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00:00:11The End
00:00:35Are you ready to get started?
00:00:37I think you are.
00:00:39We've got to make some art here, people.
00:00:40All right, let's go.
00:00:42Bring that light right next to me.
00:00:43Down here.
00:00:44All right, that's not how.
00:00:46I need more light than that.
00:00:47You're ready.
00:00:48You're in the spa.
00:00:49It's, uh, how about it?
00:00:50Okay.
00:00:52All right.
00:00:53All right.
00:00:53Good boy.
00:00:55All right.
00:00:57Let's go.
00:00:58No, I told you that it's too hot.
00:00:59Riddle, give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:03Come on.
00:01:04Oh, Jesus Christ.
00:01:06Come on.
00:01:06All right.
00:01:13Good.
00:01:13Back in it.
00:01:14Back in it.
00:01:14Back in it.
00:01:15That's a good dog.
00:01:16That is such a good dog.
00:01:32All right.
00:01:33That's fine.
00:01:35All right.
00:01:36That's fine.
00:01:38That's good.
00:01:39Here we go.
00:01:49All right.
00:01:50That was great.
00:01:51All right.
00:02:00I think he looks good, don't you?
00:02:08Now, we're out of film.
00:02:09All right.
00:02:09Take five.
00:02:10We're reloading now.
00:02:10This is the dumbest dog in the whole world.
00:02:13Where the hell did you get such a dumb dog?
00:02:15It's my dog.
00:02:16I trained that dog.
00:02:17I love this dog.
00:02:18And you are as dumb as the dog.
00:02:37All right.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:03:00This program is sponsored by the Women's Press Club of America,
00:03:04along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club
00:03:13to honor Emanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name,
00:03:18but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover
00:03:25of some of the most famous fashion magazines in the world,
00:03:29the covers of Vision, Olay, and Valari, just to name a few.
00:03:34Emanuel, as she is best known,
00:03:36has now become the world's standard of beauty and fashion
00:03:39and is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position,
00:03:53and she's already in great demand.
00:03:56She's been described as the highest-paid fashion model
00:03:59in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C.,
00:04:03and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago,
00:04:25I had a problem.
00:04:27No.
00:04:28Yes, I did.
00:04:29I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:54Emanuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:08This is great stuff.
00:05:16Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:45And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:54This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:27Thank God for that.
00:06:40I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:56Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:04This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:12Let's go, man.
00:07:14I will tell you, you should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:24Yes, 50, 50, 50 percent, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50, 50.
00:07:36All I want is for us to have our piece of the pie.
00:07:41Yes, 50 percent down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Psycho-cold.
00:07:45I'm talking piece, ladies.
00:07:48I'm not talking a small piece.
00:07:52I am talking 50 percent right down the middle.
00:07:57Yes, yes, yes.
00:08:00Let's get the pie, please.
00:08:01Let's get it, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:07I will treasure this for the rest of my life.
00:08:40Okay, I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine, what about the deal?
00:08:50Okay, for every day they go over, it's an additional 12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:57Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:02Phil, what do you do when I'm not in town?
00:09:07No, come on, you can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:39Girl, I see you walk in that certain way.
00:09:44There's something about you that turns heads the other way.
00:09:49They all adore you.
00:09:50That's easy to see.
00:09:52They're all about it.
00:09:54But it won't be me.
00:10:00Girl, I'm done about.
00:10:06Girl, I can't see you with somebody else.
00:10:13Gotta have you, darling, now.
00:10:18Hold me and nobody else.
00:10:22Gonna make you love me.
00:10:25Hold you through the night.
00:10:36Look what you've just done in my heart.
00:10:40Oh, babe.
00:10:41Look what you've just done in my heart.
00:10:45Yeah.
00:10:47Look what you've just done in my heart.
00:10:48Girl, I can't see you with somebody else.
00:10:51Look what you've just done in my heart.
00:10:53Oh, baby, look what she just says to her heart.
00:11:10Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:17Let me tell you a little about men, ladies.
00:11:21They'll tell you anything they want you to hear.
00:11:26They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:32God, I hope not.
00:11:35Oh, Lord, woman.
00:11:37We have a problem here, Emmanuel.
00:11:43It's the word they.
00:11:45Now, we all know that they pertains to men.
00:11:49So, why don't you just come out and say, men, you're blessed with great beauty.
00:11:55You should be satisfied with that advantage.
00:11:58But you're not.
00:12:00I think all you girls should remember the terminology.
00:12:04Manpower.
00:12:05Manipulate.
00:12:06The rights of man.
00:12:09Manhole.
00:12:09I mean, all you girls can climb down, and it's still going to be a manhole in the eyes of
00:12:13God, in the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:22You have a lot to learn, Emmanuel.
00:12:25And one Richard Tate is going to teach you, darling.
00:12:50Okora Hotel.
00:12:51Oh, yes, Miss Emmanuel Griffith, please.
00:12:54May I say who's calling?
00:12:55Uh, yes, tell her that her studio driver has arrived.
00:12:58One moment, please.
00:13:00Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here.
00:13:04What time is it?
00:13:05No, I'm an hour from now.
00:13:07Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:11No.
00:13:12All right, fine.
00:13:14I'll be down in a minute.
00:13:15Ok, thank you.
00:13:18I'll be right back.
00:13:18Come on.
00:13:19Come on.
00:13:24Come on.
00:13:31Come on.
00:13:32Let's go.
00:14:02Let's go.
00:14:02Let's go.
00:14:45Let's go.
00:14:52Let's go.
00:14:57Let's go.
00:14:59Let's go.
00:15:26Let's go.
00:15:30Let's go.
00:15:33Let's go.
00:15:33Let's go.
00:15:36Let's go.
00:15:37Let's go.
00:15:40Let's go.
00:16:03Let's go.
00:16:11Let's go.
00:16:12Don't worry, baby.
00:16:13I'm here to help you.
00:16:15Everything's gonna be just fine.
00:16:19Let's go.
00:16:21Let's go.
00:16:28Let's go.
00:16:36Let's go.
00:16:38Let's go.
00:16:56Let's go.
00:16:57Let's go.
00:17:07Hello.
00:17:08Hello.
00:17:11What's going on?
00:17:20Where am I?
00:17:23Why do you ask?
00:17:26Why do you ask?
00:17:26Who the fuck are you and why am I here?
00:17:30I don't like women who use profanity.
00:17:34You don't?
00:17:35No.
00:17:39Well, then you just tell me a few things.
00:17:43What the fuck is going on?
00:17:45Where the fuck am I and who the fuck are you?
00:17:50You'll find out, Manny.
00:18:30Listen to me, you bastard.
00:18:32You let me out of here right now,
00:18:34or I'm gonna see that you go to jail for the rest of your life.
00:18:38Well, if you haven't already figured it out,
00:18:42you're the one that's in jail.
00:18:44And for how long depends entirely on you, my pretty.
00:18:49Well, let's not talk about depressing issues.
00:18:52Let's move ahead into a bright new future.
00:18:55Now, it's lesson time, sweetheart.
00:18:57So pay attention.
00:18:59I think you're gonna enjoy this.
00:19:01This is something very close to your heart.
00:19:04They'll tell you that there's no sexual harassment in the workplace.
00:19:09And some of them, ladies,
00:19:12some of them will tell you,
00:19:14you should remain barefoot and pregnant.
00:19:18I must tell you,
00:19:19I love the barefoot and pregnant line.
00:19:22I'm gonna play for you again,
00:19:24and watch the smile that crosses your face
00:19:26just after you say the line.
00:19:27It was great.
00:19:29You were in charge then.
00:19:31And wasn't it wonderful?
00:19:37Good morning, ladies.
00:19:39And welcome to a man's world.
00:19:42You know what?
00:19:43I think we're gonna have to rethink that dumb speech of yours,
00:19:46but don't worry.
00:19:48I mean, we're gonna make it right.
00:19:50You know, I want you to memorize every stupid word you say.
00:19:54I want you to see the look on your face.
00:19:57But, you know, it's like anything else.
00:20:00I want you to see every arrogant, sarcastic expression
00:20:03that you presented to that audience.
00:20:05But don't worry.
00:20:07It's gonna be okay.
00:20:08We're gonna make it out just fine.
00:20:10Be careful.
00:20:15Now, what would you like for lunch?
00:20:18Nothing.
00:20:19I want nothing from you.
00:20:22Oh, okay.
00:20:23Well, I tell you what.
00:20:24There's a buzzer right on that table in front of the TV.
00:20:29And if you just push it,
00:20:32I'll bring you anything you need.
00:20:35Leave it dirty, Emmanuel.
00:20:46Leave it.
00:20:48Leave it to me.
00:20:48Leave it to me.
00:20:50Leave it to me.
00:20:51Leave it.
00:21:01Let's see.
00:21:08It can be okay.
00:21:08Take monsieur.
00:21:12Yeah, chill out of the stair, baby, let me just follow you around.
00:21:26Alright, give it a shot, baby.
00:21:32Help me! Can somebody help me?
00:21:41Save your breath, sweetheart. You'll need it later.
00:21:45You can't get out of it. No one can hear you. I'm in charge now.
00:21:48The sooner you get that through your head, the better off you'll be.
00:21:52Just push the buzzer if you need an exam.
00:22:03Hey, mister!
00:22:07Hey, asshole!
00:22:13You know your fucking TV set isn't working!
00:22:26Are there any other assholes that live in this area?
00:22:32Are you deaf?
00:22:34I can hear this fucking buzzer! Where the fuck are you?
00:22:39Fucking deaf! Are you deaf?
00:22:46Hello?
00:23:15Hello?
00:23:17So, this is your friendly chef. How may I be of service?
00:23:24I'd like something to eat.
00:23:26Mmm. Well, I tell you, that sounds reasonable.
00:23:30All you have to do is use the word please.
00:23:35Please.
00:23:36Well, how do you like that, sweetcakes?
00:23:41You're finally making some progress, and it hasn't even been 24 hours.
00:23:47Breakfast is served in 30 minutes.
00:24:02Breakfast in bed.
00:24:09For the only lady in the house.
00:24:16Not bad, huh? I make my bernet sauce with a little brandy.
00:24:21I'm impressed.
00:24:22Well, thank you. I studied with a great chef at the Waldorf Astoria in New York.
00:24:27Lovely.
00:24:28Well, thank you once again. My specialty is pastry.
00:24:35Wow.
00:24:37Now I want to know who you are and why I'm here.
00:24:40Well, my dear, you already know why you're here.
00:24:42That's to give you time and instruction until you get your pretty little head straightened out.
00:24:47As for me, I am your chef and host.
00:24:51And, in due time, if you're really nice and kind, I may even be your lover.
00:25:00You should live so fucking long.
00:25:02I told you that I don't like that kind of language from a woman.
00:25:06I don't have to say it again.
00:25:13What's your name?
00:25:14My name is Richard.
00:25:17Hello, Richard.
00:25:20What did they call you in school?
00:25:23Did they call you Ricky?
00:25:26Did they call you Dicky?
00:25:30Or did they just call you Dick?
00:25:57Did they call you?
00:26:01Did they call you Dicky?
00:26:01They sent me to...
00:26:03You just called me.
00:26:03And that's why I was so young.
00:26:03You never had to know the name in school.
00:26:03You were a good friend.
00:26:05And I was a young man who said you had to be a teacher.
00:26:05So you know this guy's young man.
00:26:06I was a very young man.
00:26:06I was a young man.
00:26:06They wanted to be a teacher.
00:26:07They can't be a teacher or four man.
00:26:08He knew what I would love to do.
00:26:23Oh, my God.
00:26:31Help!
00:26:34Teacher!
00:26:37Help!
00:26:51You're about as dumb as a box on rocks.
00:26:54I mean, what the hell made you think you could get your ass through that small open, huh?
00:26:58Please help me.
00:27:00Honey, you just said a magic word, please.
00:27:03My neck gun is caught on something here at the waist and I can't pull back out.
00:27:06Oh.
00:27:07Well, that's no problem.
00:27:11Okay, try it again.
00:27:14Go on.
00:27:19I can't do it!
00:27:20Why not?
00:27:21You got in there.
00:27:22Well, that's obvious, but now I can't get back out.
00:27:25Okay, well, I'll tell you what.
00:27:26Let me check out the situation.
00:27:28Let me check this out, okay?
00:27:30Okay?
00:27:31Alright, I'm checking it out.
00:27:33You know, the only thing I can figure is that your tits got bigger.
00:27:38You are a disgusting pig.
00:27:41Hmm.
00:27:42Well, I'll tell you what.
00:27:42I can take this thing off its hinges and you'll be wearing a door for the rest of your life.
00:27:50Please.
00:27:51Please.
00:27:52It's better.
00:27:53You know what?
00:27:54You're starting to get to me.
00:27:56The possibility exists is that you may even be getting better, but I doubt it.
00:28:07I don't believe this.
00:28:12Children.
00:28:15I'm dealing with children.
00:28:25Oh, this is that fake butter.
00:28:27I hate this shit, don't you?
00:28:32Alright.
00:28:34Alright.
00:28:35This is the gold we have been searching for.
00:28:41Oh, yes.
00:28:43Oh, yes.
00:28:46Oh, yes.
00:28:46Oh, yes, baby.
00:28:48Oh, yeah.
00:28:50Come on.
00:28:50Come on.
00:28:51Come on.
00:28:51Move over a little bit.
00:28:52I see a touch of you, babe.
00:28:54Come on.
00:28:54Come on, honey.
00:28:56Come on.
00:28:56Come to daddy.
00:28:57That's it.
00:28:57That's better.
00:28:58Oops.
00:28:59Not enough.
00:29:00Just get your magi-
00:29:02Oh, come on.
00:29:03Get in the view.
00:29:04Come on.
00:29:04Let me strike a close-up on your magic spot.
00:29:11Okay.
00:29:12What are you doing to me?
00:29:16Come on.
00:29:27Yeah.
00:29:28Well, I want to go someplace where I can totally be lost.
00:29:32But at the same time, if I wish to escape into some excitement, it's nearby.
00:29:39Oh, I understand that thing.
00:29:42But I want it to be magnificent.
00:29:44First class all the way.
00:29:45Of course.
00:29:47I like the ocean.
00:29:48But it has to be more than that.
00:29:51I want something that oozes love.
00:29:57Oozes?
00:29:58I beg your pardon?
00:29:59Oh.
00:30:01Excuse me.
00:30:01Oozes.
00:30:02I was just flashing on something.
00:30:04Oh, right.
00:30:04Ah.
00:30:05What do you have in mind?
00:30:07Well, the people in the travel business might call me Mr. T because T stands for travel,
00:30:15of course, so you've come to the right place.
00:30:17Oh.
00:30:17What I'm about to show you, young man, is splendor in the sand.
00:30:23Oh.
00:30:25Hold your breath.
00:30:26You'll be screaming for oxygen.
00:30:27This.
00:30:29This is Antigua.
00:30:31The island of beaches.
00:30:34Five years ago, very dear.
00:30:38Well, close, intimate.
00:30:41A friend of mine and I spent five glorious days there.
00:30:45It was magnificent.
00:30:46I'll never forget it.
00:30:47We'd lay on the beach and write love poems to each other.
00:30:52And put him in a seal.
00:30:55An empty orange juice bond and hide it under this rock.
00:30:59Look.
00:30:59This is the very rock.
00:31:01And the nights.
00:31:02Oh.
00:31:03Don't ask.
00:31:04The nights were magical.
00:31:07The wind, the people.
00:31:10The island, the beaches.
00:31:13The love poems.
00:31:15Then when the mood struck us, which was quite often,
00:31:19we would adjourn to our magical suite.
00:31:23Yeah.
00:31:25This is the actual suite.
00:31:29Just between us.
00:31:31We did it everywhere.
00:31:34Upstairs, downstairs, in my lady's chamber, so to speak.
00:31:40It was magnificent.
00:31:42I bet.
00:31:45What a memory.
00:31:47Yes.
00:31:48Oh, excuse me.
00:31:50Now tell me, will you be traveling alone?
00:31:53Uh, no, I'll be traveling with my wife.
00:31:58Your wife?
00:31:59Mm-hmm.
00:32:00Oh.
00:32:01Of course.
00:32:01Sorry.
00:32:02No harm done.
00:32:04Now you want me to write that up?
00:32:08Yeah, sure thing, pal.
00:32:12Like I said, I want a first class all the way.
00:32:14I'll take the beach.
00:32:14I'll take the sand.
00:32:15I'll take the nightlife.
00:32:16But, I definitely do not want that wrong.
00:32:19Oh.
00:32:22Oh.
00:32:35Hello.
00:32:37This is Dick.
00:32:38What can I do for you?
00:32:40Look, Richard.
00:32:43I have nothing against you.
00:32:46Please let me go.
00:32:48Not until your act is together, my darling.
00:32:52Okay.
00:32:54You're right.
00:32:54I'm sorry.
00:32:56Let me explain something to you, darling.
00:32:58Okay?
00:32:59I kidnapped you.
00:33:00I kidnapped you.
00:33:02You know what that means?
00:33:03The FBI is involved with this as we speak even here.
00:33:07And I'm not going to let you out until you get your head straight.
00:33:10And that, my love, is quite up to you.
00:33:15Look, Richard.
00:33:16I have nothing against you.
00:33:19Please let me go.
00:33:21Not until you get your act together.
00:33:25I know.
00:33:26You're right.
00:33:27I'm sorry.
00:33:29Not only do I hate women who use foul words, but I hate women who lie.
00:33:35Good night, sweetheart.
00:33:36I'm sorry.
00:33:36Oh no.
00:33:38Richard.
00:33:40Richard, come back.
00:33:43Oh, please.
00:33:44Don't go away.
00:33:47Oh, please.
00:33:47You've got to come back.
00:33:50You've got to talk to me, Richard.
00:33:52Please.
00:33:54Oh, God.
00:33:57Oh, God.
00:33:58No, go away.
00:34:04Please, Richard.
00:34:07please
00:34:11yes my darling
00:34:13I can hear you
00:34:14isn't it nice to see a friendly face
00:34:17look
00:34:18Richard
00:34:20I have money
00:34:22I have a lot of money
00:34:26I don't need new money
00:34:28what do you want then
00:34:30I want you to be a nice little girl
00:34:33I want you to be nice
00:34:34to the men who support you
00:34:36I want you to be barefoot and not pregnant
00:34:39I hate kids
00:34:42look
00:34:44I will do
00:34:46whatever you want
00:34:49I have got to get out of here
00:34:51I am going crazy in here
00:34:54okay
00:34:56take off the towel
00:34:58I want to see you
00:35:04you can see me
00:35:07you've been watching me
00:35:09just relax baby
00:35:13how do I turn off this fucking thing
00:35:16it's locked
00:35:17I control it from here
00:35:18just relax okay
00:35:20what is it
00:35:21is it a peephole
00:35:23dick you prick
00:35:24oh no not a peephole
00:35:26not for dicky boy
00:35:28dicky boy is much too clever for that
00:35:30isn't he
00:35:31oh it's got to be something else
00:35:32huh
00:35:33how about a TV camera
00:35:34how does that sound
00:35:36and when I find it
00:35:39and I will find it
00:35:41I am gonna smash the shit out of it
00:35:45don't even give it a thought baby
00:35:46you'll never find it
00:35:47never
00:35:48you bastard
00:35:49you sick son of a bitch
00:35:51who do you think you are anyway
00:35:53you listen to me
00:35:55and you pay attention
00:35:56I'm the guy with the key to your mind
00:35:59god I hate you
00:36:01you are the lowest of the low
00:36:04you listen to me dicky boy
00:36:07when I get out of here
00:36:09you are dead meat
00:36:14don't do it
00:36:15don't do it
00:36:21that was a bad idea baby
00:36:24you best plug that back in
00:36:26fuck you
00:36:31good night sweetheart
00:36:33oh this is just perfect
00:36:35oh what's the matter dicky boy
00:36:38reality gets to be too much for you
00:36:41huh
00:36:41reality gets to be a little tough
00:36:44and you can't take it
00:36:45you gotta turn off the sound
00:36:47huh buddy
00:36:47well let me tell you something
00:36:50I'm still gonna find it
00:36:52and when I find it
00:36:54you can watch yourself
00:36:55for the rest of your fucking life
00:37:04ah
00:37:04ha ha ha ha ha ha ha
00:37:14ha ha ha ha ha ha ha
00:37:15Ha, ha, ha.
00:37:45Ha, ha, ha.
00:38:40Ha, ha, ha.
00:38:45Well, Sam, while you were flying in, uh, first class from New York, I found the last person to see
00:38:51Emanuel Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57Worked at the hotel.
00:38:58Helped her out to the phony limo.
00:39:01Okay.
00:39:02Sam, I gotta tell ya.
00:39:03I run one of the best detective agencies in this area.
00:39:07Why don't we get this thing wrapped up real quick and go out and do some more business together?
00:39:12I can have her here on, uh, Wednesday.
00:39:14How's 1 p.m. for you?
00:39:16Sounds good.
00:39:16She'll be here.
00:39:18Good.
00:39:44Hello?
00:39:45Hello? I have no water in here. What's going on? Richard, I have no water.
00:40:23Richard, I have no water.
00:40:28Honey, I got class and style. I'll make sure we're together. This stormy weather. Mile after mile after mile. Yeah,
00:40:43how many ways do I love you? Let me tell the world. Let me tell them all.
00:40:52I'll buy you a rainbow. I'll buy you the moon. I'll buy you boats and planes. Horses and trains. I'll
00:41:02buy the size of the hall. Throw in the sleigh and all.
00:41:06You'll be the queen of the ball.
00:41:22The gown is $625. However, if you'd wish to purchase the undergarments we discussed, I'm sure we can come to
00:41:29some kind of agreement for a discount. Let's say, um, 5%.
00:41:35Well, that sounds okay. I'll tell you what. Why don't, uh, why don't you have her try the brown one?
00:41:41I'm sorry, sir. But we don't model underwear.
00:41:45Why not? Company policy. Who said what company? This company. You in charge of this company? I am. You set
00:41:52forth the rule? I did. Why don't you go and do that? I mean, why is everybody going to spoil
00:41:57my fun?
00:41:59Sir, this is a respectable establishment. Are you suggesting that I'm not respectable? Honey, could you go over and give
00:42:10me the gold dress? I mean, I don't like this at all. I gotta tell you, I don't want that
00:42:14at all. I deal with gold and I love gold. I mean, look at the shimmering of this. I mean,
00:42:17this is beautiful.
00:42:19Well, I tell you what, why don't you throw all this shit in the box and, uh, oh, let's see,
00:42:28a 10% discount seems, uh, pretty respectable to me. Don't you think?
00:42:34You think?
00:42:47Whew.
00:42:49Yes.
00:42:51Oh.
00:42:53Hell, man.
00:42:56Whew.
00:42:57Ah, it's asquerading.
00:43:00Well, look at that.
00:43:02The front page, a box, a box, a box, a box, a box, a box, a box, a box, a
00:43:04box, a box, a box, a box, a box, a box, a box.
00:43:04the fold in living color. I really am fantastic.
00:43:35Good morning, Emmanuel. I have something very special for you.
00:43:41Something pink for Pink Lady.
00:43:44How are you?
00:43:46Hey, you. What's going on here?
00:43:47Plug it back in. There's a little bra for you in black.
00:43:49I've been calling you all day. I don't have any water, and where the hell's my food?
00:43:53Plug it back in, and things will be quite beautiful for you.
00:43:55Here's something royal for a royal lady.
00:43:58Oh, yes.
00:43:59You prick.
00:43:59Here's some golden threads for you. Just plug it back in.
00:44:02Another thing for Pink Lady. Here's a little thing for Purple.
00:44:05I want some goddamn water. I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water with these tennis shoes.
00:44:13You bet your life. There they are. Run for it, baby.
00:44:16I'm gonna stick these shoes right up your ass. Give me some water.
00:44:19Come on. Here's the little undies for the baby.
00:44:21You prick. You turned the water off, didn't you?
00:44:23You got it, sweetheart. And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:30What?
00:44:31Oh, my. Where?
00:44:34Jesus Christ.
00:44:35I got faith in you. I mean, I think you'll figure it out.
00:45:06I'm not taking any calls, sweetheart.
00:45:09And I'm going to get some water, all right?
00:45:12Jeez.
00:45:12Please.
00:45:12Please.
00:45:14Please.
00:45:21Please.
00:45:29Please.
00:45:31Please.
00:45:33Please.
00:45:35Please.
00:45:35Please.
00:45:35Please.
00:45:35Please.
00:45:37Please.
00:45:38Please.
00:45:39Please.
00:45:39Please.
00:45:40Please.
00:45:41Please.
00:45:43Please.
00:46:06God, you are persistent.
00:46:08Jesus.
00:46:15Honey, these are difficult times for both of us, okay?
00:46:19But I tell you what, I'm gonna make it as easy on you as possible.
00:46:23Now all you gotta do to get started again, is plug it back in.
00:46:29Fuck you!
00:46:31You better not mess your room up, honey.
00:46:33You're gonna be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:40All you gotta do is come over here and plug it back in.
00:46:43You want something to drink?
00:46:45Plug it back in.
00:46:45You want something to eat?
00:46:46Plug it back in.
00:46:47It's that simple.
00:46:48Plug it back in.
00:46:49I wouldn't do that if I were you.
00:46:52That's your only contact with the outside world.
00:46:58What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:03You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:12All right, Richard.
00:47:14We'll do it your way.
00:47:30Now you see there, sweetheart, you've already started to learn something.
00:47:37Don't bite the hand that feeds you, and don't unplug the TV set.
00:47:43Soon you'll have running water, and tonight, tonight I'm gonna fix you a beautiful steak with
00:47:50bernet sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul, and I would do anything for you.
00:47:56But please cooperate with me.
00:48:07Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:20It's wonderful.
00:48:24Why don't you try the steak?
00:48:25It's great.
00:48:26I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:38Later, I'll share the method and the recipe with you as soon as we get to know each other
00:48:42better.
00:48:43The secret is, though, that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:53Look, Richard, can we talk?
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:06That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:14You know, tonight, I'm going to be the designated driver.
00:49:19Are we going out?
00:49:20Oh.
00:49:21No, no.
00:49:23I can't trust you to go any place.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that, it'd be better for both of us.
00:49:33I have learned that.
00:49:35Really, I have.
00:49:36Oh.
00:49:38I'll hear this toast.
00:49:39Okay?
00:49:41Oh, it's just a little lower.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:03What'd they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:33You have a very nice voice.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:51:07Oh, I got you back on now.
00:51:10So, after that, I invented this crazy thing that helps idiots program their VCRs and I made a fortune.
00:51:18You're very smart.
00:51:20Oh, no, just lucky.
00:51:25What about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:32That was funny.
00:51:35I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:46So, what happened?
00:51:49I found out I was no actress.
00:51:53Then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:11I did nude dancing at a Times Square bar.
00:52:16Well, I mean, uh, how'd you handle that?
00:52:22It was easy.
00:52:26I actually enjoyed it.
00:52:31I got off on guys watching me.
00:52:34It was a turn on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:44It doesn't matter if you're naked or not.
00:52:47It's a turn on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:55Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:05So, when you're stark naked in front of those good old boys, I mean, uh, who has the advantage
00:53:12done.
00:53:21Why don't you play me some music?
00:53:27I want to dance for you.
00:53:32I want to dance for you.
00:54:02I want to dance for you.
00:54:08I want to dance for you.
00:54:23Oh, baby. Oh, girl. I need you, darling. Inside my world. I'm yours for heaven.
00:55:00I'll be down in the living room. Just come down the stairs and bear to your left.
00:55:46I'm yours for heaven.
00:56:06Hello. Hello. Come down and join me.
00:56:31Sit down.
00:56:35I got a present for you. It's by your side under that pillow.
00:56:46Open it.
00:56:55Try it.
00:57:04It's very nice.
00:57:12Yeah. It blends with your body.
00:57:18It's you all the way.
00:57:37Yeah.
00:57:38Yeah.
00:57:42Yeah.
00:57:53Yeah.
00:57:55Yeah.
00:57:58Yeah.
00:58:00Yeah.
00:58:01Yeah.
00:58:14Show yourself, baby.
00:58:16Come to daddy.
00:58:18If you think you can escape Richard Tate, you must be crazy.
00:58:24Not in a million years.
00:58:27There you are.
00:58:28Let's go.
00:58:51Come on, baby.
00:58:53Where are you?
00:58:53You can't hide.
00:58:55Come on.
00:58:57Come on.
00:58:58Come on.
00:59:07Come on, baby.
00:59:23It's over, baby.
00:59:25I'll find you.
00:59:26You know what?
00:59:28You lied to me, baby.
00:59:30You lied to me.
00:59:32After I gave everything to you, and you're trying to run from me and hide from me.
00:59:37When you deal with Richard, you're dealing with style, class, and elegance.
00:59:45You're used to punks.
00:59:46You're used to no-class guys.
00:59:48I give you the best of wine, the best of food, the best of clothes, and the best of perfume.
00:59:57Perfume that I can smell a million miles away.
01:00:02I got you.
01:00:14Please.
01:00:21Perfume.
01:00:22Perfume.
01:00:32I don't know.
01:00:53I don't know.
01:00:57Watchers.
01:01:05Needless to say, you've upset me.
01:01:07You're a liar, a thief, and a cheat.
01:01:10And that somewhere down the road, baby, somewhere down the road, you're gonna come along and say,
01:01:14Dicky boy, I'm sorry.
01:01:17You got that?
01:01:25I don't know.
01:01:27I don't know.
01:01:37I don't know.
01:01:56You haven't had enough of me yet, baby.
01:02:02I really appreciate your health for this.
01:02:05No problem.
01:02:06There she is.
01:02:07Go for it.
01:02:10So, I understand you helped carry her bags downstairs.
01:02:15Yes.
01:02:16And what time day was this?
01:02:19Yes.
01:02:20It was about 8 a.m.
01:02:238 a.m.
01:02:24Can you describe the limo?
01:02:26Yes.
01:02:29Go ahead.
01:02:30It was wrong.
01:02:33Wrong?
01:02:34Yes.
01:02:35Long?
01:02:36Yes.
01:02:37Most of them are.
01:02:39Kim, do you remember the color of the car?
01:02:43It was a brake.
01:02:45And the driver, do you remember what he looked like?
01:02:50Yes.
01:02:54Well, describe him.
01:02:57He was tall.
01:03:00He had on a brake jacket and a brake hat.
01:03:03Was it a brake man?
01:03:05No, a wet man.
01:03:06Let's go back to that long limo.
01:03:10Do you remember what kind it was?
01:03:13Oh, you mean a cataract or a ring cone?
01:03:16Yeah.
01:03:17Oh, I don't know.
01:03:23Miss, I've come a real long way to talk to you.
01:03:27Thank you very much.
01:03:31Thank you very much.
01:03:33Is there anything you can do to...
01:03:36Jerry, she's your witness, ma'am.
01:03:39Jump right on in here.
01:03:40I want to concentrate on what this man looked like.
01:03:45Huh?
01:03:47Yes.
01:03:48Can you handle that?
01:03:51Handle what?
01:03:54What the guy looked like?
01:03:55Oh, yes.
01:03:56Yes, I can.
01:03:57Well, great.
01:03:57What did he look like?
01:03:59He had a brake hat.
01:04:02Oh, wait, wait, wait.
01:04:02Please, please.
01:04:03Let's forget about the hat, okay?
01:04:04Let's just try this for a minute.
01:04:07Picture yourself standing in front of the hotel, okay?
01:04:10That morning, all right?
01:04:12You see the guy.
01:04:13He's standing right in front of you.
01:04:15You got it?
01:04:15Yes.
01:04:16Okay.
01:04:16Picture it there now.
01:04:18Yes.
01:04:19Now, tell us.
01:04:21What do you see?
01:04:23I see a big round head of a face.
01:04:27Yes.
01:04:28Thank you very much.
01:04:29Jesus Christ.
01:04:31Thank you very much.
01:04:35You're a very nice lady.
01:04:36Thank you very much.
01:04:39You're an asshole, Jerry.
01:04:42Thank you very much.
01:04:44It was a big head.
01:04:51Good morning, Mr. Richard.
01:04:53Estella, I called you.
01:04:54I left you a message.
01:04:54I'm not gonna need you for a while.
01:04:55I told you that.
01:04:56No message, Mr. Richard.
01:04:57Yes, but you don't understand.
01:04:58I'm not gonna need you for a while.
01:05:00I already been paid for this, so I clean up when I can today.
01:05:03Yeah, but nothing is dirty, can't you?
01:05:04See around, everything is clean.
01:05:05I do dishes and I change sheets.
01:05:07Yeah, you did.
01:05:08Well, listen, I'm going away for a month or so, so come on.
01:05:10I'll tell you what.
01:05:11I'll give you a buzz as soon as I get back.
01:05:12Okay?
01:05:13I'll give you a buzz.
01:05:13Please, please.
01:05:14No, no, Mr. Richard.
01:05:15You do not take money for something you do not do.
01:05:18Estella, you've been good to me.
01:05:19I mean, you do good work.
01:05:20And I'll be in touch with you as soon as I get back from the vacation.
01:05:22No, no, Mr. Richard, here.
01:05:24I got a pen and I got some ones.
01:05:28God, I don't want money.
01:05:29I don't want money from you.
01:05:30Okay?
01:05:31I don't want money from you.
01:05:32Here, here.
01:05:32You're going to die in there, Mr. Richard.
01:05:34If it weren't for me, you would die like a rat.
01:05:36Oh, God.
01:05:36Mr. Estella, I'll be in touch with you, okay?
01:05:38I promise I'll be in touch with you as soon as I get back from the vacation.
01:05:41All right, darling?
01:05:41All my best.
01:05:42God bless.
01:05:43God bless.
01:05:54You better not take much longer, baby, or we're going to die like rats in here.
01:05:58You're fucking up my life here.
01:06:00You understand that?
01:06:01Huh?
01:06:02I had to fire the goddamn maid.
01:06:04You know what that means?
01:06:06No clean laundry.
01:06:07No clean dishes.
01:06:09Garbage up the yin yang.
01:06:10Dust everywhere.
01:06:12Come on, honey.
01:06:13Get your act together.
01:06:14We're living like pigs here.
01:06:17Come on, lady.
01:06:18You're going to have to make some son of a bitch contribution here.
01:06:20Do you know that?
01:06:21I mean, come on.
01:06:22Get in your head.
01:06:23I supply the food, the clothes, the shelter, the clean sheets, the clean towels, the toilet
01:06:28paper, and the best of time.
01:06:30And complete attention to your selfish ass.
01:06:33Come on.
01:06:34Get your act together, goddammit.
01:06:36Or else I'll never lay on this goddammer.
01:06:38You got that?
01:06:39Now you get it together, lady.
01:06:41You're on your way out.
01:06:42And I mean way out.
01:06:52Here's my gun permit from New York, North Carolina, Texas.
01:06:57I got a whole bunch of them things if you want to look at them.
01:07:00That won't be necessary.
01:07:02May I call you Sam?
01:07:04I've been called a lot worse.
01:07:07Sam, we're doing everything we can to find this girl.
01:07:09I'm sure you are.
01:07:11But I don't feel that there's anything that you could possibly do that would add anything
01:07:16to the situation.
01:07:18That might well be, but I've been hired by her mother who's paying me a lot of money
01:07:22to come on out here and help your boys locate her baby girl.
01:07:26Now I know you don't want me to lose out on good money.
01:07:29And I know you don't want me backing on the employment line, do you?
01:07:33What I want is for you to keep us informed of everything you're doing and anything that
01:07:39you might come up with.
01:07:40No problem.
01:07:42Used to be a cop.
01:07:43I know what it's like.
01:07:44We don't want no double work, do we?
01:07:47No.
01:07:48All right.
01:07:49My goodness.
01:07:50All you've got to do is tell me what you boys have found out so far.
01:07:55Nothing.
01:07:57Well, there you go.
01:07:59Then there's absolutely nothing for me to interfere with since you boys got nothing to
01:08:03start with.
01:08:03But you'll let us know if you come up with something.
01:08:07May I call you Jim?
01:08:08Why not?
01:08:10Jim, you've got the first name on my list.
01:08:16It's a hot day today, isn't it?
01:08:21Richard, I feel weak.
01:08:23Oh, come on.
01:08:25Women give birth.
01:08:25It's got to be worse than this.
01:08:27Well, that makes me feel a lot fucking better.
01:08:30I'm sorry.
01:08:31I didn't mean to swear.
01:08:33Come on.
01:08:34I want to believe.
01:08:35But you make it hard.
01:08:35You make it hard on both of us.
01:08:37I know.
01:08:38I'm sorry.
01:08:39Yeah, I know.
01:08:41Good.
01:08:42It's just that sometimes you can't seem to control it.
01:08:45You have to help me.
01:08:49All right.
01:08:51I will.
01:08:54Have to pan up, you know.
01:08:57You know, perhaps it's something in your childhood.
01:09:01Maybe it's your parents.
01:09:03I mean, did you have any brothers and sisters?
01:09:07Yes, my brother is a lawyer and my sister, she's a teacher.
01:09:11Mm-hmm.
01:09:12And what about your mother?
01:09:14My mother?
01:09:16She's fine.
01:09:18Did she swear a lot?
01:09:20No, never.
01:09:22Oh.
01:09:23All right.
01:09:23Well, what about your father?
01:09:27My father died in Vietnam.
01:09:29The service?
01:09:30Yes.
01:09:31What branch?
01:09:33The Navy serving with the Marines.
01:09:35The Marines?
01:09:37I knew it.
01:09:38I knew it.
01:09:39I know all about them.
01:09:40All they're trained to do is drink, swear, and kill.
01:09:42And not necessarily in that order.
01:09:45Whew.
01:09:45My father was a chaplain.
01:09:48A chaplain?
01:09:53Well, I tell you what.
01:09:54I'll get you some water.
01:09:55I'll get you some clothes.
01:09:56And even through too much.
01:10:05Ah, my name is Sam Weston.
01:10:07Now, you people rent limousines, right?
01:10:11Say that again?
01:10:13I'm sorry, I don't understand you.
01:10:15Um, my question is, you people rent limousines, right?
01:10:23Um, uh, well, let's try this one.
01:10:28Uh, do you have anybody who works for your company that speaks English?
01:10:36Comprende English?
01:10:40Well, can I talk to your boss?
01:10:44I want to talk to the guy that you work for.
01:10:46Comprende?
01:10:52Yes, sir.
01:10:53And how are you?
01:10:55Well, thank you very much.
01:10:57Sam Weston here.
01:10:58Now, I understand you people rent limousines.
01:11:02Um, big, long cars?
01:11:07Yes, I'm a private detective, and I'm trying to track down a black limo rented on April 5th of this
01:11:11year.
01:11:16I, I don't understand you, sir.
01:11:19Where are you from?
01:11:22Korea.
01:11:23Yes.
01:11:25That's a nice town, sir.
01:11:26I, I just love that place.
01:11:28Um, you got anybody else who speaks English at your place?
01:11:50What's wrong?
01:11:53What's wrong?
01:11:55I'm alone here.
01:11:58I don't like being alone.
01:12:00I hate being alone.
01:12:02Look, calm down, okay?
01:12:05Richard, I'm trying.
01:12:09I can't take any more of this.
01:12:13I'm trying, but I just can't take any more.
01:12:17Everything's gonna be fine, okay?
01:12:19Richard, this is not fine.
01:12:22This is weird.
01:12:23When it's fine, it's fine.
01:12:25When it's weird, it's weird.
01:12:26This is weird.
01:12:27Just don't cry anymore, okay?
01:12:29I can't stand it when you cry, all right?
01:12:30Just stop it.
01:12:31I need some space.
01:12:34I need something for me.
01:12:38I tried to make a statement.
01:12:40I was wrong.
01:12:41I tried to say some things.
01:12:43I was wrong.
01:12:45You know what?
01:12:46I think we're making some headway here.
01:12:49Headway?
01:12:52I am dying in here, and you are talking about headway!
01:12:56Cam.
01:13:00I'm gonna die in this stinking rotten hole.
01:13:07Richard.
01:13:11The night we spent together was the most beautiful night of my life.
01:13:17I want that again.
01:13:22I swear to you I will do whatever you want.
01:13:26All I want is more of you.
01:13:30It's all I have.
01:13:33Is that too much?
01:13:38I have to get out of here.
01:13:42I have to see you.
01:13:46To touch you.
01:14:00I don't believe you.
01:14:02I don't believe you.
01:14:15God. This is exasperating.
01:14:30Emmanuel.
01:14:33I'm sorry.
01:14:35I really am sorry.
01:14:37I feel your pain and yet...
01:14:40I desperately need your love.
01:14:45I feel your strength.
01:14:48The strength of your beauty even through this metal door.
01:14:52Nothing could separate us.
01:14:54And I mean nothing.
01:14:56Nothing.
01:15:03The look of you.
01:15:05The thought of you.
01:15:08It permeates my mind.
01:15:10You know anger.
01:15:12Anger.
01:15:13Anger has made me say and do many many ugly things.
01:15:19That I'm not proud of.
01:15:23When actually my heart, mind and soul adores you.
01:15:30Jesus Christ.
01:15:33I am so thankful that you're here with me.
01:15:40So that I can tell you how much I love you.
01:15:44If you can find a way to forgive me.
01:15:47And I mean forgive me.
01:15:49And if you can find a way to reciprocate my love.
01:15:54I will be with you always.
01:15:57Jesus Christ.
01:16:00Jesus Christ.
01:16:26Jesus Christ.
01:16:27Jesus Christ.
01:16:28Jesus Christ.
01:16:45Jesus Christ.
01:17:03You don't even believe this girl has been kidnapped, do you?
01:17:06Do you know whether she's up in Aspen, Colorado,
01:17:09shacked up with some guy, or in New York, or France, or, huh?
01:17:16No, I don't know where she is.
01:17:19And neither do I.
01:17:27This is a shitty way to make a living.
01:17:32Let's go to lunch.
01:17:35You need to get out of here, man.
01:17:37Blow the snake off of you.
01:17:39Let the lady come in and clean the place up.
01:17:42Start fresh.
01:17:45A cop with a heart?
01:17:46I love him.
01:17:50Just brush my teeth.
01:17:52Alright.
01:17:54I'll make a couple of calls off your list.
01:18:08Hello.
01:18:09This is Sergeant Lytel of LAPD.
01:18:12Yes.
01:18:13Do you rent limos out of your place?
01:18:17I want to know if you rented out a black limo 18 days ago.
01:18:23That would be the fifth.
01:18:24Yeah.
01:18:25Okay.
01:18:26I'll wait.
01:18:31Yeah?
01:18:33545, you say?
01:18:35A black one?
01:18:37Uh-huh.
01:18:39And do you happen to have the guy's name?
01:18:42Yeah, sure.
01:18:43I got it.
01:18:45You don't have his address, do you?
01:18:47Uh-huh.
01:18:48Yeah, got it.
01:18:51Yes, if I need anything else, I'll give you a call, okay?
01:18:54What?
01:18:57Let's do lunch.
01:18:58Hey, I got a lead.
01:19:02You got a what?
01:19:04A lead.
01:19:04You know what a lead is, don't you?
01:19:07Talk to me, Jim.
01:19:09I called this guy up in Pacoio.
01:19:12He says that he rented a black limo to this guy at this address
01:19:15at 545 a.m. on the morning of the fifth.
01:19:20Rick.
01:19:23Hey, I just dialed the next number on your list.
01:19:27What's the problem?
01:19:29No problem?
01:19:31Yeah, but you're acting like there's a problem.
01:19:34Me? Acting like there's a problem?
01:19:36Oh, yeah.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43You got nothing.
01:19:45Now, you make one phone call, and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing?
01:19:54You people. How you work.
01:19:56Because I know damn well that since you know you can't go in and arrest him,
01:20:01you want me to do the dirty work for you, don't you?
01:20:03Isn't that how you people work?
01:20:04And what the hell do you mean by you people?
01:20:07I don't tell me the racial innuendos are starting.
01:20:13There was no racial innuendo.
01:20:17I just call him as I see him.
01:20:20I call a spade a spade.
01:20:22I was talking about LAPD, the way you people do business.
01:20:28I should have spoken more clearly.
01:20:31I should have been referring to you people as assholes.
01:20:34Real nice. Real good. I'm out of here.
01:20:37Sam.
01:20:40What?
01:20:42Good luck.
01:20:49You owe me 50 cents for that phone call.
01:20:53See ya.
01:20:59All right.
01:21:00Are you okay?
01:21:01Okay. Great.
01:21:02Gets a little rough up in here.
01:21:05Come on, mate.
01:21:06Great.
01:21:08Well, come here.
01:21:10I want you to see something.
01:21:13Look at that view.
01:21:16I don't see much of anything.
01:21:20Well, you will when I cut that tree down.
01:21:22Hey, look at this rope. Here, grab this, okay?
01:21:24Because we're going to have to pull ourselves up the rest of the hill.
01:21:26I'm going to lead the way, okay?
01:21:27Okay, you were behind me?
01:21:29Yeah.
01:21:29Okay, here we go.
01:21:31Pull up.
01:21:37Where are you taking me?
01:21:39You said you wanted to go out.
01:21:41Well, when I said out, I meant out.
01:21:43This is the back of your house.
01:21:44No, out, out. Look up there. You see the sky?
01:21:47That's out.
01:21:48I mean, you're about as far out as I can trust you.
01:21:53Here, come on. Grab my hand.
01:21:55Come on.
01:21:55Swing up in here.
01:21:56That's it.
01:21:57Way to go.
01:22:04Well, here it is.
01:22:06What do you think?
01:22:10It's fantastic.
01:22:11Yeah.
01:22:12Come on.
01:22:17Really is nice up here, isn't it?
01:22:20Yeah.
01:22:24Oh.
01:22:25All it takes is a little cooperation.
01:22:28I know that now.
01:22:30Do you?
01:22:31Mm-hmm.
01:22:33You know, I'm not going to go to jail for this.
01:22:35I hope you know that.
01:22:37I don't want that.
01:22:41That's a relief.
01:22:42It's a relief for me.
01:22:44So it's, uh...
01:22:46It's you and me against the world from here on in, huh?
01:22:50You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:56You gotta forget that woman.
01:22:58She doesn't exist.
01:23:01I'll tell you something.
01:23:04Let's do it together.
01:23:06You and me.
01:23:08Let's make it happen.
01:23:11You know, I've got the money.
01:23:13I've got the power.
01:23:20You've got the talent.
01:23:23Let's make it a team play.
01:23:31You really mean that?
01:23:33Yes, I do.
01:23:41Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's gonna be just fine.
01:23:48I know it will.
01:23:49Listen, I'm gonna get your clothes, okay?
01:23:51So why don't you go down there and just get in bed.
01:23:53I'll be waiting for you, baby.
01:23:55All right, honey.
01:24:02Mwah!
01:24:15Emmanuel!
01:24:17Emmanuel!
01:24:19Come on, honey, we made a deal!
01:24:21Don't break a deal.
01:24:22Come on, open the door!
01:24:25Open the goddamn door!
01:24:36I don't know.
01:25:14Hi, Dick. How's it going?
01:25:20Hi. Is that you? How you doing? It's me, Richard.
01:25:25Listen, it was all over, baby. I mean, it was all over. I was letting you go.
01:25:29You're free to go anywhere you want, anytime you want, any place you want.
01:25:33I love you, baby.
01:25:35Thanks, Dick.
01:25:36You're welcome. Listen to me.
01:25:38I got us first-class tickets to the Bahamas.
01:25:43Just you and me, baby. Just you and me.
01:25:46I mean, all the way. Do you understand that?
01:25:48I mean, are you staying with me?
01:25:49Royal Danish Cruise Lines, you don't believe me? Well, check it out, okay?
01:25:52Check it out, guys. I got the tickets in my tan coat.
01:25:55I mean, go ahead, you see? Inside breast pocket.
01:25:58Go up there and look. Please, for me, okay?
01:25:59Please, for me right now, would you check one for me?
01:26:03God, I miss you. I miss you, baby.
01:26:07Are you listening to me, honey?
01:26:09I mean, you're not thinking of leaving me here, are you?
01:26:16Of course I hear you, sweet cakes.
01:26:19Oh, thank God.
01:26:21Jesus, you made me feel alone.
01:26:25What would you like for dinner?
01:26:28For dinner?
01:26:32For dinner?
01:26:53Yes?
01:26:54Emmanuel Griffith?
01:26:57Yes.
01:26:59I'm Sam Weston.
01:27:02I was hired by your mother to find you.
01:27:05Oh.
01:27:08Well, you found me.
01:27:10Hold it.
01:27:13Lady, a lot of people worried about you.
01:27:19The thing is, Sam, I just needed a break.
01:27:24I needed some time for myself, okay?
01:27:26So you tell my mom I love her, everything's fine,
01:27:30and I'll send her the money for the rent.
01:27:34You tell the rest of the world I love them, too.
01:27:37You tell them I'll be back.
01:27:40Thanks a lot, Sam.
01:27:42Yeah.
01:27:52Good morning, ladies, and welcome to a man's world.
01:27:56I love you, too.
01:27:57I love you, too.
01:27:58I love you, too.
01:27:59I love you, too.
01:27:59I love you, too.
01:27:59I love you, too.
01:27:59I love you, too.
01:27:59I love you, too.
01:27:59I love you, too.
01:28:00I love you, too.
01:28:00I love you, too.
01:28:01I love you, too.
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