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00:00:27Thanks for watching the video
00:00:57Thanks for watching the video
00:01:28Thanks for watching the video
00:01:57Thanks for watching the video
00:02:27Thanks for watching the video
00:02:57Thanks for watching the video
00:03:27Thanks for watching the video
00:03:57Thanks for watching the video
00:04:00Thanks for watching the video
00:04:30Thanks for watching the video
00:05:27Thanks for watching the video
00:05:57Good afternoon
00:05:59Thanks for watching the video
00:08:29Thanks for watching the video
00:10:34Thanks for watching the video
00:11:27Thanks for watching the video
00:12:28No, son.
00:13:29Thanks for watching the video
00:14:29Thanks for watching the video
00:15:26Commissar
00:15:30Thanks for watching the video
00:16:28Thanks for watching the video
00:16:57Now?
00:16:58Yeah
00:16:58Shall I take off your trench coat?
00:17:01Come on?
00:17:01Come on?
00:17:12Are you the tailor who owns the shop across the street?
00:17:15Yeah
00:17:15Would you like to come in?
00:17:17Would you like to read it, Commissioner?
00:17:19Anything important?
00:17:20Read it
00:17:22One moment
00:17:24Sit down
00:17:24Yeah
00:17:29Read it
00:17:30One moment
00:17:48Get dressed
00:17:52Yeah
00:17:57Are you Sisto in Vendiola?
00:17:59Yes, yes, sir.
00:18:01Good.
00:18:02You tell me.
00:18:04That?
00:18:05Where were you between five and six this afternoon?
00:18:08Well, working in my workshop.
00:18:10In his workshop.
00:18:12And you don't hear anything normal?
00:18:14A scream? A noise?
00:18:15No no.
00:18:18It's strange.
00:18:21What kind of relationship?
00:18:22Excuse me. Did you have a message for the gentleman?
00:18:25Well, none.
00:18:31Well, the truth is that these things had to happen.
00:18:35Yes, yes.
00:18:36And even more so in a house like this.
00:18:38What's wrong with this house?
00:18:40It happens to the same thing that happens to all houses.
00:18:44I don't want to speak ill of anyone.
00:18:46It's not my style, and even less so for a poor person who has had such a bad death.
00:18:49But the truth is, it was a beast.
00:18:51God, may God have forgiven him.
00:18:53He was leading me away as a martyr.
00:18:55Because?
00:18:56Okay, so why?
00:18:59If I were to speak...
00:19:00Well, speak up, friend, speak up.
00:19:02That's why we're here.
00:19:03So that you can speak?
00:19:04Yeah.
00:19:05No.
00:19:05Thanks for watching the video.
00:20:00Thanks for watching the video.
00:20:05Good night.
00:20:07Andrew.
00:20:10Andrés, is that you?
00:20:14Yes, it's me.
00:20:17I was already worried.
00:20:18What happened?
00:20:20They took my statement.
00:20:21Then I had to wait for the commissioner.
00:20:24Read it again.
00:20:26I'm tired.
00:20:27Are you going to dinner?
00:20:30No.
00:20:31I don't feel like it.
00:20:39Poor Antonio.
00:20:41It's been horrible.
00:20:43When I went in to ask him for tobacco, I found him on the floor, with his eyes open.
00:20:50Is there any news?
00:20:51No, I don't think so.
00:20:57You were very impressed, weren't you?
00:21:01Why don't you have something to drink?
00:21:03Well, a little milk, if there is any.
00:21:05Yeah.
00:21:05No.
00:21:07No.
00:21:20No.
00:21:23No.
00:21:24No.
00:21:25No.
00:21:54Thank you!
00:22:11It will suit you well.
00:22:13Otherwise, you won't be able to sleep tonight.
00:22:18Anyway, it's going to be difficult for me.
00:22:21Come on, Andrés.
00:22:22These things happen.
00:22:23We have to overcome this.
00:22:27Take.
00:22:31No.
00:22:34It's not that.
00:22:36Go ahead, take it.
00:22:42I've seen the killer.
00:22:45And I haven't told the police.
00:22:47Because?
00:22:51I haven't dared.
00:22:55You're sure?
00:22:56Yeah.
00:22:57I saw him leave the store and he saw me too.
00:23:01And do you know who it is?
00:23:03No.
00:23:04But I could recognize him.
00:23:07Yes, yes.
00:23:08I know I've done wrong.
00:23:10But I thought that if I didn't report him, I would have nothing to fear.
00:23:14The bad thing is that he doesn't know it.
00:23:18Tomorrow I will go back to the police and tell them everything.
00:23:20Don't you think that's the best thing to do?
00:23:22Andrés, the same thing always happens to you.
00:23:24You do one thing and then you backtrack.
00:23:26You write something and you tear it up.
00:23:27I can't do anything else anymore.
00:23:29But you don't understand.
00:23:30You should have told the police about it at the time.
00:23:33What are you going to say to him now?
00:23:34Did you make a mistake?
00:23:35No, honestly, I was scared.
00:23:37Fear?
00:23:38It's the same or worse.
00:23:39They'll think you have something to hide.
00:23:40You know how the police are.
00:23:43Go on, have that.
00:23:57That man will kill me.
00:24:02I adore you, my sweet illusion, and your image is engraved here.
00:24:09And we'll get married as soon as I have Dad's permission.
00:24:15Dad.
00:24:17If Dad comes to power soon.
00:24:20The poor man's illusions.
00:24:23Instantly, quite nonchalantly, I'm going to give you the governor's police force.
00:24:29Yes!
00:24:31I want to know if before all that I will be your wife.
00:24:35What must you be?
00:24:37Sure, until then.
00:24:39It's especially important now that we're in this situation.
00:24:42This villager just wants compensation.
00:24:49There is a passion to invite a father to the expassion.
00:24:53I will be your constant slave to my love.
00:25:07Because of your education, you are worthy of holding a high position.
00:25:41And you will be governor.
00:25:43Ah, silly, silly, silly!
00:25:46Still!
00:25:46Oh!
00:25:47Dompillo!
00:25:48Oh!
00:25:49Sweet illusion!
00:25:52Oh!
00:25:52Still!
00:25:54No, no, no. This can't be.
00:25:56I don't know what's going on here today.
00:25:58It seems we're all distracted.
00:25:59Pay a little attention, man.
00:26:01When you sit down, you lose the rhythm of the music.
00:26:05Let's do it again.
00:26:06Okay, but before we move on, let's take a break, shall we?
00:26:09Do whatever you want.
00:26:12Okay. Ten minutes break.
00:26:17And he had no family?
00:26:18Not that I know of. Nobody.
00:26:19Really?
00:26:20Clear.
00:26:20So, who was she living with?
00:26:21What do I know? I'm alone.
00:26:24Then it definitely had its flavor.
00:26:25No, I don't think so.
00:26:26Yeah, man. It had a good period when the symphony...
00:26:29You'll remember, Andrés.
00:26:30Those were your father's times.
00:26:32Ah, yes.
00:26:32Well, as a tuner...
00:26:34Man, I was already sixty.
00:26:35So many?
00:26:36So, when did your father die?
00:26:38In forty-five.
00:26:39No.
00:26:40That has nothing to do with it.
00:26:41Don Andrés would now have, then...
00:26:43Antonio and my father were the same age.
00:26:45More or less.
00:26:46Do you see sixty-something?
00:26:47Do you want me to tell you something?
00:26:48I knew this was going to happen.
00:26:50Don't be annoying.
00:26:50Yes. I knew this man was going to end up like this.
00:26:53He had many enemies from the time of the war.
00:26:56And then there's the issue of usury.
00:26:58It must have been someone from the profession.
00:26:59Because?
00:27:00Because I know of colleagues.
00:27:02Old things.
00:27:03One day they go out and...
00:27:05Your father, for example, with that temperament he had...
00:27:08He collided with him several times.
00:27:09Well, you'll know that better than I do.
00:27:11No, not me.
00:27:14Andrés Salas!
00:27:16Is it me?
00:27:17Yes, on the phone.
00:27:20Ah, yes.
00:27:20Will you forgive me?
00:27:21Yes of course.
00:27:27What's wrong with him?
00:27:29Whom?
00:27:30To Salas.
00:27:31He seems very nervous.
00:27:33As if he didn't want to commit.
00:27:34No, he's a good kid.
00:27:39Thank you.
00:27:43Hello?
00:27:45Hello?
00:27:48Tell me.
00:27:52Have they stopped?
00:27:54Let's see.
00:27:56Say!
00:27:58Say!
00:28:00Has he grown tired of waiting?
00:28:01Well, I came right away.
00:28:02Didn't he say who it was?
00:28:04No.
00:28:04He had a foreign accent.
00:28:06And did he ask about me?
00:28:07Yes sir.
00:28:09Are you not going to call to talk?
00:28:10Yeah.
00:28:11That's it.
00:28:19Okay, okay.
00:28:21Silence.
00:28:22Are we all here?
00:28:23No, Salas is missing.
00:28:25And where is it?
00:28:26On the phone.
00:28:29Come on, please!
00:28:35I'm sorry.
00:28:36And let's see if he pays a little attention.
00:28:38You are very distracted.
00:28:40Sorry.
00:28:49I adore you, my sweet illusion
00:28:53And your image is engraved here.
00:28:56And we got married right away
00:28:59When I have Dad's permission
00:29:02Dad
00:29:03If Dad comes to power soon
00:29:07Poor man's illusions
00:29:10Instantly, very captivating
00:29:13I need to get to the province
00:29:14He rules me
00:29:15Take note!
00:29:18I want to know
00:29:19If before all that
00:29:20You must belong to your wife
00:29:24Of course
00:29:25It's more than time
00:29:26We are like this
00:29:30This rascal
00:29:31It only has two
00:29:32Please go first.
00:29:33Okay, I'll pass.
00:29:34The entire first part
00:29:36It would have to be repeated
00:29:38What are you laughing at, huh?
00:29:40Someone is missing
00:29:41No, no, nobody's missing.
00:29:42What I would like
00:29:43It's that you marked yourself
00:29:44A little bit of a twist
00:29:44Me, for myself
00:29:46Dance, dance
00:29:57Dance, dance
00:30:25Abaí, dance
00:30:53Taxi!
00:30:57Taxi!
00:31:08Oh, Luce 3!
00:31:20Andrew?
00:31:24Yeah
00:31:27Where is the key to the downstairs room?
00:31:30That?
00:31:32The basement key
00:31:36It's open
00:31:38What do you want?
00:31:41Nothing, I'm just going to check something.
00:31:43If there is no light
00:31:50There is no light
00:31:54There is no light
00:32:16Oh, Luce 3!
00:33:03Thank you!
00:33:23Thank you!
00:33:36Here at this hour.
00:34:05What did you want?
00:34:06I went to look for some sheet music.
00:34:08No power?
00:34:09I haven't been able to find them.
00:34:11Weren't you going to have dinner either?
00:34:13No.
00:34:26What's the matter?
00:34:29Nothing.
00:34:30Because?
00:34:44Andrés, I'd rather you tell me.
00:34:47I didn't mean to worry you.
00:34:49They followed me.
00:34:53Upon leaving the theater.
00:34:56Thank goodness I was able to get a taxi.
00:35:00But who?
00:35:04I don't know.
00:35:08Andrés, it won't be one of your things.
00:35:12No, no, I'm sure.
00:35:19Laura.
00:35:29I don't know what I would do without you.
00:35:32You are the only thing that encourages me to live.
00:35:34Do something.
00:35:36Even if it's so...
00:35:39I don't know.
00:35:41So little.
00:35:45You're a child.
00:35:47You're a child.
00:35:48It wasn't until my father died that I realized I didn't know how to do anything.
00:35:53No.
00:35:54That's not true.
00:35:56Besides, it's not your fault.
00:36:00My Laura.
00:36:02My Laura.
00:36:04No.
00:36:24Excuse me, please.
00:36:25Do you have your turn?
00:36:28As?
00:36:30Yes sir.
00:36:33I don't know, I didn't see him go in.
00:36:34It may be, yes sir.
00:36:36And now?
00:36:36Okay, very good, yes sir.
00:36:38Just a moment, please don't worry.
00:36:39Now see if it's there.
00:36:41And me, and me, and me.
00:36:43I won't separate, unless you and I leave.
00:36:47With my stay, the sale of March, of the moon.
00:36:52And for the flight, to scold.
00:36:56I am like the saint, always by your side.
00:36:59He wants to be with you too, you bad cicada.
00:37:01He wants to be with you too, you bad cicada.
00:37:02He wants to be with you too, you bad cicada.
00:37:08Let's go, some paintbrushes, to paint.
00:37:12When we get fed up, we'll stop playing.
00:37:15In love and companionship, we will die.
00:37:29Mr. Salas.
00:37:35Do you want to tell Salas that he's getting a phone call?
00:37:37Andrés, they're calling you.
00:37:40He doesn't know who he is.
00:37:54I can't spend all day going back and forth, you understand.
00:37:59Take it.
00:38:01Say.
00:38:02Say.
00:38:06Listen, I want to talk to you.
00:38:08It is very important.
00:38:09Hey, please don't hang up.
00:38:11Listen.
00:38:12Listen.
00:38:14He hears me.
00:38:16It is attached to me.
00:38:18Don't hang up.
00:38:20Don't hang up.
00:38:23Don't hang up.
00:38:31Don't hang up.
00:38:37What's wrong with him?
00:38:38Are you feeling unwell?
00:38:40Yeah.
00:38:41Yeah.
00:38:41I'm going to leave.
00:38:46Would you like me to accompany you?
00:38:47No, thanks.
00:38:49It's no big deal.
00:38:50You'll see.
00:38:50No.
00:38:56No.
00:39:09No.
00:39:11No.
00:39:11No.
00:39:13No.
00:39:14No.
00:39:15No.
00:39:39Thank you!
00:39:46Good afternoon, what will you have?
00:39:47A cognac
00:39:48What brand?
00:39:49I don't know, I don't care.
00:39:50Good
00:39:51Anyone, a worker, a maid, has their union
00:39:55And his Mutual Aid Society
00:39:56And their mutual aid society, but what about us?
00:39:58That's why we went to the minister
00:40:00Oh, you went with them too?
00:40:02Yes, with the commission a couple of months ago
00:40:04A very nice man
00:40:06When will the salary increase happen?
00:40:08And we did it
00:40:09It was natural.
00:40:12Salas, Andresito, don't you remember me?
00:40:14Yes, Sebastian, Juan Sebastian, your father and I
00:40:17Ah, yes, Don Juan
00:40:18Sure, man, sure
00:40:21Andrés Salas, Salas' son, remember?
00:40:24Yes, of course.
00:40:25Julián Moreno, a colleague
00:40:27Andrés Salas, delighted
00:40:29Okay, man, okay
00:40:30What? You got married?
00:40:32Yeah
00:40:32And how many children do you have?
00:40:34No, none.
00:40:35Oh my God
00:40:38How much is it?
00:40:39All
00:40:39Allow me, Juan
00:40:40This is two to mine
00:40:41No, no, no
00:40:4127 pesetas
00:40:42I will pay
00:40:42Just a moment, just a moment
00:40:44Thank you
00:40:44No, man, no.
00:40:45Well
00:40:45You are stronger
00:40:47Sorry, I have to go
00:40:48We started on the 20th and...
00:40:49Come on, come on
00:40:50Don't be late
00:40:51Andrés Salas, delighted
00:40:52Julián Moreno at your service
00:40:53Likewise, I'm very happy.
00:40:54And I, son, and I
00:40:55Goodbye, Don Juan
00:40:56Bye
00:41:00Bye
00:41:01A great kid
00:41:02His father insisted
00:41:04And there you have it.
00:41:05That's her name
00:41:06It hasn't been a house like this
00:41:07Where poor Antonio was killed
00:41:12Does it have a town?
00:41:13There is nothing left
00:41:14What newspapers are available?
00:41:15Madrid, news?
00:41:16Madrid
00:41:18No?
00:41:24What newspapers are available?
00:41:28No?
00:41:34No!
00:41:39What newspapers are available?
00:41:42No!
00:41:43What newspapers are available?
00:46:45Calls. Maybe he just wants to talk to you, to see what you know. Don't talk nonsense.
00:46:51Laura. I tried to talk to him and he hung up on me. Taxi. What are you doing?
00:47:00Let's go home. We're attracting attention.
00:47:15Besides, it's not worth hiding it. Sooner or later, they'll find out everything.
00:47:38Stop. Where? Right here, right here.
00:47:54How much is it? Twelve pesetas. Come on.
00:48:05Goodbye. Thank you. You're welcome.
00:48:10But Andrés... Come on, I can't take it anymore.
00:48:15I want to speak with the commissioner. Yes, come in.
00:48:19Take note. Green. I had just painted it last week.
00:48:26Green. Madrid registration 342828. Like new.
00:48:31Property of Mr. Salvador Gil. De la Viña.
00:48:34Gil de la Viña. Yes, yes, sir. Gil de la Viña.
00:48:37With address at Donostiarra Avenue 12, ninth floor.
00:48:40Gate 1. What did you say?
00:48:4212, ninth floor, door 1. Please, the commissioner.
00:48:47Wait a moment. Yes, sorry.
00:48:51What did I say? Oh, yes, door 1. Type.
00:48:54At 6:30 p.m. on the day in question, at the police station in the Opera district,
00:49:06This declaration is signed by Mr. Alberto Zaplana.
00:49:11Is it Zaplana, right? Yes, sir.
00:49:13Zaplana.
00:49:14Employee of the owner of the vehicle mentioned above.
00:49:20Madrid on so many of so many in 1964.
00:49:24Leave space for your signature, okay?
00:49:26Okay, that's it.
00:49:33Sign here.
00:49:37Hey, listen.
00:49:39Say.
00:49:40What do you want?
00:49:41I wanted to speak with the commissioner.
00:49:43He's not here.
00:49:43And what about Inspector Vázquez?
00:49:45He's not on duty either.
00:49:46Do you need anything?
00:49:49No, no, I'll be back, thank you.
00:49:54Let's see.
00:49:56Okay, that's fine.
00:50:07Bye bye.
00:50:14This man has a habit of shouting a lot.
00:50:17And I can't stand it and I'm not willing to allow it.
00:50:19Take it however you want.
00:50:20And I think that's great,
00:50:21because it attracts attention in an annoying way.
00:50:23What's happening?
00:50:24Yes, thanks.
00:50:45Hello, Andrés.
00:50:47Hello.
00:50:48What's up?
00:50:50How are you?
00:50:51Good afternoon.
00:50:51What? To work?
00:50:52Let's see what mood the old man is in today.
00:50:54We'll see.
00:50:54As usual.
00:50:56As usual.
00:51:15Hello, Joaquín.
00:51:16What? Ready to fight?
00:51:17What else can we do?
00:51:18Hello.
00:51:18Hello.
00:51:21Did you ask him how long?
00:51:22Yes, I asked him.
00:51:24And he told me what we all already suspected.
00:51:26Three or four weeks.
00:51:27And that's natural.
00:51:28The season is fast approaching.
00:51:30What a plan.
00:51:31And what about money?
00:51:32About money?
00:51:33As usual.
00:51:33Excuse me, may I pass?
00:51:35Yeah.
00:51:41With the Bronco Cid and Cid Oeste collections,
00:51:44all fans of this literary genre
00:51:46They will find the adventure they always wanted to experience.
00:51:49Courage, violence, risk.
00:51:51Bronco Cid, fifteen pesetas per copy.
00:51:54Cid Oeste, eight pesetas per copy.
00:51:56If you are a regular reader of Bronco Cid or Cid Oeste,
00:52:00participate in this type of double grand contest.
00:52:02If it isn't, find out what it is.
00:52:05tuning in to Radio Madrid,
00:52:07every Monday at ten thirty at night.
00:52:09Will you be interested?
00:52:11Because?
00:52:15...at our big sale of fair ones.
00:52:17And even bigger discounts.
00:52:18Watch it all and judge for yourself.
00:52:20Galleries, precious...
00:52:50Thank you!
00:53:10Thank you!
00:53:50Thank you!
00:54:12Thank you!
00:54:47Thank you!
00:54:56Thank you!
00:55:00Thank you!
00:55:09Thank you!
00:55:12Thank you!
00:55:13Good afternoon.
00:55:14Good afternoon.
00:55:37Thank you!
00:55:38What's up?
00:55:39What a place!
00:55:40That's outrageous!
00:55:50What a place!
00:55:51What a place!
00:55:55So be it.
00:55:58Come on, what?
00:55:59Shut up!
00:56:05Goodbye and thank you.
00:56:22Laura! Laura!
00:56:36He used to have the room next to the bathroom, but he changed when the other guest left.
00:56:42In summer it was a bit hot, especially in the afternoons.
00:56:45Of course, the poor man, since he didn't see the sun in his country, liked it.
00:57:01Did I eat here?
00:57:02No, sir. We only rent for sleeping. People we know. Some come because others have stayed here before.
00:57:11The suitcase is under the bed.
00:57:14Thank you.
00:57:23Were you coming to visit a friend?
00:57:26No, sir. I wouldn't have allowed it.
00:57:29From time to time a man named Morris would come around.
00:57:32A boy of the same age.
00:57:34This is it.
00:57:36Do you remember any others?
00:57:37No. To Morris and to the poor man, may he rest in peace.
00:57:40Don Ignacio.
00:57:43Look.
00:57:45No!
00:58:12You too, come here
00:58:18Is this it?
00:58:24You're sure?
00:58:37That's enough, you're testing my patience.
00:58:43I've already told him everything I know.
00:58:45No, he didn't just tell me, he repeated it a thousand times.
00:58:48You do not deviate one millimeter from your statement
00:58:51From the first one, of course.
00:58:52Because you didn't speak like that in the tuner's shop.
00:58:55Understand it
00:58:57Then I was afraid
00:58:58Yes, I know, don't insist
00:59:01You saw a man leave the store
00:59:03Then he suffered persecution
00:59:05I've already told you that there was no such persecution.
00:59:07He was an inspector.
00:59:08Then, according to you, of course
00:59:10The same man followed him home.
00:59:11With the intention of killing him
00:59:13But you, quite rightly,
00:59:14He finished him off first
00:59:15Yes, yes, I know it by heart.
00:59:17Everything fits together perfectly.
00:59:19Everything seems logical
00:59:20But that's not true.
00:59:22And now I want
00:59:23Tell me the truth.
00:59:25But I haven't said anything else.
00:59:27Look, I don't know who advised him
00:59:28A position that could harm him so much
00:59:31Believe me, and this is not a police trick.
00:59:33I know what happened
00:59:34But you must tell me yourself.
00:59:36Do you understand?
00:59:38You have taken the law into your own hands
00:59:41Personally, I, Ignacio Ruiz
00:59:43Being married with three children, I understand.
00:59:45As commissioner, no
00:59:46Can I drink water?
00:59:50Yeah
00:59:52Thank you
01:00:16Commissar
01:00:17I swear I saw that man come out of the store
01:00:19Okay, that's enough.
01:00:20I'm not starting over.
01:00:29Laura
01:00:29Laura
01:00:35Thank God you're here
01:00:37The commissioner says I killed that man
01:00:39I don't know
01:00:40As if I knew him from somewhere
01:00:42He says it's an alibi.
01:00:43Imagine
01:00:44I'm preparing an alibi
01:00:46See?
01:00:47I should have told the truth from the very beginning.
01:00:50Now they don't believe me.
01:00:52Damn it
01:00:53The statement is ready.
01:00:54And the quote
01:00:55In the top drawer
01:00:56The same thing always happens to me
01:00:57With the work
01:00:58Yet
01:00:59I never know what I should do
01:01:02Do you want to tell him?
01:01:03You'll see, they'll believe you.
01:01:05Please
01:01:14Why did he make her come out?
01:01:17Sit down
01:01:18Please sit down
01:01:26Mr. Salas
01:01:27Allow me to advise you to seek a lawyer
01:01:31Is it necessary?
01:01:33I'm afraid so.
01:01:34Even in the case of self-defense?
01:01:37Yeah
01:01:38Even in that case
01:01:40Which isn't exactly his
01:01:41Listen to me
01:01:42You have killed your wife's lover
01:01:45But what does it say?
01:01:47What are you saying?
01:01:48Everything has been proven.
01:01:49It appears you have made a regrettable mistake.
01:01:53His wife
01:01:54And Klaus Hank
01:01:54The man you claim was stalking you
01:01:57They were lovers
01:02:01That's impossible
01:02:08Laura
01:02:10Impossible
01:02:13Completely impossible
01:02:16Believe me
01:02:17I'm sorry
01:02:24Come on
01:02:28Keep him
01:02:30Leave him alone
01:02:46I didn't know
01:02:52No
01:02:54Good
01:02:56Then nothing more
01:03:07Can I leave?
01:03:10Yeah
01:03:19I'm going to leave the apartment
01:03:23After all this you will understand
01:03:25I understand everything, ma'am
01:03:39The bad thing about the police
01:03:40He's not interested in the reasons.
01:03:44For you, the reasons of the people
01:03:47They're just clues.
01:03:51For now, I plan to stay at a friend's house.
01:03:53Can?
01:03:54Yes of course
01:03:58I'll probably leave tomorrow
01:03:59I need to take some things with me.
01:04:01And thank you.
01:04:02Throughout
01:04:19Do I have to explain everything?
01:04:25Yeah
01:04:25As you well know
01:04:27I was desperate
01:04:29Fed up with his lack of spirit
01:04:31Having to encourage him to write
01:04:34For anything other than the everyday routine
01:04:39Klaus, on the other hand
01:04:40I don't know
01:04:42It was decided
01:04:44I had a different mindset
01:04:46He was even willing to talk about our situation with Andrés.
01:04:50It took a lot of work to make him give up.
01:04:52Focus on the day of the crime
01:04:56Well
01:04:58I was running late
01:05:00I had been to the movies
01:05:01Which cinema?
01:05:03In the center
01:05:03A stupid movie
01:05:05Continue
01:05:07We were scheduled to meet at eight
01:05:09Klaus is
01:05:11He was a little violent
01:05:14Well
01:05:15Violent no
01:05:16That he was possessed by himself
01:05:18And because I listened to him
01:05:27I got home and was horrified
01:05:31Andrés was there
01:05:34You scared me.
01:05:36What do you do with the light off?
01:05:40Night has fallen and I haven't even noticed.
01:05:42And the rehearsal?
01:05:44You told me you weren't coming to dinner tonight
01:05:46It has been suspended
01:05:48By seven o'clock we were already out on the street
01:05:49The rehearsal had been suspended
01:05:51And Klaus was about to arrive
01:05:52I didn't know what to do.
01:05:54My husband was talking about I don't know what
01:05:55Total
01:05:56I've come home
01:05:57To work for a while
01:06:07And have you done anything?
01:06:11Nothing
01:06:13This weather depresses me.
01:06:21Do you have tobacco?
01:06:22No
01:06:23I'll look in my bag.
01:06:24Leave it
01:06:25I'll go down to the bar
01:06:26Suddenly
01:06:27I was overcome with the fear that they would meet.
01:06:29It was stupid.
01:06:31Because
01:06:31Because they didn't know each other
01:06:32Well
01:06:33My husband didn't know Klaus
01:06:35But just thinking about it terrified me
01:06:38I had to make sure Andrés didn't go out.
01:06:40So if Klaus arrived
01:06:42I could open the door for him
01:06:43And to inform him of the situation
01:06:46It was something horrible.
01:06:48I was thinking about a thousand things at once
01:06:50But in that damned bag there wasn't a trace of tobacco.
01:06:53Remember her now
01:06:55Yeah
01:06:57They would be
01:06:58It's a little to eight.
01:07:12No, I don't have
01:07:13Better
01:07:14This is how I stretch my legs
01:07:15Are you going to stay home all afternoon?
01:07:17Yeah
01:07:22I looked out onto the balcony hoping to see Klaus arrive
01:07:26And not even Andrés appeared
01:07:27Later, when he told me about the downstairs neighbor
01:07:30I realized I was in the store
01:07:32I finally saw Klaus
01:07:34If only I had known he was in the bar across the street
01:07:52I prayed to God that they wouldn't meet on the stairs
01:07:55And I'm telling you, it was stupid.
01:07:57Because they didn't know each other
01:08:02Klaus was going up
01:08:05At that moment
01:08:06I thought they were both going to appear in the elevator
01:08:08And a whole lot more
01:08:20How impatient
01:08:21Andrés is here
01:08:22The trial has been suspended
01:08:23You haven't found it yet.
01:08:23No
01:08:24It went down a moment ago
01:08:25He'll be at the bar
01:08:25But I come from there
01:08:26Look, you'd better go
01:08:28I will call you
01:08:29It's just that I
01:08:30He went downstairs to buy tobacco
01:08:31Go away
01:08:31It's already going up
01:08:32Before
01:08:34Go down the stairs
01:08:34Go away, go away
01:08:35Okay, okay
01:08:37But you have to give me an explanation.
01:08:38Because I don't understand
01:09:06I don't understand
01:09:18I don't understand
01:09:20I don't understand
01:09:38I don't understand
01:09:39No, no, no.
01:10:11Good morning, commissioner.
01:10:13You again? Why have you come now?
01:10:15No, nothing, yes, I haven't done anything, commissioner.
01:10:17Okay, tell me about it later.
01:10:18Nothing, really.
01:10:21Is there anything special about it?
01:10:22No, come on, I don't think so.
01:10:24Is it proven?
01:10:25We'll do it in a moment.
01:10:27Okay, I'll be right back.
01:10:37Okay, let's mess this up.
01:10:38Yeah.
01:10:40A wristwatch.
01:10:42A wristwatch.
01:10:44A pen.
01:10:45A pen.
01:10:46The passport.
01:10:47The passport.
01:10:49Which, by the way, is expired.
01:10:51A keyring with two keys.
01:10:53A keyring with two keys.
01:10:56A slave.
01:10:57A slave.
01:10:58Yes, man, yes, this.
01:11:00Ah.
01:11:01A notebook.
01:11:04A notebook.
01:11:07If I remember correctly.
01:11:08In his neighbor's shop, the tuner, I warned him that it was time to talk.
01:11:11But I didn't know anything, commissioner.
01:11:13I didn't know anything, but I was aware of the deceased's existence, unfortunately.
01:11:17Isn't that right?
01:11:18I, I, all I know is that he used to go into the house sometimes, but nothing more.
01:11:24And he wasn't interested in knowing where he was going.
01:11:26For example, the floor where they were waiting for him.
01:11:29No, no, no, commissioner.
01:11:31Word of honor, no.
01:11:32I live my life.
01:11:34I don't bother anyone.
01:11:35And you never speak to him.
01:11:38Who?
01:11:39I?
01:11:40Why would I talk to a stranger?
01:11:43However, at the morgue, you said, what a shame for the man.
01:11:47The inspector who was with you thought he understood that you knew him.
01:11:51No, no, no, no, no, no.
01:11:53The only thing I know about that boy is that he used to come into the house every Wednesday.
01:12:00Wednesdays?
01:12:01Well, Wednesdays or Thursdays.
01:12:05Believe me, commissioner, I don't know anything.
01:12:08They used to see each other on Wednesdays.
01:12:10Who?
01:12:12Hank and her.
01:12:14No, I don't know what you mean.
01:12:17Yes, you know it.
01:12:18The thing is, he doesn't feel strong enough to speak ill of a woman.
01:12:23Right?
01:12:24Well, I don't usually speak ill of anyone.
01:12:28And even less...
01:12:30It was true, wasn't it?
01:12:32It's true?
01:12:34Yes sir.
01:12:36They saw each other every Wednesday.
01:12:39The husband...
01:12:40The husband...
01:12:41...had a rehearsal...
01:12:43...that day.
01:12:46AND...
01:12:47No, nothing more.
01:12:49This situation is extremely upsetting for me.
01:12:52Good.
01:12:54Okay.
01:12:56Okay.
01:12:57Leave?
01:12:58Yes, until further notice.
01:13:06Good morning.
01:13:07Goodbye, good morning.
01:13:23Is that done yet?
01:13:25Vázquez, here he is.
01:13:26Have all the statements been checked?
01:13:28Yes, we even have the one about the dead man.
01:13:30How is that?
01:13:31He was a very meticulous guy and wrote down in his diary all the steps he planned to take the next day.
01:13:36Not bad.
01:13:37Learn yourself.
01:13:44Day six.
01:13:45Call Peter at ten o'clock.
01:13:46At twelve o'clock, discuss committee matters.
01:13:49At four o'clock, university.
01:13:51At five o'clock, call Laura.
01:13:53See her at eight o'clock.
01:13:55At eleven o'clock, dinner with Don Ramiro.
01:13:57From eight to eleven, three hours for love.
01:14:13From the light.
01:14:20Well, we're finished now.
01:14:38Of the four tenants on the first floor, two claim to have heard the bell.
01:14:44One wasn't home and the other says he had the radio on.
01:14:52Okay, will you please be quiet already?
01:14:55I'm sorry.
01:14:57You're very nervous, boss.
01:14:59I'm fed up...
01:15:00Don't worry, commissioner.
01:15:02It's not worth it.
01:15:03You'll see, we'll find the one who killed the tuner too.
01:15:06What about the other one?
01:15:07Whose?
01:15:08Ah, yes.
01:15:09He asked about the woman.
01:15:10He's a strange guy.
01:15:11He is a poor man.
01:15:12Now the woman will find someone else while he rots away.
01:15:15Oh, by the way, have you left your new address?
01:15:17Who?
01:15:18Who's it going to be?
01:15:18Laura Salas?
01:15:19I imagine so.
01:15:23Vázquez.
01:15:23She told me she was going to a friend's house.
01:15:26Ah, I see.
01:15:26Vázquez, locate Andrés Salas' wife for me immediately.
01:15:30Yes, man, yes, the lover's.
01:15:32Yes sir.
01:15:33It's unbearable.
01:15:35It must be the bad weather.
01:15:37It's just that when he does it well, he's the same.
01:15:39What's happening?
01:15:40I don't know where that agenda could be.
01:15:43But what agenda?
01:15:45Han's.
01:15:46The one about the slave.
01:15:47We need to locate that woman immediately.
01:15:50Oh.
01:15:54Here it is.
01:15:56Take.
01:15:58Take.
01:16:02Take.
01:16:06Take.
01:16:07Take.
01:16:13Please, Laura Salas.
01:16:14No, he's mistaken.
01:16:20Two, thirty-four, eighty-three, forty and...
01:16:23Hey, what number is this?
01:16:29A three.
01:16:30No, no, no, no.
01:16:31A five.
01:16:32Two, thirty-four, eighty-three, forty-five.
01:16:44Hello?
01:16:44Laura Salas.
01:16:45No, I've already told him no.
01:16:51But who is he?
01:16:53Nothing, just a pain.
01:16:54Let's get on with our business.
01:17:03Are you back already?
01:17:05Back from where?
01:17:06I haven't told him to locate Laura Salas for me.
01:17:07There's no way, they don't know her in that house.
01:17:09But did you go or not?
01:17:11I called her on the phone.
01:17:13By phone?
01:17:14What phone number?
01:17:16To his.
01:17:17And where did you get the idea that I had a phone?
01:17:19From the agenda.
01:17:21What agenda?
01:17:22Are you speaking to me in code?
01:17:24Don't get excited, the dead man had an agenda, didn't he?
01:17:27Are you referring to Klaus Hank?
01:17:29Yes, to the lover.
01:17:30Laura will call at five o'clock, look for the L and there was the phone.
01:17:35Bring on that agenda.
01:17:35Laura Salas never had a telephone.
01:17:38Let's get to the agenda!
01:17:54Can't find it?
01:17:56I don't know, I just left it here.
01:18:02But don't get nervous, man.
01:18:11Isn't this it?
01:18:15Yes, this is it.
01:18:20Can you see anything from there?
01:18:22No, not from here.
01:18:27And not from here either.
01:18:31Wait, I'll go.
01:18:39Say.
01:18:39Hello, is this 234-834-5?
01:18:45Yes, that's it.
01:18:47Does Laura Salas live there?
01:18:50But you're trying to pull my leg.
01:18:52I've already told you that no one lives here...
01:18:54Leave it to me.
01:18:56This is the police speaking.
01:18:58The police, huh?
01:18:59How funny, man.
01:19:00You should listen to me carefully.
01:19:02I warn you...
01:19:02Yes, yes, of course I'm listening.
01:19:04Well, that's all that matters.
01:19:06He says he's the police.
01:19:07Let me.
01:19:10Who am I talking to?
01:19:11Here is Inspector Romero from the second group.
01:19:13Who is it?
01:19:17I don't know how I didn't realize it before.
01:19:20What day was the crime committed?
01:19:22The six.
01:19:24Six.
01:19:25Six.
01:19:26Wednesday.
01:19:31Have you reached any conclusions?
01:19:33To be honest, I don't like any of them.
01:19:35But, man, you said it yourself.
01:19:37Call Laura at five.
01:19:38So Laura was in the store at that time.
01:19:41And do you know why?
01:19:42Well, to wait for her lover's call.
01:19:44But which store?
01:19:45So you still don't know who we've been talking to just now.
01:19:48With an idiot.
01:19:50Ah, yes.
01:19:50I'll tell Romero myself.
01:19:52Rosemary.
01:19:52He is there now at my request.
01:19:54Do you understand?
01:19:55At the time of the crime, Laura Salas spoke with her lover from the store.
01:19:59The phone you found is not hers; she never had one.
01:20:03but precisely that of the tuner.
01:20:05See?
01:20:05The danger of being meticulous.
01:20:08I have a bad habit of being late everywhere.
01:20:12According to my watch, it was already five o'clock.
01:20:15Klaus used to call me at that time, especially on Wednesdays.
01:20:17Why Wednesdays?
01:20:19Because on those days Klaus was free around eight o'clock and we took advantage of it to see each other.
01:20:24At home?
01:20:25Yeah.
01:20:26We had nowhere else to go.
01:20:28Antonio.
01:20:30It's me, Laura.
01:20:31He would call me at the Palladium store to tell me if he was coming or not.
01:20:35Andrés' father, who was a genius, was determined not to have a telephone.
01:20:41And then when he died, like...
01:20:43because his son is like that, so attached to the old ways.
01:20:47Have they called me or not?
01:20:50No, nobody has called you.
01:20:51It's not necessary.
01:20:56What's wrong with you today?
01:20:57Not just today, always.
01:20:59I don't like these messes.
01:21:03Do you think it's decent for me to be friends with your husband?
01:21:06And that I would allow this in my own home, at my age?
01:21:09At your age?
01:21:11And this?
01:21:13Oh, or this other thing.
01:21:16Well, it doesn't matter.
01:21:18Besides, you won't get scared.
01:21:23Let me think, what's your type?
01:21:26Blonde?
01:21:27No, not blonde.
01:21:30Brunette.
01:21:32Brunette, brunette, brunette.
01:21:35Let's see...
01:21:37With black eyes.
01:21:39With black eyes.
01:21:41This.
01:21:44No.
01:21:47What are you doing?
01:21:48Laura.
01:21:50Let me.
01:21:57So it was an accident.
01:22:00Laura didn't want to.
01:22:01He just pushed him.
01:22:03Please calm down.
01:22:04But he tried to force her.
01:22:06It's self-defense, isn't it?
01:22:08Now that's legitimate self-defense.
01:22:10There is another tape.
01:22:11And now it is legitimate self-defense.
01:22:25I'm going to akte.
01:22:27Tien.
01:22:29Tien.
01:22:34Tien.
01:22:36Tien.
01:22:38Tien.
01:22:39Tien.
01:22:40Tien.
01:22:50Tell me, he's not here
01:22:51And I don't want to know anything about you.
01:22:55So you don't want me, but you do want that guy.
01:22:57Now you'll see
01:23:02What are you going to do?
01:23:06Slava Theatre?
01:23:07Put me through to Don Andrés
01:23:08No!
01:23:08Let me go!
01:23:09No!
01:23:09Yes, the musician!
01:23:10Oh no!
01:23:11No!
01:23:12Let me!
01:23:13No, please!
01:23:14No!
01:23:15Why do you want to do it?
01:23:17Listen to me!
01:23:17Leave him alone!
01:23:18Please!
01:23:19No!
01:23:20Listen!
01:23:22It doesn't matter that he's rehearsing
01:23:23Tell him!
01:23:34I think I searched the entire city trying to find Klaus
01:23:40Little by little
01:24:07We'll have to talk to him, even to the point of following him.
01:24:09This is precisely what caused his death.
01:24:12I suppose it's to clarify our situation.
01:24:15Like I said, he had a different mindset.
01:24:18He was willing to do anything
01:24:19Less than believing him to be a murderer
01:24:22Can I withdraw?
01:24:23Yeah
01:24:25Yeah
01:24:32Apantala!
01:24:33Apantala!
01:24:36Apantala!
01:24:42Viva!
01:24:45Apantala!
01:24:58Accompany.
01:25:20Accompany.
01:25:55Accompany.
01:26:18Accompany.
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