00:00Anne, I thought your scenes where you were just like one-on-one with Matt or Tom or Rob were
00:04some of the most powerful in the movie.
00:06And then I read that you're holding these moments while they're reloading the IMAX cameras.
00:12Yes.
00:12Can you like walk me through that? What is that like? I can't even fathom how you like stay present.
00:17Thank you, by the way. Those are, that's an amazing thing to hear.
00:21I don't know how to, it's this crew.
00:24Like it's so nice of you to say like how do I hold it, but it was everybody.
00:27You know, everybody stayed so, I don't know, on point with what they were doing.
00:33This crew was so pro that everybody knew how to kind of get onto a wavelength.
00:37And I remember turning to you at one point, maybe I have it on my mind,
00:41but I remember we were doing a really emotionally intricate scene.
00:45And I remember, and we were kind of getting more and more open with every take.
00:49And I remember thinking, gosh, these rooms can, when you're acting in them,
00:53they can often feel like a birthing suite, like, you know, like just a room where something is being born.
00:58And so you don't want to speak too loudly.
01:01And where else would you ever want to be? It's a joy to be present in that.
01:05It's not going to last forever. You know, the day will end.
01:07So, so yeah, so I just kind of went with it and tried not to,
01:12and fought, suppressed every instinct I had to crack a joke.
01:15I was going to say, how do you not break just in the silence?
01:18Chris, Chris is a good reason not to break.
01:20If he does, if he breaks, you can break, but not before him.
