Undertow (1949) – Trapped by a Deadly Conspiracy - video Dailymotion

nenk yanti

A newly released ex-con is determined to start a new life, but fate has other plans. In Undertow (1949) – Trapped by a Deadly Conspiracy, an innocent man becomes entangled in a dangerous web of deception, murder, and betrayal. Hunted by both criminals and the law, he must uncover the truth before it's too late. Featuring gripping suspense, shadowy cinematography, and unforgettable twists, this classic film noir delivers an intense journey through crime, mystery, and survival.   Experience one of the unforgettable crime thrillers of the late 1940s, showcasing the timeless style and atmosphere that made film noir a cinematic legend.

Transcript

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00:02:10Come on.

00:02:39Tony!

00:02:41Danny Morgan!

00:02:43When did you get in?

00:02:44What are you doing?

00:02:45It's been a million years.

00:02:46Come on.

00:02:46I'll buy you a drink.

00:02:48Right over there.

00:02:53I figured I'd see you in Chicago.

00:02:55Charlie, check Mr. Regan's bag.

00:02:56Yes, sir.

00:02:59I've been running this joint for the last six months.

00:03:01So you'd still be with Big Jim?

00:03:02I am.

00:03:03He owns the place.

00:03:03I didn't know he was out here.

00:03:04Big Jim?

00:03:06If he ever left Chicago, he'd fall in the river.

00:03:09Last I heard you were still in the army in Japan someplace.

00:03:11When did you get out?

00:03:12About two weeks ago, Dan.

00:03:13I stayed in for an extra hitch.

00:03:15Want to stick around a while?

00:03:17No, I'm catching the 8 o'clock playing for Chicago.

00:03:19Usually, Mr. Morgan.

00:03:19Right.

00:03:20Why not stay here, Tony?

00:03:21Lots of sunshine.

00:03:23Steady supply of suckers.

00:03:25And loads of lovely, lonely, loaded ladies.

00:03:29You want a job?

00:03:30No, thanks, Dan.

00:03:31I'm just a small-time businessman now.

00:03:33What kind of business, Tony?

00:03:34Well, it's a place called Mile High Lodge, about 40 miles north of here.

00:03:37You know, hunting, fishing.

00:03:39It's a beautiful place.

00:03:39Never figured you for a backwoodsman.

00:03:41How come?

00:03:42Ah, it just happened.

00:03:44You see, there was a good pal of mine.

00:03:46He was killed in the South Pacific.

00:03:47He used to always talk about the lodge and Pop, his kid brother.

00:03:52And I went up there and met them.

00:03:53Larry was right.

00:03:54Fell in love with the place.

00:03:56They needed me.

00:03:57I needed a future.

00:03:58So, bought an interest.

00:03:59Just like that, huh?

00:04:00Just like that.

00:04:01Seven years of Army savings right on the line.

00:04:03Why the trip to Chicago?

00:04:05Oh.

00:04:14Still selling.

00:04:17Always will be.

00:04:19What about Big Jim?

00:04:21Oh, he'll change his mind.

00:04:22If he doesn't, we'll still get married.

00:04:24It's awful pretty.

00:04:26Yeah.

00:04:27Maura's sure if she likes it.

00:04:29What about you, Dan?

00:04:30Married yet?

00:04:32I've got my eye on somebody.

00:04:34Yeah?

00:04:39Hey, that is a beauty.

00:04:42He didn't buy this in any GI salary.

00:04:44No.

00:04:45You're wrong.

00:04:46On the 637th row, it'll be number 26.

00:04:5034, dear.

00:04:52My graph couldn't be wrong.

00:04:53It's 26.

00:04:5434.

00:04:5526.

00:04:56Darling, this is purely a scientific system.

00:04:59Now, if you'll consider the hypothesis,

00:05:01what you don't understand, this is done math and math, buddy.

00:05:04Systems.

00:05:05They're all alike.

00:05:06Chicago, New York, Reno.

00:05:09Say, do you let anybody win?

00:05:11The law's over this town like a blanket.

00:05:14Check us every hour.

00:05:15Yeah?

00:05:15What happens between checks?

00:05:17You know Big Jim.

00:05:18Satisfied at percentage breaks.

00:05:20I know Big Jim, but what about you?

00:05:23Well...

00:05:24Guy's got to float himself alone.

00:05:25Less than a while.

00:05:26Yeah, argument upstairs, Mr. Morgan.

00:05:27Guy said he had a bet.

00:05:29You better go up.

00:05:30Okay.

00:05:30Now, don't go away, Tony.

00:05:31Take your time, Dan.

00:05:32I'll just look around.

00:05:37Hey, Mr. Morgan.

00:05:39Is this okay?

00:05:41Sure.

00:05:46Tony, how are you?

00:05:48Fine, Al.

00:05:48Fine.

00:05:54Oh, I'm sorry.

00:06:00Hey, Baldy.

00:06:02Get your best.

00:06:03How are you, Tony?

00:06:04Point is eight.

00:06:05Come on, Al.

00:06:06Eight.

00:06:06He ate him from the cable.

00:06:08Six.

00:06:09He's looking for an eight.

00:06:10Play the field.

00:06:12Still looking for an eight.

00:06:14Dice.

00:06:14Please be kindly.

00:06:16Come on, Al.

00:06:17Eight.

00:06:18Ten.

00:06:18Ten the hard way.

00:06:19Five.

00:06:21That's a field number.

00:06:22Play the field.

00:06:22Not again.

00:06:24Come on, Al.

00:06:25Eight, please.

00:06:25Watch your hands.

00:06:28Seven.

00:06:28Seven, the loser.

00:06:30Well, we have a new shooter.

00:06:32Your dice, lady.

00:06:33I don't know a thing about gambling.

00:06:35Is it difficult to learn?

00:06:36No.

00:06:36Just expensive.

00:06:38Oh, just pick any pair and throw them.

00:06:41Throw them.

00:06:41Roll seven or eleven and you win.

00:06:43Wait a second, lady.

00:06:44You look lucky to me.

00:06:46Well, we have a new shooter.

00:06:48Oh!

00:06:48No dice.

00:06:49You haven't made your bet.

00:06:51Oh.

00:06:53Throw them hard enough to hit the edge of the table.

00:06:57Eleven.

00:06:58A winner.

00:06:59A winner.

00:06:59I won.

00:07:00Yeah.

00:07:02Hold them.

00:07:03Keep rolling.

00:07:03You might be lucky.

00:07:04You can do it, lady.

00:07:06Let my pile ride do.

00:07:07Same shooter coming out for a new point.

00:07:10Seven, ma'am.

00:07:11I won again.

00:07:12Oh, this is fun.

00:07:14Say, you don't have to know anything about dice.

00:07:16You're hotter than a firecracker.

00:07:17How about taking off the limit?

00:07:19The limit?

00:07:23All right, folks.

00:07:24The limit is off.

00:07:25We're ready for a buck or a bucket full?

00:07:28Shoot them, lady, for a bucket full.

00:07:30I hope your confidence in me isn't misplaced.

00:07:32Roll them, sister.

00:07:33No snake eyes.

00:07:34Just a second.

00:07:35Do you mind if I change your bet?

00:07:36Change it?

00:07:37But I thought I was doing it right.

00:07:39Just a gambler's hunch.

00:07:40You're betting on 12 this time.

00:07:44Whatever you say.

00:07:45All right, folks.

00:07:46Get your bet down.

00:07:47Play the line.

00:07:47Coming out for new points.

00:07:49Let them move.

00:07:50There she blows.

00:07:52Oh!

00:07:52Well!

00:07:52Well, loser.

00:07:54Well, those boxcars got you.

00:07:56Why don't you get lost?

00:08:00I did lose, didn't I?

00:08:01No.

00:08:02You won.

00:08:03All this...

00:08:04Oh, no.

00:08:05I shot a 12 or something, and that's bad.

00:08:09Sometimes it's bad, but it was good for you.

00:08:10That 12 was 30 to 1.

00:08:12A hundred and twenty dollars.

00:08:14A hundred and twenty dollars?

00:08:16Uh-huh.

00:08:16Why, that's marvelous.

00:08:18What do we bet now?

00:08:19You don't.

00:08:19You're quitting.

00:08:20But why?

00:08:21I was winning.

00:08:21Always leave a winner.

00:08:22Oh, I suppose you're right.

00:08:25But I don't understand.

00:08:26If 12 is a loser, how did I win?

00:08:28Well, 12 is coming out.

00:08:29You were betting on it to come up.

00:08:31Oh, I see.

00:08:3212 is a loser, but sometimes it's a winner.

00:08:36What's coming up?

00:08:37Come on, come on.

00:08:38You better cash in your chips.

00:08:39I still don't understand about the talking.

00:08:42Well, goodbye.

00:08:43Oh, thanks a lot.

00:08:45Bye.

00:08:46Goodbye.

00:08:50Yeah?

00:08:51The old Regan hunches, huh?

00:08:53What's the big idea?

00:08:54Oh, just giving the girl a thrill, Dan.

00:08:56Uh-huh.

00:08:58Never figured you for the wrong side of the table.

00:09:01You have changed.

00:09:02Yeah, I guess I have.

00:09:04You know, you gotta be away for a while.

00:09:05I realize how little this all means.

00:09:12See what I mean?

00:09:13A lemon.

00:09:14Good luck, Dan.

00:09:16So long, Tony.

00:09:17In case you change your mind.

00:09:19You've always got a job here.

00:09:21Thanks.

00:09:21Be good, Tony.

00:09:27That'll be a dollar.

00:09:29Are you sure you have the right address?

00:09:31Mm-hmm.

00:09:33Sally Lee, 1140 Dolan Street, Chicago.

00:09:36You got it.

00:09:36Flight 128.

00:09:37Now leaving for Salt Lake City.

00:09:39There's my plane.

00:09:40Flooding trip.

00:09:41Thanks.

00:09:42And good luck.

00:09:43All right.

00:09:43To Chicago, New York.

00:09:59Pa!

00:10:01Well, hello.

00:10:03Taken?

00:10:03No.

00:10:04Sit down.

00:10:07Did you win anymore?

00:10:08I quit.

00:10:09Always leave a winner.

00:10:10You learn fast.

00:10:11I had a good teacher.

00:10:13Where are you heading?

00:10:14Chicago.

00:10:14Me too.

00:10:15Fine.

00:10:16This is my first night flight.

00:10:18It's wonderful.

00:10:19The blackness, floating somewhere in space.

00:10:22I'll have to tell my children all about it.

00:10:24Children?

00:10:24I've got 26 of them.

00:10:27Now, that's not too many for a school teacher to have.

00:10:29Oh, a teacher.

00:10:31Now, we didn't have them like you when I was playing hooky.

00:10:33You know, I was just thinking, if it hadn't been for you, the winnings, I mean.

00:10:38I'd be going back to Chicago the way I came, with 31 other school moms and a motor coach.

00:10:44You gonna tell your class how you won the $120?

00:10:47I'm gonna keep that a deep, dark secret.

00:10:53Cigarette?

00:10:54No, thank you.

00:11:09Sleepy?

00:11:10No, just thinking.

00:11:12About going home.

00:11:14You mean Chicago?

00:11:15Mm-hmm.

00:11:16No, I'm getting out of there as fast as I can.

00:11:19Oh.

00:11:21Ever hear of Mile High Lodge?

00:11:23No.

00:11:25Most beautiful spot in the Sierras.

00:11:28Trees a million feet high.

00:11:30Stars that come right down to you every night.

00:11:32Coolest crispest air in the world.

00:11:35That's my home from now on.

00:11:37Must be lovely.

00:11:40Here, this will give you an idea.

00:11:45See, there's Pop and Willie.

00:11:47Look at those mountains.

00:11:48It's really beautiful.

00:11:50We've only got half a dozen cabins now.

00:11:52It's gonna be bigger.

00:11:53A lot bigger.

00:11:56Stream runs right by the place.

00:11:58Trout that big.

00:12:00Magnificent country.

00:12:02You make it sound like heaven.

00:12:04It is.

00:12:06Up there you feel as if you could just stick up your hand and grab a slice of it.

00:12:10I'd like that.

00:12:12You would?

00:12:12Mm-hmm.

00:12:14You know, it isn't one of those dress-up places.

00:12:16A girl would have to appreciate it for what it was.

00:12:18The beauty of it.

00:12:20The life it could give her.

00:12:22I'm sure I'd like it.

00:12:24Yeah, she'll like it too.

00:12:26That's why I'm going back to Chicago.

00:12:28Get married.

00:12:29Take her back with me.

00:12:33Oh.

00:12:39Tina.

00:12:46Come on!

00:12:46Come over!

00:12:50No.

00:12:55Tell me it's all right.

00:12:57Take her back now.

00:12:59You're with me.

00:13:00Okay?

00:13:03We'll go very much.

00:13:03Oh so everything.

00:13:13It was a grand trip. I enjoyed every minute of it.

00:13:15So did I. You know, I was just thinking. I don't even know your name.

00:13:17I'm Man McKnight.

00:13:18I'm Tony Regan. Happy to meet you.

00:13:20Hello, Tony.

00:13:20Look, I'm taking a taxi. Can I drop you anywhere?

00:13:22Well, which way are you going?

00:13:23Southside.

00:13:24Wonderful.

00:13:24Tony.

00:13:25Well, Chuck. Chuck Reckling.

00:13:27Tony, it's good to see you.

00:13:28Hi.

00:13:28Yeah, he got married, had a baby and everything.

00:13:30Oh, what do you mean, baby? I got two of them. One of them that high already.

00:13:32Yeah, wonderful.

00:13:33Chuck, I'd like you to meet us.

00:13:34Uh, this isn't social, Tony.

00:13:36Oh? Excuse me a minute.

00:13:38Sure.

00:13:41Kerrigan wants to see you.

00:13:42Who's Kerrigan?

00:13:43Captain Kerrigan.

00:13:45What's the charge?

00:13:46Oh, charge, Tony. Just an invitation.

00:13:49You'd better accept.

00:13:52Okay.

00:13:53Is the dame with you?

00:13:54No, just a girl I met on the plane.

00:13:57You got a baggage check?

00:13:58Yeah.

00:14:01Just a minute, Chuck, huh?

00:14:02Sure.

00:14:05Well, uh, I'm sorry. This will have to be goodbye. Some business in town.

00:14:09Oh.

00:14:10Well, I'm sorry, too. It was nice meeting you.

00:14:13Goodbye.

00:14:14Bye.

00:14:17What's this all about, Chuck?

00:14:18I don't know. It's not my case.

00:14:21Kerrigan found out that we grew up in the same neighborhood, so he sent me by to pick you up.

00:14:24Oh.

00:14:25Well, nothing like having a cop for a pal, huh?

00:14:28Right.

00:14:40All right, Tony.

00:14:48All right, Kerrigan. What's next?

00:14:49Take it easy, Tony.

00:14:55We know why you came back, Regan.

00:14:57Oh, you do, huh? Who told you?

00:14:59Good sources.

00:15:00The tip tells us you're here to get Big Jim.

00:15:04You're kidding.

00:15:05I hear he rode you out of town seven years ago.

00:15:07So what?

00:15:07So it's four o'clock. Take my advice and be out of Chicago by seven.

00:15:12You've no right to order me anyplace.

00:15:14I'm not ordering. I'm advising.

00:15:18Look, if there's any charge against me, book me.

00:15:21No, there's no charge.

00:15:25So long, Chuck.

00:15:26So long.

00:15:30Cooper, tail him.

00:15:34Give me a squad car down front.

00:15:42The Palmer house.

00:15:51Follow that cab.

00:16:25Follow that cab.

00:16:39Let's go.

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00:51:42go.

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Undertow (1949) – Trapped by a Deadly Conspiracy

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