01:19Oh my.
01:20Broughty devil.
01:21Is he... is he alright?
01:25He's not breathing.
01:28I'm so sorry. I might have did.
01:31Have you checked for a pulse?
01:36He's still warm, but he's definitely dead.
01:39Under my roof?
01:41Oh, first a stranger turns up at the door, next another is found dead in the study.
01:46Do you know this man?
01:48I certainly do not, and I can't fathom how he could have entered the house without someone letting me know
01:53he was here.
01:54No sign of physical injuries. Given his age, I'd say heart failure is most likely.
02:00Well, serves him right. Really. A strange man sneaking around our house. I wouldn't have believed it.
02:06Let's not be rude to the dead. I'm sure there's a reasonable explanation as to why he was here.
02:13He wasn't carrying much. Just an old program for a piano recital. Has anyone heard of Amelia West?
02:26Not a composer I've heard of.
02:28Mr. Hobbs, you wouldn't have anything to do with it, would you?
02:33No. I haven't a clue what's going on, I swear. But if I've arrived at a bad time, I'm sure
02:40I could find somewhere else to stay.
02:42Nonsense, Mr. Hobbs. We'll sort this out. In the meantime, perhaps it would be wise to keep this between ourselves.
02:49Damien, darling, would you fetch Thornton, please? I'll go and call the police.
02:55Certainly.
02:58I'm awfully sorry about the bottle.
03:00It's the least of my worries, John. Was that your name?
03:03Why don't you come through to the dining room with me? It should be empty. You'd best sit down before
03:09you collapse.
03:49Why don't you come through to the dining room with me? It should be empty. You're not the only or
03:54even the only money that you have to go to the dining room.
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07:29So, let's go.
07:57I don't know what to do, but I don't know what to do.
08:29Now, John, tell me why you're here.
08:33I'm sorry. It's not quite what I was expecting. I received this invitation not long ago, and I thought it
08:42would make sense once I arrived here.
08:45I see. I don't like the tone of this. I'm afraid I've never heard of a Rupert Galley.
08:53Could he be a distant relative?
08:56He's unlikely to be. I wasn't born a galley. I only took the surname for myself.
09:03Well, it would have been around the time I moved into this house, I suppose.
09:08I was hoping you might be able to shed some light on why I'm here.
09:12We were just having a small gathering here tonight. I think Eddie must have organised it.
09:18It's just for close friends and family, though. I don't know why we suddenly have strangers turning up.
09:24Who else is here?
09:26There are ten of us in the house, not counting whoever we found in the study.
09:32Oh, and there's Thornton, of course. That makes eleven. He's our butler and our only member of staff.
09:39Eleven people? One of them must know something, surely.
09:44What's that you're holding, John?
09:46I found it near the body. I thought it probably wasn't one of yours. I was thinking maybe someone else
09:51might recognise it.
09:52It's the key to the chapel. I haven't been there in a long time.
09:58Ah. Well, that's something to look into, I suppose.
10:02Actually, John, could you go and take it to our butler? He'll be dealing with the mess in the study.
10:09Oh, certainly. I think I met him earlier. I'll go there now.
10:12Thank you. And you're welcome to join us for dinner later on.
12:00Ah. Hello again.
12:01Good evening, sir. The room should be fit for you to stay in tonight. Just give me a moment to
12:07clear up this broken glass.
12:09Right. I am sorry about that.
12:13Not a problem, sir. Not a problem, sir. Not at all.
12:16It's dreadful, isn't it? Something strange is going on and I'm worried they're all going to blame me for turning
12:21up at the wrong time.
12:23Can't be helped, sir.
12:24And you're always welcome, sir.
12:26There must be someone behind this. I mean, you haven't seen or heard anything suspicious, have you?
12:34I spend most of my time in the kitchen, sir.
12:36Sir, that's where I've been since we last spoke. I heard the front door open and close, and then open
12:43and close again.
12:44I presume one of them was for you, but I don't know who else came in.
12:48Did you see anyone else?
12:51Yes, sir. After the front door closed for a second time, a guest arrived in the kitchen. She seemed rather
12:57inebriated, but nothing out of the ordinary.
13:01And then?
13:02Around the time the bottle smashed, a second guest arrived in the kitchen. After he left, Mr. Maseko arrived as
13:10I was tending to the inebriated guest and informed me I was needed here.
13:15Hmm. I see. I suppose it was only the three of us that knew about the body. Oh, I'd almost
13:21forgotten. Here's a key I found earlier. Martha asked me to give it to you.
13:26Ah, thank you, sir. It must have slipped out of Mr. Galley's pocket.
13:31You don't mean Rupert Galley, do you?
13:34Yes, sir. Poor Mr. Galley. He used to visit the chapel often, sir. As pious a man as ever I've
13:41met.
13:42Well, he's a mysterious man, this Rupert Galley. At least someone here knows who he is. Could you show me
13:48to him?
13:49I'm terribly sorry, sir. Did you not recognise him earlier?
13:54You don't mean...
13:56Yes, sir. I'm afraid to say that he's passed away. You'd do best to give the key to Oswald if
14:03you see him. Now, I am sorry, sir, but I'd better be heading off now to the kitchen.
14:08Wait, I need to ask you...
14:11Oh, bloody hell. I wonder what the others are up to.
14:26What the others are up to?
14:29Oh, no. I'm...
14:34You're a far from over here.
14:34But next, we're all there.
14:34I'll pick that up.
14:38I'm not to be here.
14:40But second, we're talking about what you are.
14:45V-
14:45V-
14:45V-
14:56I don't know.
17:12Ah, haven't heard that in a long time.
17:17Can't be good.
17:44Can't be good.
17:48Can't be good.
17:53Can't be good.
17:54Can't be good.
18:04Can't be good.
18:31Can't be good.
18:36Can't be good.
18:39Can't be good.
18:53Can't be good.
19:05Can't be good.
19:17Can't be good.
19:26Can't be good.
19:31Can't be good.
19:32Can't be good.
19:38Can't be good.
20:15Can't be good.
20:41Can't be good.
20:53Can't be good.
21:23Can't be good.
21:52Can't be good.
22:21Can't be good.
22:44Can't be good.
22:57Can't be good.
23:07Can't be good.
23:08Can't be good.
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