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00:00:00The End
00:00:34The End
00:01:06The End
00:01:58The End
00:01:59I'm Rick Daniels, press agent for Col King's Varieties. This Mr. Col King himself.
00:02:05We have taken the Rutherford Mansion, Sergeant. Could you direct us?
00:02:08Well, there's no way to miss it. Look, Sarge, I'll take it easy. There's no need in handing us a
00:02:13ticket. These girls have worked hard in the show all winter. We're on our way to the beach for a
00:02:16month.
00:02:17Well, if you want, I'll call your lieutenant and...
00:02:20That's enough, Daniels. The sergeant understands. You'll see the Rutherford place down the road to your left. Go a little
00:02:26slower. You've got a valuable load.
00:02:28Oh, Sarge.
00:02:31Well, well, I'll fix that.
00:02:44The End
00:03:05Hi!
00:03:07Hi!
00:03:08Here we are.
00:03:09Come on out.
00:03:11Come on girls.
00:03:12What's this?
00:03:13Oh fine.
00:03:14This is wonderful.
00:03:15Well, pretty house.
00:03:20You're Mrs. Weebles, the housekeeper?
00:03:22Yes.
00:03:23The broker told you to expect this, of course.
00:03:25Yes.
00:03:29I'm Mrs. Thorne, wardrobe mistress of the company.
00:03:32Come in.
00:03:37Your baggage has arrived.
00:03:39It's upstairs in your rooms.
00:03:41Upstairs, girls.
00:03:46May we take a look at the rest of the house?
00:03:48Certainly.
00:03:50Ah, this would be Mrs. Pebbles, huh?
00:03:52Mrs. Weebles.
00:03:53No banter, Daniels.
00:03:55Well, cheer up.
00:03:55Youth and beauty have arrived in brilliant wit.
00:03:58The old house will re-echo to music and laughter.
00:04:05Show people.
00:04:10Oh, this place needs us a little air.
00:04:14Yes, and a little dusting wouldn't hurt either.
00:04:16I should say not.
00:04:18Oh, what a beautiful view.
00:04:21But the ocean always makes me sad.
00:04:23Ghosts are here.
00:04:25Ghosts are here.
00:04:25Ghosts of gayer days.
00:04:26I once lost a dear friend by drowning.
00:04:29Where's that caretaker?
00:04:31Yes.
00:04:32Oh, we wanted to use this for rehearsals in a general sitting room.
00:04:36Yes, ma'am.
00:04:37I'll get some dusters.
00:04:39Drake is the root of all evil.
00:04:43Uh-oh.
00:04:43One of them.
00:04:45Probably a very sincere, kind woman.
00:04:47I'll be back to help as soon as I see if the girls are all right upstairs.
00:04:52And Marsha gets a whole suite to herself.
00:04:54That's your choice by right, Winifred.
00:04:56Oh, no, Ruby.
00:04:57Marsha's our lead for the next season.
00:04:59This room's been cleaned.
00:05:00It's really nice.
00:05:01I think we should bring more beds.
00:05:03All the rest of us sleep in one room.
00:05:05It'd be safer.
00:05:07What are you feeling unsafe about now?
00:05:09This big house anything.
00:05:11Just anything could happen.
00:05:14Oh, Winifred.
00:05:15Adelaide.
00:05:16I think it would be better if you girls shared the rooms with Marsha.
00:05:19Well, this I call a grand plaisir.
00:05:21We can manage you very well, Mrs. Laura.
00:05:23Go on, you goose.
00:05:24We'll help you take over.
00:05:26This I call a swell break.
00:05:28No, girls.
00:05:29No horseplay.
00:05:30What's that toy?
00:05:31Maiden-waiting to the sole great star, Marsha.
00:05:35Come on, Lois.
00:05:36And Clem.
00:05:37This we gotta see.
00:05:39Oh, I think I'll just stay here.
00:05:43Marsha isn't going to like this.
00:05:45I hope.
00:05:48Oh, Marsha.
00:05:49The other room in this suite is for Winifred and Adelaide.
00:05:52I was going to put Santoy in the other room.
00:05:54I'm sorry, Marsha.
00:05:56Santoy isn't a maid.
00:05:57She'll stay with the other girls.
00:05:59Oh, clumsy, don't.
00:06:01That's a cruel thing.
00:06:02I could put that down.
00:06:03Girls, please.
00:06:05I talk with you.
00:06:06Leave me.
00:06:06I want to talk with her.
00:06:07There's no need for us to use the rules.
00:06:09The arrangements have already been made.
00:06:11Come, girls.
00:06:12I'll have no quarreling.
00:06:13Sicker, Adelaide.
00:06:14Sicker.
00:06:16I knew something dreadful was going to happen when we came here.
00:06:19Oh, now, dear.
00:06:20Come along.
00:06:20Maestro expects us all in for a suite before you.
00:06:27Again you make trouble with your bad temper and your so grand manners.
00:06:30I might suggest you mind your affairs.
00:06:33In Switzerland.
00:06:34In France.
00:06:35Always the same thing.
00:06:36You flirt with rich men and poof.
00:06:38Trouble.
00:06:38I would advise you to mind your own business.
00:06:41You make the fool of Cold King.
00:06:43Same as the others.
00:06:44You will ruin this show.
00:06:45I will own this show.
00:06:47And listen.
00:06:48You know the maestro's rules.
00:06:50What if he were to find out that Doc Brandt is your husband?
00:06:53There is other work in this country.
00:06:56Women like you.
00:06:57Someone should like that.
00:06:59Furthermore, the maestro and a lot of other people might like to know who Doc Brandt really is.
00:07:06Bad as you are.
00:07:07You would not do anything like that.
00:07:09Ah.
00:07:10Well, we're all going swimming before dark, dear.
00:07:19Pig.
00:07:20I could kill her.
00:07:34Well, where have you been?
00:07:37Pick those things up.
00:07:39No, wait a minute.
00:07:41We're going swimming, but I'll get you excused.
00:07:44I want you to go to Adelaide's trunk for me.
00:07:47Oh, please.
00:07:48Don't make me steal.
00:07:49Steal?
00:07:50Who do you think I am?
00:07:51Fagan?
00:07:51Look.
00:07:53In Adelaide's trunk, there's a small metal box.
00:07:55There are some letters in it.
00:07:57No, Marsha.
00:07:59Oh, please.
00:08:00I can't.
00:08:01Do you want the maestro to know that you're under 18?
00:08:03Oh, I can't lose this job, Marsha.
00:08:05I can't.
00:08:06It's my chance.
00:08:07And, well, I need the money.
00:08:10Exactly.
00:08:11Bring me three or four letters.
00:08:14Three or four will do.
00:08:21All right, Rick.
00:08:22Pull it in.
00:08:22All right, Matt.
00:08:28Mr. King will be down soon, girls.
00:08:30Then we can swim.
00:08:31Oh, Maestro making an entrance, eh?
00:08:34I just should not go in.
00:08:35Well, of course you'll swim, dear.
00:08:37Sun, sea air, exercise.
00:08:39That's the tonic.
00:08:40Where's Lois?
00:08:41She has a headache.
00:08:42I don't think I'll go and eat in the storm.
00:08:44Well, that'll be all right, Santoy.
00:08:46Come on, girls.
00:08:50Perfect.
00:08:51Perfect, Daniels.
00:08:52We should have pictures.
00:08:54We're posing a set for the magazines tomorrow.
00:08:56Good.
00:08:56Then today, we swim.
00:09:00Come on, sweetheart.
00:09:04Come on.
00:09:06Come on, sweetheart.
00:09:11Wait a minute.
00:09:12Wait a minute.
00:09:16Wait a minute.
00:09:42Where's Marsha?
00:09:44Her robe was gone when I came in.
00:09:45Come on.
00:09:46Maybe she's ill or something.
00:09:48I hope it's serious.
00:09:49This woman, she's sick all the time.
00:09:51Inside.
00:09:53Shh.
00:09:54Has anyone seen Marcia?
00:09:56I think she went up to the house, Maestro.
00:10:02I wonder if Marsha and Maestro quarrel.
00:10:05You can't quarrel with a lap dog.
00:10:29This land made me more and more.
00:10:29I wonder if I saw her at the Lone and see him?
00:10:30I know that he's from the house and see her.
00:10:31I think I was going up to the house, Maestro.
00:10:31I know that he may be.
00:10:32That's what he is, I'm still going up to the house.
00:10:35That's a great time.
00:10:35I'm still going down.
00:10:37I have to go down, too!
00:10:42You're going to do the house, too.
00:10:45You're going to come back.
00:10:45THE END
00:11:19THE ROOT OF EVIL
00:11:20You said it. Lots of evil has come out of the sea. The world, for instance.
00:11:25Liquor is the root. Crime, the stem and branches.
00:11:28And what's the fruit?
00:12:03You look like if you have seen the ghost. It's kind of chilly.
00:12:10Did you see Santoy or Lois?
00:12:12No, I was just in the cabana.
00:12:23Lois, are you in there?
00:12:49What happened?
00:12:51What happened?
00:12:53She's dead.
00:12:54What happened?
00:12:54Oh!
00:12:55Quiet, girls. Please. I think you've got to leave the room.
00:12:58Look, maestro. For the good of the show, Lois is dead. She'll not mind if it looks like an accident.
00:13:04You couldn't move the body.
00:13:05Why, sure. To the beach. It'll look like a drowning. We'll work it out when the fuss dies down.
00:13:09It'll be easier on Lois' mother, too.
00:13:11You press agents are all calloused.
00:13:14I forbid it.
00:13:15Take the edge off the first news breaks and we can handle it quietly, I tell you.
00:13:19I forbid it.
00:13:19She was garretted a cord around her neck.
00:13:23What kind of a cord is that?
00:13:24A silk cord.
00:13:25Silk, huh?
00:13:27That's an old Chinese custom.
00:13:30Chinese!
00:13:30Now, Clem, there's no time for hysterics. Come on.
00:13:33Come on, girl. We'd better leave her now.
00:13:41Please.
00:13:44Oh, for heaven's sake, Clem, let up.
00:13:47Don't let her come here.
00:13:48Clementine, control yourself.
00:13:50It's a Chinese drink of silk and cord.
00:13:52She was in the house with poor Lois all the time.
00:13:55Oh, I wish Doc were here, but she needs us a pill.
00:13:58You'll have to humor him.
00:14:00Oh, sure, Clem. The Chinese garotte people all the time.
00:14:03You're accusing me.
00:14:04J'accuse, j'accuse. This is very bad.
00:14:07The garotte is an old French apache costume, too.
00:14:09That's right.
00:14:10And if it was Marsha up there, you'd have some tall explaining to do.
00:14:13I'm going to see if the men have found any trace of Marsha.
00:14:16No, Winifred.
00:14:16They asked us to stay here until the police come.
00:14:19Girls, please try to be calm.
00:14:21Yes, until Marsha's found, we won't know anything.
00:14:24All Marsha's clothes are still upstairs.
00:14:26If she went away, she went in a bathing suit.
00:14:29Don't stare at me like that.
00:14:31Santoy, dear, no one accuses you.
00:14:34It was a silk cord!
00:14:36I've read about the Chinese.
00:14:37Please!
00:14:38I'll put an end to this.
00:14:40I met a detective, the world's greatest detective.
00:14:42His name is Jimmy Chan, great Chinese detective.
00:14:46He'll protect his country woman.
00:14:48Santoy, where are you going?
00:15:16Mr. Chan!
00:15:17Jimmy!
00:15:18Jimmy!
00:15:19It's murder!
00:15:19It's murder!
00:15:23Hello!
00:15:24This is Mr. Chan's resident.
00:15:26Mr. Chan!
00:15:28Jimmy!
00:15:28Jimmy!
00:15:29Murder!
00:15:29It's murder!
00:15:30That gets those detectives!
00:15:31It's all they understand!
00:15:32Don't let her telephone keep burning something!
00:15:34We'll all be murderous!
00:15:36Mr. Chan!
00:15:37Jimmy!
00:15:38This is Santoy, I'm at the beach.
00:15:39Tell him it's murder!
00:15:41Oh!
00:15:42Oh!
00:15:43Jimmy!
00:15:44No!
00:15:44Jimmy!
00:15:45Jimmy!
00:15:47Yes!
00:15:47Murder!
00:15:48Murder!
00:15:49Jimmy!
00:15:49Jimmy!
00:15:50He's murdered!
00:15:50Hold on now!
00:15:51Be calm!
00:15:51Don't get excited!
00:15:52Be calm everybody now!
00:15:54I'm with you!
00:15:54Wait a minute!
00:15:54Be calm!
00:15:55Now wait a minute!
00:15:55Wait a minute!
00:15:56Where did you say that word?
00:15:57Good gracious of me!
00:15:59Who?
00:15:59Where?
00:16:00Wait a minute!
00:16:01Where's the pair?
00:16:02What's your number you said that word?
00:16:0426 Malibu Drive?
00:16:05Malibu Drive?
00:16:06Oh!
00:16:06Good gracious!
00:16:07That's alright!
00:16:07Hold it now!
00:16:08Hold it!
00:16:08Don't get excited!
00:16:10Who?
00:16:11Mr. Chan!
00:16:12Good gracious of me!
00:16:13Mr. Chan!
00:16:15Wait a minute!
00:16:15Mr. Chan!
00:16:16Mr. Chan!
00:16:17Mr. Chan!
00:16:19Mr. Chan!
00:16:20Good evening!
00:16:22Oh!
00:16:22Good gracious Mr. Chan!
00:16:23Jimmy's just gotten murdered!
00:16:24I just got it over the telephone!
00:16:26What?
00:16:26Where?
00:16:27Where did Carl come from?
00:16:28Uh!
00:16:2926th Malibu Drive!
00:16:30There's a whole lot of girls there and they said he just got murdered!
00:16:33Malibu Beach?
00:16:33How long since you seen Jimmy?
00:16:35Oh!
00:16:35This afternoon he must have had a date!
00:16:37But them girls said he just got murdered!
00:16:39I can understand the girl part of it!
00:16:41The rest of it no!
00:16:42We go!
00:16:43Uh!
00:16:44I'll get the car!
00:16:44You get your clothes on!
00:16:45Yes sir!
00:16:46Good gracious of me!
00:16:47Ain't this something?
00:16:53You are sure you have correct address?
00:16:56Yes sir Mr. Chan!
00:16:57I heard it plain!
00:16:58A whole lot of girls screaming in Holland about Jimmy!
00:17:01Uh oh!
00:17:02Please you will drive carefully in the city!
00:17:05We make up time on Coast Highway!
00:17:07Yes sir!
00:17:10Birmingham!
00:17:2826th Malibu Drive!
00:17:41Say Antoine found her!
00:17:43You must find Marcia Sergeant!
00:17:44Now let the Sergeant talk!
00:17:45What's he know about it?
00:17:46I'll have to take your statements separately!
00:17:49Have they moved?
00:17:51Yes the coroner took over!
00:17:53Now who is Marcia?
00:17:54The murderess!
00:17:55Oh now Madge we don't know!
00:17:58There's very little the girls can tell you Sergeant!
00:18:00If you'll wait until the men come back they may have news of Marcia!
00:18:03And where are the men?
00:18:04They're out looking for her!
00:18:06Someone send for a detective!
00:18:08Oh thank heavens!
00:18:12I'm here looking for number two son Jimmy!
00:18:15But he's not here Mr. Chan!
00:18:17Understood!
00:18:18Jimmy was here and in trouble!
00:18:20Oh that must be a mistake sir!
00:18:22Oh mistakes sometimes bring most fortunate relief!
00:18:26I see all other troubles are in most capable hands!
00:18:30Good evening Sergeant!
00:18:31A very serious thing has happened Mr. Chan!
00:18:35This is the Sergeant's big break!
00:18:36Give him a chance!
00:18:37I'm Reynolds of the State Police Mr. Chan!
00:18:40This is out of city jurisdiction!
00:18:41But now that you're here I'd be glad if you kind of look things over!
00:18:45Little Chinese girl tells me many persons are wrongfully accused!
00:18:49Was a dead girl so very badly hated?
00:18:53Oh no Mr. Chan!
00:18:54Lois was a sweet harmless child!
00:18:56The murder of Lois that is a mystery!
00:18:58But the missing one Marcia we all hate her!
00:19:00I kid her myself!
00:19:02Poof!
00:19:02Correct!
00:19:03Lois was strangled!
00:19:05Adelaide's right!
00:19:06We all hated Marcia!
00:19:07Not hate Mads!
00:19:09That's a bitter word!
00:19:10Marcia bah!
00:19:11She will not be found!
00:19:12I hope not!
00:19:13Bah!
00:19:13Question the men!
00:19:16Ask them!
00:19:17Girls please!
00:19:18Mr. Chan would you care to talk to us separately?
00:19:21We'd like few moments along with Sergeant if you please!
00:19:25Some girls!
00:19:25Upstairs!
00:19:26No!
00:19:27No!
00:19:27Not up there!
00:19:28No need to go to that room!
00:19:30We can make a general dormitory where you can all be together!
00:19:33Come on!
00:19:36Don't worry Mr. Chan will clear things up!
00:19:39The Sergeant looked capable to me!
00:19:40Oui!
00:19:41But the detective?
00:19:48Well that looks like an ordinary bathrobe cord to me sir!
00:19:52I was more concerned about the presence of my number two son Jimmy in this house!
00:19:57Well I haven't seen him sir!
00:19:59But I'd appreciate any time you can give the case sir!
00:20:02Oh!
00:20:03Mr. Chan!
00:20:04I met you when you were on the March case!
00:20:06I was handling publicity for the March flour mills!
00:20:09My name is Rick Daniels!
00:20:10I am delighted!
00:20:11Being press agent you will have factual eye for details!
00:20:15Mr. Chan!
00:20:17Am I glad to see you!
00:20:19Mr. Cole King I believe?
00:20:20Yes sir!
00:20:21Your presence here is a great relief to us!
00:20:24One moment!
00:20:27What is your position on Mr. King's show?
00:20:31Physiotherapist in charge of diet!
00:20:32General physical culture!
00:20:34George Brandt!
00:20:35Mr. Chan!
00:20:35An honor sir!
00:20:37Any sign of the missing girl?
00:20:38No!
00:20:38We searched every room and every cabana!
00:20:40We can't find her anywhere!
00:20:42Now gentlemen!
00:20:43I will ask you for careful statements and details please!
00:20:48I'll be in my cabana girls!
00:20:50Madge will take care of you!
00:20:51Good night!
00:20:52Good night!
00:20:53Good night!
00:20:55Clam!
00:20:55Hold it!
00:20:58I saw it too!
00:21:00Somebody out on the porch!
00:21:01A man!
00:21:01He went into the next room through the window!
00:21:10Come on!
00:21:12Come on!
00:21:13Come on!
00:21:13Let's get the Sarge!
00:21:13Come on!
00:21:14Come on!
00:21:14Come on!
00:21:15Someone's gonna get killed!
00:21:16Oh!
00:21:17I'm scared!
00:21:18What is trouble please?
00:21:19Someone's running in here from the porch!
00:21:21A man!
00:21:21I saw him jump through the window!
00:21:39Oh!
00:21:41Oh!
00:21:42Oh!
00:21:42Oh!
00:21:42Oh!
00:21:43Oh!
00:21:43You will explain your behavior with speed!
00:21:46Well Pop!
00:21:47You'll see it was this way!
00:21:48Also intelligence!
00:21:50Well I found the address on the telephone pad!
00:21:53I figured you were on the case!
00:21:54And that you might need some help!
00:21:55And when I saw the state cops up on the highway I knew that they had just stopped!
00:21:58So I just climbed up!
00:22:01Hello Jimmy!
00:22:06Unorthodox though not unusual!
00:22:08One moment please!
00:22:10You and Birmingham will take up positions in rear!
00:22:14No one is to leave premises!
00:22:16Okay Pop!
00:22:16Our quarters are in a cabana Mr. Chan!
00:22:18Kindly remain in the house!
00:22:20Ladies return to your rooms!
00:22:22Hmm!
00:22:22Sounds official!
00:22:23I still think the sergeant could handle it!
00:22:34Position up body?
00:22:35Yes sir!
00:22:36Trunk?
00:22:37All right sir!
00:22:49Jimmy!
00:22:50Ain't nobody going to try to leave the house tonight!
00:22:52Come on let's find a place to stretch out!
00:22:54Pipe down!
00:22:54I'm already in touch with Pop!
00:22:56Yeah but I'm plum exhausted!
00:22:57I want to go to sleep!
00:22:58Sleep!
00:22:59Why don't you try sleeping on your feet for a change!
00:23:01Hmm!
00:23:01That ain't a bad idea!
00:23:07Hey duck!
00:23:07There's somebody now!
00:23:08Come on!
00:23:09Come on!
00:23:18He went into the cellar!
00:23:20What are you worrying about?
00:23:21He ain't leaving the house!
00:23:26He's always looking for trouble!
00:23:31Come on!
00:23:31Now wait a minute!
00:23:32Now where are you going?
00:23:33Come on!
00:23:33This will square us with Pop!
00:23:34I'm already square with your Pop!
00:23:36Well you stay here!
00:23:37I'm going in!
00:23:37That's just what I'm...
00:23:38Whoa!
00:23:39Gangway!
00:23:39I changed my mind!
00:24:09Jimmy!
00:24:11Oh Jimmy!
00:24:12Wonder where did that boy go?
00:24:14No, no!
00:24:16No!
00:24:18No!
00:24:18No!
00:24:19No!
00:24:19No!
00:24:20No!
00:24:22No!
00:24:23I'm sorry!
00:25:31That's me.
00:26:32He hit me across my head, Jimmy.
00:26:33He conked me.
00:26:34Look at everything falling on me.
00:26:36I saw him run.
00:26:36He had a bundle in his hands.
00:26:38Yeah, he might have had a bundle in one hand, but he sure had a club in the other one.
00:26:41Where's my hat?
00:26:43Jimmy, let's get out of here.
00:26:44Can't you get the thing off of you?
00:26:45Come on.
00:26:46Let's go.
00:26:46Here, take this with you.
00:26:50Oh, gee, Pop.
00:26:51You scared me.
00:26:52You observed something in cellar?
00:26:54Yeah, somebody went down there and tried to stuff a bundle in the furnace.
00:26:57Person make exit, carrying bundle away in hands?
00:27:00Only in one hand, Mr. Chan.
00:27:02Yeah, he clipped Birmingham.
00:27:04Resume vigilance.
00:27:05Person with bundle.
00:27:06Most important.
00:27:07Now, the way I figured that thing, Jimmy, clipped.
00:27:29Oh, my God.
00:27:33Oh, my God.
00:27:35Oh, no.
00:27:36Quiet, girls.
00:27:37It's Centoy.
00:27:38Jimmy.
00:27:42Oh.
00:27:43I am so glad to learn you are not cause of this latest disturbance.
00:27:48Remain where you are, please.
00:27:50Dad, you think you've heard.
00:27:51Oh, dear, drink.
00:27:53Did you mention the root of evil?
00:27:55Centoy, what happened?
00:27:56What's the matter?
00:27:57What happened?
00:27:58What's the matter?
00:27:58Tell us.
00:28:00Upstairs, someone threw something over my head.
00:28:02I smell a chloroform.
00:28:05I can smell it here, too.
00:28:06Ruby, don't go up there.
00:28:07Don't.
00:28:08I can smell it down here.
00:28:09No.
00:28:09It's ether.
00:28:10Impossible.
00:28:11There's a plot against all of us.
00:28:13Oh, sir.
00:28:14Quiet, quiet.
00:28:16Quiet, quiet.
00:28:17Quiet.
00:28:17Your hands like jinseng.
00:28:20Mucho.
00:28:21Mucho.
00:28:21Do I smell ether, doctor?
00:28:23Yes, sir.
00:28:24A cloth must have been saturated with it, Mr. Graham.
00:28:26It's fantastic.
00:28:27It's madness.
00:28:28This house is haunted.
00:28:29Oh, clam dried out.
00:28:30Please, please, young ladies.
00:28:31I would suggest you all go quietly to your rooms.
00:28:34Come on.
00:28:34The little Chinese girl is evidently the center of general mystery here.
00:28:38Well, why don't you search the place?
00:28:40By now, attackers have ample opportunity to escape.
00:28:45Or to join us here.
00:28:58What a horrible night.
00:29:00I didn't sleep awake.
00:29:02You're snoring.
00:29:03It was as ma, no?
00:29:04Poor clam.
00:29:05She was nervous before we ever came here.
00:29:08Feel better this morning, dear?
00:29:10I slept a little.
00:29:11I massage the poor kid till she relax.
00:29:15The time.
00:29:16His old song.
00:29:16Oh, just carrying around my own protection.
00:29:19What is the great Mr. Chan doing?
00:29:20He has the situation well in hand.
00:29:22Oh, Mr. Chan is working it out.
00:29:24You've got to admire him.
00:29:25He's quiet, intelligent, and persistent.
00:29:28Persistent.
00:29:28An admirable quality.
00:29:30Oh.
00:29:40Good gracious of life, Mr. Chan.
00:29:42I know it was going to happen sometime.
00:29:44No, no, no, Jimmy.
00:29:45Get up.
00:29:45Could not possibly happen that way.
00:29:48Come in, Birmingham.
00:29:48Could not possibly.
00:29:49Birmingham, come here.
00:29:50Yes, sir.
00:29:54All right.
00:29:54I want you to stand right there.
00:29:56Bend over and simulate pilfering of trunk.
00:29:59Oh, yes, sir.
00:29:59Hmm?
00:30:00Imagine you are stealing something from the trunk.
00:30:03I know.
00:30:04I know.
00:30:04Now, you are familiar with technique of the garotte?
00:30:07They didn't teach that in my school, Pop.
00:30:11Observe.
00:30:13When held in this manner, garota cannot possibly be caught if victims should suddenly grasp the cord.
00:30:21Gee, Pop, where'd you learn that?
00:30:22In the school of hard experience.
00:30:25Uh, simulate, uh, pilfering.
00:30:28Now, I am garota.
00:30:31I enter from this door.
00:30:35I approached the victim stealthily.
00:30:40Nothing out, Mr. Chairman.
00:30:41Nothing out.
00:30:42You see, Jimmy?
00:30:42That is what I mean.
00:30:44It was utterly impossible for garota to approach victim from behind while victim is kneeling in that position at the
00:30:52trunk.
00:30:52I get it, Pop.
00:30:53That Lois girl wasn't at the trunk.
00:30:55Uh-huh.
00:30:55Well, deduce further.
00:30:57Remember, the body was lying here where these marks are placed upon the floor.
00:31:01She whirled away from the trunk and saw the killer.
00:31:04Uh-huh.
00:31:04Deduce further.
00:31:05You're reaching the point.
00:31:06She recognized the killer.
00:31:08She couldn't believe what she saw with her eyes or she would have gotten further away.
00:31:12Maybe clean away.
00:31:13Uh-huh.
00:31:14Indicating what?
00:31:15That the killer was a friend.
00:31:16Exactly.
00:31:16What I am trying to demonstrate.
00:31:19The killer, Jimmy, was a friend.
00:31:21Oh, Mr. Chairman, maybe that girl didn't see the killer at all.
00:31:24Maybe the killer was transparent.
00:31:26Oh.
00:31:28No further deductions.
00:31:38Oh, this in action.
00:31:40If only we could go swimming.
00:31:41A good idea, but forbidden.
00:31:43Sergeant's orders.
00:31:44Stay here or in the house.
00:31:45We got the orders for Mr. Chairman.
00:31:47Detractive.
00:31:48The sergeant's a great criminologist.
00:31:50He told me so himself.
00:31:51Crimes and criminals.
00:31:52It all seems like a nightmare.
00:31:56Oh, Mr. Chan.
00:31:57Is it how you say it's permissible to go swimming?
00:32:00I think nice swim would be very refreshing for everyone.
00:32:04That's good.
00:32:06Sure.
00:32:07Come on.
00:32:07I'll go back.
00:32:09Come on.
00:32:27I'll be glad to do any washing, sir.
00:32:28Uh, no, thank you. It's just something I had for the maestro.
00:32:38Jimmy.
00:32:41Jimmy.
00:32:45Find Birmingham.
00:32:46You will both follow movements of Mr. Daniels very closely.
00:32:50Oh, but Pop, Santoy and I were gonna go for a swim.
00:32:55Swim later.
00:33:05Oh, Clementine, look what I found.
00:33:07It moved. Don't touch it, Ruby, don't.
00:33:10Afraid of a crab.
00:33:15Clementine, get it before it goes in the water.
00:33:20Where are you going?
00:33:27Watch.
00:33:32It's Marshal! Marshal!
00:33:45The tide washed her up, huh?
00:33:47Remove cord.
00:33:49You will also examine not very closely.
00:33:54Youted. Another one.
00:33:56Strangled! Good gosh! Another cord!
00:34:00Everyone will please return to the house.
00:34:04Except the sergeant.
00:34:05You remain here and instruct the coroner.
00:34:17It's, uh, obviously a suicide, Mr. Chan.
00:34:21She killed Louise and then go out and drown herself, n'est-ce pas?
00:34:25You, uh, observe not?
00:34:28It was a granny not, sir.
00:34:30You also possibly examine victim's throat?
00:34:33Yes, the trachea was flattened.
00:34:35What would you say regarding possible period of immersion?
00:34:39Ten or twelve hours.
00:34:41He is only guessing, Mr. Chan.
00:34:43Well, I have only a superficial knowledge of such things, Mr. Chan.
00:34:46I am certain coroner will agree with your every statement.
00:34:50Excellent.
00:34:52Doctor.
00:34:54It can't be a suicide, Mr. Chan.
00:34:56She was a good swimmer.
00:34:58She'd have to tie the cord on herself.
00:34:59Not to the kind women tie.
00:35:01Also many men.
00:35:02Pa! Hey, Pa!
00:35:04Yes?
00:35:05He's going off the beach with that package.
00:35:07Birmingham's watching him.
00:35:08I will take care of it.
00:35:09I must ask you all not to leave this room.
00:35:12I have much to discuss with you later.
00:35:54You will open it, please.
00:35:59I can explain, Mr. Chan.
00:36:01I will listen to your answer.
00:36:02I have no explanation at the house than the presence of your friends.
00:36:10Yeah.
00:36:13Yeah.
00:36:14Right.
00:36:18Well, the coroner says she couldn't have died by drowning.
00:36:21I thought not.
00:36:22She wasn't the kind.
00:36:25Better we leave this place while the excitement is still on.
00:36:28You don't know America, honey.
00:36:30They'd hound us and never let up.
00:36:32I'll live with you in caves.
00:36:33Even in tree trunks.
00:36:34Only to run away from this.
00:36:36I've been running away for years.
00:36:38Time has come now to face it.
00:36:40That detective.
00:36:41He knows everything.
00:36:43Already he called you doctor.
00:36:44Yes, I caught that.
00:36:50Look, before we go in, I was trying to keep somebody from being framed.
00:36:54This robe was planted on him.
00:36:55The maestro?
00:36:56That's right, and you can check on that.
00:36:58He found it in his clothes closet.
00:37:00I prefer to listen to your explanation in presence of the other suspects.
00:37:05Listen, Mr. Chan, I know crime.
00:37:07There isn't anybody in this house that could have killed Lois except Marsha herself.
00:37:11Then Marsha took the water route.
00:37:13Suicides do not garrote themselves by tying granny knot at back of neck.
00:37:18I've seen a lot of crime.
00:37:21Repetition of your merit only go to prove your fear of fault, Mr. Press Agent.
00:37:27Continue inside, please.
00:37:38It's Marsha's robe!
00:37:40Where was it, Rick?
00:37:41I had it.
00:37:42It's Rick!
00:37:43Rick killed!
00:37:45Please, please.
00:37:48For the benefit of everyone, I wish to inform you it's my opinion.
00:37:52Marsha did not kill Miss Lois.
00:37:55Mr. Chan, several of us saw Marsha going up to the house while we were swimming.
00:37:58The sergeant has a theory on that.
00:38:00He thinks somebody wore the robe and then went into the house.
00:38:03Excellent deduction, but lacks point of fact.
00:38:06And Santoy had every opportunity.
00:38:11Santoy is a petite doll and she herself was attacked, no?
00:38:15You sound repressed.
00:38:17Then that ether business could have been phony.
00:38:19If anyone wanted to cover up.
00:38:21Ruby, please.
00:38:22Mr. Chan, it's plain you suspect all of us of the actual, for the actual murder of trying to shield
00:38:27someone.
00:38:29Daniels, don't stare that way.
00:38:32You look like a vulture.
00:38:34Mr. King.
00:38:39You are familiar with these cords?
00:38:41This one possibly from black gown?
00:38:45There is no black gown in the wardrobe, Mr. Chan.
00:38:51Excuse, please.
00:38:52Chinese girl who is familiar with wardrobe, tell a different story.
00:38:56This cord which killed Miss Lois is from your black beach robe.
00:39:01And this one with silver thread is from Marsha's gown.
00:39:06All right. So that is correct.
00:39:08How do you expect to get cooperation from one you so obviously and wrongly accused?
00:39:13Spill it, you dope.
00:39:14You're the guilty one.
00:39:15Let's get him out of here where we can give him the third degree.
00:39:17Wait a minute, Daniels.
00:39:18Don't you see?
00:39:19There's a trick of chance.
00:39:20It's an old oriental custom trying to get us to accuse each other.
00:39:23You're gonna talk.
00:39:24Don't ever lay a hand on me again.
00:39:26You killed them both, why don't you spill it?
00:39:28Daniels, this police court stuff.
00:39:31I'll have you arrested.
00:39:32Rick, stop it.
00:39:33Look, I was loyal to you and your show, but enough's plenty.
00:39:37I took that robe out and tried to bury it because I thought somebody was trying to frame you.
00:39:41Then Chan caught me and the finger's on me.
00:39:43Daniels, you took that robe to Chan.
00:39:46Oh, skip that.
00:39:47But Doc here's got something in his past that stinks.
00:39:49And the finger's on him too.
00:39:51The girls are accusing each other.
00:39:53You're ruining lives, Cold King.
00:39:55When you're the guilty one, why don't you spill it?
00:39:57Stop it, Rick.
00:39:58Get yourself more evidence.
00:39:59I got evidence enough.
00:40:01He let this dame Marsha make a fool out of him.
00:40:03Then he got tired of her.
00:40:04And he gouted her with a cord from his own bathrobe.
00:40:07Stop him, Mr. Chan.
00:40:09No, no.
00:40:09Please continue.
00:40:10This kid, Lois, was a chiseler.
00:40:12She shook Adelaide's trunk for the tin box to put the bee on you, Doc.
00:40:16Blackmail.
00:40:17And that's where you came in.
00:40:18She was swiping the box when she saw you fix Marsha.
00:40:21You had a kill, Lois, with a cord from Marsha's gown.
00:40:24I don't know anything about it.
00:40:26You're crazy.
00:40:28Oh.
00:40:29Now I see it, Daniels.
00:40:31You're the murderer.
00:40:33You killed Marsha.
00:40:35Marsha took Winifred's job in the show.
00:40:37And ever since then, you've been moody and ugly.
00:40:39You killed Marsha and then later took her body out to sea.
00:40:43Oh, that won't get you anywhere.
00:40:44Hey, wait a minute.
00:40:45You killed Marsha.
00:40:47Daniels, you're calloused.
00:40:49You tried to make Lois's death look like suicide.
00:40:53Obstructing justice is very serious crime, Mr. Daniels.
00:40:56Sergeant, you will make investigations and bring proper charges.
00:41:00Shall I handcuff him, sir?
00:41:01Oh, not necessary, no.
00:41:04Listen, all of you.
00:41:05When I shall have dismissed you, the men will all go to their cabanas.
00:41:11The ladies will remain here in this house.
00:41:14Oh, Mr. Chen, you won't make us put in another night in this house.
00:41:17Impossible to speed up investigation now.
00:41:20You two in a few moments will meet me in my headquarters, first room on the right at the top
00:41:25of the stairs.
00:41:26Talking Adelaide?
00:41:27Why, they're no more guilty than I am.
00:41:29That is very interesting comment, young lady.
00:41:32Perhaps I will be able to question you later on.
00:41:35Santoy!
00:41:36He won't question Santoy!
00:41:38Oh, no, ma'am.
00:41:39Sergeant, you will please join my two assistants.
00:41:42Right, sir.
00:41:42No one is to leave house or cabanas.
00:41:44The beach patio okay, sir?
00:41:46If carefully guarded.
00:41:47This is routine precaution.
00:41:49I am convinced the murderer is in this room.
00:42:20It's a dame, Sarge.
00:42:21I'll get her.
00:42:22You stay here.
00:42:23See that none of the others tried.
00:42:51Oh, so it's you.
00:42:52Where were you going?
00:42:54To mail a letter.
00:42:55Wisecracks won't help, honey.
00:42:57You sure fooled me.
00:42:58Move over.
00:42:59I'll drive back like a good girl, Sergeant.
00:43:01Oh, no, you don't.
00:43:02I'll send for the bike later.
00:43:03Move over.
00:43:14State Board of Medical Examiners.
00:43:16What's this?
00:43:17I'm not talking.
00:43:39You wish I should open this letter, Doctor?
00:43:41Of course.
00:43:42It's my application for the State Board.
00:43:43I give it to Ruby to post, because she had a better opportunity to escape.
00:43:47Tomorrow's the last day for filing.
00:43:49I'd decided to drop it.
00:43:51Best laid plans of mice and men sometimes go a little bit haywire, huh?
00:43:56Very well.
00:43:57I accept explanation.
00:43:59I think perhaps, Sergeant, you had better mail a letter.
00:44:02You may open it first, if you wish.
00:44:04I guess I'll mail it, Mr. Chan.
00:44:06Good work, Sergeant.
00:44:08Sit down, please.
00:44:11I suggest now we all talk together freely.
00:44:15Well, it seems obvious to me, Mr. Chan.
00:44:17Marshall killed Lois, contrived to tie a similar cord around her own neck,
00:44:20since she was so good a swimmer.
00:44:22One moment, please.
00:44:23One moment.
00:44:24If either garrote had been tied with a square knot, a surgeon's knot,
00:44:30the case would now be closed with you arrested.
00:44:32Sit down, please.
00:44:36Today I confirmed a suspicion which began to germinate when I first see you.
00:44:41Six years ago, in New York City, a very young and promising doctor
00:44:45was accused of wife murder.
00:44:48Massage!
00:44:49They're lies!
00:44:50Lies!
00:44:50Lies!
00:44:51Lies, yes, perhaps.
00:44:53Young doctor was exonerated, but the whole affair ruined his life.
00:44:57All right.
00:44:58He went to war.
00:45:00There he met a girl and married her.
00:45:02Me.
00:45:03Now you know everything, Mr. Chan.
00:45:05Thank you so much.
00:45:06When you were both in Paris, you knew this girl, Marcia, very well?
00:45:12Oh, zut.
00:45:12We know her too well.
00:45:14No, no.
00:45:15Let her drop, Adelaide.
00:45:17I'm suspect again.
00:45:18You, uh, refused to talk about yourselves?
00:45:21What is there to say?
00:45:22The medical association disowned me.
00:45:24I couldn't resume practice when I came back.
00:45:27Marcia got Adelaide a job with this show, and there was a job for me.
00:45:30It's as simple as that.
00:45:32I have no wish to reopen old wounds.
00:45:36Adelaide knows I was completely innocent of that charge, Mr. Chan.
00:45:39Then, yes, perhaps, but now.
00:45:42By simple process of elimination, doctor, I have arrived at a most important conclusion in this present case.
00:45:49I am very sorry, but I am under the painful necessity of accusing you of a most serious crime.
00:45:55Accuse me, Mr. Chan?
00:45:56No, no, this is horrible.
00:45:58I killed Marcia.
00:45:59No, Adelaide, Adelaide, Mr. Chan doesn't want dramatic.
00:46:01Excuse, please.
00:46:04On contrary, dramatic's highly valuable just now.
00:46:07I am convinced, doctor, you tell only partial truths.
00:46:11I am convinced you find dead girl's body in this room.
00:46:15I am also firmly convinced you remove from this room certain articles which Lois steal from Trunk.
00:46:21No, no, he was with me everywhere, in the water, on the beach, everywhere.
00:46:25It's no use, Adelaide.
00:46:26I found Lois.
00:46:27That metal box of yours was on the floor beside her.
00:46:30I took it away.
00:46:32You did find her then.
00:46:34Continue.
00:46:36But she was dead, Mr. Chan.
00:46:38I tried artificial respiration.
00:46:39It was no good.
00:46:40I knew in a bad situation I was in.
00:46:43That metal box contained personal letters referring to that affair in New York.
00:46:47I saw the whole thing being bungled by the local police to ruin us.
00:46:51To destroy everything Adelaide and I have together.
00:46:54Our entire future.
00:46:56This box contained other articles besides letters?
00:46:59Lots of things.
00:47:00Everyone have something in it.
00:47:01It was only a fireproof container the girls had, sir.
00:47:04Ruby have some letters.
00:47:05Winifred, Santoy, some Jane, Mrs. Thort.
00:47:07You can produce this box?
00:47:09It's in my cabana, sir.
00:47:10Good.
00:47:10We will go at once to cabana.
00:47:13Go ahead.
00:47:19Contents of box may reveal new clues, doctor.
00:47:22Doc never did this to Lois.
00:47:24We care if she's still box, sure.
00:47:26But we not care that much.
00:47:27Evidence so far quite convincing, but puzzle always deepest near the center.
00:47:33Mr. Chan, it's gone.
00:47:36Gone?
00:47:39You'll excuse me, doctor, if I seem slightly suspicious.
00:47:43But it was here.
00:47:45I...
00:47:45Look.
00:47:46It's been cut open.
00:47:48I had no chance to slip this bag.
00:47:50Until box is found can offer very little comfort.
00:47:53Oh, no, no, please.
00:47:53We tell the truth.
00:47:55All the truth.
00:47:55Isn't there anything we could do to convince you, Mr. Chan?
00:47:58I will bend every effort to find the box, but in the meantime, doctor, I must assure you,
00:48:02your position is extremely delicate.
00:48:08Well, here goes my chance for the state medical examination here.
00:48:13They can't ruin people like this.
00:48:15They just can't.
00:48:16If Chan arrests me, the publicity, everything will come out.
00:48:21Oh, it does not matter.
00:48:22We have lived through so much, we overcome this.
00:48:24I live with you in jail, in hovels.
00:48:28I even live with you in pork pies.
00:48:30It's pig's ties, honey.
00:48:32Oh, what's the difference?
00:48:41Oh, hiya, Pop.
00:48:43Santoy needed some air.
00:48:44Okay.
00:48:45Can it be arranged?
00:48:46Well, that's fine.
00:48:47She's kind of scared with all those other dames.
00:48:49I mean, girls around.
00:48:50They've been picking on her.
00:48:52Oh, it isn't that bad, Jimmy.
00:48:54Everyone's nervous and jumpy.
00:48:56Couldn't she go back to the city with us tomorrow, Pop?
00:48:57No, I'm afraid too soon.
00:48:59You have made tall talk of prowess as detective.
00:49:03Honor of Chan family now at stake.
00:49:06Well, Santoy got it all wrong.
00:49:07Hmm.
00:49:08I'm afraid too short time to bring this to conclusion.
00:49:12Well, can't you speed it up, Pop?
00:49:13Hmm.
00:49:14Lasirly hunter have time to stalk prey, but hunter in haste must set trap.
00:49:19A trap?
00:49:20Shrewdly baited.
00:49:21Pop's concentrating.
00:49:22He'll settle it fast now.
00:49:24Jimmy, you will find other assistant and take a post of observation of last night.
00:49:29Oh, but Pop, Santoy wanted to take a walk.
00:49:32So she shall.
00:49:33So she shall.
00:49:34Nice walk.
00:49:35With intelligent conversation.
00:49:38With me.
00:49:44They can't keep us caged in here another night.
00:49:47Chan wants us all to get some rest.
00:49:49What's happened to the maestro?
00:49:51His nerves are shot.
00:49:52He's hysterical.
00:49:53Doc's got him in his cabana trying to calm him down now.
00:49:56Come on, Clem.
00:49:57No, no.
00:49:57Not upstairs.
00:49:58That'll be best, Clementine.
00:50:00Madge can give you a rub down.
00:50:01And sleep?
00:50:02Pablo, no.
00:50:03Why, never sleep until the thing is all settled.
00:50:05In the wall.
00:50:07Noises in the wall like someone whispering.
00:50:08Oh, it's just probably some rats.
00:50:10Ow!
00:50:11If you want, we can bring in some bedding and you can sleep down here.
00:50:14Good.
00:50:15I'm not hangering for upstairs.
00:50:16I'll help with the bedding.
00:50:17That's a sound idea.
00:50:19I think I'll go to my cabana, girls.
00:50:21I'm terribly tired.
00:50:22Madge can take care of you.
00:50:23Oh, I tell you, there's something in that wall.
00:50:26Someone call?
00:50:27Oh, it's nothing, Mrs. Weevils.
00:50:29One of the girls heard noises in the wall.
00:50:32Mice were overrun with them.
00:50:34Would you help bring some bedding for the girls?
00:50:36They're going to stay downstairs tonight.
00:50:38Certainly.
00:50:57That quake.
00:50:58That quake.
00:50:59That quake.
00:51:00That quake.
00:51:00Run for coffee, everybody.
00:51:01Run for coffee.
00:51:03Shh.
00:51:03Quiet, quiet.
00:51:04You're supposed to be on guard.
00:51:06What is you up to?
00:51:07What do you mean throwing people around like this?
00:51:08Hey, listen.
00:51:09I just talked to Pop.
00:51:10Yeah, but he told me to stay here by myself.
00:51:12It's about a box.
00:51:13If we find the box, everything's okay.
00:51:14Oh, is it a long box about six feet tall and got flowers piled up on it?
00:51:19No, no, no.
00:51:19It's a little tin box with some papers in it.
00:51:21And I've got a hunch where we can find it.
00:51:23Where?
00:51:23In the maestro's room.
00:51:24He's with the doc.
00:51:26And I figure the maestro's guilty.
00:51:27Yeah, but I ain't figured.
00:51:30Oh, you stay here.
00:51:31If anything happens, I'll hear you yell.
00:51:33And you ain't kidding.
00:51:40Whoa!
00:51:41God!
00:51:44Oh, boy.
00:51:45Oh, boy.
00:51:46Not now.
00:51:47I'll tell you when.
00:51:49I'll tell you when.
00:51:50I'll tell you when.
00:51:51I'll tell you when.
00:51:52Not now.
00:52:10Be brave knees.
00:52:11That ain't nobody but the housekeeper, Miss Weebles or Miss Wobles.
00:52:16What was she going in that door for?
00:52:20Where you going?
00:52:22Oh.
00:52:23A policeman.
00:52:25Well, you see, one time that somebody went down in there and I followed them, see?
00:52:29So after they went second, I went first.
00:52:30And I come out first after I...
00:52:32So?
00:52:33So, well, what it was, I went down in there second and when I followed them, they come
00:52:37out first.
00:52:37And what I was trying...
00:52:38Don't you get it?
00:52:39I'm no good at geometry.
00:52:40Did you see anybody go by here?
00:52:41Oh, the housekeeper.
00:52:42She went over there in that door.
00:52:44Keep your post.
00:52:45No.
00:52:57No.
00:52:59Yeah.
00:52:59No.
00:53:14Here.
00:53:15Thank you very much.
00:55:24Oh, this is a relief.
00:55:26I'd rather have Doc doing it, wouldn't you?
00:55:28That would be a luxury.
00:55:30Et comment?
00:55:30Oh, poor Clem.
00:55:34You relaxed her, Madge.
00:55:35But I don't suppose any of us will get any rest tonight.
00:55:38I've got one eye glued open myself.
00:55:41There.
00:55:41That should ease you a bit.
00:55:42I wonder where Santoy is.
00:55:44I wonder where Santoy is.
00:55:44Snooping around.
00:55:45An old Chinese custom.
00:55:47Well, come on.
00:55:48Let's get some rest.
00:56:02It's a relief.
00:56:17No, let's go.
00:56:18No, let's go.
00:56:18No, there's no Cantoy.
00:56:18Clem had a bad dream, Mr. Chan.
00:56:20She's a Shakespearean addict, Mr. Chan. Dramatic.
00:56:27Mrs. Weebles.
00:56:28Fine trick to play on a lady.
00:56:30Somebody slid it back from upstairs.
00:56:32You write longhand or shorthand?
00:56:34Drink is the root.
00:56:36You are spying, making notes.
00:56:38What are you, amateur detective?
00:56:40I have evidence, plenty evidence.
00:56:43Ladies, no need to be alarmed.
00:56:45Sliding panel is merely relic of old Prohibition days.
00:56:48Right, Mrs. Weebles?
00:56:50Marble!
00:56:53Next time, try the front door.
00:56:55I was following somebody.
00:56:57You.
00:56:58Fickle, eh?
00:57:00Ruby, it's no joking matter.
00:57:02Ladies, levity is a great cure-all.
00:57:05You will please all return to your chambers.
00:57:09Mr. Chan, you promised me I wouldn't have to stay here.
00:57:13No, child.
00:57:14Mr. Chan's afraid for you.
00:57:16Why don't you come out with me to my cabana?
00:57:18You'll be able to sleep there, all right?
00:57:24Sergeant.
00:57:30Where are other three men?
00:57:31In Doc's Cabana, I think.
00:57:34Noise of high surf must have prevented their hearing recent alarms.
00:57:39Sergeant, tonight you will keep careful watch between cabanas and house.
00:57:45Right, Mr. Chan.
00:57:46But about Mrs. Weebles?
00:57:48You're harmless.
00:57:50You're harmless.
00:57:50She may have overheard something of importance, but I will question her later.
00:57:55But, Sergeant, tonight, keep careful guard.
00:57:58No one must cross between cabanas and house.
00:58:02You will also check on three men, but do not disturb.
00:58:07Right, Mr. Chan.
00:58:13Doctor.
00:58:15Doctor.
00:58:15Doctor.
00:58:17Help me.
00:58:19Help me, Doctor.
00:58:21What are you giving him?
00:58:23Just a mild sedative.
00:58:24Poor devil, he needs it.
00:58:26What he needs is a good shot at truth serum.
00:58:28I heard that.
00:58:29Now, get out of here.
00:58:32Doctor.
00:58:33Throw him out.
00:58:35He's giving you a shot at truth serum.
00:58:37We'll sweat the truth out of you when you don't know it.
00:58:39Take him away.
00:58:40Take him away.
00:58:42Maestro.
00:58:42Maestro.
00:58:43This will calm your nerves.
00:58:45Bring sleep.
00:58:46Doctor, I've got to confess.
00:58:49Talk.
00:58:50Talk, killer.
00:58:51Throw a light on him.
00:58:52Keep him going.
00:58:52He's cracking.
00:58:53Get out, for heaven's sakes, and leave the man alone.
00:58:55Well, they all crack one day like this.
00:58:57I took that box.
00:58:59I took it out of your bag.
00:59:01Why?
00:59:01Why?
00:59:02Get out.
00:59:03It's in my room.
00:59:05My drunk.
00:59:06What's in it?
00:59:07What were you hiding?
00:59:08Papers.
00:59:09Purpapers.
00:59:11She'll expose me.
00:59:13It's ruined me.
00:59:24Get out, Daniels, or I won't be responsible.
00:59:27So you're coming from.
00:59:29The box was in your bag.
00:59:32It's beginning to get clear now.
00:59:33You're wild.
00:59:34Get out.
00:59:35You needn't have given him that shot.
00:59:37It was the merciful thing.
00:59:39The only merciful thing.
00:59:41Uh-huh.
00:59:42Maybe so.
00:59:43But I'm getting to a phone.
00:59:44I'll bring some law in here.
00:59:46It'll make Chan look like a monkey.
01:00:09It's heavy.
01:00:10It'll be okay.
01:00:10Oh-huh.
01:00:10Good night.
01:00:16You're inicz AF THE excellent life.
01:00:19stop I know it's you Daniels come up with your hands up or I'll shoot you
01:00:24wouldn't dare listen I'll make you a deal come up with your hands up look Sarge I
01:00:30got this thing cracked let's get to a telephone chance orders no one leaves
01:00:34premises but I tell you I got this thing cracked let's get to your headquarters
01:00:37there's a promotion in this and I can see that you get the brakes chance orders
01:00:45whether I go so go us now I'll break you for this I got influence not as much as
01:00:49I've got right now
01:01:14so
01:01:57Oh, that's them darn mice again.
01:02:01Birmingham.
01:02:04Birmingham.
01:02:06Jimmy, is that you?
01:02:09Birmingham, come help me. I'm stuck.
01:02:11You're stuck? Where are you stuck?
01:02:13Come on, help me. I'm over here.
01:02:16Yeah, I'm over here. Where's you at?
01:02:18Come on, hurry up.
01:02:19Oh my goodness, he's stuck.
01:02:26Say something so I can find you now.
01:02:28Is you talking from this side?
01:02:30What do you mean this side? I'm slipping.
01:02:32Give me a hand.
01:02:33I just want to know if you're talking on this side of the world or the other side.
01:02:47Jimmy, Jimmy.
01:02:50Birmingham, Birmingham.
01:02:51Good gracious, Jimmy. What is the matter with you?
01:02:54I got it. I got it. It's in the furnace.
01:02:56Yeah, you ain't going back in there, is you?
01:02:59I tell you, I got it.
01:03:00You sure have. You got it all over your face.
01:03:02Hey, what's in there?
01:03:03It's very important. We got to get it to pop.
01:03:05Yeah, but you're going to wash your face first, ain't you?
01:03:07Haven't time for that now.
01:03:08Yeah, but suppose you meet that little Chinese number.
01:03:10Yeah, maybe you're right.
01:03:13Come on.
01:03:30Pop must be around these cabanas somewhere.
01:03:33Can we wait till morning to tell him?
01:03:34Oh no, he's got to know tonight.
01:03:36He might arrest an innocent person.
01:03:37And besides, we got to watch these cabanas anyhow.
01:03:40You ain't fooling me.
01:03:41I don't know how come you're interested in these cabanas.
01:03:43It's that little Chinese girl.
01:03:46Hey, look.
01:04:04I found it, Pop.
01:04:05I have trap all set and you've put big foot in it.
01:04:08Come.
01:04:12Which way did it go?
01:04:14It went that way.
01:04:15Well, hurry. We've got it.
01:04:16Why?
01:04:16Let's go.
01:04:17Let's go.
01:04:21Come.
01:04:23Come.
01:04:24Come.
01:04:24Come.
01:04:28If you want to go.
01:04:34Come.
01:04:40Come.
01:04:40Come.
01:04:43Come.
01:04:4475. I've got to slow it down, Mr. Chan.
01:04:46Too bad. I was in hope soon to overtake other cars.
01:05:20Oh, my God.
01:05:48It's Mrs. Thorne.
01:05:51You're too late, Mr. Chan.
01:05:55I wanted to ruin him.
01:05:58I wanted to make him suffer as badly as I have.
01:06:04Call King the maestro.
01:06:08I was his wife.
01:06:11I ran away from him, but when I tried to come back, he wouldn't even recognize me.
01:06:19He gave me a job.
01:06:23Wardrobe mischief.
01:06:26I was humiliated, cast aside like, like something unclean.
01:06:35You don't understand about Masha and Lois, Mrs. Thorne.
01:06:39But why Centoy?
01:06:41Centoy knew.
01:06:43She stole my papers.
01:06:45My papers in the box.
01:06:47No, no, papers stolen by others.
01:06:54I hope he suffers.
01:07:10Highway Patrol, Jimmy, direct it here.
01:07:15She deserted me years ago, ran away with a dancer.
01:07:18I have some of her letters here in the box.
01:07:20She put the bathrobe in the maestro's closet, hoping the local police would make the obvious arrest,
01:07:26then clinched the evidence with the cords.
01:07:28Is that the way it was, Mr. Chan?
01:07:30Exactly.
01:07:31Happy solution of case will permit you, doctor, once again to resume medical practice.
01:07:37Will you excuse, please?
01:07:39I am in very great hurry.
01:07:41But, Mr. Chan, Marsha went up the beach while we were in swimming.
01:07:45Mrs. Thorne went up the beach in Marsha's robe.
01:07:48Silly.
01:07:49Making it seem as if Marsha was killed in the house and then carried out.
01:07:53Exactly, exactly.
01:07:54Thank you so much.
01:07:56Say, Pop, can I, uh...
01:07:57Yes, you may take that walk now.
01:07:59Yeah, goodbye.
01:08:00Mr. Chan.
01:08:01What?
01:08:01No one has thanked you.
01:08:03Oh.
01:08:04Oh, I am sufficiently recompensed now.
01:08:06Thank you so much.
01:08:07Goodbye.
01:08:08Mr. Chan.
01:08:09Mr. Chan.
01:08:10What's the matter by me, huh?
01:08:11It was mouses in them walls.
01:08:16Look at that.
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