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Dangerous Hearts (1949) – A gripping crime drama filled with romance, suspense, and difficult choices. When love becomes entangled with crime and betrayal, a dangerous journey begins where trust is tested and every decision can change everything.
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00:00:05The End
00:00:35The End
00:01:08The End
00:01:30The End
00:02:24May I help you?
00:02:30Jenny Marsh. First office to your left.
00:02:54Sit down.
00:03:00Now then, you understand you're not permitted to drive a car. You're not permitted to drink alcoholic beverages. You may
00:03:06not borrow money. You may not carry a weapon. You may purchase clothes and food, but never on credit. All
00:03:11purchases must be for cash. Did you read this?
00:03:14I've got it memorized?
00:05:15You don't have to tell me. He's never landed in the pen, but he's come close a dozen times. I'm
00:05:19telling you he's the wrong sort for you. My orders are to stay away. Disobeying my orders means you break
00:05:25parole. Breaking parole means you go back to jail. Is that clear?
00:05:27Yes, sir.
00:05:33Well, you see, I'm the teacher. You're the pupil. Sure. I'm the one who gets spanked. Not in the modern
00:05:39educational system. They don't spank kids anymore. They just send them to jail.
00:05:45Now, look, look, take a little advice. I think you'll be better off. You'll get over it if you get
00:05:52the brakes. I'm here to see that you get them. You got cigarettes?
00:05:58Do I have to change my brand of cigarettes, too? All right, let's go. Go? Yeah, I'll get you a
00:06:04place to live not far from you.
00:06:13Radio doesn't work, but it can be fixed. The room has morning sun. You like it? Six dollars a week.
00:06:21Yeah, she likes it. I pay the first week's rent in advance. You pay me back, I do.
00:06:26How do you get out of your first week's salary? Bathroom's down the hall. Two doors to the right.
00:06:32First week's salary? From what? Oh, yeah, you've got a job. Oh. Report there in the morning. You get 21
00:06:40dollars a week. Ask for Mr. Logan. He expects you.
00:06:43That landlady. That landlady. Miss Terrence? Yes. Does she know about me? Don't worry. She won't spy on you.
00:06:49Uh, you got money for lunch and dinner? Yes, sir. Okay, I'll drop by the office and see how you're
00:06:54getting on.
00:07:00Well, lots of luck, Cheney. Take it easy.
00:07:13Just a moment. You can't see Jenny Marsh.
00:07:17I don't think I know you.
00:07:19I'm Jenny Marsh's parole officer. If she sees you, she breaks parole.
00:07:22I see. So that's the way it is.
00:07:24That's the way it is. Now get going.
00:07:26Harry.
00:07:27Jenny.
00:07:28How did you learn this address?
00:07:29What right of you to question me?
00:07:31I meant what I said about not seeing him. It's a violation of your parole.
00:07:34Now run along, Wesson, and stay away.
00:07:35You can't tell me what to do. I can do what I like and go where I like.
00:07:38And see any woman I happen to like. You have no authority over me.
00:07:43I have no authority over you. Tell him to go.
00:07:48Please, Harry. Go.
00:07:51All right, Jenny.
00:08:07How did he know where to find you?
00:08:09I don't know.
00:08:11Well, what am I supposed to do? Hide?
00:08:12You better watch your step, Miss Marsh.
00:08:15All right.
00:08:17I'll stay away from him, but you've got to help me.
00:08:21Can you get me a room and a job where he can't find me?
00:08:23Maybe. Report in the morning.
00:08:25Here's what I was going to do.
00:08:35See you in the morning.
00:08:40I'm sorry.
00:08:44I'm sorry.
00:08:46Come on.
00:08:51I'm sorry.
00:08:54Three minutes before comes time on Belvedere.
00:08:58Get your pets down, don't get shut out on a fence that's Belvedere.
00:09:02Well, Jenny Marsh.
00:09:04Hello, Monty.
00:09:05Say, you're looking good, kid, in spite of everything.
00:09:07Thanks, Monty. I feel fine.
00:09:10What's this emergency call about?
00:09:12You know, Jenny's on parole.
00:09:13Yeah, I know. For how long, Jenny?
00:09:15The book. Life parole.
00:09:17She wants to be transferred to San Francisco.
00:09:19Shadow too close here?
00:09:21That's putting it mildly.
00:09:22Who?
00:09:23Griff Marat.
00:09:24He was my parole officer for two years.
00:09:27Tough boy, but smart.
00:09:29Say he's going to run for the state legislature.
00:09:31What?
00:09:32Yeah.
00:09:33They're talking about running him for assemblyman in the 84th District.
00:09:35They can run him for president, as far as I'm concerned.
00:09:38Look, what are the possibilities of a transfer for Jenny?
00:09:41Tough.
00:09:44Nothing is too difficult for you, Monty.
00:09:46And the surprise isn't right.
00:09:48Well, sit down.
00:09:57If the parole board in San Francisco lands her a job in a room, Los Angeles gives her the green
00:10:03light.
00:10:03Sounds simple.
00:10:04It isn't.
00:10:06First, I got to plant a family up there.
00:10:08They asked for her to be transferred.
00:10:10$5,000 for the whole show.
00:10:13Okay.
00:10:14When?
00:10:15As of now, you have cousins in San Francisco.
00:10:18First cousins.
00:10:20Called, uh, Harris.
00:10:25Yeah?
00:10:25Can you come in for a minute, Griff?
00:10:27Be right in.
00:10:37Griff, uh, how's Jenny Marsh coming along?
00:10:40Jenny Marsh?
00:10:41Okay.
00:10:42What's she doing?
00:10:43Oh, she's going after a job on her own.
00:10:44Bookkeeping job.
00:10:45Foned me about it a few hours ago.
00:10:47That girl's going places.
00:10:48She sure is.
00:10:51Right back to prison.
00:10:52Today.
00:10:53What do you mean?
00:10:54What happened?
00:10:56She was picked up in a bookie raid.
00:10:58A bookkeeping job.
00:10:59Joe Wilson was picked up, too.
00:11:01Joe Wilson?
00:11:02Another one of your pupils.
00:11:04Where are they now?
00:11:05Next door.
00:11:11Mr. Matt, don't let him send me back.
00:11:13You're out of luck, Joe.
00:11:14You mean 20 years.
00:11:15I can't take it.
00:11:16Give me another chance, please.
00:11:18I promise this time.
00:11:19You parole twice.
00:11:20This is your third violation.
00:11:22Well, I'm through covering up for you.
00:11:26Take him to headquarters.
00:11:2820 years.
00:11:3020 years.
00:11:32Go ahead.
00:11:35Go ahead.
00:11:39Go ahead.
00:11:41Come on!
00:12:05Joe Wilson's stuff.
00:12:08They've taken him to the hospital.
00:12:09But he won't live.
00:12:12All right.
00:12:14What did the girl have to say?
00:12:15I don't know. I haven't talked to her yet.
00:12:17She's still in there. Sprained her ankle.
00:12:19Excuse me.
00:12:32What have you got to say for yourself?
00:12:33Look, I feel it's all my fault. That's why I came along.
00:12:36You're a fool, Weston. You know those places rated for parole violators?
00:12:38Why did you take her there? Did you get hurt?
00:12:41I sprained my ankle.
00:12:42Officer, take her down to Dr. Daniels.
00:12:45You wait here.
00:12:46Dr. Daniels?
00:12:46You heard me.
00:12:49This way, Miss.
00:13:00Hello. Give me Dr. Daniels, please.
00:13:05Hello, Doc. This is Griff Merritt.
00:13:08I'm sending a girl named Jenny Marsh down to your office.
00:13:12Yeah, she's got a sprained ankle.
00:13:15See what you can find out, will you?
00:13:16How old is she, Griff?
00:13:19What does she look like?
00:13:23Blonde.
00:13:25Delicate features.
00:13:28Brown eyes.
00:13:31I see.
00:13:32Well, she just saw a man jump off the balcony.
00:13:35Pretty shaky and upset.
00:13:38Well, it'll be easy to work on.
00:13:40Okay.
00:13:55Okay for sound?
00:13:57Echo.
00:13:58Okay for sound?
00:13:59Yeah, okay. Here.
00:14:00Now, play it cagey, Doc. This one's smart.
00:14:02What are you trying to prove?
00:14:04I'm not sure yet.
00:14:05Maybe that the girl is character.
00:14:06They all have when they're caught.
00:14:07Never should have been parole.
00:14:08Shh.
00:14:09Over here.
00:14:10Can you make it?
00:14:11I think so.
00:14:13Make it easy.
00:14:14It's her ankle, Doc.
00:14:17I'll be right outside.
00:14:19Take off your stocking.
00:14:23Oh, soul.
00:14:29I feel sick.
00:14:30Really hurt that bad?
00:14:35I just saw a man jump off the balcony.
00:14:38What did you do that for?
00:14:40They were sending him back.
00:14:42For good.
00:14:45I guess if I had the nerve, I'd do the same thing.
00:14:48No, you wouldn't.
00:14:51You wouldn't.
00:14:53Well, you know, you remind me of my daughter.
00:14:56You even look like her.
00:14:58Why?
00:14:58Because we're both female.
00:14:59That's about the only resemblance between her and me.
00:15:02Is your mother still living?
00:15:04My mother?
00:15:05Yes.
00:15:06How long were you in prison?
00:15:08Five years.
00:15:10Five years.
00:15:12Must have broken her heart.
00:15:14She's still in the hospital.
00:15:15In the alcoholic ward.
00:15:16And your father?
00:15:18He was no good.
00:15:19I guess like father, like daughter.
00:15:21It's heredity.
00:15:21It's environment.
00:15:23It's a joke.
00:15:25There were nine of us.
00:15:26I was the oldest.
00:15:28Blew their noses for him.
00:15:29Scrubbed him.
00:15:30Doctored him.
00:15:30Everybody living in the one room.
00:15:33Swill pile.
00:15:34That's what it was.
00:15:35Where'd you get hurt?
00:15:36In a raid on a bookie joint.
00:15:39I broke parole.
00:15:40That means I'm going back.
00:15:42Don't you think you were pretty silly to go to a bookie joint when you were out on parole?
00:15:46I went with a friend who had business there.
00:15:48Fine friend.
00:15:49Got you in a big jam.
00:15:51He's the one who didn't forget me when they sent me to prison.
00:15:54Love him?
00:15:56He waited five years for me.
00:15:59For me.
00:16:00A man with a college education.
00:16:02Nice manners, money.
00:16:04Everything I never had in a man before.
00:16:06Put that in your test tube, Doc.
00:16:08And what do you see?
00:16:08What does he do?
00:16:10Gambles.
00:16:11In a refined sort of way.
00:16:16Feels better now.
00:16:17It'll be all right in a day or two.
00:16:20Officer.
00:16:21Yes, Doc.
00:16:22You can take her back now.
00:16:23Okay.
00:16:24Doc, I...
00:16:25I just bought this outfit.
00:16:27If your daughter wears a size 12, she can have it.
00:16:30I guess I won't be needing it anymore.
00:16:35Well...
00:16:35My feeling is that she's sensitive, confused and angry.
00:16:40But Griff's right.
00:16:41I don't think Jenny Marsh is an habitual criminal.
00:16:44Well, then you think she's straightened out okay, Doc.
00:16:46I mean, if somebody gave her a break.
00:16:47I think so, Griff.
00:16:49You do?
00:16:49Yes.
00:16:50I'm sure of it.
00:16:51Well, I still don't trust her.
00:16:53But go ahead.
00:16:54She's your case.
00:16:55Oh, thanks, Sam.
00:16:56You'll see.
00:16:57I'm right about it.
00:16:57Oh, I don't say she's a hardened criminal.
00:16:59What is a criminal, Sam?
00:17:01Yeah, I've often wondered.
00:17:02I see him every day, but I still don't know.
00:17:05A criminal is somebody who commits a crime.
00:17:07Griff, she's in your office.
00:17:08And, Griff, throw a scare into her.
00:17:10Okay.
00:17:12Thanks, Doc.
00:17:23This'll help you know the score.
00:17:2820 years later, a lifer.
00:17:31She looks 60.
00:17:32She's 40.
00:17:36Same girl, 10 years later.
00:17:37Here's another one.
00:17:39I've seen enough.
00:17:41All right, you're sending me back.
00:17:42But you don't have to torture me first.
00:17:44Send me back and shut up!
00:17:50Ask Wesson to come in.
00:17:59Take it easy.
00:18:06Feel better?
00:18:13Sit down.
00:18:18Maybe you've got something smart to say.
00:18:20Whatever you may think of me, Morata.
00:18:21Let's not go into that.
00:18:24Well, as I said before, it's all my fault.
00:18:27Would be unjust to make Jenny suffer for my thoughtlessness.
00:18:30Now, look here, Wesson.
00:18:31I know you think you're pretty smart.
00:18:33Smarter than a dumb parole officer.
00:18:34Well, maybe you are.
00:18:35But you're up against an organization that's too big for you.
00:18:38You can't beat the whole parole set up.
00:18:39I don't intend to try.
00:18:41All right.
00:18:43If you care about Jenny as much as you seem to, you'll cooperate from now on, or it's going to
00:18:46be just too bad.
00:18:47What am I expected to do?
00:18:48Leave her alone.
00:18:51Has it occurred to you that you're making the conditions unnecessarily difficult?
00:18:55Jenny cares for me.
00:18:57You're setting up a situation full of hazards and temptations.
00:19:00I'm aware of that.
00:19:01But I think the hazards will be greater if she sees you.
00:19:03You'll invite her to break rules, because you look on rules as things invented for suckers.
00:19:07You think the guy who gets away with things is smart.
00:19:09What if I do stay away?
00:19:11She'll start seeing me again when she's free.
00:19:13She'll be as badly off as ever, by your standards.
00:19:17Well, I'm counting on her forgetting you.
00:19:20I'm counting on her meeting some normal, decent people.
00:19:23I'm counting on her getting over a feeling of gratitude to you, of loyalty.
00:19:27You mean of love, don't you?
00:19:29She didn't get over it in five years.
00:19:31Then you can wait another couple of years.
00:19:33I'll do everything I can to get her released sooner.
00:19:36I'll give you three minutes to say goodbye.
00:19:38Then you go and you don't see her till I say so. Agreed?
00:19:43Have we any choice?
00:19:46Agreed?
00:19:47Okay.
00:19:49I'll be back in three minutes.
00:19:58How's your ankle, darling?
00:19:59It's all right.
00:20:00When I was leaving the doctor's office, I noticed the dictograph key was up.
00:20:03She's really a psychiatrist.
00:20:05It's a parole trick.
00:20:07Darling, I'll see you tomorrow night.
00:20:09About seven.
00:20:10I'll see you tomorrow night.
00:20:17I'll see you tomorrow night.
00:20:18I'll see you tomorrow night.
00:20:27Hello, Jenny.
00:20:28Why, hello.
00:20:30Almost missed you.
00:20:31Where are you going?
00:20:31Oh, just to get a bite of dinner.
00:20:34Oh, great.
00:20:34Get in.
00:20:35Well, I...
00:20:36Oh, come on, get in.
00:20:37It's better than eating alone, isn't it?
00:20:39Of course.
00:20:40Thanks.
00:20:45When I laid out that six dollars for your rent, I thought you'd blown all your money on that first
00:20:49outfit.
00:20:51I didn't know you had a private gold mine.
00:20:54Like it?
00:20:55Yeah.
00:20:56I bought it today.
00:20:57Yeah, it's...
00:20:59Well...
00:20:59Harry's money?
00:21:02Yes.
00:21:03Well, I...
00:21:04I suppose there's no reason why you shouldn't use what's left of it as long as you have it.
00:21:08I looked to see if there was a rule against it, but there wasn't.
00:21:14Oh, look, if you'll just drop me at a restaurant, I'll...
00:21:16No.
00:21:17You're eating with me.
00:21:18Do you often take parolees to dinner?
00:21:20Mm-hmm.
00:21:22Are you married?
00:21:24I'm Italian over 21.
00:21:26What do you expect?
00:21:27Well, how does Mrs. Murat feel about this sort of homework?
00:21:30She encourages it.
00:21:31You're kidding.
00:21:38Hello, Fred. Get in.
00:21:41You're right on time.
00:21:42Yep.
00:21:43And, Jenny, this is Fred Bauer. Jenny Marsh.
00:21:45How do you do, Miss Marsh?
00:21:46How do you do?
00:21:46You didn't mention a chaperone.
00:21:48I'm not a chaperone.
00:21:49I'm a dishwasher.
00:21:50A dishwasher?
00:21:51Oh.
00:21:52At what restaurant?
00:21:53No.
00:21:54We're not eating at the restaurant.
00:21:55We're going to my house.
00:21:57Does Mrs. Murat expect us?
00:21:59Sure.
00:22:01I see.
00:22:10Hi.
00:22:11Hi.
00:22:11I brought Barry along for dinner, okay?
00:22:13Okay.
00:22:13Get in.
00:22:20Here, come on.
00:22:21This is Tommy.
00:22:23Cut out to Tommy, can't you, Griff?
00:22:24Oh, sorry.
00:22:25There's Mr. Thomas Murat and his friend Barry.
00:22:28Miss Marsh, Mr. Barr.
00:22:29How do you do?
00:22:30Hello.
00:22:30Hi.
00:22:31Your son?
00:22:33Kid brother.
00:22:34Say, Griff, I told Barry you handle that killer Mike Cardoza, and he said no.
00:22:39You did, didn't you?
00:22:40Wasn't he that killer and you beat him up?
00:22:42Uh-huh.
00:22:43See?
00:22:44They give him all the killers.
00:22:45We're playing low high next Saturday, semi-finals.
00:22:48Can you come, Griff?
00:22:48Hey, why don't you sit back?
00:22:49You smell like a horse.
00:22:51Please.
00:22:51There's a lady present.
00:22:52Will you come Saturday, Griff?
00:22:54Sure.
00:22:54Who's gonna win?
00:22:55Oh, we'll annihilate him.
00:23:15Come on.
00:23:18Hi, Mom.
00:23:19Hi.
00:23:19Hi.
00:23:20Griff is bringing a lady and a man.
00:23:22Yes, Tommy.
00:23:22Yes, Tommy, I know.
00:23:28Ah, buonasera, mamma mia.
00:23:30Buonasera.
00:23:31Brought a couple friends home for dinner.
00:23:33Jenny Marsh and Fred Bauer.
00:23:35I don't see Mrs. Marsh.
00:23:36You will have to take my hand, please.
00:23:38Here, ma'am.
00:23:38Oh, I'm sorry.
00:23:39How do you do, Mrs. Morat?
00:23:40How do you do, Mrs. Marsh?
00:23:41Hey, Barry, watch this.
00:23:43Blonde or brunette, Mom?
00:23:44Oh.
00:23:45Brunette?
00:23:46Hey, you're wrong, Mom.
00:23:48She's never missed before.
00:23:49She can come with a voice and a handshake.
00:23:51She's blonde, Mom, and how.
00:23:53Oh, one mistake doesn't count.
00:23:55Won't you come in, Mrs. Marsh?
00:23:57I don't want to spoil your record, Mrs. Morat.
00:23:59I think I should tell you I'm really a brunette.
00:24:00Oh.
00:24:02Oh.
00:24:03Bleached.
00:24:04Uh-huh.
00:24:05Well, why do you know?
00:24:07Well, how's it done?
00:24:09Well, what do they use?
00:24:11It's a long story.
00:24:12Gosh, it looks good.
00:24:14Doesn't it?
00:24:14Sure does.
00:24:15Go get cleaned up, boys.
00:24:17Change your shade, Tommy.
00:24:18Yeah, and hurry up.
00:24:19I'm starving.
00:24:21Let me have your coat.
00:24:24Come on, Fred.
00:24:25You and I have work to do.
00:24:26Griff is our cook these days.
00:24:28Griff?
00:24:28Yes.
00:24:29Our part-time helper left.
00:24:31Oh.
00:24:32Would you rather stay here?
00:24:33I'm going to the kitchen.
00:24:35Oh, I'd like to help.
00:24:37You have a nice big house here.
00:24:39It's an old house.
00:24:41Tommy was born here.
00:24:43How many of you are there living here?
00:24:45Just Griff and Tommy and me.
00:24:49No.
00:24:50No?
00:24:51Is somebody missing?
00:24:52My husband died last year.
00:24:55I miss him.
00:24:56I'm alone all day now.
00:25:13What do I do?
00:25:14If you bring me the radishes from the refrigerator, I'll fix them.
00:25:17All right.
00:25:17Then you can set the table, if you don't mind.
00:25:19Yes.
00:25:20Sure.
00:25:38Mrs. Morata's wonderful, isn't she?
00:25:40Yes, she's terrific.
00:25:42Griff Morata's done a lot for me.
00:25:45Are you an old friend?
00:25:47I'd like you to know something, Jenny.
00:25:49Yes?
00:25:50I'm not exactly a friend of the family.
00:25:52Oh.
00:25:54I'm one of his parolees.
00:25:57Yes.
00:25:58I appreciate what he's doing, bringing me here, meeting his friends like you and his family.
00:26:02But I don't like pretending to be something or not.
00:26:06So I thought I'd tell you.
00:26:28I don't have to take this.
00:26:30I wondered what it was all about.
00:26:31Well, now I know.
00:26:32It's part of the treatment, the be kind to jailbird system.
00:26:35Show them a bit of home life, sweet influences for sick souls.
00:26:39Well, I don't need your pity or your mother's or anybody's.
00:26:41My mother doesn't know about you or about Barr.
00:26:45And she doesn't care.
00:26:46Anybody I bring home is okay.
00:26:48And that story about being married, what was that for?
00:26:51Afraid I might make a pass at you?
00:26:52I always say that.
00:26:53To the female parolees.
00:26:55Sure.
00:26:55If I'm asked, why not?
00:26:56You didn't have to.
00:26:57Believe me, it wasn't necessary.
00:26:59I didn't think it was.
00:27:00It's the regular procedure of the office.
00:27:01Regulation 86B.
00:27:03Then they'd better fix the regulation.
00:27:04It makes a liar out of you.
00:27:07And a liar's a bad example for the weak characters you deal with.
00:27:12Jenny, please try to get that chip off your shoulder.
00:27:14Come on, let's stop kidding each other.
00:27:16I want to talk straight to you.
00:27:19You're different, Jenny.
00:27:22You have a promising life ahead of you.
00:27:24I know.
00:27:24If I keep away from Harry Wesson.
00:27:27Well, why can't you?
00:27:29It isn't complicated.
00:27:31How would you feel if somebody had waited five years just for you?
00:27:34Are you sure he did?
00:27:35Yes.
00:27:36He's the only man who was ever really kind to me.
00:27:39He was. Patient and kind.
00:27:42He taught me what fork to use.
00:27:44How to dress correctly.
00:27:45How to speak correctly.
00:27:47Everything but how to think correctly.
00:27:50You'd do a great deal for Harry Wesson, wouldn't you?
00:27:53Yes, I'd do anything for him.
00:27:55You did.
00:27:56You even killed for him.
00:27:59That's right.
00:28:01I did.
00:28:06Thank you, sir.
00:28:09Old Griff.
00:28:10Yeah?
00:28:10What about Jenny Marsh?
00:28:12What about her?
00:28:13You've been trying to land her a job for more than a week.
00:28:15I checked.
00:28:16Four employers turned her down flat as soon as they learned she was a violator.
00:28:19Yeah, well, she's got a job.
00:28:20No kidding.
00:28:21I had to find her one where Harry Wesson couldn't get to her.
00:28:24I found it.
00:28:25She lives where she works.
00:28:26She eats there, sleeps there.
00:28:27She gets a hundred a month, one day off a week.
00:28:29She reports to me every day.
00:28:31What's the job?
00:28:32Taking care of a blind woman.
00:28:36Take it easy.
00:28:43Hi.
00:28:44Home already?
00:28:45Have a good workout?
00:28:46Yeah.
00:28:47Where's everybody?
00:28:48Mom went to bed.
00:28:49She's tired.
00:28:50Jenny's somewhere.
00:28:51Oh.
00:28:53Okay, Maestro.
00:29:01Oh, hello.
00:29:04Hello.
00:29:05I thought this was your night at the Y.
00:29:06Well, I was there.
00:29:08Uh, phoning somebody?
00:29:10I phoned to see what time a movie went on.
00:29:11Your mother said she wouldn't need me.
00:29:13Oh.
00:29:14Why?
00:29:15Did you think I was calling Harry Wesson?
00:29:16I didn't think you were.
00:29:18I was just...
00:29:18Is that why you got me this job here?
00:29:19So you could spy on me?
00:29:20I'm not spying on you, Jenny.
00:29:22It's my job to check on you.
00:29:23You're not spying on me.
00:29:23You're making it more than that because of Harry.
00:29:25That's not true.
00:29:26Isn't it?
00:29:28Okay, I admit that.
00:29:29Because he loves me and wants to be with me.
00:29:31What's wrong with that?
00:29:32He doesn't love anybody but himself.
00:29:33He's done everything for me.
00:29:34He gives you things with money he never earned.
00:29:36Without denying himself anything.
00:29:38You don't know what love is.
00:29:40And you, teacher, do you know?
00:29:43Well, not from experience, but...
00:29:47Well, I've imagined it differently.
00:29:49When you fall in love, really in love, I think you'd know it for sure.
00:29:53A man would feel for the first time how wonderful life could be
00:29:57when he has someone to share it with.
00:29:59And he'd want to give her the good things of life, not just the trimmings.
00:30:03Friends, home, children.
00:30:05And he'd think of her before himself in everything.
00:30:08Her welfare, her future, her happiness.
00:30:11And if she loved him, he'd be rich.
00:30:16Most men don't think like that.
00:30:18You only know Harry Wesson.
00:30:21I'm sorry, Johnny.
00:30:23I don't want to hurt you.
00:30:27I know that, Griff.
00:30:31Hey, what time does that movie go on?
00:30:338.24.
00:30:35Well, we'd better hurry.
00:30:38Griff, can I come too?
00:30:43Come on.
00:30:43Come on.
00:31:01Wow!
00:31:02Come on!
00:31:24I still don't get it. The guy was clear across the border.
00:31:27They'd never have caught him. So why'd he come back and give himself up?
00:31:31Something about human nature, Tommy, happens all the time.
00:31:34Men show up and confess to crimes they committed five, ten, twenty years ago.
00:31:38No kidding?
00:31:39Sure. All of a sudden they get a conscience.
00:31:41Starts to get them down and a kind of corrosion sets in.
00:31:45Anybody want some ice cream or anything?
00:31:47Ice cream? Silly question.
00:31:52Ice cream, Jenny?
00:31:53Yes, Greg. Sure.
00:32:12I'll run over to the library and change the book.
00:32:15Don't hurry. It's nice here.
00:32:23I can't take it much longer, Harry. We can't live like this. I know I can't.
00:32:27That's foolish. It's a fool.
00:32:35Please, Harry. It's driving me crazy. They're so good to me, so kind. I've got to get out of there.
00:32:40What's bothering you? What happened?
00:32:42Griff Morat's falling for me.
00:32:45No kidding.
00:32:46I've been around long enough to know the signs.
00:32:49It's no joke. I don't find it a bit funny.
00:32:52I suppose it had to happen living in that house together for two months.
00:32:54He even held my hand in the movies the other night.
00:32:57I parole officer acting like a...
00:32:58It's good. It's great. Encourage him.
00:33:00It'll make things easier till that transfer comes through.
00:33:03Encourage? I... I don't understand.
00:33:05Look. Put him in love with you, baby. We'll be able to handle him. Okay?
00:33:11Well, I...
00:33:20And this is by Ralph Waldo Emerson. Give all to love.
00:33:24Give all to love. Obey thy heart. Friends, kindred.
00:33:28Hey, Mom. Jenny. I wrote a little poem for school.
00:33:32Could I read it to you?
00:33:33Sure.
00:33:39Little Purple Violets by Thomas Morat.
00:33:42Little Purple Violets blowing in the breeze.
00:33:45Your beautiful fragrance puts me at ease.
00:33:48Whether in a glade or in a bayou,
00:33:50Their beauty and fragrance reminds me of you.
00:33:53That's fine, Tommy. That's fine.
00:33:56Jenny, I dedicated it to you.
00:33:59Oh, thank you, Tommy. I love it.
00:34:00Won't your girlfriend, what's her name, Mary, be jealous?
00:34:04Oh, she's just a kid.
00:34:06I see.
00:34:06Well, you better practice your piano, Tommy.
00:34:08But I like to hear Jenny read.
00:34:10Oh, you like to hear Jenny read. You like to help her wash dishes. You like to help her shout.
00:34:14And I like to hear you play the piano, Tommy.
00:34:17Do you?
00:34:17Uh-huh.
00:34:21I think he's falling in love with you, Jenny.
00:34:23I'm flattered.
00:34:24And so is Griff.
00:34:27Sometimes blindness is not a handicap.
00:34:29I know.
00:34:31And I think you know it, too, Jenny.
00:34:33But I don't think Griff knows.
00:34:37He's only a man.
00:34:39But it isn't possible.
00:34:42You know what's in your heart, Jenny.
00:34:45Do what you think is right.
00:34:52Give all to love.
00:34:54Obey thy heart.
00:35:07Griff?
00:35:08Yeah?
00:35:10Sorry I'm late.
00:35:11It's all right.
00:35:12Your dinner's ready.
00:35:17Well, where are Mom and Tommy?
00:35:18They went to the concert.
00:35:20Oh, that's right.
00:35:21I forgot.
00:35:22Anything wrong, Griff?
00:35:24Oh, if it's my hairdo, you're right.
00:35:25It's different.
00:35:27Do you like it?
00:35:28Yeah, I like it.
00:35:30Better eat your dinner.
00:35:32Shall I sit with you, or...
00:35:33Yeah, would you?
00:35:33I hate to eat alone.
00:35:36I could have waited and had dinner with you.
00:35:38I wish I had.
00:35:41Do you, Jenny?
00:35:42Mm-hmm.
00:35:44Do you like the music?
00:35:45Yeah, fine.
00:35:47Nice music for dancing.
00:35:48I used to love to dance.
00:35:50Funny, I haven't thought about it much lately.
00:35:53Do you like dancing, Griff?
00:35:55Yeah, but I'm afraid I'm not very good at it.
00:35:59What's the matter?
00:36:01Jenny, do you have relatives in San Francisco?
00:36:04What?
00:36:05Cousins called Harris.
00:36:09Why?
00:36:10Now, this came into the office a couple of days ago,
00:36:12a request for a transfer to San Francisco.
00:36:15Oh.
00:36:16What do you think?
00:36:18Well, I...
00:36:19I don't know.
00:36:21I...
00:36:21Maybe I don't want to go.
00:36:25I don't think I want to be transferred.
00:36:32Why?
00:36:34Because I like my job.
00:36:35I'm glad you do.
00:36:37Because this is a phony.
00:36:39What do you mean?
00:36:40It was arranged by Harry Wesson.
00:36:42Did you know about it?
00:36:45Well...
00:36:46A long time ago, he did say something about trying to arrange a transfer.
00:36:50But I didn't know that he still...
00:36:50You meant what you said, Jenny.
00:36:52That you wouldn't have wanted to go?
00:36:54That's right, Griff.
00:36:55I don't want to go.
00:36:57You do believe me, don't you?
00:36:59Okay, Jenny.
00:37:01I believe you.
00:37:03Thanks, Griff.
00:37:06I...
00:37:07Good night.
00:37:14Good night.
00:37:28Good night.
00:37:59Good night.
00:38:00I enjoyed it.
00:38:02Hey,...
00:38:03Hey, hey.
00:38:05Hey, hey.
00:38:06Take it easy.
00:38:10Easy does it.
00:38:11Griff!
00:38:12What happened?
00:38:13I did the way.
00:38:13It's okay, Tommy. She's just having a nightmare.
00:38:15You'd better tell Mom it's all right. She'll be frightened. Hurry up.
00:38:22It's okay. You're all right now.
00:38:25Feel better?
00:38:29It was awful.
00:38:31Yeah, it must have been.
00:38:32I dreamed about you.
00:38:34Oh, is that bad?
00:38:36This was.
00:38:38We were walking in a forest and...
00:38:40you kept getting caught in terrible steel traps.
00:38:43Oh, fine.
00:38:44And I kept warning you and warning you, but you wouldn't listen.
00:38:47Well, I hope you finally convinced me.
00:38:50Then you wouldn't let me go back.
00:38:52Back where?
00:38:53To prison.
00:38:54No, sir. Not a chance.
00:38:59I'm sorry I woke up the whole house.
00:39:01Well, everybody's entitled to a little nightmare down then.
00:39:04You're sweet, Griff.
00:39:08Want a glass of milk?
00:39:09No, I'm fine now. I hope I'll be able to get back to sleep.
00:39:11Oh, sure, you'll sleep.
00:39:14You're a sweetheart, Griff.
00:39:26I love you, Jenny.
00:39:28I know I'm no great prize.
00:39:30I don't make much money, although I have hopes.
00:39:32I'm just an everyday guy.
00:39:34I don't care much about nightclubs.
00:39:36I'm not a very good dancer.
00:39:38I guess I like mostly what you might call simple things.
00:39:42I can't offer you the expensive gowns, expensive times that Harry Wesson can.
00:39:50Well, I do love you, Jenny.
00:39:53Well, I do love you, Jenny.
00:39:58Will you marry me, Jenny?
00:40:01Oh, no, Griff.
00:40:02You don't know what you're saying.
00:40:04Oh, it's no good.
00:40:05It couldn't work.
00:40:06Is it still Harry Wesson?
00:40:07No, it's not that.
00:40:08It's just you don't know me, Griff.
00:40:11You deserve better than me.
00:40:12I know what I want.
00:40:14You know something?
00:40:16You're the first man who ever asked me to marry him.
00:40:19I know we can't get married right away anyhow until...
00:40:21But you could say yes now, couldn't you?
00:40:27Okay, Jenny.
00:40:28You think about it, but you know how I feel.
00:40:43Yes, sir?
00:40:44You have a ticket for me, Harry Wesson, for Havana, flight 6... 615.
00:40:47Just a moment, please.
00:40:51Harry.
00:40:52Jenny.
00:40:52I must speak to you.
00:40:53I'm so glad I caught you.
00:40:54Mr. Wesson.
00:40:55Excuse me, Mort.
00:40:56Yes, your ticket, sir.
00:40:57Flight 615.
00:40:58The limousine will leave in, uh, in six minutes.
00:41:05Please don't go, Harry.
00:41:07Can't be helped.
00:41:08Then take me with you.
00:41:09What?
00:41:09I must get out of that house.
00:41:11I can't stay there.
00:41:11It's only for six weeks.
00:41:13You'll be all right.
00:41:14This is the wrong time for you to be going away for six weeks.
00:41:17Why?
00:41:17What happened?
00:41:19Griff proposed.
00:41:20He what?
00:41:21Last night.
00:41:22He wants me to marry him.
00:41:24I never dreamed he'd go that far.
00:41:27Parole's aren't allowed to marry.
00:41:29If you marry him, it means he's the one who made you break the rules.
00:41:32He didn't mean that.
00:41:33He just wants me to say yes now, and then after I'm off parole.
00:41:36If you can get him to marry you now and keep it secret, honey, it's sensational.
00:41:40No.
00:41:41What are you talking about?
00:41:42Look.
00:41:43He's got a blind mother and a little brother who worships him.
00:41:47And he needs that job because he's got political ambitions.
00:41:50Don't you see, Jenny?
00:41:52Once you're married to him, you can do anything, and he won't dare give you away.
00:41:57I can't do that, Harry.
00:41:59The minute that marriage license is in your pocket, Griff Morat is where he belongs, right
00:42:03behind the apron.
00:42:04I can't, Harry.
00:42:05I can't.
00:42:06Please pause the limiterine.
00:42:08Marty, you'll know where I am.
00:42:10The minute you're married, get out of that house in Wyoming.
00:42:13Bye, darling.
00:42:14But...
00:42:15Harry.
00:42:16I'll be right back.
00:42:58Good afternoon, Bureau of Paroles.
00:43:07Hello?
00:43:08Well, where am I?
00:43:12When?
00:43:12She just packed a few things and left.
00:43:15Oh, she told me, Griff, about you and herself.
00:43:18She said she couldn't live here with you, and it wasn't fair to marry you, so...
00:43:23You got any idea where she went?
00:43:24Did you say anything to Indy?
00:43:25No, she just left, that's all.
00:43:28Oh, but Griff, there was something.
00:43:31I don't know what it is.
00:43:33It's something printed, I think.
00:43:37It seems to be a leaflet of some sort.
00:43:39It was on her bed.
00:43:56I have the list of passengers on Flight 615.
00:43:59There's Mr. Harry Duffy, Mr. Alan Waterman, J.J. Jennings...
00:44:04A man or a woman?
00:44:05Uh, that was a man.
00:44:08Mr. Harry Wesson.
00:44:09Harry Wesson?
00:44:10Yeah.
00:44:11Thought you were looking for a lady.
00:44:12Yeah, that's right.
00:44:13Go on, please.
00:44:13Any other woman?
00:44:14Well, the only other woman is, uh...
00:44:18Miss Mary Wilson.
00:44:20What does she look like?
00:44:21I remember her.
00:44:22She was very nervous, sort of worried.
00:44:24Yeah, what does she look like?
00:44:25Well, she had gray hair, was about 65 years old, short and stout.
00:44:30Attention, please.
00:44:31Passengers on Flight 66 for Seattle.
00:44:35Flight 66 is leaving from Gate 3.
00:44:38Flight 56 for Seattle is leaving from Gate 3.
00:44:51Jenny.
00:44:52Griff.
00:44:58Why are you running away from me?
00:44:59Because I don't know what else to do.
00:45:00Now, that's no answer.
00:45:01I'm just no good for you, Griff.
00:45:02Don't say that.
00:45:03Look, it's just something I've done.
00:45:04Oh, no, no.
00:45:04I can't explain it to you.
00:45:06But being in your house, being with you, I...
00:45:08You're going to marry me now, today.
00:45:09Oh, no, no.
00:45:10Why?
00:45:10Don't you want to marry me?
00:45:11You do love me, Jenny, don't you?
00:45:13I thought I didn't.
00:45:13I was ready to leave, but...
00:45:14Oh, darling, it can't be...
00:45:16No, we'll manage.
00:45:16It'll be all right.
00:45:17We'll have to keep it a secret till you get your release.
00:45:19But it'll work out.
00:45:19But we'll be begging the parole.
00:45:20No, just bending it a little.
00:45:22It'll ruin you if they find out your job, your career.
00:45:24Nobody needs to know.
00:45:25We'll just tell Mom, maybe, that's all.
00:45:27But you do love me.
00:45:27Oh, yes, yes, yes.
00:45:29We can get a plane ride here for Las Vegas and get married.
00:45:31Paroleys can't leave the state, but you'll be in the custody of a parole officer,
00:45:34so that makes it all right.
00:45:35Oh, Griff.
00:45:36Griff.
00:45:37For you two to stay apart would have been wrong.
00:45:41But we must trust nobody with this secret.
00:45:44Griffin has much to lose if it is discovered.
00:45:48His whole career...
00:45:49Hope Jenny has more to lose.
00:45:52Her whole life.
00:45:53We must all be very careful.
00:46:01God bless you.
00:46:19Someone iniu who has been born.
00:46:23Oh, thank God.
00:46:47hello hello Jenny yes I'm home just got in why didn't I hear from you well I couldn't I
00:46:59couldn't you get him to take the leap I thought you had him hooked when I left
00:47:04what happened oh you aren't alone just don't say yes or no can you meet me
00:47:12well yes but good five o'clock the library fine see you
00:47:52Harry you shouldn't have come here get me waiting there for an hour for what reason
00:47:58mrs. Morat isn't feeling well but I yes I didn't want to see you really because I have something
00:48:06to tell you but I relax who you're afraid of please Harry Griff is coming home he'll be here any
00:48:13minute
00:48:13oh you must go Harry Jenny who's there is it Griff who came in it's all right mom
00:48:26it's just a friend of mine who's just a friend yes mom something's wrong
00:48:37mom go to your room please yes
00:48:51you've had this coming for a long time
00:48:53Griff don't
00:49:13oh
00:49:14oh Griff
00:49:17hey hey hey it's all right it's all right now look I'm the one who got the poke in the
00:49:23mouth
00:49:24oh Griff I'm afraid I'm afraid oh don't worry honey he won't bother you again never again
00:49:34good afternoon bureau paroles Mr. Morat
00:49:43hello hello Mr. Morat yeah this is Harry Wesson I have something to tell you about your wife
00:49:53hello hello
00:50:02hello
00:50:03hello
00:50:05hello
00:50:10hello
00:50:11hello
00:50:15hello
00:50:16hello
00:50:18hello
00:50:20hello
00:50:37Hello.
00:50:39Hello, this is Griffin Murat.
00:50:41Send an ambulance right away to 3039 Wilshire.
00:50:43Apartment 203.
00:50:48Somebody shot Harry Wesson, but he's still breathing.
00:50:50Hurry it up, please.
00:51:24Hello?
00:51:25Griffin Murat again.
00:51:27I think I know who did it.
00:51:29Jenny Marsh, a parolee.
00:51:32I'll bring her in.
00:51:33Follow me.
00:52:00Lurif?
00:52:01Yes?
00:52:01Please, come here.
00:52:02Where's Jenny?
00:52:03She's up here.
00:52:08Jenny told me that.
00:52:09I know.
00:52:10She told me the whole thing.
00:52:11She told me what happened.
00:52:12She wanted to turn herself in to the police,
00:52:14but I made a way for you.
00:52:16Jenny shot that man because she loved you.
00:52:17She's a liar.
00:52:18I saw a letter she wrote in.
00:52:19They used me, she in West End.
00:52:20She never loved me.
00:52:23Griff.
00:52:24Griff.
00:52:24I heard what you said, but it isn't true.
00:52:26Please.
00:52:26You're a liar and a cheat.
00:52:27You're no good.
00:52:28I made a fool of myself over you.
00:52:29You would never again.
00:52:30Griff, please.
00:52:31Come on.
00:52:32Do you love me, Griff?
00:52:33Do you love me?
00:52:35No.
00:52:38Griff, you must listen.
00:52:39I don't care what happens to me,
00:52:40but I want you to know the truth.
00:52:42I went to Harry's apartment.
00:52:45I wanted to tell him about us.
00:52:49Oh, Jenny, come here.
00:52:51I can't stay, Harry.
00:52:52Mrs. Murat's waiting down the street.
00:52:54I had to speak to you.
00:52:56Oh, I'm sorry about what happened.
00:52:58I hope he didn't hurt you.
00:52:59But he did nothing to what I'll do to him.
00:53:02Nobody pushes me around.
00:53:03Nobody.
00:53:04Harry, you've always been very generous and very kind.
00:53:08And I know you'll understand.
00:53:09Why didn't you get in touch with me during the whole six weeks?
00:53:12Well, it was pretty difficult.
00:53:13I...
00:53:13Why'd you refuse to accept that transfer to San Francisco?
00:53:16I didn't refuse it.
00:53:17They found out it was a false transfer.
00:53:18Who told them?
00:53:19You?
00:53:20No.
00:53:23Harry, I've come to tell you something.
00:53:25You've fallen for him.
00:53:28Yes.
00:53:30All the way.
00:53:31So that's why you didn't get in touch with me.
00:53:33You just stayed here playing kissing games.
00:53:36But you couldn't get him to marry you.
00:53:38The day you left, Harry, I ran away.
00:53:39I don't really think I knew why then.
00:53:41I was just mixed up and I had to get away.
00:53:44But I know now.
00:53:47You're my friend, Harry, and I'm grateful to you.
00:53:50But I'm in love with Griff.
00:53:51In love.
00:53:55You're not in love with that fool.
00:53:57I've been happier than I ever was in my whole life.
00:54:00I didn't know I could be so happy.
00:54:02Oh, I know you'll understand.
00:54:03You've always been so sympathetic and...
00:54:08Hello?
00:54:10Yes, Monty.
00:54:13What's the date?
00:54:16Thanks, Monty.
00:54:18That's all I need.
00:54:22So I've come to ask you if you'll leave me alone, Harry,
00:54:25and let me try for...
00:54:26Shut up.
00:54:27All along I've had a hunch there was something wrong.
00:54:29Not hearing from you.
00:54:31The way you acted at the airline office.
00:54:33His house.
00:54:34With him acting like he owned you.
00:54:36Like a husband.
00:54:37And you didn't tell me yourself.
00:54:40Now I have to get Monty to check the marriage license bureaus.
00:54:42It's in the record, baby.
00:54:44In the record.
00:54:45You married him the same day I left.
00:54:47You've been in love with him all the time.
00:54:48I guess I have been.
00:54:50Do you think I'm gonna stand still while you make a fool of yourself over that rover boy
00:54:53and then take you back when you come running to me again?
00:54:55I won't be coming back, Harry.
00:54:56You're so right, baby.
00:54:58Because you're not walking out on me.
00:55:01Not for Grif Morath.
00:55:02Not for him.
00:55:02Not for that fool.
00:55:03I'm sorry, Harry.
00:55:04I didn't want it this way.
00:55:05But that's it.
00:55:08You think I give up this easily?
00:55:11You think I'm gonna have people laughing at me?
00:55:13I'll ruin him if it's the last thing I do.
00:55:15You will not.
00:55:16I'm just starting to see you as you really are.
00:55:19You've always had to be the big shot.
00:55:21The powerful one handing out favors.
00:55:23That's why you like doing things for me.
00:55:24You did all right.
00:55:25I didn't know any better then.
00:55:26You think you can do better with Grif Morant?
00:55:28Grif is decent and he's smart.
00:55:29And he'll get places the right way.
00:55:31And he's showed you up every time.
00:55:33That's why you hate him.
00:55:35Not because of me.
00:55:35Shut up, Jenny.
00:55:36You shut up.
00:55:37I'm thinking clearer these days.
00:55:39You owe me five years, Harry.
00:55:41I shot a man to save your life and I went to prison for it.
00:55:44I didn't have sense enough then to think it was wrong that you let me go.
00:55:48But now I consider it a debt.
00:55:50We're even.
00:55:52I'm through, Harry.
00:55:53I'm no longer asking you to say goodbye.
00:55:56I'm just saying it.
00:55:58Oh?
00:55:59Well, before you say it,
00:56:01I want you to listen to a little speech I've got for Grif Morant.
00:56:04What do you mean?
00:56:05You and I had a deal, baby.
00:56:08You were to marry him so you could be with me.
00:56:11Remember?
00:56:12Well, I'm going to tell him about that.
00:56:13He'll never believe you.
00:56:15Won't he?
00:56:20I love you, darling.
00:56:22Please, Harry.
00:56:23Harry, please.
00:56:24I'm sorry for what I said.
00:56:25Please, Harry, you can't.
00:56:26Can't I?
00:56:26Watch me.
00:56:27Harry, I don't blame you, but...
00:56:28Excuse me while I push on to dump the office wall.
00:56:30Information?
00:56:31Give me the number at the parole division.
00:56:32Harry, no.
00:56:33No, you'll break his heart.
00:56:34That's the idea.
00:56:35You catch on quick, Jimmy.
00:56:36Harry, please.
00:56:37I'll come back to you.
00:56:38I will.
00:56:38Just don't do that to him.
00:56:402230.
00:56:47Stop that.
00:56:49Put down that phone.
00:56:50Stop being melodramatic.
00:56:53Mr. Morant, please.
00:56:54I said, put down that phone.
00:56:57Would you like to speak to him yourself?
00:56:59I'll tell him you're here.
00:57:01Hello, Mr. Morant.
00:57:02This is Harry Wesson.
00:57:04I have something to tell you about your wife.
00:57:13That's what happened.
00:57:16That's the truth, Griff.
00:57:19I have no reason to lie to you now.
00:57:22Maybe I'm no good, but...
00:57:25I do love you.
00:57:36Why did you do that?
00:57:37Where are we going?
00:57:38Griff, please.
00:57:38Why did you turn around?
00:57:39Where are you going?
00:57:40They're expecting me to bring you in.
00:57:41If I can make it to San Diego on the Mexican border before the alarm goes out, I can get
00:57:45you across before we're missed.
00:57:46No, Griff, you must.
00:57:47If you try it, it'll be a life sentence.
00:57:49You haven't got a chance, Jenny.
00:57:50They'll never believe you.
00:57:50But you can't do this, Griff.
00:57:52It means you're throwing away your job, your whole career.
00:57:53I'm gonna turn you in.
00:57:55Oh, Griff.
00:57:56The hunters have gotten away with it.
00:57:58We'll be all right.
00:58:09It's only 15 miles to the border, but we're running out of gas.
00:58:12Oh, can't we make it?
00:58:14I'm afraid we'll have to take a chance and stop.
00:58:24Fill her up, please. Hurry.
00:58:25Yes, sir.
00:58:25Who arrived in this country today, announces that she will marry the American industrialist...
00:58:29Two handbaggers to go out, please.
00:58:31One on in, doesn't it?
00:58:32Yeah, everything.
00:58:32Russia has another party.
00:58:34Harry Wesson, a gambler, was shot this morning.
00:58:36He named his assailant a woman called Jenny March.
00:58:40Although he's still alive, doctors say he has little chance to recover.
00:58:44This woman, who was a parole officer, was a man named Jenny March.
00:58:45This woman's old murderess was being taken to the police by her parole officer when both disappeared.
00:58:51The police believe she murdered the parole officer and is using his car.
00:58:55The license number of the parole officer's car is 1-N-88-81.
00:59:00Hey, Pop, 1-N-88-81.
00:59:05Now for the sports roundup.
00:59:07Jesse Hernandez will take on Art Palma at New York's Madison Square Garden.
00:59:12The winner will be the logical challenger for the welterweight crown, Tony Edwards.
00:59:20Come on, hurry up.
00:59:21We're waiting to start it.
00:59:22Okay.
00:59:49I'm still going to try for the border.
00:59:51But Griff, the alarm's out. They'll be looking for us.
00:59:53Not in this car.
00:59:54They're not going to question a honeymoon couple too closely.
01:00:23I'll take a look around.
01:00:26Mighty nice day for it.
01:00:31Stolen car.
01:00:32The crooks left the bride and groom standing at the curb.
01:00:34Nice way to begin a honeymoon, eh?
01:00:36I see. This is a good one.
01:00:38California license number 63W348.
01:00:54Hey!
01:00:56That won't do you any good.
01:00:58Anybody can tell from your face.
01:01:16All right.
01:01:24Griff, we'll never get out of this.
01:01:25Yes we will. Hold tight.
01:01:26Let's go.
01:01:45We've got to get rid of this car.
01:01:47But then what?
01:01:49The bus.
01:01:57.
01:02:10How are we?
01:02:11.
01:02:34Yeah, put a slug right through him.
01:02:36Some beautiful blonde, huh?
01:02:46Yeah, you're about to change the color of your hair.
01:03:06Jenny, let me in.
01:03:13Hey, looks fine.
01:03:16We've got to get out of here.
01:03:17That landlady's been asking too many questions.
01:03:19Well, maybe she's just curious.
01:03:21Well, we can't take any chances.
01:03:24Maybe I can pawn this.
01:03:26Pawn?
01:03:27Oh, great.
01:03:28Get enough money for a bus fare to someplace else.
01:03:35Got a nail file?
01:03:38Thanks.
01:03:40No, Griff!
01:03:41I know what I'm doing!
01:03:43The back is all scratched up.
01:03:46Yeah, well, it had something on it I didn't like, anyway.
01:03:49Where'd you get this watch?
01:03:50It was given to me.
01:03:52I don't handle any hot goods.
01:03:53Look, I didn't steal it.
01:03:54Okay, okay, don't get excited.
01:03:58Wait a minute.
01:03:59I want to see what the gold weighs.
01:04:11Hello, operator.
01:04:12Get me in the police.
01:04:19Hello, Sarge.
01:04:20This is Sam Green.
01:04:22There's a guy in here trying to pawn a watch.
01:04:24I'm not sure, but I think it's the guy in the paper.
01:04:27You know, the lovers.
01:04:29Well, hurry it up.
01:04:30I'm no hero.
01:04:32Okay, I'll try to stall him.
01:04:45How much do you want for these?
01:04:46Well, it must have cost 200 bucks.
01:04:48I ought to get 100.
01:04:49You're crazy.
01:04:49I might give you 25.
01:04:51Oh, give me the watch.
01:04:52Take it easy, take it easy.
01:04:53I might go a little higher.
01:04:56Where'd you say you got this?
01:04:57I told you it was given to me.
01:04:59What was on the back that you scratched off?
01:05:01I'm selling you the watch as is.
01:05:03Got anything else you want to sell?
01:05:05No.
01:05:05How about the ring?
01:05:06No, how much?
01:05:08How much do you want?
01:05:09Look, give me 50 bucks and let's stop all this.
01:05:13Hmm, 35 is more like it.
01:05:14I don't want to sell it.
01:05:15Give me the what.
01:05:16Get your hands up.
01:05:17Get your hands up.
01:05:18Now, what is this?
01:05:19I recognize you the minute you came in.
01:05:20Don't try anything funny.
01:05:22The police are on their way over.
01:05:23Look, mister, you're wrong.
01:05:24I don't know what you're talking about.
01:05:26Look, you keep the watch.
01:05:27I found it.
01:05:28Just let me out of here.
01:05:29Don't move.
01:05:30Stay where you are.
01:05:31I'm warning you.
01:05:32You're this guy.
01:05:32I'm a rat.
01:05:33The guy with the murderers.
01:05:34Oh, no.
01:05:35It's a basketball trophy.
01:05:37Get out of the way.
01:05:38How much I want for this?
01:05:39Get out of the way.
01:05:40You fool.
01:05:41Stop him.
01:05:42Stop him.
01:05:53Yeah, like I said, they can give you the book for carrying a heater.
01:05:56But a knife?
01:05:58Even a woodcarver carries a knife.
01:06:00Get it, Jack?
01:06:02Woodcarver.
01:06:05Ain't answered me yet.
01:06:11What racket you two in?
01:06:13The badger game?
01:06:16With a smart-looking tomato like her, it'd be a cinch.
01:06:20Well, what's the matter?
01:06:21It's so hot, you're scared to talk?
01:06:23I ain't exactly cold myself.
01:06:26A little slug baby?
01:06:28No, thanks.
01:06:29I, uh, borrowed this on my last job.
01:06:3320-year-old whiskey.
01:06:36I only go for the best.
01:06:45Four tomorrow morning.
01:06:47Gang number four.
01:06:48Name?
01:06:48Buddy.
01:06:50Address?
01:06:51Uh, 12-5-6-AMELITA.
01:06:53Social security number?
01:06:55What's your social security number?
01:06:57Ain't you got a card?
01:06:58I, uh, I forgot it.
01:07:00I didn't bring it.
01:07:01Sorry, bud.
01:07:02Next.
01:07:03Name?
01:07:09Oh, Griff, I'm so glad you're back.
01:07:11There's nothing in this paper, either.
01:07:12We haven't been in for days.
01:07:14Good.
01:07:15Oh, Griff!
01:07:17I never knew you could be so hungry.
01:07:19I guess these aren't from the Waldorf, but...
01:07:21Mmm.
01:07:22And they're wonderful.
01:07:24Where'd you get them?
01:07:26Conradio, right down the road.
01:07:27I hope they didn't cost much.
01:07:28We'll need money for dinner tonight.
01:07:30How much have we left, darling?
01:07:32Griff.
01:07:34We spent all our money yesterday.
01:07:36You had only enough for bus fare this morning.
01:07:39How did you get these?
01:07:41I borrowed them.
01:07:44All right, I stole them.
01:07:45What are we supposed to do, starve?
01:07:46I stole them because there's no other way.
01:07:48So eat them.
01:07:49You haven't had anything all day, Jenny.
01:07:50Eat.
01:07:52Oh, please don't cry, Jenny.
01:07:53We have...
01:07:54I'm not crying.
01:07:54It's just for you to have to steal.
01:07:57For you.
01:07:57How much is all this stuff worth?
01:07:59It costs you more than it's worth.
01:08:02Jenny, there's a policeman watching us.
01:08:06Let's go.
01:08:08I've had enough.
01:08:09Hey, you.
01:08:10Wait a minute.
01:08:12Come here.
01:08:13I've been watching you.
01:08:15What's the idea of littering up the park with your garbage?
01:08:17You raised in a pig pen or something?
01:08:19Coming in here and throwing his trash all around?
01:08:21I ought to run you in.
01:08:22Now clean up that mess.
01:08:24What do you think this thing is for?
01:08:25Decorations?
01:08:26Now tidy up everything so it's ship shape.
01:08:28Or so help me, I'll write you both a ticket.
01:08:40This is my wife.
01:08:43How do?
01:08:44There's an empty house right next to where I live.
01:08:46Manager said you could have it.
01:08:47Fine.
01:08:53Keep the rain off you.
01:08:54It'll be fine.
01:08:56Oh, Laurie, my wife.
01:08:58Hey, Mr. and Mrs. Parker.
01:09:00Wasn't that the name?
01:09:01Yeah, that's right.
01:09:01Hi.
01:09:02How do you do?
01:09:02Where you folks say you come from?
01:09:04Colorado.
01:09:04Montana.
01:09:06Well, we just came down from Montana.
01:09:09Originally from Colorado.
01:09:11Be back in a few minutes.
01:09:12Show your way to water.
01:09:14We're going in.
01:09:19What's the matter with you, Jenny?
01:09:21I told you it's Colorado.
01:09:22Colorado.
01:09:22The last place you said it was Montana.
01:09:24Just before we got off the bus, I told you Colorado.
01:09:26I couldn't remember.
01:09:27Well, I have to remember everything.
01:09:28Fake names, fake social security numbers.
01:09:30Remember to leave before they get wise to me.
01:09:32You don't even remember the name of a state.
01:09:35I'm sorry, Griff.
01:09:36I made a mistake.
01:09:38Well, we can't afford mistakes.
01:09:39You know how much it depends on it.
01:09:41Now, that guy probably suspects something's phony.
01:09:43It's no good, is it, Griff?
01:09:45If you just use your heads.
01:09:47Yes.
01:09:48Heads instead of hearts.
01:09:56Forgive me, Jenny.
01:09:57I didn't mean it.
01:09:59Griff, why do we quarrel like this?
01:10:01Sometimes I started.
01:10:02Sometimes you.
01:10:03We're not getting on with each other or with other people.
01:10:07What's happening to us, Griff?
01:10:09Well, nothing, honey.
01:10:09We're under strain.
01:10:10I'm sorry I was irritable.
01:10:13I don't know what's the matter with me.
01:10:14I'm just tired, I guess.
01:10:17That's not it.
01:10:18We're both jumpy and cross and all mixed up.
01:10:20We're not ourselves.
01:10:22We haven't had a happy moment since then.
01:10:23Four weeks of this life would do it to anybody.
01:10:25We're living like pigs.
01:10:27Other people have been happy in a house like this
01:10:29and doing work like this.
01:10:32Then we'll be happy, too.
01:10:33We will.
01:10:34I got 40 bucks a week on this job.
01:10:36They won't catch up with that phony social security number
01:10:38for seven or eight weeks.
01:10:40By that time, we'll have some money to get a long way from here.
01:10:43Hey, Parker.
01:10:44That's for you, Mr. Parker.
01:10:45Come on.
01:10:46The boss wants me to show you where you work.
01:10:48They're coming.
01:11:12It's about time.
01:11:15How do you like working here after two weeks?
01:11:18It's okay.
01:11:19You ever been in California?
01:11:22No.
01:11:23My wife's brother lives there.
01:11:24He owns his own house.
01:11:26You know how he got the money to pay for the house?
01:11:28He turned in a crook and got the rewards.
01:11:33Maybe I'll live in California pretty soon.
01:11:36I hear it's a pretty nice place.
01:11:40Your wife ever been in California?
01:11:42No.
01:11:43My wife wants to live there.
01:11:45I told her.
01:11:46Get a crook, turn him in, get a big reward.
01:11:49We buy a house, live in California too.
01:11:51She wants to be waitress and drive in the restaurant.
01:11:54Waitress.
01:11:56Your wife got ambition like that?
01:11:58No.
01:12:25Hello, dearie.
01:12:29Oh, dear, I told my girl the nothing of the things I'm talking about every time.
01:12:51Thanks, dearie, for picking up the paper for me.
01:12:53First delivery we've had in a week.
01:12:55Joe said he was gonna give that paper boy a piece of his mind.
01:12:59Looks like everybody got a paper on time today.
01:13:01They can thank Joe for that.
01:13:03You ought to subscribe.
01:13:06Oh, thanks, honey. Just put them on top here.
01:13:09Here, that's it. The paper, too.
01:13:11Paper?
01:13:11Yeah, sure. Joe always reads it after dinner.
01:13:14Would you mind opening the door for me? It isn't locked.
01:13:16Oh, thanks, honey.
01:13:42Oh, darling.
01:13:44Oh, I'm sorry I'm late, honey. I came through town.
01:13:48Griff.
01:13:48I've got something for you, Jenna. A little present for my girl.
01:13:51A little present?
01:13:52Go on, open it.
01:13:54It's an awful little present, but...
01:14:03Hey, hey.
01:14:04I don't know.
01:14:05I know, it isn't that bad, is it?
01:14:08You know what they say.
01:14:09It's...
01:14:09It's not the gift, it's the thought that counts.
01:14:12Yes, Griff.
01:14:13That really counts.
01:14:16Go right ahead. Don't let me stop you.
01:14:17I'm just paying you back the eggs I borrowed.
01:14:20Oh, it's no hot water again.
01:14:21I'm just going to wash my hair and...
01:14:24Well, it's dyed, isn't it?
01:14:26Oh, uh...
01:14:27Yes, you see, I thought...
01:14:28Ah, I can always tell dyed hair.
01:14:30I noticed the first day you got here.
01:14:31I bet you used to bleach it.
01:14:33Now it's dyed back to its natural color, huh?
01:14:35Yes.
01:14:36Oh!
01:14:38That's Joe.
01:14:38He's home.
01:14:40Wait till he sees there's no hot water.
01:14:41He'll yell like a bull.
01:14:43Fixing to go someplace, dearie?
01:14:44Oh, no.
01:14:45Yeah? What is it?
01:14:46There's no hot water.
01:14:48What'd I tell you?
01:14:48Yelling like a bull.
01:14:50That heat, it's all corroded.
01:14:52Once corrosion starts with those things, ta, they're finished.
01:14:56Boy!
01:14:57Come on, I'm hungry!
01:15:04Tell me if there's any...
01:15:07Corrosion.
01:15:08What?
01:15:09That's what'll happen to us.
01:15:12What about?
01:15:13Were you planning to go somewhere without me?
01:15:14Oh, no.
01:15:15Back in a minute.
01:15:32What's wrong?
01:15:34We're going back, Griff.
01:15:37We're going to give ourselves up.
01:15:38Don't talk that way.
01:15:39It was those people that got you upset.
01:15:41That frowsy Dane with all the snooping.
01:15:43I'm sorry you had to put up with them.
01:15:45A lot of things.
01:15:46We'll get out of here.
01:15:47We'll go someplace else.
01:15:48We'd only have to run away again.
01:15:50No, we'll run so far.
01:15:51There's time they'll stop looking for us.
01:15:53Maybe they'll stop looking for us.
01:15:54But we'll never stop running.
01:15:56We're getting out of here.
01:15:58Griff, it's too late.
01:16:04He's already called the police.
01:16:06Police?
01:16:07He knows?
01:16:08Yes.
01:16:08That's why she came over here, to make sure.
01:16:10How did they find out?
01:16:11The newspaper.
01:16:12Pictures of us again.
01:16:13You saw it?
01:16:14Yes.
01:16:14Well, then why didn't you?
01:16:16Come on.
01:16:17Let's hurry.
01:16:17It isn't too late yet.
01:16:18It is, Griff.
01:16:19For me.
01:16:24Jenny, please.
01:16:25You're all that matters to me.
01:16:26You can't go back.
01:16:27I've got to.
01:16:28It's no good this way.
01:16:29What kind of life is this for you?
01:16:30We haven't got a chance, Jenny.
01:16:32Yes, we have.
01:16:33A little chance, maybe.
01:16:34But at least a chance.
01:16:35There's no happiness this way, darling.
01:16:37We're breaking the rules.
01:16:39That's not for you, Griff.
01:16:41And it's not for me either anymore.
01:16:43Oh, it's better, Griff.
01:16:45Please.
01:16:46It's better.
01:16:51Yes.
01:16:53Let's go now right away.
01:16:55We don't want to be caught.
01:16:56We don't want to give ourselves up.
01:16:59Wait.
01:17:01My present.
01:17:04Take a look.
01:17:23Can you answer me, Joe?
01:17:25Did you not tell him?
01:17:26Yes, I told him.
01:17:27So what did you tell him, exactly?
01:17:30I told him if he didn't get us a new heater,
01:17:32I was quitting the company.
01:17:34Yeah, and he said.
01:17:35You take it from there, Flory. I'm tired.
01:17:39Tired.
01:17:43Hey, Flory.
01:17:45Yeah?
01:17:45There's a picture of a dame here in the paper.
01:17:47Looks like that girl next door.
01:17:50Nah.
01:17:52In the papers, they all look alike.
01:17:54She's a nice kid.
01:17:56Being married, they sure are crazy about each other.
01:17:59Come on, Joe. Eat this mess.
01:18:15The police are here, Mr. Wesson.
01:18:19Well, here they are, Wesson.
01:18:24All you have to do is identify her. She gave herself up.
01:18:36Well, just tell us if she shot you.
01:18:40It was an accident.
01:18:43An accident?
01:18:44Well, that isn't what you said in the report.
01:18:46It was an accident, I tell you.
01:18:53Well, I guess there's nothing more for us to do.
01:18:57Come on, Mike.
01:18:59What about jumping parole?
01:19:00She was with her parole officer, wasn't she?
01:19:02For two months?
01:19:03Yeah, for two months.
01:19:09Thanks, Harry.
01:19:10I'm a good enough gambler to know when I've lost.
01:19:13But it took a bullet to convince me.
01:19:17Ness, do me a favor.
01:19:18Yes, Mr. Wesson.
01:19:20Throw these people out of here.
01:19:26I'll be back.
01:19:37I'm a good enough man.
01:19:40Don't make her wish.
01:19:42Here's who came.
01:19:42No, you're not a good enough man.
01:19:43I'm a good enough man.
01:19:43I'll be back.
01:19:43No, I'll be back.
01:19:45I'm good enough, too.
01:19:45You're hungry.
01:19:47I'm hungry.
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