La estudiante, el rector y Jaimito el playboy 1980 - HD 1080 - Vídeo Dailymotion

Retroscreen Movies Revival - Español - Spanish

Información de la película aquí: https://www.filmaffinity.com/es/film740331.html

Transcript

00:00:27Thanks for watching the video

00:00:57Thanks for watching the video

00:01:00This gentleman is the Funkirka man

00:01:02Ah, hello

00:01:03But you can go on without me

00:01:05I have to do

00:01:07But...

00:01:27Where have you been?

00:01:28Enrolling in school

00:01:29At school?

00:01:30Yeah

00:01:31But you broke up four years ago.

00:01:32What happened?

00:01:33Are you sick?

00:01:34No, I've reflected

00:01:36And I've realized that it wasn't school that was overwhelming me.

00:01:38But you

00:01:41Angela, I don't overwhelm anyone

00:01:42You were the one who fell in love with that forty-year-old

00:01:44By the way, very ugly

00:01:46And you left school to follow him to Africa

00:01:48What do you want?

00:01:49He was a safari guide

00:01:50Also, if you didn't like the poor person

00:01:52Why didn't you place it in one of your factories?

00:01:55You're such a hopeless romantic.

00:01:57I would have no choice but to expand the factory.

00:01:59No, please

00:02:00That's water under the bridge.

00:02:01Forget it, let's not talk about it anymore

00:02:04Deep down, I'm glad you want to go back to school.

00:02:07Can I even recommend you?

00:02:09Quite the opposite

00:02:10Just in case, I've chosen a school that's 300 kilometers away.

00:02:15And why so far away?

00:02:17Because I want to be a girl like everyone else.

00:02:19Without privileges

00:02:20Without the teachers fighting over how to sugarcoat things for me.

00:02:22Wherever I go, nobody knows that I am the daughter of the great industrialist.

00:02:25More influential than the Pope

00:02:27Where are you going?

00:02:28I won't tell you

00:02:29I want to be alone

00:02:30But haven't you noticed that I live the life of a hermit?

00:02:35You were wrong to ignore Baron von Kirken

00:02:38We bill them 1.2 billion a year

00:02:41Poor thing, is that why you give him so much attention?

00:02:43Dad, please, it's late

00:02:44And I have to do...

00:02:46Tomorrow is the first day of school

00:02:56Gatsy's Cape!

00:02:58Good morning, guys!

00:02:59Oh, professor!

00:03:00Are you teaching here again?

00:03:01The director and Jaimito Playboy

00:03:04Long live Don Jaimito!

00:03:06Viva!

00:03:10Long live Don Jaimito!

00:03:12Long live Don Jaimito!

00:03:14Viva!

00:03:14If this is the first day of class

00:03:16What will the last one be like?

00:03:18Sacred!

00:03:20As every year at the start of the school year

00:03:22I will say a few words of welcome to you.

00:03:25Unfortunately, Italian education is going from bad to worse every day.

00:03:29Good morning!

00:03:30Good morning!

00:03:31We are heading straight for the abyss

00:03:33And like in a great nuclear war

00:03:36We are disintegrating into insignificant atoms

00:03:40In short, the Italian school system is rubbish.

00:03:43Anyone who doesn't want to leave the latrine

00:03:45She should go to another school

00:03:46Because here we have a lion

00:03:48Either you straighten up

00:03:50Or we'll shake you up

00:03:51So I'll break his fifth vertebra.

00:03:54Dorsal

00:03:54Ah!

00:03:54The skirts

00:03:56Ah, for the eggs.

00:03:58You can call me director, professor

00:04:00Or more simply

00:04:01Procer, medal for merit in work

00:04:03Great of Italy

00:04:03Rodolfo Abejor

00:04:06That tone sounds familiar to me.

00:04:07C minor, I think

00:04:09Pachetti?

00:04:11Pachetti!

00:04:12Come here, Pachetti

00:04:14Go home and fart for your father

00:04:17What are you saying, professor?

00:04:19Dad is a mule

00:04:19At the very least, it'll break my face.

00:04:21That's why I'm sending him home

00:04:22Otherwise I would send him to Vicinia

00:04:23But...

00:04:24No, no buts

00:04:25Get out

00:04:26Get out

00:04:28And you, inside

00:04:30Come on, come on, hurry up

00:04:31You, this way

00:04:34Come on, come on

00:04:36Wait

00:04:37You go on, go on

00:04:38What do you have in there?

00:04:40Hand grenades?

00:04:41A bazooka?

00:04:41A lamp?

00:04:44Oops!

00:04:44Two pirachinas

00:04:45That's lovely!

00:04:46Two pirachinas

00:04:47Well, you'll see.

00:04:47If one of them breaks, well...

00:04:49You have the other spare one

00:04:50Oh well

00:04:51What's the point of these naughty children's games?

00:04:53You're beyond help.

00:04:54Oh, dear mother!

00:04:56In the end

00:04:57Let me

00:04:57That?

00:04:59Pretty

00:05:00Just like the one my son has

00:05:01He completed two hundred challenges

00:05:02Can I try?

00:05:03Yeah

00:05:05You wanted to stay with me, huh?

00:05:07But I haven't touched you

00:05:08Come on in.

00:05:09Chinese shooting at school

00:05:11I'm not telling you

00:05:11Come on, let's go inside

00:05:13Inside, quickly

00:05:15High!

00:05:16You look like a terrorist

00:05:17A bus?

00:05:18Let's see

00:05:19Let's see

00:05:21Ah!

00:05:22You're carrying hand grenades

00:05:23But, Mr. Director

00:05:24Sorry

00:05:25I thought you were a boy

00:05:26I'm sorry

00:05:27Please

00:05:28Please

00:05:29Enter

00:05:31You, come here

00:05:33You look like a drug addict

00:05:34What are you wearing?

00:05:35Joints?

00:05:35Cocaine?

00:05:36LSD?

00:05:36What drugs do you take?

00:05:37Pepper, cinnamon, and nutmeg

00:05:38And your sister alternates on Via Beneto

00:05:39Enter

00:05:40Enter

00:05:40Very funny

00:05:42It will be a puppy

00:05:53Miss, excuse me

00:05:54What has the grape harvest revealed to you this year?

00:05:56That?

00:05:56Has the harvest been good?

00:05:58But what do you want, the vedel?

00:05:59I am the director

00:06:00Ah

00:06:01How rustic your dress

00:06:02He'll have to take those pants off

00:06:04Okay

00:06:04No Americanisms, okay?

00:06:06It's forbidden, understood?

00:06:07Okay, I mean, that's fine.

00:06:09Bye, bye

00:06:10Bye, bye

00:06:14Rodolfo!

00:06:14Oh my goodness, what a fright!

00:06:16You're going to kill me, Monica

00:06:18Rodolfo

00:06:18You're a "Long live the Virgin"

00:06:19Why didn't you come last night?

00:06:21Huh? Why? Why?

00:06:22You'll see what happened

00:06:22Yes, let's see.

00:06:23Why didn't you come?

00:06:24I demand an explanation.

00:06:25Two explanations

00:06:26Better three explanations

00:06:27No, don't explain anything to me.

00:06:29Okay, let me explain.

00:06:30I don't know what I'm saying.

00:06:31I'm very nervous

00:06:32Extremely nervous

00:06:33How am I supposed to teach math like this?

00:06:34That's how I forget numbers

00:06:36Tita

00:06:36You're a third-rate lover

00:06:38Powerless

00:06:39Monica, last night I had a thorn in my side.

00:06:40I know you very well

00:06:41Like your Latinisms

00:06:42The only truth is that you no longer work.

00:06:44Oh, like your dead tongues

00:06:46And those pantheon figures

00:06:48Nothing

00:06:49Lots of blah, blah, blah

00:06:50And nothing.

00:06:50And let's not even talk about history.

00:06:52Napoleon, for example

00:06:53He was a charlatan.

00:06:54He was useless in bed.

00:06:55But what do you know?

00:06:56What did Napoleon do in bed?

00:06:58Well, this is already

00:06:58But how can that be?

00:06:59Of course I know

00:06:59It's you, people

00:07:00I'm fed up with your heroes

00:07:02From the past

00:07:02From Latin

00:07:03The story

00:07:03Enough

00:07:04Live for the day

00:07:05That

00:07:06That

00:07:06Like Fidel Castro

00:07:08That's one

00:07:09Yes, Fidel Castro is a man

00:07:12A male goat, beard and all

00:07:14She doesn't wear a girdle

00:07:16Well, I've said my piece.

00:07:18That

00:07:18I've read that Napoleon slept with Josephine

00:07:20So...

00:07:21To take a little nap

00:07:23Yes, after giving it a good once-over

00:07:26No, no, no

00:07:27Do not touch me

00:07:28You're a monster

00:07:30You are the shame of the school

00:07:31What a thought, my God.

00:07:32Because you're worthless.

00:07:34Ladybug

00:07:34And also a hick

00:07:36I'll leave you

00:07:37I leave you

00:07:38That

00:07:38Go check it out somewhere else

00:07:41Monica

00:07:42Monica, can you hear me?

00:07:44It has been lengthened

00:07:45Go get 'em, you mastodon!

00:07:48Don't you live with your parents?

00:07:49No, I live alone.

00:07:50How lucky!

00:07:51And where do you live?

00:07:52I don't know yet

00:07:53I might stay at the hotel

00:07:55That's really boring

00:07:56Hey, why don't you go ahead and rent an apartment?

00:07:59There's one free on the third floor of my house

00:08:01That way we'll be together

00:08:02Good idea

00:08:03Here I am, guys

00:08:04Be good, okay?

00:08:05Don't start daydreaming.

00:08:07OK?

00:08:10Chechi!

00:08:10Good heavens!

00:08:11Oh, you gave me such a fright!

00:08:12I shit on your father

00:08:12Do me a favor

00:08:13Stay by my side

00:08:14And you give me a hand

00:08:15While I explain to the others

00:08:16This experiment

00:08:18Hello, Carlos!

00:08:20Hi, Carlos

00:08:22Hi guys

00:08:23Hello, Mr. Jaimito

00:08:25Hello, what about the flying saucer?

00:08:26Parked

00:08:27Ah, I see, go ahead

00:08:28Sit down, sit down

00:08:33Are you new here?

00:08:34New, new, no

00:08:35Let's say, rarely used

00:08:36How horny

00:08:38My name is Carlo Luchignani

00:08:40Angela

00:08:40I've lost count of how many times I've repeated third grade

00:08:44I'm already a veteran

00:08:45Like family

00:08:46I like

00:08:47You are very generous

00:08:48I will write it down every day.

00:08:50Very good

00:08:51See you later

00:08:52Bravo

00:08:58Who is it?

00:09:00Not bad?

00:09:01Chechi, bring me the potassium carbonate

00:09:03Yes sir

00:09:03As you can see, guys

00:09:05I introduced nitric acid

00:09:07Which little by little

00:09:08And it changes color with the light

00:09:09It turns yellow

00:09:10Like pee

00:09:10Well, as we were saying yesterday

00:09:12Now I'm going to put it in the test tube

00:09:14Potassium carbonate

00:09:15Potassium when released

00:09:17It combines with nitric acid

00:09:19And it becomes

00:09:20Potassium nitrate

00:09:21In other words, nitric salt

00:09:23How beautiful

00:09:24Yes, miss

00:09:25It's very pretty.

00:09:26Lamellae are formed

00:09:27And they are very bright

00:09:28Chechi

00:09:29Yes, everything is ready.

00:09:30Do you have the potassium carbonate ready?

00:09:32Here it is

00:09:32Thank you

00:09:35Look, huh?

00:09:39Observe and learn

00:09:47A tiny drop

00:09:48Now we have to cover it up.

00:09:51You'll see how it changes color

00:09:53As I mix it

00:09:55But

00:09:57How is this possible?

00:09:58That it doesn't change color?

00:09:59Try giving it a tap

00:10:01You're right

00:10:09Hello?

00:10:10Mr. Director

00:10:11Mr. Director

00:10:13One moment

00:10:17Yeah?

00:10:18What was that?

00:10:19An attack?

00:10:19Ah, Don Jaimito

00:10:21He wants to get rid of me

00:10:22But it's useless.

00:10:23Because I'll kill him

00:10:24Should I kill him?

00:10:24I'll kill him

00:10:28Mr. Director

00:10:29It's the first time

00:10:30I can get nitroglycerin

00:10:31It's the first time

00:10:32I can get nitroglycerin

00:10:34The first time

00:10:35Marvelous

00:10:36It's the first time

00:10:37I can get nitroglycerin

00:10:56Out

00:10:58Out

00:10:59Out

00:11:03No

00:11:09Seated

00:11:13So far we have had

00:11:15Good luck

00:11:15Silence!

00:11:19Damned wretch

00:11:20He didn't even look like a teacher

00:11:22He looked like a guerrilla fighter

00:11:24From Sudanese

00:11:24Or did it seem that way?

00:11:25What does it say?

00:11:25It looked like a batusi

00:11:26Who dares?

00:11:27Who spoke?

00:11:28I

00:11:28And who gave him a candle?

00:11:29At this funeral?

00:11:30You'll see

00:11:31The Sudanese

00:11:32They are very dark

00:11:33And the professor

00:11:33It had an ashen color

00:11:35Typical of the Batusi

00:11:36I know

00:11:37Because I have traveled all over Africa

00:11:38I spent a year with the Batusi

00:11:39What a drag, right?

00:11:41As?

00:11:41How much routine?

00:11:42A whole year

00:11:43Listening all day

00:11:43The tam-tam-tam-tam-tam

00:11:45I had made a promise

00:11:46No?

00:11:47Sit down!

00:11:50I don't want to see

00:11:51One side only

00:11:51Peevish

00:11:53If I was talking

00:11:54From Africa

00:11:55It's because my father

00:11:55He was a consul in Africa

00:11:57Is that Scipio Africanus?

00:11:58Your sister is being groped!

00:12:00Is it possible that anything I say

00:12:02Do you have to sharpen it?

00:12:04I was born in Africa

00:12:05My father was the famous consul

00:12:07From the Black Brigades

00:12:08The bumblebee consul

00:12:10By the way, what's your name?

00:12:12Pastorelli

00:12:12Do you see the difference?

00:12:14From our surnames, dear miss?

00:12:16It just can't be

00:12:17What can a shepherd boy do in Africa, huh?

00:12:20At most, I'll sit on the grass.

00:12:21And play the flute

00:12:22Well, according to what they say, professor

00:12:24Bumblebees flutter

00:12:26They butterfly.

00:12:42They butterfly.

00:12:42What does he think he is?

00:12:44I'm a decent girl

00:12:45I'm not telling you

00:12:45I'm referring to the painting

00:12:47Oh well

00:12:47I'd like that, uh

00:12:48My blessed Mother

00:12:49You've never seen a sadist.

00:12:51He has a demon face

00:12:52Keep your hands still, okay?

00:12:54But what does he do?

00:12:56She is undressing

00:12:57But what a mania

00:12:57Always thinking about the same thing

00:12:58Clear

00:12:59Shut up, go away

00:13:00Give me a hand

00:13:01A hand for what?

00:13:03Go on

00:13:04Hey, you're hurting me.

00:13:05Ah, professor, you know.

00:13:07Someone who truly loves you

00:13:08It will make you suffer

00:13:09But what's with wanting?

00:13:11To suffer

00:13:11So what if

00:13:12So what if

00:13:14Professor, this is garbage

00:13:16But how are we going to get rid of this filth?

00:13:18It will be hard work, my Cheshire.

00:13:19I'll focus, yoga-style, and...

00:13:23That's it

00:13:28Cheshire, haven't you heard?

00:13:30Yeah

00:13:30I heard, I heard

00:13:32I'm referring to the doorbell

00:13:35And we declare war, Italians.

00:13:38That's enough, no

00:13:39You're going to make me deaf

00:13:40So?

00:13:41The doorbell has rung, the doorbell

00:13:43The doorbell is ringing

00:13:44Well, let's see if he speaks clearly.

00:13:48One of these days I'll break my back.

00:13:51It's very old and it would be a shame

00:13:53But I break the fifth vertebra of his spine

00:13:56Bam!

00:14:03Damn

00:14:04I'm going to have a heart attack any day now.

00:14:06Wow, I'm doing great!

00:14:07Damn that motorcycle

00:14:08Who wears it and who bought it for you

00:14:09I remind you that you bought it for me, Dad.

00:14:11I know.

00:14:12That's why I curse myself

00:14:14Because you're stupid

00:14:15So, should I prepare it?

00:14:17But you're still here

00:14:18Make sure everything is ready.

00:14:19Make sure everything is ready

00:14:20Understood?

00:14:22Hey

00:14:23And why have you come here?

00:14:25I bet ten thousand you've come here to rip me off.

00:14:29Cold, cold, Dad

00:14:31I've come to give you some great news!

00:14:34So you've lost the bet

00:14:36You owe me one hundred thousand

00:14:38What do you think?

00:14:40In short, when you're a cousin, you're a cousin

00:14:42Yeah?

00:14:42You caught me off guard

00:14:44But wait a minute

00:14:46First you have to give me that news

00:14:48Guess who's coming to my school, Dad

00:14:51Oh, he's definitely a squirt like you.

00:14:54And then that silly news

00:14:56Listen carefully

00:14:57Angela Pastorelli

00:14:59Angela Pastorelli

00:15:00Pastorelli

00:15:01Pastorelli

00:15:03Perhaps she's related to the Pastorelli family

00:15:06Family, her daughter

00:15:07Pastorelli's daughter

00:15:09Pastorelli

00:15:10Are you sure?

00:15:11Sure

00:15:12I searched her bag

00:15:13And I checked the documents to see who it was.

00:15:15And there you have it, Dino Pastorelli's daughter.

00:15:17I've spent my life listening to you talk about the famous industry tycoon

00:15:21And why does she go to that school?

00:15:22Did he tell you?

00:15:23She has no idea that I've discovered her identity.

00:15:25It's clear he wants to go incognito.

00:15:27Oh, silence

00:15:28Be prudent

00:15:29I don't want mistakes

00:15:30Go with the flow

00:15:32Pastorelli

00:15:33You know what I'm saying?

00:15:35I have to admit that this is great news.

00:15:39Hey, dad

00:15:40That?

00:15:41You forget about the hundred thousand

00:15:43Oh, sure.

00:15:44I wanted to get rid of you, you know?

00:15:48Pastorelli

00:15:49Let's see

00:15:50Tell me one thing

00:15:52Did you by any chance think of sleeping with that girl?

00:15:57Why should I do it?

00:15:58Let her find me

00:15:59You're crazy

00:16:00Pastorelli

00:16:01Do you realize?

00:16:02Pastorelli is the one financing the chain of new hotels.

00:16:06You understand?

00:16:06So if his father gets angry, that's it, game over.

00:16:09We could lose a great deal

00:16:10You, you

00:16:12For you, that girl must be Luanda

00:16:15The Queen of Virgins

00:16:18Come on, guys, it's here

00:16:22Do you have the tube of glue?

00:16:23Yes, here it is

00:16:26Further

00:16:27Some more

00:16:29No

00:16:30That's enough, isn't it?

00:16:31Put it on a little more

00:16:32Further

00:16:32It will continue immediately

00:16:34So

00:16:38Praise be to Jesus Christ

00:16:40Praise be

00:16:42But what is this?

00:16:44A brothel?

00:16:45Now we'll see if he's wearing trousers or just underwear.

00:16:48Today I want to ask you

00:16:51About the greatest poet in Italian literature

00:16:55Dante Alighieri

00:16:57Come on

00:16:59Come on

00:17:01Come on

00:17:06It seems I've invoked the devil.

00:17:09They have disappeared

00:17:14Please leave, miss.

00:17:15I

00:17:17What is your name?

00:17:20Angela Pastorelli

00:17:22Pastorelli

00:17:23Come on, sit down now

00:17:28Standing

00:17:29Calm down, guys

00:17:30He only came to attend the literature class

00:17:33May I, Father Barista?

00:17:34Oh, well, that goes without saying.

00:17:35Sit down

00:17:36No, Mr. Director

00:17:37Please

00:17:39Okay, I'll sit down

00:17:40But you have to pretend I'm not here, okay?

00:17:43Did you see that, Serafino?

00:17:44Reversing the order of the rear ends

00:17:46The result does not change.

00:17:48Miss

00:17:48Do you want to read us?

00:17:50This sonnet from La Vita Nova?

00:17:52Alright

00:17:52Here

00:17:54So kind and so honest

00:17:56My beloved appears

00:17:57When he greets others

00:17:58Excuse me, miss

00:17:58Yeah?

00:17:59Don't you know it by heart?

00:18:00It's not about memorizing.

00:18:01it's no use

00:18:02In other schools

00:18:04But not in mine

00:18:05Here that word is forbidden

00:18:06It doesn't work

00:18:07It's no use to me.

00:18:08Other words are also prohibited

00:18:10As conditioning

00:18:11Platform

00:18:12Wall

00:18:13Fence

00:18:13Ditch

00:18:14Charismatic

00:18:15Fascinating

00:18:15Maximum

00:18:16Optimum

00:18:16And things like that

00:18:17So, whether it works or not

00:18:20She has to memorize it.

00:18:21Now read

00:18:23So kind and so honest

00:18:24My beloved appears

00:18:26When he greets others

00:18:27Excuse me, miss

00:18:27That said

00:18:28It seems that Dante

00:18:29He didn't care

00:18:30His beloved honored us

00:18:31This is a poem

00:18:33Of love

00:18:34You must read it with your heart

00:18:36With feeling

00:18:37Do you understand?

00:18:38Transposed

00:18:39Transposed

00:18:41And what transposed?

00:18:42My God

00:18:44Listen to me

00:18:45So kind and so honest

00:18:48My beloved appears

00:18:50When he greets others

00:18:52That languages

00:18:53What's happening with languages?

00:18:57They tremble

00:18:58Mudas

00:18:59Mudas

00:18:59And the eyes do not dare

00:19:02Not even to look at her

00:19:07Who has sighed?

00:19:09We have been

00:19:11Let two volunteers come

00:19:14Come, come

00:19:18It would seem that you are preparing

00:19:20A conspiracy

00:19:21You have gathered your parents

00:19:23You have told them

00:19:23That I am an ogre

00:19:24That I use torture

00:19:25Scissors

00:19:26Knives

00:19:26And knives

00:19:27Is that true?

00:19:28But I don't want to use violence

00:19:30I want to have a dialogue

00:19:31Well, we have democracy.

00:19:33On your knees

00:19:33Close your eyes

00:19:34As if you were praying

00:19:35And ask for forgiveness.

00:19:36To Father Evaristo

00:19:36Close your eyes

00:19:42No, no, Mr. Director

00:19:43The eyes don't

00:19:46That's it

00:19:47To your sites

00:19:49You see?

00:19:50That I have been

00:19:51Very benevolent

00:19:53Well, I have to go

00:19:55Continue with the lesson

00:19:56See you around

00:20:07That glue trick

00:20:09It was addressed to me

00:20:10Her muscles kiss so much in Mary

00:20:13What's wrong, Dad?

00:20:15Yes, laugh, laugh

00:20:16The director has ripped his pants

00:20:18And you can see her butt

00:20:19Very funny

00:20:20Snap out of it, father

00:20:21But I assure you

00:20:22You'll pay for this.

00:20:26You'll pay for this time.

00:20:27With blood

00:20:28But don't worry

00:20:29It will be a quick death.

00:20:31Not so slowly

00:20:32I'll break your bones

00:20:34Run, run

00:20:37Damn it, I want more joy

00:20:39Even if you're breathing your heart out

00:20:42You wanted to take

00:20:43Three days of vacation

00:20:44For staying at home

00:20:45So richly

00:20:46Killing flies

00:20:47TRUE?

00:20:48Take

00:20:50My coffee

00:20:53Hello

00:20:54Hello

00:20:54Wouldn't you like to go for a walk?

00:20:55I'd be delighted.

00:20:56But I have things to do.

00:20:57Above all, finding a house

00:20:59Will we see each other tomorrow?

00:21:00Count on it.

00:21:00Bye

00:21:04If you want some good advice

00:21:06Stay away from that type

00:21:08He goes out with four or five girls

00:21:10And also

00:21:11Flirt with everyone

00:21:12Did he try to seduce her like that too?

00:21:14Clear

00:21:14But I didn't want to.

00:21:17Touching

00:21:18Yes, yes

00:21:18Look

00:21:19I don't like being in a cooperative

00:21:22That's a whole cat

00:21:23He keeps thinking about the same thing

00:21:25Like everyone else

00:21:26Oh

00:21:26And what do I care?

00:21:28Whether or not they are a supplier?

00:21:29That matter is closed.

00:21:30Closed

00:21:31It's open

00:21:32No, closed

00:21:34Closed

00:21:34It's open

00:21:35I'm not talking to you.

00:21:36The thing is, they're knocking at the door.

00:21:38Good morning

00:21:39I'll call you later

00:21:40Hello

00:21:40Wow, how elegant, Mr. Director!

00:21:42Congratulations

00:21:43Thank you, but the credit isn't mine.

00:21:45But from his colleagues

00:21:46Do you know where the suit you were wearing yesterday has gone?

00:21:48None other than the poor of Santa Rita de García

00:21:50Oh, I'm so sorry.

00:21:50Please sit down

00:21:51Thank you

00:21:52I had a predilection for that suit

00:21:53It was made of pure wool.

00:21:54The only one in the family

00:21:57You already know.

00:21:58Neither useful nor desiderium inoblacione

00:22:00Look, it's like he's speaking Chinese to me.

00:22:02The most orthodox Latin

00:22:04It means that when giving a gift

00:22:05A little discomfort isn't so bad.

00:22:07Increases merit

00:22:08Oh

00:22:09Hey miss

00:22:10I summoned her for a reason

00:22:14Maybe for two

00:22:15Tell me

00:22:16Tell me

00:22:29Hey?

00:22:43Tell me

00:22:45What, by the way?

00:22:46Does it bother me?

00:22:47Lazy in a good way

00:22:48Clear

00:22:48It's true

00:22:48Those people should be annihilated.

00:22:50Yeah

00:22:51Yeah

00:22:52And going back to my last name

00:22:54Bumblebee

00:22:55Well, you have to admit that you went too far.

00:22:58Admit it

00:22:59You meant to say that bumblebees flutter like butterflies

00:23:03Sarasas

00:23:03Something much worse

00:23:04Right?

00:23:06He even said it in front of the whole class

00:23:08And it put me in a very embarrassing situation

00:23:09You're right

00:23:10I won't say it again.

00:23:11Shall we do the even ones?

00:23:13Stand up

00:23:13Let me look at it closely.

00:23:15What a wonderful dress!

00:23:16What a wonderful...

00:23:18In a suit, of course.

00:23:19How cool and perfect

00:23:20No pants

00:23:22That's much better.

00:23:23And how soft

00:23:24What a little thigh!

00:23:25What's so flattering behind this little dress?

00:23:29I didn't know you had a visitor, Mr. Director

00:23:31Sorry for the interruption

00:23:35Did he slam the door?

00:23:37A slammed door, you say?

00:23:38Yeah

00:23:38It must have been the wind.

00:23:40I thought you would be

00:23:42The mother of one of the students

00:23:44It's incredible.

00:23:46So chubby

00:23:47So grown up

00:23:48So everything

00:23:49But of course

00:23:51It's a repeater

00:23:53It is possible

00:23:54Which subjects did you repeat?

00:23:56Well, not that many.

00:23:57Three or four in total

00:23:58No more

00:24:00So

00:24:00He definitely knows more than I do.

00:24:02Because?

00:24:03How many have you repeated?

00:24:08But how witty!

00:24:11What intelligence

00:24:12And what ingenuity!

00:24:12Let's see if it is too

00:24:14To tell me

00:24:14What is a logarithm?

00:24:16You'll see

00:24:16A logarithm

00:24:18It's a certain number

00:24:19With some basis

00:24:21That corresponds

00:24:22To the power

00:24:24To whom we owe

00:24:25Raise that base

00:24:26To obtain

00:24:28A certain number

00:24:29Let it turn out

00:24:30Cousin

00:24:30Have I explained myself?

00:24:31Yeah

00:24:32Rather confusing

00:24:34I'm afraid

00:24:34But it's accurate.

00:24:36Silence!

00:24:38Of course

00:24:39A girl

00:24:41So pretty

00:24:42So slender

00:24:43It would be unbearable

00:24:44If I also knew

00:24:45What is a logarithm?

00:24:47It would look like a monster.

00:24:49Well

00:24:50I'm getting them.

00:24:51I feel like applauding

00:24:52Me, on the other hand

00:24:53I feel like it

00:24:54To cry

00:24:54And why?

00:24:56Because I think

00:24:56What would you be?

00:24:57If I didn't know

00:25:07But what have I done to you?

00:25:09Knave

00:25:10Hypocritical

00:25:11Traitor

00:25:11Vane

00:25:12Lative

00:25:12Lubricious

00:25:13Monica

00:25:14I don't recognize you

00:25:15And you bastard!

00:25:16Now I recognize you

00:25:17That's it!

00:25:20Have you seen how much poison there is?

00:25:21Did that witch cast a spell on me?

00:25:22But what have I done to him?

00:25:24Well

00:25:25Miss Claw

00:25:26She's hysterical

00:25:27Ignore him

00:25:28To that

00:25:29She needs a man

00:25:31Do you understand women?

00:25:33Apparently

00:25:34Yeah

00:25:34And I find them a bit bland

00:25:36But you frequent them quite often

00:25:38At least that's what it says

00:25:39I bet

00:25:40I bet he's made it longer for you.

00:25:41Liseta's gossip

00:25:42And isn't that true?

00:25:44Yes, yes

00:25:45I'm not saying no

00:25:46But he did.

00:25:47Because I was looking

00:25:50To the ideal woman

00:25:51Fortunately

00:25:52I found her

00:25:53Really?

00:25:54Who is it?

00:25:55Proof

00:25:56Guess it

00:26:08Oh

00:26:09How wonderful

00:26:10Where did you learn about filmmaking?

00:26:12Could be

00:26:17At the moment

00:26:18The sensor arrives with his scissors

00:26:19And cut to the end of the scene

00:26:22Yeah

00:26:23And to avoid a greater evil

00:26:24It's best to go home

00:26:26But why so soon?

00:26:27Come on, come on

00:26:28Obey Dad

00:26:29Prudence is a good advisor

00:26:55Don't you want to come up and see my room?

00:27:00I have a little game

00:27:01With my father's friends

00:27:02Can't

00:27:03So

00:27:04See you around?

00:27:05If they don't clean me up

00:27:07Bye

00:27:12Bye

00:27:13It will be possible

00:27:14Or am I a freak?

00:27:15Or is he a sissy?

00:27:29Miss Paw

00:27:30I wanted to tell you

00:27:31No

00:27:32No, it's not the time.

00:27:37Pluck, pluck

00:27:39Who will devour you?

00:27:41Speaking of setting sail

00:27:42This makes me so hungry

00:27:44What is milk?

00:27:47Good morning, guys

00:27:48Good morning, guys

00:27:50Good morning, guys

00:27:51Enough!

00:27:53Enough is enough!

00:27:55Enough!

00:27:58Good morning

00:27:59Good morning

00:28:14You can't eat it

00:28:16Guys

00:28:17I demand your attention

00:28:19On the importance of acids

00:28:20As you all know

00:28:21If a base is added

00:28:23An acid

00:28:28It results in a combination of both elements

00:28:30That cause a release of the third

00:28:32I mean

00:28:34NaCl plus H2SO4 Manzinger Z

00:28:41NaSON plus HClH

00:28:44Jesus

00:28:45You are welcome

00:28:47See?

00:28:49This is the formula

00:28:50Now tell me the formulas of other acids

00:28:53Oh my God!

00:29:17Keep going!

00:29:18Keep going!

00:29:19Take a breath!

00:29:20Bumblebee's word that I'll plaster you all with it

00:29:24No!

00:29:25But slowly

00:29:26Slower

00:29:27Slower

00:29:28Imagine the two of you

00:29:29You two are a couple of chameleons

00:29:32Unfortunate

00:29:33Let's see, who can do more?

00:29:36Ah!

00:29:36You'd like that, wouldn't you?

00:29:38That the director shut you down

00:29:39All schools in Italy

00:29:40So that you could go

00:29:41To the disco to dance

00:29:43Tatatatata!

00:29:44No!

00:29:45Take!

00:29:46Take!

00:29:47Oh, my dear!

00:29:49Hey, dude

00:29:51I can't take it anymore.

00:29:53Imagine Carlos running, running to train.

00:29:55Really? Why?

00:29:57Well, he says it's for the Olympics.

00:30:00I don't buy it.

00:30:02I think he's going back to campus, he told me so himself.

00:30:04But how? With that motorcycle he has?

00:30:06And he's going to run on foot? He's a fool.

00:30:09One, two, three, four.

00:30:12One, two, three, four.

00:30:16We changed exercises.

00:30:17One, two, three, four.

00:30:18One, two, three, four.

00:30:23Have you seen how he trains?

00:30:25Yes, it seems he wants to get in shape.

00:30:28He wants to get attention.

00:30:31A storyteller, that's a comedian.

00:30:33You may be right, but I don't understand anything.

00:30:36Sometimes he seems interested.

00:30:38And yet others...

00:30:39It looks very cold.

00:30:40One, two, three, four.

00:30:42One, two, three, four.

00:30:45One, two, three, four.

00:30:48Come on, girls, break ranks.

00:30:55Thank goodness.

00:30:57I couldn't take it anymore.

00:30:58Come on, girls.

00:31:10Come on, girls.

00:31:38No, no, no, no, no, no.

00:32:03No, no, no, no.

00:32:27No, no, no, no.

00:32:28Wow, what a presumptuous idiot.

00:32:29Is that what he thinks he is?

00:32:31Come on, Liseta.

00:32:32Bye bye.

00:32:34Angela.

00:32:36Hello.

00:32:37Hello.

00:32:37Aren't you coming?

00:32:37No, thanks.

00:32:39But the motorcycle drove you crazy.

00:32:41Yes, but you're not for me, boy.

00:32:43You're not going to let us.

00:32:44Shut your mouth, rib.

00:32:46Hick.

00:32:48Look, when you get like this, I just can't stand you.

00:32:51Well, yes, I am real.

00:32:52Who do you put up with?

00:32:53Could it be the director?

00:32:54This morning I was looking at you in a very special way, huh?

00:32:57It's obvious that he likes you.

00:32:58I don't think that would interest you.

00:33:00Come on, Angela, please get in.

00:33:02No, don't waste your time.

00:33:03Okay, you'll be late.

00:33:04What are you getting into?

00:33:05You know what I'm saying?

00:33:06You can go to that dirty old man's house.

00:33:07Who cares anyway?

00:33:09Bye bye.

00:33:10Damn!

00:33:13Liseta, wait for me.

00:33:14But how?

00:33:14Haven't you gone up?

00:33:15So you were serious.

00:33:17Of course, who does that cretin think he is?

00:33:19According to him, the director is head over heels for me.

00:33:21And you?

00:33:21I've let him believe it.

00:33:23Very well, that will make him jealous.

00:33:25Make him suffer a little.

00:33:27Look, I could make her jealous with anyone else in the class,

00:33:29But then they talk amongst themselves and he would have found out.

00:33:31Sure, but he's not going to ask the director.

00:33:34Exact.

00:33:35Are you coming with me?

00:33:36Yes, thanks.

00:33:38You're something else.

00:33:39Let's see if you can rein in that cretin.

00:34:27Rodolfo.

00:34:28Is it me?

00:34:29Don't you recognize me anymore?

00:34:30No.

00:34:30Your friend from the village, you don't know me anymore, do you?

00:34:32My father used to say that.

00:34:33It's important now, but don't remember me after we went to school together.

00:34:37I find your absentmindedness impossible.

00:34:39You're not out of your mind, are you?

00:34:40Don't you remember me?

00:34:41Hey?

00:34:42How is that?

00:34:43Dad talks to me a lot about you, about whether you've gained weight.

00:34:45Yes, you've gained weight, but I think you look great.

00:34:48But who the hell are you?

00:34:49We'll see each other soon, okay?

00:34:51Your grandmother will see you.

00:34:52That?

00:34:52Whether I've gained weight or I'm important, screw you.

00:35:05Your grandmother will see you.

00:35:53Four minutes and twenty-six seconds late.

00:35:56Women, there was a lot of traffic in the jungle, believe me, hippos, elephants,

00:36:00But where is it called "orejao"?

00:36:01Why did I ever come here?

00:36:03There was a monkey demonstration and...

00:36:05You don't really believe I'm Tarzan.

00:36:07No, of course not, because Tarzan doesn't wear a girdle and you do.

00:36:11You were always so kind and loving, well, that's over.

00:36:14Next time I'll go in through the portal.

00:36:16No, my dear, you will continue to come in through the window,

00:36:19Because people talk and I want to protect my reputation.

00:36:21And my tailbone, my butt is all splintered.

00:36:24Yes, yes, yes, yes.

00:36:25Why do we always have to be fighting?

00:36:27Ah, yes, yes, yes.

00:36:29Let's see, Monica, why does everything I do seem wrong to you?

00:36:32Don't take it so personally, woman?

00:36:33I love taking it to heart, what's wrong with that?

00:36:36Well, I love touching your chest.

00:36:39Oh, yes!

00:36:41Come, come, come.

00:36:47Finally, I went by your house and you weren't there.

00:36:50But who are you going to see at this hour?

00:36:51Liseta gave me the director's address.

00:36:54Are you serious? What for?

00:36:56Guess what.

00:36:57Hey Angela, it was a joke, don't do anything silly.

00:36:59If you don't believe it, just wait and see.

00:37:03Bye bye.

00:37:05You think you're so clever.

00:37:08But don't fool me.

00:37:10I'll wait for you here.

00:37:14Hello.

00:37:14Hello, who are you?

00:37:16I am Angela Pastorelli.

00:37:17The teacher is being hugged.

00:37:18Ah, Pastorelli!

00:37:19The teacher has left, but he will be back soon.

00:37:22If you want to wait for him, come in.

00:37:24Yes, thanks.

00:37:28Do you know how to play?

00:37:29Clear.

00:37:30What do you want to play?

00:37:32Don't know.

00:37:34Come here and we'll think about it.

00:37:37What a beautiful room.

00:37:39Is this your bedroom?

00:37:40Yes, you can play with whatever you want.

00:37:42Except with my little horse, I won't let you play with that.

00:37:44Oh, no, huh?

00:37:46We played with your ass.

00:37:49Don't be rude.

00:37:54So, is this for real?

00:37:56She's a bitch.

00:38:02And at that moment the ogre was heard shouting, "Go back home!"

00:38:07Well, well, I smell little creatures.

00:38:10Is there a boy here?

00:38:11I'm going to eat it.

00:38:12Hey, that ogre was a bit of a jerk.

00:38:15I'm not saying no.

00:38:16Hey, girl.

00:38:17The other ogre, that calamitous man, does not appear.

00:38:20And I've already told him that they're waiting for me at home for dinner.

00:38:23Why don't you leave?

00:38:24Of course, Chesira.

00:38:25If you want, you can leave.

00:38:26I will take care of Tonino.

00:38:28Okay, fine, thank you.

00:38:30I still have to wait for him.

00:38:31But you behave yourself like a good boy, okay?

00:38:33You're a bug.

00:38:35Don't worry, she's in good hands.

00:38:37You should be sent to a reformatory!

00:38:39To reform school!

00:38:41Why are you treating her like this, Tonino?

00:38:42Poor thing, she's very good.

00:38:43She's a brutish old woman, that's what she is.

00:38:45He slaps me so hard.

00:38:47And what does your father say?

00:38:49Nothing, because she's leaving me for being a liar.

00:38:52But does your dad shake you?

00:38:54No, not him.

00:38:55He says his grandfather gave him so much firewood that he even received mine.

00:38:59There it is.

00:39:01Cheshire!

00:39:04Cheshire!

00:39:05Oh, the deaf one!

00:39:06But I have to call you a hundred times.

00:39:10Good night.

00:39:11Good night.

00:39:12Hi, Dad.

00:39:12Hello.

00:39:16Wow, you're so stubborn.

00:39:18My son is so cute!

00:39:20And Chesira?

00:39:21We sent her home; it was already very late.

00:39:24You did very well.

00:39:25Don't get your hopes up.

00:39:26I arrive late at night because I belong to a cultural association.

00:39:29The president is a real pain, believe me.

00:39:32Every night I have to give a little educational speech.

00:39:35Once, take a shot and you're done.

00:39:37And two, why not?

00:39:38But three, why tell you?

00:39:40So I told them, it's getting late, so I'm leaving.

00:39:42But what are you doing here?

00:39:43Well, you see, I work for a newspaper, Africa Speaks, which deals with all the problems of Africans.

00:39:49And I've decided to interview a nostalgic man who feels the pull of Africa.

00:39:53Of course, you already know that I was in Africa.

00:39:55But remember, I don't know the Batusi.

00:39:57Although I can tell you a lot of things because I have practiced big game hunting.

00:40:00I remember once I was...

00:40:03Yes, I could tell you a lot of very, very interesting anecdotes.

00:40:06Go ahead, that's why I'm interviewing you, Mr. Director.

00:40:08I'd like to, but it would take hours.

00:40:10And this one, this little one never sleeps, always with his eyes open, always awake.

00:40:16How nice.

00:40:18Besides, it's already a bit late.

00:40:19Do you want me to come back tomorrow?

00:40:20Would it return more?

00:40:21Let's talk now.

00:40:22I'll make some whiskeys right away and we'll talk, okay?

00:40:24Very well, delighted.

00:40:26Come on, come on.

00:40:26Goodbye, Tonino.

00:40:27Discuss with me for a moment, okay?

00:40:31Tonino, when your hand wants to rest, let it rest because otherwise it gets nervous and shakes.

00:40:36Yeah.

00:40:44Well?

00:40:46Well?

00:40:47Ah, yes.

00:40:47Hey, let's have a drink to Africa, shall we?

00:40:51Great.

00:40:51We'll write a good, nice article.

00:40:53Let's raise a glass to all Africans.

00:40:55Let's raise a glass to the Batusi.

00:40:56Because of the Batusi?

00:40:59But what is this?

00:41:00If I tell you to go to sleep, you go to sleep, okay?

00:41:03You have so much vitality.

00:41:05Always alert, always awake, never sleeps.

00:41:08Ligón.

00:41:08Good evening, Tonino.

00:41:11Oh, well.

00:41:13Let's do one thing, let's sit somewhere else.

00:41:15There's no way here.

00:41:16What if we met outdoors tomorrow, where no one would bother us?

00:41:19At home?

00:41:20Hey?

00:41:21At home?

00:41:22OK.

00:41:23Come on, guys, come on.

00:41:25You don't understand anything.

00:41:27Don't make me angry.

00:41:30Be good.

00:41:31Is...

00:41:32It's for your own good.

00:41:37Well.

00:41:39I'm going to make the formula very clear.

00:41:43And so you will copy it.

00:41:46Hey?

00:41:47But pay attention.

00:41:56Of course it's true.

00:41:57But not only the director.

00:41:59Don Jaimito, who lives across the street from us, also courts her.

00:42:02I've seen him.

00:42:03At the window, glued to the spyglass.

00:42:05Even photography.

00:42:06Ah.

00:42:08Logical.

00:42:09She always walks around the house naked.

00:42:11Naked?

00:42:11But what a slutty aunt.

00:42:13You'd better leave me alone or he'll get suspicious.

00:42:17When you have a little free time, you will dedicate it to me.

00:42:20Yes, we'll see each other soon.

00:42:21Now go away.

00:42:22He's waiting for you.

00:42:23Go on, run.

00:42:31What did he tell you?

00:42:32Nothing.

00:42:33He told me he apologizes for what happened last night.

00:42:34Well, thank goodness.

00:42:36Imagine.

00:42:36He took advantage of the situation to make me propositions.

00:42:40Well, he's definitely a pig.

00:42:42You don't say.

00:42:43Well, at first glance it doesn't seem so.

00:42:44A screw must be missing.

00:42:48Copy the lesson carefully because I will ask you about it tomorrow.

00:43:08No.

00:43:13No

00:43:21I believe the vipueta

00:43:23It's quiet, but it's a delicious plaster.

00:43:25the mother who bore them all

00:43:30pretty pretty my pretty paw

00:43:32I'll put this here

00:43:37This is fine, and this other one too.

00:43:40I can put this other one in.

00:43:44It's hard to put it in

00:43:46Who is Luchignani?

00:43:48Luchignani, but it's class time!

00:43:52Good afternoon, professor

00:43:53Good afternoon

00:43:54Since you are an expert in photography

00:43:56I've come to ask for your advice.

00:43:57Can I come in?

00:43:58Sure, come in, come in

00:43:59thank you

00:44:03Well

00:44:03What is it about?

00:44:07Mira Luchignani

00:44:08I can't waste time

00:44:10So wake up!

00:44:13Who made these?

00:44:15I have been, modestly.

00:44:17magnificent photographs

00:44:18Well, the credit goes to the model.

00:44:21Yeah

00:44:22a beautiful woman the teacher sets sail

00:44:24Don't be so cynical, Luchignani

00:44:25There is only a platonic love between her and me.

00:44:27and nothing more

00:44:28Professor, I am a tomb.

00:44:30Of course!

00:44:30Yeah

00:44:31I know you're a good boy

00:44:32Yeah

00:44:34and this

00:44:36But he bathes wearing a hat.

00:44:37no no man

00:44:38This is an experiment

00:44:40a photomontage

00:44:41The head belongs to the teacher

00:44:43and I photographed the body with a telephoto lens

00:44:45It belongs to a student

00:44:47the shepherdess

00:44:48The pastorelli?

00:44:49the shepherdess

00:44:50with telephoto lens

00:44:51But hey, you're a womanizer.

00:44:52But what are you saying?

00:44:54This body is just a piece of paper.

00:44:55I wish I had the original here

00:44:57my mother

00:44:59I suppose you're referring to the claw in the original.

00:45:01Shut up!

00:45:02Say one more word

00:45:03come here

00:45:04where?

00:45:13There it is

00:45:14look

00:45:15third floor

00:45:16third window

00:45:21the filthy, false Pharisee

00:45:23I would show him

00:45:24me

00:45:25I don't care about that at all.

00:45:26Excuse me, professor

00:45:27It's not you

00:45:28It's to the director

00:45:28He brought him into his house

00:45:30Yeah

00:45:30let me see

00:45:34Yeah

00:45:35He's a pig.

00:45:37that bald guy

00:45:38He wants to sleep with all of them

00:45:39Isn't the claw enough for him?

00:45:42Oh

00:45:43He abuses the position he holds

00:45:44teacher

00:45:44I have to go

00:45:45I had forgotten

00:45:46I have to pick up my mother

00:45:47at the dentist

00:45:48Yeah

00:45:48But what about the council?

00:45:49Okay, I can wait.

00:45:50don't worry

00:45:51thank you so much

00:45:51See you tomorrow in class.

00:45:52bye

00:45:54bye

00:45:55clown

00:45:56Why won't it be looked at?

00:45:57in a mirror?

00:45:59smug

00:45:59silly

00:46:00who is it?

00:46:01the spyglass

00:46:03Ah, the spyglass

00:46:04thank you

00:46:05I already was.

00:46:06that

00:46:06let's see

00:46:09dirty old man

00:46:10disgusting

00:46:12disgusting

00:46:14I saw it before

00:46:15far better

00:46:16clear

00:46:16to dedicate oneself to journalism

00:46:18It's very pretty.

00:46:19because you connect

00:46:20with lots of people

00:46:21new

00:46:21that break

00:46:23they break

00:46:24and not even

00:46:25They are mine

00:46:25I'm sorry

00:46:26No

00:46:26I can't be

00:46:27still

00:46:27for me

00:46:28It's not just

00:46:29a hobby

00:46:29I do it too

00:46:30to help

00:46:30to my father

00:46:31Oh well

00:46:32That's a gesture.

00:46:33that honors

00:46:33Bravo

00:46:34And what does he do?

00:46:35Your dad?

00:46:36It is industrial

00:46:36oh industrial

00:46:37He is a street sweeper

00:46:38in an area

00:46:40industrial Milan

00:46:41but the poor thing

00:46:42He's exhausted

00:46:43with so much work

00:46:44but like Milan

00:46:46It's a little silver cup

00:46:47the street sweepers

00:46:47They should not have

00:46:48I barely work

00:46:49This house is lovely.

00:46:51Yeah

00:46:51It looks like a candy box

00:46:52And you're a real cutie

00:46:54and there is no danger

00:46:55that they transfer you

00:46:56with an arrow

00:46:57that's true

00:46:58don't you know

00:46:58the grace that made me

00:46:59that my son

00:47:00He was swearing it to me

00:47:01I admit that I have it

00:47:02very much looked at

00:47:03Tony is not a good boy

00:47:04But she needs love.

00:47:05that's true

00:47:07Of course, for you

00:47:08It must be hard

00:47:09At first it was even harder

00:47:11but over the years

00:47:13everything softens

00:47:14That's the law of life.

00:47:15How long have you been a widow?

00:47:16I am not a widower

00:47:17Is it separate?

00:47:18no no

00:47:19nor widower

00:47:19nor separated

00:47:20nor divorced

00:47:21Unfortunately

00:47:23I am a single father

00:47:25Yeah?

00:47:26because women

00:47:27sometimes

00:47:27We should strangle them

00:47:30but she was

00:47:31a very beautiful woman

00:47:32a fascinating woman

00:47:33blonde, tall

00:47:34with black hair

00:47:35teacher?

00:47:36no no

00:47:37schoolgirl?

00:47:38no no

00:47:38She was sick.

00:47:39A sick woman?

00:47:40a nurse

00:47:42Yeah

00:47:42I worked as a nurse

00:47:43at the polyclinic

00:47:44She was very attractive

00:47:45wearing a white coat

00:47:46I had surgery

00:47:47of appetite

00:47:48peritonitis

00:47:48and I don't know what else

00:47:49a cut of 22 points

00:47:50by three miserable points

00:47:52I didn't win the saucepan

00:47:54And I was there.

00:47:55all alone in the cellar

00:47:56and she would come at night

00:47:58teacher

00:47:58Take the thermometer

00:47:59Yes, yes

00:48:00She was very affectionate

00:48:01and I was there

00:48:01with the open wound

00:48:03thermometer inside

00:48:04thermometer outside

00:48:05and with so much movement

00:48:06The little creature was born

00:48:07And she left.

00:48:08But are you sure?

00:48:09What is the father of your child?

00:48:10absolutely sure

00:48:11The doctors confirmed it to me.

00:48:12because it has two feet

00:48:13Well, all the children

00:48:14They have two feet

00:48:15but mine

00:48:15He has two flat feet.

00:48:16like his dad

00:48:17exactly the same

00:48:18one this way

00:48:18another one that way

00:48:19like a penguin

00:48:20And why did she abandon him?

00:48:22Let's draw a veil over it

00:48:23Come on, tell me about it.

00:48:24Shall we lift the veil?

00:48:25Yeah

00:48:26Should I tell him?

00:48:26Okay, I'm going to sit down

00:48:27And I'll tell him.

00:48:29Well

00:48:33every time I tell it

00:48:35I start to cry

00:48:36like a patalena

00:48:38No, don't cry.

00:48:39It's something so tremendous

00:48:40that would make you cry

00:48:41even a statue

00:48:45as?

00:48:46as?

00:48:46in a wicker basket

00:48:48abandoned the child

00:48:48on the church steps

00:48:49and in the little basket

00:48:50there was the creature

00:48:51in the nude

00:48:52He was only wearing a little hat.

00:48:53He was only wearing a little hat.

00:48:54in the head

00:48:55So

00:48:55the son of my womb

00:48:57and she had put

00:48:58in the cap

00:48:59a note written with a marker

00:49:00What did the note say?

00:49:01when I told the doctor

00:49:03He cried too

00:49:03a little longer

00:49:04My heart breaks.

00:49:06that written note

00:49:07with a marker it said

00:49:08Yes, what did that note say?

00:49:10such a small creature

00:49:11That's how it was when he was born

00:49:12in her little basket

00:49:13with the written note

00:49:14with marker

00:49:15Yes, but in the note

00:49:16What did it say?

00:49:17to go to hell

00:49:17you and your son

00:49:19Hey, hey

00:49:20Are you Mr. Jaimito?

00:49:21Yes, yes, the same one

00:49:22who is it?

00:49:23He doesn't know me

00:49:23I am Monica

00:49:24Oh, the paw

00:49:26that wants

00:49:27that you need

00:49:27I'm fed up with you

00:49:29of being a toy

00:49:29that selfish pig

00:49:31That's great!

00:49:32if I knew

00:49:32Let's not talk about him

00:49:34Now I'm anxious

00:49:35to see you soon

00:49:36where?

00:49:37Am I coming to your house?

00:49:38no, no, no

00:49:40It's dangerous in my house

00:49:41See you in...

00:49:43Yes, yes

00:49:43Where, where, where, where?

00:49:44Federico Street

00:49:45Barbarossa 32

00:49:47Fly, fly

00:49:48I'm flying

00:49:49before Fede

00:49:50cut his beard

00:50:01Listen

00:50:02Hey, Miss Paw

00:50:04Yeah

00:50:12Who would have thought it?

00:50:14It must be here

00:50:14Yes, this is it, for sure.

00:50:17I'm nervous

00:50:37Good afternoon

00:50:38Good afternoon

00:50:39Are you the professor?

00:50:40Yes, the same one

00:50:41pass, pass

00:50:42at last

00:50:43We were waiting for her

00:50:44But ma'am

00:50:52Hey, are you sure?

00:50:53Is this number 32?

00:50:54Of course, of course

00:50:57Calm down, Nemesio

00:50:59Calm down, the teacher is here.

00:51:01Oh, poor man

00:51:03five days ago

00:51:04who doesn't have a bowel movement

00:51:05I wanted to give her an enema

00:51:07but he doesn't trust it

00:51:08I wanted it to be you

00:51:10Who are you?

00:51:11Who are you?

00:51:12the professor

00:51:12But I came by the claw.

00:51:14I have to see it

00:51:15this?

00:51:16Yes, the cat's paw

00:51:18Now give him the enema

00:51:20It's the most urgent thing.

00:51:21check everything.

00:51:22for a true teacher

00:51:24This is child's play.

00:51:25Nemesio, turn around

00:51:27But ma'am

00:51:27I am a science teacher

00:51:29I am not familiar with this aspect of him

00:51:31But how?

00:51:31Hasn't he studied ass?

00:51:33by her mother

00:51:34Don't let anyone find out

00:51:35not even my ass

00:51:41Monica

00:51:42All for you

00:51:44Listen

00:51:45There won't be any danger, will there?

00:51:51But listen

00:51:52Whose house is this?

00:51:54from a friend of mine

00:51:55I already told him that by chance

00:51:57from the window

00:51:57I could see it

00:51:58that?

00:51:59Look

00:52:00He asked me nicely

00:52:01his family

00:52:02I have to keep an eye on her

00:52:03But I don't have enough authority.

00:52:05to intervene

00:52:05Do you understand?

00:52:06Yeah, yeah

00:52:07So when I saw that she was receiving men

00:52:09I immediately thought that

00:52:10that?

00:52:12I thought that

00:52:13you already know

00:52:14but

00:52:16Are you sure?

00:52:17What does he say?

00:52:19sure?

00:52:19Stay calm

00:52:20I won't tell you one thing instead of another.

00:52:22come

00:52:22come and see it for yourself

00:52:23with their own eyes

00:52:24Miss

00:52:24It's on the third floor

00:52:25third window

00:52:26Look

00:52:27Look, look

00:52:28I'll look now

00:52:29Look

00:52:29I'll look now

00:52:32Hey?

00:52:34What did he say to her?

00:52:35bastard sage

00:52:38No

00:52:41What's wrong with him?

00:52:42nothing

00:52:42soon

00:52:43I've been standing for many hours

00:52:44And now this damned

00:52:45come and push

00:52:46push?

00:52:47no, well

00:52:48I mean, the muscles don't obey.

00:52:50One this way and the other that way

00:52:51They've gone crazy

00:52:53Besides, I'm not 20 anymore.

00:52:55I am a mature man

00:52:56But how mature!

00:52:57Mr. Director

00:52:58if he's a little kid

00:53:00thank you

00:53:00He reminds me of an actor

00:53:01Yes, which one?

00:53:03to Marlon Brando

00:53:04with that clear forehead

00:53:07harmonious

00:53:08the impenetrable face

00:53:10What does it say?

00:53:10the title of the film

00:53:11a movie

00:53:12You are very kind.

00:53:14I can't find the words to...

00:53:17But sit down

00:53:18You are stiff

00:53:20precisely

00:53:20If I were to sit down now

00:53:22Well, I don't know if...

00:53:25I'm more relaxed now.

00:53:27like a kid

00:53:28Oh, my head!

00:53:40But how much do these old people eat?

00:53:42They should eat grass

00:53:44to be so dry

00:53:45Yes, yes, dry, of course.

00:53:47three hours on duty

00:53:50three hours shitting

00:53:52Wow, man

00:53:53And the keys?

00:53:54And the keys?

00:53:55Where did I put the keys?

00:53:56I've left them inside again.

00:53:57What do I do now?

00:53:59Where am I going?

00:54:00I'll have to go along the ledge

00:54:02damn

00:54:03I'm going to break my neck one of these days.

00:54:04along the ledge

00:54:05I'm the unlucky one

00:54:06but misfortunes

00:54:07They never appear alone

00:54:09Luchiñani

00:54:10Luchiñani

00:54:10I beg you

00:54:11not a word

00:54:12of everything we just saw

00:54:13I naturally

00:54:15understand it

00:54:16I do it for the sake of a good name

00:54:17of our school

00:54:18please miss

00:54:19You're not going to doubt me, are you?

00:54:21Do I doubt?

00:54:22No

00:54:22I have no doubt whatsoever

00:54:24because he would fail him

00:54:25for the fourth time

00:54:26Suspense?

00:54:31suspense

00:54:40My God!

00:54:41Did it scare you, dear?

00:54:43But what are you doing here?

00:54:44How is this allowed?

00:54:46What do you mean, what do I do?

00:54:47This is my house

00:54:48Unless I'm mistaken

00:54:49Is this your house?

00:54:51Yeah

00:54:52so

00:54:52that unconscious

00:54:54He's been pulling my leg

00:54:55Wow, that was fast!

00:54:56has disappeared

00:54:56Much better at last

00:54:57alone

00:55:00Where are you going?

00:55:00by Angus

00:55:02wait

00:55:03Where is he going?

00:55:07the key

00:55:08Does it burn?

00:55:09No, just a little.

00:55:10It doesn't really burn

00:55:11No, what is that?

00:55:13a disinfectant that was in the bathroom cupboard

00:55:15It is called hydrochloric

00:55:16hydro...

00:55:18hydrochloric

00:55:18That's pure fuman.

00:55:19for the toilet bowl

00:55:23What a stench!

00:55:24It's because she was making eyes

00:55:24Disgusting!

00:55:25I would never wear it

00:55:26And why is it happening to me?

00:55:28to have a trepanation done on me!

00:55:31Please, Monica

00:55:32by you

00:55:32I even gave him an enema

00:55:33to that poor old man

00:55:34but Monica

00:55:36He's drunk

00:55:36I swear

00:55:37drunk?

00:55:38You've got me under your spell, you thief!

00:55:40that you have stolen my heart

00:55:43dear

00:55:43a little bit of love

00:55:44But don't you see that I love him?

00:55:56hey

00:55:56What have you lost?

00:55:58and you?

00:55:59What are you doing here?

00:56:02I'm nothing.

00:56:03I was just looking

00:56:05well go ahead

00:56:07take advantage

00:56:08Are you crazy?

00:56:09perhaps

00:56:11But if you don't take advantage

00:56:12You're a joke

00:56:18Hey, wait a minute

00:56:20What does your father do for a living?

00:56:22He is a traveling salesman

00:56:24What's that about?

00:56:26Hey, do you know

00:56:27Does your father know mine?

00:56:29I'll tell you later.

00:56:31Why have you come here?

00:56:32Wasn't I better off at home?

00:56:33But what does it say?

00:56:33if he likes his house so much

00:56:34lengthen, go back there

00:56:35go home

00:56:36But I know what I can do

00:56:37Come with me

00:56:38I have to stay here

00:56:39because I have an appointment

00:56:41I bet I can guess who with?

00:56:42What does it say?

00:56:43Can I guess who it is?

00:56:44What does it say?

00:56:45Can I guess who it is?

00:56:46Ah, listen, ready!

00:56:48if you know who he is

00:56:49I don't give a damn.

00:56:50because I'm going to stay

00:56:51Is that clear?

00:56:52Besides, I don't want him to be seen with me.

00:56:53What if I refuse to leave?

00:56:54go home

00:56:55That's out of the question

00:56:56Do you like my shoes?

00:56:57And what does that have to do with anything?

00:56:58Do you like my shoes?

00:57:00They're not bad.

00:57:00What? You don't like them?

00:57:01Yes, they are beautiful

00:57:02What are the heels like?

00:57:03fine point

00:57:04So you like them?

00:57:05and high heels too

00:57:07Do you know what I'm going to do with my heels today?

00:57:09Do you want to know what I'm going to do?

00:57:10if he doesn't go home right away

00:57:11I'll stick them in his head

00:57:13Oh no, no!

00:57:13come on!

00:57:14No, no, no!

00:57:15Please, stay still!

00:57:16Oh, oh, oh!

00:57:21What a dark night!

00:57:23What a night!

00:57:24That's why it's called a claw

00:57:26but poisonous claw

00:57:27It's clear that the best

00:57:29It will be time to go to sleep

00:57:30and with the door tightly closed

00:57:32I don't plan to open it.

00:57:33nor the firefighters

00:57:34Oh, mother!

00:57:35What a bump!

00:57:38The light!

00:57:40Sorry, I didn't know that...

00:57:43And where do I sleep?

00:57:45The door!

00:57:47Oh, yes!

00:57:48The door, yes!

00:57:51What time would you like to have breakfast?

00:57:54You're a faggot!

00:58:02Oh my God!

00:58:28glad to hear it

00:58:29If you don't come down, I don't plan to come up.

00:58:32anyway

00:58:33I have to see you tomorrow.

00:58:36They're pigs!

00:58:38Keep going like that

00:58:40And you'll see.

00:58:42how do you end up

00:58:50Ah, brosía!

00:58:57Ah, brosía!

00:59:10Ah, brosía!

00:59:25Of course I'm not in love

00:59:26I did it alone

00:59:27so that he would be jealous

00:59:28and?

00:59:29Did it work?

00:59:30I don't know yet

00:59:31Carlos keeps hanging around me

00:59:32but he hasn't decided yet

00:59:33Imagine how stunned the guy must be

00:59:35that has not yet tried

00:59:36take me to bed

00:59:36a guy like him

00:59:37who acts like a tough guy

00:59:38who knows

00:59:39What is he plotting?

00:59:41But I'd rather be with that idiot.

00:59:42I complicate my life

00:59:43no, woman

00:59:45Nothing's going to happen

00:59:46That's what you say.

00:59:47The director is totally smitten with me

00:59:49and I have no courage

00:59:50to tell him the truth

00:59:51poor thing

00:59:52I feel so sad

00:59:53with that child

00:59:54and that witch

00:59:54that torments him

00:59:55I was the only one missing.

00:59:56to make his life more difficult

00:59:57But she has a lover.

00:59:58who is it?

00:59:59Professor Zarpa

01:00:00according to him

01:00:01He can't get rid of her

01:00:03excellent!

01:00:04I don't find it funny.

01:00:05Mr. Jaimito

01:00:07He's also in love

01:00:08That hippopotamus?

01:00:09Yeah?

01:00:11hey

01:00:12if you want to get rid of her

01:00:13We can tell Marcello

01:00:14and to Serafino

01:00:15for those things

01:00:16They are phenomenal

01:00:17clear

01:00:18poor teacher

01:00:19Releasing him would be

01:00:19do a good deed

01:00:20good

01:00:21Well, leave it to me.

01:00:23OK

01:00:28Professor Bumblebee says

01:00:30Rodolfo

01:00:31big-bellied beast

01:00:33disgusting

01:00:34pig

01:00:34volanesebo

01:00:35that?

01:00:37who is it?

01:00:38Monica's lover

01:00:40if you don't want to die

01:00:41Leave her alone

01:00:43fat, big-faced

01:00:44fat, big-faced

01:00:45will be your father

01:00:46Who am I talking to?

01:00:47You're changing your voice

01:00:48who is it?

01:00:50You have been warned

01:00:51cretin

01:00:52I'm not telling you

01:00:55The neighborhood pimp has hung up

01:00:57dad

01:00:58what's happening?

01:00:59nothing

01:00:59He's a friend

01:01:01Oh

01:01:01with which the lover of the paw

01:01:03of that seal

01:01:04of that sun-baked banner

01:01:06What could be expected of her?

01:01:07a pimp and a whore

01:01:10Do you want to hit me, to be honest?

01:01:12no, no, no

01:01:13no, no, no

01:01:14You can't fool me.

01:01:15You can't scratch me

01:01:16paw

01:01:18the voice begins

01:01:20Listen

01:01:21Mr. Jaimito?

01:01:23finer

01:01:24it's me

01:01:24Monica sets sail

01:01:25What surprises you?

01:01:28last night

01:01:30Yeah

01:01:30Well

01:01:31Women are unpredictable

01:01:34Yeah

01:01:35can come

01:01:36tonight

01:01:37but too late

01:01:38Don't let them see you

01:01:39how are you?

01:01:40How about eleven o'clock?

01:01:43pay attention

01:01:44And I will tell you

01:01:44which way do you have to come

01:01:46Hey?

01:02:27Thank you!

01:02:45My God

01:02:46who are you?

01:02:47well I

01:02:48I

01:02:48I am a protective saint.

01:02:50that has been sent here

01:02:51through the sky

01:02:51I am the archangel Gabriel

01:02:53Rest in peace

01:02:54it's me

01:02:55Chérez

01:02:55We are already dead

01:02:58it's you?

01:02:59Yes, it's me.

01:03:00come on

01:03:00my hand

01:03:02Why are you coming through the door?

01:03:03and not through the window?

01:03:04It was a small oversight.

01:03:06a slip of the hand

01:03:07What have you done to your hand?

01:03:08nothing

01:03:08I was shaving

01:03:09and I cut myself

01:03:09But how?

01:03:10Do you shave your hands?

01:03:11Yes, I shave my whole body

01:03:12everything and more

01:03:13I'll shave you with a bowler hat

01:03:13with an umbrella

01:03:14and with...

01:03:15I'm putting on the washing machine

01:03:16I cut my hand

01:03:17Enough

01:03:18I'm going to heal your wound

01:03:19No, don't cure me

01:03:20Don't heal me

01:03:21Go cure that starving wretch.

01:03:22to that brute of a lover of yours

01:03:23go

01:03:25whom?

01:03:25To your lover?

01:03:26To my lover?

01:03:27I don't have a lover

01:03:27He called me on the phone

01:03:28and he threatened me

01:03:29by phone

01:03:29Thank God I'm a gentleman

01:03:30and she is single

01:03:32Tell him I'm not afraid of him

01:03:33I don't understand

01:03:34bye

01:03:34Have I said goodbye?

01:03:35no, no, no, Rodolfo

01:03:36But what's wrong, Obra?

01:03:37Please, listen to me

01:03:38what's happening?

01:03:39I have to tell you something short

01:03:40short

01:03:41very brief

01:03:42and decisive

01:03:43this

01:03:43for betraying me

01:03:45and this

01:03:46for keeping me for three hours

01:03:47enjoying the fresh air

01:03:50and this

01:03:51for messing with me

01:03:52because?

01:03:53Don't argue

01:03:54I'll stick the umbrella in you.

01:03:55in the stomach

01:03:56no, no, no, please

01:03:57meows

01:03:58meows

01:03:59meows

01:04:02kitten

01:04:03Don't leave

01:04:05Don't leave

01:04:06Don't go, my little kitten

01:04:07No, don't go

01:04:11Monica

01:04:12Monica

01:04:18pretty

01:04:19my beautiful one

01:04:20now you

01:04:21the only thing missing

01:04:22You, Juliet, and I, Romeo

01:04:24How dare he?

01:04:25But you called me.

01:04:25that I have called

01:04:26become hard, long, long

01:04:28Well, no, re, I'm going there

01:04:29not that way

01:04:30go over there

01:04:31Not that way, you mulapardo

01:04:33They know me here

01:04:37Okay, commander

01:04:38mission accomplished

01:04:40congratulations

01:04:40It's over forever

01:04:42Miss Claw

01:04:43He won't stab me again.

01:04:44I am free

01:04:45Free as a bird

01:04:46at last

01:04:47I feel like I've been reborn.

01:04:49Yes, I'm happy too.

01:04:51Yes, hey Angela

01:04:52tell me the truth

01:04:53You're not pulling my leg, are you?

01:04:55No

01:04:56Do you love me?

01:04:57Yeah

01:04:57Could it be that my son's presence

01:04:59It bothers you, doesn't it?

01:05:00What nonsense!

01:05:01Your child is adorable.

01:05:02thank you

01:05:03Give her a little kiss

01:05:04No

01:05:05not now

01:05:06Let's make love

01:05:07I'll stand here on top

01:05:08Not here

01:05:08Nobody will see us

01:05:09I'll stand here

01:05:10and you on top of me

01:05:11It will be Moscardón

01:05:12Hey?

01:05:13Who is Moscardón?

01:05:17Oh my God

01:05:20These things are not done, woman.

01:05:22Did you hurt yourself?

01:05:24Oh, what a blow!

01:05:25Oh, what a blow!

01:05:28But I haven't thrown any stones at you.

01:05:30No, no, he's here.

01:05:32go to my ass

01:05:33damned stone

01:05:34clear

01:05:36Can I help you?

01:05:37Give me your hand

01:05:38And thank you.

01:05:39Are you feeling better?

01:05:40in glory

01:05:42what's happening?

01:05:43What's so hard here?

01:05:44Oh, nothing.

01:05:45They are the biceps

01:05:46every morning

01:05:46I exercise

01:05:47with the

01:05:48the flexors

01:05:49ah

01:05:50Let's get here

01:05:51no, no, no

01:05:51wait

01:05:52I wouldn't be surprised.

01:05:53that someone was spying

01:05:54We'd better leave

01:05:55Leave?

01:05:55Yeah

01:05:55But what if someone is spying?

01:05:57I've had an idea

01:05:58I like it

01:06:00What do you think?

01:06:00do you like it?

01:06:01I don't know

01:06:01clear

01:06:02I haven't explained it to you

01:06:03you'll see

01:06:04Chesta is staying all day tomorrow

01:06:06with the child

01:06:06and you

01:06:07Come with me to Armandino's house

01:06:09Is it a good place?

01:06:10Oh, beautiful.

01:06:11There's even a picanero (a type of taco stand).

01:06:11that?

01:06:12I mean rental rooms

01:06:14hey

01:06:15And what will happen there?

01:06:16in the pica

01:06:17of everything

01:06:18You can imagine

01:06:19You can do it from me

01:06:20whatever you want

01:06:20once

01:06:21twice

01:06:21And that's enough.

01:06:23Why don't you close the school, Rodolfo?

01:06:25for the patron saint?

01:06:26no, no, no

01:06:26yes, yes, yes

01:06:2720 days

01:06:2840

01:06:28Whatever you want

01:06:29clear

01:06:29Alright

01:06:30But now I know good

01:06:31go away

01:06:31See you tomorrow

01:06:33We'll see each other at Armandino's house

01:06:35Let's see if I can get a good sting on you.

01:06:36as?

01:06:38clear

01:06:38The bumblebee stings you

01:06:39do you understand

01:06:40the bumblebee

01:06:41You're crazy.

01:06:42Okay

01:06:42bye

01:06:42see you tomorrow

01:06:54I caught you, Lucrezia Borgia

01:06:57cretin

01:06:58I'm going yesterday, you idiot.

01:07:03so that they may say, "Honor your father."

01:07:08The truth is that I'm a little worried.

01:07:10oh well

01:07:11Pastorelli

01:07:11You're like a train

01:07:13and they're going to derail you

01:07:14because?

01:07:16poor thing

01:07:17What's his fault?

01:07:18if he has fallen in love

01:07:19precisely

01:07:20I don't want her to suffer

01:07:22We need to think

01:07:23some stratagem

01:07:24But where does he want to take you?

01:07:25to Armandino's house

01:07:26to the riding arena

01:07:27I figured as much.

01:07:28But we will be prepared.

01:07:30at Armandino's house

01:07:31My uncle Vince works there.

01:07:31He's the janitor.

01:07:32Yeah

01:07:33Pastorelli

01:07:35If you say so

01:07:36peaceful

01:07:40Goodbye Angela

01:07:47bye

01:07:51bye

01:07:53guys

01:07:54guys

01:07:55guys

01:07:57we have summoned you

01:07:59to communicate

01:08:00that the director

01:08:02has decided

01:08:02Give yourselves a vacation

01:08:04for the holiday

01:08:05of the patron saint

01:08:06You don't owe it to us

01:08:17silence

01:08:19attention

01:08:22after much reflection

01:08:24and meditations

01:08:26I've had the generous idea

01:08:28to grant you

01:08:29a vacation

01:08:32on the occasion of the patron saint

01:08:34but on condition

01:08:35so that order may reign

01:08:37and discipline

01:08:39if you don't do it that way

01:08:40I'll break all your kidneys.

01:08:43It's clear.

01:08:48Well

01:08:49It's not that big of a deal.

01:08:50No?

01:08:54Angela Pastorelli

01:09:01Let's see how I begin

01:09:10His father's name is Dino

01:09:13my dear

01:09:14my dear Dino

01:09:16my dear Dino

01:09:18This sounds very cold to me.

01:09:21my dear Dino

01:09:24It sounds very cold.

01:09:25maybe

01:09:29darling

01:09:31maybe it will help

01:09:32darling

01:09:33darling

01:09:35Dino

01:09:35Yeah

01:09:36not bad

01:09:37dear Dino

01:09:40he is more affectionate

01:09:42but it turns out to be false

01:09:43because at the end of the day

01:09:44to my future father-in-law

01:09:45I don't know him

01:09:46We've never eaten together

01:09:47we haven't even taken

01:09:48the appetizer

01:09:50in the end

01:09:50No

01:09:54my

01:09:56dear friend

01:09:58This is better

01:09:59friend

01:10:01And why, friend?

01:10:02maybe

01:10:02Does he kick me?

01:10:04respectable

01:10:07respectable

01:10:08respectable

01:10:09Sir

01:10:10Jesus, Mary, and Joseph

01:10:11and Saint Anne

01:10:12was eating

01:10:13and I swallowed it

01:10:14a meal

01:10:14better

01:10:14we have arrived

01:10:15to the temple of Sodom

01:10:16and Gomorrah

01:10:16And do you want to know why?

01:10:18What do you mean, no?

01:10:18Yes, yes

01:10:19because the director is a pig

01:10:20a student has been taken away

01:10:21the Armandina house

01:10:22So what?

01:10:23How unhappy his father is!

01:10:24She doesn't know that in Armandina's house

01:10:26It's screwed

01:10:26There are a lot of tomatoes

01:10:27I don't understand those things

01:10:28tomato

01:10:29Don't go crazy

01:10:30tomato means filth

01:10:31We need to go and fix this.

01:10:32Hey, but are you sure?

01:10:32that the director is there

01:10:34Sure, sure

01:10:35like this anonymous letter

01:10:36Well, but this is monstrous.

01:10:38something like that

01:10:39Yes, but we have a duty

01:10:40to control the situation

01:10:41Who has more authority?

01:10:43The director?

01:10:43Who has it?

01:10:44who?

01:10:44Who has it?

01:10:45I

01:10:46I have to say mass tomorrow

01:10:48But it's at 5

01:10:49I have a funeral

01:11:00good night

01:11:01hello good

01:11:02Have you seen the claw?

01:11:03a bird of prey

01:11:05No man, the paw is a lady

01:11:06He wrote me a note

01:11:07I'll wait for you after 11

01:11:09at Armandino's house

01:11:10Is he here?

01:11:11Yeah

01:11:11Then I will wait for her.

01:11:12What awaits her here?

01:11:13clear

01:11:14Okay, wait for her in a room

01:11:15In a room?

01:11:16I

01:11:16room number 12

01:11:17first floor

01:11:18Well, well

01:11:19room number 13

01:11:19first floor

01:11:20thank you

01:11:24Listen

01:11:24what's happening?

01:11:25I can't find the button to go up

01:11:26if it's not the elevator

01:11:28It's the telephone booth

01:11:29walk up

01:11:30What a mania

01:11:31who came in with this elevator thing

01:11:33So we have to go up on foot

01:11:34Oh

01:11:38Uncle Vincenzo

01:11:39You need to go home

01:11:40What happened?

01:11:42The CIA has broken a leg

01:11:43She has been taken to the hospital

01:11:44Go running

01:11:44I'll stay here with this friend

01:11:46my little virgin

01:11:47And how did he get home at this hour?

01:11:48Take my motorcycle

01:11:49Man, he's outside.

01:11:50Yeah

01:11:56But how inconvenient!

01:11:57You're going to break a leg right at night.

01:11:59For your mother, Serapino

01:12:00Take care of this

01:12:00Wait, dude

01:12:01Isn't there a secret couple up there?

01:12:03Yes, yes

01:12:03there is one

01:12:04in room number 11

01:12:05And what's it to you?

01:12:07Nothing, it's a joke

01:12:09Well

01:12:11Serapino

01:12:11out of charity

01:12:12without pranks

01:12:13Don't worry, man

01:12:14I am like you

01:12:14then we're lost

01:12:19clear path

01:12:20But worry that they don't see you

01:12:21Hey, go up to the first floor

01:12:22and calls from time to time

01:12:23to room number 11

01:12:24That way you'll annoy them.

01:12:25What if it's not them after all?

01:12:26Do you know what I'm going to do?

01:12:27I will knock on every door

01:12:29Well

01:12:35Oh, faithful ones, my husband

01:12:43that?

01:12:47who is it?

01:12:49It's me, kitty.

01:12:50He was wrong.

01:12:54who?

01:12:57Okay, he'll be next door.

01:13:00I'm afraid

01:13:02Your fear?

01:13:03Yeah

01:13:03peaceful

01:13:04if your husband comes in and shoots

01:13:06It kills me

01:13:07And that's for sure.

01:13:10who?

01:13:12want?

01:13:18there is nobody

01:13:19and even if there were no

01:13:20Just tell him to leave

01:13:22Look, let's do

01:13:24as if you and I

01:13:24we were all alone in the world

01:13:26as if we were

01:13:26Adam and Eve

01:13:28Why don't we play a game?

01:13:30No, no casual games.

01:13:31We'll play something you'll love!

01:13:33the rich man puts in and takes out

01:13:34In and out?

01:13:35Yes, we get into bed

01:13:37And let's see who can do the most.

01:13:37Why don't we wait a little while?

01:13:39There's also a lot of movement

01:13:40There are a lot of people

01:13:41They keep knocking on the door

01:13:43best when they are sleeping

01:13:45if you say so

01:13:46Yes, let's play cards.

01:13:47Okay?

01:13:48Do you carry a deck of cards in your bag?

01:13:50What game shall we play?

01:13:51at 40

01:13:51better at 8 pm

01:13:52lasts less

01:13:58oh well

01:13:58what's happening?

01:14:00the gasoline will have run out

01:14:03Mary and Joseph and Saint Anne

01:14:04So what do we do now?

01:14:06What do you mean, what do we do?

01:14:07we will continue on foot

01:14:08It will be a couple of kilometers

01:14:09I refuse to continue on foot

01:14:11a couple of kilometers

01:14:11a little stroll

01:14:12What else can we do?

01:14:13We have to save a wayward soul

01:14:15And my soul?

01:14:15Who thinks of my soul?

01:14:17nobody

01:14:17I really wouldn't like it.

01:14:19to put your foot in it

01:14:19come on, sword

01:14:22damn

01:14:25the phone

01:14:28Go to sleep, I will answer.

01:14:31Hello?

01:14:32Is Professor Bumblebee home?

01:14:35No

01:14:35I am Luchignani

01:14:36a student

01:14:37Is Miss Pastorelli there?

01:14:39Who are you saying?

01:14:41Angela

01:14:43Angela?

01:14:43Oh yes, I know her.

01:14:45I think he's gone with Dad

01:14:46I knew it

01:14:48one moment

01:14:49wait

01:14:49you won't know

01:14:50Where have they gone?

01:14:52to the closet

01:14:53To the closet?

01:14:54And what do I know?

01:14:55They've said something about the closet

01:14:57cupboard?

01:14:57Didn't they say Armandino house?

01:14:59And what did I say?

01:15:00Go on, go put her to sleep

01:15:01that you're tipsy

01:15:04Armandino house

01:15:05I'll kill him if I do.

01:15:18Come on, don't play hard to get.

01:15:20Get naked already

01:15:21And if he arrives, then what?

01:15:22They keep knocking on the door

01:15:23the woman

01:15:24And they're coming

01:15:25come

01:15:26and if they come

01:15:27hide us in the closet

01:15:28To the closet?

01:15:28cupboard

01:15:29I said wardrobe

01:15:30cupboard

01:15:32Do you know what we'll do?

01:15:33We'll make love in the closet

01:15:34What a great idea!

01:15:36wait

01:15:41No, it's the exit.

01:15:43to the closet

01:15:46It's so cold!

01:15:47What a downpour!

01:15:48Do the gentlemen want

01:15:49a double bedroom?

01:15:50Marriage?

01:15:52But have you noticed me?

01:15:54What were you thinking?

01:15:56We are looking for

01:15:57a clandestine couple

01:15:58Oh, really?

01:15:59reverend

01:15:59This is a serious hotel

01:16:00And what are we, clowns?

01:16:02oh ok

01:16:03Then he gives Barbas his sermon

01:16:04Now we need a room

01:16:06nice and warm

01:16:07on the first floor

01:16:07room number 11

01:16:08There's a small stove

01:16:10Yes, yes

01:16:11Was it you who spoke?

01:16:13Yes ma'am

01:16:13I am a ventriloquist

01:16:15a clown

01:16:16You'll see

01:16:16We're going to put on a show.

01:16:17Come on, come on

01:16:18go, go

01:16:20cretin

01:16:21We almost got caught.

01:16:22and they ruin our plan

01:16:23They've left

01:16:28I'm not frozen

01:16:29Come in, Father Evaristo

01:16:31happens

01:16:32No, my husband

01:16:32Shut up, Coretina

01:16:37I don't get warm

01:16:39Wow, that's warm!

01:16:44come

01:16:45come

01:16:45Come on, let's warm up!

01:16:48Jesus, Joseph, Mary, and Saint Anne

01:16:50that's it

01:16:52I've closed

01:16:53This is a stab in the back.

01:16:55that?

01:16:56We played another one

01:16:56Another one, love?

01:16:57But we've already thrown four

01:16:58I'm exhausted

01:16:59Okay, one more and then

01:17:01to the rich

01:17:01in and out

01:17:07Yes, tell me

01:17:08Hey, concierge

01:17:09But what a janitor!

01:17:10Let me sleep

01:17:11Excuse me, what do you want?

01:17:12Aren't you expecting a lady?

01:17:14To a lady?

01:17:15Yes, it's already arrived

01:17:16Yes, yes

01:17:17He is waiting for you in room number 11

01:17:18yes, thanks

01:17:27Miss

01:17:27You're crazy

01:17:29because?

01:17:30I wouldn't want to catch pneumonia.

01:17:31But I am here

01:17:33Yes, I see it now.

01:17:35But I'm not ashamed.

01:17:36You are harmless

01:17:39Not so much, huh?

01:17:41not so much

01:17:41that?

01:17:43Miss

01:17:43I am a priest

01:17:45Ah, yes, yes

01:17:46I already know

01:17:47What does it matter?

01:17:48Protestant priests get married, don't they?

01:17:50I never protest

01:17:53Let's leave it at that

01:17:54I can't take it anymore

01:17:55Yes, that will be better.

01:17:58I don't like this.

01:17:59Let's try another way

01:18:01Angela, tell me the truth

01:18:02Could it be that you'll reject me?

01:18:04because that would destroy me

01:18:05No, man, no

01:18:05It's not that I'm rejecting you

01:18:07It's like that, like a beast

01:18:09I have to confess something to you

01:18:10When did he have sex?

01:18:12I'm getting something

01:18:13here

01:18:14that...

01:18:14I need

01:18:15free again

01:18:16Yes, I need a lot.

01:18:17Oh, I kissed you

01:18:19be generous

01:18:21a little kiss, I kissed

01:18:23Okay, look!

01:18:24Manic, that's me

01:18:25Where does that voice come from?

01:18:27I don't understand it

01:18:28Oh my God, how embarrassing!

01:18:29In the closet, in the closet!

01:18:33Go backwards, Satan!

01:18:37God, thank you

01:18:40if you want to confess

01:18:43My love

01:18:45I'm dreaming, it's true, I'm dreaming, it's true

01:18:49This is true

01:18:50I don't know, let them search me.

01:18:52I don't care if I get hurt.

01:18:54Ah, those were the days.

01:18:55Yeah, you said it, that's tough, damn, that's tough

01:18:57I put on my beautiful nightgown

01:19:00You put on your pajamas and we'll have a refreshing drink.

01:19:03That's prettier, more romantic

01:19:05More romantic

01:19:06Like newlyweds

01:19:07I don't see it clearly, but we'll do it your way.

01:19:09You put on your pajamas and I'll put on my beautiful little nightgown

01:19:12No, no, no, just the opposite

01:19:14It takes twenty-four seconds

01:19:16I'm going to get handsome

01:19:18Wait for me, I'm going to destroy you

01:19:20I'm going to destroy you

01:19:23Wear something really daring

01:19:24What a mess, what am I going with this?

01:19:36What a melon

01:19:38As a young man he was a noodle

01:19:40But I'm still a wild beast

01:19:42And that's what matters.

01:19:47Angela, where is that sadist?

01:19:49What has he done to you?

01:19:49Nothing, I just locked him in the bathroom

01:19:51You've finally decided to show up

01:19:53Are you OK?

01:19:54Yeah

01:19:55Angela

01:19:56I'm ready.

01:19:58My love

01:20:03Angela

01:20:03Let's not start with jokes, okay, beautiful?

01:20:05Now is not the time to play hide-and-seek

01:20:07Angela

01:20:08Come on, come on

01:20:09Please, my love

01:20:11That when I'm locked up for a long time

01:20:12I get claustrophobic

01:20:14It gives me the...

01:20:14Drowning

01:20:16Drowning

01:20:17Of course he was faking it

01:20:18It was to make you angry

01:20:19You despised me as a woman.

01:20:21What are you saying?

01:20:22I'm totally smitten with you

01:20:23Oh, really?

01:20:24And you know what?

01:20:25I'll kiss you on my father's beard

01:20:27Your father?

01:20:28What does your father have to do with this?

01:20:29Nothing, it's just my own stuff.

01:20:30Let's see if there are any rooms available.

01:20:31What are you going to do?

01:20:32I have a cold

01:20:33Constipated

01:20:34Oh, to hell with that cold!

01:20:36No

01:20:36And there, it doesn't come out

01:20:37Well, pull hard

01:20:38I throw

01:20:39Stronger, man

01:20:41Yes, strong

01:20:43Come here, run

01:20:45Oh, oh, oh, what pain

01:20:47Oh, how painful.

01:20:47Oh, oh

01:20:50God, how embarrassing.

01:20:51You be quiet, Father

01:20:52I'll pay for the room

01:20:53And I have the right to listen

01:20:55Oh, well that's great.

01:20:56Would you like to have sex here in front of me?

01:20:58Angela

01:20:59Kitten

01:21:00Kitten

01:21:03Wait a little while

01:21:04What's happening?

01:21:05You're so handsome!

01:21:06Okay, okay, put on your glasses.

01:21:07Yes, yes

01:21:08Is there anyone?

01:21:09Oh my God

01:21:11Who could that be?

01:21:12What does it matter, man?

01:21:14Let's escort each other

01:21:15Be careful with the coconut

01:21:20Do you see it?

01:21:22There's nobody here.

01:21:45Clear

01:21:47That's why it wasn't so cool

01:21:54Are you happy?

01:21:56Yes a lot

01:21:59But I feel a little remorse for him

01:22:01It's so good

01:22:02Forget about him

01:22:03That's how that bald, pot-bellied guy will learn.

01:22:10The bald, pot-bellied one

01:22:12He has learned his lesson

01:22:13So

01:22:13I'll put it away

01:22:18I get up and leave

01:22:20If I can

01:22:26Today we have a key

01:22:31That?

01:22:35Calorfilla, eh

01:22:38Father

01:22:39I want confession

01:22:41With confession

01:22:42Good, my son.

01:22:43We know each other

01:22:45They're buddies

01:22:58Those who were missing

01:23:01Come in, come in

01:23:02Make yourselves comfortable

01:23:04If you can

01:23:04Here's some tomato

01:23:05For everyone

01:23:21I had forgotten

01:23:23Greet

01:23:24Bye

01:23:32A little Smurf appears

01:23:34But what?

01:23:38What happened?

01:23:39A little Smurf appears

01:23:39Don't know

01:23:40Since it's the first time

01:23:41He got emotional

01:23:42And he has given it to her.

01:23:46Father Barist

01:23:47Help me

01:23:49He got emotional

01:23:50What's happening?

01:24:12Hello, daughter

01:24:13How's it going?

01:24:14Good

01:24:14And you?

01:24:15Good

01:24:16May I?

01:24:17I am Carlo Luchignani

01:24:18Nice to meet you

01:24:20Hotel Astoria, right?

01:24:22What a great future!

01:24:23Thank you

01:24:25Angela

01:24:25Thanks to the help

01:24:26This young man

01:24:26I was able to find you, daughter

01:24:28He's the one who phoned

01:24:29With what?

01:24:30You're a spy

01:24:30Dad, the principal

01:24:32Allow me to introduce you to my father

01:24:34Ah, the street sweeper of the area

01:24:37Industry

01:24:43Dad, what have you lost?

01:24:45Mind your own business.

01:24:48Nice to meet you

01:24:49Delighted

01:24:49By the way, dear director

01:24:51He will surely be able to help me

01:24:53To solve a riddle

01:24:54Yeah

01:24:54There must be a crazy teacher here.

01:24:56Sure

01:24:58Imagine

01:24:58He wrote to me asking for my hand in marriage.

01:25:00From my daughter Angela

01:25:00He said he was 50 years old

01:25:02And...

01:25:03Ah, yes

01:25:03Whether my job was hard

01:25:05Could you recommend me?

01:25:06For a position as a janitor

01:25:08You, Mr./Mister

01:25:09The industrial lawyer

01:25:10Janitor

01:25:12He must be a cretin.

01:25:13A

01:25:14Botfly

01:25:16Big Butterfly

01:25:16Wasp

01:25:17What are those little bugs called?

01:25:18Why are they buzzing so much?

01:25:19Ah, he doesn't know any jokes

01:25:20Very good, that's it, that's it, yes

01:25:22He must be a cretin.

01:25:24My dad's a real trooper.

01:25:26My father is much more cultured than you.

01:25:28Let's go, Dad

01:25:29You know we never have any luck with women

01:25:33With permission

01:25:35But son, how did you come up with that?

01:25:37Rodolfo

01:25:38Rodolfo, wait

01:25:39I knew nothing about that letter.

01:25:40And although he was joking

01:25:41Now I'm serious.

01:25:43If you want, there's a wedding tomorrow.

01:25:46Ate?

01:25:47Yeah

01:25:49What a couple!

01:25:50We'll do it, you and I

01:25:50The director and the repeater

01:25:51Leave it be, Angela

01:25:53Don't worry

01:25:54Simply

01:25:54I've messed up

01:25:56We all make fools of ourselves.

01:25:58But I'm not into that.

01:25:58I have top marks.

01:26:00Goes

01:26:00So you don't love me anymore?

01:26:03Oh, well

01:26:05Look, I don't like wet eyes.

01:26:06Smile, woman, smile

01:26:08Look, I'm a tough guy, you know?

01:26:11Tell her what we do to women

01:26:14We broke their backs

01:26:15Zaos!

01:26:16At one blow

01:26:20Bye

01:26:32You know you were right

01:26:33He's a great guy

01:26:44Don't break it.

01:26:46Do not shake it before using it

01:26:47He's my husband!

01:26:49Oh!

01:26:51No!

01:26:51Look at the little bird!

01:26:53Oh!

01:27:49Thank you!

01:27:58Thank you!

La estudiante, el rector y Jaimito el playboy 1980 - HD 1080

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