- 6 hours ago
Category
🎵
MusicTranscript
00:00:00I'll be here all day, to get your money, to buy your thing, and it's worth it just to hear
00:00:08you say, you're gonna give me everything, so why on earth should I'm home, cause when I get you alone,
00:00:17you know I'll be here all day.
00:00:19When I'm home, everything needs to be right, when I'm home, feeling you holding me tight, tight, yeah.
00:00:34It's been a hard day's night, and I've been with you like a dog, it's been a hard day's night,
00:00:44I should be sleeping while I'm home, but when I get home to you, I find the things that you
00:00:50do, will make me feel alright.
00:01:07So why on earth should I'm home, cause when I get you alone, you know I'll be here all day,
00:01:14when I'm home, everything needs to be right, when I'm home, feeling you holding me tight, tight, yeah.
00:01:28It's been a hard day's night, and I've been working like a dog, it's been a hard day's night, I
00:01:39should be sleeping like a dog, but when I get home to you, I find the things that you do,
00:01:45will make me feel alright, you know I feel alright, you know I feel alright.
00:02:13I hope you be here all day's night, but when I get home to you, I'll be here all day.
00:02:34Hey, pardon me for asking.
00:02:35Brutal little old man.
00:02:37Uh, what little old man?
00:02:38That little old man.
00:02:40Oh, that one, that's my grandfather.
00:02:41Your grandfather?
00:02:43Yeah.
00:02:44That's not your grandfather.
00:02:46It is, you know.
00:02:47But I've seen your grandfather.
00:02:48He lives in your house.
00:02:50Oh, that's my other grandfather, but he's my grandfather as well.
00:02:53How do you reckon that one out?
00:02:54Well, everyone's entitled to two, aren't they?
00:02:56And it's my other one.
00:02:57We know that, but what's he doing here?
00:03:00Well, my mother thought the trip would do him good.
00:03:02How's that?
00:03:03He's nursing a broken heart.
00:03:05Ah, poor old thing.
00:03:07Hey, mister.
00:03:08He's nursing a broken heart.
00:03:12He's a nice old man, isn't he?
00:03:14He's very clean.
00:03:23Hello, grandfather.
00:03:25Hello.
00:03:26He can talk, then, can he?
00:03:28Of course he can talk.
00:03:28He's a human being, isn't he?
00:03:30Well, if he's your grandfather, who knows?
00:03:33And we're looking after him, are we?
00:03:35I look after me, self.
00:03:36Yeah, that's what I'm afraid of.
00:03:38He's got you worried, then.
00:03:40Him.
00:03:40He's a villain.
00:03:41A real mixer.
00:03:42And he costs you a fortune in breach of promise cases.
00:03:44Get on.
00:03:45No, straight up.
00:03:47Hiya.
00:03:49Hello, Shake.
00:03:49Hello, Shake.
00:03:51You got on all right, then?
00:03:52No.
00:03:54Oh.
00:03:55Well, we're here.
00:03:56Norm will be along in a minute with the tickets.
00:03:58Hey, who's the little old man?
00:04:00It's Paul's grandfather.
00:04:03Oh, I better thought.
00:04:04No, that's his other one.
00:04:06Oh, that's all right, then.
00:04:08Clean, though, isn't he?
00:04:10Oh, hey, he's very clean.
00:04:13Morning, lads.
00:04:14Morning, Lord.
00:04:15Thank good you've all got here.
00:04:16Now, look, I've had a marvellous idea.
00:04:18Just for once, let's all try to behave like ordinary, respectable citizens.
00:04:22Let's not cause any trouble, pull any strokes, or do anything I'm going to be sorry for.
00:04:26Especially tomorrow in that television theatre.
00:04:29Because...
00:04:29Are you listening to me, Lennon?
00:04:32You're a swine.
00:04:33In he, George?
00:04:34You're a swine.
00:04:36Thanks.
00:04:37Hey!
00:04:38Who's that little old man?
00:04:41Well, who is he?
00:04:42He belongs to Paul.
00:04:44Oh, well.
00:04:45I'm going down for a cup of coffee.
00:04:46Anyone coming?
00:04:47We'll follow you down.
00:04:48I want me coffee.
00:04:49Well, you can come with Shaker and me, if you like.
00:04:51Look after him.
00:04:52I don't want to find you've lost him.
00:04:54Don't be cheeky.
00:04:55I'll bind him to me with promises.
00:04:58Pretty clean, isn't he?
00:05:00Come back, Gander.
00:05:03Make it for mine, will you?
00:05:29All right.
00:05:48Whoa. Do you mind if we have it open?
00:05:51Yes, I do.
00:05:52Yeah, but there are four of us, and we'd like it open.
00:05:54That's if it's all the same to you, that is.
00:05:58It isn't.
00:05:59I travel on this train regularly, twice a week.
00:06:02So I suppose I've some rights.
00:06:03So have we.
00:06:13Then we'll have that thing off as well, thank you.
00:06:15Well, an elementary knowledge of the Railway Act would tell you that I'm perfectly within my rights.
00:06:19Yeah, but we want to hear it.
00:06:21There's more of us than you.
00:06:22We're a community and challenge you vote up the workers and all that stuff.
00:06:25Then I suggest you take that damn thing into the corridor,
00:06:27nor some other part of the train, where you obviously belong.
00:06:31Give it a kiss.
00:06:33Look, mister, we pay for our seats too, you know.
00:06:35I travel on this train regularly, twice a week.
00:06:38Knock it off, Paul.
00:06:39You can't win with his sword.
00:06:40After all, it's his train, isn't it, mister?
00:06:41And don't take that turn with me, young man.
00:06:43I fought the war for your sword.
00:06:45I bet you saw you won.
00:06:46I shall call the guard.
00:06:48Ah, but what?
00:06:49They don't take kindly to insults, you know.
00:06:51Come on, let's go and have some coffee and leave the kennel to Lassie.
00:06:58Hey, mister, can we have our balls back?
00:07:04Fuck, mister!
00:07:05Come on!
00:07:06Mister!
00:07:06Keep going!
00:07:07We have our balls!
00:07:08Hey!
00:07:09Help!
00:07:10Help!
00:07:15You want to watch it?
00:07:16Well, it's not my fault.
00:07:17You stick to that story, son.
00:07:19I can't help it.
00:07:20I'm just taller than you are.
00:07:21They always say that.
00:07:23Well, I've got me eye on you.
00:07:24I'm sorry, Norm.
00:07:25I can't help being taller than you.
00:07:27Well, talk up it then.
00:07:28I've a good mind to thump you, Shaikh.
00:07:29Hey, if you're going to have a barney, can I hold you cold?
00:07:31He started it.
00:07:32I did not.
00:07:32You did.
00:07:33Well, what happened?
00:07:35The old fella said that could he have these pictures, and Norm said no, and all I said
00:07:38was, well, why not be big about it?
00:07:40And?
00:07:41Your grandfather pointed out that Shaikh was always being taller than me, just to spite me.
00:07:45I knew it.
00:07:45He started it.
00:07:46I should have known.
00:07:47Do what?
00:07:48You two have never had an argument in your life, and in two minutes flat, he's got you at it.
00:07:52He's a king mixer.
00:07:54He hates group unity, so he gets everyone at it.
00:07:56Well, I suggest you just give him the photos and have done with it.
00:08:00Oh, all right, sure old devil.
00:08:02Here you are.
00:08:04Hey, Polly, would you ever sign one of them for us?
00:08:07Ah, come, head shake.
00:08:15Hey, look at the talent.
00:08:19Let's give him a pull.
00:08:20Should I?
00:08:21Aye, but don't rush.
00:08:22None of your five-bar gate jumps and other sorts of stuff.
00:08:24What's that supposed to mean?
00:08:26I don't know.
00:08:26I thought it just sounded distinguished, like...
00:08:28George Harrison, that's kind of a distinction.
00:08:31Excuse me, madam.
00:08:34Excuse me?
00:08:35But these young men I'm sitting with wondered if two of us could come over and join you.
00:08:39I'd ask you myself, only I'm shy.
00:08:41I'm sorry, miss.
00:08:42You mustn't recognize with me prisoners.
00:08:45Prisoners?
00:08:45Convicts in transit.
00:08:46Typical old legs that love them.
00:08:47You are.
00:08:48You are.
00:08:48Get out, ladies.
00:08:49Get out while you can.
00:08:55He's been gone a long time.
00:08:57Who?
00:08:57Paul's grandfather.
00:08:59Oh, I didn't notice.
00:09:00Where do you go?
00:09:00Down the, uh...
00:09:02Oh, down the, uh...
00:09:03Yeah, down the, uh...
00:09:04Oh, we'll give him a couple of minutes, then.
00:09:14Hey!
00:09:15Have you seen Paul's grandfather?
00:09:16Of course he's concealed about in person.
00:09:19Now, he must have slipped off somewhere.
00:09:20Have you lost him?
00:09:21Now, don't exaggerate.
00:09:22You've lost him!
00:09:23Look, put it this way, Paulie.
00:09:25He's mislaid him.
00:09:26Honest, you can't trust you with anything, though.
00:09:28If you've lost him, I'll cripple you.
00:09:30He can't have got Val.
00:09:31Come, Ed, let's look up the sharp end.
00:09:34What's the matter to you, then?
00:09:36It's his grandfather.
00:09:37I can tell he doesn't like me.
00:09:38It's because I'm little.
00:09:39Now, you've got an inferiority complex.
00:09:41You have.
00:09:42Yeah, I know.
00:09:42That's why I play the drums.
00:09:43It's my active compensatory factor.
00:10:06Going in, then?
00:10:07No, she'll only reject me in the end.
00:10:08I'll be frustrated.
00:10:10You never know.
00:10:10You may be lucky this time.
00:10:12No, I know the psychological pattern.
00:10:13It plays havoc with me drumskins.
00:10:22Excuse me.
00:10:23Have you seen that little old man we're all in?
00:10:24You've broken out now, the blessed freedom of a doll.
00:10:26Have you got a nail file?
00:10:27These handcuffs are killing me.
00:10:29I was named.
00:10:30I'm innocent.
00:10:30I don't want to go.
00:10:31Oh, sorry for disturbing you girls.
00:10:34I bet you can't get what I was in for.
00:10:39Should we go in here?
00:10:41No, it's probably a honeymoon couple.
00:10:42Or a company director or something.
00:10:44But I don't care.
00:10:45I'm going to broaden my outlook.
00:10:49Congratulate me, boys.
00:10:51I'm engaged.
00:10:52Oh, no, you're not enough this time.
00:10:56And I think me own grandson would have let them put me behind bars.
00:10:59Oh, dramatize.
00:11:00That's facing your looks.
00:11:01Oh, dear.
00:11:02If I had it been the wrong way, you would have been dropped off already.
00:11:05Well, you've got to admit, you've upset a lot of people.
00:11:08At least I can keep my eye on you while you're stuck in here.
00:11:15Come on.
00:11:19Odds or evens.
00:11:20Odds.
00:11:21Don't worry, son, we're getting the best lawyer green stamps can buy.
00:11:24Oh, it's a lap of line with Leonard.
00:11:26Anyway, it's your fault.
00:11:27Buy me.
00:11:28Why not you?
00:11:29God, it's depressing in here, isn't it?
00:11:31Funny.
00:11:32If you'd be reckoned dogs more than people in England, you'd expect something more palatable.
00:11:38Let's do something, then.
00:11:40Like what?
00:12:02I should've known better with a girl like you.
00:12:06That I would love everything that you do
00:12:10And I do
00:12:11Hey, hey, hey
00:12:13And I do
00:12:17Oh, oh, I never realized what a kiss could be
00:12:24This could only happen to me
00:12:27Can't you see?
00:12:30Can't you see?
00:12:31Can't you see?
00:12:32That when I tell you that I love you
00:12:37Oh
00:12:40You're gonna say you love me too
00:12:45Oh
00:12:46And when I ask you to be mine
00:12:54You're gonna say you love me too
00:13:00So, well, I should have realized a lot of things before
00:13:07If this is love, you gotta give me more
00:13:10Give me more
00:13:12Hey, hey, hey
00:13:14Give me more
00:13:36Oh, I never realized what a kiss could be
00:13:42This could only happen to me
00:13:46Can't you see? Can't you see?
00:13:51That when I tell you that I love you
00:13:55Oh, you're gonna say you love me too
00:14:02Oh, and when I ask you to be mine
00:14:10Oh, you're gonna say you love me too
00:14:18You love me too
00:14:21You love me too
00:14:28He's wearing his lucky rings
00:14:30All mine
00:14:31Don't buy you happiness, my son
00:14:38Hey, don't move any of you
00:14:39They've gone potty out there
00:14:40The place is surging with girls
00:14:42Please, sir, sir, can I have one to surge with, sir, please, sir?
00:14:45No, you can't
00:14:45Now, listen, as soon as I tell you
00:14:46Get out through this door here
00:14:48Into that big car that's waiting
00:15:00Come in, Lex
00:15:01Come in
00:15:02Come in, Lex
00:15:32Come in, Lex
00:16:05I don't snore
00:16:06You do, repeatedly
00:16:07Do I snore, John?
00:16:09Yeah, hear a window rattle of sun
00:16:12Such your opinion
00:16:13Do I snore, Paul?
00:16:14With a trombone ooter like yours
00:16:16It'd be unnatural if you didn't
00:16:17No, Polly
00:16:18Don't mock the afflicted
00:16:20Oh, come off it
00:16:21It's only a joke
00:16:21It may be a joke
00:16:23But it's his nose
00:16:24He can't help having a hideous great hooter
00:16:27And the poor little head
00:16:28Trembling under the weight of it
00:16:30John
00:16:31Oh, George
00:16:32Come in
00:16:32Get at it
00:16:35Hello, Bing
00:16:35Taxi caught up with us
00:16:36At last
00:16:37None for me, then
00:16:38Sorry
00:16:43This'll keep you busy
00:16:44It's your nose, you know
00:16:45Fans are funny that way
00:16:47They'll take a dislike to things
00:16:48They'll pick on a nose
00:16:49Oh, you pick on your nose
00:16:51Hey, here
00:16:52Where's yours?
00:16:53No, they're for Ringo
00:16:54Must have cost you a fortune in stamps, Ringo
00:16:57You come from a large family
00:16:58Well?
00:17:02It's Le Circle Club
00:17:04The management of Le Cirque Club
00:17:06Takes pleasure in requesting the company
00:17:08Of Mr. Richard Starkey
00:17:09That's you
00:17:09To their gaming rooms
00:17:11Chemin de Fer
00:17:11Baccarat
00:17:12And Champagne Buffet
00:17:13They want me
00:17:14It's got round you to big spender
00:17:15Well, you're not going
00:17:17Oh
00:17:18Quite right
00:17:18Invites to gambler dens
00:17:20Full of easy money
00:17:21And fast women
00:17:22Chicken sandwiches
00:17:23And cornets
00:17:24Of caviar
00:17:25Disgusting
00:17:26That's mine
00:17:26Come out, you lot
00:17:27Get your pens out
00:17:28Why?
00:17:29It's homeware time
00:17:30For you load of college puddings
00:17:31I want this lot answered tonight
00:17:33I want to go out
00:17:35Now, I brook no denial
00:17:37You couldn't get a pen
00:17:38In your foot, you swine
00:17:39Ooh
00:17:40Chatter on, son
00:17:41Chatter on
00:17:41A touch of the writer's cramp
00:17:43Will soon sort you out
00:17:44Come out, shake
00:17:47Right, then
00:17:48Here
00:17:53Where are you going, then?
00:17:54Well, he told us to stay, didn't he?
00:17:56Come head
00:17:57What?
00:18:01Couldn't we get a taxi?
00:18:02No, we can't get a taxi
00:18:07Man
00:18:09I'll clear up, sir
00:18:11Yeah
00:18:23I want to be your man
00:18:34Tell me that you love me, baby
00:18:36Let me understand
00:18:38Tell me that you love me, baby
00:18:41I want to be your man
00:18:43I want to be your lover, baby
00:18:46I want to be your man
00:18:48I want to be your lover, baby
00:18:51I want to be your man
00:18:53I want to be your man
00:18:55I want to be your man
00:18:58I want to be your man
00:19:00I want to be your man
00:19:02Wow
00:19:14Hello, monsieur. Souffle.
00:19:19I bet you're a great swimmer.
00:19:22My turn.
00:19:24Bingo.
00:19:25Par bingo, monsieur.
00:19:27Bonco.
00:19:27I'll take the little darlings anyway.
00:19:30Two and one are three. Carry one is four.
00:19:33Eight.
00:19:35Et sept.
00:19:39I can't believe that she would leave me on my own.
00:19:44It's just all right when every now I'm all alone.
00:19:50I've got the time to be right now, don't bother me.
00:19:55I know I'll never be the same.
00:20:00If I don't get her back again, because I know she'll always be the only girl for me.
00:20:16I know she'll always be the only girl for me.
00:20:17I know she'll always be the only girl for me.
00:20:21I know she'll always be the only girl for me.
00:20:27I know she'll always be the only girl for me.
00:20:30I know she'll always be the only girl for me.
00:20:32I know she'll always be the only girl for me.
00:20:33I know she'll always be the only girl for me.
00:20:33I know she'll always be the only girl for me.
00:20:33I know she'll always be the only girl for me.
00:20:34I know she'll always be the only girl for me.
00:20:37I know she'll always be the only girl for me.
00:20:42I know she'll be the only girl for me.
00:20:45Bingo!
00:20:47Close your eyes and I'll kiss you
00:20:50Tomorrow I'll miss you
00:20:53Remember I'll always be true
00:20:58And then while I'm away
00:21:02I'll ride home everyday
00:21:05And I'll send all my loving to you
00:21:10I'll pretend that I'm missing
00:21:13The lips I'm missing
00:21:16And hope that my dreams will come true
00:21:22And then while I'm away
00:21:25I'll ride home everyday
00:21:28And I'll send all my loving to you
00:21:34All my loving I will send to you
00:21:40All my loving darling I'll be true
00:21:58Close your eyes and I'll kiss you
00:22:02Tomorrow I'll miss you
00:22:05Remember I'll always be true
00:22:10And then while I'm away
00:22:13I'll ride home everyday
00:22:17And I'll send all my loving to you
00:22:24The men told you
00:22:30Take it
00:22:33Now come ahead you lot get on with it
00:22:35But we're going to do them but you know
00:22:36Alright, well, now, now, now
00:22:43Hey, any of you lot got a man in the cupboard?
00:22:46A man?
00:22:46Well, somebody did.
00:23:01He's all right, you know.
00:23:03There you go.
00:23:10Hey, what's all this?
00:23:12Oh, him, he's been lurking.
00:23:13He looks all right lurking, doesn't he?
00:23:15You're undressed. Where are your clothes?
00:23:17The old gentleman. He borrowed them to go gambling at Le Cirque.
00:23:20He's gone to my club, has he?
00:23:22Yeah, it's all your fault.
00:23:23What?
00:23:24Getting invites to gambling clubs and all that.
00:23:26He's probably in the middle of some orgy by now.
00:23:28Orgy?
00:23:30What do you mean?
00:23:31He's too old.
00:23:34I'm going to champagne, monsieur.
00:23:35Oh, yeah.
00:23:36And I'll have some oil champagne as well.
00:23:39Lord John McCartney, a millionaire Irish peer.
00:23:42Filthy rich, of course.
00:23:43I don't know.
00:23:44He looks quite clean to me.
00:23:46Come ahead, you lot.
00:23:46Try to act with a bit of decorum.
00:23:48This is a posh place.
00:23:49We know how to behave.
00:23:50We've had lessons.
00:23:51I'm sorry, sir.
00:23:52Members and invited guests, certainly.
00:23:53I will.
00:23:55Oh, yeah.
00:23:59I'm with them.
00:24:01I'm Ringo's sister.
00:24:03Excuse me.
00:24:04Have you got a little old man here?
00:24:05Do you mean Lord McCartney?
00:24:06Oh, he's at it again.
00:24:08Look, I'm his grandfather.
00:24:09I mean, I'm his grandfather.
00:24:11You know that?
00:24:12You won't be able to bring me out.
00:24:13Who are these Russians?
00:24:15Hold that.
00:24:15Hold that, gentlemen.
00:24:16There's a little matter of the bill.
00:24:17Take care of that.
00:24:20180 pounds?
00:24:22I beg your pardon?
00:24:23Guineas.
00:24:24Your winnings, my lord, 190 pounds.
00:24:27Well, let me change.
00:24:28Pilgrim charge.
00:24:29Oh, well, easy come, easy go.
00:24:32Well?
00:24:42Good morgan, my dear.
00:24:44Clancy knock-eyed teahab.
00:24:47Good morgan.
00:24:49Ah!
00:24:50It's a filthy Englander.
00:24:51Good morgan.
00:24:52Keep Britain tiny.
00:24:53Oh, go on, George.
00:24:54Don't be ridiculous.
00:24:56But you said I could.
00:24:57Honestly, me man boggles at the very idea.
00:24:59A grown man and you haven't shaved with a safety razor.
00:25:02It's not my fault.
00:25:03I come from a long line of electricians.
00:25:04Well, you're not practicing on me.
00:25:06All right, then.
00:25:07But show us.
00:25:08Oh, come on, then.
00:25:10Ah!
00:25:11Oh, man.
00:25:27Oh, big tanga.
00:25:29Big tanga.
00:25:30Oh, big tanga.
00:25:31Big tanga.
00:25:35The big tanga looks disgusting, angry, and a little pink naked.
00:25:39And one slip of the razor.
00:25:41And poof.
00:25:48Help me! Headphones! Help me! Help!
00:25:53Torpedoed again, eh?
00:25:56Come on, lads. The car waiting to take you to the studio.
00:25:58Hey, where's John? In the back.
00:26:01All right, Lennon. Let's have you.
00:26:06Come on, John. Stop larkin' about.
00:26:17John! John! John!
00:26:20John!
00:26:23What are you messing around with that boat for?
00:26:25There's a car waiting. Come on.
00:26:32Ready, John. As soon as we talk, open that door and straight in.
00:26:48Don't keep waiting much longer.
00:26:51Boys, come on, you press conference.
00:26:53Oh, come on. Where have you been?
00:26:54Your press conference were arranging.
00:26:55All right, give us a couple of shakes to get our rest with you.
00:26:58Give us a shout when it's over.
00:26:59They have a suit just like him, you know.
00:27:01Bigger.
00:27:03Yeah.
00:27:03Don't like the handkerchief.
00:27:04I always have the handkerchief in my trouser pocket.
00:27:06You can't blow your nose on it up there, can you, mister?
00:27:08No, you can't.
00:27:12One was madder.
00:27:17You can't flip over.
00:27:22No, you can't.
00:27:23I didn't own anything.
00:27:24No, you can't.
00:27:25No, you can't.
00:27:27Just a little...
00:27:27Stop it.
00:27:28Stop it.
00:27:29Oh, you can't.
00:27:30Oh, you can't.
00:27:31Hey!
00:27:50I've always liked that question.
00:27:52I never noted his nose till about six months ago.
00:27:55And my mother asked me before I left for America if I wanted any sandwiches.
00:27:59Well, when I plugged her in, she just blew up.
00:28:08Tell me, how did you find America?
00:28:11Turn left to Greenland.
00:28:13Has success changed your life?
00:28:15Yes.
00:28:15I'd like to keep Britain tidy.
00:28:17Are you a mod or a rocker?
00:28:19No, I'm a mocker.
00:28:21Oh.
00:28:22Have you any hobbies?
00:28:30No, actually, we're just good friends.
00:28:32Do you think these haircuts have come to say?
00:28:35Well, this one has, you know.
00:28:37It's stuck on good and proper now.
00:28:39Frankly, nice.
00:28:40What would you call that hairstyle you're wearing?
00:28:43Arthur.
00:28:44No, actually, we're just good friends.
00:28:46They're brown, aren't they?
00:28:48What do you call that collar?
00:28:50Oh, a collar.
00:28:53Oh, do you often see your father?
00:28:55No, actually, we're just good friends.
00:28:57How do you like your girlfriend to death?
00:29:15Well, that's a trap.
00:29:24I didn't even get a John Butty, did he?
00:29:29Anything left?
00:29:32We've just finished, Paulie.
00:29:34Hey, George, give us your John Henry on that picture.
00:29:38Hey, look at that!
00:29:39What's that?
00:29:39There's not a lot of set down there.
00:29:40Shall we go down and have a go?
00:29:41Yeah, come on, then.
00:29:42Trees and everything.
00:29:43There's not a fellow's for one set.
00:29:45There's not a tree.
00:29:45Look at this.
00:29:47Look at the bird.
00:29:52Just pass in, do you like?
00:29:55Where are they?
00:29:57Down here!
00:29:58It's the N-E-T, no.
00:30:00It's not a soundy down the street.
00:30:02That's funny.
00:30:02It's easy to burn up.
00:30:10Leave them drums alone.
00:30:11Oh, surely I could just have a little touch.
00:30:13You so much as breathe heavy on them, and I'm out on strike.
00:30:16Aren't you being rather arbitrary?
00:30:18There you go.
00:30:19Hiding behind a smoke screen of bourgeois clichés.
00:30:22I don't go messing about your earphones, do I?
00:30:24Spoiled sport.
00:30:25Well?
00:30:28He's very fussy about his drums, you know.
00:30:30They loom large in his legend.
00:30:34What's up?
00:30:35Oh, he's sulking again.
00:30:36I'll show him.
00:30:38If I fell in love with you, would you promise to be true?
00:30:42And help me understand, cause I've been in love before.
00:30:49And I found that love was more than just holding hands.
00:30:55If I give my heart to you, I must be sure from the very start, that you would love me
00:31:13more than her.
00:31:17If I trust in you, oh, please, don't run and hide if I love you too.
00:31:30Oh, please, don't hurt my pride like her, cause I couldn't stand the pain.
00:31:42And I would be sad if our new love was in vain.
00:31:51So I hope you'll see that I would love to love you.
00:32:02And that she will cry when she learns me or two.
00:32:11Cause I couldn't stand the pain.
00:32:16Cause I couldn't stand the pain.
00:32:17And I would be sad if our new love was in vain.
00:32:25So I hope you'll see that I would love to love you.
00:32:36And that she will cry when she learns we are two.
00:32:46If I fell in love with you.
00:32:56Pardon, pardon, excuse, pardon.
00:32:58I'd like more drums there.
00:33:00No, I think it's on the...
00:33:01It sounds like a cover, right cover.
00:33:02On the third bit, you know, on the third bit.
00:33:04The third bit, the more bang!
00:33:09Right, let you know more about it, you'll probably be right.
00:33:13Now look, if you think I'm unsuitable, let's have it out in the open.
00:33:16I can't stand these backstage politics.
00:33:18Aren't you telling the black and white the situation somewhat?
00:33:21Well, quite honestly, I wasn't expecting a musical arranger to question my ability picture-wise.
00:33:26I could listen to him for hours.
00:33:28What's all this about a musical arranger?
00:33:30Mr. McCartney Senior.
00:33:32Hey, Paulie, they're trying to fob you off with this musical charlatan.
00:33:36But I gave him the test.
00:33:37I'm quite happy to be replaced.
00:33:39He's a typical book passer.
00:33:41I won an award.
00:33:42A likely story.
00:33:44It's on the wall in my office.
00:33:47Hello, our lot.
00:33:48Everybody happy?
00:33:52All right, all right.
00:33:54If you don't need them, I'll lock them up in the dressing room.
00:33:56Please do.
00:33:57I'll not need them for half an hour.
00:34:00Let me a bottle of milk and some tranquilizers.
00:34:03I see it all now.
00:34:04It's a plot.
00:34:05A plot.
00:34:07A plot.
00:34:09Tranquilizers.
00:34:10Come back, you lot.
00:34:11I've got the key.
00:34:14Come back, you lot.
00:34:15I've got the key.
00:34:19Come back.
00:34:19I've got the key.
00:34:19Come back, Braden.
00:34:20Go.
00:34:25Hello.
00:34:26Come on.
00:34:27Leslie Jackson.
00:34:29I saw your father in the old empire in 1909.
00:34:32If you're as good as him, son, you're all right.
00:34:52Dear costume.
00:34:54What?
00:34:55Cheeky.
00:34:59Come back, lad.
00:35:00First door and no messing about.
00:35:01Lennon, put them girls down and I'll tell your mother of you.
00:35:05And stop messing about.
00:35:07Stay in here until that rehearsal.
00:35:08I've got to keep you in.
00:35:09You even have to put the lock in the key and turn it.
00:35:12Down.
00:35:13Can Bobby love.
00:35:16Love.
00:35:18Can Bobby love.
00:35:22I'll lie you down and drink, my friend,
00:35:24If I make you feel all right.
00:35:27I'll get you anything, my friend,
00:35:29If I make you feel all right.
00:35:31Cause I don't care too much for money.
00:35:35Money can buy me love.
00:35:37I'll give you all I've got to give.
00:35:40If you say you love me too.
00:35:43I may not have a lot to give.
00:35:45This is what I've got.
00:35:46How good to you.
00:35:48I don't care too much for money.
00:35:51Money can buy me love.
00:35:53And buy me love.
00:35:57Everybody tells me so.
00:35:58And buy me love.
00:36:02No, no, no.
00:36:03Now I'll say you don't need no diamond rings.
00:36:07And I'll be satisfied.
00:36:10Tell me that you want the kind of thing
00:36:13That money just can't buy.
00:36:15I don't care too much for money.
00:36:19Money can buy me love.
00:36:37And buy me love.
00:36:41And buy me love.
00:36:47No, no, no, no
00:36:49Say you don't need no armor to bring
00:36:52And I'll be satisfied
00:36:54Tell me what you want but I'm a thing
00:36:58But money just can't buy
00:37:00I don't care too much for money
00:37:04Money can buy me love
00:37:06Buy me love
00:37:09Love
00:37:11Buy me love
00:37:17I suppose you realize this is private property
00:37:22Sorry we're out of your field, mister
00:37:31Not here
00:37:31Hello, Dickie
00:37:33Probably not to the canteen
00:37:34Cup of tea, like
00:37:34No, that's too easy for me
00:37:37He's out there somewhere
00:37:39God's in trouble
00:37:40Just to upset me
00:37:41You're imagining it, Norm
00:37:43You're letting it play on your mind
00:37:44No, this is a battle of nerves
00:37:46Between John and me
00:37:47John hasn't got any
00:37:48What?
00:37:49Nerves
00:37:51No, that's just the trouble
00:37:52I toyed with the idea of a ball and chain
00:37:56He'd just rattle them at me
00:37:57And in public too
00:37:59Sometimes I think he enjoys seeing me suffer
00:38:06Hello
00:38:06Hello
00:38:07Oh, wait a minute
00:38:09No, I'm not
00:38:09No, I'm not
00:38:10Oh, you are
00:38:10I'm not
00:38:11Oh, you are, I know you are
00:38:12I'm not, no
00:38:14You look just like him
00:38:15Do I?
00:38:17You're the first woman who said that ever
00:38:19Yes, you do, look
00:38:22No, my eyes are like her
00:38:23All right, Noddy
00:38:25Oh, my nose
00:38:26Oh, my nose
00:38:26Yes, your nose is very
00:38:27Is it?
00:38:28Well, that would have said so
00:38:29Oh, you know I'm better, though
00:38:30I do not
00:38:31It's only a casual acquaintance
00:38:32That's what you said
00:38:33What have you heard?
00:38:36It's all over the place
00:38:37Is it?
00:38:38Is it really?
00:38:39Hmm, but I wouldn't have it
00:38:40I'll still go for it
00:38:41I knew I could rely on you
00:38:43Thanks
00:38:49You don't look like him at all
00:38:57She looks more like him than I do
00:39:02There will be a full rehearsal in ten minutes time
00:39:05Ten minutes from now, a full rehearsal
00:39:15Well, there you are
00:39:16Oh, sorry, you must have made him stay
00:39:17To say you have, it's just late
00:39:19Pardon?
00:39:20Actually, I think he'll be very pleased with you
00:39:22Really?
00:39:23Yes, you're quite a feather in the cap
00:39:26Hello?
00:39:28I've got one
00:39:32Oh, I think so
00:39:35Yes, he can talk
00:39:38No, and I think you ought to see him
00:39:41Yes, all right
00:39:46Come on
00:39:48Come on
00:39:53You don't see many of these nowadays, do you?
00:39:57Come on
00:40:00Simon, what does this do?
00:40:02Oh, not bad, darling
00:40:03Not really bad
00:40:03Turn around, cheeky baby
00:40:06Oh, yes, he's a definite posse
00:40:07He'll look good alongside Susan
00:40:08All right, Sonny Jim
00:40:09This is all going to be quite famous
00:40:11Don't breathe on me, Adrian
00:40:12I'm terribly sorry, but there seems to be some sort of misunderstanding
00:40:15Oh, you can come off it with us
00:40:17You don't have to do all the old adenoidal gluttles
00:40:19Stop and carry on for our benefit
00:40:20I'm afraid I don't understand
00:40:22Oh, my God, he's a natural
00:40:24Well, I did tell them not to send his real words
00:40:26Well, you ought to know by now
00:40:27The phone is a much easier to handle
00:40:29Still, he's a good type
00:40:31We'd like you to give us your opinion on some clothes for teenagers
00:40:36Oh, by all means
00:40:37I'd be quite prepared for that eventuality
00:40:40Well, not your real opinion, naturally
00:40:41It'll be written out and you'll learn it
00:40:43Can he read?
00:40:43Course I can
00:40:44I mean lines, Ducky
00:40:45Can you handle lines?
00:40:47Well, I'll have a bash
00:40:48Good
00:40:48Give him whatever it is they drink
00:40:50A cocorama?
00:40:51A guitar?
00:40:52Well, at least he's polite
00:40:54Show him the shirts, Adrian
00:41:00Now, you'll like these
00:41:02You'll really dig them
00:41:03They're tab and all the other pimply hyperboles
00:41:08I wouldn't be seeing daddy, man
00:41:09But that grotty
00:41:12Grotty?
00:41:12Yeah, grotesque
00:41:13Make a note of that word and give it to Susan
00:41:16It's rather touching, really
00:41:18Here's this kid trying to give me his utterly valueless opinion
00:41:21When I know for the fact that within a month
00:41:23He'll be suffering from a violent inferiority complex and loss of status
00:41:26Because he isn't wearing one of these nasty things
00:41:29Of course they're grotty, you wretched knit
00:41:31That's why they were designed
00:41:32But that's what you'll want
00:41:33I won't
00:41:34You can be replaced, Chicky Baby
00:41:36I don't care
00:41:37And that closes out too, Sonny Jim
00:41:39The new thing is to care passionately and be right-wing
00:41:43Anyway, if you don't cooperate, you won't meet Susan
00:41:45And who's this Susan when she's at home?
00:41:48Only Susan can be, our resident teenager
00:41:51You'll have to love her, she's your symbol
00:41:53If the Einstein heart is free
00:41:56If the find the trust and schon
00:42:00Who's vergessen her
00:42:03Do I say it, my mother?
00:42:05It's a very clean man
00:42:07She's like me
00:42:15and there's no resolve
00:42:17There was a man
00:42:19The poet of the country
00:42:19or who can be wasted
00:42:21That's what I'm going to try
00:42:24To come and get my friend
00:42:29PNSC
00:42:38No one here.
00:42:39No one here?
00:42:41Well, where have they gone?
00:42:58That's wrong, isn't it?
00:42:59Surely that's wrong.
00:43:00No, not you.
00:43:01Get him out!
00:43:08Someone come in.
00:43:09Wake up.
00:43:09Wake up.
00:43:14Stop being taller than me.
00:43:15It's not right.
00:43:17I ain't polite.
00:43:20What are you doing here?
00:43:21Hiding.
00:43:22You must be soft or something.
00:43:23Well, we weren't hiding.
00:43:24We were resting.
00:43:25I thought I told you I'd have to stop here.
00:43:26Well,
00:43:28when I say stay put,
00:43:29I mean stay put.
00:43:30Don't kill me, sir.
00:43:31I was led astray.
00:43:32Oh, shut up, John.
00:43:33They're waiting for you in the studio.
00:43:35Gee, I'm down to do a bit of work.
00:43:36Oh, God bless you, Ringo.
00:43:38Oh, this is the teacher's pet.
00:43:39Crawler.
00:43:40I'll let you off.
00:43:42Tempered.
00:43:42Well, you get a move.
00:43:44I'm not waiting for you.
00:43:45Sorry.
00:43:48I know how to try this bridge.
00:43:49Open.
00:43:53Where are they?
00:43:56Where are they?
00:43:59Where are they?
00:44:00They're coming.
00:44:01They're coming, I promise you.
00:44:03Ah, yes.
00:44:04Well,
00:44:05if they aren't on this floor in 30 seconds,
00:44:07they'll be trouble.
00:44:08Understand me?
00:44:09Trouble.
00:44:14Stand in about, eh?
00:44:16Some people have it dead easy.
00:44:17You're once you're over 30,
00:44:18you're past it.
00:44:19It's a young man's medium.
00:44:21I just can't stand the pace.
00:44:23Oh, you're as young as that, then?
00:44:24I was.
00:44:25Ah, there he goes.
00:44:26Look at him.
00:44:27I bet his wife doesn't know about her.
00:44:28I bet he hasn't even got a wife.
00:44:29Look at his sweater.
00:44:31Never know.
00:44:31She might have knitted him.
00:44:32He knitted him.
00:44:34All right, stand by.
00:44:35Run for your number
00:44:36and try not to jiggle out of position.
00:44:38And, hello, three coming to you.
00:44:40Three, three coming to you.
00:44:42Three.
00:44:43We're on three.
00:44:44What?
00:44:44We're on three.
00:44:45Oh, yes.
00:44:47That's music.
00:44:57I give her all my love
00:45:00That's all I do
00:45:05And if you saw my love
00:45:10You'd love her too
00:45:12I love her
00:45:17I love her
00:45:19She gives me everything
00:45:21And tenderly
00:45:26The kiss my lover brings
00:45:30She brings to me
00:45:33And I love her
00:45:39A love like I
00:45:43Could never die
00:45:48As long as I
00:45:50Have you near me
00:45:56Bright are the stars that shine
00:46:00Dark is the sky
00:46:05I know this love of mine
00:46:09Will never die
00:46:12And I love her
00:46:40Bright are the stars that shine
00:46:44Dark is the sky
00:46:46Dark is the sky
00:46:48I know this love of mine
00:46:52Will never die
00:46:55And I love her
00:47:18Very nice.
00:47:20Make-up?
00:47:21No, not really.
00:47:21They don't need any work.
00:47:22We'll just powder them off
00:47:23for the shine.
00:47:24Oh, yes, sir.
00:47:24Norm, would you take them
00:47:25under make-up
00:47:26and powder them off
00:47:27for the shine?
00:47:28Sure.
00:47:28I thought I was supposed
00:47:29to be getting a change
00:47:30of scenery
00:47:30And so far
00:47:31I've been in a train
00:47:32and a room
00:47:33and a car
00:47:33and a room
00:47:34and a room
00:47:34and a room
00:47:35Well, maybe that's
00:47:36all right for a bunch
00:47:36of powdered geegals
00:47:37like you lot
00:47:38But I'm feeling
00:47:39decidedly straightjacketed
00:47:41What a clean old man!
00:47:43Ah, don't pressure
00:47:44Look
00:47:44He's sex obsessed
00:47:45The older generation
00:47:46leaving this country
00:47:47to gallop in ruin
00:47:51What's a pretty girl
00:47:51like you
00:47:52doing in a place
00:47:52like this?
00:47:55Er, the nearly ready
00:47:56for your lads
00:47:57just finishing
00:47:57the band call
00:47:59I say, did you
00:48:00go to Harrods?
00:48:01How's I?
00:48:02I'm 58, you know
00:48:02I can get on stage
00:48:04Oh, how?
00:48:05Return right here
00:48:06to the top door
00:48:06and go past the fireplace
00:48:13Ah, don't like George
00:48:14Oh, how old?
00:48:14Oh, how old?
00:48:14Oh, how old?
00:48:44They've got an idea.
00:48:45Well, why don't we do the show right here?
00:48:47Yeah!
00:48:49Two, three, four.
00:48:57Before this dance is new, I think I love you too.
00:49:01I'm so happy when you dance with me.
00:49:04I don't want to kiss or hold your hand.
00:49:08If it's funny, try and understand.
00:49:11There is really nothing else I'd rather do.
00:49:15Cause I'm happy just to dance with you.
00:49:19I don't need to hold you tight.
00:49:22I just want to dance with you all night.
00:49:26In this world of nothing I would rather do.
00:49:30Cause I'm happy just to dance with you.
00:49:34Just to dance with you.
00:49:38Is everything I need
00:49:41Before this dance is new, I think I love you too.
00:49:45I'm so happy when you dance with me.
00:49:48If somebody tries to take my place.
00:49:52Let's pretend we just can't see his face.
00:49:56In this world of nothing I would rather do.
00:50:00Cause I'm happy just to dance with you.
00:50:03Just to dance with you.
00:50:05Just to dance with you.
00:50:07Is everything I need
00:50:10Before this dance is new, I think I love you too.
00:50:15I'm so happy when you dance with me.
00:50:18Oh, if somebody tries to take my place.
00:50:22Let's pretend we just can't see his face.
00:50:26In this world of nothing I would rather do.
00:50:30I've discovered I'm in love with you.
00:50:34Oh, cause I'm happy just to dance with you.
00:50:41Awww...
00:50:43Awww...
00:50:45Awww...
00:50:45Awww...
00:50:46Awww...
00:50:46Well, very good, that, George.
00:50:47Awww...
00:50:48Awww...
00:50:48That was tryin'
00:50:49Yeah, he's tryin'.
00:50:51Let's go.
00:50:52Come on.
00:50:52That were great, lad.
00:50:53Now, you've got about an hour.
00:50:55But don't leave the theater.
00:50:56Where are you going, John?
00:50:57She's not showing me a stamp collection.
00:50:59So is mine.
00:50:59John, I'm talking to you. This final run-through is important, understand? Important.
00:51:08I want a cup of tea.
00:51:09Uh, shake. I've got to adjust the decibels on the imbalance.
00:51:13Oh, clever.
00:51:14George.
00:51:15Ringo, look after him, will you?
00:51:17I ain't known. Do I have to raise my voice?
00:51:21All right. Come on, Grandad.
00:51:23I'm a drummer, not a witness.
00:51:48Would you look at him? Sitting there with his hooter, scraping away at that boog.
00:51:52Well, what's the matter with that?
00:51:54Have you no natural resources of your own? Have they even robbed you of that?
00:51:58Well, you can learn from books.
00:52:00You can, can you?
00:52:02Ah, sheep's heads. You can learn more by getting out there than living.
00:52:07Oh, where?
00:52:07Any old where.
00:52:09But not her, little Richard.
00:52:11Oh, no.
00:52:12When you're not thumping them pagan skins, you're tormenting your eyes with that rubbish.
00:52:17Books are good.
00:52:18Parading's better.
00:52:21Parading?
00:52:22Parading the streets.
00:52:24Trailing your cove.
00:52:26Bowling along.
00:52:27Living.
00:52:27Well, I am living.
00:52:29You? Living?
00:52:31When was the last time you gave a girl a pink-edged daisy?
00:52:35When did you last embarrass a Sheila with your cool, appraising stare?
00:52:41It's a bit over that sort of chat, aren't you?
00:52:43Well, at least I've got a backlog of memories.
00:52:45All you've got is that boog.
00:52:48Oh, stop picking on me as bad as the rest of them.
00:52:50Ah, so you are a man after all.
00:52:52What's that mean?
00:52:54Do you think I haven't noticed?
00:52:56Do you think I wasn't aware of the drift?
00:52:59And you poor, unfortunate scrub.
00:53:03They've driven you into books with our cruel, unnatural treatment.
00:53:07Exploiting your good nature.
00:53:09I don't know.
00:53:10Ah, shit, that lot's never happy unless they're jeered, isn't you?
00:53:14And where'd they be without the steady support of your drumbeat?
00:53:17That's what I'd like to know.
00:53:19Yeah, that's right.
00:53:22And what's it all come to in the end?
00:53:24Yeah, what's in it for me?
00:53:27A boog.
00:53:29Yeah, a blooming boog.
00:53:31When you could be out there betraying a rich American widow
00:53:33or sipping palm wine in Tahiti before you're too old like me.
00:53:38Yeah, funny, really.
00:53:40Because I never thought, but being middle-aged and old takes up most of your time, doesn't it?
00:53:44You're only right.
00:53:49Where you going?
00:53:50I'm going parading before it's too late.
00:54:03Hey, Ringo, you know what just happened to me?
00:54:04No, I don't.
00:54:07You want to stop looking so scornful, it's twisting your face.
00:54:12Tell him other story, brother.
00:54:13Hello, here he is, the middle-aged boy wonder.
00:54:16Hey, I thought you were looking after the old man.
00:54:32Hey, I thought you were looking after the old man.
00:54:35Hey, I thought you were looking after the old man.
00:54:42Hey, I thought you were looking after the old man.
00:54:43Hey, I thought you were looking after the old man.
00:54:44Hey, I thought you were looking after the old man.
00:54:44Hey, I thought you were looking after the old man.
00:54:45Hey, I thought you were looking after the old man.
00:54:47Hey, I thought you were looking after the old man.
00:54:47Hey, I thought you were looking after the old man.
00:54:48Hey, I thought you were looking after the old man.
00:54:48Hey, I thought you were looking after the old man.
00:54:48Hey, I thought you were looking after the old man.
00:54:48Hey, I thought you were looking after the old man.
00:54:49Hey, I thought you were looking after the old man.
00:54:51Hey, I thought you were looking after the old man.
00:55:01Hello there.
00:55:02Get out of it, shorty.
00:55:28Get out of it.
00:56:08I'm sorry, boys. I didn't mean it.
00:56:10Honest.
00:56:14If he says that again, I'll strike you.
00:56:16Oh, don't worry. The good lads will be back.
00:56:19Yes, we'll be of only 20 minutes to the final run-through.
00:56:24I meant no harm.
00:56:26I was only trying to encourage little Ringo to enjoy himself.
00:56:29God knows what you've unleashed on the unsuspecting South.
00:56:33It'll be wine, women and song all the way with Ringo when he gets the taste for it.
00:56:46That was fresh this morning, two and nine.
00:56:48Sure.
00:57:33Right. On your way.
00:57:35You what?
00:57:36You heard. On your way. Troublemaker.
00:57:46Hey, watch it.
00:57:53Shake.
00:57:53What?
00:57:53Worry, will you?
00:57:55Well, that's it. Two minutes to the final run.
00:57:59They're bound to miss it now.
00:58:01Oh, look at that, Lennon.
00:58:02Still, we could survive a missed run-through as long as they...
00:58:04As long as they head up for the show?
00:58:06Oh, you're right there. I mean, it wouldn't do to miss the show, like, would it?
00:58:08Shut up, cheerful.
00:58:10You don't think?
00:58:12Oh, no, no, look, don't worry.
00:58:13They can't do this to me.
00:58:15It's all your fault.
00:58:16Oh, yes, it is.
00:58:17If they don't turn up, I wouldn't be in your shoes for all the...
00:58:20For all the tea in China.
00:58:21No, you're right there. Neither would I.
00:58:23You dirty traitor.
00:58:24Well, of course.
00:58:25Yes, of course.
00:58:27I've been working...
00:58:28Oh, my good job.
00:58:30Hi, Norm.
00:58:30Hi, John.
00:58:31John!
00:58:31Did you want something?
00:58:32Oh, I could eat the lot of you.
00:58:34You look great with an apple in me, Garb.
00:58:35Do you realise you could have missed the final run-through?
00:58:38Oh, sorry about that.
00:58:39No, there's only three of them.
00:58:41Oh, we were looking for Ringo, but we realised he must have come back here.
00:58:45Well, do you realise that we're on the air live in front of an audience in 45 minutes and you're
00:58:49one shot?
00:58:50Control yourself, you're a spurt.
00:58:52He must be here somewhere.
00:58:53Hi, but we're looking in the dressing room.
00:58:55Shank?
00:58:55Yes.
00:58:56To the dressing room.
00:58:58It was my grandpa.
00:58:59Don't worry about him, Paul.
00:59:00He can look after himself.
00:59:01I suppose so.
00:59:02Personally signed and handwritten by your own sweet boys.
00:59:05The chance of a lifetime.
00:59:08Be the envy of your fortunate sisters.
00:59:11Goodbye.
00:59:12Oh, me bum.
00:59:13Where's the happy?
00:59:14All right, now, break it up.
00:59:15Break it up.
00:59:15Move up.
00:59:16Let me broad.
00:59:16Hey, what's going on here?
00:59:17Right, move over, move over.
00:59:19Come on.
00:59:20Why don't you go?
00:59:23Now, will you just move along?
00:59:24They'll take you apart if you see me.
00:59:26Come along, guys.
00:59:27There's a good plan.
00:59:28Ah, yeah, yeah.
00:59:29You know, I'll take a take, yeah?
01:00:07I've got a show to you.
01:00:08I'm on in a few minutes.
01:00:09You've got to let me go.
01:00:10Come ring up.
01:00:11Yeah, that's what they all say these days.
01:00:13Look, I don't care who you are.
01:00:14You can save that for the styled pendiary.
01:00:15Here you are, Sarge.
01:00:16All right.
01:00:17What is he?
01:00:18Yeah, I've got a little list here.
01:00:20Wanting abroad, malicious intent, acting in a suspicious manner, conduct liable to cause
01:00:24a breach of the peace.
01:00:25You name it, he's done it.
01:00:26Oh, a little savage, is he?
01:00:28Yeah, probably leverage, you know.
01:00:30I demand to see my solicitor.
01:00:32What's his name?
01:00:34Well, if you're going to get technical about it.
01:00:36Rag it me through the switch.
01:00:36Oh, no, it's going to be one of those nights, is it?
01:00:38Sit Charlie piece down over there, will you?
01:00:41Well, get me here, so do your worst.
01:00:43But be God, I'll take one of you with me.
01:00:47I know your game.
01:00:49Get me into the train room, and then out come the rubber hoses.
01:00:53Oh, there's a fire, is there?
01:00:55You ugly great brute.
01:00:57You have sadism stamped all over your bloated British kisser.
01:01:00Eh?
01:01:01I've got a hunger strike.
01:01:02I know you're a caper.
01:01:04The kidney punch and the rabbit clout, the third degree, and the size 12 boot ankle tap.
01:01:09What's the honour of that?
01:01:10I'm a soldier of the Republic.
01:01:12You'll need the mahogany crunching on this bio.
01:01:15A nation once again.
01:01:18A nation once again.
01:01:20Oh, get Lloyd George over there next to the mechanic in the cloth cap.
01:01:23I'll have sought this lot out, will you?
01:01:24Come on, Dad, sit down over here.
01:01:27Bring on me, old scout.
01:01:29So they've grabbed your leg for the urn too, have they?
01:01:31Not exactly a voluntary package.
01:01:33Have they roughed you up, yeah?
01:01:35What?
01:01:35Oh, they're a desperate crew of drippings, and their fists like matured hams for pounding poor
01:01:40defenseless lads like you.
01:01:42Right, that's it, eh?
01:01:43One of us has got to escape.
01:01:44I'll get the boys.
01:01:45Hold on, son, I'll be back for you.
01:01:47For me?
01:01:47And if they get you on the floor, watch out for your brisket.
01:01:50You seem all right to me.
01:01:52Sure, that's what I want you to think.
01:01:54All coppers are villains.
01:01:56Would you two like a cup of tea?
01:01:58See?
01:02:00Sly villains.
01:02:01No, thank you, Mr. Studden, sir.
01:02:02No, not for me.
01:02:04Please, don't.
01:02:04So you just brought the old chap out to the crowd for his own good, eh?
01:02:07Well, he was getting a bit nasty, you see, so we had to bring him.
01:02:10Yeah, well, he can't stop here.
01:02:12This is the stuff you've been hawking, haven't you?
01:02:13That's all.
01:02:15Photograph.
01:02:15Photograph.
01:02:16Well, son, even now or never.
01:02:19All right, you paid assassins.
01:02:21Johnny McCartney will give you a run for your dirty painting.
01:02:23Hey, hey, you forgot your photographs.
01:02:32Only half an hour.
01:02:33And you're on.
01:02:35Can I say something?
01:02:36Yeah.
01:02:37It seems highly unlikely we'd be on.
01:02:39I mean, the law of averages are against it.
01:02:42I think if you could get the juggler on with a couple more clubs, that'd fill in a bit of
01:02:47time.
01:03:05I have the hides off of you lot.
01:03:09You ought to be ashamed of yourself.
01:03:10Go home.
01:03:11I must see Polly.
01:03:12Go home, then, and see him on the telly.
01:03:16Can you fix them, Polly?
01:03:17Yeah.
01:03:18Six pounds.
01:03:19Each.
01:03:45It's all right.
01:03:46Leave him alone.
01:03:48Paul, where are you?
01:03:53Grandad, where's Ringo?
01:03:55The police have the poor unfortunate lad in the Bridewell.
01:03:58The police station.
01:03:59He'll be pumped by now.
01:04:00Go get it.
01:04:01We'll get him out.
01:04:02We'll fix it, no.
01:04:05We've only got 20 minutes.
01:04:08Can't buy me love.
01:04:11Love.
01:04:13Can't buy me love.
01:04:16Why you down and bring my friend if I make you feel all right.
01:04:21I'll get you anything, my friend, if I make you feel all right.
01:04:27I don't care too much for money.
01:04:30Money can't buy me love.
01:04:31I'll give you all I've got to give if you say you love me too.
01:04:37I may not have a lot to give, but what I've got, I'll give to you.
01:04:43I don't care too much for money.
01:04:46Money can't buy me love.
01:04:48And buy me love.
01:04:51Everybody help me so.
01:04:53And buy me love.
01:04:57No, no, no.
01:04:58No, say you don't need your time.
01:05:01I'll give you all the things.
01:05:02And I'll be satisfied.
01:05:05Tell me that you want the kind of thing.
01:05:08The money just can't buy.
01:05:10I don't care too much for money.
01:05:13Money can't buy me love.
01:05:15What is all this?
01:05:17Hold on.
01:05:19Get in.
01:05:22Are you all right now?
01:05:23Are you all right now?
01:05:24Oh, you're right now?
01:05:26That's it.
01:05:29I don't care.
01:05:36I want to give you all right now.
01:05:42Are you all right now?
01:05:43Oh, you're right now.
01:05:46Are you all right now?
01:05:47I want you to take on a real thing.
01:05:48And I'll be satisfied.
01:05:50Hey!
01:05:51Don't tell me that you want the kind of thing that I just can't buy.
01:05:56I don't care too much for money, money can buy me love.
01:06:01Buy me love.
01:06:04Love.
01:06:06Buy me love.
01:06:15I have to laugh even when they kick the stool away.
01:06:20Lads, lads, you're back, thank goodness. Where's Ringo?
01:06:22There he is, we've got him. Great, great, great.
01:06:24You don't know what this means to me.
01:06:26If you hadn't come back, it would have meant the epilogue or the news in Welsh for life.
01:06:31Hey, aren't you supposed to be in that box?
01:06:33Yeah, it was the old mixer.
01:06:35Here, Paulie.
01:06:36Got a few words to say to you, two-paste John McCartney.
01:06:38I'll leave him alone, he's back, isn't he? It's not his fault he's old.
01:06:41It's all got to do with it.
01:06:42He's a troublemaker and a mixer, that's good enough for me.
01:06:45You're right, but he's only asking you for attention, aren't you?
01:06:47You see, you know your trouble. You should have gone west to America.
01:06:50You would have been a senior citizen of Boston.
01:06:53But you took a wrong turn in. What happened? You're a lonely old man from Liverpool.
01:06:56Well, I'm clean.
01:06:58Are you?
01:06:59Hey, Norm.
01:06:59What?
01:07:00I've been thinking. It's not my fault.
01:07:02What is it?
01:07:03I'm not taller than you are. You're smaller than I am.
01:07:07Anyone at all?
01:07:09Hey, Shake, where's me boot?
01:07:10Will you get us some tea while you're there?
01:07:12I know, Johnny.
01:07:13What's that?
01:07:13Now, come on, lads, get changed. We've got on five minutes.
01:07:15Come on, get some tea bread on in a minute.
01:07:16Do you want to see your boxes, Paul?
01:07:27Tell me why you cried and why you lied to me.
01:07:36Tell me why you cried and why you lied to me.
01:07:58Tell me why you cried and why you lied to me.
01:08:08Tell me why you cried
01:08:12And why you lied to me
01:08:18If it's something that I said you've done
01:08:21Tell me what and I'll apologize
01:08:24If you don't, I really can't go home
01:08:28Hold back these tears in my eyes
01:08:31Tell me why you cried
01:08:34And why you lied to me
01:08:38Tell me why you cried
01:08:44And why you lied to me
01:08:48When I'm begging on my bended knees
01:08:53If you'll only listen to my pleas
01:08:56Cause I really can't go home
01:09:05If I give my heart to you
01:09:12I must be sure from the very start
01:09:19That you would love me more than her
01:09:27If I trust in you
01:09:32Oh, please
01:09:35Don't run and hide
01:09:37If I love you too
01:09:40Oh, please
01:09:43Don't hide my pride like her
01:09:47Cause I couldn't stand the pain
01:09:52And I would be sad if our new love
01:09:58Was in vain
01:10:01So I hope you'll see
01:10:05That I would love to love you
01:10:11And that she will cry
01:10:16When she learns we are true
01:10:20Cause I couldn't stand the pain
01:10:25And I would be sad if our new love
01:10:32And that she will cry
01:10:50When she learns we are true
01:10:54When she learns we are true
01:11:02I should have known better with a girl like you
01:11:07That I would love everything that you do
01:11:11And I do
01:11:12Hey, hey, hey
01:11:14And I do
01:11:18Oh, I never realized what a kiss could be
01:11:25This could only happen to me
01:11:29Can't you see?
01:11:31Can't you see?
01:11:34And when I tell you that I love you
01:11:42You're gonna say you love me too
01:11:49And when I ask you to be mine
01:11:57You're gonna say you love me too
01:12:03So I should have realized a lot of things before
01:12:10If this is love you gotta give me more
01:12:14Give me more
01:12:16Hey, hey, hey
01:12:17Give me more
01:12:40Oh, I never realized what a kiss could be
01:12:47This could only happen to me
01:12:51This could only happen to me
01:12:52Can't you see?
01:12:53Can't you see?
01:12:56That when I tell you that I love you
01:13:01Oh
01:13:04You're gonna say you love me too
01:13:11And when I ask you to be mine
01:13:19You're gonna say you love me too
01:13:23You're gonna say you love me too
01:13:28You're gonna say you love me too
01:13:32You're gonna say you love me too
01:13:35You're gonna say you love me too
01:13:36You're gonna say you love me too
01:13:39You're gonna say you love me too
01:13:39You're gonna say you love me too
01:13:40You're gonna say you love me too
01:13:40You're gonna say you love me too
01:13:40You're gonna say you love me too
01:13:42You're gonna say you love me too
01:13:42You're gonna say you love me too
01:13:43You're gonna say you love me too
01:13:48You're gonna say you love me too
01:13:53Oh
01:14:29Oh
01:15:02Oh
01:15:03Oh
01:15:04You know
01:15:28Oh
01:15:29Oh
01:15:29Oh
01:15:29Oh
01:15:29Oh
01:15:29Oh