00:00The scene begins with Fina arriving and greeting Bianca.
00:03Bianca asks her how her morning went and, judging by Fina's enthusiastic response, it seems
00:08that things have gone quite well.
00:10However, Bianca quickly steers the conversation toward what happened earlier.
00:14with Lombardo, trying to find out if Fina was worried or upset by that
00:18situation.
00:19Fina admits that yes, she was a little shaken by what happened, but she tries to take it away from her.
00:25importance.
00:26He explains that he has barely had time to think about it much because
00:29His mind is occupied with another matter, the new advertising campaign he is preparing.
00:34next to Marta.
00:35Bianca knows exactly which campaign she's talking about and directly mentions the ad.
00:39What is Fina doing with Marta?
00:41Fina confirms that she does and begins to explain the main problem they are having.
00:46Finding the three women they need to star in the campaign is being
00:50much more complicated than they had imagined.
00:52Marta and Fina's idea is to find three women belonging to the same family.
00:57but from different generations.
00:59Ideally, we would find a grandmother, a mother, and a daughter.
01:03In this way they could visually represent the continuity of the queen's brand through
01:08weather.
01:09However, the search is proving very difficult.
01:12Fina explains that many well-known families are unwilling to participate in a campaign
01:17of this type.
01:18Other families might be interested, but they have logistical problems.
01:22For example, it may happen that the daughter is studying in Madrid or that the members of
01:27The family lives in different places.
01:29Bianca understands that this is a real problem and acknowledges that finding the three
01:33The right women are not easy.
01:35But then she begins to question the way Marta and Fina are handling things.
01:39the project.
01:40She tells Fina that, being an artist, perhaps there should be someone who specializes in finding models.
01:46or people for campaigns.
01:47Bianca believes they should hire someone specifically to handle
01:52find the right family.
01:54Fina explains that this is not possible because the campaign budget is very small.
01:58For that reason, Marta and she have to take care of everything personally.
02:02Bianca insists that perhaps they should have allocated a little more money to that part
02:07of the project.
02:08He even advises Fina to stop accepting jobs she considers second-rate.
02:12The phrase creates a clear difference between the two perspectives.
02:16For Bianca, the campaign project may seem too small or unimportant
02:21compared to the artistic work that Fina could be doing.
02:25Fina, on the other hand, doesn't see it that way.
02:28She is convinced that the campaign will turn out very well and that that is what is truly important.
02:33Even though the budget is small and they have to do many things themselves, Fina is confident.
02:37in the result.
02:38Bianca apparently accepts his answer, saying that it will surely turn out very well.
02:43But he immediately shifts the focus of the conversation.
02:46He reminds Fina that there is something that also has to be done very well.
02:50Their catalog.
02:51Fina perfectly understands that Bianca is referring to the photographic project related to her
02:55paintings.
02:56He answers yes, that the catalog also has to look very good.
03:00In this way, Bianca puts her own project back at the center of the conversation.
03:05Then he asks Fina if she has already told Marta what happened with Lombardo.
03:09Fina answers no.
03:11He explains that he hasn't had the opportunity to do so yet because Marta has been busy during
03:15They've been in meetings all day and have barely been able to see each other.
03:18Bianca confirms once again that Marta, therefore, knows absolutely nothing about the situation.
03:24Fina confirms it again.
03:26This detail is important because it demonstrates that there is information related to the project.
03:30Bianca's, which Marta still doesn't know about.
03:32Fina doesn't seem to be intentionally hiding anything from him; she simply hasn't found the right moment.
03:38to talk to her.
03:40After this exchange, Bianca feels it's time to get to work.
03:44Fina agrees.
03:46However, before starting, Fina apologizes to Bianca.
03:50He acknowledges that, after the reprimand he received, he probably should have stayed
03:55I spent the whole morning with Bianca taking photographs.
03:57But he hasn't been able to do so because the campaign with Marta has taken up most of his time.
04:02This apology shows that Fina feels responsible for not having been there enough
04:07present in Bianca's project.
04:09Bianca replies that it's okay and they can start right then.
04:12But Fina then confesses a deeper problem.
04:15Before the conversation with Lombardo and the demands he made, she had
04:20The approach I wanted to take with the project was very clear.
04:23I knew exactly what I wanted to do.
04:25He had a specific vision.
04:27Now, however, that security has disappeared.
04:31Lombardo's criticisms have made her doubt her own artistic direction.
04:35Fina no longer knows where to begin because she doesn't know exactly what the dealer expects.
04:39Bianca's.
04:40This insecurity is one of the most important parts of the scene.
04:44Fina is not only concerned with completing the job.
04:47He is trying to figure out what someone expects from his photograph and, at the same time,
04:52He wants to maintain his own artistic vision.
04:55Bianca takes advantage of that moment to propose that they work together.
04:59She reminds him that they are both involved in the project and that they can make a rain.
05:02ideas to find a solution.
05:05Bianca is confident that this technique can work because they have both already used rain.
05:09ideas previously.
05:11Fina even admits that this method worked very well for her when she was working with Marta.
05:15This response is seemingly innocent, but it makes an important difference.
05:20Fina just mentioned Marta as someone she finds it easy to work creatively with.
05:25natural and productive.
05:26Bianca immediately asks him to focus on her.
05:30Use a loving and friendly tone to tell her that she now needs to focus exclusively on this.
05:35in his project.
05:36Fina answers yes.
05:38Bianca then begins to prepare the materials.
05:41He tells Fina that he is going to start mixing colors and asks her to get out her camera.
05:44The intention is to begin photographing Bianca's creative process, the preparations,
05:50the materials, the paint, and the different elements that are part of his work.
05:54Fina gets ready to start taking photographs.
05:57Bianca begins working with the colors and Fina carefully observes the composition
06:01that it is creating.
06:02At that moment, the artistic connection between the two reappears.
06:06Fina analyzes how she should frame the images and begins to suggest small changes.
06:11to get a more interesting photograph.
06:13For example, observe Bianca's hand position and consider that it might work
06:18very good within the composition.
06:20But he immediately changes his mind when he realizes that the hand can hide part
06:24from the palette and make it appear as if the photograph is directly showing a painting in
06:28location of the process behind her.
06:30Bianca accepts Fina's instructions and asks her to come closer and get inside the
06:34space where he is working.
06:36The scene ends with both of them completely focused on the project.
06:39On the surface, it simply appears to be two artists working together.
06:44However, beneath that professional collaboration lie several important tensions.
06:50Fina is trying to balance two different projects.
06:53On one hand, there is the advertising campaign for the queen's perfumes that is being developed
06:58next to Marta.
06:59This project is especially important to her because it represents a collaborative effort between them.
07:04And because Fina feels that she is part of the company and of Marta's fight to save it.
07:08On the other hand, there is Bianca's art project, which is now under a
07:13much greater pressure after Lombardo's intervention.
07:16The main difficulty is that Fina doesn't have enough time to dedicate herself completely
07:20to both.
07:21She herself admits that she should have been taking photographs with Bianca, but she had to
07:26dedicate a large part of his morning to working with Marta.
07:29Bianca seems to understand, but she also tries to make sure Fina refocuses on
07:34she.
07:34The conversation also shows how Bianca constantly introduces her project into the
07:38Fina's concerns.
07:40When Fina talks about the campaign, Bianca listens, but immediately mentions the catalog.
07:45When Fina explains that she hasn't been able to tell Marta about Lombardo, Bianca confirms that
07:50Marta still doesn't know.
07:51And when Fina admits she's worried about her job, Bianca offers to work with her.
07:56and asks him to focus on her.
07:58On the other hand, Fina continues to demonstrate a huge commitment to Marta's project.
08:03He doesn't talk about the campaign as just any job.
08:06She's concerned about things going well and is willing to take on additional tasks.
08:10due to the limited budget.
08:12Even when Bianca criticizes the campaign for being too modest a job, Fina doesn't
08:17change your mind.
08:18For her, the end result is what matters.
08:21This difference also reflects two distinct ways of understanding work.
08:25Bianca seems to particularly value the artistic prestige and sophistication of the project,
08:30while Fina is more concerned with finding practical solutions and achieving
08:34that the result works.
08:36Marta's campaign has a small budget, but Fina is convinced they can make up for it.
08:41with creativity.
08:42That is precisely the philosophy she shares with Marta: to use limited resources to
08:47create something original and different.
08:49The situation with Lombardo, however, has affected Fina.
08:53She admits that she used to be very clear about what she wanted to do, but now she feels lost.
08:58Professional criticism has managed to touch a sensitive part of her confidence as a photographer.
09:03Bianca then tries to take on the role of a companion who helps her regain her confidence.
09:08She proposes that they think together, create new ideas, and find a solution.
09:12The scene, therefore, combines professional and emotional elements.
09:17Fina is trying to regain her artistic confidence while trying to keep up with her commitments.
09:22with Marta and Bianca.
09:23Bianca, for her part, seems determined to get Fina to dedicate time and attention to her again.
09:29The fact that he tells her directly that she should now focus on herself is significant.
09:33He doesn't want Fina thinking about Marta's campaign while they're working on their project.
09:38Fina agrees and begins taking photographs.
09:40The scene ends with the two immersed in the creative process, preparing colors, organizing
09:46materials and looking for the best framing.
09:48But one question remains.
09:50How will Fina manage to divide her time between both projects?
09:54De la Reina's campaign needs his creativity and his collaboration with Marta, while the
09:59Bianca's job now demands special dedication due to Lombardo's pressure.
10:03Furthermore, Marta still doesn't know what happened to Lombardo.
10:07Therefore, the situation could become even more complicated when Fina has to explain everything to him.
10:11Ultimately, this conversation shows Fina trying to remain professional while
10:17She is increasingly pressured by the various responsibilities she has taken on.
10:21He wants to please Bianca, not disappoint Marta, and at the same time, prove that he can
10:26overcoming the doubts caused by Lombardo's criticism.
10:29Bianca presents herself as a friend who wants to help her regain her confidence, but
10:34It also gets Fina to focus a large part of her time and energy on her
10:38project.
10:38Meanwhile, Fina continues to demonstrate her commitment to Marta and to the campaign.
10:43The perfumes are very strong.
10:45The great tension that remains is precisely that.
10:48Fina wants to be there for everyone, but time and circumstances might force her to decide.
10:53where to really put your priorities.
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