
18:39Now, the people of the society are so powerful and good,
18:45and they are very strong and they are growing up in a way.
18:49They are producers, directors, politicians, gangsters.
18:53Did you ever get a threat or what kind of threat did you get?
18:57No, I didn't get a threat.
18:58I didn't get a threat.
19:02But I struggled very well with that.
19:06That is because of my singing.
19:11Because of the singing,
19:14if it is gangsters or threatening,
19:20they also liked my songs.
19:24Very much.
19:26After that, there was such a moment.
19:30Everyone knows that they are a star.
19:33It will be very good.
19:35But when I talked to them personally,
19:37when I talked to them,
19:39when I understood them,
19:41and said,
19:42you are my fan too,
19:44you are my songs.
19:46They accepted that thing
19:48and they said,
19:49no, no, no, no.
19:51You just keep on singing.
19:53So, I handled it well.
19:56Neither did I pay for money,
19:58nor did I do anything.
20:01But I tackled them with my singing.
20:04singing.
20:05Singing doesn't come here.
20:07He doesn't help.
20:09He doesn't do anything.
20:09Your talent doesn't give you any shame.
20:12So, that was my success.
20:15So, I got it.
20:16Okay.
20:17And when you get so much attention,
20:21across the age group,
20:22from my age group,
20:24from my age group,
20:24from my age group.
20:24Four generations.
20:25Exactly.
20:26How do you deal with your attention?
20:28When you sit in your hands,
20:29what are your thoughts?
20:30What are your thoughts?
20:30Overwhelming?
20:31No, I am thinking of things
20:37that I have met.
20:40That is,
20:41everything happens in my life.
20:42I always explain it every time,
20:45what does it happen?
20:49If it is bad,
20:50then it should not happen.
20:51If it is good,
20:53then it should happen often.
20:55I have to think about it.
20:59So I think that how I did it and it was very difficult to cut it and cut it and
21:07cut it.
21:08I did a workout on it, so I got tackled on it.
21:14And you probably recorded 28 songs in one day.
21:19I want to know that the whole day, because you are very occupied,
21:33I am the fastest singer, you can say.
21:37I am the fastest singer that I can grab a song very quickly.
21:40This is not my job, this is a long time.
21:44I am the fastest singer that I can grab a song very quickly and implement it.
21:51I mean, immediately sing it.
21:53So this was my style.
21:57I used to sing in 12, 10, 15 songs.
22:00I used to sing it before the record.
22:05Because when an artist is playing,
22:09everyone is running away.
22:11I was running away.
22:15I was running away.
22:16I wanted to say no.
22:18It was urgent.
22:20It was a shooting group.
22:22It was easy for you.
22:25It was easy.
22:27If you have to do it, it's not straight.
22:29If you have to do it,
22:30if you have to do it in my hands,
22:32you do it in your hands.
22:33If you have to do it,
22:33if you have to do it,
22:33you can see in your hands.
22:36If you are straight forward,
22:38I am the same.
22:39I am the same.
22:40I always had to go very fast.
22:45I am the same.
22:45I don't bother about that.
22:46If you have to go fast,
22:47then you have to relax.
22:50But my spirit is not great.
22:53foreign
23:23After that, I would go and record the songs. I will sit there in the museum studio, in the zoo.
23:31It was my studio, so there was no doubt.
23:35We were going to eat and drink.
23:37We were going to the first class.
23:39So, you guys come together and take your school.
23:45I was learning the songs immediately.
23:51So, it was 10-10 minutes, 12 minutes.
23:54Today, my maximum is about 20-25 minutes.
23:59Today, at this age.
24:02So, my style was developed.
24:06Because, when you do something, you will be more than usual.
24:11So, it was like this.
24:13So, I got a record like this.
24:16So, it's like, people think about your love.
24:21I was singing this song in 9 minutes.
24:23You know?
24:25I've been singing this song.
24:27I've been singing this song.
24:28I've been singing this song in 20 minutes.
24:31And, in the 20 minutes, I was singing this song.
24:34I'm saying this song.
24:36I'm saying this song.
24:37So, Ismail Darbar Ji, who said this song in many interviews.
24:41He came and came out in 20 minutes.
24:43So, how does this sound like this?
24:44So, this is a surprise.
24:47It's a surprise.
24:48How fast you can do your brain work.
24:50The brain man is always giving us that.
24:52We don't have anything.
24:53So, whatever is, it's been done.
24:58We don't have anything.
24:59We talk about DDLJ.
25:00When you talked about DDLJ,
25:01you are talking about your gender.
25:03You are sitting, standing, seeing you,
25:05I'm watching you.
25:06There are also many books that I'm a fan.
25:11When DDLJ was built in,
25:12it was a landmark in Hindi cinema.
25:14They were directly represented by your director, actors,
25:18performances, music, singers, costume.
25:21It was set the trend in that film.
25:22When you come to the songs, what would you like to do with the Jatin Laldi?
25:31Look, Jatin Laldi was after Panchamda.
25:38They worked very much in the style of Panchamda.
25:41They had a little bit of influence.
25:44They didn't follow each other.
25:55They were very talented music directors.
25:58Very talented.
26:01Lalit and Jatin both.
26:05After this song, I had to do the songs.
26:09The songs of Sikha, the songs of Sikha, the songs of Sikha.
26:14They were very talented.
26:16It was a very good mood.
26:17How did I tell you?
26:19It was a good mood, I went with a little girl,
26:22I'd done a little bit with songs
26:23and then it got started.
26:26They were all good.
26:28Don't give me two times.
26:29Okay.
26:30Moving forward,
26:32When you talk about the volume of work,
26:36you've said you've mentioned your work,
26:37and you've mentioned your work,
26:38and you've also said that you've also mentioned your work.
26:42When the volume of the work stays so much, how can a singer be focused on their sanity and maintain
26:47their sanity?
26:48If you want to give some tips for aspiring singers?
26:54A singer needs to be a quality.
27:01In English, it is called switch on switch off.
27:05Switch on switch off.
27:07So what was my experience?
27:09It was a very difficult one.
27:11Switch on switch off.
27:13It was a big part in my life.
27:17Whatever it is, whatever it is, what is happening in my life?
27:22When I go to the studio, switch off.
27:27Switch off.
27:29Switch off.
27:31Music director, music, lyrics, and what is the situation?
27:36I was focused on that.
27:39In that moment, I don't remember anything.
27:40If someone is standing outside, or someone will put a card, or something is going on, something is going on.
27:48I don't care.
27:51What's happening, or not.
27:52So, this switch off and switch on is very important for an artist to be an artist.
27:57You're going to use a recording recording.
28:00You're going to the message and you're going to the power of it.
28:02You're going to the attention and you're going to the attention.
28:03No.
28:04Everything is outside.
28:07I would say to my secretary, I would say that you would also sit outside.
28:11I would go to a song and if there were 3 or 4 people, I would also go outside.
28:17I would say that I was a music director, I was a lyrics writer and producer director.
28:23I would also say that there was no balancing room in me.
28:27I would say that I would have to go.
28:29Because I was a freak. I didn't give anyone.
28:35And whatever even there was no song.
28:37I would say that it would be a song.
28:40Who would be sung? Who would be sung?
28:43I would say something loud.
28:44I would say something.
28:45I would say that I would say all the time for all the time.
28:4920-25 minutes, I would not disturb you.
28:53The switch on switch of me was angry.
28:58So I have so many producers and musicians.
29:03I've been going out to the other place.
29:05Sometimes I'm going outside of the other place.
29:09Somewhere there's a sad song, somewhere there's a comedy song.
29:12Some pop song, some romantic song.
29:17So this situation is always moving when you switch on switch up, you learn.
29:22So I've taught this very well.
29:29As a listener, what do you think is the most suitable for your superstars?
29:39The most suitable for your superstars is the most suitable for your superstars.
29:53I am a hero.
29:53When I sing a song, I am a hero.
29:59Now, there is a style called Visual Singing.
30:07This is not the first time.
30:10When I sing a song, what do I do with a hero in the garden?
30:16Or, what do I do with a hero in the garden?
30:21When I sing a song, when I sing lyrics,
30:24I sing lyrics, I sing lyrics,
30:27I sing lyrics.
30:29When I sing lyrics, I sing lyrics.
30:39I sing lyrics, I sing lyrics,
30:43When I sing lyrics,
31:09on the spot to implement it.
31:12So that is their quality.
31:14So you thought that all the songs are good,
31:17all the heroes match.
31:19This is not a match. I am the hero of the song.
31:24I am the hero of the song.
31:26I am the hero of the song.
31:28Then the hero would be lip-sync or expression
31:31and boost it more.
31:34Because he is a star, a public figure.
31:37We are in the back of the song.
31:39Playback.
31:40They are in the front.
31:42They will show us a lot of things.
31:45So if we have sung the song or not,
31:47it will come back later.
31:49First, people will see the song in the back of the song.
31:52Whatever is, I used to sing the song.
31:55I used to sing a visual singing.
31:57I didn't get out of my mind.
31:58People say that intelligent singing,
32:02classical bass singing,
32:04and
32:06and
32:06and
32:06I used to sing a lot of things.
32:08But in my mind,
32:09that is
32:10that was
32:11that is
32:13visual singing.
32:14Lyrics
32:15as well as visual singing.
32:19And
32:20and
32:20you have also sung in many languages.
32:22Across the languages of India,
32:23Tamil, Telugu, Bengali,
32:24Odia, Nepal.
32:25Some languages.
32:26Exactly.
32:28But
32:28but
32:29you have to change the language according to the language.
32:31When you are singing.
32:32If I am listening to Odia,
32:34then I think it belongs to a story.
32:37Or if I am listening to Tamil,
32:39then
32:40I think it will be bad.
32:41If you are from Chennai or Trivindram.
32:44This is also a gift.
32:45I can't say anything.
32:47I don't know any language except Bengali, Hindi and English.
32:51I know so.
32:53But
32:53I mean Nepal, Udia,
32:55Or
33:22I don't know about this thing, but I didn't do any work out on it.
33:30You can say something.
33:32You can say something, or you can say something.
33:35Or you can't read it in your childhood.
33:39After that, I wrote a study.
33:45When I dictated a music director or a lyric writer, I give the attention to how he pronounces it.
33:55I mark the pronunciation in my short hand.
34:00In any paper you can see, there are many short-hands.
34:04Aakki, Ebookki, etc.
34:06These are all I created.
34:08I mark that the song will be written as well.
34:15It was my short-hand.
34:18When I dictated and short-hand, I watched that short-hand.
34:22When I watched that short-hand, I watched that short-hand.
34:25What was that?
34:27As long as he pronounces it, I try to give it 100% to 100%.
34:33People think that this is Nepal, this is Buria, this is Bengali.
34:40I am a Bengali.
34:41I am a Bengali.
34:42I don't know what I've done in Bengali.
34:43I've never done a workout.
34:45It's on the language.
34:47But one thing I developed was that,
34:50that I saw in the Bengali for a short-hand.
34:56And I discovered that.
35:01It was a lot of bad-doubt that I was lost.
35:02You see, in Bengal,
35:07There are many songs of Asha Ji and Lata Ji, Muhammad Raffi Saab.
35:12And in that song, you get to know that she is not Bengali or he is not Bengali.
35:22But it feels good to listen to it.
35:25It feels good to listen to it.
35:30It's fantastic.
35:31It feels good to listen to it.
35:37If people like it, it will be a little missing.
35:42But it will accept it.
35:43It will be perfect.
35:46It's okay.
35:48And the more I talk to you, I realize that you give attention to someone as much as it deserves.
35:55Like me, I am an overthinker.
35:56I say, if you think about something, it's bad.
35:58If you think about it, it's bad.
35:59It's not that you.
36:00First, you move very fast.
36:03You grasp things very quickly.
36:05And whatever you need, you give attention to it.
36:10It's a great quality to have for any artist.
36:12I want to touch upon it.
36:15What kind of quality you nurture as an artist?
36:18What kind of quality you nurture as an artist?
36:21What kind of quality you nurture as an artist?
36:29I will give you an example.
36:31Someone has seen more love.
36:33They show more love.
36:35So you want to understand that something in his mind is something that doesn't have been so much love.
36:40Why are you showing so much love?
36:52The simple thing is that you have to know that you have to do so much work, when you know
37:00that you have to do so much work,
37:05I don't want to do so much work, I don't want to do so much work, that is not my
37:10work.
37:13The other thing is that if you ask me to do so much work, you can ask me to do
37:20so much work,
37:25some people say, what short is it? Wow, wow.
37:28The person thinks he is in the brain, but he is speaking to you.
37:32You will be asking me to do so much work, you don't wear so much work, but why is it
37:38so much work?
37:39Why are you doing it?
37:41That means you are putting doubt in that person.
37:44You are putting in love.
37:45When you are showing love,
37:47the problem is that people need to understand the problem.
37:51If we give so much love,
37:53we will understand that I am doing false.
37:56So it was easy for me to move forward.
38:01I don't have to do it.
38:03It's very easy to tackle them with that.
38:07It's very easy.
38:10When you are in your head,
38:11you will say,
38:12your house is really good.
38:13Fantastic.
38:14Which company?
38:16He asked me.
38:17Just leave it.
38:18It's very good.
38:19I have to buy it.
38:20It's done.
38:22Now we are talking about the house for 10 minutes.
38:25Oh, masha Allah.
38:28I have not seen such a house in life.
38:30It's from here or from America.
38:32It's not about to say all these things.
38:35It's good.
38:37I'll buy one.
38:39I'll get one.
38:40I'll get one.
38:42I'll get one.
38:42I'll get one.
38:43Who's for me?
38:44Ask me that.
38:45That's natural.
38:47The more you want, the more you want.
38:48The more you want, the more you want.
38:50The more you want, the more you can understand.
38:52So you need to understand this.
38:53If you want extra money or extra money or extra money, you will get extra money.
39:01You said that you are very straightforward throughout your journey.
39:04Yes, throughout my life.
39:05What were you afraid of today or in the first time?
39:09You don't want to be afraid of Amitabh Bachchan. You don't want to be afraid of his achievements.
39:18So you don't want to be afraid of your achievements.
39:22Your goals are looking for your achievements.
39:27If you don't want to be afraid of your own words or something, you don't want to be afraid of
39:33your own words.
39:34That doesn't matter.
39:38The achievements are such a thing that you need to be able to be more effective in the past.
39:44If you are the strongest in your life,
39:48In this world, if there is a big role in this world, then there is an achievement.
39:53In the world, everyone has to blame.
39:56So, I have also followed that.
39:58I have to go and go.
40:00So, people don't want to be afraid of me, but respect me.
40:06As a move forward, definitely, if you give a name of fear or respect,
40:10whatever you give, we don't have any difference.
40:12But, I get respect.
40:15I go to every place, even recordists, musicians, co-singers.
40:23I always look at me with respect.
40:27If you give any name to anyone, we don't have any difference.
40:31We need enough.
40:33In the previous question, you move very fast in your work.
40:38You move forward and move forward.
40:41For you, it's a thing of past.
40:42It's a thing of past.
40:43It's a thing of past.
40:44There is another thing that I was reading about Shannon and you.
40:47Grammy Jury, you've become a member.
40:50Some two or three years ago.
40:51Please correct me if I'm wrong.
40:54You've done that work.
40:55You've done that work.
40:56You've done that work.
40:56You've done that work.
40:56Yes.
40:58You've done that work.
41:00You've done that work.
41:00Now, we can talk about that.
41:02Because I'm speaking about Shannon and Shannon.
41:03I've become a member of Grammy Jury three years ago.
41:10I'm not speaking to any of the new people.
41:11I don't think that I have to say something to announce a lot.
41:15I'm speaking to everyone in the Grammy.
41:17What's that?
41:18I've become a member of Grammy Jury.
41:28It's very easy thing and
41:30which has an achievement can be done.
41:33And those people judge and
41:35say that this is not true or not,
41:38and that they do not achieve anything in life.
41:41They make a member so that they get an input from them.
41:44They made a member with me and Shannon.
41:50So,
41:54there are a lot of things that
41:58when you talk about it,
42:01when you talk about it,
42:03what will happen?
42:05We are here and there.
42:09It's very...
42:10It's very...
42:12I feel like a joke about it.
42:15Why did you say it?
42:17I don't want to say it.
42:18I don't want to say it.
42:19It's okay.
42:20The member has become a member.
42:22I don't know.
42:24Like Shannon has proud me.
42:27There are a lot of things.
42:30She is also the youngest singer to perform in Royal Albert Hall.
42:33Yeah.
42:34She is the youngest singer from Indian soil
42:41who performed in London Royal Albert Hall.
42:45She is the youngest.
42:47So,
42:48it's a proud feel.
42:49It's a proud feel.
42:51It's a proud feel.
42:52It's a proud feel.
42:53I am here.
42:54I am doing it.
42:55I am doing it.
42:56I am doing it.
42:56I am doing it.
42:57I didn't ask you,
42:57I didn't ask you,
42:58what did you do in Royal Albert Hall?
42:59What did you do?
43:01It's okay.
43:02It's a prestigious hall.
43:04It was a house pool.
43:07It was very good.
43:07The performance was very good.
43:09Everything was good.
43:10It was very good.
43:11it was very proud of me.
43:13It was very proud of me.
43:14Shannon has performed in my mother.
43:16And she is the youngest performer.
43:19First time from India.
43:22Okay.
43:23And you have talked about your achievements.
43:27You have reached that place where you have achieved almost everything.
43:31Padma Shree has a lot of names in the country, in the world, across the world.
43:36You can also see the names of your needs.
43:39After this, what do you have achieved without any interest in your passion?
43:43What do you have achieved with your passion?
43:46What do you have achieved with your passion?
43:46Can you achieve everything to build your passion?
43:48I think the first thing is the best of me when I can talk to my fans on a page.
43:57When I go on Instagram or Facebook,
44:00I think that the comments of the fans are giving me a doubt.
44:06They give me a doubt.
44:08They give me a doubt.
44:10I think that I will do it again.
44:13The desire to do it is the public.
44:20So I can't do this mindset that I can achieve this.
44:26I am saying this, God promises.
44:28I am saying I can do it.
44:31But I am asking for a public question.
44:33The idea of what I should do and what I should do.
44:37Is that right?
44:38I am happy.
44:42But these people are asking for me.
44:44In their hearts, they wanted to get this.
44:48This is not the public demand.
44:50No demand.
44:52If we get it, I am saying that the public person is happy.
44:58That is their demand.
45:04My goal is to decide the public.
45:10We all decide.
45:13And about the music industry.
45:16In the past 20-30 years, there was a lot of change in industry.
45:21When Gulshan Kumar was in the industry,
45:25there was a lot of work in the technology that was used in the industry.
45:27That's why we are not working today.
45:30In your opinion, in your experience,
45:33what kind of change has been changed?
45:34For the good, has it changed?
45:36No, Gulshan's death definitely was bad.
45:40It was bad.
45:43There was an era going on.
45:48There was a very golden era.
45:52It was going on.
45:53It was breaking the date of Gulshan's death.
45:57Definitely.
45:58He was the man that
46:01who wasn't as a business man
46:04or as a businessman
46:06and it was the man who wanted to be.
46:08There was a lot of power in his head.
46:10His head was the most severe
46:11that however,
46:11who will continue to play,
46:14this thought first of all,
46:16was that,
46:16like this song may need to be a bit more hate.
46:22This is one thing very big.
46:26This is one thing.
46:28He is not a singer, he is not a musician, but he can judge immediately that I will buy this
46:36song and this will be a thousand times business.
46:41So this is a great talent.
46:45The other thing is that the music needs to be publicly released, and the music needs to be worldwide.
46:58This is not the best of everyone.
47:02This is not the best of everyone.
47:05Today I am not talking about my Godfather.
47:09Godfather is this.
47:11But it is actually that after the industry of Gulsanji, this industry was the same.
47:17Because of that, Gulsanji after the industry,
47:21the producer of Gulsanji made a good music,
47:23and the producer of the music made a film.
47:25They made a film for that money.
47:27I have heard such a day.
47:30There are many films that Gulsanji took the music,
47:34and said, take it and make a film.
47:38So this was a very sad thing for us.
47:44It was going to go away.
47:46And I think after that,
47:48all of the things were broken and broken.
47:50It became a talent.
47:55Nadim Ji is a talent.
47:57It was such a great talent.
47:59To beat them, it was a very difficult thing.
48:03Then, the other music directors,
48:07which were made of good quality songs,
48:11all of them were affected.
48:13Because their music will be made,
48:15their price will be paid,
48:16and then they will get another film.
48:17They will get another film.
48:18Everything was together.
48:20Everything was together.
48:20And the main role was Gulsanji.
48:22He taught us that
48:24we need to take money to the singer.
48:27He taught us that
48:29we need to take money to the singer.
48:41He taught us that
48:42And definitely, it's a big loss for our industry.
48:46And I think that
48:49it will not happen.
48:52And we say that
48:53the time is going to go back and forth.
48:55In the 90s, there was a trend
48:57that there was also
48:57independent music,
48:58with film music.
48:59In the 2000s,
49:00there was a trend
49:01that was a little bit of a gap.
49:02There was only film music
49:03and a forefront.
49:04Now, there was independent music
49:05because there were streaming platforms
49:07and Spotify
49:07and many audio streaming platforms.
49:09As singers,
49:11when a field is diversified,
49:13a field is diversified,
49:14a field is diversified.
49:15Beyond boundaries,
49:16film music,
49:16independent music
49:17and its supply chain.
49:22What emotions do you have to invoke?
49:24There are two or three reasons.
49:26One is that
49:27the diversity is
49:29one is that
49:30one is that
49:30one is that
49:30one is that
49:30one is that
49:31one is that
49:32one is that
49:32one is that
49:33one is that
49:38one is that
49:40one is that
49:41the group
49:42one is that
49:42not to do the work.
49:44Unless
49:45the students
49:46are well
49:49the same
49:51one is there,
49:57is that
49:58all
49:59the singers
50:00that
50:01have
50:02to
50:02the
50:06foreign
50:10foreign
50:32The people who are in the Gule will do the work in the Gule.
50:36The people who are coming out of the Gule,
50:39like Kashmir, Harunachal, Himachal,
50:43they sing good songs.
50:45Where will it go?
50:48There should be a platform that is open,
50:52like the first thing happened.
50:53If you sing good songs, you will get a chance.
50:58If you are a good singer,
51:00if you have talent,
51:02then you will get a chance.
51:04And it also happened.
51:05It happened before me.
51:08I was there, but there was nothing.
51:11So,
51:12now it is not.
51:15The Gule will sing.
51:18He will write music, compose music,
51:20he will write lyrics,
51:21he will write lyrics.
51:23Everyone has a different lobby.
51:25Gatekeeping culture.
51:26Gatekeeping culture.
51:28Yes.
51:29So,
51:29what is it that they will get a job?
51:31It is very difficult in the Gule.
51:34It is very difficult in the Gule.
51:35It is very difficult in the Gule.
51:37So,
51:37I will tell you,
51:38what is the word?
51:40What is the word of the singer?
51:42What will the singer do?
51:43He will say,
51:43I will leave a song on my individual YouTube.
51:46So,
51:47the single album,
51:48the diversions.
51:50The art of the diversions.
51:52has passed on the Gule.
51:53So,
51:53it has passed in the movement of the single album.
51:56The first was,
51:57in the shows,
51:58was the single album,
52:00started the single album.
52:02It has been a part of the record,
52:03Politically
52:03as they have been praised.
52:07That single album has had very high and high again.
52:10There are many people,
52:12such a lot of singers,
52:13such a lot of singers,
52:13in our industry,
52:14There is a lot of people who are not aware of the mainstream, but they have a lot of followers.
52:21They love a lot of people. They all sing a lot.
52:25Have you come to Surya Film?
52:27Yes.
52:29Can you tell us?
52:30We are talking about Surya Film.
52:33Can you tell me about the music director?
52:36How did they do it?
52:36No, Surya Film was requested and sent to me.
52:43I saw the music that is Rahi Ji.
52:47It was a very different type of music.
52:51It was good.
52:54Jain Ji has a young feeling of contemporary music.
52:58What flavor is the music that you can explain?
53:00What flavor is the music that you can explain?
53:02What flavor is the music that you can explain?
53:03One of the things that you can explain is that the music is easy stepping.
53:16The other thing is that the tune is very easily in the audience.
53:21Listen to me, listen to me.
53:26The music is very easy.
53:30The music is like,
53:32I am a hood on, I am a hood on easily.
53:35Why?
53:36Because it's easier.
53:38It's a simple structure.
53:39Who is the hood on?
53:40Tell me about the inner meaning, heavy, Urdu.
53:43Where is it?
53:44There is nothing.
53:46Is it right?
53:46There is nothing.
53:47What is it possible?
53:48How many people can sing it,
53:50It is the most popular song.
53:53The composition was good.
53:56It was good.
53:57It was good.
53:57The lyrics was good.
53:59The singing was guided me.
54:01He was like a song.
54:08He was like...
54:09I can sing.
54:10I can sing.
54:10I can sing.
54:10It's like our songs.
54:11It's not tough. It's easy.
54:16So I attacked this thing and then I didn't know how to do it.
54:24Did you know how to do it in the recording room?
54:26Yes, in the recording room.
54:27I didn't know how to do it before.
54:29It's a song or a song.
54:31It's a song or a song or a song.
54:34So when I heard the name of Sonny Deval, then I realized that Udid is a song with me.
54:38So I was so happy.
54:41After that, I was so happy when I listened to ZMusic to publish it.
54:50It was a music release from ZMusic.
54:53So I got more interest.
54:56ZMusic is a big platform on today's date.
55:07I'm very happy, I was very happy.
55:10The song is trending at today.
55:12It's trending.
55:13It was great for me.
55:16I have a chance to go going on.
55:19This song is over.
55:21It's over.
55:21It's over.
55:21It was G-music.
55:23We will not leave it at any time.
55:25So, the four of us,
55:28we got the song in a positive mood.
55:32And when you have been recording this song in the studio,
55:35you will be set in your mind,
55:37I will sing this way.
55:39But when you started singing this song,
55:40you were going to sing this song.
55:43Did you change your gears?
55:44No, I didn't say anything.
55:47I used to sing as a hero.
55:47I used to sing a song.
55:50There are no changes in there.
55:52I used to sing the song.
55:55And I saw the Mahol,
55:57I didn't have the song.
55:58He was a different song.
56:01In Mahol, there was a producer and a music director.
56:04I was a recordist.
56:06That's it.
56:08I was recorded.
56:09And I was like,
56:13I was like,
56:14that I can't play the song.
56:15Because in the song, it's a great thing.
56:20It's a good thing.
56:24And in 10 minutes, it's recorded?
56:26Yes, it's recorded in 10 minutes.
56:28It's a good thing.
56:31I was very happy producer.
56:32I was very happy to be a producer.
56:36He was a very good person.
56:38And many people came here.
56:42So, they were very happy.
56:44But he was very happy.
56:48And in this interview, you said that
56:50to the composer to read and to satisfy them is very important.
56:53Yes, very important.
56:54When you have a song in the Surya film,
56:56how did you read the composer?
56:58How did you read the composer?
57:00He was a bit modern.
57:03So, we won't keep the old style.
57:06We always sing the style.
57:10He has to be contemporary.
57:11He has to be a mindset.
57:12This was a mindset when I was at home.
57:15I was listening to the song.
57:17And to be honest,
57:18when I was in the studio,
57:21I forgot the song.
57:24I was totally out of my mind.
57:25It was a switch-on switch-off problem.
57:27I was busy in the other work.
57:29I was listening to the song.
57:30I was listening to the song.
57:31I was listening to the song.
57:34I was listening to the song.
57:35I was listening to the song.
57:37But one thing came to me,
57:38the music director composed of the music director
57:40was a contemporary thing.
57:44So, we had to keep it in mind.
57:48I was listening to the song.
57:48So, I was listening to the song.
57:51And the final question.
57:52You said in this interview,
57:54that you get the love of fans and audience.
57:57I am not sure if you are aware of this phenomenon.
57:59You are a rage between male following male audience.
58:03And I will explain to you why.
58:06There is a trend in Instagram,
58:07it's a very high-end hair studio
58:09where people decide their new look.
58:13And it's a local salons.
58:16Male members of the Instagram are like
58:18that we'll prefer local salons
58:19because we sing with Kumash Anno.
58:21There's nothing like Pink Floyd,
58:23Michael Jackson.
58:25Because our services are so good.
58:26We can go to Kumash Anno's singing.
58:28We can sing,
58:29because that's an experience in itself.
58:32It's more of a therapy.
58:33What did you say about this?
58:36I told you about my fans.
58:38I told you a little bit earlier
58:40that my goal and my goal
58:42they also have to decide.
58:45They have to do everything.
58:46They have to do everything.
58:48And they have to do everything.
58:50So I will not say anything about this.
58:52I will say what fans will say
58:53will be on their head.
58:56And finally,
58:58I have a lot of favourite songs.
59:00I will think I will prepare you
59:01if I'm not.
59:04I will do everything.
59:06I will think you're love
59:08he can't do it
59:12this heart can't do it
59:17he can't do it
59:18he made you
59:20and he has no meaning
59:23he has no meaning
59:27I've hidden you in my dreams
59:30I've hidden you in my memories
59:34We'll meet you in your knowledge
59:38Where and where
59:42We'll think you don't do love
59:46Thank you so much.
59:51Thank you very much.
59:51Thank you for all your upcoming projects.