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00:00:16Oh, my God.
00:00:45Oh, my God.
00:01:01Oh, my God.
00:01:51Oh, my God.
00:01:58Ladies and gentlemen, your attention, please.
00:02:01For the thrill of your lifetime, visit the Cave of Horrors.
00:02:05See the many monsters, ghosts, things you've never seen before.
00:02:11Guaranteed to chill and to thrill you.
00:02:14It's all in the Cave of Horrors.
00:02:16Pick up your courage.
00:02:18Step over right now, gentlemen.
00:02:19Give your girlfriend the thrill of a lifetime.
00:02:23Don't miss this gold opportunity.
00:02:26You'll never forget, baby.
00:02:28Visit the Cave of Horrors right now.
00:02:30It will chill you and thrill you.
00:02:33Hurry.
00:02:33Don't miss this.
00:02:34Step over right now.
00:02:36Hurry.
00:02:36See the Cave of Horrors.
00:02:46Step right over.
00:02:47Everyone enjoys the Cave of Horrors.
00:02:49There's a lot of doubt guaranteed to thrill and chill you every time.
00:02:52So hurry.
00:02:53Step right up.
00:02:54Get your tickets over here.
00:02:56Thrill for everyone.
00:02:58Give me one.
00:02:58I will take it.
00:02:58I'll take it.
00:03:00I'll take it.
00:03:02I'll take it.
00:03:22I'll take it.
00:03:30I'll take it.
00:03:32I'll take it.
00:03:40Oh, my God.
00:03:44I'll take it.
00:03:45I.
00:03:45Oh, my God.
00:03:48You won't.
00:03:48You won't?
00:03:50And you won't go.
00:04:18Who's there?
00:04:21It's Tsukamoto.
00:04:28Hey, hey, there's been a murder, a murder in there.
00:04:31Hey, call the police.
00:04:32Calm down, those monsters in there are fakes.
00:04:34Mommy!
00:04:35Help, help, there's been a murder in there.
00:04:37Help, help, there's been a murder in there.
00:04:41Hey!
00:04:59Oh, where'd he go now?
00:05:00He was just here.
00:05:06He's going out somewhere, has he?
00:05:10Oh, well, listen.
00:05:13Tell him to hand in the story about stereophonics, will you?
00:05:15Yeah.
00:05:18He told me to give you this.
00:05:24Where'd he go?
00:05:25It was a murder in amusement park.
00:05:27He went up there.
00:05:28Listen, wise guy.
00:05:30He signs, not city desk.
00:05:47I'm sorry we simply leased the ground to the amusement park company a year or so ago.
00:05:51Oh, that's all I know about it.
00:05:53That right.
00:05:53Uh-huh.
00:05:54We'll go into that later.
00:05:56Hey, you, Pop.
00:05:58Is this the sort of thing you have in that cave?
00:06:00No, of course it isn't.
00:06:02There's absolutely nothing at all dangerous in our cave.
00:06:05Did anyone disappear after the murder?
00:06:07No, sir.
00:06:07We're all of us still here.
00:06:09Nobody's left.
00:06:34Now, I suppose you must have witnessed the murder.
00:06:37Well, now, does anyone remember what he looked like?
00:06:40We need your complete cooperation.
00:06:43Well, we couldn't recognize his face.
00:06:45All right, now.
00:06:46This is where it happened.
00:06:48You were over there.
00:06:50It happened right before your eyes, right?
00:06:53Yes.
00:06:54But I could only see the murderers back.
00:06:56That's all.
00:06:56Yeah, that's right.
00:06:59Well, which way did he escape?
00:07:01That way.
00:07:29Hey, get them over here.
00:07:32Hey, Kirioka.
00:07:33What are you doing here?
00:07:36Oh, Yoshi.
00:07:39Hey, he a newspaper man?
00:07:41Yes, he is.
00:07:42From the Tohoto News.
00:07:43Might have guessed he'd be a reporter.
00:07:45Hey, Captain.
00:07:46We found this thing on the body.
00:07:48Hmm.
00:07:50That's identification tag.
00:07:51You reporters think you know it all.
00:07:55Tsukamoto, meet me at the Cave of Horrors at the amusement park
00:07:58if you want to know what happened 14 years ago.
00:08:22You know, you don't think it's a possibility, do you?
00:08:25That Pseudo sent such a thing to us?
00:08:27Nonsense.
00:08:28But don't forget.
00:08:29Tohoto was murdered wearing that disc.
00:08:31Must have been him.
00:08:33Lance Corporal Suna must have done it.
00:08:35Takeshi.
00:08:36Don't forget he died right in front of our eyes.
00:08:3914 years ago.
00:08:42Corpses just don't come to life.
00:08:43I know.
00:08:44But we couldn't find his body anywhere afterwards.
00:08:46It's simply decomposed.
00:08:48But I...
00:08:51Calm down.
00:08:53Anyhow, I've got a hunch.
00:08:55Who was it?
00:08:56Taki.
00:08:57Taki?
00:08:59He's a contractor at Kofu now.
00:09:00That's right.
00:09:01Why should he kill Tsukamoto and threaten us?
00:09:03What could his motive be?
00:09:05I don't think he has any.
00:09:06Yes, he has.
00:09:08He suspects that we found Go 14 years ago.
00:09:11After all, he doesn't know we made our money smuggling.
00:09:16So he thinks we found the box.
00:09:30Well, Dr. Muir, it's not an ordinary wire then, is it?
00:09:33No, it isn't.
00:09:34It's a cliotron, I believe.
00:09:37A cliotron.
00:09:39Very simply, it's a substance that can take the place of a transistor.
00:09:44Some sort of vacuum tube, huh?
00:09:46Hmm.
00:09:49In actual fact, a metallic substance called tantal.
00:09:54Thin wires are wound around a small metal bar in this manner.
00:09:59It has great possibilities.
00:10:01It is much smaller in size than any other type of transistor now available.
00:10:05Hmm.
00:10:06Must be very practical then, huh?
00:10:09There is a drawback, however.
00:10:10You see, it must be kept at a constant low temperature.
00:10:14It must be at 4.2 degrees at all times,
00:10:17or it simply will not function properly at all.
00:10:19Oh.
00:10:21That's very interesting.
00:10:49Akiiko, customer here.
00:10:53Go to Nakamoto.
00:10:54He's from Koltani Beach.
00:10:56I know.
00:10:57You know him?
00:10:58No, not really.
00:10:59I only know he bought a cooler from us.
00:11:02I thought so.
00:11:03No wonder he looks so cold and clammy.
00:11:09Sorry to keep you waiting.
00:11:27Please sit down.
00:11:28Are you in the sales department?
00:11:30Yes.
00:11:30I'm Miss Chujo.
00:11:33I'm hearing about those cooling systems you were to send me.
00:11:38You've delivered only two out of the four I ordered from you.
00:11:42I want you to hurry and complete them and send them to me.
00:11:45Oh, yes, those.
00:11:46We dispatched the others to yesterday.
00:11:48I must just have missed them.
00:11:50I'm sorry we didn't deliver them earlier.
00:11:52Oh, well.
00:11:52I'm sure it wasn't your fault.
00:11:56By the way, did you have them delivered to the Karasawa station?
00:12:02I'm sure it wasn't your fault.
00:12:03Oh, that's excellent.
00:12:05Thank you for your troubles.
00:12:06Oh, yes.
00:12:07Let's go.
00:12:35Ah, ah, Tsukimoto was a bachelor.
00:12:38He didn't mix much with the folks around here.
00:12:40Oh.
00:12:42Well, where did he work?
00:12:43I only know he was a broker.
00:12:45He always paid his rent right on time.
00:12:47And seemed to be doing just fine.
00:12:50Well, do you mind if I look around his room?
00:12:51Well, why not?
00:12:53Number three upstairs.
00:12:54Thanks a lot.
00:13:03Oh.
00:13:05Oh.
00:13:07Excuse me.
00:13:09I'm terribly sorry.
00:13:10Did you hurt yourself?
00:13:11No.
00:13:12Oh, let me help you.
00:13:13Oh.
00:13:14Oh.
00:13:17I'm sorry.
00:13:18I'm sorry.
00:13:51I'm sorry.
00:14:18I'm sorry.
00:14:48Oh, no, it's you.
00:14:50You had us worried.
00:14:52Kobayashi, come out.
00:14:54It's all right now.
00:15:00Hey there, Kirioka.
00:15:03Kobayashi, I might have known.
00:15:05He a friend of yours?
00:15:06Yeah, we went to school together.
00:15:07Oh.
00:15:08When did you start reporting?
00:15:10Oh, just after college.
00:15:12I'm the Tohoto science correspondent now.
00:15:15A science writer on a murder case.
00:15:16Well, that's funny, huh?
00:15:18Well, if you're so smart, what do you know about this murder?
00:15:21Do you think that Tsukamoto had something to do with smuggling?
00:15:25I don't know.
00:15:27Narcotics.
00:15:29Watches, maybe.
00:15:30Don't know.
00:15:31We had our eyes on him, but he was killed before we discovered it.
00:15:35Ted John, bring gas!
00:15:37Welcome.
00:15:38Come right in to the Military Land Cabaret.
00:15:40Come right away.
00:16:10Come right in to the military.
00:16:13Come right in to the military.
00:16:18Come right in to the military.
00:16:26Come right in to the military.
00:16:27Come right in to the military.
00:16:27Come right in to the military.
00:16:27Come right in to the military.
00:16:27Come right in to the military.
00:16:27Come right in to the military.
00:16:28Come right in to the military.
00:16:28Come right in to the military.
00:16:30Come right in to the military.
00:16:33Come right in to the military.
00:16:37Come right in to the military.
00:16:58hey aren't you thirsty I'm drinking your friend here seems to be a quiet type he'd be a great
00:17:04soldier did you go to college with him yep he was one of the best students there hey this stuff's
00:17:13too
00:17:13strong what is it a hand grenade get something else yep two missiles over here oh right sir
00:17:22I'm a little hungry too so how about some rations huh yep transported right away
00:17:34what's the matter what is it nothing come on you're on the lookout I'm not blind you know can't you
00:17:42guess the broker murder mm-hmm that's right the owner of this place a man named Takashi a smuggler
00:17:59he's out there again tonight same table who's the other guy doesn't look like a policeman
00:18:15there's one good thing they couldn't find anything in Sukumoto's room he was a careful one much too
00:18:23careful leave any clues in his room I'm not tacky let's get rid of him before it's too late if
00:18:35we
00:18:35don't get him now he may be trying to blackmail us excuse me someone here wants to see you who
00:18:49is it
00:18:49he says you'll know him by this thing can he come in
00:19:36well talking when did you get here only she I want you to stop doing these things to me talking
00:19:43what do you mean don't pretend I know it was you but why did you send it to me then
00:19:50god you got you got you got one of these two one it wasn't you who sent it then of
00:19:54course not
00:19:54of course not talking do you remember Sukumoto who was murdered yeah that ID tag the caution I got one
00:20:02too what and actually we thought that you had sent them to us wasn't me but who then could send
00:20:10these
00:20:10things to us? I don't know. There's one possibility I can think of. Who is it?
00:20:19Taghi. Lance Corporal Sudo. What? Lance Corporal Sudo.
00:20:34Doobie. Knock before you enter. Oh. Oh. A man just caused me to give this to you. Said it would
00:20:41interest you.
00:20:57Well. It's about time I left. Don't hurry up. Nobody's waiting for you at home.
00:21:05You're wasting your time. They know you're here. I know. But it's too early to go home yet. Stick around.
00:21:13Oh. Come on now, baby. Come on. Come closer. Tie down. Tie. No. Nobody can hear us. Come on. Come
00:21:41closer. Close. Close.
00:21:46Hot stuff. Yeah. Wonder who said it. Come on now.
00:22:02Well, gentlemen. Do you recognize the sound of this gun? And surely you haven't forgotten the sound of my voice.
00:22:11Oh. Sudo. I've waited 14 long years. I've not forgotten you. Lieutenant Onishi. Intelligence Agent Takashi. Taki of the Construction
00:22:26Corps. Now, do you remember me? It's Lance Corporal Sudo. I've never forgotten that you traitors tried to kill me.
00:22:38I've waited long enough for my revenge. But now that I've never forgotten that you traitors tried to kill me.
00:22:41I've never forgotten that you traitors tried to kill me. I've waited long enough for my revenge.
00:22:41All the time has come. Sergeant Tsukamoto has already met his fate. I'll get you all. Takashi is next on
00:22:53the list. And then Taki. And finally, Lieutenant Onishi. Do you understand me?
00:23:04I'm going to send you all to hell. And be pleased to escort you there myself.
00:23:17What's a worin' this way, dość siolate.
00:23:38I'm moving. Floyd. I'm moving. Happy.
00:23:38Youatoire moos!
00:23:44Hey, what are you doing?
00:23:45Oh, he's looking for the guy who brought the tape in here just now.
00:23:49What?
00:24:07Wait.
00:24:08The police will protect us.
00:24:09Stupid.
00:24:10We can't talk to the police.
00:24:13They'll find out about us.
00:24:15Now let's keep cool about this.
00:24:18There's bound to be some solution, I'm sure.
00:24:20Huh?
00:24:21What is it?
00:24:22The tape's gone.
00:24:44Who are you?
00:24:46I'm Lance Corporal Sudo.
00:24:51You heard the tape, didn't you?
00:25:00I swore I'd make each one of you suffer.
00:25:03Then you'd know exactly what it feels like to be killed.
00:25:08How bad is it going?
00:25:38Oh
00:25:41Oh
00:25:42That's my uniform
00:25:46Wait
00:25:46Hold it
00:25:47Stop
00:25:48Get it
00:25:48Come back here
00:25:49Call the police
00:25:55Operator
00:25:56Get me the police
00:26:30Call all guards, calling all guards, proceed to Shabara Pier. Dangerous criminal scene heading in that direction. This man is
00:26:38a killer and a killer.
00:26:39The man made the arms. Repeat, he made the arms. Car 24, roger.
00:27:03Turn to the left.
00:27:25Come back.
00:27:52Oh
00:27:54He couldn't have gotten very far from here
00:28:32Oh
00:29:01Oh
00:29:47What you hey what happened are you all right hey
00:30:11Get up there after
00:30:20Kirioka
00:30:20Is he okay yeah
00:30:23The man we're looking for is up there
00:30:24He's trapped up there
00:30:26Fire
00:30:28It's on fire
00:30:37The man we're looking for is up there
00:31:11Well what do you think it was
00:31:14Well looks like a cooling machine
00:31:17But it also looks like some sort of power machine as well
00:31:20You don't seem to know very much about machines
00:31:22Neither do you
00:31:23You checked with the owners of the building
00:31:26But they didn't know anything much about it
00:31:30Funny everything here is burned to a crisp
00:31:33Probably done to conceal any clues
00:31:38Hello
00:31:38Find anything
00:31:40Nothing at all
00:31:41These clothes are the only things left
00:31:44Anything at the club
00:31:46Victim had an ID tag again
00:31:49Both victims were killed with bayonets
00:31:50Both of them had ID tags
00:31:53Those ID tags seem to be like a death sentence
00:31:56I wonder if anybody else has some of these tags
00:31:59Could be
00:32:00There may be another murder committed
00:32:03Oh no
00:32:04I don't want to die
00:32:05I'm going to the police
00:32:06Fool
00:32:08If you talk to the police
00:32:09We'll all be in a lot of trouble
00:32:11Listen
00:32:12I wasn't the one who killed him
00:32:13I
00:32:15Who was the one who lit the dynamite
00:32:19It was you
00:32:21You're in this up to your neck
00:32:23Do you still want to go to the police now?
00:32:31Where are you going?
00:32:32Listen
00:32:33I don't want to be chased all my life by him
00:32:46I'm police department
00:32:47What can you tell me about the murder?
00:32:50I haven't got anything to tell you to get this
00:32:52Don't you know your lives are in danger?
00:32:53You need protection
00:32:54Listen
00:32:55Taki
00:32:56We have nothing to say
00:32:57You'd better go
00:32:58Anishi
00:32:59What's the sense in hiding things?
00:33:01You know your life's in danger
00:33:02Why not talk?
00:33:03Sorry
00:33:04I don't get you at all
00:33:07I know about the tags
00:33:08A waitress named Tommy gave them to you
00:33:11Listen to me
00:33:12A policeman's job is more than arresting criminals
00:33:15We also think it's important to protect people when there's a need
00:33:18Understand?
00:33:21Please
00:33:22Can't you tell us anything?
00:33:24Listen
00:33:24What is it?
00:33:27Taki
00:33:29Wait, I'll talk
00:33:35It was 14 years ago
00:33:37August 15
00:33:39The night of the Japanese surrender
00:33:41And everything was in confusion
00:33:43By army order
00:33:44We had been assigned to transfer Dr. Niki, an army scientist
00:33:48We would take him from Tokyo to a special mountain headquarters at Nagano
00:33:52But we didn't do it
00:33:54We took him to a different cave
00:33:55There were five of us in all
00:33:59There was a Sergeant Tsukamoto
00:34:02Dr. Niki
00:34:03Lance Corporal Tsuta was on duty
00:34:06Takashi was an intelligent officer
00:34:08And myself
00:34:10And Taki
00:34:11Was waiting for us outside the cave
00:34:15We had two boxes supposed to be full of Dr. Niki's research
00:34:19But they were actually
00:34:28You fool
00:34:29Why did you have to let go of it like that?
00:34:31Sergeant, look at this
00:34:35Pseudo
00:34:36Put it there
00:34:39You didn't
00:34:41What is that?
00:34:44Those are gold bars
00:34:47What?
00:34:48Oh, but where are my people?
00:34:50Dr. Niki
00:34:51Don't you know the war's over?
00:34:53There's no reason to continue your research
00:34:55The surrender has made a big change
00:34:58Money will be the important thing from now on
00:35:00And it's each man for himself
00:35:08You fool
00:35:09You swine
00:35:10You're a traitor to your country
00:35:16Corporal
00:35:17This man's your superior
00:35:18I will obey him no longer
00:35:20He's a traitor
00:35:21Those gold bars belong to the people of this country
00:35:24It's not right for you to steal them
00:35:25Because of the surrender
00:35:27Take them back
00:35:29What's that?
00:35:38And if you don't take them back
00:35:40I swear that I'll kill you
00:36:08I swear that I'll kill you
00:36:14Get all up there and listen to enemies!
00:36:29Hurry! Get down!
00:36:40A year later, we got together and went back again to find the gold bars.
00:36:48But we couldn't find them. The bodies, nothing at all. They disappeared.
00:36:55But that's impossible.
00:36:56Maybe you went to the wrong cave.
00:36:58No, we didn't.
00:37:00Did you leave some sort of marker?
00:37:02Of course.
00:37:04It was there.
00:37:05What was it? Huh?
00:37:07It was Lance Corporal Sudo's IT DAG.
00:37:15What a story.
00:37:17He's after them, all right, but it's their own fault.
00:37:21Look, human life is precious no matter whose it is.
00:37:24Oh, I agree with you.
00:37:25I wonder.
00:37:26You think Sudo and Dr. Nicky are still alive?
00:37:29Well, it sure looks that way.
00:37:35Hey! Stop the car!
00:37:41What? They're beautiful.
00:37:42Hope you don't mind my dropping in like this.
00:37:45No, won't you please come in?
00:37:47Thanks.
00:37:59Well, have you recovered from the shock yet?
00:38:02Yes.
00:38:02I was terribly afraid at the time though.
00:38:06My legs were so weak.
00:38:08You know, I'm a terrible weakling.
00:38:10Oh, anybody would have been in that situation.
00:38:13I want to thank you for helping me so much.
00:38:16Oh, it's nothing.
00:38:18And thanks again for the gorgeous flowers.
00:38:20They are pretty.
00:38:21I hoped you'd like them.
00:38:24Tell me, do you have any family here?
00:38:26No, but I have a mother and brother in the country.
00:38:29I didn't write them about it.
00:38:30Oh, I see.
00:38:35Well.
00:38:38Well, I guess...
00:38:40I guess I better go.
00:38:41Oh, dear.
00:38:42I forgot to get you some tea, didn't I?
00:38:43I'll get it now.
00:38:44Oh, don't bother.
00:38:45I'll come again.
00:38:46Oh, it's no trouble.
00:38:47Please don't bother.
00:38:49Yes?
00:38:52You missed you, Joe?
00:38:54It's all right.
00:39:00Well, Goro Nakamoto.
00:39:03This man is a customer where I work.
00:39:05Well, that's good.
00:39:07I thought perhaps he was a potential rival.
00:39:11He just comes from a ranch at Katani to order cooling systems from us.
00:39:15Cooling systems?
00:39:23He was greatly missed.
00:39:25If he were alive, these would be his best years.
00:39:29But, uh, what do you want to know about him, Kirioka?
00:39:32Well, you see, sir, I heard you and Dr. Nicky used to work together.
00:39:37I'd like to know more about him.
00:39:40Now, this is what I have about him so far.
00:39:44Nicky Kajuro.
00:39:45He was born in 1898.
00:39:47He was an authority on electrical engineering.
00:39:49When the last war started, he joined the Army Technical Laboratory to study electrical arms.
00:39:55Been missing since the end of the war.
00:39:57He was a bachelor.
00:39:58He was also, he was an ultra-nationalist.
00:40:00We'd like to know more about the electrical arms.
00:40:02Anything you can tell us.
00:40:05You see, we have a hunch you might give us a clue.
00:40:08You see, we thought if we knew more about his research,
00:40:12perhaps it would shed more light on how the murders were committed.
00:40:16Doctor, can you help us?
00:40:18Hmm.
00:40:19Kirioka, not long ago you wrote an article on stereophonic television, did you not?
00:40:23Yes.
00:40:25Nicky's research was much more advanced than that taking place even today.
00:40:30Even if stereophonic television were completed,
00:40:33the transmitted image could be reproduced only by a television set.
00:40:36But you see, through Nicky's work, he was trying to produce a three-dimensional picture from a special transmitter.
00:40:42In other words, matter itself would be transmitted.
00:40:48When a person concentrates intensely, he sends communications, that's known as telepathy,
00:40:53through the coordination of forces of the mind and spirit.
00:40:57Also known as teleport telekinesis.
00:41:01So, by this, objects can be transmitted, sent through space, and all the world scientists firmly believe,
00:41:10this is one of the greatest mysteries ever demonstrated, especially by the advanced yogis in India.
00:41:16So this is the secret of yoga in this age of science.
00:41:20It's a fascinating field of study.
00:41:22Hmm.
00:41:23And one must remember that at one time even space travel was considered improbable.
00:41:27However, with the advances made in science today, in my opinion, I must say that such a thing as this
00:41:33is not highly improbable.
00:41:36Telepathy, or teleport telekinesis, can be amplified electrically and transmitted as well.
00:41:44It is a complicated process, and of course would require a man of great genius to be able to conceive
00:41:49and construct a machine for it.
00:42:08Here, look at this.
00:42:11This is a teletransmitting machine.
00:42:13I think there could be some connection.
00:42:18Yeah, it sure looks like it.
00:42:19And this part about the cooling system.
00:42:22I think that's an important clue, too.
00:42:24The cliatron.
00:42:26Won't work except at a constant low temperature.
00:42:29And, don't forget that story about the cave.
00:42:32The criminal strange color, body, voice.
00:42:35When you put all these facts together, it sounds like they're all connected in some way.
00:42:43The question is, where are Dr. Niki and Lance Corporal Pseudo?
00:42:46If they're alive, that is.
00:42:47Yeah.
00:42:52Oh, hi there.
00:42:54Hi.
00:43:05Listen, they might be at a place called Kotani.
00:43:09Kotani?
00:43:10It's in Kurosawa.
00:43:12I heard that four cooling units went there from the Niposeiki Company.
00:43:16Akiko told me that.
00:43:17Oh, we met her the other day.
00:43:19Yeah.
00:43:20Let's take a look at the place.
00:43:21We've got nothing to lose.
00:43:24Right.
00:43:32Uh, hello there.
00:43:33Nipo Company.
00:43:34Uh, may I please speak to a Miss Akiko there?
00:43:38Ah.
00:43:40Huh?
00:43:41What?
00:43:42She's gone to Kotani.
00:43:44She's leaving Wano Station at 1215.
00:43:47Uh, thank you.
00:43:48It's 1147 now.
00:43:49We've almost 30 minutes.
00:43:53Kavashi.
00:43:54It's come.
00:43:55What?
00:43:56Kaki has heard from the killer.
00:43:58Before the tagging a note this time.
00:44:00When was this?
00:44:01Last night.
00:44:02It says the killer will strike between 1130 and midnight tonight.
00:44:05We could call upon you first tonight.
00:44:08That's great happening now.
00:44:09Uh, what would you mind if it was?
00:44:10Well, the epic, uh,コring the stonework.
00:44:16All right.
00:44:19Never heard twice.
00:44:25Go now, Tim.
00:44:26Oh, it won't be the or wrong!
00:44:27Superł Hannah.
00:44:28All right.
00:44:29Love you.
00:44:29All right.
00:44:30Oh, well, what was the of wonderful sky?
00:44:32All right.
00:44:33Lord, we'll look here to the Philip into James.
00:44:41Let's go.
00:45:06Let's go.
00:45:40Let's go.
00:46:06Let's go.
00:46:39Now, don't forget what I told you to say.
00:46:41I'm just a repairman from your company.
00:46:43All right?
00:46:44Yes.
00:46:45But isn't it dangerous?
00:46:47Everything's okay.
00:47:07We're trying to locate the strange machines.
00:47:09So far, I'm afraid, we just haven't been able to come up with a single thing.
00:47:12But we're still busy checking out every clue that you gave us.
00:47:15What's Taki doing?
00:47:17We've given him a police bodyguard for the sign being.
00:47:19I mean...
00:47:20I mean...
00:47:21I mean...
00:47:22I mean...
00:47:48I mean...
00:47:51I mean...
00:48:01well do you mind if I have a look at your cooling systems you're awfully
00:48:06anxious to let a look at those cooling systems I wonder why my job I repair my
00:48:12company's products our company likes to give good service I see unfortunately
00:48:18for you there's nothing wrong with them the machines are in perfect order but why
00:48:26did you send for us then oh I simply wanted to see miss Chujo again I didn't
00:48:33know it would cause you both all this trouble well I'm afraid it's too late for
00:48:38you to go back to town this evening it's too far
00:48:58well I like to go to bed early
00:49:03these two rooms I place them at your disposal pleasant dreams
00:49:20damn it I don't like anything about this place no I wonder if Dr. Nicky's here or if he's still
00:49:26alive
00:49:28well if he is he's trying to avoid us and that fellow's actions have aroused my suspicions
00:49:33well I think you better get some sleep yeah but what about you I'm gonna stay up and
00:49:37keep watch
00:49:47all quiet right
00:49:59okazaki just 30 minutes
00:50:01okazaki just 30 minutes
00:50:18okazaki just 30 minutes
00:51:47What's wrong?
00:51:48What was that noise?
00:51:50It sounded like an earthquake.
00:51:51It was so weird.
00:51:53I know nobody's around, but I have a feeling I'm being watched.
00:52:24What's the matter?
00:52:25Trouble sleeping?
00:52:25What was that noise?
00:52:28Oh, that noise came from the volcano.
00:52:31It's become active recently.
00:52:34It could erupt at any time.
00:52:56Oh, come on.
00:53:04I'm looking for an answer.
00:53:09Delivering?
00:53:09Yeah.
00:53:10Go on.
00:53:10Yeah.
00:53:44Tucky, try to relax, will you?
00:53:47Yeah.
00:53:47You'll be okay.
00:53:49We've got men posted inside and outside in the yard around the place.
00:53:54Nobody can get past all the men we've got around here.
00:53:56Yeah.
00:54:33So, I'll see if that comes up.
00:54:50what's inside it I think it's a machine or something a machine it's probably a
00:54:56construction machine it was order for the tacky construction company for
00:54:59delivery tonight okay come on listen there's a large truck outside with a
00:55:19machine on it what the driver says that is to be delivered tonight what I didn't
00:55:25order it right let's check it
00:55:41show me the invoice what do you think it is
00:55:59I'm talking get back inside you fool hurry up
00:56:29where's the policeman who was here with the truck
00:56:32ah he was here a minute ago I'll just have a little steady my nerves
00:56:46oh
00:56:51oh
00:56:53oh
00:56:54oh
00:56:55oh
00:56:55oh
00:56:56oh
00:57:18Scrap iron, get back into the house quickly!
00:57:40That way!
00:57:50Scrap iron, get back into the house!
00:58:16Scrap iron, get back into the house!
00:58:21Scrap iron, get back into the house!
00:58:44Damn, we should have gotten him!
00:58:46Okay, let's go after him now!
00:59:25Scrap iron, get back into the house!
00:59:36Scrap iron, get back into the house!
00:59:41Scrap iron, get back into the house!
00:59:45Scrap iron, get back into the house!
01:00:00Scrap iron, get back into the house!
01:00:18Scrap iron, go ahead!
01:00:23Scrap iron, get back into the house!
01:00:27Scrap iron, get back into the house!
01:00:30Scrap iron, get back into the house!
01:00:40In your house, your garden can be able to get it from the house!
01:00:54Hey, see anything?
01:00:56Not very much, but somebody's in there.
01:00:58Really?
01:01:01Mom!
01:01:11I see you two are inspecting things.
01:01:16You'd better go back to bed.
01:02:02Chief, I want to search the Kotani ranch carefully.
01:02:06I know, but the subject had a perfect alibi.
01:02:10We can't sit around and wait for the next murder to happen.
01:02:13Not with two policemen dead already.
01:02:15Well, we don't have enough evidence to prove Nakamoto is pseudo.
01:02:19No, you're right.
01:02:21I'm convinced that they are the same.
01:02:23You said his alibi was perfect.
01:02:25He was seen between 11.30 and 12.
01:02:27But this was to set up an alibi.
01:02:29Don't forget the machine found at the wreck.
01:02:32After all, they were the same type found at the first fire.
01:02:35Therefore, I'm convinced that this is no coincidence.
01:02:47I'm convinced that this is not the only thing that I've ever seen in the basement.
01:02:49But whether it was Dr. Nicky or not, I couldn't tell.
01:02:51They must have suspected us.
01:02:53Because the rooms with the machines were all locked up tight.
01:02:57That's too bad.
01:02:58And then, too, we don't know for sure what Dr. Nicky looks like, do we?
01:03:03What about Dr. Muirah?
01:03:04He knows what Nicky looks like.
01:03:06He'd make a good policeman.
01:03:10Hey, Chief.
01:03:12Why not give us a search warrant?
01:03:13Then we can find out about those machines.
01:03:17Chief!
01:03:19Anish, he seems to have disappeared.
01:03:35Well, I hope you're not going fishing tonight, sir.
01:03:38No, I'm not.
01:03:40There's a storm blowing up.
01:03:42We'll catch it.
01:03:42Oh, no.
01:03:43I won't it here.
01:03:57I won't it here.
01:04:32Oh, my.
01:04:33You've come back, master.
01:04:34You can go home.
01:04:36We'll be all right, thank you.
01:04:37Yes, sir.
01:04:42Hey, boss.
01:04:43How come we come out here?
01:04:45This place gives me the creeps.
01:04:47Yeah.
01:04:51You'd better sit down.
01:04:53I'll tell you why.
01:05:04He's after me.
01:05:06Who is?
01:05:07A Baynet murderer.
01:05:09And what do you see?
01:05:10I thought he wouldn't find this place.
01:05:14Excuse me.
01:05:16Hey, what do you want?
01:05:17Oh, there's something I forgot to tell you.
01:05:19I'll let her arrive here for you just yesterday.
01:05:22What?
01:05:37I'll get you at noon the day after tomorrow.
01:05:43Stop.
01:05:45Keep back.
01:05:52Nakamoto?
01:05:55Or should I say Corporal Sudo?
01:05:57That would be more exact.
01:05:59Who is Sudo?
01:06:01I don't know him.
01:06:02Oh, I think you know who he is, all right.
01:06:05I also think that you're the Bayonet murderer.
01:06:10You've made some mistake.
01:06:13What evidence do you have for your charges?
01:06:16Don't worry.
01:06:17We can find out quickly enough.
01:06:19We're here to search your house.
01:06:21Stand back.
01:06:32I think you'd better let them come in.
01:06:36Was that him?
01:06:57Hello.
01:06:58Please, would you come here?
01:07:00Well, what do you want?
01:07:03Nicky.
01:07:04Nicky.
01:07:07It's really you.
01:07:09It's Miura.
01:07:10Miura.
01:07:12Oh, Miura.
01:07:13I can't believe it.
01:07:15You're alive.
01:07:21But your legs.
01:07:25This is what happened when those fools blew up the cave.
01:07:28After the war.
01:07:31My God, why didn't you let me know you were alive?
01:07:33I would have helped you.
01:07:35The nation I had pictured had been shattered.
01:07:39And I felt I was not wanted.
01:07:41Dr. Nicky, have you completed your matter-transmitting machine?
01:07:47Who are you?
01:07:49He was a student of mine.
01:07:51Now he's a journalist.
01:07:52How is your progress?
01:07:54Hmm.
01:07:55It's almost completed.
01:07:59See this?
01:08:00Know what it is?
01:08:07It looks like a large vacuum tube, to me.
01:08:11Hmm.
01:08:12It was used in matter-transmission.
01:08:15You see it melts and becomes like this,
01:08:17when the waves get agitated.
01:08:19As a result,
01:08:21the image becomes distorted.
01:08:24Oh, so that's it.
01:08:26That's why the killer's face was so weird.
01:08:28Now I understand it.
01:08:30Killer?
01:08:31So, Nakamoto's a man.
01:09:15Did you find him?
01:09:17No, somebody's coming.
01:09:22Oh, Detective Marone.
01:09:23Oh.
01:09:28Marone, meet anybody on your way up here?
01:09:31No, not a soul.
01:09:34Okazaki,
01:09:34I have a message from Tokyo for you
01:09:36that Onishi has asked for police protection.
01:09:39Onishi?
01:09:39Yeah.
01:09:40Where is he?
01:09:41Well, he's on a small island off Murasaki, Peninsula.
01:09:45And the killer is expected to strike tomorrow at noon.
01:09:49Well, I knew that he was using the machines,
01:09:51but I never dreamt that he was using them to commit murder.
01:09:55My God.
01:09:56I just can't believe it.
01:09:58It's horrible.
01:10:01He's a very clever man.
01:10:03He appeared in Tokyo while he pretended he was still here.
01:10:06It set up a perfect alibi for him, didn't it?
01:10:09I think he'll try and kill Onishi anyway.
01:10:11He said that he'd strike at noon.
01:10:13I think maybe we'd better go out there then.
01:10:16Maybe we can head him off.
01:10:17Yeah.
01:10:21Nicky,
01:10:21you must come with me now.
01:10:23You can't stay here.
01:10:25Don't worry about me.
01:10:27I'll be all right.
01:10:28I'm used to it,
01:10:29and besides,
01:10:30I have my work here,
01:10:31which I can't leave.
01:10:32But thank you.
01:10:46The latest report from the weather bureau states that the typhoon is expected to bypass Japan proper.
01:10:51If it continues in its present course,
01:10:53it will pass over the Yellow River.
01:10:55The strong winds which accompany the typhoon are expected to be felt in all parts of western Japan.
01:11:00The seas will be extremely rough and dangerous.
01:11:02Have it.
01:11:04Boss,
01:11:05we don't need the police with weather like this.
01:11:14hell,
01:11:15no boat could make it to the island with the wind like it is.
01:11:19They'll come,
01:11:20no matter.
01:11:23Oh,
01:11:23what's that?
01:11:29Hey there.
01:11:30The typhoon's going to pass us.
01:11:32I know,
01:11:33but the storm's still bad enough.
01:11:35I'll be glad when it's over.
01:11:37The owner of the cottage is here,
01:11:39isn't he?
01:11:40Ah,
01:11:40but we're sure not going fishing tonight in weather like this.
01:11:43By the way,
01:11:44I hope you didn't forget to tell him about the package that arrived for him from Tokyo not long ago.
01:11:49I forgot to tell him.
01:11:51But I'll tell him tomorrow when I see him then.
01:11:53I put it in the shed with the fishing net,
01:11:56but don't forget to tell him tomorrow,
01:11:57huh?
01:12:20I certainly wish we didn't have this typhoon.
01:12:23Yeah,
01:12:24but it's getting better now.
01:12:25Huh?
01:12:26How long till Marazaki?
01:12:27About 11 o'clock.
01:12:2930 minutes.
01:12:31Well,
01:12:32what's on your mind then?
01:12:34Huh?
01:12:36Well,
01:12:37damn it all,
01:12:38I still have the feeling that guy's hiding somewhere back at the ranch.
01:12:41The transmitter.
01:12:46Can't be.
01:13:00Hey.
01:13:08Oh,
01:13:11how long.
01:13:12Oh,
01:13:13so.
01:13:15Oh,
01:13:37Inspector Hondo hi how do you do have you found him the one we described you over the telephone
01:13:41No, we thought we could find an easy in a small town like this, but we just couldn't find them
01:13:45anywhere just isn't here
01:13:46What about the island?
01:13:4820 houses I'd say but there are no boats going over today because the typhoon
01:13:54Well, nobody went over there today. I'm sure about that. I see could you search all the warehouses there and
01:13:59tell us if you find any strange machines
01:14:30I
01:14:31Have you found anything no nothing at all
01:14:39We've only 20 minutes to go get me about immediately. Yes, I'll get it at once
01:14:45We'll put on a special guard for you as well listen be very careful
01:14:49He's no ordinary man. This man's a devil with no heart. He has electricity in him instead of blood
01:15:09I
01:15:37Judo, it's you.
01:15:41You see, I didn't run away as everyone thought I did.
01:15:45I was hiding in a room even you don't know about.
01:15:49Judo, you are no longer my assistant.
01:15:54Get out of here anyway.
01:15:55Not yet.
01:15:59No, don't touch it.
01:16:01What are you doing?
01:16:03Shut up.
01:16:13Boss, here comes a boat.
01:16:15What?
01:16:22Police?
01:16:23I can't tell.
01:16:24Hey, go and find out.
01:16:34I love you.
01:16:38I love you.
01:16:40What?
01:16:45I love you.
01:16:50Let's go.
01:17:18Let's go.
01:17:47Let's go.
01:18:17Let's go.
01:18:17Let's go.
01:18:17Let's go.
01:18:17Let's go.
01:18:17Let's go.
01:18:17Let's go.
01:18:17Let's go.
01:18:47Let's go.
01:19:26Let's go.
01:19:29Let's go.
01:20:00Let's go.
01:20:01Let's go.
01:20:03Let's go.
01:20:14Let's go.
01:20:17Let's go.
01:20:17Let's go.
01:20:17Let's go.
01:20:17Let's go.
01:20:17Let's go.
01:20:17Let's go.
01:20:17Let's go.
01:20:18Let's go.
01:20:18Let's go.
01:21:11Let's go.
01:21:44Let's go.
01:21:46Let's go.
01:21:47Let's go.
01:22:27Let's go.
01:22:29Let's go.
01:23:20Let's go.
01:23:25Let's go.
01:23:35Let's go.
01:23:39Let's go.
01:23:39Let's go.
01:23:40Let's go.
01:23:47Let's go.
01:24:22Let's go.
01:24:23Let's go.
01:24:53Let's go.
01:25:23Let's go.