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00:00To be continued...
00:14To be continued...
00:15Take off the phone, child, take off the phone.
00:18Take off the phone, take off the phone with your hands.
00:23What are you saying?
00:25Nothing is excluded from us.
00:27What is it?
00:28No, listen.
00:29She's a little girl.
00:30She's constantly on the internet.
00:32She's constantly clicking on the phone.
00:34She's filming on Instagram.
00:35She's filming on TikTok.
00:36It's impossible.
00:37If she's excluded,
00:38they're somewhere outside of civilization.
00:40Yes, or they're just excluded
00:42because they know what they're waiting for.
00:45Marjana?
00:47Did they have some kind-up?
00:49No, wait.
00:51Is she turned on?
00:51Look at the pictures in front of them.
00:53That's the one who eats kukuruz,
00:55and she's a beautiful one,
00:57like a fairy tale.
00:58They work on me like a difficult card.
01:00I'm sorry,
01:02I'm sorry about your theories.
01:03The reading is more peaceful than your freezer salon.
01:06No one has no idea.
01:08That's what I mean.
01:09Some idiotic.
01:10100%.
01:10Wait.
01:11They sent us a photograph.
01:13He's around.
01:14He's in nature.
01:14He's in nature.
01:15He's in nature.
01:16He's in nature.
01:17He's in nature.
01:17He's in nature.
01:18He's in nature.
01:18Yeah.
01:19It seems the fact that Irma said that no camp is not allowed,
01:23you know what's going on.
01:23She knows how she's crazy,
01:26but she knows what she's giving up.
01:27You understand?
01:27I don't know exactly what we saw.
01:30What's she doing?
01:31What's she doing?
01:32Wait.
01:32It's a real photo?
01:34It's a real photo?
01:35It's a real photo.
01:36It's a real photo?
01:36It's an authentic photo.
01:36So you think you could pull out a photo from Internet
01:40and make it a photo montage and send us?
01:43I think you could do it.
01:44Sure.
01:44You can't use Internet.
01:53No, no, no. If you realize that I lost my child, it will ruin my reputation and ruin my career.
02:05No, no, no. If you realize that I lost my child, it will ruin my reputation and ruin my career.
02:08No, no, no. I can't believe it. Dijana, I really care about your reputation.
02:13Do you understand? Irma told me that I will engage Interpol if we don't find a child.
02:17Let's call me Stikle.
02:19What do I call? I will never do that.
02:21That's why we are going to look for a child. I will change everything.
02:24Every cup, every coffee, every beach, every stone I will raise. Do you understand?
02:29Don't look at me. Will I have a smile on my face?
02:32Will I have a smile on my face? Believe me, Mariana, you won't be afraid.
02:39I have a smile on my face. If we don't find a child, it will be the most common problem.
02:47I will personally go to the police and tell you as a member in Nemar.
02:52Do you understand?
02:53It will be a silence.
02:54Do you understand?
02:55Ok.
03:08Oh, my God. I'm dead. I'm literally dead.
03:15I'm dead. I'm dead. I'm dead. I'm dead. I'm dead. I feel like I'm dead.
03:26We will be on Eyez Whenever to the cab, a gloss, and wave in theêmeas and a agreed.
03:29In this case, we've missed water and paralyzed in the sea Every day.
03:35We have jumped out in the мне.
03:38Maybe in this case?
03:39No, I don't have any plans.
03:43And what I can do now?
03:43I don't know if I will fall asleep.
03:45I have my legs, I have my legs, I have my legs, I have my legs, I have my police,
03:50I don't know what to do.
03:53Nothing, nothing, nothing.
03:56I don't know.
03:57I'm going to get a lot of sun, I'm going to get a PGE.
04:00How do I get a PGE?
04:01I'm going to get a message.
04:06If you don't find a child, I'm going to get out of Beča and I'm going to risk that we're
04:11going forever.
04:12Oh, that's a serious pain.
04:17It's possible that she's going to curse me.
04:20I'm going to bring my children here to the sea, and I'm going to blame them when they're going to
04:25get their career in Austrii.
04:26And they're like this.
04:28Just that Mariana, you don't blame them, because we've lost children.
04:32And it's just to explain to you, in the biography of one of them, a serious virus.
04:36We've lost them, Diana.
04:39They're not a baby, they're 14 years old. I'm not sure I'm going to take them to wear them.
04:43What do we do now? I can't move anymore, Mariana.
04:47It's the sun, I have the eyes on the face, the eyes on the face, the eyes on the face,
04:50as I told you.
04:51I have the legs, the eyes on the face. I can't move anymore.
04:55I can't move anymore.
04:59I have a plan. Let's go to Pero in the cafe.
05:02If someone knows everything is in this place, it's Pero and he can help us.
05:08Let's go.
05:09Let's go.
05:10Let's go.
05:10Let's go.
05:11Let's go.
05:12Let's go.
05:13Let's go.
05:13Let's go.
05:28Let's go.
05:28Let's go.
05:37Let's go.
05:38Let's go.
05:40Let's go.
05:42a friend of mine.
05:44They were not children.
05:46What are they?
05:48They were not children.
05:50Irmina children, Cole and Dunja.
05:52Wait a minute.
05:54Did you say that they were on the camp?
05:56To make some pictures?
05:58You showed me yesterday.
05:59There is no camp.
06:01There is nothing. There is nothing.
06:02There is a photo montage.
06:04Irmina called me so much,
06:06as if I sold the children in Bieloroblje.
06:10You and me,
06:11you told me that you lost two little children
06:14in the middle of the season.
06:15But we didn't lose them.
06:17They just lost their children.
06:20I'm sure that some of those
06:22who ate some cookies in front of the body
06:24tried to do something.
06:25How did they do it?
06:26I tried to do it because I sold this
06:29espresso.
06:30Let's finish this story.
06:32We don't have time for debate.
06:33If I don't have children, Irmina will come.
06:36They will put me in my hands.
06:38I'm going to ask you to help me!
06:39You know every person in the division?
06:41Marko!
06:43Marko!
06:43Marko!
06:44Marko!
06:45Marko!
06:46Marko!
06:46Marko!
06:49Marko!
06:50We're going to close the location without security reasons.
06:52We're going to close the location.
06:53We're going to close the location.
06:55Let's wait, let's wait. This is because of national security and solidarity.
07:00Listen to me, listen to me.
07:02Two small children from Beograd.
07:05This small family remembered for three young people.
07:08This little non-stop is connected to internet.
07:10No, no, no, no.
07:12It's not now connected to internet.
07:13It's not, but it's not.
07:16It's not the problem.
07:17Listen to me.
07:18As long as they get and find them,
07:20they'll have to drink the beer until the end of the summer.
07:24And where are they going?
07:26What do they want to eat?
07:27I can tell you that they would have survived nuclear attack
07:31if they had a fast food in their surroundings.
07:33That's right.
07:34That's great.
07:36Listen to me.
07:38Let's start.
07:40Marko, you'll take my bike and see all the kiosks
07:43and all the traffic.
07:43and if you find them, you'll find them.
07:45And I have some friends who will go to Marina
07:47to see her in Solitaire.
07:48Okay.
07:49And the house is always going to be in Africa.
07:51Well, today we're all free.
07:52We're saving Jetsu, Marko.
07:54Tomorrow we're going to kill tourists.
07:56Come on, boys. Come on, come on.
07:57I'm a long man to the grave. Thank you.
08:00Come on.
08:00You'll take me so that you won't be able to kill me
08:03bad cards on Remir.
08:04Let's go.
08:06Let's go.
08:06Let's go.
08:07Let's go.
08:08Let's go.
08:09Let's go.
08:33Let's go.
08:36Did you see it in Djecu?
08:39No, no, no, sorry.
08:41No, no, no, sorry.
08:43Sorry, did you see it in Djecu?
08:45No, I am, I am a tourist like you.
08:47Ah, my God.
08:49Djecu, for God, my God.
08:54Djecu, Djecu, sorry to ask you.
08:59Sorry.
09:03Djecu, Djecu.
09:08Sorry.
09:09Excuse me.
09:10Can you see this children?
09:13No.
09:14No, sorry.
09:15Oh, my God.
09:19Kole, Dunja, Djecu.
09:24Here, there is no one.
09:29Who is going to Djecu, for God?
09:32Look, there is no one.
09:36Oh, my God.
09:40Oh, my God.
09:41Oh, my God.
09:43Let me ask you.
09:44Now, look.
09:47Sorry, just ask you.
09:50Do you see this Djecu?
09:53There is no one.
09:54There is no one.
09:55What is it?
09:57What is it?
09:57What is it?
10:00What is it?
10:00I think it is a Djecu.
10:06I am not a stranger.
10:13What is it?
10:15What is it?
10:20What is it?
10:21I don't want to get this Jetsu, I want to see them!
10:25No!
10:26Come on, come on, come on!
10:29Oh, my mother, my dear!
10:34Here is Milka!
10:37My Milka!
10:40And Jetsu?
10:42What are you doing with Jetsu?
10:43They will tell me that you are good.
10:46You didn't watch this Jetsu, I lost Jetsu.
10:49I was selling Jetsu, I was selling rice, I didn't see it.
10:54I didn't watch it.
10:56I didn't watch it.
10:58My Milka, my friends from Beograd, you know what?
11:01I can't find them, you know what?
11:04I thought, I'm not going to see them.
11:06I'm thinking, don't ask me anything.
11:08I'm thinking, that's not our Jetsu,
11:11they know where they are, they are at the Jetsu,
11:13they are at the Svald, they are at the Jetsu,
11:17they are at the Jetsu, they are at the Jetsu.
11:19They are at the Jetsu, they are at the Jetsu,
11:20they are at the Jetsu, they are at the Jetsu.
11:22My Milka, you know what I'm doing here?
11:25Who is Jetsu?
11:26I'm going to call it Luke,
11:28to take a look at the Jetsu,
11:34to take a look at the Jetsu.
11:51I'm going to call it Jetsu.
11:55I'm going to call it Jetsu.
11:56I'm going to call it Jetsu.
11:58Sorry, I'm going to ask you.
12:00I love you.
12:02Did you see Jetsu?
12:04How sweet are you.
12:05They have taken this son a little bit.
12:14He is working on the Jetsu.
12:16The man with my eyes.
12:21They are comely proud of me.
12:26They are a hero of the Jetsu.
12:31What is this to me?
12:32What is it going to be a man today?
12:34I just wanted to ask some of the people.
12:41Come here, just to ask you, have you been watching?
12:45Good day.
12:47Have you been watching this?
12:49No.
12:50Have you been watching this?
12:51You didn't watch this?
12:51No.
12:53You didn't watch this?
12:54You didn't watch this?
13:03No.
13:03Okay, forgive me.
13:04I welcome you.
13:06Come on, come on.
13:09Happy birthday.
13:11Happy birthday.
13:14My birthday.
13:33Did you see her?
13:48Are you going over again?
13:50Do you know why?
13:51Do you know, that's what I was waiting for?
13:52from the restaurant to the restaurant.
13:54It's a tragedy.
13:58There are no children.
13:59What are your children?
14:02I really look like someone who has children.
14:05Not my children.
14:06I have a career.
14:07I don't have children.
14:08They are Marjanina Kumčat.
14:11I don't understand.
14:13Let's go.
14:16Marjana and I are here with Irmin' children.
14:19Irma is Marjanina Kumma.
14:20We are about to hear Irmin' children.
14:23What happened?
14:24We left children.
14:26That's why it's the same.
14:29We've checked the family,
14:30every family and family.
14:38Oh, my goodness, that's not the way we are.
14:43We've been looking for a whole lot of stuff,
14:45we've been looking for a whole lot of stuff,
14:48we've been looking for a whole lot of stuff.
14:49No, no, no, no, listen to me.
14:52Želiko, if it's happened to me that something happened with the children,
14:56and if I come out of the black house,
14:58it's going to be lost in my career.
14:59It's just a simple thing, please.
15:01What will they do to me?
15:02They'll be able to get rid of the table.
15:02They'll be able to get rid of the names.
15:04I can't remember the names.
15:05I can't remember the names.
15:08It's going to be impossible.
15:09It's going to be a terrible hit on your reputation,
15:12but Diana, this is everything.
15:14I know.
15:14That's why I'm going to tell you that I won't be able to.
15:17I'm going to go to the VIP basement with you.
15:19Diana, I ask you about the basement.
15:20Okay?
15:22I mean, you've organized it all.
15:25It's just exclusive.
15:27You bought the whole complex.
15:28How do you say, Želiko?
15:30Diana, come on.
15:31It's a couple of thousand euros
15:31lost in relation to children's lives.
15:33I ask you.
15:34Let's go.
15:37I can't believe it.
15:38What do you say?
15:39Nothing.
15:40No, nothing.
15:41Then we'll still have to fix our luxury
15:43for another moment.
15:45At the moment we'll have to show our family
15:46to first place.
15:48Oh, Želiko.
15:51Once again you're like this.
15:52Wait a minute.
15:53It's possible that you're risking all of this
15:54and you give so many money
15:56that you're going to die
15:59only because of the stress I'm in.
16:00Dear, I'll tell you that day before her that leads to Leželjki.
16:05Don't worry about that. I'll solve all my calls from my manager.
16:09Let's go and get it. Don't worry about that.
16:12Joželjkić, you're the love of my life.
16:15Joželjko, no, no, no.
16:19Who are you, gentleman? Who are you, man?
16:22My heart beat me in this moment.
16:24Bravo, bravo, Lence, my love.
16:27What have I experienced?
16:29Joželjola, ja, velika Dijana Erski,
16:33čuvena zvezda, svetska zvezda, doživljavam
16:35da sad ovde po Tivitu moram da obraćem neke kante i da tražim decu.
16:38No, jednostavno, u istoj rečenici kanta i Dijana Erski, ko je elita, ne idu.
16:43Razumeš? Jer ja sam elita.
16:46Pažem se, brojega.
16:47Ništa, ljubovi, ajde, idem.
16:49Vidimo se po sveđenicu.
16:51Milo.
16:52Ajde, da ću ih negdje.
16:53Javi mi, šta se desilo, ok?
16:56Joželjola, vidi, kako sam petljan.
16:59Ajde, ajde, ajde, javit ću ti, ajde.
17:01Doviđenice, doviđenice, ti vidim sad.
17:05Joželjola.
17:08Joželjola, djeco, dje godaste, bog vam zdravlja dao.
17:14Spazili ste mi obje noge.
17:16Jiha.
17:32Igore, brate moj, univerzu me voli, karma postoji.
17:37Sihdel boj.
17:39Opet opilo sunce.
17:41Or did you find a new investor?
17:45I didn't find a new investor.
17:47The world was just opened for me.
17:49I'm sorry, I'm sorry.
17:51I'm sorry for the champagne, I'm sorry for the VIP.
17:53And she looks like a humanist for years.
17:57Wait, stay quiet.
17:59How did you find a new company that you don't have,
18:01with the money that you don't have?
18:02What did you say?
18:03I can't, I'm allergic to chloroids.
18:05I'm fine, I didn't say anything.
18:07I'm not a strong force.
18:08You didn't have a child.
18:09A child, a Beograd company, two people.
18:13Can I ask?
18:14Yes, yes, there was a child in the midst of the VIP.
18:17She's looking, looking for them, and I'm deeply concerned with her.
18:20I'm talking about how we're going to throw up our
18:23to the other moment, because of her family drama.
18:26Wait, wait, wait, wait, stay quiet.
18:28A child?
18:29Hey, a child in the midst of the VIP.
18:31Yes, brother, there was a child in the midst of the VIP.
18:33I'm sorry, I'm sorry, I'm sorry, I'm sorry.
18:35I'm sorry, I'm sorry, I'm sorry.
18:37If I could buy a child or a cat, I'll buy them the biggest thing.
18:39What do you think, man?
18:41You're happy that kids are not in the season.
18:44You're normal.
18:45What are you, Dramič?
18:46Come on, I'm going back.
18:48The most important thing is to start with financial loss.
18:50You're going to live and live with all of you.
18:50What am I, Dramič?
18:52You're not sure what is the VIP.
18:54You're not sure how many boxes are here.
18:55It's not the time of the guy's house waiting for them to come.
18:59Yes, you're normal.
18:59Igor, what are you doing? They are the Beograd boys.
19:01Let's go back.
19:03The most important thing is that this...
19:05...the term for me is going to be in the basement,
19:07...and then I'll be back in a while.
19:09I'm going to call him Kuma.
19:11What is Kuma? Why are you Kuma?
19:12Let's not leave the house in the morning, but my financial situation.
19:15Kuma, Inspector.
19:16I need to do it here because nothing has happened,
19:20...when you play a Richard Gere with some...
19:22...I don't know who.
19:24Wait, Kuma, Inspector.
19:25You're crazy.
19:25Igor, you're crazy. If you come to Kuma, Inspector,
19:28...we'll find out personal cards,
19:29...and a unique number of citizens.
19:31You'll know that I'm not an investor,
19:33...but I'm your son of a black man.
19:34You know what I'm talking about? Who are you and what?
19:37If this happened, like a snowstorm.
19:40You'll kill me, man.
19:41I believe that I'm emotionally hurtful,
19:44...and I'll be a huge capital.
19:45I'll call you.
19:46I'll call you. I'll call you.
19:48I'll call you. I'll call you.
19:50I'll call you. I'll call you.
19:51I'll call you.
19:53I'll call you.
19:54I'll call you.
19:58Hello, Kuma.
20:01Are you on post?
20:03I'll call you.
20:05I'll call you.
20:19I'll call you.
20:23You're not.
20:24There's no one.
20:25There's no one.
20:26They're going to call him.
20:28Who knows how they were in the mood
20:30...and they were like this.
20:33Okay, don't you think that's in panic?
20:35How would you feel you'd lose those two,
20:37...and that's in the middle of the season?
20:40I really know.
20:41They're like a bomb.
20:43Okay, Stella, you have a little understanding.
20:46100% of the children are looking for the rain and the rain.
20:48Let's see it, when it's important.
20:51Opa, look at this!
20:55This is worth 200 euros and 50 ml.
20:59But this...
21:00Let's try this.
21:03This is a child's cream, usual.
21:06Yes, that's right.
21:08This doesn't smell like algae.
21:10It's a miracle.
21:11I think that she was a child.
21:13You know, she was in the most expensive house,
21:16cream, and she was in the house.
21:19Is it possible to do that?
21:20What kind of...
21:21I think she's doing that.
21:23Oh, what kind of...
21:25And this is her limited edition honey.
21:29I can't believe it.
21:31This is expensive material.
21:33Look at this.
21:34Look at what she says.
21:36Made in China.
21:38Wow!
21:41What's this?
21:43What's this?
21:44If you put it on the paper to be done,
21:46you'll guarantee the whole thing.
21:48100 million.
21:49Look at that, she's a new component elite.
21:52Of course, they're the ones who are killed,
21:53but they don't know what to do.
21:54All the lies.
21:56Yes, yes.
21:57Let's see those things.
22:00I'm a little bit mad.
22:01I don't know what to do.
22:04Oh...
22:05Oh...
22:06These are business contracts from Beograd.
22:09Even though it doesn't matter to business contracts.
22:15Wait, wait.
22:16This says...
22:17...
22:17...
22:19...
22:19...
22:19...
22:21...
22:21...
22:21...
22:22...
22:23...
22:24...
22:25...
22:25...
22:25...
22:26...
22:26...
22:26...
22:27...
22:28...
22:28...
22:28...
22:29...
22:30...
22:30...
22:30...
22:32...
22:32...
22:32...
22:33A reminder, credit cards are blocked.
22:39The man is completely bankrupt.
22:43What does this mean?
22:46She looks like a serious problem.
22:50The state of the body is not okay.
22:52Is it for her?
22:53She is sick, she is sick, without energy.
22:58I mean, she maintains an aesthetic.
23:01She is so sophisticated.
23:04Is she sick?
23:07Is she not protected?
23:09She is sick.
23:10I can't believe this.
23:13She always looks like,
23:15I don't know,
23:18she is always powerful.
23:20But she was bankrupt.
23:24It's hard to have no money in those years,
23:25you don't have a dollar,
23:26and you still have to have to have a level.
23:29Oh, I can't believe that.
23:30She is so angry with this.
23:33I believe that she is a woman.
23:37She is a woman,
23:39she is a woman,
23:40she is a woman.
23:41She is a woman.
23:42She is a woman.
23:44She is a woman.
23:45She is a woman.
23:45I'm sorry,
23:46I'm sorry.
23:47What we have here,
23:50nobody is going to know.
23:51She is a woman.
23:52She is a woman.
23:53She is a woman.
23:54She is an woman.
23:55Look at her.
24:13It's a type of manager.
24:15Manager of the campaign, Dijanerski.
24:18I'm sorry.
24:19Let's help this guy.
24:22If you decide for her, be sure.
24:24Let's go back here,
24:26let's go back here.
24:27Let's go back here.
24:29What's wrong?
24:32That's right.
24:35Here we go.
24:36Did we go back all this?
24:37Yes.
24:38That's right.
24:40We forgot something.
25:09We forgot everything.
25:12We forgot everything.
25:14We forgot everything.
25:16Don't ask me.
25:17Hold on.
25:19Hold on.
25:20Hold on.
25:24What the hell did you do?
25:27I'm sorry to tell you.
25:30I've been wrong.
25:30I'm wrong.
25:31I was wrong.
25:32I'm wrong.
25:32I'm sorry to tell the girls.
25:33I've done it.
25:33What did I do?
25:35I came to the table with you.
25:36I'm the worst ass.
25:37I'm the worst old boy.
25:38I'm the worst old boy in history.
25:43My father, Vlada,
25:44he lost his diet three days.
25:46The truck was driving down there and down there.
25:48They saw him and saw him even at night.
25:52What if they went to water and threw him?
25:54Let's see who's going to get the truck.
25:56Don't be quiet.
25:58Look at how the sea is going.
26:00It's just like the sea.
26:01It's just like the sea.
26:02You can only shoot you.
26:03You know how much money is for lying.
26:0620 euros.
26:06That's it.
26:08It's fine.
26:09It's fine.
26:09What if Dunja fell into an unrighteous walk
26:12while she scrolled on TikTok?
26:13It fell into a shak?
26:15It's the reality.
26:15What do you mean? We had all the shahs in May, Kume, and Belgrade.
26:21They found you a nice cold, good wifi.
26:24That girl from Belgrade is a good signal from the water.
26:30Irma will not block me, but she will encourage the lawyers to destroy me.
26:36I believe what I'm saying.
26:37I was a child, I was 14 years old.
26:41I was a kid, I was a kid, I was a kid, I was a kid.
26:44They sold you a good job, they sold you a good job.
26:47They sold you a good job, they sold you a good job.
26:47They sold you a good job, they sold you a good job.
26:51Who's 23 euros? They don't have any money.
26:53They're all on my card. I gave them 5 euros just to buy for a sladolet.
26:56They don't have any money.
26:58With 5 euros, it's not easy to live here.
27:02Do you understand that they can fall somewhere?
27:04They can fall out of their hunger and hunger.
27:06They don't have anything to do with them.
27:07And I will tell the police how I'm going to throw a child on the card.
27:11No, that's true.
27:12You'll see when they all don't have money.
27:14Here they go, 100%.
27:16You'll see it.
27:18We need to look for them.
27:20We need to look for them.
27:20We have all the time.
27:22No.
27:23We need to focus.
27:25We're going to take a look at the Marine.
27:26We're going to take a look at them.
27:27They're always looking for our Instagrams.
27:29They look like they're going to take a look at them.
27:31Come on, come on.
27:32Come on, come on.
27:34Come on, come on.
27:35You'll see.
27:37Thank you, sir.
27:38I'm sorry.
27:39I'm sorry.
27:41You're really worth it.
27:43You're a real man.
27:44You're a real man.
27:46And I'll write you the form.
27:47I'll do it.
27:54Hello.
27:55Yes, I am.
27:58Inspector.
27:59Do you want to say yes?
28:00Yeah.
28:02Oh, yeah.
28:02Oh, yeah.
28:03Ah.
28:03It's about to do it.
28:04You are the one.
28:04No, you.
28:05You know.