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nenk yanti
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00:00:15Tum-ba, G-G, Tum-ba, Ninja!
00:00:37THE END
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00:04:23Hey, Ollie, get a move on.
00:04:25Will you try pumping a little faster?
00:04:27I'm already doing it.
00:04:34All right, you can stop now.
00:04:37Hey, Jacqueline!
00:04:38What do you want with Dr. Goddard?
00:04:40Do you have a message for her?
00:04:41Telegram from Hamburg.
00:04:42Nairobi sent it through.
00:04:43Oh, good, let's see it.
00:04:44What do you want to do, tamper with the mail, huh?
00:04:46Oh, don't talk foolish.
00:04:48Is it yes or is it no?
00:04:50Jacqueline!
00:04:51Yes?
00:04:51Here.
00:04:52For me?
00:04:54Congratulations.
00:04:57At last.
00:04:57Are you accepted?
00:04:59Yes, Professor.
00:05:01I'm afraid this means I'll be leaving here in a couple of days.
00:05:05We'll be sorry.
00:05:06See you go.
00:05:07We'll miss you.
00:05:08But anyway, congratulations.
00:05:11Thank you, sir.
00:05:12When is the next mail boat?
00:05:14In three days.
00:05:14What's going on?
00:05:17Jacqueline has been accepted by the Tropical Institute.
00:05:19She must return to Hamburg.
00:05:21Oh, that's quite a coincidence.
00:05:23I'll go with her.
00:05:24Oh, here we go again.
00:05:25Someone has to bring my monkeys up to Hagenbeck.
00:05:28Well, what's the rush?
00:05:29They'll ride if I keep them caged up.
00:05:31I wonder if he really thinks he's fooling us.
00:05:33Now, come on now, Quinta.
00:05:35They're teasing you.
00:05:36It'll be very nice to have him for a shipment.
00:05:39Oh, say, where's Torrey?
00:05:40Don't worry, he'll be back in time to kiss you goodbye.
00:05:43Please keep your fresh remarks to yourself, Mr. Keller.
00:05:58Take him. Get on ya.
00:06:11Why you'd not shoot?
00:06:13Kill everything right away and get going.
00:06:15Yeah.
00:06:24Here, Buana. Here, Buana. Come quick. Come quick.
00:06:29Come quick.
00:06:31It was the only thing to do.
00:06:41Hey, Sigel, what's over here?
00:06:46Hey, the little fellow. How did you get in the jungle all by yourself, eh?
00:06:50What are you doing up here?
00:06:52You're good and lost, eh?
00:06:54I take him.
00:06:55Yes.
00:06:56Open box.
00:06:56Hofroo is whose tongue wake me up.
00:07:12It's everywhere!
00:07:14I think it's all over here right now.
00:07:18His house will be on my集.
00:07:20Of course they can't seem like a man.
00:07:20I got up there right now.
00:07:25Oh, oh, oh, oh!
00:07:55Hey, Jacqueline.
00:07:57Yes?
00:07:58I've hurt myself.
00:08:00It's nothing very serious.
00:08:02I'll bandage it for you.
00:08:07Sit down, will you please?
00:08:08You're too tall for me.
00:08:13My little Jacqueline.
00:08:17Look, Keller, I wish you'd try to behave as the others do.
00:08:20I am the doctor of this expedition,
00:08:22and all the gentlemen of this expedition
00:08:24have given their word to forget that I am a woman.
00:08:27Oh, yeah. First you drive us crazy, then you...
00:08:32I will try to forget that.
00:08:34As for your arm, you can bandage it yourself.
00:08:45Hey, you big ape.
00:08:47If you ever again make a pass at our poor little doctor,
00:08:49I'll make goulash out of you.
00:08:54I'll make a pass at our poor little boy.
00:08:58Let's go.
00:08:59Let's go.
00:09:04Hold on.
00:09:05Go, boy.
00:09:05Go, boy.
00:09:07Go, boy.
00:09:08Go, boy.
00:09:08Go, boy.
00:09:08Get off.
00:09:09Go, boy.
00:09:10Go, boy.
00:09:19Go, boy.
00:09:41Abba, do Abba.
00:09:45That's good.
00:09:47Come on.
00:09:48Come on.
00:09:49Come on.
00:09:50Come on.
00:10:15Come on.
00:10:43Let's go, let's go, let's go.
00:11:12Look, I'm not kidding, and don't try to tell me I was seeing things.
00:11:15She is a white girl.
00:11:16Sure, of course, and she even spoke your language.
00:11:19Seeing as how you weren't around, what else could she do?
00:11:22Do I have to listen to your dumb jokes?
00:11:24Come here, Torrin. I want to take your temperature.
00:11:27Look, I don't have a fever, and I'm not crazy either.
00:11:29And if they don't want to believe me, so much the worse for them.
00:11:34Listen, everyone, please.
00:11:36Suppose we say Torrin actually saw her.
00:11:40He really saw a white girl.
00:11:41Oh, that would be a real sensation.
00:11:44Would you come with me tomorrow early and show me where you saw this creature?
00:11:48Yeah, I'd be glad to.
00:11:49What are you doing tomorrow?
00:11:51I'll be with Kirsten. We're going after deer.
00:11:59JJ, everyone, mother-in-law.
00:12:10Oh, yeah.
00:12:13Oh, my darling.
00:12:25Oh, yeah.
00:12:25Oh, my God.
00:12:28Oh, my God.
00:13:05There she is.
00:13:25She's just a bit too far away.
00:13:55Oh, my God.
00:14:21Oh, my God.
00:14:26Oh, my God.
00:14:28Oh, my God.
00:14:32Oh, my God.
00:14:37Oh, my God.
00:14:54Oh, my God.
00:15:14Oh, my God.
00:15:18Oh, my God.
00:15:31Oh, my God.
00:15:38Oh, my God.
00:15:46Oh, my God.
00:15:46Oh, my God.
00:15:48Oh, my God.
00:15:48Oh, my God.
00:15:50Oh, my God.
00:16:29Let's go.
00:16:50These drums always sound the same to me. Why should we bother recording them?
00:16:54Torrin says we need all we can get to understand the language of the drums.
00:16:59And if Torrin says it, it's the law, hmm?
00:17:02Why not? After all, Torrin is the chief of our expedition.
00:17:09I think he's more. Everyone can see Draclan's in love.
00:17:21You're right, Tibor. Everyone but him.
00:17:26Torrin's coming.
00:17:28Have the others returned yet? No.
00:17:30We heard shots and right after the drums began to speak.
00:17:33The whole jungle's been growling for two hours.
00:17:35Hey, Sabo. Hello, Torrin.
00:17:37Would you like a little tea? Thanks.
00:17:40It's pretty hot. Dinner will be ready right away.
00:17:43Later. I've got to develop this film.
00:17:47No tea for me?
00:17:48Oh, I'm sorry, Professor.
00:17:55Hello! Hurry! They've followed us all the way!
00:18:02Let's go. Bring them into the tent.
00:18:04This looks bad. Hurry!
00:18:06Careful. Torrin! Come here, quick!
00:18:08Wait. Don't open the flap. They've got her. Who?
00:18:11You're white girl. She's over with Jacqueline now.
00:18:26He's unconscious. So much the better.
00:18:28Why so?
00:18:29I'll have to make a couple of incisions, and we're all out of anesthetic.
00:18:34Why don't you at least take that cruel net off?
00:18:37It's torture to keep her like that.
00:18:38If I do, there'll be the devil to pay. The beast scratches and bites.
00:18:42She's a human being, not an animal.
00:18:46Tellyke, will you assist me?
00:18:47Yes, gladly.
00:18:54This doesn't look good at all.
00:18:56These drums are gonna drive me off my nut.
00:19:00You've got us into a fine mess.
00:19:03Because of this cat here?
00:19:04Yes. Did you think the bodos would tolerate something like this?
00:19:07Well, what are we gonna do about it?
00:19:09Just for a start, we can get her out of that net.
00:19:11She's not a wild animal.
00:19:12She's not much else, I tell you.
00:19:15He'll hurt himself. Sit down.
00:19:18Uh-oh.
00:19:19Why'd you bite me?
00:19:21I told you she's a wild.
00:19:22Tell her why.
00:19:24Keep away from her.
00:19:27Now then, little one.
00:19:29What's the matter?
00:19:30I'm not gonna hurt you. You know that.
00:19:35Maybe you're hungry, isn't it?
00:19:39Here.
00:19:41It's good. Come on.
00:19:50That's all we can do for him now.
00:19:52We'd better let him sleep for a few hours.
00:19:53He'd be able to. The drums are quiet now.
00:19:55Hey, look up.
00:19:59Call the men out. The bodos are attacking.
00:20:05Hello!
00:20:07Bring him on. I'm ready.
00:20:18Actually, the bodos are in the right.
00:20:20After all, we stole the girl from them.
00:20:23Nonsense. Who shoots first is right.
00:20:25No, he's in the wrong.
00:20:27What'd you say?
00:20:37There's too many of them. We can't hold them off for longer.
00:20:40I'm gonna hook up the recorder.
00:20:42What are you doing?
00:20:42And you break up the loudspeaker.
00:20:44All right.
00:20:44Kiyahi!
00:20:48Kiyahi!
00:20:49Kiyahi!
00:20:49Kiyahi!
00:20:50Oh, you are Kiyahi.
00:20:51Kiyahi!
00:20:52Kiyahi!
00:20:53Your friends are calling you.
00:20:55Kiyahi!
00:20:58Kiyahi!
00:20:58Kiyahi!
00:20:59All right. Plug in the cable.
00:21:00Kiyahi!
00:21:03Kiyahi!
00:21:11Kiyahi!
00:21:13Kiyahi!
00:21:14Kiyahi!
00:21:15Kiyahi!
00:21:16Kiyahi!
00:21:18Kiyahi!
00:21:19That was too much for our friends.
00:21:24Great work, Torrin.
00:21:26I think it's more.
00:21:27Everyone can see Jacqueline's in love.
00:21:30You're right, Tibor.
00:21:32Everyone but him.
00:21:35Torrin's coming.
00:21:37Huh?
00:21:38Even you know it now, huh?
00:21:41Yeah.
00:22:01This is funny.
00:22:01It's a little bit better.
00:22:02It's a little bit better.
00:22:04It's always get really good.
00:22:04At Kiyahi!
00:22:05What are you boys?
00:22:12Thank you for you.
00:22:19Where do you think you're going, you wildcat?
00:22:21Let her alone.
00:22:30Let's get it straight.
00:22:31You keep away from her, I'll kick your teeth in.
00:22:33Don't worry.
00:22:34That wildcat can take a lot of punishment.
00:22:38At least she's quiet now.
00:22:45Look, the safest thing to do is lock her up overnight in one of the cages.
00:22:48I don't think she'll run away now.
00:22:50And what if she wakes up?
00:22:51So one of us has to stay here and watch.
00:22:53Good. Who'll be first?
00:22:54I will. You can relieve me.
00:22:56All right, then. Good night, Jacqueline.
00:22:58Good night.
00:22:59Good night.
00:23:01I must go see how Kirsten is.
00:23:03I'll go with you.
00:23:18Kirsten is sleeping quietly.
00:23:19Hmm?
00:23:20Oh, that's good.
00:23:22She is too.
00:23:27Jacqueline.
00:23:28Hmm?
00:23:29It was a silly accident.
00:23:32I happened to go over here what you said to Tibor on the tape recorder.
00:23:37Oh, that was silly.
00:23:38You mustn't get any wrong ideas now.
00:23:41Oh, don't worry. I won't.
00:23:42Thanks.
00:23:45I've been wanting to tell you something for a long time, but I just couldn't get up the courage.
00:23:51You're not usually as shy as that.
00:23:53You seem to think that I'm pretty sure of myself, huh?
00:23:56Of course you do.
00:23:57Ah, it's all a deception.
00:23:59Mimicry, that's what it's called in the jungle.
00:24:02Isn't that how the little animals try to frighten the big ones away?
00:24:05That's about right.
00:24:06I'm afraid you haven't done a very good job of frightening me away, have you?
00:24:10Hmm.
00:24:11I guess not.
00:24:13I wasn't really trying.
00:24:16You know, Jacqueline, I've known other girls.
00:24:19They weren't like you.
00:24:21You know lots of things.
00:24:23You've studied.
00:24:24For instance, I know where my heart is because I can feel it beating.
00:24:27It's right here.
00:24:28But my stomach, I'm not sure, except when I've eaten some bad food and it hurts.
00:24:32Here.
00:24:32Wrong.
00:24:33There, you see.
00:24:35But after all, I'm a doctor.
00:24:37I'm sure you've learned many other things.
00:24:39Yeah, not much.
00:24:40I've learned how to keep myself alive.
00:24:43I've managed to do whatever kind of job turned up.
00:24:46Safari leader, hunter.
00:24:49Got a job with a motion picture expedition a few years ago in Kenya.
00:24:54I was cameraman's assistant.
00:24:56That's all.
00:24:57Don't make yourself smaller than you are, Torrin.
00:24:59But I am pretty small.
00:25:03Next to you.
00:25:04Mm-mm.
00:25:06I won't accept that.
00:25:09Ah, it's true.
00:25:11And the pledge we made when we started, to respect you as a woman.
00:25:16Well, you haven't broken your word.
00:25:19Have the others?
00:25:20No.
00:25:22If anyone tried, I'd bash his teeth in.
00:25:24I can protect myself, all right.
00:25:29If I want to.
00:25:32If you...
00:25:34Jacqueline.
00:25:35We must be reasonable now, Torrin.
00:25:37I'm going to Hamburg on Friday morning.
00:25:40I don't think it would be fair to get involved now.
00:25:42If I'd only known.
00:25:44Yes.
00:25:45But how could you have known?
00:25:48You might have felt something here, perhaps?
00:25:50I felt it, Jacqueline.
00:25:51Wait.
00:25:52The little one might wake up.
00:25:55She's sleeping.
00:25:56Don't worry.
00:25:58And I guess I ought to be, too.
00:26:01Good night.
00:26:04Good night, Jacqueline.
00:26:09What does she have around her neck?
00:26:11Why, it's a good luck charm.
00:26:13It's a medal with an angel on it.
00:26:15I wonder if this could tell us something about her home.
00:26:18But this one's engraved.
00:26:20An L.
00:26:22Louisa.
00:26:24Lillian.
00:26:25I'll bring it to Professor Danner.
00:26:26He can call Nairobi by radio.
00:26:28Good night.
00:26:29Eh?
00:26:30Of course.
00:26:30Sleep well.
00:26:31I'll keep watch out here.
00:26:53Ready now.
00:26:54Here comes the shower.
00:26:58Do you like it?
00:27:00Come.
00:27:01Now we use the soap.
00:27:04There.
00:27:05Feel good?
00:27:06Soap.
00:27:07You're already learning to speak, huh?
00:27:23You'll be ready right away.
00:27:26Well, how do you like yourself?
00:27:34I'm afraid I've got to cut your hair.
00:27:35Your hair?
00:27:36Not mine.
00:27:37Yours.
00:27:38Yours.
00:27:42Not much else we can do with it.
00:27:45That mane is horrid.
00:27:49Might as well get to it.
00:27:52Don't move around so much.
00:28:00Don't you like your funny little face?
00:28:03Now, do you want to let me see what you look like?
00:28:06Ah, that looks so much better now.
00:28:08Morning.
00:28:09Ah, Torrin.
00:28:10Good morning.
00:28:11Good morning, Jacqueline.
00:28:12Well, what do you think of this, eh?
00:28:14We've stirred up something.
00:28:15The whole world is asking for information about the little white girl we found living with.
00:28:20Wotos.
00:28:22Hey, she's almost pretty.
00:28:24Uh-huh.
00:28:26Ki-ah-hee.
00:28:27That's her name.
00:28:28Did she tell you anything besides that?
00:28:30Oh, yes.
00:28:30A great deal.
00:28:32But I couldn't understand it.
00:28:34Ki-ah-hee.
00:28:35That must be a native word.
00:28:37How about your drum talk, Torrin?
00:28:39Do you suppose she might understand us with that?
00:28:42Hmm.
00:28:44Hunger.
00:28:46There.
00:28:47She answers.
00:28:48She must have understood.
00:28:49Fine.
00:28:50Now, suppose you ask her what happened to her birth certificate.
00:28:53I wonder if she'd still recognize whatever language her parents spoke.
00:28:56Oh, when she was a child.
00:28:58She ought to remember something.
00:28:59A couple of words.
00:29:01Ship.
00:29:02Huh?
00:29:04Ship.
00:29:06Batou.
00:29:07There's not much there.
00:29:10Water.
00:29:12Vassa.
00:29:13Aqua.
00:29:16It's nothing.
00:29:22Try with me.
00:29:25Mayor.
00:29:26Mother.
00:29:29Muta.
00:29:33Muta?
00:29:34She understands.
00:29:35Stunned.
00:29:36Oh.
00:29:37She babbles just like a pretty parrot.
00:29:40No, no.
00:29:42She knows that word.
00:29:46Look out.
00:29:47She bites.
00:29:48Be careful, Torrin.
00:29:50Torrin?
00:29:51Ho, ho, ho, ho.
00:29:52I believe you've made quite a nice impression on our little friend.
00:29:57No, she's just trying to express herself.
00:30:00You can see she's intelligent.
00:30:01Just look at the shape of her face and her eyes.
00:30:06She must come from a pretty good family.
00:30:08I'm sure of that.
00:30:23Executive office.
00:30:24Who shall I say is calling?
00:30:26Just a moment, please.
00:30:29The commissioner's on the line.
00:30:30Yes, I did.
00:30:32All right, I'll put you through.
00:30:34Whom do you wish to see, please?
00:30:35Mr. Goering.
00:30:36Oh, I'll have to announce you.
00:30:38Would you give me your name, please?
00:30:39How long have you been working here?
00:30:41I've been here over a year and a half.
00:30:43Oh, so that's it.
00:30:45Excuse me, sir, but you can't walk in that way.
00:30:47No?
00:30:48Watch.
00:30:48Please, sir, you mustn't.
00:30:50Good morning, Uncle Theo.
00:30:52Mr. Amalong?
00:30:53Employees won't even let me in the plant anymore.
00:30:56Oh.
00:30:56Well, she might have recognized you if you hadn't been away so long.
00:31:00Oh, I'm so sorry, but I really couldn't.
00:31:02I didn't know your face was...
00:31:03Very well, Miss Hunnaman.
00:31:04Excuse me.
00:31:10You have a fine setup here now.
00:31:13I remember how it looked when we first started.
00:31:16Three high desks and three pimple-faced youngsters who kept working till their fingers were numb.
00:31:20Sure.
00:31:21And they were more efficient than the 25 young ladies you have out there now who sit in front
00:31:25of their typewriters and polish their nails, sir.
00:31:28Are you displeased with my work?
00:31:29No.
00:31:30No.
00:31:31You're doing a very good job, Victor.
00:31:34As long as I can stay out in Mountain View cultivating my tulips, I am fully, completely content.
00:31:40Oh, by the way, what have you done with Peterson?
00:31:44I was by his desk and I find someone else there.
00:31:47Your accountant?
00:31:48We dismissed him last year.
00:31:49He was too old.
00:31:50What?
00:31:51You fired him.
00:31:52You couldn't mean that, Victor.
00:31:54Peterson was with us for 25 years.
00:31:57We can't afford to be sentimental, can we?
00:31:59Of course, but in this case, we can make an exception.
00:32:02Uncle Theo, I work hard to manage your business.
00:32:06It's not always easy.
00:32:08If the way I work is not agreeable to you, it's still the only way I know how to work.
00:32:13No, no, Victor.
00:32:14I just feel sorry for the old man.
00:32:17It will be hard for him.
00:32:18I regretted having to do it.
00:32:22But have you come all the way here merely to talk of him?
00:32:26No, no, I really wanted to, um, what have I done with?
00:32:33Well, there it is.
00:32:36Have you read this?
00:32:38What?
00:32:38What is it?
00:32:40Murder in Elmbrook.
00:32:42No, no, this over here.
00:32:44Girl found in jungle.
00:32:46What's that to us?
00:32:47But don't you see, Victor?
00:32:48Couldn't this be Leanne?
00:32:51Who's Leanne?
00:32:53Oh, but Victor.
00:32:54She's my granddaughter.
00:32:56Look, Uncle Theo.
00:32:58But why couldn't it be she?
00:33:00The age is right.
00:33:02It was 18 years ago the ship went down.
00:33:04With all the passengers.
00:33:05But suppose they got to shore someplace.
00:33:07A two-year-old child.
00:33:09But her negro armor was there with them.
00:33:11And she took the child to live among her own people.
00:33:14Maybe she did.
00:33:15It's pure imagination, Uncle Theo.
00:33:18Even so, Victor, I want them to investigate.
00:33:21If you call the police, maybe they can find something that they could help.
00:33:26If it'll calm you, I'll put through a call.
00:33:28To whom?
00:33:29One of our agents.
00:33:31Miss Hanuman, get me Baker and Port Said.
00:33:35Easy there, watch out.
00:33:36I'd like to get them to Hamburg in one piece.
00:33:39Well, goodbye, Jacqueline.
00:33:41Goodbye, and thanks, Professor.
00:33:44Jacqueline, we'll all miss you.
00:33:46Best of luck.
00:33:47I'll miss all of you, too.
00:33:49Very much.
00:33:50Be sure to wash it every day with peroxide.
00:33:53Let's go, Torrin.
00:33:54Is she ready?
00:33:55Yeah.
00:33:55Now watch yourself in the big city, do you hear?
00:33:58Jacqueline, take good care of her, eh?
00:34:00She'll be the apple of my eye.
00:34:03Good luck, Jacqueline.
00:34:04And think about me sometime, eh?
00:34:06Mm-mm.
00:34:07You think about me.
00:34:09All set here?
00:34:10We go.
00:34:12Beep, beep.
00:34:18Torrin!
00:34:19Hey!
00:34:20Hey!
00:34:21Hey, come back here!
00:34:26Hey, Torrin, what have you done to the little girl?
00:34:29It's easy to see who she wants.
00:34:31Come on.
00:34:32You'll be all right in the car.
00:34:34Hi, Torrin.
00:34:37Gotta have it your way.
00:34:39You'll have to go along with her.
00:34:41Yes, what are we going to do now?
00:34:43Maybe she wants some anesthetic.
00:34:45Stop that nonsense now.
00:34:46Torrin, can you go with them?
00:34:49Me?
00:34:50Well, hardly.
00:34:52Well, you can see she won't go without you.
00:34:55Yeah.
00:34:57You're right, I guess.
00:34:58It's the only way.
00:34:59Well, good, then.
00:35:00Go get your bags, quick.
00:35:01Calecki, that means you stay.
00:35:02Yeah.
00:35:03But who look after my apes?
00:35:05Torrin will take care of them.
00:35:07Oh, come on.
00:35:08Look, I can't get along without both of you.
00:35:11Oh.
00:35:12And I was really looking forward to it.
00:35:22Hello, I'm along in Port Said.
00:35:26Oh, Mr. Goering.
00:35:28Oh, yes, everything's in order.
00:35:31Ah, you've heard that story, too, huh?
00:35:33My uncle thinks it might be his granddaughter, the one who died some 18 years ago.
00:35:38She was lost with both her parents from the shipwreck of Kenya.
00:35:41She was missing.
00:35:42They never recovered her body.
00:35:44Wait.
00:35:45Her name was Leone, wasn't it?
00:35:46He may be right.
00:35:47This girl is wearing a medal engraved with an L.
00:35:49He agrees that the whole thing is absurd.
00:35:52He says he's sure it must be some newspaper writer's fantasy.
00:35:55What a shame.
00:35:57Do you want me to check it for you?
00:35:59You know, it'd be a real sensation if she was really Amalongan's...
00:36:03Hello?
00:36:04Hello?
00:36:04Are you still there?
00:36:05Well, Uncle, I believe you can see for yourself.
00:36:08Yes.
00:36:10But the paper said she had a medal with an L on it.
00:36:14That's why I thought it might be Leone.
00:36:17And the gentleman from the newspaper thought so, too.
00:36:20What paper?
00:36:21I don't know.
00:36:21Some paper.
00:36:22I spoke with him this morning.
00:36:25And they already know that you think that she's your granddaughter?
00:36:28Certainly.
00:36:29Good Lord, that's all we'd want.
00:36:31Headlines in the papers.
00:36:51I think she's disappeared again.
00:36:53You haven't been watching.
00:36:55It's all right.
00:36:56She's up there.
00:36:58Hey, you little devil.
00:37:00Come on down here.
00:37:25Come on boy, let's go.
00:37:26Shake it up.
00:37:27Get moving.
00:37:29Make it snappy.
00:37:32Hey, Seagull, come on.
00:37:35Hey, Torrin, I'm coming too.
00:37:38Well, well, you must have had a fight with Danner, eh?
00:37:41Of course not.
00:37:42But you mustn't feel angry because I can manage monkeys and women better than you.
00:37:46Well, it just means I've got three idiots to take care of now.
00:37:49I promise I'll keep out of your way.
00:37:51Word of honor.
00:37:52Come on.
00:37:52Enough's enough.
00:37:53Let's go.
00:37:55Jacqueline.
00:37:56Yes?
00:37:59Teleki's coming with us.
00:38:00He asked you on account of the monkeys.
00:38:02Oh, is that so?
00:38:03Not so.
00:38:04Laugh if you want, but it's true.
00:38:06On account of the monkeys.
00:38:09Also on account of the monkeys.
00:38:10All right?
00:38:11All right.
00:38:12Come on.
00:38:18Hey, listen.
00:38:19You know what Kiahi's name really is?
00:38:22Liana.
00:38:22Where did you find that out?
00:38:23I just heard a news report.
00:38:25Young girl found in the jungle may be long-lost granddaughter of shipbuilder in Hamburg.
00:38:30Then she's from Hamburg.
00:38:31That's where we're going.
00:38:32Hey, Lianni.
00:38:34Himmel, himmel.
00:38:35Himmel, himmel.
00:38:36Hey, you'd better improve your accent.
00:38:53Well, what do you bid, Torrin?
00:38:55I don't know.
00:38:56I'm not sure.
00:38:57If I had the Joker, I could open.
00:39:00But I don't have the Joker.
00:39:07Oh, you're cheating.
00:39:09I won't play with you.
00:39:10No.
00:39:11She just gave me the card I really wanted.
00:39:14Very good, Liana.
00:39:16Now, what's that?
00:39:19Come on.
00:39:22Fly?
00:39:23Not fly.
00:39:25Five.
00:39:26A fly is something that...
00:39:28It goes...
00:39:32I wonder if I'll ever teach you how to speak at this rate.
00:39:37How's the report coming along?
00:39:39Oh, awful.
00:39:40I'll never get it finished in time.
00:39:42Can I help you?
00:39:43Well.
00:39:45All right.
00:39:46Tell me how to explain that when a girl from the African bush wants to tell her man that she
00:39:51loves him, she...
00:39:53Just a minute.
00:39:53Let me take your hand.
00:39:55I won't bite.
00:39:56She holds his hand like this over the top of her heart.
00:40:00It's the truth, though.
00:40:01Believe me.
00:40:01It's a funny way to do things.
00:40:03Of course, but it's much more hygienic.
00:40:06Who's this man?
00:40:06What the devil's going on here?
00:40:08How did you get up with the side?
00:40:10You can't throw away on my ship.
00:40:12Tanga!
00:40:13I'll show you.
00:40:14Tanga!
00:40:14Yeah, he.
00:40:15Oh, my boy, Simba.
00:40:17Who is he?
00:40:18Is this man one of yours?
00:40:20What is all this?
00:40:21What's he yelling about?
00:40:22What am I yelling about?
00:40:23This man has to be one of yours.
00:40:24He can't come on board here without a ticket.
00:40:26Well, he just can't throw a man into the water.
00:40:34Why not?
00:40:35I'm captain here.
00:40:36What I do here is the law.
00:40:38All right.
00:40:38So we'll pay for his passage if it makes it feel any better.
00:40:41How much will it cost us?
00:40:42And what about the lion?
00:40:43But the lion's only a baby.
00:40:45That's right.
00:40:46We'll have to find something good for him to eat.
00:41:01All right, all right.
00:41:02You'll give him a bellyache.
00:41:07Oh, he doesn't want any.
00:41:09Come on now.
00:41:09I told you, that's enough.
00:41:10Hey, Liane, come here.
00:41:13Let her alone.
00:41:14She must do her homework.
00:41:16And you're her schoolmaster, huh?
00:41:18Well, somebody has to teach the girl to read and write, after all.
00:41:21Well, she'll have plenty of chance to learn in Hamburg.
00:41:24If she's really the granddaughter of that rich shipbuilder.
00:41:28Hope she isn't.
00:41:36For me?
00:41:39Thanks.
00:41:44You...
00:41:45You must always bring tea to the lady first.
00:41:54He bring.
00:42:05Liane's in love with you.
00:42:07With me?
00:42:08Nonsense.
00:42:09I'd have noticed it by now.
00:42:11Would you?
00:42:13Oh, you mean because I...
00:42:15Well, maybe I am slow.
00:42:18But with her, it's just silly.
00:42:20It wouldn't be the first time that you were wrong.
00:42:23Jacqueline, why do you go out of your way to make me feel foolish?
00:42:28No, no.
00:42:29I believe I understand you now, Tora.
00:42:32You want a woman to admire you because you're big and strong.
00:42:35Her protector.
00:42:38And I'm afraid I'm not your kind of a girl.
00:42:40You seem pretty sure about it.
00:42:43I am.
00:42:44Quite sure.
00:42:46But our little Liane is just...
00:42:48Now where's she running off to?
00:42:50You can't let her out of your sight for a minute.
00:42:52Hey, Liane!
00:42:53Where are you going?
00:42:56Oh, no, you don't come here.
00:42:57You've got to do your lessons.
00:43:04I've been holding this for you.
00:43:06I hope I'm not getting in the way.
00:43:08Why, there's nothing to get in the way of.
00:43:11I wonder how a man could be so dumb.
00:43:14I tell you, if I were Tora...
00:43:15It's all right.
00:43:17Thanks.
00:43:19What do you think of our little Liane?
00:43:22What is she next to a woman like you?
00:43:25A pretty little bobblehead.
00:43:27Some men prefer pretty little bobbleheads all the same.
00:43:33All right.
00:43:35Now make three rows of A's.
00:43:37And make them neat, understand?
00:43:40A's?
00:43:50A!
00:43:52A!
00:43:53A!
00:43:59A!
00:44:00Let's go.
00:44:31That's no way for a young girl to behave.
00:44:34You might have gotten me really embarrassed, if any.
00:44:39Well, let's see what you've done.
00:44:40Have you finished your work?
00:44:45And I thought I'd be able to teach you the alphabet
00:44:47before we even got to Port Said.
00:45:07Wait a minute, ladies and gentlemen, please wait.
00:45:10Is it true she's from Hamburg?
00:45:12Tell us what kind of food she ate in the jungle.
00:45:25Just a moment, please, will you be quiet?
00:45:28Liana's worn out and must have some rest.
00:45:30Can't you let her speak a few words?
00:45:33Please, ask if she would not mind.
00:45:35All right, show them what you've learned.
00:45:40Please, do it for me.
00:45:45You, my friends of Homer?
00:45:51Lovely, lovely.
00:45:52All right, you've had your wish, ladies and gentlemen.
00:45:54Now, please, please let her rest.
00:46:01No, no, I'm sorry Sir, it's all over.
00:46:03We can't make any exceptions for anything.
00:46:05I'm here for Mr. Amalong and my name is Gerring.
00:46:07Ah.
00:46:09It was a little bit too much for her.
00:46:11Does she have any fever?
00:46:12No, I wouldn't be surprised.
00:46:14Those reporters acted like they were crazy.
00:46:17Liana, what's the matter with you?
00:46:19I believe she's jealous.
00:46:20Mr. Gerring, from Hamburg.
00:46:24Her grandfather sent him after her.
00:46:26Well, thank heaven we won't be responsible for her much longer.
00:46:30Well, I suppose we can find out what he wants.
00:46:43Hello.
00:46:44Good day.
00:46:45My name is Torrin.
00:46:46Dr. Goddard and Mr. Telekin.
00:46:48I'm Gerring and I'm here on behalf of Mr. Amalongen.
00:46:51Then she really is his granddaughter?
00:46:53Well, that remains to be proven, of course.
00:46:55Here, she was very independent when we found her.
00:46:58Hmm.
00:47:00Interesting.
00:47:01Is this all the proof we have?
00:47:03Yes, but her parents would recognize it.
00:47:05They must know who gave it to her.
00:47:07Her parents are dead.
00:47:09I wonder if I might see her.
00:47:10Certainly.
00:47:11Please, Jacqueline.
00:47:12You think it will be easy to prove who she really is?
00:47:15I wonder.
00:47:16Well, after all, that thing should be proof enough.
00:47:18Why should it?
00:47:20She's really the granddaughter of Mr. Amalongen.
00:47:22She'd be in line to inherit a fortune.
00:47:24Hmm.
00:47:26Now, you can buy one of these things anywhere.
00:47:28And it really wouldn't be much trouble to have it engraved.
00:47:31But everybody knows we found her living in the jungle among the savages.
00:47:34Oh?
00:47:35In simple words, you mean we're a bunch of swindlers, do you?
00:47:38Come, Liani.
00:47:41Here she is.
00:47:42Good day.
00:47:42My name is Gerring.
00:47:45She doesn't speak, eh?
00:47:47She doesn't know the language yet.
00:47:49You can say good day.
00:47:52Good day?
00:47:54Well, I will take her back with me.
00:47:56My plane leaves in half an hour.
00:47:58You want to take her now?
00:47:59Yes.
00:48:00I will have a thorough investigation made to prove she's entitled to anything.
00:48:03Will you pack her bags, please?
00:48:04Just a minute.
00:48:07Suppose you tell me what happens if your investigation turns out negative.
00:48:13Well...
00:48:13Yeah.
00:48:14I think she'd better stay here.
00:48:16I'm sure that Mr. Gerring will see what she's taken care of.
00:48:18We found Liani and she's our responsibility.
00:48:21Well, at least until her grandfather is willing to recognize her in public...
00:48:24Oh, but my dear Mr. Torren.
00:48:26Because if he does not recognize her, then she would be alone and friendless.
00:48:30A homeless orphan.
00:48:31Oh, but what could happen to her if Mr. Gerring goes with her?
00:48:34Can you see?
00:48:36Come along, my dear.
00:48:37Wait.
00:48:38Keep away from her.
00:48:39Now, Torren.
00:48:40Do you mistrust me?
00:48:43If you want to know the truth.
00:48:46Yep.
00:48:48Look, my friend.
00:48:50Do you imagine that without my help you could obtain what's best for her?
00:48:54Do you?
00:48:56Well, you seem to forget that practically every newspaper in the entire world knows about her.
00:49:00And they'll make sure that she gets whatever she has coming.
00:49:07All right.
00:49:09Then here's my proposition.
00:49:12I'm willing to ensure Liana's protection by taking one of you back with us.
00:49:17Great.
00:49:17Well, get ready.
00:49:18No, he means Torren.
00:49:20Do you agree?
00:49:24Yeah.
00:50:03Don't you want a change, Senator?
00:50:05They'll be here soon.
00:50:06You can't receive them in your house robe, you know.
00:50:08Oh, don't make such a fuss, Alma.
00:50:11I can't see why I must disturb myself just because I'm about to receive a visitor.
00:50:15A young girl.
00:50:16A young girl.
00:50:18Your new granddaughter.
00:50:19That's very conjecture as yet, my dear Alma.
00:50:21Please, Your Honor, don't bother quoting me those legal phrases.
00:50:24We should be happy that someone young is coming to visit this old house.
00:50:28You almost said old codgers, huh?
00:50:30I'm afraid I can't disagree with her.
00:50:31What?
00:50:33Treason?
00:50:34In my own house?
00:50:35Stay away.
00:50:36Aye, sir.
00:50:42She's taking the best room in the house for a little savage and bullied me to let her fix it
00:50:46up.
00:50:48White curtains and a rose-colored bedspread.
00:50:53Ah!
00:50:54These females.
00:50:58Little savage.
00:51:00Shame on him.
00:51:01He was just joking.
00:51:02He picked it up from Mr. Goering.
00:51:04You don't mean it.
00:51:06I sure do.
00:51:07Mr. Goering was fit to be tied when he first heard the news, let me tell you.
00:51:11And if it were up to him, he'd send the poor little thing right back into the jungle.
00:51:16Well, after all, man in his position.
00:51:19Oh, you mean because he's the sole heir of the old gentleman?
00:51:22Where did you learn that?
00:51:23After all, I've been in the house for a while.
00:51:25for quite a few years.
00:51:26Well, he really is, isn't he?
00:51:28I believe you've got a right talking, Alma.
00:51:30No, I'm just putting two and two together.
00:51:33It's no more than right.
00:51:35Now, when the poor child finally has found a home...
00:51:37Oh, good heavens.
00:51:38Here they are now.
00:51:40Senator!
00:51:41Mr. Ramalongan!
00:51:45Good day, sir.
00:51:47Here she is.
00:51:47Hello, Victor.
00:51:48Hello.
00:51:49Hello.
00:51:50So, this is the little one.
00:51:51Welcome, welcome.
00:51:53The senator will be down right away.
00:51:54Oh, there he is.
00:52:00Liane.
00:52:01It's your grandfather.
00:52:03The father of your mother.
00:52:06Mother?
00:52:06Mm-hmm.
00:52:13Don't you want to come over to me, Liane?
00:52:17Go on, Liane.
00:52:36Come, my child.
00:52:41Do you know who that is?
00:52:52Mother?
00:52:55Well, he surely doesn't think that proves her identity.
00:53:01Honored, sir.
00:53:03And who is that?
00:53:05That is Tonga.
00:53:13Tonga.
00:53:14Tonga.
00:53:16Tonga.
00:53:16Good man.
00:53:17Certainly.
00:53:18Certainly.
00:53:19Alma.
00:53:20See that he is taken care of.
00:53:22Come.
00:53:23You must be hungry.
00:53:23Come.
00:53:30A classic illustration of an old heart growing younger.
00:53:34It's to be expected.
00:53:36After all, I'm sure he's been very lonesome ever since his wife passed away.
00:53:40And now a pair of pretty blue eyes has conquered him.
00:53:44Oh, it's more than that, really.
00:53:47I would have expected a more realistic approach.
00:53:50Not to mention a greater sense of justice from the old gentleman.
00:53:54My dear Gary, your legal situation is quite clear.
00:53:59Mr. Amalongan, after his daughter was shipwrecked, acted on a presumption when he made up his will.
00:54:03And you, his nephew, was named as his sole surviving heir.
00:54:07However, your rights now yield preference to whatever rights the granddaughter may wish to exercise.
00:54:12But I don't believe anyone has yet proven that she's really his granddaughter.
00:54:15Of course, you're right, my boy. But let's suppose she really is.
00:54:18Then she is the sole heiress by law and custom.
00:54:21Of my company?
00:54:23Of Amalongan's entire estate?
00:54:25Who made Amalongan's estate what it is?
00:54:27I. Am I entitled to nothing?
00:54:29I'm sure my old friend won't forget what you've done.
00:54:32Oh, nice of him. The company I built.
00:54:35I poured my whole heart into it, and now he's trying to rob me.
00:54:39Because of that miserable girl.
00:54:41That company is my life's work. Amalongan put me in charge of it.
00:54:45Oh, he has confidence in you, all right.
00:54:47He has very great confidence.
00:54:49And you must never betray his faith in you in any way at all.
00:54:52Of course. I thought I'd find you here.
00:54:54Why can't you forget about business for a while?
00:54:56Come on, watch the child. How marvelous she is.
00:54:59She can already eat with a knife and fork. Come along. Come on.
00:55:04After you, sir.
00:55:05Please.
00:55:07Unfortunately, I did not keep all the letters.
00:55:10But here are some snapshots my daughter sent me.
00:55:14This was the house in Karachi.
00:55:16They moved there when Leone was, let me see, one year old.
00:55:21Do you still remember it?
00:55:25That was your mother's house.
00:55:27You don't remember it, do you?
00:55:30I'm sure it'll go much better when she learns the language,
00:55:33when she can understand what we expect of her.
00:55:38Is that a secret language?
00:55:39Ah, you see, it's drum talk, the Vodos.
00:55:41I can make myself understood simply.
00:55:43And you can also make certain you obtain the right answer, correct?
00:55:46If I'm being suspected here,
00:55:48it doesn't make much sense for me to try to clear up this matter, does it?
00:55:51No one suspects you, my dear Torrin,
00:55:53but you must admit your methods are strange, to say the least.
00:55:56Is that so?
00:55:57Hold on now, Victor.
00:55:58I also wish to clear up this matter.
00:56:00And if any help Torrin can give me, I am grateful.
00:56:04Let's see, you mentioned a briefcase of your daughter's,
00:56:07perhaps a letter that could connect Leone with your granddaughter.
00:56:12Might be in it.
00:56:13I'll go through it first thing tomorrow morning.
00:56:16I want you to sleep here tonight.
00:56:18Thanks, and what about Tonga?
00:56:20Oh, we find a place for him.
00:56:22Alma, take Leone.
00:56:24Show her the room we fixed up.
00:56:32There, now sleep well.
00:56:34Pleasant dreams.
00:56:36Good night.
00:56:37Night.
00:56:38And now I'm going to turn out the light.
00:57:17It doesn't look useful.
00:57:17I lost hope.
00:57:17It was five hours later.
00:57:17Hey, what was this?
00:57:17It isn't.
00:57:18Hey, everybody.
00:57:22I was getting laid off.GBLoud,
00:57:23-ased powersokay,
00:57:23Oh, my God.
00:58:17Good morning, Frieda.
00:58:19Good morning, Hansen.
00:58:20Why, Emma, what's wrong?
00:58:23I was just going through the hallway upstairs.
00:58:25I was just bringing Miss Alma her breakfast.
00:58:27And sitting right near the door of Miss Lianne's room is this big savage glaring at me.
00:58:31Oh, my goodness.
00:58:32Are you sure he's not in the little house out in the garden?
00:58:34But I've just told you that.
00:58:36And Miss Lianne was not in her room.
00:58:38You better run up fast and tell Miss Alma about it.
00:58:41Yeah.
00:58:41Oh, don't worry.
00:58:41She already knows.
00:58:44Mr. Goering.
00:58:47The girl has disappeared.
00:58:49Lianne?
00:58:50Have you looked for her?
00:58:51Of course.
00:58:52I don't know where she could have gone.
00:58:53Where's Taryn?
00:58:54In the first room.
00:58:57Get out of the way.
00:58:58Get out.
00:59:01Yeah.
00:59:02Yeah.
00:59:05Good morning.
00:59:07Morning.
00:59:08Lianne's disappeared.
00:59:09What?
00:59:11Lianne?
00:59:12Do you have any idea where she is?
00:59:14I?
00:59:15No.
00:59:22Ah.
00:59:23There she is.
00:59:24Lianne.
00:59:29Morning.
00:59:30How did you get in here?
00:59:32Perhaps we'll have to clarify this.
00:59:34Oh, I'm sure it's quite harmless.
00:59:36I wonder if Mr. Romelongen would agree.
00:59:38Come along, Miss Alma.
00:59:39Now, hold on a minute.
00:59:40Wait.
00:59:41I'll find a robe for her.
00:59:42Oh, give her mine.
00:59:47Why Taryn angry?
00:59:49Why?
00:59:51Because...
00:59:52Oh, Lianne, don't you see?
00:59:54Now you've got us into a nice kettle of fish.
00:59:56Oh, it's not as bad as all that.
00:59:58Come, Lianne.
01:00:03Today, good day.
01:00:06What?
01:00:09Oh, yeah.
01:00:16I believe you.
01:00:17But, Uncle, the situation couldn't be much clearer.
01:00:19I believe Mr. Torn.
01:00:21No guest would abuse my hospitality in that manner.
01:00:24I will leave your house at once, sir.
01:00:26Oh, there is no hurry.
01:00:28However, I do think it would be better for Lianne to break her links with the past without delay.
01:00:34Very well, sir.
01:00:38There's just one thing more.
01:00:39Huh?
01:00:40What's that?
01:00:41As Lianne grew up in comparative freedom, she bitterly resents any kind of force or restraint.
01:00:47She feels it as a physical threat.
01:00:52Where is she now, Victor?
01:00:53Locked up in her room to keep her out of mischief.
01:00:55What?
01:00:56You locked her up?
01:00:58Tongo!
01:01:00No!
01:01:02Tongo!
01:01:05Tongo!
01:01:06Tongo!
01:01:07Tongo!
01:01:08What, have you gone crazy?
01:01:09I'll fix it.
01:01:10Tongo!
01:01:10Tongo!
01:01:11Tongo!
01:01:12Tongo!
01:01:14Tongo!
01:01:22Tongo!
01:01:22Tongo!
01:01:23Tongo!
01:01:24Tongo!
01:01:24Tongo!
01:01:25Tongo!
01:01:25Tongo!
01:01:27Tongo!
01:01:27Get the police.
01:01:29The police have no business in my house.
01:01:31You want to leave him around so he can murder someone?
01:01:34He won't harm anyone except to protect himself or Lianne.
01:01:37Tongo!
01:01:37Tongo!
01:01:39Tongo!
01:01:52Tongo!
01:01:53Don't worry.
01:01:55They'll take good care of you.
01:01:58You'll see.
01:02:00One day he'll cut your throat to express his thanks to you.
01:02:03Go on.
01:02:04Please, sir, would you mind if I waited around a bit?
01:02:08I'd like to make sure that she gets over the shock.
01:02:10Why, I was just about to ask that of you.
01:02:13Thanks.
01:02:14You see, Lianne?
01:02:15Bye-bye, not yet, huh?
01:02:17La tu me buada.
01:02:18Tongo!
01:02:18Hmm.
01:02:19And would you also help me to accustom her to the horrors of our modern-day civilization, huh?
01:02:45Come, dear, come.
01:02:47Don't be afraid.
01:02:53Wait!
01:02:54Tongo!
01:02:55Tongo!
01:02:56Tongo!
01:02:56Tongo!
01:02:57Tongo!
01:02:57Tongo!
01:02:58Tongo!
01:03:00Tongo!
01:03:00Tongo!
01:03:01Tongo!
01:03:01Tongo!
01:03:01Tongo!
01:03:01Tongo!
01:03:02Tongo!
01:03:02Tongo!
01:03:03Tongo!
01:03:03Tongo!
01:03:03Tongo!
01:03:06Tongo!
01:03:09You must cross the street when the light up there is red.
01:03:12Only when you shouldn't do that.
01:03:13Watch it and be careful.
01:03:15All right, now. Here we go. Careful now.
01:03:39Come now. Come.
01:03:47Now, now, come along, will you?
01:03:49What happened to your shoes?
01:03:51There.
01:04:15Let's go.
01:04:28Any mail for me there?
01:04:32Si, senor.
01:04:33And do you have anything for the lady, for Dr. Gada?
01:04:37No, no.
01:04:51Do you have any letters for me?
01:04:54No, senorina. I'm very sorry.
01:05:18Hey, Jacqueline. Look, I got a card from Torrin, and he writes love and kisses to Jacqueline. Now, what do
01:05:24you say to that?
01:05:25Really? Let's see it.
01:05:26Don't you believe me? Go on, read it. You see? He only thinks about you.
01:05:35Looks like you both make mistakes in spelling.
01:05:39Oh, they're the same as everybody makes.
01:05:42It's all right, Tiber. I know you meant well.
01:05:45It's been finished for quite some time.
01:05:49Come with me.
01:05:50Where?
01:05:51On land.
01:05:52They tell me the wine here is just marvelous.
01:05:55Come on, I feel like dancing again.
01:05:57What?
01:05:58You mean with me?
01:06:00Oh, Jacqueline.
01:06:02I'm putting on my best suit, and I'll be right back.
01:06:04Promise you'll wait.
01:06:05All right.
01:06:07And those will go out tonight, Miss Hahnemann?
01:06:09Yes.
01:06:10What time, senorina?
01:06:117.12.
01:06:12You may go home, then.
01:06:13Oh, but there are two men waiting to see you.
01:06:15They said you would know the name of Niedrig.
01:06:20Oh, yes, certainly.
01:06:22I'll see them.
01:06:23Yes, sir. Shall I wait?
01:06:24I won't need you anymore.
01:06:26Thank you, sir.
01:06:28Now, hold on.
01:06:29I think I would rather see Niedrig alone first.
01:06:32All right, sir.
01:06:38Good evening, Mr. Carring.
01:06:40Well, as it's said, will he do it?
01:06:41Of course.
01:06:43I told you you could rely on the Niedrig Detective Agency completely.
01:06:47And the price?
01:06:48A little high.
01:06:50Four bills.
01:06:52Scoundrel.
01:06:53All right.
01:06:55Have you explained to him that I must not be drawn into it in any way whatsoever?
01:06:58Certainly.
01:06:59Your name won't be mentioned, Mr. Carring.
01:07:02I'll see him now.
01:07:06Jensen.
01:07:07Here you go.
01:07:12Hello, Mr. Carring.
01:07:13Your name is Jensen, eh?
01:07:16That's right, sir.
01:07:17Jensen.
01:07:19That's my real name.
01:07:23Is it true, as Mr. Niedrig tells me, that you're one of the few survivors of the Imperia?
01:07:28That's right.
01:07:28I was hired out of Cairo.
01:07:30And could you testify that no passengers were among the survivors?
01:07:35Uh...
01:07:36I guess so.
01:07:37Now, what do you mean? Could you or couldn't you?
01:07:39Sure, sure, I could say so.
01:07:40Of course I could.
01:07:42Well, you'd better be sure. You might have to swear to it.
01:07:45Yeah.
01:07:47Remember the last time we spoke?
01:07:49What you said? How you saw her drowned? How you saw her corpse and all that?
01:07:52That's right. That's what I saw.
01:07:54All right, then. You can say it under oath.
01:07:55Sure, under oath.
01:07:57All right, I'll swear to it.
01:07:58I see. It's all in order, then.
01:08:00He's all right with me, Niedrig.
01:08:02Good night.
01:08:04Uh...
01:08:05Come on. Never mind.
01:08:06Good night, sir.
01:08:07Come on.
01:08:11Uh, just one more thing, sir.
01:08:13What is it?
01:08:14I just wanted to say, how about some money?
01:08:17Can't you wait for it?
01:08:20All right.
01:08:24Shall I give you a receipt?
01:08:29You're sure that your daughter never described in any of her letters the amulet that she gave to Liane?
01:08:33But that's just it.
01:08:35I can't remember it if she did.
01:08:38There were more letters than these, too, but I've lost a few.
01:08:41Hey! Moala Simba! Chala!
01:08:43Look, he's just like a cat.
01:08:45Go and after him! Run!
01:08:47Hey! Hey, hey!
01:08:52Moala Simba, Moala.
01:08:53Uh-oh.
01:08:55I don't know. Looks like it's hopeless.
01:08:59Thorne, when must you go back?
01:09:01I'm taking the boat on the 4th.
01:09:03If I were you, I wouldn't worry so much about Liane.
01:09:08Oh?
01:09:08I will take good care of her until you come back.
01:09:12I'm sure you will.
01:09:13Hey, just look how that little devil is climbing up.
01:09:18Watch out! Don't lose your balance!
01:09:20Oh!
01:09:20Oh, my goodness.
01:09:22Don't worry, she swims like a fish.
01:09:31Her mother swam like that.
01:09:33Come here!
01:09:34Come here, you little brat!
01:09:36Up!
01:09:40Here, take it.
01:09:42Go on, it's for you.
01:09:46Oh, Genji!
01:09:47Yeah.
01:09:48Hey, wait, that's good money.
01:09:56Hey, she threw it away.
01:09:57She's not after me just for my gold.
01:10:02Hey, Long Long!
01:10:04Did you hear that?
01:10:05Long Long, that's me.
01:10:07I'm a long is too much for her to say.
01:10:10Isn't she a wonderful creature?
01:10:13I think so, too.
01:10:18Come, Liane!
01:10:19Breakfast!
01:10:26Yes, yes, yes, yes.
01:10:28Here it is.
01:10:28This must be the last she wrote.
01:10:30Here.
01:10:31Now, let's see what happens.
01:10:32She writes,
01:10:34Liane is rather hard to manage.
01:10:37She prefers to play with Terry her fox terrier
01:10:39or she climbs on chairs or benches.
01:10:42She won't drink milk
01:10:44but insists on giving it to her pets.
01:10:46Yes, ha, ha!
01:10:48She hasn't changed much.
01:10:49Now, you see, isn't that a proof?
01:10:51Don't worry, you don't need any proof for us.
01:10:54Ah, you smear jam on the letter.
01:10:55That is Liane's work of art, Alma.
01:10:57Yes, yes.
01:10:58See here what my daughter says.
01:11:01Liane just put her hand into the jam pot.
01:11:04As she cannot write,
01:11:06this will be her greeting to you.
01:11:11Liane, oh, those dirty hands.
01:11:13She's marvelous.
01:11:14Oh, let me see your fingers.
01:11:16Aren't you ashamed?
01:11:17I'll go in and get her a clean glass.
01:11:21Excuse me, Alma.
01:11:22I wonder if I could have that glass.
01:11:23This one?
01:11:24Mm-hmm.
01:11:28Good morning.
01:11:29Good morning, sir.
01:11:30Good morning, Victor.
01:11:31Any news?
01:11:32Yes.
01:11:33Last night I had a call from an investigator.
01:11:36He says he's located a witness to the shipwreck who says that...
01:11:39The proof is here.
01:11:39What?
01:11:40Yes.
01:11:40Best proof in the world.
01:11:41What do you mean?
01:11:42Compare the fingerprints on this glass with the fingerprints on this letter.
01:11:48Indeed, you're right.
01:11:49They look perfectly alike.
01:11:51Look here.
01:11:52Look for yourself, Alma.
01:11:53You don't expect to prove it as easy as that.
01:11:56Liane was merely a child when that was written.
01:11:58A person's fingerprints remain the same throughout his whole life.
01:12:00Really?
01:12:01Yes, she's right.
01:12:01I'm sure everyone knows that.
01:12:03Alma, tell lawyer Vermut I want to see him right away.
01:12:05Oh, better yet, I'll get him myself.
01:12:06Come along.
01:12:07Now, wait a minute.
01:12:08Oh, simple, Moira.
01:12:15No, do that!
01:12:22Tell him, please, because I know that he will.
01:12:27Vermut is out of town.
01:12:28Be back tomorrow.
01:12:29He'll be here by noon.
01:12:33Thorin, I'm afraid I really don't know how to thank you.
01:12:36Oh, that's all right.
01:12:38Besides, nothing's really proven yet.
01:12:40Of course.
01:12:41Of course it is.
01:12:42I never doubted for an instant that Liane was really my granddaughter.
01:12:50Well, I'll be sorry to go.
01:12:51I'm getting to like it here.
01:12:53Well, if you like it, why leave?
01:12:55Well, Liane's going to be taken care of all right, and the professor's waiting for me back there.
01:13:00Besides, what's there to do here?
01:13:03Now?
01:13:04Oh, you could find something to do, I'm sure.
01:13:07Like what?
01:13:08Oh, I may be wrong.
01:13:10But Liane seems to like a certain young man.
01:13:13I guess you're right.
01:13:16I guess you're right, but who am I to try it?
01:13:19What does that dog got?
01:13:21Hey, Blackie, what have you got there?
01:13:22Oh, he just likes to play with paper.
01:13:24Give it here.
01:13:27What's this?
01:13:29There's something strange here, Mr. Amalongan.
01:13:32It's your daughter's letter.
01:13:33How could he have gotten it?
01:13:33Who could have?
01:13:35He must have taken it from the table.
01:13:37But the dog certainly couldn't have crumpled it.
01:13:38Who would want to do a thing like that?
01:13:40Who would want to make this letter disappear?
01:13:42You mean you really don't know?
01:13:46Alma!
01:13:47Hey, Alma!
01:13:48Yes, Senator?
01:13:49Where's my nephew?
01:13:51He said he was going to town.
01:13:52There he goes now.
01:13:54It's about time I straightened him out on a few points.
01:13:56I'll see you later.
01:13:57Oh, don't worry.
01:13:58Leave him to me, it's better.
01:13:59I'll take care of him tomorrow morning.
01:14:01Will you have dinner with us?
01:14:03I'd like to, but I'm afraid I'd better do some work.
01:14:06Tomorrow at 12 then.
01:14:07When vomit comes.
01:14:08All right.
01:14:09I certainly don't want to miss that.
01:14:11Until tomorrow.
01:14:12All right.
01:14:14I want to say goodbye to Liane.
01:14:16Of course.
01:14:17And remember my boy.
01:14:18I just wish I knew how to thank you.
01:14:29I'm going away now, Liane.
01:14:30You go?
01:14:31Yes, I must go now, but tomorrow I'll come back and then I'll...
01:14:36I'll tell you about it tomorrow.
01:14:38Goodbye.
01:14:39It's all right.
01:14:40Goodbye, Simba.
01:14:50I'll tell you later.
01:14:52So long.
01:14:55That's right.
01:14:56And whatever you do, make sure that my nephew knows that I'll be expecting to see him tonight,
01:15:01to hold the time free.
01:15:02Yes.
01:15:25Good morning. Mr. Goering is waiting for you.
01:15:36Good morning. Good morning.
01:15:38Sorry we're late, but one never knows what to expect from the traffic.
01:15:41Where's the senator?
01:15:43Up in his room, I believe.
01:15:44Oh, my. I hope he's feeling all right.
01:15:47Good morning, Alma.
01:15:47Good morning, Counselor. Mr. Thorin.
01:15:49How is the old gentleman?
01:15:51Well, he was up a bit later than usual last night.
01:15:53He's making up for it this morning.
01:15:55Sure, sure. But does the doctor know about it?
01:15:57Oh, yeah.
01:16:10Good morning, Senator.
01:16:14Mr. Amalongan.
01:16:18I'm afraid he might have had an attack.
01:16:20Mr. Amalongan.
01:16:22Send for locksmith, Alma.
01:16:23He might be dying in there.
01:16:24We'll break the door down. Look out.
01:16:25We'll have none of that.
01:16:26Every second counts. Go ahead if you can. Try it.
01:16:36Help!
01:16:44What is that, Victor?
01:16:46Why, it's just a pencil.
01:16:47Where was it?
01:16:48Lying beside the door.
01:16:49Hadn't you better put it back?
01:16:50If you wish.
01:16:51I must ask everyone not to touch anything until the police get here.
01:16:53I'll call them.
01:16:56And when was the last time that you saw Mr. Amalongan?
01:16:59Last night about half past twelve.
01:17:03And was there anything strange or unusual about him?
01:17:05Just the usual. Four stiff grogs and a smidgen of curable.
01:17:09Never mind. We don't want so many details. Thank you. You can go.
01:17:19Look, the key is still in the door. So the one who did it couldn't have opened it.
01:17:24Did he come in through the window?
01:17:25Climbing a thirty-foot wall.
01:17:27Tonga!
01:17:28Tonga? Who's that?
01:17:30That's how he came up the last time.
01:17:32And what reason would Tonga have to murder old Mr. Amalongan?
01:17:35Can anyone tell me who this knife belongs to?
01:17:37Yes, it's his. It's the one he tried to use on me before.
01:17:40Who?
01:17:41Tonga.
01:17:44Can I send Liana to get him? He might be afraid.
01:17:47Mm-hmm.
01:17:50Who can the Tonga?
01:17:51Yes.
01:17:54By the way, Inspector, do you still have the pencil that was found near the door?
01:17:58Yes. Here it is.
01:18:00Want to see it?
01:18:01No.
01:18:02He's not going to try to make us believe that this pencil is the murder weapon I trust.
01:18:10Tonga.
01:18:12Let's go.
01:18:12No, no hurt.
01:18:13No!
01:18:14No hurt!
01:18:14Look out!
01:18:16Inspector.
01:18:18Is that so?
01:18:19Who else could have climbed the wall?
01:18:22By the way, Inspector, that letter Mr. Amalongan wanted to see me about, you're positive it wasn't found?
01:18:28I should think he'd have put it away someplace.
01:18:31I'm sure it's around here.
01:18:32Not in this room, it isn't.
01:18:34What difference does it make? Suppose we never find the letter.
01:18:38Well...
01:18:38Let me have that, please.
01:18:44Who served Mr. Amalongan his breakfast?
01:18:46I did.
01:18:47Oh, no.
01:18:48That's right.
01:18:48I didn't.
01:18:50Mr. Goering took it away from me on the stairs.
01:18:53Would you let me borrow your piece of string, Mr. Goering?
01:18:57What piece of string?
01:19:00Why, this one.
01:19:02What are you going to do with it?
01:19:03Oh, I want to test my theory.
01:19:06But this pencil plays an important part in it.
01:19:09You see, this pencil has two slight indentations, one on each side.
01:19:15There.
01:19:15You see, they fit the ring of the key exactly.
01:19:18Now, it would have been possible for someone to pass the string around the pencil like this.
01:19:25Then, he could bring the string down below.
01:19:28There it is.
01:19:30Now, if someone pulls the string from the outside...
01:19:32Officer, would you be so kind?
01:19:48Well?
01:19:51Interesting, isn't it?
01:19:52Does it prove we murdered Mr. Amalongan?
01:19:55Well, it might, wouldn't you say?
01:19:56It opens up the possibilities that someone might have murdered Mr. Amalongan...
01:20:00and tried to divert permission against someone else who was real ascent.
01:20:05Hmm.
01:20:06I just don't know what to say.
01:20:09Ah, but...
01:20:10Don't you believe there's one thing you may have forgotten?
01:20:14May I?
01:20:15Of course.
01:20:25Well, I'll be.
01:20:29Hold him!
01:20:31Get this door open!
01:20:32Hurry up!
01:20:32Get away from the door!
01:20:33Look out!
01:20:34Get to the window!
01:20:36Break it down!
01:20:47agh牛肉...
01:20:48cliché!
01:20:49ah...
01:20:54ah...
01:20:55ah...
01:20:57ah...
01:20:57ah...
01:20:57ah...
01:20:58ah...
01:21:02ah...
01:21:08ah...
01:21:20Oh, my God.
01:21:46Hey, Professor, Professor, hey.
01:21:48Quiet, quiet. I can't hear what they're saying, idiot.
01:21:53Professor, here. Here it is in black and white.
01:21:56So it is. Girl found in jungle inherits Amalong and fortune.
01:22:00Keller, did you hear that?
01:22:01Ah, that's old news already.
01:22:03Here, this just came in from Nairobi.
01:22:06Liana leaving tomorrow for a trip through Africa
01:22:08where she will visit the Danner expedition.
01:22:10She's coming. That's wonderful.
01:22:12Torrin's with her in Tonga, too. What a homecoming.
01:22:14He's doing all right for a local boy.
01:22:16Yeah.
01:22:17Hiya, hiya. Hiya. Hiya.
01:22:24Hiya. Hiya.
01:22:27Hiya. Hiya.
01:22:31Hiya. Hiya. Hiya.
01:22:34Hiya. Hiya. Hiya.
01:22:36Hiya. Hiya. Hiya.
01:22:38Hiya. Hiya. Hiya.
01:22:51Hiya. Hiya. Hiya. Hiya.
01:23:09Oh
01:23:54Oh
01:23:56Oh
01:24:29Oh
01:25:12Oh
01:25:13Hey, Leami
01:25:14Hello
01:25:32Hey
01:25:33Hey
01:25:36Hey