00:00Director Ken Russell was a director who liked to push boundaries, even in a period piece such as Women in
00:05Love, with the various nude and sex scenes and, let's say, suggestive content involving a fig.
00:12Especially provocative were the male full-frontal scenes such as the naked wrestling match.
00:17Ken Russell and producer Larry Kramer met with British censors to talk about how they would film that scene, promising
00:24dim lighting and discreet handling of the gay overtones.
00:28Women in Love was nominated for four Oscars, winning Best Actress for Glenda Jackson.
00:33This was her third credited role in a feature film after years of performing on the stage, and while she
00:39couldn't be at the ceremony, her friend and ours, Juliet Mills, accepted on her behalf.
00:44On set, Oliver Reed had taken an instant dislike to Glenda Jackson, which actually ended up working well for their
00:51chemistry, and they would go on to make two more movies together.
00:54As Reed later said, once there's a spark, there's always a fire, and Glenda will always be Glenda.
01:01Stay with us as we continue our night celebrating the BFI National Film Archive in their 90th year.
01:07Up next, we have another British film starring Oliver Reed, this time in The Trap from 1966 with Rita Tushingham.
01:17Next on TCM, The Trap, then So Long at the Fair, and later, A Bucket of Blood.
01:25We've got classics in our veins tonight.
01:28Just be with us as our first place.
01:28Rest hurry up for a theatrical, and andar.
01:29Great publication here.
01:30We'll find jullie who are the rent.
01:30Here's a contract with you, as a man who ing.
01:30We're looking 그대�- worlds ahead-人 and wanted to follow us.
