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00:00I
00:37So, go, go, go, go, go, god, vàtana, aataka, go, go, go, we,
00:58Here,
00:59I'll go.
01:10Oh,
01:11Oh,
01:12Oh,
01:13Oh,
01:15Oh,
01:17Oh,
01:17That's right here,第一.
01:21Oh,
01:29Oh,
01:36My Oh,
01:38No,
01:39Go.
01:41Like.
01:47.
01:47.
01:48.
01:48.
01:48.
01:48.
01:49.
01:50.
01:51.
01:51.
01:53.
01:57.
01:58.
02:00.
02:01Come here!
02:03Come here!
02:10That's it.
02:14Now, when we were invited,
02:16when we were meeting
02:18with Noh Dram,
02:20we're going
02:22to our
02:23stale rubric,
02:24and that's
02:27what happened next day.
02:47So,
02:49as I said,
02:49as I said,
02:50I said,
02:54what happened next day?
02:57That's it.
02:58What happened next day?
03:00What happened next day?
03:01in 1719.
03:03I didn't know that the book was so old.
03:05I didn't know that it was a year.
03:08So,
03:09the first time,
03:10Robinson Crusoe.
03:16The life of
03:18The life of
03:20the strange surprising adventures of Robinson Crusoe.
03:24Robinson Crusoe.
03:25Malo ga je otegnio
03:26s naslov.
03:29That's it.
03:29That's it.
03:31Daniel Defoe.
03:32I want to tell you,
03:34it's an autobiographical story of one of the world,
03:37who was published in 28 years,
03:38that was published in Pustom Otoku.
03:40That's it.
03:41That's it.
03:47That's it.
03:48Do not be able to tell you.
03:50And I'm going to tell you what you want to know.
03:52No.
03:53Roman is good,
03:54and the book is good.
03:56You can't read it.
03:58And I didn't read it.
04:00Your son is truly a human.
04:03You can't read it.
04:07What you mean,
04:07You can't read it.
04:07You can't read it.
04:10That's it.
04:10You can't read it.
04:11Daniele Defoe.
04:13Yeah.
04:14It's a strange thing for Engles.
04:15The end,
04:16Yeah.
04:16Imaš A fo, B fo i D fo.
04:20Da, znam, tostvo, viselicom je I s po.
04:25Evo, dakle, ono što sam izdvojio, da je još zanimljivo,
04:29na Trgu De Greve, u Parizu, u Francuskoj,
04:32prvi put upotrijevila giljotina.
04:36A potrve giljotine?
04:37Da, da, znači, ovaj, taj tvorac,
04:43Josef Injas Giljoten, it's called Josef Injas Giljoten.
04:46However, he is not that he is...
04:50Josef Injas, Ignac, Ignac.
04:54Ignac.
04:54It's the name of him.
04:56There is a variety of things.
04:58It's better to see him.
05:00It's not that he was constructed.
05:02It's just like an idea.
05:04It's the idea of Leđubrek.
05:06It's the name of Leđubrek.
05:07It's the name of him.
05:09He knows what he will serve.
05:10He knows.
05:12We can't see everything.
05:16He is the French Republic of the Republic.
05:18About 4000 people.
05:19The most famous war was the French king Louis XVI.
05:24Then his wife Marie Antoinette.
05:27You know what Marie Antoinette was when she was beaten...
05:30...like a kind of people.
05:32I'm talking about it.
05:33If it's true or not, I didn't know it.
05:36But it says this way, when she was angry to put the head on our chest,
05:45and that kind of thing, to say,
05:49she was suddenly standing on the tongue and said,
05:53I'm sorry, I'm sorry, I'm sorry.
05:55Yes, I'm sorry.
05:57No, no, no, you know all of them.
06:00Yes, yes.
06:02But the last day of the Lutine was on the 10th of June of 1977.
06:07It was on the 10th of June of 1970.
06:09Yes, it was?
06:09Yes, in France.
06:12What are they doing?
06:14They had death penalty until the year.
06:17And of course, with the same time.
06:21Is it still that the head was alive?
06:24Yes, I heard that.
06:25Yes, yes.
06:29And then, you know, the hand is still on the head, but the hand is still on the head.
06:33The hand is still on the 10 seconds.
06:37You are still on the 10 seconds.
06:39No, no, no.
06:40Pazi, the mind has still more than the other things.
06:45But the other things are still on the other.
06:45But the other thing is that the person is ready to do it.
06:50Homo hominidum.
06:52Lupus est.
06:53Gen'an, be someone who is a young person.
06:56Da.
06:56Da.redirate.
06:59Which is a MO
06:59noises so I don't know how I am. To finally… Tommeni.
07:03I'm an
07:04odd Democrat, and
07:04not. Yes I am, but decide when
07:07I fall be a murder case. Right? Crisis? Maybe the word
07:10is dead.
07:12Not so
07:13much... You know, some
07:13scot's
07:14came. Not so far, you can tu find
07:15a happens. Yes, originally. There is some houses
07:21in me. Yes.
07:22His influence is, but something is
07:22dead.
07:23That is dark.
07:23The truth is a very bad thing, you know?
07:27Look, I think that...
07:29You have a series of murderers.
07:30Yes, there are, who certainly deserve it.
07:33But in fact, it's a very good thing when he's gone.
07:37He's gone, he's gone, he's gone, and he's gone.
07:40He's gone, he's gone, he's gone.
07:43He's gone, he's gone, he's gone.
07:44I think that he's been able to rescue him.
07:48Yes.
07:50But listen to this...
07:52Anegdota?
07:52Yeah, it's not anegdota, but it's a coincidence.
07:5725. was the first time in the guillotine,
08:00and 26. was Joseph and his guillotine died.
08:05Do you know what he was going to do?
08:08Just a few days later, you know?
08:11You know what?
08:12You know, there's no truth.
08:15There's no truth in them,
08:16and they were upset.
08:18You know that!
08:19You know that!
08:20I think that but there.
08:23You know, we started or that.
08:26Yes, we started.
08:27look at the arms of your hands.
08:36Yes,
08:38That was the first communist community.
08:41Yes.
08:42They were socialists and utopists,
08:44who were all found on the beach.
08:49Socialists were utopped,
08:50because they called socialists and utopists
08:52because they didn't play.
08:53So, the communists were destroyed.
08:57It's a miracle of communism,
08:59which is the same as the natural blood.
09:02It can't be the same,
09:03how would you say,
09:06Pogorelić,
09:07what are you doing?
09:08It's true,
09:09but they had to do it.
09:11They had to do it.
09:13She said,
09:15that there is a lot of people.
09:16that there is a lot of people.
09:17She said,
09:17She said,
09:18that there is a lot of people.
09:19You know,
09:20that there is a lot of people.
09:20Yes, we can do it.
09:27Okay.
09:28We can do it.
09:30Okay.
09:31Let's go further.
09:32In the 1800s,
09:33I was born an Italian engineer,
09:35our colleague.
09:37A colleague.
09:37A colleague.
09:38But also a weak structure.
09:39Yes, we are the best.
09:41Guillermo Guillermo.
09:43How do you say?
09:43Guillermo.
09:44Giuliermo.
09:46Marconi.
09:47Aha.
09:48Guillermo Marconi.
09:50here is a little bit.
09:52There is a little bit.
09:53There is a little bit.
09:55Yes.
09:56He is a little bit.
09:58He is a little bit.
10:00He was a little bit.
10:00He did aряister.
10:01He got the 1909 Nobel Prize award to physics,
10:04together with a physics.
10:05The physics man Carl Bell,
10:06by cristinand Brown,
10:07Brian Brown.
10:08By 1901.
10:10He was the first Ob buradan signal
10:11to entre Atlassan.
10:12in the ocean, and so on.
10:15But what was it?
10:17At one time, I was considered to be a part of the radio.
10:20But what was it?
10:22Marconi.
10:22It was a Tesla.
10:24Yes, yes, but it was a Hrvatska Srbina.
10:27But he was going to take a patent.
10:30Of course, maybe a person didn't know that it was...
10:35It was revealed anywhere.
10:36It was revealed by the network.
10:38Tesla was able to go through Facebook.
10:41Or Facebook.
10:42Absolutely.
10:43How do you know?
10:46It's true.
10:47There was a lack of communication.
10:53To be a little Marko, Marconi.
10:56Marconi, yes.
10:58Yes, it's our man, Marko.
11:00No, there's nothing to know.
11:01From this area where we are standing like Slovenians.
11:05You are?
11:06Yes.
11:07Yes.
11:08Yes.
11:10Yes.
11:10Yes.
11:12Yes.
11:13Yes.
11:20Yes.
11:27Yes.
11:28Yes.
11:39Yes.
11:40Yes.
11:41No.
11:42No?
11:42No.
11:44No.
11:53No, no.
11:55During the construction of people died there were 125.000 people.
11:58Yes, I don't know.
11:59But who did that work?
12:00I don't know how long it was, but I want to say,
12:04cholera...
12:04Aha, the group of people.
12:06Yes, 125.
12:11So, that's one of the...
12:12I don't know the capital,
12:14I don't look at human life.
12:16The Panam's channel is the same thing.
12:19You have to go to the top.
12:22Horn, horn, horn.
12:24Yes, yes.
12:25Yes, there are boats as a horse.
12:28Yes, yes.
12:29We can also look at...
12:33825. pioneers of the film,
12:36Auguste and Le Lumières.
12:39Did I read it well?
12:41How do you write it?
12:42A wolf.
12:47Auguste and Auguste...
12:49Gist.
12:52Gist.
12:53Lumières.
12:53Lumières.
12:55Lumières.
12:56Demonstrirali u Parizu,
12:57the first time,
12:57the pictures of the film.
12:59Let's see.
13:00Let's see.
13:01Let's see what they are doing.
13:02Look, there are people coming out.
13:05What is it?
13:06They coming out of HDZ,
13:08in the Uckovarsk,
13:09in the Salimsk, in the Japan.
13:11I don't know where they are.
13:13They are coming out of HDZ.
13:14Is it a shot from HDZ?
13:16I don't think it is.
13:17It is a shot from HDZ.
13:20But on this scene,
13:21the scene...
13:22The shot from the police.
13:24The shot from the police.
13:25The shot from the police.
13:27The shot from the police.
13:28The shot from the police.
13:43The shot from the police.
13:44I saw nothing.
13:45The shot from the police.
13:47But it was a shot from HDZ.
13:51Yeah.
13:51It was a shot from the Uckovarsk-Sremsk.
13:54Let's go.
13:55Let's see.
13:56Let's see.
13:56I would like a happy birthday.
13:59See what it is.
14:01You can see it.
14:02Reginald Kenneth Dwight.
14:04Do you know who is the word?
14:07Reginald Kenneth Dwight.
14:09How could he know?
14:10Tommy.
14:11Eltono Jono.
14:13Tommy?
14:14Yes, Elton Jon.
14:15This is my good name.
14:17This is my husband.
14:19This is my husband.
14:21This is my husband.
14:24But he is sir.
14:25Sir, of course.
14:27Sir, sir, sir.
14:27Sir, sir, sir.
14:28Sir, sir, sir.
14:35No, no.
14:36No, no, no, no.
14:36I'm his music.
14:39He's a good actor.
14:40You know when he sang, he sang, he sang.
14:43Yes, yes, yes.
14:44You know how many things he did?
14:47Over... 12.
14:49Really?
14:50I know three things.
14:53I know.
14:54I'm not really a lover.
14:56Four.
14:59No, really.
15:00He wrote music for everything.
15:02No, no, no.
15:05No, no, no.
15:05He's a good actor.
15:08He's a good actor.
15:10So, today we are born.
15:12Let's praise him.
15:14Happy birthday.
15:15No, that's it.
15:16Let's praise him in English.
15:18Dear Sir.
15:21Happy birthday on today's day.
15:24And we wish you a many years of...
15:28How do you say it?
15:31Fruitable.
15:33Fruitable work on music.
15:37We wish you a merry...
15:41Upis.
15:42Dobro?
15:43Idemo sad na...
15:44Da, evo sad dio.
15:46Ohroruli ili idemo...
15:47Idemo na ohroruli.
15:48Idemo na ohroruli.
15:49Evo idemo na boks.
15:50Dakle, sad je konačno vrijeme za vas, dragi cienjeni naši jataci.
15:55Šaljite nam svoje uradke.
15:58Ne ostavljate nas na cjedilu.
16:00Dakle, svaki vaš uradak zlata je vrijedan.
16:03Evo, možete tu imate...
16:05Premonodnevnik.majmunz1tv.hr
16:11Dakle, šaljite vaše uradke
16:13i moćemo ih naravno hametice, listom objavljivati.
16:19Pogledajte što ste nam poslali, što ste...
16:21Kako ste uredili taj dio dnevnika.
16:25Kako se podlazi na cijeli dnevnika?
16:46Idemo uredili taj dio.
16:46Vidim, intervij je stiglo proljeće, malo si se...
16:49Kako se ono po noviio?
16:50Idemo je, ilan vlasnik lunaparka u dugom selu.
16:55because of these situations.
16:58He sold his three parts.
17:01He was looking for 180 kuna.
17:05He left 150 for three parts.
17:08Good to see you.
17:11I think that's the last part.
17:17Let's see.
17:19First of all,
17:26one passenger saw
17:29on the Jeep sign
17:314x4.
17:33Let's see what happened.
17:35In Angola?
17:38In Congo.
17:40In Congo?
17:41In Bissau.
17:43He thought that someone
17:45didn't know how 4x4 is.
17:47Why did he put it to him?
17:48With a stone?
17:50And what?
17:52For a frequency?
17:53Not for a frequency.
17:55He thought it was like
17:58to be able to see
17:59to be able to see
18:00to be a black man.
18:03He was a racist.
18:06He was a racist
18:08and now,
18:08find out
18:09that he can see
18:10he can see
18:10to remember
18:11He said that he can do
18:13to prove.
18:14As you can see
18:38to understand.
18:38So, this was Conan before, before you caught it,
18:44and now, how does it look?
18:46Mladolik, how old are you?
18:48About 50 years ago.
18:49Gunjan barbaric.
18:52Okay, before he was caught and now.
18:54Yes, yes, yes.
18:55But now it's more in the trend.
18:59Yes, I know, I know.
19:04So, people caught it, there's nothing else.
19:07Yeah, I mean, I don't care about it.
19:10I mean, I don't care about it.
19:10Demonstration against the sea.
19:12You can't believe it.
19:14Yes, it looks like it.
19:16I can't believe that there are teams
19:18who think it's a friend of Rinskos Frankopana.
19:21I asked one lady,
19:23watch it, I'm looking at my eyes,
19:26and there's 140,
19:27and there's a TV.
19:31And I asked her,
19:33and I asked her,
19:33to do that,
19:35and she's okay.
19:37And she's not going to be caught
19:38because she's not going to be caught
19:40and she's not going to do that.
19:44And she's going to see where she is.
19:48Yeah, she's not going to be caught.
19:49I saw it and inside from the sea.
19:53Up already and inside from the sea.
19:55Up already and inside?
19:57Yes.
19:58I guess you should keep me feeling,
20:00you should be very poor.
20:01Absolutely.
20:02And I'm going to look at the sea.
20:05I don't know, I don't know.
20:08There's no more than that.
20:09There's no more than that.
20:10There's no more than that.
20:12Let's see how it would look.
20:15Jennifer Lopez.
20:18Jennifer Lopez.
20:20She's very beautiful.
20:21She's beautiful.
20:22I'm looking at her, and she's almost like a snake.
20:26She's almost like a snake.
20:27She's almost like a snake.
20:28And she's very shy.
20:30Yes, she's not shy.
20:31She's very shy.
20:33She's very shy.
20:35She's very shy.
20:37She's watching the film five times.
20:39Yes, because of the scene.
20:41Because of the scene.
20:42She's a very beautiful woman.
20:46Where is she from?
20:47She's from Colombia?
20:48Yes, she's exotic.
20:50I don't know if it's Colombia or Paraguay or Uruguay.
20:53It's something like that.
20:55In Paraguay, I have a lot of family in Paraguay.
20:58Yes.
20:59In Asuncion.
21:01Yes, yes, yes.
21:03Yes, yes, yes.
21:05Someone sent us from Dubrave.
21:07How do you look like a snake?
21:09Just from Dubrave.
21:10Exactly from Dubrave.
21:15What's the trend?
21:16What's the trend?
21:17There's even in Dubrave.
21:20Yes, yes.
21:20No, no, no, no.
21:21It's just like an outfit.
21:24Good.
21:24It looks like an Olympic village.
21:25Yes, yes.
21:26Everyone has the trainers and the Croatian speak.
21:29Yes.
21:30Good.
21:31Good.
21:32Good.
21:33Evo, opet, nešto modni, jedan dodatak.
21:35Vidim da su se ovi modni dizajneri pomamili.
21:38Mačci.
21:38Pomamili su se za emisijom.
21:40Modni mačci.
21:41Pa nam šalju.
21:43Razno razne modne, jel, izričajne.
21:45Evo, ovo je Coco Chanel moda proljeće ljeto 2021.
21:48Isto lijepo, jel da.
21:50Zgodno ovo kao za petun.
21:51Malo mi ideo loški, ne?
21:53Zašto.
21:53Ovo je tri prstak.
21:55Okay, but we see that there are four of them, which is for a little bit.
22:01Good, good, Papa.
22:03Good, excellent, yes.
22:04We can now look at all, not all of them, but all of them,
22:09young people, like,
22:11I don't have more women, I don't have more women,
22:13I don't know, just one thing.
22:15Now you can see how a person has seven women.
22:21Let's see.
22:23Look, it started.
22:25Yes, yes, yes.
22:26Look at this, with the camera.
22:27Yes, yes, yes.
22:29You have more women.
22:33That's it.
22:38That's it.
22:39That's it.
22:41That's it.
22:41That's it.
22:42That's it.
22:43That's it.
22:44That's it.
22:48That you're a woman born.
22:51That's it.
22:51That's it.
22:52Women born.
22:53You are a young woman.
22:55Yes, yes.
22:55You are a young woman.
22:57It's a young woman born.
22:57What are you thinking about?
23:01How do you think?
23:02She is a young woman.
23:03That is a young woman.
23:04She, she and other young.
23:05She is an old woman, too.
23:06She is a young woman.
23:07Yes, she is a young woman.
23:09Good, right.
23:09We can see how it looks when someone comes to the museum.
23:25Look, good.
23:26The young girl didn't have ever been in the museum. What do you know?
23:29When do you know what art is?
23:31Da, dobro, to is.
23:32To is, da.
23:35Apsolutno.
23:35Ovo je možda neki mladi umjetnik koji...
23:38Da, koji je...
23:41Isto abstrakcija, znaš.
23:43Abstrakcija, da ovo je gore žena s djetetom, ovo gore.
23:45Da, da, da.
23:46A dole je harmonikaš.
23:53Evo, nećiš vjerovat, ljudi su se dali truda i stavili...
23:58Evo sad švid prvo ovaj, dakle, svoju ovaj verziju novčanice.
24:04Pa šta ne bi bilo tvoj lik gore ljepše na 200 kuna?
24:07Jednako ti nije premala apoenje...
24:10Ne, nije ja zadovoljan.
24:11Da.
24:12Ja sam zadovoljan s...
24:12Malo daviš mi malo, je li ovo?
24:14Oj ne.
24:15Ja sam zadovoljan s malim.
24:16Cijeli život sam morao biti zadovoljan s malim.
24:19Pa sad, sad.
24:20Da.
24:20Ma dobro, nije ni 200 kuna baš zabaciti, razumiješ?
24:23To ti.
24:23To, kad imaš...
24:24To najviše krivotvoje.
24:26Da, da, da.
24:27Pokrivotvoje.
24:28Nalakšno stopite, da.
24:29Nalakšno stopite, da.
24:30I naravno i mene su stavili isto.
24:32Dobro.
24:32Ali mislim da bi ti bolje legao na tu novčanicu od 200 kuna.
24:38Da vidim.
24:39Možemo pogledati mene, da.
24:41Ali nisam ja.
24:41Dobar si.
24:42Ne, ne.
24:43Možda si bolji nego ja.
24:44Misliš?
24:44Možda da tebe stave, ozbiljno.
24:45Ne, ne znam nekako mi ide.
24:48Moj zezat.
24:48Prvi srbin na kunama.
24:51Dobro, ako je potom onda možda bi.
24:53Možda i bi.
24:55Možda i bi.
24:56Edo šteta što nije 300 kuna.
24:58Znaš, nema po jedan, po 300.
25:00Ja bih bio, recimo, lično zadovoljni da imam.
25:02Dobro, znam.
25:04Da, da.
25:04Evo, to je to.
25:05Dakle, što se tiče vašeg dijela emisije.
25:08A sad možemo malo na reklame, ali?
25:11Ajmo.
25:11To je mat.
25:12Ajmo.
25:12Je, ce je.
25:13Ne, je vse.
25:13Ma ne, je vadaže…
25:17Uč ouais.
25:17I'll see you next time.
25:47and the way that you can do it is a great quality.
25:54Can you write your words?
25:59I don't know about anything.
26:03He's falling.
26:05Yes, he's falling, but he's falling.
26:08He's falling.
26:10He's falling.
26:12He's falling.
26:19I like it.
26:21The process is done.
26:21So I like it better.
26:25It's good.
26:26I love it.
26:27The fish with the fish.
26:28Many fish are doing with fish with the fish.
26:32Since this is the best fish.
26:36But it's not normal.
26:38We can't do it without comments.
26:40No, without comments.
26:42I will comment anything.
27:09Oh, my God.
27:17Oh
28:14It's a hundred year old My Father.
28:15I would like to watch it.
28:17But I would like to watch it.
28:19I would like to watch it.
28:19I would like to watch it.
28:21People, we've got instruments
28:25of Japanese Noh theater.
28:27This small piece is Toyo.
28:31It's Toyo.
28:33It's Toyo.
28:35It's Suseke.
28:37Suseke or Sekuturo,
28:39as you want.
28:41Suseke.
28:41Znači dvije seke.
28:44Suseke.
28:48Znači,
28:49očekujte još malo.
28:51Kad otopli,
28:52imat ćemo predstavu.
28:55Kabuki,
28:57Živojni ja, u Maksimiru na steđu.
29:00Biće fenomenalno.
29:01Noh drama je to.
29:02Do tad ćemo uježbavat.
29:04Moramo navaviti još kostime,
29:06originalne instrumente, međutim smo to naručili.
29:09Stiže, ali stiže brodom,
29:11znači to traje.
29:12Daleko je to u Japanu.
29:14Ali mi ćemo vježbati truljice
29:16da nekako populariziramo
29:18Noh dramu u Hrvatskoj.
29:21Želimo vam svako dobro,
29:22kao i obično,
29:24i laku noć i do vidjenja.
29:26Do vidjenja.
29:27Hvala.
29:30Hvala.
29:38Hvala.
29:39Hvala.
29:41Hvala.
29:43Hvala.
29:45Hvala.
29:47Hvala.
29:47Hvala.
29:48Hvala.
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