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00:00:04We are now auctioning a very curious piece for bibliophiles.
00:00:09Show it.
00:00:10It is a genuine 15th-century incunabulum.
00:00:14The Treatise on Herbs and Plants by the great Arab botanist Ibn al-Baitar,
00:00:21in its first Latin translation and with the unsurpassed original illustrations.
00:00:26But, gentlemen, a word of warning.
00:00:29The book is unfortunately incomplete, as if it had been split in two by who knows what mysterious Solomon-like decision.
00:00:38But apart from their extraordinary rarity, you can observe the wonderful goldsmithing work of their lids.
00:00:44Well, from its two half covers. A true gem.
00:00:48The incunabulum, gentlemen.
00:00:51Who makes the first offer?
00:00:53Fifteen thousand.
00:00:54Fifteen thousand, says Lord Killernay.
00:00:56Fifteen thousand for the incunabulum.
00:00:59Sixteen thousand.
00:01:01Twenty thousand.
00:01:03Twenty-two thousand.
00:01:05Thirty thousand.
00:01:06Thirty-five thousand.
00:01:09Fifty thousand.
00:01:11That fortune for a botany book. For half a book.
00:01:16Fifty-five thousand.
00:01:17Eighty thousand.
00:01:18Eighty thousand, Lord Killernay.
00:01:21Eighty thousand for the incunabulum.
00:01:22Sir, do you have another offer?
00:01:26Lord Killernay offers eighty thousand.
00:01:28Have you made up your mind?
00:01:30One hundred thousand.
00:01:31Two hundred thousand.
00:01:33Two hundred thousand.
00:01:34The offer is two hundred thousand.
00:01:37Is there no other offer?
00:01:42Two hundred thousand to one.
00:01:44Two hundred thousand at two.
00:01:47Two hundred thousand at three.
00:01:50Awarded to Lord Killernay.
00:02:02Congratulations to the British Museum.
00:02:05Thank you.
00:02:08We are now auctioning another painting.
00:02:11If possible, even more admirable than the previous one.
00:02:22We are now auctioning another painting.
00:03:07We are now auctioning another painting.
00:03:30What does it say?
00:03:32Repeat that, Mr. Sheriff.
00:03:34That you are under arrest and must accompany me.
00:03:36But why?
00:03:37The English gentleman was murdered to rob him.
00:03:40And it will be the case that you demonstrated an excessive interest in the auction.
00:03:44That's not proof.
00:03:46Whoever needs to say it will say it.
00:03:49Come on, Lynx, don't waste my time.
00:03:51This isn't the first time we've locked you up, is it?
00:03:53For a murder, yes.
00:03:56Can I give instructions to my nephew?
00:03:59Can.
00:04:04Remigio.
00:04:06Take the altarpiece to the restorer.
00:04:09Don't buy anything while I'm gone.
00:04:11And pay these bills, okay?
00:04:12Give me a kiss, son.
00:04:13Let me know, Curro Jiménez.
00:04:25Take the altarpiece to the restorer.
00:05:15Take the altarpiece to the restorer.
00:05:37Come on, everyone down!
00:05:38Fast!
00:05:42What an outrage!
00:05:54Guys, drop everything, we're leaving!
00:05:57Let's go, quickly!
00:05:59But what happened?
00:06:01A sign from heaven, undoubtedly a sign from heaven.
00:06:03Oh, Our Lady of the Robbed!
00:06:05My mother never lets me travel without her.
00:06:07Do you think so, sir?
00:06:08Stranger things have happened, ma'am.
00:06:10Come in, ma'am.
00:06:11How can anyone think such nonsense?
00:06:13Everything must be clarified in the light of reason.
00:06:15and not with those trinkets that priests trade in.
00:06:20The man must have been prey to a sudden moral crisis
00:06:23and decided to change careers...
00:06:25The light of reason!
00:06:26Go up, go up, go up.
00:06:31What do you think?
00:06:32I am a foreigner and I don't have much experience with bandolejos.
00:06:36I like them, thank God for good luck.
00:06:43Under way!
00:06:47Already!
00:07:17Be careful, ma'am!
00:07:18Thank you.
00:07:21Hello, daughter!
00:07:22Can I help her?
00:07:24Thank you, sir.
00:07:27What is your luggage?
00:07:28Two suitcases that bear my initials.
00:07:30H, H, H.
00:07:32Are all three the same?
00:07:33Of course.
00:07:35And you, give me three suitcases that have three H's in them.
00:07:38Go.
00:07:45And the other one.
00:07:47Three H's and three H's.
00:07:49And you, come here.
00:07:54Thank you, sir.
00:07:56Henrié Higo Hernández.
00:07:58As?
00:07:58My name is Henrié Higo Hernández.
00:08:01Francisco Jiménez Ledesma is mine.
00:08:03Mr. Jiménez, thank you very much.
00:08:06Goodbye, Miss Tres Sánchez.
00:08:08Goodbye.
00:08:12Hey, work.
00:08:13What are you doing here?
00:08:14Do you think I don't know the way to jail?
00:08:15Your lynx is already home.
00:08:16At home.
00:08:42Carob tree.
00:08:44Carob tree.
00:08:48What a house he's chosen to hide his girlfriend in.
00:08:50You know he's very jealous.
00:08:52Come on, Algarrobo, there's a long way to go to Córdoba.
00:08:54What's happening?
00:08:55Wow, what manners.
00:08:56I'm coming, man, I'm coming.
00:08:58Of course.
00:08:59You don't even let us rest or anything.
00:09:02But what about that little monkey?
00:09:06Do you like it?
00:09:08He gave it to me as a gift to Suspiros.
00:09:09He did it with his own brother.
00:09:11Have you ever seen anything like this?
00:09:13Not even in my dreams.
00:09:18Doesn't he come out to say goodbye?
00:09:19She's asleep.
00:09:22Goodbye, Sighs.
00:09:23See you soon.
00:09:24I'll be waiting for you, darling.
00:09:26You've got her going crazy, huh?
00:09:32Carob tree!
00:09:33What are you doing, you animal?
00:09:34Don't break it.
00:09:35Don't you see how beautiful it is?
00:09:37Is this how you treat a woman's demonstration of love?
00:09:40Don't rip that vest!
00:09:41What the hell are you doing, you brute?
00:09:45But?
00:09:48To Cordoba!
00:09:53I was able to prove that at the time that damned Englishman was killed,
00:09:56I was at the doctor's house.
00:09:58I'm happy for you,
00:09:58although I regret having made the trip in vain.
00:10:00Don't believe it.
00:10:01Look.
00:10:10What's that?
00:10:11The book for which the Englishman was killed?
00:10:14It has been in my possession for a long time.
00:10:18With the half that was stolen from that man,
00:10:20forms a single complete book.
00:10:24I have spent thirty years of my life looking for that other half.
00:10:28And when I thought I had it in my hands, it was snatched away from me.
00:10:33Is it worth that much?
00:10:35Much more than the British Museum represents.
00:10:39Apparently,
00:10:41It is nothing more than an old treatise on botany.
00:10:45And really?
00:10:46Actually,
00:10:49It holds the key to Almanzor's treasure,
00:10:52hidden in the mosque shortly before Cordoba became Christian again.
00:10:57A fabulous treasure.
00:10:58What treasure are you talking about?
00:10:59"You're crazy," he says.
00:11:00I'm not crazy, I work.
00:11:02If I manage to put the two parts of the book together,
00:11:04I can interpret it and find the treasure.
00:11:07Only I can do it.
00:11:08However, there is someone else who has been able to kill to get the other half.
00:11:12That.
00:11:13That was the real reason I called you.
00:11:16So that you can find that man.
00:11:19Already.
00:11:22Do you have any leads?
00:11:24No, none.
00:11:25Man, the world is very big and a book is hidden in a bird, in that image.
00:11:28That man must have used hired killers.
00:11:30You can find out better than I can.
00:11:33Good.
00:11:35How did that part of the book come into your possession?
00:11:39Mariano Romero sold it to me.
00:11:41Mariano Romero, what are you saying?
00:11:42Yeah.
00:11:44I had dealings with him before...
00:11:46Before he betrayed his men.
00:11:49To obtain a pardon.
00:11:51They said he had gone to Portugal and from there to America.
00:11:56Already.
00:11:58That clue doesn't give us much hope.
00:12:01You're not going to help me.
00:12:07I'll think about it.
00:12:15You have always treated me very well.
00:12:18And besides, my men and I haven't been to Cordoba for a long time.
00:12:25The carob tree is not coming.
00:12:28No.
00:12:30Perhaps he was offended.
00:12:33Shall we go look for him?
00:12:35Come on.
00:12:43It's possible to know what you're doing.
00:12:45I was hungry.
00:12:46I stopped to eat a little and have a drink.
00:12:49We have to get there before nightfall.
00:12:52I couldn't wait that long.
00:12:54Curro is waiting for us.
00:12:56Well, Curro never minded him eating a little.
00:12:58Okay, let's eat.
00:13:01At least he's alive, right?
00:13:08It smells good.
00:13:19Bring it.
00:13:20We're running late.
00:13:23To Cordoba.
00:13:33My son, I am truly amazed by the anointing with which you contemplate
00:13:38This sacred place through which visitors usually rush.
00:13:45I would like to penetrate its mystery, Father, but
00:13:47I suppose it takes a purer soul than mine.
00:13:51Don't worry, son.
00:13:53All mysteries are unfathomable by nature.
00:13:56I've been coming here every day for many, many years, and I have to be content with imagining, with dreaming.
00:14:06with all that this prodigious factory of faith, poetry, history, and crimes also contains.
00:14:15And what about riches?
00:14:17Wealth and crime often go hand in hand.
00:14:19Are you referring to the crimes committed many centuries ago because of a fabulous treasure that was believed to be hidden?
00:14:26here.
00:14:27As?
00:14:28Ah, I know what you mean.
00:14:31Almanzor's treasure was a real madness.
00:14:35Men went so far as to kill each other for him, to betray each other, and even to renounce their own faith.
00:14:42But tell me, Father, did that treasure really exist?
00:14:44And only God knows that. And whoever manages to put the book back together, torn in two.
00:14:50What book is that?
00:14:51Oh, if only I knew. I am a poor, ignorant friar.
00:14:57I only remember a few verses he repeated when I joined the order.
00:15:00Another friar there, very old and a bit crazy, they said.
00:15:06You who covet gold and live in pursuit of it, how can you find the treasure if the book is torn?
00:15:13in two?
00:15:13Beautiful.
00:15:15And what does it mean?
00:15:17Ah, poetry is unfathomable too, my friend. Like all mysteries.
00:15:26Are you discovering the beauties of Andalusia?
00:15:28Enriching my herbarium.
00:15:41Mirtasia comune.
00:15:45Here it is called Arrayán.
00:15:48To Arrayán?
00:15:50Yes, yes.
00:15:51I'll make a note of it.
00:15:57Conachi?
00:16:00Conachi, conachi.
00:16:05And Riega?
00:16:07Water, water.
00:16:12Is this okay?
00:16:15Perfect.
00:16:21Thank you, Don Francisco.
00:16:22From what I can see, you find this whole thing about plants and flowers very amusing.
00:16:29I am a corresponding member of the French Botanical Society.
00:16:33Ah.
00:16:37And I've come to Andalusia to gather material for a lecture.
00:16:41Ah.
00:16:41On the Arab influence on the European garden.
00:16:45My ultimate goal is Granada, its gardens.
00:16:48Granada, huh?
00:16:48Yes, agave plants were great gardeners.
00:16:51Ah.
00:16:52I was just talking this morning with a friar friend of mine about...
00:16:55What was the name of that famous Arab botanist who wrote some book or other?
00:17:01I don't know anymore.
00:17:02Ibn Albaitar?
00:17:03Ibn albaitar, that one.
00:17:05Mon die.
00:17:06An essential book, but lost.
00:17:10It is assumed that what I wander about in the Christians is in an auto-da-fé when the Renada takes over.
00:17:14How rude!
00:17:19And wouldn't that friar know something about that book?
00:17:22I would be very interested in speaking with him.
00:17:25Any data would be very interesting for the thesis of my talk.
00:17:28I'm sorry.
00:17:29He is a Carthusian monk.
00:17:30You know, the closure.
00:17:34What a pity.
00:17:40Cleaning the office.
00:17:41All of that?
00:17:42Here it is called Lucema.
00:17:44To Lucema?
00:17:46What a beautiful name.
00:17:48It sounds Arabic.
00:17:49In France we call it lavender.
00:17:55Repeat it.
00:17:58Lavender.
00:18:00Her lips open like a flower.
00:18:04That, Don Francisco, is gallantry applied to botany.
00:18:11Tell me, please.
00:18:13Yeah.
00:18:14Is Lucema spelled with an H?
00:18:16Here in Andalusia everything is spelled with an H.
00:18:26Excuse me, sir.
00:18:29Gentleman.
00:18:30Good afternoon.
00:18:31Good afternoon.
00:18:32I need to discuss something with you privately.
00:18:35I represent a foreign collector who prefers to remain anonymous.
00:18:40That's the norm.
00:18:42Take.
00:18:43Go away.
00:18:45You can speak freely.
00:18:47Okay, okay.
00:18:48You see, my friend has set out to find, by whatever means necessary,
00:18:53an old Arabic botanical treatise that was apparently thought to be lost,
00:18:58and of which, according to rumors,
00:19:00You have or had a copy.
00:19:07Does your friend know that he was murdered a few days ago just a stone's throw from Córdoba?
00:19:12an agent of the British Museum
00:19:14who had actually bought half of that book, split in two?
00:19:20That's outrageous!
00:19:23And your book, sir?
00:19:26Are you referring to my other half?
00:19:28Yeah.
00:19:29Oh, I bought it many years ago.
00:19:33On purpose,
00:19:35Did your friend ever see the book in my store?
00:19:39How did he know that I...?
00:19:40Please forgive me.
00:19:41I can only tell you that my friend wants a concrete answer.
00:19:45He doesn't care about paying whatever price it takes.
00:19:51Well then.
00:19:53I have bad news for your friend.
00:19:56I sold it.
00:19:57Did he sell it?
00:19:59Yeah.
00:19:59And not long ago.
00:20:01Do you remember the buyer's name?
00:20:03Yeah.
00:20:06Don Leandro...
00:20:08Villegas and Sombría.
00:20:10A stranger passing through Cordoba.
00:20:12Stranger?
00:20:12Uh-huh.
00:20:14Good.
00:20:15Good afternoon, sir.
00:20:16And thank you very much.
00:20:23Remigio.
00:20:25Remigio!
00:20:30Where did Curro say he was going to meet his men?
00:20:32In the ring of the dove.
00:20:53Wait, woman.
00:20:55Sit with me.
00:20:56Then, now I'm working.
00:20:58Leave me alone, I need to change.
00:21:01Give me the answer.
00:21:05We'll talk later.
00:21:07Alright.
00:21:09A treasure, but of what?
00:21:10What do you mean, what about?
00:21:11What is the treasure made of?
00:21:13You're so ignorant.
00:21:14A treasure is a treasure.
00:21:15And until it's found, no one knows what it is.
00:21:18But there must have been a reason they killed for him hundreds of years ago.
00:21:20And they keep killing each other.
00:21:21That's not a guarantee.
00:21:23He showed a lot of interest in him.
00:21:25Yeah.
00:21:26Do not interrupt.
00:21:27Can you help me?
00:21:32Go on.
00:21:34Do you realize?
00:21:35A man is interested in buying the book from me right now.
00:21:38Could it be anyone other than the one who killed the Englishman?
00:21:41The one who has the other half?
00:21:44Already.
00:21:46That's it.
00:21:46Thank you.
00:21:50And who can know that you have the book?
00:21:53Make sure it's not the same man who sold it to you 30 years ago.
00:21:58Mariano Romero.
00:21:59Am I alive and in Spain?
00:22:01Of course, it's possible.
00:22:02For that possibility alone, I'm going to accept your proposal.
00:22:07We need to think about the book and not about Mariano Romero.
00:22:10It's the same thing.
00:22:12You are interested in the book.
00:22:13And to me, Mariano Romero.
00:22:15What did your visitor look like?
00:22:18Airs of a gentleman.
00:22:20A scar on the forehead.
00:22:22And a strange accent.
00:22:24I would say he's a foreigner.
00:22:26I know that man.
00:22:28He's at the tavern right now.
00:22:30He wants me to dance at a farmhouse outside of Córdoba.
00:22:34Outside of Cordoba.
00:22:36Araceli.
00:22:39You have to go to that farmhouse.
00:22:41Should I leave Córdoba while you're here?
00:22:45I'll make that trip too.
00:22:47I'm interested in visiting that farmhouse.
00:22:49That being the case.
00:22:57A job.
00:22:58We'll have that book.
00:23:02I'll try.
00:23:16If the stones in your street could know.
00:23:36They were aware.
00:23:40They were aware.
00:23:52They were aware.
00:23:55If the stones in your street could know.
00:24:14Forgive me, but it was urgent.
00:24:17Do I like this site?
00:24:19I followed her lead.
00:24:20You know what?
00:24:21No.
00:24:21Do any of my best friends in Paguí dance flamenco?
00:24:24You don't say.
00:24:35Where does my ID card come from?
00:24:39Where do you want it to come from?
00:24:42My friend told me so.
00:24:46He's hanging around the tavern.
00:24:50He's hanging around the tavern.
00:25:08Do you have to kill him?
00:25:12Do you have to kill him?
00:25:16Tell me what I'll do to you, I'll poison you.
00:25:24My little companion, I'll poison it for you
00:25:49You've got it in the bag
00:25:52Araceli
00:25:56You've been wonderful.
00:25:58That?
00:26:00Have you decided yet?
00:26:02Will you come with me tomorrow?
00:26:03Yes, but only as an artist
00:26:05Understood?
00:26:06Understood?
00:26:07Understood?
00:26:08I will take care of you, no one will bother you
00:26:12I'll pick you up early
00:26:14Remember your promise.
00:26:16Won't you regret it?
00:26:18It takes care of you
00:26:22Araceli!
00:26:24Araceli!
00:26:28Right now I'm low
00:26:42But hey, all this is necessary
00:26:44It's a party, isn't it?
00:26:45How do you want the leather dancers to dance?
00:26:47With this weight the horse will not be able to walk
00:26:49We're in no hurry
00:26:51That way we'll enjoy the scenery
00:26:55And from the company
00:26:57Aha!
00:27:01Aha!
00:27:08Jamenne!
00:27:10Aha!
00:27:12Aha!
00:27:14Aha!
00:27:30Are you tired?
00:27:31No, why?
00:27:32Because you're falling behind
00:27:33Come on, let's go
00:27:34We must continue
00:27:35Already
00:27:59What's wrong with you? Why are you running away from me?
00:28:01If I don't run away from you
00:28:03How could I run away from you with that beautiful face God gave you?
00:28:09I'm going to give you some advice
00:28:12Don't make fun of me
00:28:14Never
00:28:16If I don't make fun of you
00:28:17You're handsome
00:28:18He has an aquiline nose
00:28:20Which is never a bad thing
00:28:20And such delicate hands
00:28:24What was that?
00:28:26Someone who must have hunted a rabbit
00:28:27How rude of you
00:28:29You're going to catch that man's attention
00:28:31He wouldn't let himself be caught alive.
00:28:33Sure, I already
00:28:35We didn't come here to hunt rabbits
00:28:36They're so delicious!
00:28:38I'm going to do it
00:28:40Don't even think about it
00:28:41I would see in the smoke
00:28:42Smoke?
00:28:44The smoke, yes, the smoke
00:28:46But work
00:28:47I promise I'll make a small fire
00:28:49I assure you it won't make smoke
00:28:50There is no fire without smoke
00:28:52Okay, then I'll eat it raw.
00:28:54That's up to you.
00:28:59My aunt Matilde always served them raw
00:29:01With a little lemon they're finger-licking good
00:29:07You clearly have no conscience today.
00:29:10None
00:29:11You see one starving to death
00:29:13And you don't care at all
00:29:15I'll be waiting for you next time
00:29:17I'll eat until I burst
00:29:19What are you doing?
00:29:20I like you better with your hair down
00:29:22No
00:29:23No
00:29:25Let me go
00:29:26You're crazy
00:29:28This is how you take care of me
00:29:31Do you want me to start screaming?
00:29:33I know
00:29:35First, you have to get treatment, right?
00:29:37That's how my mother teaches me.
00:29:39Alright
00:29:40Alright
00:29:59We'll wait outside until they go to bed.
00:30:01It's not in their best interest to be seen.
00:30:02This will avoid suspicion
00:30:05What are you doing?
00:30:38Do you want something else?
00:30:39It's the same
00:30:40Will it be another piece of garbage like this?
00:30:41I'm tired
00:30:42I'm going to bed
00:30:43Okay, woman
00:30:44Alright
00:30:46Listen
00:30:47What are our rooms like?
00:30:49I will accompany them
00:30:50Follow me
00:30:54We can go in now.
00:31:01Petero
00:31:01Yeah?
00:31:03Prepare this rabbit for us
00:31:04Very good
00:31:04And put wine on the table for everyone.
00:31:06Don Francisco
00:31:10Oh
00:31:12Is he stalking me?
00:31:13Ah, yes
00:31:14I would say the opposite
00:31:16I'm on my way to Fernanda's
00:31:17Ah
00:31:17But this land is irresistible.
00:31:19Look
00:31:22Look, look
00:31:23Look at this loot!
00:31:26Ocimum
00:31:27Ocimum
00:31:27Basilica
00:31:29Basilica
00:31:31Basilica
00:31:37Tomorrow we'll all be poisoned.
00:31:41Except for the French one
00:31:42Chinese tea with cookies
00:31:43I think it's delicious
00:31:45Give me some
00:31:46But you don't say it's bad.
00:31:47But you're not going to eat it
00:31:48What is he thinking about?
00:31:52I'm trying to learn from you
00:31:54I would like to classify people.
00:31:56How do you classify the leaves?
00:31:58Like the dancer in the dove ring?
00:32:01For example
00:32:03Like Miss Tres Hánchez
00:32:05For example
00:32:13Look at this marvel
00:32:20Ocimum
00:32:21Basilica
00:32:24I have a trio of kings
00:32:25So I won
00:32:27Still!
00:32:28Three things to do!
00:32:29Three things to do!
00:32:33I've learned well!
00:32:34You've learned well!
00:32:36Well, I'm not playing anymore.
00:32:37Having three of them is very boring
00:32:37What do you mean, no?
00:32:38I'm not playing anymore, man.
00:32:39I'm bored with the three of them
00:32:40I'm not playing anymore.
00:32:40Come on, come with us
00:32:41No, leave it if they don't want to.
00:32:43With four more fun
00:32:44Come on, Curro, come
00:32:45Why don't they invite me?
00:32:46We're playing poker.
00:32:47It doesn't matter, I like it a lot
00:32:49It's because money is involved.
00:32:50Clear
00:32:52As the saying goes
00:32:55Who wants to sit down and play?
00:32:56If it's not to win?
00:32:58Or to lose
00:33:00The playing cards
00:33:14Just under fifty
00:33:16Not anymore
00:33:16Nor me
00:33:19Are you going?
00:33:21Where do we have to go?
00:33:22What's being bet?
00:33:24I need to look at the cards
00:33:34Fifty
00:33:35And fifty more
00:33:39Fifty
00:33:40And fifty
00:33:43How many?
00:33:44How many what?
00:33:46Cards?
00:33:47Oh, no
00:33:48None
00:33:49Me two
00:33:55Passed
00:33:59Two hundred
00:34:01Two hundred
00:34:02And the rest
00:34:03I have to go to bed early
00:34:05This one's the hill
00:34:06And it's gone for two.
00:34:10All
00:34:10Ladder
00:34:13Full
00:34:29You have learned a lot
00:34:57Who is it?
00:35:05That gave me such a fright!
00:35:06I thought it was that annoying guy
00:35:08Did you get anything out of it?
00:35:10Nothing
00:35:10She's not giving anything away.
00:35:11I don't even know what it's called.
00:35:12The owner of the farmhouse
00:35:13Where am I going to dance?
00:35:15What's going on down there?
00:35:17They're murdering Rue's.
00:35:18Listen to her, Celi
00:35:20I will follow you with my men.
00:35:21Up to the farmhouse
00:35:21You need to find out
00:35:23Of everything you can
00:35:23I will be in touch with you
00:35:26I'll do whatever you want
00:35:27As usual
00:35:29Three hundred
00:35:33Three hundred
00:35:34And the rest
00:35:36One five thousand
00:35:39Give me money
00:35:40No no
00:35:41I've already given you two thousand
00:35:42If it's the same
00:35:42Look
00:35:43If I give it back to you now
00:35:44If it's the same
00:35:49Well
00:35:50Poker
00:35:55Color ladder
00:36:03Sirs
00:36:03I have to say goodbye
00:36:04I must continue tomorrow
00:36:06My job
00:36:07I've spent a while
00:36:08Very nice
00:36:12Thank you very much
00:36:20Yeah
00:36:21No, no, no!
00:36:59Wait for me here
00:37:15Manuel!
00:37:59I'm sorry, I didn't mean to scare you.
00:38:01What are you doing here?
00:38:02Well
00:38:03No, don't tell me, I already know.
00:38:05Looking for leaves
00:38:06Yeah
00:38:08I intended to visit the farmhouse
00:38:11But the owner did not allow entry.
00:38:12And I'm sorry
00:38:14I've been told it's almost a botanical museum.
00:38:19Who owns it?
00:38:20Do you know him?
00:38:22No, I only know that his name is Fulgencio Rocamayor.
00:38:27How did it get here?
00:38:28I rented a donkey at the inn.
00:38:31From what I can see, you haven't been allowed in either.
00:38:35I haven't tried it.
00:38:36I'm not interested in plants
00:38:38Yes, he's more interested in people.
00:38:44Sometimes
00:38:46What do you know about this Don Fulgencio?
00:38:48Little thing
00:38:48I only know his name
00:38:50But I imagine he must be a hateful character.
00:38:55What did you say the name of the inn where you live was?
00:38:57No, I haven't told him
00:38:59But if you're interested
00:39:02It's called The Twelve Oaks
00:39:04Although none remain, they have been cut down.
00:39:07You Spaniards should have an axe on your national coat of arms
00:39:12Maybe he's right
00:39:15Now I have to leave her, she's waiting for me
00:39:17But I promise to pay him a visit.
00:39:19At the inn
00:39:47What does León Fulgencio, Rocamayor, know?
00:39:51The owner of that farmhouse?
00:39:53Well, nothing.
00:39:53He is neither better nor worse than the other farm owners.
00:39:58Pay little and give good alms
00:40:00The day laborers hate him
00:40:01And the bishop speaks very highly of him
00:40:04That's all I can tell you
00:40:05Already
00:40:08How much...
00:40:10How long ago did he arrive?
00:40:11I'm not sure, but years ago
00:40:13At first, he didn't let himself be seen by anyone.
00:40:15She lived a very secluded life.
00:40:17It was said that there was a great tragedy in his life.
00:40:20But little by little, he began to get treatment.
00:40:22With his peers, of course.
00:40:24Uh-huh
00:40:25Well then
00:40:26Today he's going to talk to me.
00:40:28Even if God does not want me to be his equal
00:40:30Are you going alone?
00:40:32No
00:40:32I'm going with someone.
00:40:34But not because of you
00:40:35Bring paper to write on
00:40:39Student
00:40:39I'm going to dictate a letter to you.
00:40:46Writes
00:40:49Don Leandro Villegas y Sombría
00:40:51And his wife
00:40:53Botany enthusiast
00:40:55They request authorization
00:40:57To visit the garden of your property
00:41:01Before leaving Andalusia
00:41:03And return to Paris
00:41:05Wait for their response
00:41:06At the Inn of the Twelve Oaks
00:41:13That?
00:41:14Do you like it?
00:41:18Oh
00:41:20The little cabin isn't bad.
00:41:22Where would you like us to set up the flamenco show?
00:41:25In the center
00:41:26What do you imagine?
00:41:27Okay, woman
00:41:28Alright
00:41:29We'll remove the table then.
00:41:31Ah, Don Fulgencio
00:41:33Don Fulgencio Rocamayor
00:41:35Miss Araceli
00:41:35She's the artist I hired for the party
00:41:38Pleased to meet you, miss
00:41:39Jandalo
00:41:39Come here, I need to talk to you
00:41:43Will you forgive me?
00:41:45Yes, yes, it doesn't matter.
00:42:00What you should have brought me is the book
00:42:07What's wrong with you, Jandalo?
00:42:10That woman you've forgotten is that
00:42:11You've been deceived by an old man.
00:42:14What could I do?
00:42:15Kill him?
00:42:18You never think of anything else
00:42:20You're not the best person to point that out to me.
00:42:24Be quiet
00:42:29I am an honorable man
00:42:31Never forget it
00:42:37What did you say the name of the person who bought the book was?
00:42:41Don Leandro Villegas y Sombría
00:42:43Look
00:42:44Look at this letter
00:42:48The one Don Leandro
00:42:51He is interested in seeing this house
00:42:55We'll have to receive it
00:42:56She has registered under her maiden name
00:42:58Out of spite
00:42:59We had a fight
00:43:00This usually happens during the honeymoon.
00:43:02You know, newlyweds are very capricious.
00:43:05Me too
00:43:05I don't have much patience either.
00:43:08Then all this happens and
00:43:09Bah
00:43:10You understand, right?
00:43:13Tell me, which is your room?
00:43:15Which will now be yours too.
00:43:17No
00:43:18No, it's just that
00:43:20Jet
00:43:21She is a very light sleeper.
00:43:23And I prefer it to be adjacent.
00:43:27I am happy to oblige you
00:43:28Here
00:43:34Look
00:43:35This is hers
00:43:36And that one of yours
00:44:00It is also original
00:44:02The way he entered the rooms
00:44:03We use the informal "tú" form.
00:44:06If he lets me go
00:44:08I will be able to
00:44:08Make a decision about it
00:44:10OK
00:44:11But first
00:44:13Repeat to me how to say it
00:44:14Alucema in French
00:44:15Does it seem like the right time?
00:44:17To talk about botany
00:44:18Please
00:44:21The wind
00:44:25The one that
00:44:27The wind
00:44:38Can you
00:44:38Explain the joke?
00:44:41It's just about
00:44:42Visiting the farmhouse
00:44:43The gardenias
00:44:44We are both interested
00:44:46But the condition
00:44:47Indispensable
00:44:48It's about passing
00:44:48By husband
00:44:50And woman
00:44:52We had to start
00:44:53For deceiving
00:44:54To the innkeeper
00:45:04Quite a lot of work
00:45:05It was hard to convince him
00:45:06That we needed
00:45:07Two bedrooms
00:45:07It was a nice gesture.
00:45:09For their part
00:45:20But what are you doing?
00:45:22Wait for the response
00:45:23From Don Fulgencio Rocamayor
00:45:24And contrary to your opinion
00:45:26I'm sure
00:45:27He is a cordial man.
00:45:28And that he's going to receive us
00:45:43Don Fulgencio?
00:45:44Mister
00:45:44My lady
00:45:47Lady
00:45:47My wife and I
00:45:48Thank you very much.
00:45:49Their hospitality
00:45:50I'm afraid of disappointing you
00:45:52To the lady
00:45:52Who is the expert?
00:45:53In botany
00:45:54TRUE?
00:45:54Yeah
00:45:55The garden is
00:45:56Almost abandoned
00:45:56For a long time
00:45:57There are no more gardenias.
00:45:59I've even gone so far as to
00:46:00Something to think about
00:46:01In changing the name
00:46:02From the cordial
00:46:03I understand.
00:46:04Are you afraid?
00:46:05Make it look like a charade
00:46:06As if
00:46:07As if a person
00:46:08He lived under a name
00:46:09Supposed
00:46:11Exactly
00:46:12Me too, anyway
00:46:13I would love to visit it.
00:46:15A neglected garden
00:46:16It often has real treasures
00:46:17And I am confident.
00:46:19To enrich
00:46:19Mirbar
00:46:20And that's all that matters.
00:46:21José
00:46:24Accompany the lady
00:46:25Let's visit the garden
00:46:26This way, miss.
00:46:29Shall we go inside?
00:46:30Thank you
00:46:37I see in you
00:46:38To a great connoisseur
00:46:41So many beautiful objects
00:46:43Are you interested?
00:46:44Art
00:46:44Don Leandro?
00:46:46Well
00:46:46Art is a big deal.
00:46:47I'm interested in history.
00:46:49The past
00:46:49I'm always snooping around
00:46:51In the files
00:46:52In the attics
00:46:53And even memory
00:46:54Of the people
00:46:55And do you find
00:46:57What are you often looking for?
00:46:58Not always
00:46:59But sometimes I find
00:47:00Something I haven't set out to do.
00:47:01Something lost
00:47:02Buried
00:47:03Something that happened
00:47:04Forgotten
00:47:05Or because he's dead
00:47:06It's like
00:47:08As if my wife
00:47:09Find yourself now
00:47:10In the garden
00:47:11A gardenia
00:47:11Do you understand me?
00:47:13Would you like a sherry?
00:47:15Thank you
00:47:22Those findings
00:47:23They are usually very interesting
00:47:26And sometimes
00:47:27A little dangerous
00:47:29Everything that is worthwhile
00:47:30In life
00:47:31It involves a risk
00:47:32That's not the case
00:47:33Don Fulgencio
00:47:34But I won't have
00:47:35Secrets with you
00:47:37I just did
00:47:38One of those findings
00:47:40Tell me
00:47:43A 15th-century book
00:47:46A true gem
00:47:47That he found
00:47:47In Córdoba
00:47:48Empower an antique dealer
00:47:51That's one
00:47:51Of pleasures
00:47:52From the collector
00:47:53Isn't that right, Don Fulgencio?
00:47:54He could have brought it.
00:47:55So that he would admire him
00:47:56But I didn't think about it
00:47:58I thought I was visiting
00:48:00To a fan
00:48:01To gardening
00:48:04Health
00:48:06Actually
00:48:07I would have liked
00:48:07I see a lot of that religion
00:48:09There will be another opportunity.
00:48:10Don Fulgencio
00:48:11There will be another opportunity.
00:48:12Andriet!
00:48:17Dear
00:48:18Let's not bother you anymore.
00:48:19If there are no gardenias
00:48:20There are no gardenias.
00:48:21I hope you enjoy the visit.
00:48:22It may not have been in vain
00:48:23No no
00:48:23Quite the opposite
00:48:24I've seen plants
00:48:25Very interesting
00:48:26I have an idea
00:48:29Tonight I give
00:48:29A small, intimate party
00:48:31Would you like to come?
00:48:32You overwhelm us
00:48:33Courtesy
00:48:34Would you like that, dear?
00:48:34Attend a party
00:48:35In an Andalusian farmhouse?
00:48:36Of course
00:48:37Then I'll be waiting for you.
00:48:38Ah
00:48:39And if he remembers
00:48:41Could you give me a ride?
00:48:42Her precious book
00:48:43I'd love it.
00:48:44I'm not saying no
00:48:46But I'm not saying yes either.
00:48:47You already know.
00:48:48As collectors
00:48:49I'll accompany you to the car
00:48:56We'll come to the party
00:48:59Put that book down.
00:49:00From Sánchez
00:49:05Get pretty
00:49:06I'll pick you up at the inn.
00:49:18Okay, I've arrived
00:49:27I have something to confess to you
00:49:29Then
00:49:30I think I already know
00:49:32Ah, yes
00:49:33Arre
00:49:43That individual is not
00:49:44Who pretends to be
00:49:45But I can't waste time.
00:49:47Under investigation
00:49:48If he has the book with him
00:49:50As he boasts
00:49:50He has played a card
00:49:52Too bold
00:49:54Choose some men
00:49:55And get ready to act
00:49:57You're sure
00:49:58What is Mariano Romero from?
00:50:00I hope to confirm that.
00:50:01Tonight
00:50:02Just in case
00:50:03I'm taking these with me
00:50:04Let's go
00:50:05I'll accompany you
00:50:10It's for later.
00:50:11No
00:50:11No
00:50:22Thank you!
00:50:54Did you find the book?
00:50:56There were no books there.
00:50:58And her?
00:51:01In the cave, as you said
00:51:10Question her
00:51:12Perhaps she can tell us something
00:51:23What an idiot I've been!
00:51:25What happened here?
00:51:27I never thought this would happen
00:51:32Come on, the scare is over, talk.
00:51:34If I can't tell you anything
00:51:36I felt a blow to the head
00:51:38And the first thing I saw was you.
00:51:41Thank you
00:51:46What are you up to?
00:51:49Go to that party
00:51:50And what do we do?
00:51:52You, gypsy, will stand guard outside the farmhouse
00:51:55And you two
00:51:57You are invited to the party
00:52:00An Arabic botany book?
00:52:03Yeah
00:52:06The one from Ibn al-Beta?
00:52:08Yeah
00:52:11It has inestimable value
00:52:14Is that what they're looking for?
00:52:15Then you meet him?
00:52:17Have you seen it?
00:52:19Where is your husband hiding it?
00:52:21I...
00:52:22I can know a book without ever having seen it.
00:52:26Do you know Rome?
00:52:27No
00:52:27Because?
00:52:29And how does he know it exists if he's never seen it?
00:52:36I'll take away your desire to make jokes.
00:52:40Tie her up!
00:52:54Tie her up!
00:53:22How did you get here?
00:53:24Along the comfortable paths of the rooftops.
00:53:31Something wrong?
00:53:33Curro needs you to use your feminine charms.
00:53:36Explain to me why I'm not turning anything on for you.
00:53:39Look, it's very easy. You have to get it.
00:53:49Curro.
00:53:53Paraceli believes they have her here.
00:53:55He'll do everything you said. Okay, come downstairs.
00:54:00And what is the reason for this change?
00:54:02Can you explain it to me?
00:54:04I already told you that everything comes in its own time.
00:54:07It's a problem of patience.
00:54:16Please.
00:54:17The when and the how is a woman's business.
00:54:24Alright.
00:54:26Are you in charge?
00:54:28That's what I like to hear.
00:54:30Not so fast, Romeo. You have a lot to tell us first.
00:54:34You're wasting your time.
00:54:36I won't say anything.
00:54:38I warn you that I have less patience than this guy.
00:54:41Where are you hiding it or I'll cut your throat?
00:54:43Come on, tell me.
00:54:44Answer him, where is the French woman?
00:54:46The carob tree doesn't understand jokes.
00:54:56Did you come alone?
00:54:58My wife has suffered a mild indisposition.
00:55:00I'm sorry.
00:55:01I can imagine.
00:55:02But perhaps he'll recover and surprise us in the middle of the night.
00:55:06I'm going to introduce you to some friends.
00:55:08Because of my wife's illness, I forgot to bring her that.
00:55:12Don't worry.
00:55:14Perhaps it wasn't the best time.
00:55:16These things require contemplation.
00:55:19But I haven't given up hope that he'll bring it to me.
00:55:23I also have something in my possession that might interest you.
00:55:28I'm sure of it.
00:55:30Are you suggesting a case?
00:55:33I wouldn't use such a crude word.
00:55:36This is not a commercial transaction.
00:55:41We'll talk later.
00:55:42As you say, it's not the right time.
00:55:45Introduce me to your friends.
00:55:58I need to ask you another favor.
00:56:01You tell me.
00:56:05I want the songs of Mariano Romero to be sung.
00:56:08If you want it, when have I ever denied you anything?
00:56:10Yeah.
00:56:21I have denied you.
00:56:27I'd love to.
00:56:29Grief.
00:56:33I'd love to.
00:56:37I'd love to.
00:57:07Subscribe to the channel!
00:57:37Subscribe to the channel!
00:58:05Subscribe to the channel!
00:58:08Well, come in, I'll show you the rest of the house.
00:58:38Subscribe to the channel!
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01:04:52They hate Mariano Romero
01:04:54No to Don Fulgencio Rocamayor
01:04:59And if it hadn't been for that book
01:05:01no one would ever have known
01:05:03not even you
01:05:05that those two men are one and the same
01:05:14I myself had even forgotten it
01:05:18already
01:05:20You win
01:05:22I'll give you the book
01:05:23And you'll forget your visit to my farmhouse
01:05:28Deal done.
01:05:30Let's go back to the party
01:05:36There's one thing that intrigues me
01:05:39How did you get the other half?
01:05:42The lynx has it in Córdoba
01:05:44has never left his store
01:05:47clear
01:05:47Give me the book and I'll disappear
01:05:51come back for him tomorrow at noon
01:05:55now
01:05:56I don't have it here
01:05:57I have to send for someone
01:05:59I will wait
01:06:03I would have done the same
01:06:12Now I have to inform Don Fulgencio
01:06:14I'm already aware of everything
01:06:19You're a bunch of idiots
01:06:28with permission
01:06:30I think I owe you an explanation
01:06:31But I didn't ask you for it.
01:06:34Travel always has an element of the unexpected.
01:06:36and a touch of mystery
01:06:37You've had a bad time because of me
01:06:39without consequences
01:06:40Here I am enjoying a typical Andalusian night
01:06:43with a handsome and attentive husband
01:06:45I have nothing to complain about
01:06:52You've never asked me
01:06:54who am I and what do I do?
01:06:55You're not interested
01:06:56It's rude.
01:06:58ask personal questions
01:07:01including the husband
01:07:04especially to the husband
01:07:07I'm having fun with you 3 H
01:07:09But unfortunately, your fun and mine come to an end.
01:07:13Now you must leave
01:07:16This is not the time to give explanations.
01:07:18You have to leave right now.
01:07:19First I have to settle accounts with that Araceli.
01:07:22It's too late
01:07:25They've taken her away from here
01:07:27You go to the lynx shop
01:07:29and you snatch the book from him any old way
01:07:30He has it in his possession
01:07:32now I know
01:07:33anyway
01:07:36understood?
01:07:37understood
01:07:37Then you wait for me at the hermitage
01:07:39I'll be a little while getting there
01:07:42Excuse me, Don Fulgencio
01:07:45You will also go alone
01:07:46No
01:07:47A treasure will have to be guarded
01:07:49and take it to France
01:08:05You accompany her to the inn
01:08:06And then you meet me at the Moorish bar
01:08:08Has the student left yet?
01:08:09Yes, a while ago.
01:08:15You'd be better off continuing your trip to Granada.
01:08:17This region remains dangerous
01:08:19and we'll meet again
01:08:25you never know
01:08:28Giddy-up!
01:08:29Giddy-up!
01:08:47Giddy-up!
01:08:58thank you
01:09:00You're not even going to look at it
01:09:03Don Fulgencio Rocamayor
01:09:05He wouldn't dare deceive me
01:09:08my name is
01:09:09Mariano Romero
01:09:26Give it to me!
01:09:27I don't have it
01:09:30No?
01:09:34I swear I don't have it.
01:09:37Give it to him, man.
01:09:41Then you have it.
01:09:44if you don't want me to cut his throat
01:09:45Bring me the book right away.
01:09:46Don't do it
01:09:47wait
01:09:49if I give him the book
01:09:51It won't do anything to him
01:09:52I promise you
01:09:53no Remigio
01:09:54I forbid it
01:09:54I'm not waiting any longer.
01:10:20Lynx!
01:10:23good
01:10:23very good
01:10:24You both did it
01:10:25very good
01:10:26I have handed in the book
01:10:28My God
01:10:29after 30 years
01:10:32I hope Curro isn't wrong.
01:10:34Stay calm
01:10:36Curro will know what he's doing
01:10:38come with me
01:10:43Curro will know what he's doing
01:11:16Don't be mistaken
01:11:53Go back to the store and wait there.
01:11:54When Curro arrives, tell him where I am.
01:12:02with me
01:12:02who
01:12:04Don't be mistaken
01:12:04Don't be mistaken
01:12:31He hasn't moved from there the whole time.
01:12:33Who could she be waiting for?
01:12:35To Mariano Romero, like us.
01:12:53We have to surround them, gypsy.
01:12:57Carob tree.
01:12:59You with me.
01:13:05Do you have it?
01:13:09What are you doing, you wretch?
01:13:12Keep the treasure.
01:13:13You're crazy.
01:13:14Just you against seven?
01:13:16No.
01:13:18You alone against seven.
01:13:20History repeats itself.
01:13:21Only now, you're the victim.
01:13:25What are you waiting for?
01:13:26Aren't you going to defend me?
01:13:31What is going to be done?
01:13:43Keep it!
01:13:44Let that go!
01:13:47Thank you!
01:14:02I'm not going to defend myself!
01:14:05I'm not going to defend myself!
01:14:23Thank you!
01:14:54Thank you!
01:15:19Thank you!
01:15:45Thank you!
01:16:29I already told you not to make fun of me.
01:16:31Avenge it.
01:16:42Avenge it.
01:17:14Avenge it.
01:17:41Avenge it.
01:18:14Bengala.
01:18:47Nothing, I don't understand it.
01:18:51Curro, come here, explain it to him and see if he understands.
01:18:53But let's see, what is it that you still don't understand?
01:18:55Listen.
01:18:57As long as we only had half the book, we were never going to get the other half.
01:19:02Mariano Romero would have preferred to burn alive with her.
01:19:05The only way was to let him put the two halves together.
01:19:09believing that he had deceived me and then to catch him.
01:19:13Well, I don't understand it.
01:19:18Listen, let's see.
01:19:20This is a loaf of bread and a sausage.
01:19:22I understand that.
01:19:24He's starting to understand.
01:19:26Here, you have the chorizo and I'll have the bread.
01:19:28Now, I want to eat the bread and the chorizo.
01:19:31But I know you're not going to give me the sausage.
01:19:34Then I give you the bread.
01:19:36And I manage to get the bread and the sausage together.
01:19:38Then I'll eat the bread and the chorizo, André.
01:19:40Nothing, he'll just be a brute.
01:19:42In any case, neither Mariano nor the other one could have done anything with the book.
01:19:46The work that the lynx is doing now was needed.
01:19:48Despite the fuss you're making, I've managed to decipher it.
01:19:52But there's something I don't understand, work.
01:19:55The operation must be performed exactly one hour before sunset.
01:20:03I can't understand.
01:20:06Because?
01:20:09We'll know tomorrow.
01:20:25Come on.
01:20:51This is the chapel.
01:20:53In the left-hand column.
01:20:54Student, you get on.
01:21:06The fifth star above the base on the right side.
01:21:19That's it.
01:21:20And now?
01:21:21Nothing.
01:21:21Wait.
01:21:22It has to be one hour before sunset.
01:21:29That.
01:21:30The fifth star above the sun.
01:21:30The fifth star above the sun.
01:21:36That's an hour before sunset!
01:21:39That's an hour before sunset!
01:22:06Why don't we do it now?
01:22:13We have to wait.
01:22:47We have to wait.
01:22:55What do I do now?
01:22:57Push the star inwards.
01:23:15It's gold.
01:23:17It's gold.
01:23:21Gold.
01:23:44It is nothing but the light of God.
01:23:47Ingenious trick, isn't it?
01:23:49It was invented by an Arab architect.
01:23:52Through a complicated system of mechanisms and mirrors, it transforms the light of the sunset into a river of gold.
01:24:00Interesting, isn't it?
01:24:02It's not just a game.
01:24:03It is a fable and a moral lesson that each person should interpret as they wish.
01:24:09Already.
01:24:11So you knew this.
01:24:14My son, I am always attentive at this time.
01:24:17And while baiting, he took good care to edit many books and launch them into the world split in two.
01:24:23And since people often abandon books out of disappointment or fear, I make sure to return them.
01:24:31to the world so that the lesson continues to be renewed.
01:24:34The sun is setting.
01:25:22And the sun is setting.
01:25:27That's right, I told you!
01:25:31Hold your hand!
01:25:40Are h's like that?
01:25:42Yes, that's how they are.
01:25:45So these are them.
01:25:47Throw them away.
01:26:04This changes my plans.
01:26:09How do you say "la bonde" in Spanish?
01:26:17Please.
01:26:25Alucema.
01:26:28Irresistible.
01:26:54Irresistible.
01:27:24Irresistible.
01:27:52Thanks for watching the video.
01:28:10Thanks for watching the video.
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