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00:00:28Thank you!
00:00:58Thank you!
00:01:19Thank you!
00:01:39Thank you!
00:02:15Thank you!
00:02:30Thank you!
00:02:32Light the way!
00:02:34That leg!
00:02:36Dad! God help us!
00:02:38Lend a hand!
00:02:39Force!
00:02:41Force!
00:02:43Above!
00:02:48Under way!
00:02:51High!
00:03:04One less.
00:03:08Under way!
00:03:45Untie it.
00:03:55Sit down.
00:04:06With the court's permission.
00:04:10In the good name of God our Lord and that of the August Queen of Spain, Doña María Cristina,
00:04:15This court solemnly swears that it has proceeded in all respects in accordance with the Code of Military Justice
00:04:20and with the conscience of each of its members.
00:04:24Having heard the statements of the accused and the witnesses whose names are listed in the margin
00:04:28and read the report of the non-commissioned officer of the dragoons of the 4th Regiment of Pavia who commanded the forces
00:04:34who took him prisoner,
00:04:36resulting in the only remaining option being to ratify the defendant's statement in case there is grounds for modifying the conclusions
00:04:41or failing that, to the firm maintenance of the sentence, this court proceeds to carry out the last requirement.
00:04:48With the court's permission.
00:04:52Is it true that your name is José Iribarren?
00:04:55It's true.
00:04:56Is it true that you served the rebel army with the rank of lieutenant in the seventh line cavalry?
00:05:01It's true.
00:05:03Is it true that you earned that job through war merits and that during two years of conflict
00:05:08Have you taken up arms against the armies of His august and royal majesty?
00:05:12It's true.
00:05:13Is it also true that he was discovered this evening by several neighbors on the outskirts of the town
00:05:18You fortified yourselves in a farmhouse and fired on them and on the forces that came to take you prisoner.
00:05:23wounding two soldiers and killing a civilian?
00:05:26It's true.
00:05:27Although you claim that the fact that you came in your uniform proves that you were not carrying out espionage duties
00:05:31Isn't it true that when you were captured you left without your warrior?
00:05:34and that is why it is logical to assume that only a mission of this type can justify your presence
00:05:38in a town occupied by your enemies?
00:05:40That's not true, sir.
00:05:43That's all, gentlemen of the court.
00:05:49Do you have anything to add?
00:05:51Nothing, sir.
00:05:53Except for the fact that he came with a special mission.
00:05:55Everything is in order.
00:05:57What brought you to this town then?
00:06:00I joined a combat mission far from here and didn't know he was busy.
00:06:03I passed by because it was my way.
00:06:05And I didn't even remember the war.
00:06:07Where were you going?
00:06:08To my people, sir, to the Saca.
00:06:10Why?
00:06:13I don't think I need to say that.
00:06:16Military secret?
00:06:19My wife gave birth to our first child.
00:06:22I had permission to meet him.
00:06:28Proceed to read the sentence.
00:06:35Having heard this, this court considers that it must condemn and does condemn the rebel lieutenant José Iribarren to be executed by
00:06:42the weapons in the early hours of this morning.
00:06:44Given in Leiza on April 28, 1834.
00:06:49And I, with legal authority, in the name of Her Majesty, confirm it and pray to God for the salvation of
00:06:55your soul.
00:06:57Take it away.
00:07:15Would you like something to eat?
00:07:18I wouldn't want to either.
00:07:23And wine.
00:07:26Would you like something to eat?
00:07:27No, thanks.
00:07:29I'll bring him the boot.
00:07:34Hello, father.
00:07:41Then, Father.
00:07:43There's time, isn't there?
00:07:46Am I bothering you?
00:07:49No.
00:08:00You're from Lesaca, right?
00:08:03In Pamplona I met another José Iribarren who was a lawyer and from that same town.
00:08:08Perhaps he was your father.
00:08:10Yes, years ago he could have been my father.
00:08:12He will die 22 years ago.
00:08:14He may do more.
00:08:16Do you want a cigarette?
00:08:20He seemed like a great man to me.
00:08:26Excuse me for interrupting, Father.
00:08:28What's happening?
00:08:29I have to take it with me.
00:08:30The colonel wants to talk to you.
00:08:32Good.
00:08:33I'll wait.
00:08:34Hadn't we even started?
00:08:36Come with me.
00:08:55I've been thinking about his wife and son.
00:09:06Sometimes it's sad to do your duty, you understand, lieutenant.
00:09:09But duty does not allow for sadness.
00:09:11It has been enforced and that's the end of it.
00:09:13Do you understand, Lieutenant?
00:09:16Did he ever have to carry out an execution?
00:09:19I once sent the picket line.
00:09:21Did he hesitate?
00:09:24No, sir.
00:09:33How far is it from your town?
00:09:36Three and a half leagues, sir.
00:09:37Am I doing him a favor by letting him go, or would he prefer not to?
00:09:42Perhaps it will be more bitter for you.
00:09:45I cannot save him from the ordeal of dying.
00:09:48But if you give me your word of honor to return,
00:09:51I am willing to let him go under my sole responsibility.
00:09:57Say it.
00:09:59Do you want to go or would you rather avoid a goodbye?
00:10:01I want to go.
00:10:03He gives me his word of honor, as a soldier and as a gentleman.
00:10:07I give you my word of honor.
00:10:09Will he return to be shot this morning?
00:10:13If I return tonight.
00:10:15Word of honor.
00:10:17Well, don't waste any time.
00:10:25With this safe-conduct pass you will be able to pass through our guide bridge barrier.
00:10:30Do you give your permission, Colonel?
00:10:32Between.
00:10:34Take it.
00:10:35My assistant will give you your horse and your clothes and take you to the outskirts of the village.
00:10:40Do you have everything ready?
00:10:42Yes, my colonel.
00:10:45Let them march, then.
00:10:47And until next time.
00:10:50See you later, sir.
00:10:53And thank you.
00:11:15You may continue now, sir.
00:11:17Thank you, captain.
00:11:18Thank you, captain.
00:11:39No, no, no!
00:12:03The wine
00:12:04The ham
00:12:08And the wine, girl?
00:12:09Do you break it?
00:12:10Naturally, go for it.
00:12:12Let's see if this sword is really sharp
00:12:16Bravo!
00:12:17Four jugs of the dry stuff
00:12:20Marichu!
00:12:21Where is she?
00:12:22How should I know?
00:12:27Marichu!
00:12:28Then he'll say I get fed up quickly.
00:12:33Marichu!
00:12:42What the hell are you doing up there?
00:12:43What's wrong with you tonight?
00:12:44Nothing, nothing's wrong with me.
00:12:46Then go out and help.
00:12:49Do you think I'm stupid?
00:12:51You have cried
00:12:51Because?
00:12:53Leave me alone
00:12:57I thought there was nobody in this house
00:12:59Which one will work for you?
00:13:00If you give it to me, they're all sweet.
00:13:09Are they attending to you, Captain?
00:13:10Hello, Simon
00:13:11Yes, Marichu is helping me now.
00:13:13Are you going to have dinner?
00:13:14That's what I want.
00:13:14I'll accommodate you
00:13:18What has happened to the arrested Carlist?
00:13:20Sentenced to death
00:13:21Since I had that
00:13:23I cannot
00:13:25It just can't be
00:13:30It just can't be
00:13:32There's nothing there!
00:13:33It just can't be!
00:13:34There's nothing there!
00:13:37They can't be
00:13:37It just can't be
00:14:05Subscribe to the channel!
00:14:08You didn't expect to see me again.
00:14:10Have you escaped?
00:14:11They've let me go to my village to kiss my son.
00:14:13I told them a very sad story and the colonel bought it.
00:14:16I left him almost crying.
00:14:17But they have released you.
00:14:19They have trusted my word of love.
00:14:22I have to return at dawn to be shot.
00:14:26But you will not return.
00:14:28At dawn, you and I will be in France.
00:14:31You and I?
00:14:32Or I can do it myself, if you don't dare.
00:14:34José.
00:14:35I've come to tell you.
00:14:36At the bank's rest stop, I changed the direction of the French stagecoach shortly before ALBA.
00:14:40Do you know where it is?
00:14:41Yes, José, but...
00:14:42You can be there in an hour.
00:14:43There are no more than three left over.
00:14:44I'm going back to my village to dress like a normal person and look for money.
00:14:47Marichu!
00:14:51Marichu!
00:14:52Where are you?
00:15:07Find something, captain.
00:15:09Well, Amarichu.
00:15:10He told me yesterday that he was saving a marinated pork loin for his friends.
00:15:13I'm lowering it because it's for tonight.
00:15:17We'll see what kind of back he has tomorrow.
00:15:20Go to your table, I'll bring it to you now.
00:15:26I'm leaving, are you coming or staying?
00:15:27Don't leave me, José.
00:15:28You see, I've come, but I'm not coming back.
00:15:31I'm fed up with everything.
00:15:32From my army's war and risking my life to come and see you.
00:15:35We will live peacefully in France.
00:15:37Yes, José.
00:15:38Well, in two hours at the inn.
00:15:40Will it be safe?
00:15:43Sure.
00:15:43Don't make me abandon him later.
00:15:45Simon would kill me.
00:15:46Nobody will kill me.
00:15:53Bye bye.
00:16:01Four cars are a lot to carry one message.
00:16:03And we are at war, my lord.
00:16:05I know that very well, officer, but not everything in war is about shooting.
00:16:09The spirit also eats.
00:16:10I mean, it counts.
00:16:13Please have each of our carts inspected individually and you will immediately verify the innocence of their contents.
00:16:21Curtains, dresses, junk, pure props.
00:16:25Where are they going?
00:16:27If you'll allow me, we'd like to go to Estella.
00:16:29Uh, we must debut next Tuesday, the second, with my famous drama, entitled He Kissed Her on the Catafalque.
00:16:37Where?
00:16:38On the catafalque.
00:16:39Rare, but delicate.
00:16:42High!
00:16:43High!
00:16:48Register those cars down to the last nail.
00:16:50At your service.
00:16:52Bye bye.
00:16:55Don Leopoldo.
00:16:57That?
00:16:57I'm hungry.
00:16:58Since when?
00:17:00For the past twelve hours.
00:17:01Me, for thirty years.
00:17:06Special service of Colonel García Zapata.
00:17:11He has an order from the colonel.
00:17:22I don't quite understand.
00:17:24You are a rebellious lieutenant.
00:17:26I am a Carlist lieutenant.
00:17:29I don't quite understand.
00:17:30From the mountain.
00:17:31Register the mount.
00:17:33Come closer.
00:17:34Follow me.
00:17:50Follow me.
00:17:51Wait here.
00:18:08Mr. Iribarren.
00:18:10Mr. Iribarren.
00:18:11But, man, by God, what a joy to see him again.
00:18:14And what a surprise.
00:18:15But how did you get here?
00:18:17By the way, I'm going to the salt flat.
00:18:18That's where we come from.
00:18:20I made a detour to see Teresa.
00:18:21What was he doing now?
00:18:22I don't know.
00:18:22And were you going to...?
00:18:23To Estella.
00:18:24If these devilish tamper-cake-makers who are checking me down to my wisdom teeth will leave me alone.
00:18:29Oh, if only it weren't for the fact that...
00:18:30What are they carrying these spears for?
00:18:31As?
00:18:32But, man of God, what do you want them to be for? To represent Nero or the martyrs of Christianity?
00:18:38They've been at it for more than eight.
00:18:40Naturally, I mount the works properly, with luxury.
00:18:44But come with me and you will see that none of them are capable of piercing even a soft cheese.
00:18:50Come on, come on.
00:18:51Do you have a soft cheese handy?
00:18:53Do you have a soft cheese handy?
00:19:23But it's you, really.
00:19:26But what are you doing here?
00:19:27But these are not...
00:19:29Enemies.
00:19:30Have you been arrested?
00:19:31Yes, but not much. I'm going to the living room.
00:19:33Really?
00:19:33Then you'll see Teresa.
00:19:36I might see her.
00:19:38I'll only be there for a couple of hours.
00:19:39Will you be able to not go?
00:19:41Maybe he's sleeping.
00:19:43How unfair are you?
00:19:44I didn't tell you I didn't want to see it.
00:19:46Oh, you. You treated her like a boor.
00:19:48What if he walks by without seeing her now?
00:19:49Okay, that's enough. If I have time, I'll go.
00:19:51What? You want first one already?
00:19:53No, son. The soul has returned.
00:19:55The fat one?
00:19:56And with a boyfriend who's been brought in from the wrong place.
00:19:59Bad luck, isn't it?
00:20:00I never had a good one.
00:20:02And Miguel?
00:20:04He was happy and content there.
00:20:06That one is definitely worth its weight in gold.
00:20:08Come on!
00:20:09Up you go, girl!
00:20:09Come on, come on!
00:20:10Soon!
00:20:11Clear path!
00:20:12Have a good trip, Mr. Liri Barren.
00:20:14When you see Miguel, give him a hug.
00:20:15Good.
00:20:15Goodbye, let's go, girl.
00:20:16And another one from me.
00:20:18Bye bye.
00:20:19Goodbye, Lucia.
00:20:22If I didn't tell you the most important thing.
00:20:24She's going to have a child.
00:20:26Come on, girl, get up.
00:20:28Go see her, man.
00:20:45Go see it.
00:20:52Go see it!
00:21:01Go see it!
00:21:31No, José.
00:21:32The only place I want to go tonight is to bed.
00:21:35I want you to meet her, Miguel.
00:21:37I assure you it's wonderful.
00:21:39But you notice the water that's falling.
00:21:41But we're there in two jumps.
00:21:43Besides, I already know about the tickets.
00:21:46Alright.
00:21:47Let's get to know that beauty.
00:22:04The company asks for understanding and warns that today's tickets are valid for tomorrow.
00:22:09In which we will once again have the honor of representing for you, with the usual success, the journey of water.
00:22:15I've spoken.
00:22:17I said that I said.
00:22:19Five minutes pass, eh.
00:22:21Let's see if this gets going.
00:22:22The distinguished public must not have understood me.
00:22:24I was telling you.
00:22:25Again?
00:22:26There's no show tonight.
00:22:28There's a show tonight.
00:22:29But he doesn't see that nobody has come.
00:22:31And what are my friend and I?
00:22:32I mean, with this rain...
00:22:34The rain doesn't bother me.
00:22:36And you?
00:22:36Nothing.
00:22:37Don Leopoldo said...
00:22:39Who is Don Leopoldo?
00:22:40Wow, the company director.
00:22:42Are you interested in what Don Leopoldo says?
00:22:45Nothing.
00:22:46Excuse me, what is your role in the construction work?
00:22:50Of lust.
00:22:52What a disgusting sin.
00:22:53Well, there are uglier ones.
00:22:55These guys have your desire to mess with you.
00:22:57And that idiot from Cañete...
00:23:00Oh, God!
00:23:02Apart from that!
00:23:03What's wrong with them?
00:23:04They're not leaving.
00:23:05No, this is my downfall.
00:23:07I'm going to talk to you.
00:23:08Where are the souls in purgatory?
00:23:10Playing tute.
00:23:11How were they told that...?
00:23:13Bring them here, damn it all!
00:23:14And to the theological virtues that should be in the tavern.
00:23:17Everyone ready.
00:23:18In case I can't convince that strongman...
00:23:27God save the brave army.
00:23:29Death.
00:23:30How's the war going, officers?
00:23:32Good?
00:23:33I was also a soldier like you.
00:23:35Yes, yes, of course.
00:23:37I fought in the War of Independence.
00:23:38Oh, how wonderful!
00:23:40There should be a war of independence every year.
00:23:44I had the infantry and the cavalry under my command.
00:23:48And when I gave the order, they all attacked.
00:23:53I was a cornet player.
00:23:56When I stop playing, let's see if this starts, huh?
00:24:00Please, officers.
00:24:02I know they have the right.
00:24:04But this is my downfall.
00:24:06They're forcing me to pay the entire payroll.
00:24:08We're going to be 24 more than you.
00:24:1224 against 2.
00:24:13Hey?
00:24:14Look, you don't need to put the whole work.
00:24:16I saw it last night and it's a bore.
00:24:17We'd be happy if he just put the angels' number.
00:24:20The one with the little angels?
00:24:22But how?
00:24:23Are you referring to the catastasis of the final act?
00:24:26When do the angels release the soul and lead it to glory?
00:24:31That is.
00:24:31We are content with catastasis.
00:24:34Alright.
00:24:38Listen.
00:24:39What's up?
00:24:40Excuse me.
00:24:42And just doing the angels' act,
00:24:46Would you waive the payment?
00:24:48No, man.
00:24:48Yes, man.
00:24:49Yes, you deal with it.
00:24:50Thank goodness.
00:24:52That way you don't have to swallow the story.
00:24:54Now you'll see what a girl.
00:24:55If it's not a monument, I'll throw you in the river.
00:24:57Because the truth is, it's worse here than on a city block.
00:24:59Now you'll tell me.
00:25:00Come on, we're going to do everything quickly.
00:25:02It's going to be done in the garden.
00:25:03It will be done with the angels alone.
00:25:05It will be done with chairs.
00:25:06Hey, what am I crying about?
00:25:07She's going to knit, they don't want to see her.
00:25:09Come on, it'll be like that soon.
00:25:11He already said it.
00:25:12You turn on those three lanterns.
00:25:13No, how much.
00:25:14Lie.
00:25:15It's not possible.
00:25:16It's not possible.
00:25:16Ask them.
00:25:17Let's see, those chairs soon.
00:25:19I don't do it.
00:25:19I don't go out to make a fool of myself.
00:25:21What are you saying?
00:25:21And why the ridicule?
00:25:22How vulgar.
00:25:23This is how the war will be won.
00:25:25Yes, it's ridiculous.
00:25:26What are the five of us doing sitting here in a circle?
00:25:28The same old story.
00:25:29That?
00:25:29Alleluia?
00:25:29Do you think that's not enough?
00:25:30Well, they find it very cheerful.
00:25:32And enough with the carnivals.
00:25:33You are my daughter and you must obey me.
00:25:35Come on.
00:25:36Hala, the angels.
00:25:37Feel.
00:25:38The other angels are here.
00:25:40The curtain rises.
00:25:40I am outraged.
00:25:41But is he your father?
00:25:44Come on.
00:25:45What's wrong with him?
00:25:45The rope must have gotten wet and it's not running.
00:25:47It doesn't run, it doesn't run.
00:25:49Give it your all.
00:25:49Further.
00:25:50But I've been having a coffee with milk since Friday.
00:25:52What coffee?
00:25:54Come on, bring it.
00:25:55Leave it to me.
00:26:02Why are you doing this?
00:26:03I don't know.
00:26:03He must be throwing a stutter.
00:26:08Well, finally.
00:26:10Look.
00:26:11The one in the middle.
00:26:12Can you see her clearly?
00:26:14One two three.
00:26:18Hallelujah, hallelujah!
00:26:20Hallelujah, hallelujah!
00:26:22Hallelujah, hallelujah!
00:26:26Come on!
00:26:31Again, but with joy.
00:26:36One, two, and three.
00:26:40Hallelujah, hallelujah!
00:26:42Hallelujah, hallelujah!
00:26:44Hallelujah, hallelujah!
00:26:46Bravo.
00:26:46Very good.
00:26:48Vis, vis.
00:26:50I'd swear it's a joke.
00:26:51Well, I'll tell you closer.
00:26:55Sit down!
00:26:56Okay, leave me alone.
00:26:58What eyes, what a face, and what feathers.
00:27:01Why don't they laugh at their colonel?
00:27:03Who have they taken them for?
00:27:04They have no right to laugh like that.
00:27:06This is a job just as respectable as yours.
00:27:08If they think that because we're comedians we have no shame,
00:27:10They are wrong.
00:27:11But if you...
00:27:12Get out of here.
00:27:13We don't need an audience like you.
00:27:14But if.
00:27:15Leave us alone!
00:27:16Clowns!
00:27:16But...
00:27:16Wait!
00:27:18Oh!
00:27:22Oh!
00:27:24But daughter, what have you done?
00:27:25You won't see the mess you've gotten me into!
00:27:29What does that girl think she is?
00:27:30I thought he was hitting both of us.
00:27:32He's an idiot.
00:27:34Wonderful.
00:27:34Well, I don't like it that much anymore.
00:27:36A girl who...
00:27:37Wonderful.
00:27:39Well, up close it's not worth a fig.
00:27:42It's wonderful seen up close.
00:27:44And I'm glad you don't like it anymore because then I'll claim it for myself.
00:27:47Well, for you.
00:27:48It's not free for me.
00:27:49What a bargain!
00:27:53Hey, what do you mean you're claiming it as your own?
00:27:54That girl is mine.
00:27:56You said you don't like it.
00:27:57No?
00:27:58It's not worth a fig.
00:27:59A pepper.
00:28:01When you say one pepper...
00:28:03You already know that there are many kinds of peppers.
00:28:06Besides, I say whatever I want.
00:28:08I can talk about peppers and elephants.
00:28:09That's why the girl is mine.
00:28:11You've made it very clear that you're not interested.
00:28:13Let's not start like we did with Felipa, okay?
00:28:17Eye.
00:28:21Very good.
00:28:21What do they think they are?
00:28:22Why did your father send me?
00:28:24What else?
00:28:25Hallelujah, hallelujah.
00:28:26If I don't let go, I'll explode.
00:28:27You've been fantastic.
00:28:28And they look fantastic too, don't they?
00:28:32Formidable.
00:28:32Well, what does that have to do with anything?
00:28:33No, I ask.
00:28:35They were speechless.
00:28:36When I approach them and say...
00:28:37You saw them very closely, of course.
00:28:38What? Where are you?
00:28:39And I tell them.
00:28:40And they look fantastic, don't they?
00:28:41Why do you have to involve your son?
00:28:43It's them.
00:28:44Why you?
00:28:45So I bring a son with me.
00:28:47To see if we need to...
00:28:48But what do you mean?
00:28:49What is mine?
00:28:50Have you discovered her?
00:28:51It's not one of mine.
00:28:52You also said you don't like it.
00:28:53I liked it very much.
00:28:54And what about the pepper?
00:28:55And?
00:28:56Don't you like peppers?
00:28:58He talks about peppers.
00:29:00So, what do you think of the other four angels?
00:29:02Now those are some serious troublemakers.
00:29:03But in what sense?
00:29:04Because you like them.
00:29:05Who?
00:29:05The peppers or them?
00:29:06Okay, let's leave the peppers alone.
00:29:08I say that all four of them are very nice.
00:29:09Well, keep them then.
00:29:11You see how generous I am.
00:29:12Man, I'll give you four for one.
00:29:14I'm losing out.
00:29:17Did you look at her closely when she approached?
00:29:18Of course I looked at her.
00:29:19Did you notice...?
00:29:20In what?
00:29:21Man!
00:29:23It's not possible.
00:29:25I swear.
00:29:26And you also have...
00:29:28What do you have?
00:29:29I don't know.
00:29:32Which of the two dares to tackle Poppaea of Nero or the martyrs of Christianity?
00:29:36But the fat one doesn't do it.
00:29:37No way, she's furious and said goodbye insulting me.
00:29:40He says he is going to Logroño with his supporters.
00:29:42This isn't letting up.
00:29:44Do you have tobacco?
00:29:45From the Intendancy.
00:29:47A fig.
00:29:49And without preparation?
00:29:50How without preparation?
00:29:51Naturally, nobody will smoke it like that.
00:29:53They need to be prepared beforehand.
00:29:54Alright.
00:29:55I already told you that I'll do it.
00:29:56You need to get your clothes ready for tomorrow.
00:29:57Yes, yes.
00:29:58Yes, yes.
00:29:59And then everything works out.
00:30:00No, no.
00:30:05I like Cuban women.
00:30:07Take it, and me too.
00:30:08But here we have to make do with this rubbish.
00:30:10He called us birrias.
00:30:11And what do you do?
00:30:12Many things.
00:30:13I am a teacher.
00:30:14First I get them drunk and take them off the girdle.
00:30:17What do you get them drunk on?
00:30:18Cheap joke.
00:30:19And don't they grab onto your throat afterwards?
00:30:21A bit.
00:30:22But I like that.
00:30:24Have you heard?
00:30:25Ah, it must be a cat.
00:30:26And then I scatter wheat over them and hang them in the sun.
00:30:29Do you hang them up?
00:30:30A couple of hours.
00:30:31That's how you get rid of the horse smell.
00:30:32I'll try this one tomorrow.
00:30:34So, cognac.
00:30:36Lots of cognac.
00:30:37Wheat and the sun.
00:30:38That is.
00:30:39I had been told that they taste good when you put three or four wasps in them.
00:30:42I'm going to...
00:31:06One and a half pounds of chickpeas.
00:31:07I like them fat.
00:31:08Really?
00:31:09Yes, to make the purees.
00:31:10It will be less now.
00:31:12Free and half.
00:31:13Right away, princess.
00:31:15Gervasio.
00:31:16Cognac and wheat.
00:31:17Hello, Lieutenant.
00:31:19So, cognac and wheat, huh?
00:31:21What is it?
00:31:23Do you do it too?
00:31:24Of course.
00:31:25That's French fashion.
00:31:26And they taste delicious.
00:31:28I want to try this one.
00:31:30You scoundrels, with me?
00:31:31Why don't they add wheat to their...
00:31:32Who are they going to give wheat to?
00:31:33Dare to?
00:31:33Whom?
00:31:34At this rate.
00:31:35I mean, if that's okay with you.
00:31:37Hey?
00:31:39Clear.
00:31:48He's completely out of his mind.
00:31:49That's what I think.
00:31:56Wrong.
00:31:57Neither wheat, nor wasps, nor are we hung in the sun.
00:31:59With rage.
00:31:59What are you saying?
00:32:00I ran into one of the officers from last night at the store.
00:32:02We're not the bad ones, it's some cigars that...
00:32:06Good morning.
00:32:12I apologize for what happened last night.
00:32:14I assure you that we did not mean to bother you.
00:32:16If only I had known they were going to get so angry...
00:32:18Well, I would have come to see you anyway because you look beautiful even when you're angry, with a donkey, and with whatever else you're wearing.
00:32:23put it on.
00:32:25Is she still angry?
00:32:26No, no, for God's sake.
00:32:27Lucia.
00:32:29Why won't it let me fix it from last night?
00:32:31It's already forgotten.
00:32:32I would take her with me this afternoon to the pilgrimage to the hermitage.
00:32:35There was dancing there too.
00:32:37It doesn't need any repairs.
00:32:38Well, I don't want to fix anything.
00:32:40What I want is to dance with you.
00:32:43He doesn't beat around the bush, does he?
00:32:45I don't know how to beat around the bush.
00:32:46What if I don't want to or don't know how to dance?
00:32:49I'd be happy if she just looked at me like that for a whole afternoon.
00:32:54Furthermore, it is my daughter who should apologize to you.
00:32:57Let's not talk about that.
00:32:59What a great artist.
00:33:00Who am I, huh?
00:33:01Also.
00:33:01But her daughter is so beautiful...
00:33:04Does she mind if I compliment her?
00:33:05Oh no, for God's sake.
00:33:06Quite the opposite.
00:33:08Well, she's a wonderful girl.
00:33:10Yes, yes, yes.
00:33:11And for you, these figs.
00:33:14For me?
00:33:15Yeah.
00:33:15Oh, no, please.
00:33:16They send them to me from Cuba.
00:33:17Andrés de Lopoldo.
00:33:18Well, if they send them from Cuba...
00:33:21Thank you very much, sir...
00:33:23José Iribarren.
00:33:25Delighted.
00:33:26And your daughter?
00:33:27Teresa.
00:33:28Oh, beautiful.
00:33:29And how well he's doing.
00:33:31Sweet eyes, sweet name.
00:33:34Are you sure she'll like it?
00:33:35I swear.
00:33:36But it seems he has guessed it completely.
00:33:40Look, here it comes.
00:33:46That's his friend, isn't he?
00:33:57Wow, I see you've forgiven more already.
00:33:59I suppose he told her how sorry we are...
00:34:01Yes, yes, don't worry.
00:34:02Oh, but perhaps it hasn't been expressed.
00:34:03No, he expressed himself very well.
00:34:06Did they give it to you at the town hall?
00:34:11It's for you.
00:34:13Can I do this small repair because of what happened last night?
00:34:16Since we had such bad luck, let's see if this one...
00:34:19What a clever phrase.
00:34:21Very elegant, isn't she, daughter?
00:34:22Yes, very pretty, but...
00:34:24Is he from Paris?
00:34:24There's no reason, he doesn't believe.
00:34:26Don't be silly, you're wonderful.
00:34:28Come on, of course, daughter.
00:34:29Mr. Iribarren is very pleased to...
00:34:36Pride.
00:34:38Well, and now let's drink a bottle to the health of the brave army.
00:34:41Accepted.
00:34:42You too, right?
00:34:43We can't.
00:34:44Hey?
00:34:44Because?
00:34:45Thank you.
00:34:45But we march tomorrow and we have a review at eleven.
00:34:48As?
00:34:48Are they leaving tomorrow?
00:34:50Oh...
00:34:50Yeah.
00:34:52Okay, but this afternoon, right?
00:34:54Not us.
00:34:55It won't be you.
00:34:57I do.
00:34:58Prepare as many bottles as you like.
00:35:00Uh, okay.
00:35:00I say we.
00:35:01I have taken the liberty of inviting them to the pilgrimage to the hermitage.
00:35:04Oh, dance, father.
00:35:05Oh, magnificent.
00:35:07So that bottle, one by one, you and me...
00:35:10Okay, but you'll be coming too, right?
00:35:13If you want it.
00:35:15Naturally.
00:35:15What can two of us do with one?
00:35:16Gentlemen, until this afternoon.
00:35:19Goodbye, officers.
00:35:20And a million thanks.
00:35:24Thank you for the umbrella.
00:35:26I'm glad you like it.
00:35:40Why did you go looking for her?
00:35:42I met her in the square.
00:35:43Have you gone to look for her?
00:35:44If that were the case, I would tell you.
00:35:45And now you've tried to ridicule me.
00:35:47You did it all by yourself, with the umbrella and the figs.
00:35:50What has that poor man done to you?
00:35:51I don't find it funny, you know.
00:35:53What are your goals?
00:35:54Same as you.
00:35:55You have no right.
00:35:56Who said that?
00:35:57I!
00:35:58Bye bye!
00:36:00Bye bye!
00:36:02Come soon!
00:36:03Open your umbrella, woman.
00:36:05There won't be a bull nearby, will there?
00:36:14Come on, it's late.
00:36:22To whom did I dedicate the umbrella salute?
00:36:25He has dedicated other things to me before.
00:36:27What do you mean?
00:36:28He looked at me carefully.
00:36:30That is.
00:36:32Let's talk.
00:36:34OK.
00:36:48I discovered that girl.
00:36:50And?
00:36:51And I'm crazy about her.
00:36:52It doesn't surprise me at all.
00:36:53Then step aside.
00:36:54But do you seriously think you have more rights?
00:36:56Yeah.
00:36:56And what about her?
00:36:57Don't you have an opinion?
00:36:58No.
00:36:59No?
00:36:59And if...?
00:37:00No!
00:37:00Well, but...
00:37:01No!
00:37:04Step aside, Miguel.
00:37:05Don't get involved.
00:37:06And why should he exclude me?
00:37:07Is she your girlfriend?
00:37:08She's my wife.
00:37:09For me, it's as if it already were.
00:37:13It hit me like a bullet, I swear.
00:37:16When have you ever seen me like this?
00:37:18Step aside, Miguel.
00:37:20How do you want me to ask you?
00:37:23Okay, man.
00:37:25It hit you hard, huh?
00:37:27It's possible.
00:37:29Yes, I'll let you have it.
00:37:31If you want, I won't see her anymore.
00:37:32And I'm sorry because I like it as much as you do.
00:37:34Well, I liked it.
00:37:36But not anymore.
00:37:38It would be nice if we came here.
00:37:41The hand.
00:37:47Word of honor, José.
00:37:49Now yes.
00:38:06Thank you!
00:38:26Thank you!
00:38:28Thank you!
00:38:41Thank you!
00:38:43Thank you!
00:38:56Shall we dance?
00:38:57But you don't know this.
00:38:59Do you want to see it?
00:39:01Of course.
00:39:02Let's see how you two do.
00:39:03I'll dance to whatever I feel like.
00:39:04Shall I prove it to you?
00:39:05It's a good idea to have a drink first.
00:39:06You'll see that he came.
00:39:07You, you know how to see through votes, huh?
00:39:12I saw it, should I show you?
00:39:14Want?
00:39:16Yes, I'll prove it to you!
00:39:17Come on!
00:39:30Here you go, sir.
00:39:31Hold on tight.
00:39:36It's best to take it before dancing.
00:39:38He loves you a lot, doesn't he?
00:39:41Who is he?
00:39:42And I to him.
00:39:42But he loves you more.
00:39:44Because?
00:39:45Because he saved my life once.
00:39:46And I'm number two.
00:39:47But that's selfishness.
00:39:49What would I do without him?
00:39:50And him without me?
00:39:52Well, he did without me.
00:39:53It's worth a lot.
00:39:54More than you?
00:39:55That's it, that's it.
00:39:56I am extraordinary.
00:39:58I speak French.
00:39:58I play the drum with the sugar.
00:40:00I paint doors and windows very well.
00:40:02I am very friendly.
00:40:03Oh, really?
00:40:04I have won two awards.
00:40:05And I am his uncle.
00:40:14I like you.
00:40:16And I love you too.
00:40:17As if I'd known you forever.
00:40:19I love you with all my heart,
00:40:20from the beret to the spurs.
00:40:22I told you that in a really rude way, didn't I?
00:40:25Well, you have no idea how much I thought about it last night.
00:40:27And fear that I have confessed my feelings sometimes.
00:40:29But with you, I don't know what's wrong with me.
00:40:31But I didn't see you the first time I saw you.
00:40:33As if it were tearing me apart in some way.
00:40:35As if my life depended on the stage.
00:40:37But, José.
00:40:38Will you marry me tomorrow?
00:40:39But you're crazy.
00:40:40What are you saying?
00:40:40How dare you...?
00:40:41Yes, I know I'm a beast.
00:40:42These things can't be said like that.
00:40:44But I don't have time, Teresa.
00:40:46We're leaving tomorrow and...
00:40:47And I wouldn't want to lose you.
00:40:49If I had time to court you,
00:40:51I would do it better than anyone.
00:40:52I would send you millions of flowers,
00:40:53millions of smiles.
00:40:54I would sing to you under the window in two voices.
00:40:56I would do both voices.
00:40:59Ale, please!
00:41:01Hang in there!
00:41:03Very good.
00:41:03Oh, I can't take it anymore!
00:41:07Get José to dance!
00:41:08As?
00:41:09Hurry, woman!
00:41:09But I can't handle it.
00:41:11Goes!
00:41:12And now with you, José.
00:41:13With me?
00:41:14Yes, now.
00:41:14I would sing to dance!
00:41:15I don't think you should dance anymore, Lucia.
00:41:17Clear!
00:41:18Come on!
00:41:24Only half the afternoon remains.
00:41:25For?
00:41:26To satisfy you.
00:41:28I'm molding you.
00:41:30Are you conforming?
00:41:31I thought I understood that you were content.
00:41:33just by looking at you for a whole afternoon.
00:41:34I would sing!
00:41:43The bull! Here it comes!
00:41:58Lutina!
00:42:02Get down! Get out of here!
00:42:13Lutina!
00:42:15Lutina!
00:42:17Posey! Posey! Let's lose the beret!
00:42:19Appón, Isabel!
00:42:23Were you scared?
00:42:24How awful! But they've scared Redé.
00:42:26Sure! But last year was funnier. There were six deaths.
00:42:31Air, air, air, air!
00:42:34Death to the Christians!
00:42:36Throw them to the lions!
00:42:38I, Nero, swear to you that I will exterminate them all
00:42:44because Christians are undesirable
00:42:49They're scum!
00:42:53I think censorship is going to take this away from us, for sure.
00:42:57We're going to leave only undesirable voices
00:43:01Yes, yes, kill the suffering Neros!
00:43:04No!
00:43:06We need to add more joy, more cruelty, much more hatred
00:43:12Yes, yes, kill the suffering Neros!
00:43:16Ha, ha, ha, ha, ha, ha!
00:43:18Let's see
00:43:18Yes, yes, kill the suffering Neros!
00:43:22Hey!
00:43:22And him? Ha, ha, ha, ha, ha, ha!
00:43:24Hey!
00:43:25Ah!
00:43:27Oh!
00:43:28Good evening, Mr. Iribarren
00:43:30Good night
00:43:31Hurry up, Tere, it's your turn to go in now.
00:43:33Yes, father
00:43:33What? Did you have fun?
00:43:36Yes, yes, a lot.
00:43:37Ha ha ha!
00:43:37But please follow me.
00:43:38Come on, daughter, hurry up, it's a full dress rehearsal
00:43:40Yes, father
00:43:45Well, goodbye then.
00:43:46I wish you the best of luck.
00:43:49Answer me, Teresa
00:43:50Give me some hope
00:43:52Or I swear I'm not leaving here
00:43:54But, Jose
00:43:55At least write to you
00:43:56At least write to you
00:43:56Or neither
00:43:58Well, yes
00:44:00Write to me
00:44:02I don't like that good one.
00:44:03But you don't want to love me
00:44:05But we hardly know each other.
00:44:07I know you very well
00:44:08Me too
00:44:10I am as you see me
00:44:11You don't read me here
00:44:13I love Teresa
00:44:14Well, inside I feel the same.
00:44:16Full of you
00:44:17Sayings and Petronius
00:44:23Oh, Nero
00:44:24Christians repel me
00:44:26Listen
00:44:27You
00:44:29It's Petronius
00:44:31No Popea
00:44:32Petronius was decadent
00:44:34But not
00:44:35Hey?
00:44:37Roar of lions
00:44:42I have to rehearse
00:44:43Okay, I'll see you later
00:44:44No, José
00:44:45We say goodbye now
00:44:47After the show
00:44:47We'll talk calmly.
00:44:49And I will convince you
00:44:50I'm sure
00:44:57José
00:45:02See you later
00:45:16Today
00:45:17How long have you been here?
00:45:18He brought me right away
00:45:19I had to go to the barracks
00:45:21Nothing to be done, daughter
00:45:26Did he tell you if he would come later?
00:45:27He's a very strange boy
00:45:28I don't know if I impressed him
00:45:29And that's why it turned out so bland.
00:45:31Tell me, did he say if he was coming?
00:45:32I'd almost prefer it that way
00:45:34Sowing wheat and wasps
00:45:35The truth
00:45:35Did he tell you if he would come?
00:45:37You can't hear me
00:45:38What's the matter?
00:45:39No, he didn't tell me anything.
00:45:40What was I coming for?
00:45:40Saying goodbye
00:45:41He's leaving tomorrow.
00:45:42He already said goodbye
00:45:43And it was very fine.
00:45:44She was charming.
00:45:45That she was glad to have met us
00:45:46So what if
00:45:47So what if
00:45:47But of...
00:45:48Not a peep
00:45:51And from me
00:45:51Oh, also
00:45:52That I would say goodbye to you
00:45:54I was sorry not to see you
00:45:55But that he couldn't
00:45:55Because of the barracks
00:45:56That it had to be soon
00:45:57For some reason I don't know.
00:45:58In short, tall tales.
00:46:01Yes, daughter, yes
00:46:01Men are like that.
00:46:03As soon as they danced with one
00:46:20Because I didn't leave you 10,000
00:46:21That she was glad to have met us
00:46:22And she was glad to have met us.
00:46:26As soon as they have bostico
00:46:26That she was glad to have met us
00:46:46Hey guys
00:46:47Hello and good evening
00:46:55Hallelujah, goal achieved without a single casualty
00:46:57Well, one, she
00:46:59And what goes down?
00:47:02Wow, that turned out great!
00:47:03And going all out, huh?
00:47:05Have you said yes to yourself?
00:47:06Well, that's still stuck in no man's land.
00:47:09She's a very reserved woman, you know?
00:47:12As it should be
00:47:13But when I kissed her
00:47:15My friend, my lips do not lie.
00:47:19Have you kissed her?
00:47:20In the hand, delicately
00:47:21But that's more than enough.
00:47:23It's a shame I had rehearsal, otherwise
00:47:25But tonight I'll finish him off.
00:47:26Deep down, I'm glad that she...
00:47:32Do you want to believe that when I say she
00:47:33Does it give me a dizzy spell in here?
00:47:36This is barbaric
00:47:38I feel like jumping around
00:47:39From writing Teresa, Teresa, Teresa on the walls
00:47:44How wonderful it is to be in love
00:47:47I'm going to send her flowers right now.
00:47:48A cart full of flowers
00:47:49A cart?
00:47:50Entire
00:47:51A bouquet that is
00:47:52A field
00:47:53Are you crazy?
00:47:54Altogether
00:47:58Hey, kid
00:47:59Tell my assistant to come up
00:48:01At your service
00:48:03I asked them to find me the cart and the flowers and a green dove if I ask for it.
00:48:06Don't you think she's going to be speechless?
00:48:08But how are you going to pay for that?
00:48:10With money?
00:48:11Do you have it?
00:48:14No
00:48:15I can manage with that.
00:48:16Don't you think the colonel will give me an advance on my pay?
00:48:19At this time
00:48:20At this time
00:48:30Hey, kid
00:48:36Do you give your permission, Colonel?
00:48:38Between
00:48:44At your service, Colonel.
00:48:46I wanted to talk to you
00:48:46And I to you
00:48:47I was just about to let him know.
00:48:49Well then
00:48:50Are there any casualties in your squadron?
00:48:52They all form
00:48:52Well, get it ready to go out into the open right now.
00:48:55We will follow him at dawn.
00:48:57Double the supply of cartridges
00:48:59And warn your people because they may walk into a fire
00:49:01Look
00:49:04Come closer
00:49:08Tolosa Road
00:49:09Here
00:49:10All these heights must be inspected carefully.
00:49:13Christian patrols have been seen
00:49:14And I don't want to trap the battalion in a mousetrap
00:49:16Understood?
00:49:17At the slightest alarm, send a park
00:49:19If you can, avoid fighting
00:49:21Good, my colonel.
00:49:22That's all.
00:49:23Go out frequently
00:49:25At your service
00:49:30Oh ok
00:49:31And what was his thing?
00:49:33Nothing more, my colonel.
00:49:43My lieutenant
00:49:44My lieutenant
00:49:45Did he send for me?
00:49:47Yeah
00:49:47Look for the Italdi brigade
00:49:48Have my section ready to go on air right away.
00:49:50Go away!
00:49:50Yes, Lieutenant.
00:49:52What's happening?
00:49:53What's going to happen?
00:49:54Damn war
00:49:55And damn the fool who volunteers.
00:50:01Damn the day I wore this uniform
00:50:03Don't talk nonsense
00:50:04Damned a thousand times over
00:50:04But what happened to you?
00:50:06Don't you see it?
00:50:06I'm leaving
00:50:08I'm fed up with putting up with it
00:50:09Calla, José
00:50:10Shut up!
00:50:11You like this filth
00:50:13It had to be me
00:50:13And precisely tonight
00:50:16Where are they sending you?
00:50:17Let's see if there are any Christians around those hills.
00:50:19That they might ruin his breakfast
00:50:21I hope there are a million
00:50:22You told him that...
00:50:24What am I going to say to him?
00:50:24He spoke alone
00:50:25That's what the colonel is for.
00:50:29Maybe he doesn't care if I go
00:50:34I'm going to talk to him
00:50:41More advantageous
00:50:42Place the second step here
00:50:43Do you give your permission, Colonel?
00:50:44Between
00:50:51At your service, my lord.
00:50:52Colonel
00:50:52I would like to ask you a favor
00:50:53Speak
00:50:54Lieutenant Iribarren tells me
00:50:56It's coming out tonight.
00:50:58I wish I could go in your place
00:50:59If you don't have
00:50:59Because?
00:51:00Is there a special reason?
00:51:03No, sir
00:51:04I simply wish
00:51:05Perform this service
00:51:06To Lieutenant Iribarren
00:51:07I'd like
00:51:07And what do I care?
00:51:09Whatever you want?
00:51:10Has the army taken over?
00:51:11For a game?
00:51:13I'm sorry to vary
00:51:14The opinion I had of you
00:51:15You may leave
00:51:36No, right?
00:51:38Say it
00:51:39I suspected as much.
00:51:46Thanks anyway
00:51:55And now it turns out
00:51:56That I won't be able to
00:51:57Not even write it
00:51:58Look how big it is!
00:51:59Clear
00:52:00What do I know about the days?
00:52:00That they will be here
00:52:01Nor where they're going to go next
00:52:05You can find out
00:52:06Come to the theater later
00:52:06And ask him.
00:52:07To Don Leopoldo
00:52:09Why Don Leopoldo?
00:52:10He'll be the one to know.
00:52:12And she too
00:52:14So I'll tell you what happened
00:52:15Let me tell you about the towns
00:52:16Where do they go?
00:52:17And the fish
00:52:19Ah
00:52:20You don't want to see it
00:52:21Why do you think I'm going to think badly of you?
00:52:23I know who you are
00:52:24When you give your word
00:52:26And you gave it to me.
00:52:27Yes, José
00:52:28And I'll give it to you again.
00:52:29Well then
00:52:30Tell her I'll write it
00:52:31Every day
00:52:34And give him my ring
00:52:36You're going to give it to her
00:52:37If you explain
00:52:38What it means to me
00:52:40You'll be thrilled
00:52:40Even more than flowers
00:52:46And until tomorrow
00:52:58Section!
00:52:59Firm!
00:53:03They form twenty-four
00:53:04Mr.
00:53:20Get ready to score
00:53:24On horseback!
00:53:29On the right of the
00:53:30Art!
00:53:54Art!
00:53:55Art!
00:54:24Art!
00:54:26Wouldn't it be true that if the lions had seen him, they wouldn't have eaten any Christians?
00:54:32Here, here is the luck.
00:54:35We'll see who takes this beautiful turkey home.
00:54:37The number will be drawn by an innocent hand, Nero's hand.
00:54:42Just a moment, gentlemen, please, just a moment.
00:54:46Let's see, this gentleman, I, will draw the number.
00:54:51And you, sir, who exudes innocence from every pore.
00:54:58But didn't he say it was a peacock?
00:55:00And this one isn't real, made of feathers and bone, sir.
00:55:08He...
00:55:10What, girl, shall we go?
00:55:12The lieutenant.
00:55:13The lieutenant, the 34th, you mean.
00:55:16What lieutenant? You're completely clueless, girl.
00:55:19Ear?
00:55:20The Lieutenant!
00:55:22The 34, the 34.
00:55:24Who has number 34?
00:55:25Here's the 34th.
00:55:26There, that lady, can't you see her?
00:55:28Excuse me, ma'am, we hadn't seen you because you're so small.
00:55:31Give him the turkey.
00:55:32I'm so envious of you, ma'am.
00:55:34The lady's ego has gone up in her head, congratulations.
00:55:36Good evening everyone and thank you very much.
00:55:40Come on.
00:55:41Come on.
00:56:02Good evening, Pope.
00:56:04Hello.
00:56:05What are you doing here?
00:56:06I've come to talk to you.
00:56:08Really?
00:56:08It wasn't necessary.
00:56:10Lucia already told me you had a lot to do.
00:56:12José has left, you know?
00:56:13He had to go out on duty and told me to come and tell you.
00:56:17He gave me many assignments.
00:56:18I don't know if I'll remember them all.
00:56:21He's had bad luck, but that's how the army is.
00:56:24Let's see if I remember everyone.
00:56:26The length of time you will be here, where you will go next, the towns and the dates.
00:56:32What else?
00:56:33Ah, he'll write to you every day.
00:56:35And in short, you've driven him crazy.
00:56:38And it's true.
00:56:39If you saw how the poor man left, the most important thing.
00:56:46This.
00:56:49You can't imagine what it means for me to give it to you.
00:56:52He gives you his whole life with this, believe me.
00:56:55She belonged to her father and was never separated from him.
00:56:59It's yours, Teresa.
00:57:02Thank you very much.
00:57:04I really appreciate it.
00:57:05But I don't want José.
00:57:07He's very nice and a good man, but I don't like him.
00:57:14Maybe now, but as soon as you get to know him,
00:57:18If there's no one like José, Teresa, I swear.
00:57:21It's just that it happened very suddenly, and of course, I understand.
00:57:24But if you knew what José was like,
00:57:27There is no man more loyal or kinder than him in the world.
00:57:30I've known him since he was a child.
00:57:32You've seen him as friendly, and he really is.
00:57:36But he is also very serious.
00:57:43And when she wants something, she really wants it.
00:57:46And he loves you madly.
00:57:48In two and a half days, Miguel.
00:57:51In two and a half days.
00:57:52It's not possible.
00:57:53Why not?
00:57:55Do you really think it's possible to love?
00:57:57Yes, you.
00:58:00Why me?
00:58:02Because you are different.
00:58:03And you, Miguel.
00:58:05You too are different and better than everyone else.
00:58:08It's about him and you have to accept his opinion.
00:58:10He gave it to me, and if I tell him I don't want it, I'll kill him.
00:58:13Think about it carefully, Teresa.
00:58:15I love you, Miguel.
00:58:19It's true.
00:58:20That in two days there's plenty of time to love.
00:58:23And a lot.
00:58:28Teresa.
00:59:21Thank you!
00:59:29Cristino attack, my colonel
00:59:30What forces? Riflemen, three companies at a league and a half
00:59:32Let's go!
00:59:34Under way!
00:59:56Let's go!
01:00:23Let's go!
01:00:52Let's go!
01:00:57Let's go!
01:01:43Hello
01:01:45By pure miracle
01:01:48What does the colonel say?
01:01:49A silly thing that wants to promote you
01:01:54Did you see her?
01:01:55Whom?
01:01:56Who else is it going to be?
01:01:58He took the ring
01:02:09Miguel will be our godfather.
01:02:11Why don't you try to rest?
01:02:15Who else is it going to be?
01:02:25Who else is it going to be?
01:02:29Who else is it going to be?
01:02:45But you can shave now.
01:02:48Look, stronger than ever.
01:02:50And I've also been writing for almost an hour.
01:02:52Six sheets.
01:02:53Do you know who?
01:02:55I'll tell you about the fight; it was hair-raising.
01:02:58Well, I've invented something.
01:03:00I'm going to take advantage of the leave to go see her.
01:03:02Then you're completely well.
01:03:04I'm not telling you.
01:03:05The strong hand?
01:03:07To take down a bear.
01:03:08But completely fine, José.
01:03:13What's happening?
01:03:21Take.
01:03:24Teresa and I love each other.
01:03:31Repeat it.
01:03:32Yes, José.
01:03:33We're getting married and we want to...
01:03:46You can continue.
01:04:02What time will it come again?
01:04:05He'll know when he sees me.
01:04:34Teresa, Teresa.
01:04:38My brother has arrived.
01:04:40José.
01:04:42I came with a secret mission and I'm leaving right away.
01:04:44But don't say I warned you.
01:04:45He doesn't want anyone to know.
01:04:46Wait for me.
01:04:47No, I'm going to the tavern for wine.
01:04:52Help me, mother.
01:05:04I think it has shrunk.
01:05:07What I think is that the father wasn't as much of a father as you say.
01:05:09A grove of trees.
01:05:10And he was as happy as a fig tree.
01:05:11But what kind of tree?
01:05:13Because there are those who...
01:05:14Come on.
01:05:14Shut up or I'll get you.
01:05:15Pull on that sleeve.
01:05:18When we got married and he walked down the aisle dressed like that...
01:05:21The organist stopped playing.
01:05:37But who told you what?
01:05:42Where is?
01:05:43There.
01:05:58José.
01:06:00What's wrong with you?
01:06:01Don't you know me?
01:06:03Hello, Teresa.
01:06:04Okay, but what was it like?
01:06:06And Miguel, why didn't he come with you?
01:06:08Because they sent me.
01:06:10How lucky.
01:06:11Are they sending you to a dance?
01:06:15Who told you I arrived?
01:06:16Your sister.
01:06:17Does it bother you that I came?
01:06:19I have a secret mission and I was ordered not to see anyone.
01:06:22Well, but to yours.
01:06:26How's our town doing?
01:06:27Are you bored?
01:06:28No, I'm not bored.
01:06:29And Miguel, how is he?
01:06:30Well, very good, I'm very happy.
01:06:33Well, not much because I'll miss you.
01:06:34And I to him.
01:06:37I understand that even less.
01:06:38I need to see you, José.
01:06:39I have something very important to tell you.
01:06:42Do you know what's wrong with me?
01:06:43Are you going to have a child?
01:06:46Did your mother tell you that?
01:06:47Word that no.
01:06:48Well, your sister.
01:06:49Yes, yes, it was Merche.
01:06:49Nobody.
01:06:51It's because I'm a fortune teller.
01:06:52And it's going to be a boy.
01:06:53Oh, and do you also know what it's going to be called?
01:06:56Well, Miguel.
01:06:57José.
01:06:59You failed.
01:07:00Miguel said so.
01:07:00Our first child will be named José.
01:07:02And when he says something, you know what he's like.
01:07:04That's right, you'll have to be the godfather and...
01:07:06I'm running late.
01:07:12You can sit down now.
01:07:14I'm not going to have dinner, I'm in a big hurry.
01:07:17Goodbye, mother.
01:07:18Aren't you going to have dinner?
01:07:19But you said that...
01:07:20I don't feel like it anymore.
01:07:22Take care, mother.
01:07:24Take care of yourself.
01:07:28When will you return, son?
01:07:30I don't know, mother.
01:07:32It may take a while.
01:07:33Goodbye, Teresa.
01:07:35I won't be the godfather, you know?
01:07:36It's because...
01:07:36Because, besides, I might not be here.
01:07:45Miguel.
01:07:47What a joy.
01:07:48But José told me that...
01:07:49I need to talk to this guy.
01:07:50Leave us alone.
01:07:51What's happening?
01:07:52No, I'm leaving now.
01:07:55Give the little mother a kiss.
01:07:59Goodbye, Teresa.
01:08:00And I'm very happy about that news.
01:08:03Where are you going?
01:08:05You should have known.
01:08:09What is this?
01:08:10Why did you take off your uniform?
01:08:12But what's going on?
01:08:13No, don't go down.
01:08:15Answer.
01:08:16Where are you going?
01:08:16I'm leaving.
01:08:17Where to?
01:08:21Who told you I was here?
01:08:22I've looked everywhere for you.
01:08:23The commander knows you've left.
01:08:25What's wrong, José?
01:08:26Well, I got fed up.
01:08:28That's all.
01:08:29Like what...?
01:08:29But do you realize what you're about to do?
01:08:31Yes of course.
01:08:31I've thought it through very carefully.
01:08:32I'm going to France with a woman.
01:08:34With a woman.
01:08:38We all have the right to have one, don't we?
01:08:42And you're going to do this for a woman?
01:08:45Tell me another, more important reason.
01:08:50Neither this one nor any other.
01:08:52Desertion is for cowards and bastards.
01:08:54Watch out, Miguel.
01:08:55Yeah.
01:08:55You can't do it.
01:08:56You don't talk like that anymore either.
01:08:57I can and I must.
01:09:00Let's not argue, okay?
01:09:03You see everything through the flag.
01:09:05And I couldn't care less about flags anymore.
01:09:07This is my flag.
01:09:09You don't desert, Joseph.
01:09:11No.
01:09:11And who's going to stop me?
01:09:13I.
01:09:16Step aside, Miguel.
01:09:17Leave me alone.
01:09:18You can't understand me.
01:09:20You already have yours.
01:09:21I don't.
01:09:22You live very peacefully.
01:09:23I don't.
01:09:24You've already made your life.
01:09:26Mine is wrecked.
01:09:28How dare you speak?
01:09:32It's very easy to say honor, the flag, don't desert.
01:09:34To hell with everything.
01:09:35Can you hear me okay?
01:09:36To hell.
01:09:37I live with one thing here.
01:09:39It's biting me right here.
01:09:51Forgive me.
01:09:52I don't really know what I told you.
01:09:55You know how much I love you.
01:09:56I swear I'm glad you're happy.
01:09:58You don't hold a grudge, I promise.
01:10:00But I need to go far away.
01:10:03I will leave my horse in Manco's sideboard.
01:10:06Pick it up tomorrow.
01:10:07No, I won't let you go.
01:10:08If I knew you were going to be happy, I would let you, José.
01:10:10But you won't be, don't you realize?
01:10:13You're going to feel even more bitterness.
01:10:14The one about being a traitor.
01:10:17The feeling of being a scoundrel who hasn't kept his word.
01:10:21And that's going to destroy you.
01:10:22It's a lie that you don't care.
01:10:25Shut up, Miguel.
01:10:26Don't you see how much it stings when I tell you?
01:10:28You want to commit suicide and I don't want you to.
01:10:30You want me to rot here, don't you?
01:10:32You're an idiot, in France and with a...
01:10:34Miguel!
01:10:35Yes, with a sow.
01:10:36She's the one who put this in your head.
01:10:38Well, I swear he's going to pay for it.
01:10:56I still believe it the same.
01:11:03Miguel!
01:11:07Miguel!
01:11:09Miguel!
01:11:19Miguel!
01:13:02What happened, Miguel?
01:13:03He's crazy.
01:13:04I was going to do something horrible.
01:13:05The fact that?
01:13:07Desert.
01:13:07I had to lock him in there.
01:13:09Listen to me carefully.
01:13:09Even if he screams, even if he kicks, even if he sets the block on fire, don't let him open the door.
01:13:12Do you promise me?
01:13:13Yes, Miguel.
01:13:14But where are you going?
01:13:14With the change in leadership in France.
01:13:16I'll be here in two hours.
01:13:19Stick to that door and make sure nobody opens it.
01:13:35Who?
01:13:36The strip you asked for, ma'am.
01:13:39Between.
01:13:44Where should I leave it?
01:13:46Right here.
01:13:49Are you not feeling well?
01:13:51No, it's the head.
01:13:52Maybe it's a weakness.
01:13:54Would you like me to bring you something to eat?
01:13:56No no.
01:13:57He has time.
01:13:58The leadership has not yet arrived.
01:13:59While they change the shot and load the fines?
01:14:01No, this will make me feel better.
01:14:03Alright.
01:14:06How much does he make there? A lot?
01:14:08Three leagues exactly, but very twisted.
01:14:11One hour on horseback.
01:14:13Thank you.
01:14:30What can we offer you?
01:14:31I am looking for a lady who is waiting for the leadership of France.
01:14:34Already.
01:14:35Do you want some from the bag?
01:14:37Yeah.
01:14:38Well, up this staircase to the door that goes three.
01:14:40Did he buy a ticket?
01:14:41Ah, one. He told me that...
01:14:43Give me one.
01:14:44Just one?
01:14:44One.
01:14:46Alright.
01:14:46Why don't you go sing where I tell you?
01:14:49No.
01:15:14Who are you?
01:15:16A friend of José.
01:15:18From José?
01:15:19José, where are you? Is something wrong?
01:15:22He won't come.
01:15:24He won't come.
01:15:26José gives up the trip and you.
01:15:28But you can leave. This is your ticket.
01:15:33What are you giving up on me?
01:15:37And here, for your first expenses in France.
01:15:42But what does it leave me with?
01:15:45He's lying, it's a lie.
01:15:49José can't do this to me.
01:15:51Who are you? How dare you say that...
01:15:54Here it is.
01:15:55You are lying.
01:15:57How can he leave me now?
01:15:58Now that I've broken with everything, now that I've...
01:16:02Damn his name.
01:16:05Damn the day I met him.
01:16:09What an idiot he was.
01:16:13This is the dirtiest move that...
01:16:17I don't know what commitment I had with you.
01:16:19But, of course, whoever it may be, there is another, more sacred one that will be fulfilled above all else.
01:16:25Go to France and forget about him.
01:16:27There's the money and the...
01:16:28Tell him I spit on his money.
01:16:30I don't need it.
01:16:32Tell him that I'm not going to France, and I don't want anything that belongs to him.
01:16:34But tell him, if he hasn't had the courage to return to Leiza, I do.
01:16:39The only question is whether they'll execute his lover instead of him.
01:16:46Who were they going to execute?
01:16:49Whom?
01:16:51That cowardly dog.
01:16:53Didn't he tell her?
01:16:55Of course not.
01:16:57It's best to keep quiet about those things so you can continue to boast about being brave later.
01:17:01Well, know that.
01:17:02That scoundrel who made me leave my home and left me in this situation...
01:17:05...he lives because he deceived another unfortunate soul who let him escape on his word of honor that he would return.
01:17:10Whom?
01:17:11To Colonel García Zapata, who presided over the enemy council that sentenced him.
01:17:15Where was that?
01:17:17In Leiza, where that miserable wretch used to come to see me every night until they caught him today.
01:17:22He hasn't told her anything about this, has he?
01:17:27No.
01:17:28Well, that's the gospel of the mass.
01:17:30He found another idiot to whom he said that he had had a son and that he was going to meet him when he was arrested.
01:17:34And the idiot was as tender as a nun and let her go and kiss him.
01:17:37But that colonel is going to be in real trouble now.
01:17:41It won't be seen in any of them.
01:17:43Because Joseph will go.
01:17:45Do you want me to believe that she stood me up to go get shot 20 times?
01:17:50Create whatever you want.
01:17:52But Lieutenant José Iribarren will go to Leiza tonight if he has given his word.
01:18:00I swear on my mother's life that I would like to see it.
01:18:03Well, if he goes back to that town, as he said, he'll see it.
01:18:06And if he doesn't see him, he'll see me.
01:18:10You can swear to that too.
01:18:13No!
01:18:16Me, me, me, me.
01:18:18No!
01:18:30No!
01:18:34No!
01:18:52Stop and eat, 30 minutes.
01:19:21So, how many places should I take?
01:19:23Only five. The lady who was waiting for the other one isn't traveling.
01:19:26Better for the mules.
01:19:30All to the car, gentlemen! We're leaving!
01:19:37José!
01:19:43José!
01:19:44We didn't open the door for him, Miguel. I swear, it's true.
01:19:47He acted like I'd never seen him before.
01:19:50He seemed completely insane.
01:19:52He scared the cows against the door, banging with everything he had.
01:19:54You've probably already seen it.
01:19:56What happened, Miguel? Where has my son gone?
01:19:59He will tell her when he writes it.
01:20:02He should have died tonight.
01:20:04But he has managed to get someone else to take his place.
01:20:07Stay calm.
01:20:09Someone is going to die.
01:20:12Soldiers die every day.
01:20:21Teresa, where is she?
01:20:24There, in the room.
01:20:26I made her lie down.
01:20:27Go to bed? Why?
01:20:29When José broke down the door, he fell and...
01:20:31What happened to him?
01:20:32It's nothing, Miguel.
01:20:37Come in, man.
01:20:41What's wrong, Teresa?
01:20:42It's nothing, really.
01:20:43She got scared and insisted on putting me to bed.
01:20:46But that bandit has been able to...
01:20:48It was my fault.
01:20:50Eli saw me fall. I was blind.
01:20:52Where did you fall?
01:20:53Well...
01:20:54But it doesn't hurt anymore.
01:20:55Where?
01:20:58Here.
01:20:59That's why she got scared.
01:21:03That's why?
01:21:05I wanted to tell you sooner, but...
01:21:08We're going to have a child, Miguel.
01:21:15You're not excited about it.
01:21:19You know it's true.
01:21:21But why?
01:21:22What's wrong, Miguel?
01:21:25I thought I was going to give you a joy that would make up for everything.
01:21:29Yes, Teresa, it is.
01:21:32But...
01:21:33It's just that tonight...
01:21:35Our godfather has left us, hasn't he?
01:21:37I warn you that he refused to accept.
01:21:39When I told him that you had arranged for him to be named José...
01:21:42Never mention his name again.
01:21:44Never again, Teresa.
01:21:46No one has hurt him more.
01:21:48It is he who is being done to.
01:21:55That?
01:21:55Don't put a man.
01:21:57Put mine on.
01:21:59You'll tell the priest yourself.
01:22:01I won't be able to go because...
01:22:06Tell me a lot about myself.
01:22:08From day one.
01:22:11And even if I don't understand you.
01:22:13I must not speak to him.
01:22:15But by then there might not be a war and the three of us will be together.
01:22:20It could be.
01:22:22But if there were still no...
01:22:25Or if anything happened to me.
01:22:29Miguel.
01:22:30Tell him how I was.
01:22:32And how one should be.
01:22:35May he take care of you like I do.
01:22:39Let him talk to God every day.
01:22:43And...
01:22:45Even though I see it written smaller and smaller each time.
01:22:48He always writes...
01:22:51Honor and duty...
01:22:53In large letters.
01:22:56Because it is true that without those two things one cannot live.
01:23:00Not to die.
01:23:02You don't have to be.
01:23:04Not to die.
01:23:14Nothing like that.
01:23:18You don't have to be.
01:23:22You don't have to be.
01:23:47Speak.
01:23:49Sir, one of our officers was condemned by you last night in a court-martial.
01:23:54You gave him permission to go and meet your son, and he promised to return on his word.
01:24:00of honor.
01:24:03That's how it was.
01:24:05My partner cannot and will not be able to come.
01:24:09He did everything he could, sir.
01:24:13I've come to ask you to accept me in your place.
01:24:18Why did you have to die?
01:24:20Yeah.
01:24:23Because God wills it so, sir.
01:24:26And because of that law of honor that the uniform gives us.
01:24:30A Carlist officer is due to die here today.
01:24:33And I ask that you agree to change the name in the sentence.
01:24:38Not much.
01:24:39I assure you, sir.
01:24:42We were such good friends
01:24:44It makes no difference whether one dies or the other.
01:24:48He's asking me to do something very difficult.
01:24:52Come on.
01:25:16Open there.
01:25:18Enter.
01:25:38Is he your friend?
01:25:47José.
01:25:56No no.
01:26:37Can I take it with me?
01:26:41Yeah.
01:26:43Are you Miguel?
01:26:48He knew you were coming because a woman told him.
01:26:53He confessed to me and warned me what was going to happen.
01:26:57He told me these exact words.
01:27:00That stubborn guy wants to replace me.
01:27:04Give this to my godson and have him name it José.
01:27:07No, no, no, no.
01:27:41No, no, no, no.
01:28:16No, no, no, no, no.
01:28:33No, no, no, no, no, no.