"Of Human Bondage" Starring Leslie Howard and Bette Davis

Brandon James

Watch "Of Human Bondage" Starring Leslie Howard and Bette Davis - Brandon James on Dailymotion

Transcript

00:00:26Satsang with Mooji

00:00:34The End

00:01:07The End

00:01:48Arrêtez au coin, s'il vous plaît.

00:02:15Arrêtez au coin, s'il vous plaît.

00:02:19I'll speak to you for a moment.

00:02:23Well, I've been studying painting with you for some time now.

00:02:28Do you think it's worth my while to go on?

00:02:29Why do you ask?

00:02:31Well, I feel there's no sense in my staying here unless I have talent.

00:02:34If you are not certain about your talent, why did you stay until now?

00:02:38Because all this is so, so beautiful to me.

00:02:41In my youth, it was all so beautiful to me.

00:02:45But now, it is the city of lost illusions.

00:02:48Is your studio very far?

00:02:50No, not very.

00:02:52Let us go there.

00:02:53You will show me what you have done.

00:02:54Yes.

00:03:03Have you any money?

00:03:05A little.

00:03:06Not enough to live on.

00:03:14Then I must tell you, there is no talent here.

00:03:18Merely industry and intelligence.

00:03:21You will never be anything but mediocre.

00:03:23And it is very cruel to discover one's mediocrity only when it is too late.

00:03:29I know.

00:03:32Do you see that?

00:03:34That name does not belong there.

00:03:36It belongs somewhere else.

00:03:38Take your courage in both your hands and make something of your life.

00:03:52Have you anything in mind?

00:03:54Well, you see, I have my limitations.

00:03:59My father was a doctor.

00:04:00I've always been interested in medicine.

00:04:02And if one can't be great, at least one can be of some use to people.

00:04:41I've always been interested in medicine.

00:04:54I don't know why I should have such a thing upon my word.

00:04:57I don't.

00:04:58I've never had a day's illness in my life.

00:05:00You've only got to look at me to know that.

00:05:02It's what we call a winter cough.

00:05:04A great many middle-aged women have it.

00:05:06Well, I never.

00:05:07That's a nice thing to say to a lady.

00:05:09No one's ever called me middle-aged before.

00:05:11Oh, it's time you got used to it.

00:05:13All the same.

00:05:14You're a nice one, dearie.

00:05:16Unfortunately, I can't say the same for you.

00:05:17Good day, madam.

00:05:19That'll be all now.

00:05:20The rest you come back tomorrow.

00:05:22Get him ready.

00:05:23All right, sir.

00:05:30Are you the boy's father?

00:05:31Yes, sir.

00:05:34What's the matter with you now?

00:05:37You see well enough what the matter is.

00:05:39The boy has a club foot.

00:05:40Oh, uh, Carrie, you'd better take this case.

00:05:44It's a subject you ought to know something about.

00:05:55It's only for the looks of the thing, you know.

00:05:57I don't find it no trouble.

00:05:59Don't you?

00:06:00That's wonderful.

00:06:01I always did.

00:06:02Oh, that's because you let them go on at you.

00:06:05You seem to be a little slow, Carrie.

00:06:06I think I'll have to instruct the class.

00:06:08There are many varieties of club feet.

00:06:11This is one of the less interesting.

00:06:14Yours would probably prove more interesting.

00:06:16You have to let his Aquinas, haven't you?

00:06:19Yes, I believe so.

00:06:20Don't mind taking off a sock, do you, Carrie?

00:06:26No, not at all.

00:06:43Keeps his feet nice and clean, doesn't he?

00:06:48Hmm, yes, just as I thought.

00:06:50Telepes Aquinas.

00:06:52Malformation requiring you to walk on the outside of the foot.

00:06:55A very interesting example, I must say.

00:06:58Do you mind if I have a look?

00:07:01Congenital club foot.

00:07:03In simple language, a foot twisted inward.

00:07:05The cause of this twisting is not clear.

00:07:08Hereditary inference plays a part here,

00:07:10as pointed out by Dr. Little,

00:07:11who traces recurring deformity through four generations.

00:07:14Well, when you've quite finished.

00:07:19I say, old man, I like that.

00:07:23French, isn't she?

00:07:24Yes, she was a model in Paris.

00:07:26You know, I can't for the life of me understand why you gave up painting.

00:07:30I'd rather look at that all day long than at this.

00:07:34Woman, you know.

00:07:35You can tell by the pelvis.

00:07:38I like them with a little more...

00:07:42Oh, there's life in the old girl yet.

00:07:46Don't inhale, dearie.

00:07:48I say, I've got to be getting along.

00:07:50It's a little matter of a barmaid at the Crown and Anchor.

00:07:54And very nice, too.

00:07:56Cheerio.

00:07:57Funny fellow, isn't he?

00:07:59I say, Carrie,

00:08:00it must have been wonderful having that life in Paris.

00:08:02Well, it was.

00:08:03And do you mean that you really knew all those fascinating women?

00:08:07Well, some of them.

00:08:08I say, you're just the man I'm looking for.

00:08:10I wonder if you couldn't help me.

00:08:11In what way?

00:08:13Well, there's a girl, and I can't get anywhere with her.

00:08:16And you've been to Paris, and all that.

00:08:18I'm sure you could say something that would give me a starter.

00:08:20I'd ask Griffiths, only he couldn't do it and remember whom he was doing it for.

00:08:24Oh, but you're just the man.

00:08:26You know, say something to make her laugh.

00:08:47I say, she's marvelous, isn't she?

00:08:50No, she's anemic.

00:09:01You don't suppose she likes that bounder, do you?

00:09:04Of course.

00:09:07Now's your chance.

00:09:08Say something.

00:09:12Well, I see your friend's going.

00:09:14I don't know what you mean.

00:09:16I was referring to the nobleman with the sandy mustache.

00:09:20Has he left you for another?

00:09:24Some people would do better to mind their own business.

00:09:29Why?

00:09:33You have a very nice back.

00:09:35Am I on speaking terms with your back?

00:09:37Woman, you know.

00:09:39You can tell by the pelvis.

00:09:41And that calls himself a gentleman.

00:09:46I apologize.

00:09:48What for?

00:09:49I promised you something charming,

00:09:50and she's turned out to be ill-natured and contemptible.

00:09:53I'm sorry I let you in for it.

00:09:54Oh, that's all right.

00:09:55You don't suppose I care what an anemic little waitress says to me, do you?

00:09:58Well, I do.

00:10:01I must be going.

00:10:03Coming along.

00:10:05I think I'll have some more tea.

00:10:06I think I'll have some more tea.

00:10:36Yes, if you don't mind, I'd like to talk to you.

00:10:40Filthy weather, isn't it?

00:10:43Makes no difference to me.

00:10:44I have to be here all day.

00:10:46Oh, don't talk like that.

00:10:47I only wanted to say something pleasant.

00:10:49Well, say it.

00:10:51You know, you have a lovely smile.

00:10:54You should use it more often.

00:10:56Now, don't go spoofing me.

00:10:58A girl that works hard all day like I do

00:11:01don't have much reason to smile.

00:11:03Perhaps I could find a reason.

00:11:05Will you let me try?

00:11:08Well, I don't know whether I will or whether I won't.

00:11:11Well, I hope you'll decide you will.

00:11:30Ha.

00:11:44Ha.

00:11:46Ha.

00:11:47Ha.

00:11:49Ha.

00:11:50Ha.

00:11:51Ha.

00:11:52Ha.

00:11:53Ha.

00:11:54Ha.

00:11:55Ha.

00:11:56Ha.

00:12:23Like that, and that, like so.

00:12:26Ha, ha, ha.

00:12:55It's a nice little hand.

00:13:08Excuse me, won't you?

00:13:10Yeah, yeah.

00:13:14How do you do?

00:13:15You seem to be in a great hurry.

00:13:17Well, I've been waiting ten minutes.

00:13:22I didn't know you could drop.

00:13:24Didn't you?

00:13:25That meant to be me?

00:13:27Looks like you, doesn't it?

00:13:29Well, if you look at it that way.

00:13:31Tea?

00:13:34You are a strange sort.

00:13:37I say, will you dine with me sometime?

00:13:40And we'll go to the theatre.

00:13:42I don't mind.

00:13:43When will you come?

00:13:45I'm off Thursdays.

00:13:46All right.

00:13:47Shall we say Thursday?

00:13:48Seven o'clock, Victoria Station.

00:13:55All right.

00:13:56I'll meet you, Victoria, in the second-class waiting room.

00:14:04All tickets, please.

00:14:06Show your tickets.

00:14:08All tickets, please.

00:14:11Show your tickets.

00:14:17All tickets, please.

00:14:22All tickets, please.

00:14:30All tickets, please.

00:14:32All tickets, please.

00:14:34Show your tickets.

00:14:36All tickets, please.

00:14:39Show your tickets.

00:14:41All tickets, please.

00:14:43All tickets, please.

00:14:43Show your tickets.

00:14:44All tickets, please.

00:14:46Show your tickets.

00:14:47Show your tickets.

00:14:48All tickets, please.

00:14:48Part form 19. All tickets, please.

00:14:56Well, I thought you were never coming.

00:14:58I like that, after keeping me waiting. I almost went home.

00:15:02I was in the second-class waiting room. I thought you said you'd be there.

00:15:05Now I say. Is it likely I'll sit in the second class when I could sit in the first?

00:15:10For a gentleman of brave that you don't use him, do you?

00:15:14Perhaps not. Anyway, you're here, so it's all right, isn't it?

00:15:18You certainly do make a girl feel important to you.

00:15:24I love that music.

00:15:28Whenever I hear it, I think of you.

00:15:34How pale you are.

00:15:36How strange. How cold.

00:15:42You are going it.

00:15:45Do you always order champagne?

00:15:48No.

00:15:49Then why'd you do it now?

00:15:54I was hoping it would make you more friendly.

00:16:00Do you think it will?

00:16:02Well, there's one thing I can say for you.

00:16:06Gentlemen, in every sense of the word.

00:16:36May I see you again?

00:16:37I don't mind.

00:16:40Doesn't it make any difference to you?

00:16:42Don't you think it will?

00:16:44You don't take me out.

00:16:45Someone else will.

00:16:49No.

00:16:52No.

00:17:11I'll say good night here.

00:17:13Won't you stay for a moment?

00:17:15No.

00:17:15Why not?

00:17:16Why?

00:17:17People would think I don't know what all.

00:17:23I don't know what all.

00:18:19I love that music.

00:18:21Whenever I hear it, I think of you.

00:18:24Whenever I hear it, I think of us.

00:18:27I don't know what all.

00:18:28I don't know what all.

00:18:41I don't know what all.

00:19:00I've never danced with anyone who danced like you.

00:19:06I've been looking for you all my life.

00:19:29You don't seem to have much to do with your time.

00:19:31I should be studying.

00:19:33Then why don't you?

00:19:34Well, I'd rather see you.

00:19:37Any of the girls notice you're waiting for me?

00:19:39I don't know.

00:19:40Why, what difference does it make?

00:19:41They all laugh at you, you know.

00:19:43Oh, do they?

00:19:44Why?

00:19:46They say you're in love with me.

00:19:52They say you're in love with me.

00:19:54You're in love with me.

00:20:11I'm sorry.

00:20:13You say you're in love with me.

00:20:19Oh, Mildred, will you come to the theatre with me on Saturday?

00:20:23Oh, don't mind.

00:20:33You're sure they're for Saturday?

00:20:35Certainly.

00:20:55My name is Miller, Emile Miller. We should know each other.

00:20:59Why?

00:21:00Well, we are both interested in the same thing.

00:21:03Thing?

00:21:04My dear young man, you are so, uh, so, uh, artistic.

00:21:10You, you should be more... like so.

00:21:15Thanks. Thanks very much.

00:21:17That's, uh, that's all right.

00:21:20Hit change?

00:21:26Oh, what time should I see you?

00:21:28Oh, I forgot to tell you, Philip. I can't go.

00:21:31Why not?

00:21:33Me aunt's ill.

00:21:37Oh.

00:21:42Well.

00:21:45What's the sense in that?

00:21:47You don't suppose I want to go by myself, do you?

00:21:49I only got them for your sake.

00:21:52Well, you needn't go on about it.

00:22:00Violet. Sweet Violet.

00:22:06Violet. Sweet Violet.

00:22:07Violet. Sweet Violet.

00:22:09Violet.

00:22:15You're spying on me.

00:22:16I always thought you was a gentleman at every sense of the word.

00:22:19Are you going out with Miller?

00:22:21No.

00:22:22Violet. Sweet Violet.

00:22:24Sweet Violet.

00:22:24Stupid Violet.

00:22:25Well, what if I am?

00:22:27I can go out with him if I want to, can't I?

00:22:30Violet. Sweet Violet.

00:22:31Stupid Violet.

00:22:32He's keeping you waiting, isn't he?

00:22:34Violet.

00:22:34Well, I'd rather wait for him than if you wait for me.

00:22:43Won't you change your mind?

00:22:44I'll get some more tickets and we'll-

00:22:46No.

00:22:47Violet. Sweet Violet.

00:22:52Violet.

00:22:54You keep looking for him the way I look for you.

00:22:57Violet.

00:23:00Violet.

00:23:01Violet.

00:23:01If you don't come out for me tonight, you'll never see me again.

00:23:04Good riddance to bad rubbish.

00:23:06Violet.

00:23:08Violet.

00:23:09Violet.

00:23:24Violet.

00:23:28Violet.

00:23:29Violet.

00:23:30Violet.

00:23:33Violet.

00:23:35Violet.

00:23:36Violet.

00:23:37Violet.

00:23:39Violet.

00:23:40Violet.

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