- il y a 2 jours
Abonnez vous sur notre chaîne pour recevoir les nouveaux films de Netflix
Subscribe to our channel to receive new Netflix movies
Suscríbete a nuestro canal para recibir nuevas películas de Netflix
اشترك في قناتنا لتلقي أفلام Netflix الجديدة
Subscribe to our channel to receive new Netflix movies
Suscríbete a nuestro canal para recibir nuevas películas de Netflix
اشترك في قناتنا لتلقي أفلام Netflix الجديدة
Catégorie
🎥
Court métrageTranscription
00:00:00Let's go!
00:00:35Let's go!
00:01:04Let's go!
00:01:30Let's go!
00:01:47Let's go!
00:02:17But he's on a date!
00:02:19And remember to change my appointment with the therapist!
00:02:21Heard !
00:02:23Oh, and...
00:02:24I would like you to handle a launch.
00:02:26We won't release anything for months.
00:02:28The digital version of Waking Eyes will be released at the same time as the reissue.
00:02:34Wasn't it supposed to be released in the fall?
00:02:36We have a place at Charlie Rose's, we moved it forward.
00:02:40No one is better placed than you to take care of it.
00:02:44Pardon ?
00:02:44Your father is the day of Milan.
00:02:49Yes, but...
00:02:49I have received the proofs, draw up a communication plan and let's think about it together.
00:02:57Alice?
00:02:59Okay, I admit it's not very glamorous, but I trust you.
00:03:03Waking Eyes is the best-selling item in our catalog.
00:03:08OK, agreed.
00:03:09What if I commit to reading this manuscript that is so dear to your heart?
00:03:15Would you do it?
00:03:16Remind me of his name.
00:03:17Karen Malone.
00:03:18Yes, Karen.
00:03:19Malone.
00:03:20All right.
00:03:20This is the most beautiful thing I've read since I've been here.
00:03:23I said I would read it.
00:03:24But we need to act quickly because he could...
00:03:25Yes, the administrator, please.
00:03:27Busy ?
00:03:28Who lets themselves get screwed.
00:03:29No, I don't want to leave a message.
00:03:34So, you will read the manuscript this week?
00:03:36Yeah.
00:03:43Absolutely.
00:03:44I'll keep you updated, but normally it's for the hospital.
00:03:58Hi.
00:04:01You're launching Waking Eyes.
00:04:03You knew that was on the agenda.
00:04:05Oh yeah?
00:04:07This is the novel that made me love reading.
00:04:09I completely identified with her.
00:04:12Not you?
00:04:16Alice?
00:04:26Ah yes, actually, I'm introducing you to some friends.
00:04:28Welcome.
00:04:29Pleased to meet you.
00:04:30Okay, go home, I don't know.
00:04:33I admit that I don't know many people tonight.
00:04:35Hey, flea!
00:04:37So, are you having fun?
00:04:38Good morning.
00:04:39Say hello to the people who are in the oaks.
00:04:40Good morning.
00:04:41Alice wrote us a very nice short story the other day.
00:04:44My little one is going to be a huge hit.
00:04:47Ah, look, darling, let me introduce you to Milane Denecker.
00:04:50This is my daughter, Alice.
00:04:52In that respect.
00:04:54It's a pleasure, miss.
00:04:55A find by your mother, one of her shadow writers.
00:04:58He wrote a book, an excellent book.
00:05:00And I'm going to make sure he gets an erection.
00:05:01My pleasure.
00:05:02I'm certain of it.
00:05:06You need to talk to Annette.
00:05:08All right.
00:05:09This is Tams' review.
00:05:10I can see a bit of stump.
00:05:11I'll try.
00:05:16She avoided forced laughter.
00:05:19And bland conversations.
00:05:24If only she could have...
00:05:26Oh, sorry, I...
00:05:28I...
00:05:29I was looking for where you are...
00:05:30I...
00:05:31It doesn't matter.
00:05:33May I come in?
00:05:35Really ?
00:05:45So, what's it like growing up in that kind of environment?
00:05:49Um...
00:05:50I feel rather alone.
00:05:52That's exactly what I thought.
00:05:54Yes.
00:05:58Are you a writer too?
00:06:01Um...
00:06:03I'm not sure.
00:06:05I would like you to have this short story read.
00:06:09It's worthless.
00:06:11That's for me to judge.
00:06:20Okay, I'd better...
00:06:24Hi.
00:06:40Only she had been able to make herself very small.
00:06:46To become invisible to them.
00:07:13Ah, good evening.
00:07:16Late, as always.
00:07:19We were discussing the latest film with...
00:07:22The current darling of the moment.
00:07:23What's his name?
00:07:24Do you know who I'm talking about?
00:07:25Uh, yes, yes.
00:07:26Yes.
00:07:27Did you see it?
00:07:28Yes, I went there this weekend with Sally.
00:07:33And ?
00:07:35We thought it was pretty good.
00:07:37Oh, I thought you were smarter.
00:07:39You knew that Alice won a writing prize at school when she was 16.
00:07:42Really ?
00:07:43We'll order now.
00:07:45What more do you want?
00:07:46Oh, take the beef cheeks.
00:07:48They are excellent here.
00:07:49She will have beef cheeks.
00:07:50And you ?
00:07:50Um, pasta with poutanesca.
00:07:52Oh no, the poutanescas are for me.
00:07:53Have some chicken.
00:07:54And Maya?
00:07:55She likes toasted sandwiches, sir.
00:07:58No, no.
00:08:00Bring him half a portion of calamari with fries.
00:08:03So.
00:08:04Yes, fries are good.
00:08:06Kids love fries.
00:08:08Cheers, old man.
00:08:10Pardon ?
00:08:10What exactly do we do?
00:08:12Small bookstores are crazy about books.
00:08:14Word of mouth is excellent.
00:08:16THANKS.
00:08:17Congratulations.
00:08:18Thank you very much.
00:08:23I love watching you eat, you know.
00:08:25Yes I know.
00:08:26Yes.
00:08:26That's lucky, you invite him to dinner every night.
00:08:29Anna.
00:08:30That could be it.
00:08:32So, for me, who is discovering talented writers,
00:08:35the doors for years,
00:08:37So that you can then steal them from me?
00:08:39Anna, you told me to look for a new agent.
00:08:41He is currently building a reputation in the industry.
00:08:45And Milan began working on the next project.
00:08:48Right?
00:08:50Yeah.
00:08:51Yeah.
00:08:52I'm talking to you.
00:08:54You're drunk.
00:08:56Kiss my ass.
00:08:58Your command of language is astounding.
00:09:02Kiss my ass.
00:09:04I think you already said that.
00:09:08In fact, swear words were the first words I learned in your language.
00:09:11Really ?
00:09:12And where did you learn that?
00:09:13With the neighbor's kid.
00:09:16Excuse me, I'm going to freshen up.
00:09:23Delicious, isn't it, darling?
00:09:25Delicious.
00:09:29And the chicken?
00:09:33What have I learned?
00:10:38Hello Sir.
00:10:39Hello. I'm here to see Jack Bowman.
00:10:42Very well. Do you know the way?
00:10:43Yes, thank you. Have a good day.
00:10:56I don't believe it. Alice, is that you? Hello.
00:11:01I'll go see.
00:11:06What are you doing here?
00:11:10I have just finished my latest novel and I have come to drop it off.
00:11:14We could have sent someone to you.
00:11:16I preferred to go there in person.
00:11:18Congratulations. Finally, an interesting read.
00:11:20THANKS.
00:11:20Come to my office.
00:11:24It's been so long.
00:11:28So, are you coming?
00:11:29I'm coming, I'm coming.
00:12:05Alice, I'm having lunch.
00:12:07Oh, at Nina's, at 1 p.m.
00:12:10If you had told me you were coming,
00:12:12But perhaps I could have lunch with Alice?
00:12:15What did you say?
00:12:16We need to celebrate this.
00:12:20I'm sorry, I have to...
00:12:21You must eat.
00:12:23It's going to be difficult.
00:12:24Yes, you could work on the promotion.
00:12:25No, actually, I...
00:12:26Yes, we would be delighted.
00:12:31Alice.
00:12:52How are you ?
00:12:53Okay, okay.
00:12:54That's great, that's great.
00:12:56So much the better.
00:13:01So, you're the one in charge of launching the reissue?
00:13:04Is that it?
00:13:06How ironic, isn't it?
00:13:08That's great.
00:13:11Tell me about your days.
00:13:14Um...
00:13:15I will...
00:13:16at school.
00:13:18It's true.
00:13:20And you ?
00:13:21Well, I'm writing.
00:13:24I'm glad you came today.
00:13:26Thank you.
00:13:28When will I be able to read your short story?
00:13:30She didn't...
00:13:31Not very interesting.
00:13:33She has...
00:13:34was printed because...
00:13:35They actually receive very few texts, and...
00:13:38they are...
00:13:40They are desperate.
00:13:42Watch.
00:14:01That passage,
00:14:04that's exactly
00:14:06what one feels
00:14:07the first time you see a person
00:14:09that one could fall in love with.
00:14:10Yes.
00:14:12You are a writer.
00:14:18How's the writing going?
00:14:22I don't write much anymore.
00:14:24That's regrettable.
00:14:27I read your new biography.
00:14:31You never stop giving lessons?
00:14:33Yes, I love it.
00:14:35I'm sure of it.
00:14:38The first one is the best of my students.
00:14:40It's you.
00:14:42I have to go.
00:14:45I missed you, you know.
00:14:59Why didn't you tell him?
00:15:01Hey, let's talk about the little thing
00:15:03which happened 15 years ago
00:15:04that you never recognized
00:15:05and for which you should have apologized.
00:15:06You bastard.
00:15:08Sorry, I didn't say anything anyway.
00:15:09I should never have told you about it.
00:15:10It doesn't matter.
00:15:12That hurt you, Alice.
00:15:14You're not going to promote it
00:15:15from a guy who hurt you.
00:15:17I get paid for this.
00:15:18I believe you were paid
00:15:19to discover new
00:15:20and wonderful novels.
00:15:22We'll tell that to Jack.
00:15:23You just have to tell him.
00:15:25Would you be willing to help me?
00:15:26Apart from the fact that it
00:15:27A very bad idea.
00:15:28What do you expect from me?
00:15:30You are a great web designer.
00:15:33Alice!
00:15:34OK, agreed.
00:15:35You are a web designer
00:15:37full of potential
00:15:38including her best friend
00:15:38is convinced of his immense talent.
00:15:41and who raised
00:15:42to a very relative success
00:15:43to become a mother.
00:15:44The book needs to
00:15:45or much more present
00:15:46on the web.
00:15:48Excellent idea.
00:15:49Please, Sadie.
00:15:51Don't leave me all alone
00:15:52right away.
00:15:54You're really stupid.
00:15:56You know that, right?
00:15:59THANKS.
00:16:02Okay.
00:16:02I need to go and negotiate.
00:16:03The price of a radio spot, now.
00:16:06Yeah.
00:16:06You didn't tell me
00:16:07what you wanted to do
00:16:08For your birthday?
00:16:08Hide in the closet
00:16:09until the next day.
00:16:10You'd better find
00:16:11a large closet.
00:16:11You promised me.
00:16:13Come and make me one, Alice.
00:16:14I'm leaving.
00:16:15Calm.
00:16:16Alice, why are you always running?
00:16:17Where you don't want to go?
00:16:19Oh, you're annoying.
00:16:20Sorry, Tyler.
00:16:23Hi.
00:16:24Call me back later.
00:16:25Promised.
00:16:26Bye.
00:16:28Please.
00:16:31Flame.
00:16:40Bye.
00:16:48Hey.
00:16:59Is anyone there?
00:17:03It was a graceful pas de deux, a hateful dance.
00:17:07He denigrated her once, twice.
00:17:10She screamed once, then twice.
00:17:46Hello ?
00:17:49It's me.
00:17:51I have finished my new text.
00:17:54But I admit that I'm not very sure of myself towards the end.
00:17:58I find it a bit forced and...
00:18:00The dialogue sounds fake, I feel.
00:18:04Given.
00:18:08Do you have a pen?
00:18:10Yes.
00:18:13THANKS.
00:18:17I don't want to see that.
00:18:29Do you have homework to do?
00:18:32Um...
00:18:32Yes, about a hundred pages to read on the history of the United States.
00:18:36Come here, my dear, come here.
00:18:38Let's both read it.
00:18:45THANKS.
00:18:47Second.
00:18:47This is a show I haven't had the chance to see.
00:18:48It's the same thing I was able to do.
00:18:50It's a show that I was able to do.
00:18:53Deu of that.
00:18:53It's a show that I was able to do.
00:18:57It's a show that I was able to do.
00:19:06It's a show that I was able to do.
00:19:12That's very good.
00:19:14But you added a lot of things.
00:19:16I wouldn't do it if it was bad.
00:19:19But it can be improved.
00:19:22It's too abstract, it's...
00:19:25This story will be more touching.
00:19:29If you're talking about specific details, concrete things...
00:19:32Look here.
00:19:34It's too abstract.
00:19:38All you have to do is move this...
00:19:43And that makes sense.
00:19:45Okay, who has something for us to read for the next class?
00:19:49I would like another volunteer.
00:19:51I've made some progress too.
00:19:53Um... Alice?
00:19:55I have a brilliant idea regarding the superweapon the Xorgoth will use to destroy Earth.
00:20:00I'm just waiting for...
00:20:01Even if it's not finished, maybe we can help you and give you some ideas for...
00:20:05There's nothing new about it, is there?
00:20:07I'm sorry.
00:20:11So, Josh, what are these aliens doing?
00:20:24Wow!
00:20:24Look at this view.
00:20:28It's magnificent.
00:20:31Really.
00:20:39Look, there.
00:20:45Tell me about your day.
00:20:49Um...
00:20:51The school.
00:20:52School?
00:20:54Um... It's the same thing every day.
00:20:56It's a bit monotonous.
00:20:57Not for me, quite the opposite.
00:20:59For me, it's like a movie, you know, with the boys in their club colors holding hands
00:21:03to girls.
00:21:03No.
00:21:04No ?
00:21:07Um...
00:21:08No, nobody is holding hands anymore.
00:21:09People sleep together.
00:21:11What? They're sleeping together?
00:21:12Ah ah.
00:21:13They sleep together.
00:21:16And...
00:21:18Sorry, there are no cheerleaders.
00:21:20Even though we also have our uniforms.
00:21:22Do you have uniforms?
00:21:24Yeah.
00:21:26My girlfriend Ruby has become a goth.
00:21:29What did she come for?
00:21:29Gothic.
00:21:30Gothic?
00:21:31Mmh.
00:21:32Gothic?
00:21:33Mmh.
00:21:35You know, him...
00:21:36What is...
00:21:36Her eyes were made up in black and her clothes were torn.
00:21:40Oh yes ?
00:21:40And...
00:21:41Her mother would have a fit if she found out, so she...
00:21:44Ah.
00:21:44She hides her belongings on the landing every day before coming home, and...
00:21:48Um...
00:21:49And what?
00:21:52Um...
00:21:55Go ahead.
00:21:57You...
00:21:57Do you really want me to tell you?
00:21:59That interests me, yes.
00:22:00Um...
00:22:01Well, she says that...
00:22:02Her mother no longer has any idea who she is, and perhaps she never did.
00:22:06su.
00:22:07Yeah.
00:22:15If we say Thursday, it's...
00:22:16Is that okay with you?
00:22:17Yes, I think so.
00:22:18All right.
00:22:19See you Thursday then.
00:22:28I am so sorry.
00:22:30I know you hired a babysitter, but...
00:22:33I just...
00:22:34I want to...
00:22:35Eating in front of the TV and crying while stuffing your face.
00:22:38It's your birthday.
00:22:39We'll do whatever you want.
00:22:41THANKS.
00:22:45I was serious for you.
00:22:52She's taking us back to your place.
00:22:55THANKS.
00:22:56I'm going to kill you.
00:22:58Happy birthday.
00:23:01You'll have a blast once you get used to the idea.
00:23:04Learn, come.
00:23:05One two three.
00:23:09Oh, just a little longer.
00:23:11Yeah, breathe again.
00:23:13Go ahead.
00:23:16Your blabbering, no sovereign.
00:23:18I'm going to set you up.
00:23:21Hi !
00:23:22I'm going to put you in.
00:23:34THANKS.
00:23:36THANKS.
00:23:38THANKS.
00:23:39THANKS.
00:23:40THANKS.
00:23:40THANKS.
00:23:42THANKS.
00:23:42THANKS.
00:23:43THANKS.
00:23:51What ?
00:23:57What are you writing?
00:24:00My diary.
00:24:04Watch.
00:24:09I want to get to know you.
00:24:12No, not that.
00:24:15One page only.
00:24:59My heart is pounding.
00:25:03I need to get up.
00:25:05I need to get up.
00:25:10Kiss me.
00:25:20For real.
00:25:31Oh, sorry.
00:25:32No problem, I sat there to read.
00:25:35Excuse me, you want me to leave you...
00:25:37No, no, I...
00:25:38I just wanted to be alone for a few moments.
00:25:46A friend invited me. I don't even know whose birthday it is.
00:25:52Oh yeah?
00:25:53Yes.
00:25:54Happy birthday, then.
00:25:55Shh, I'm pretending I don't need to get old.
00:26:00Do you think I can be of use?
00:26:03Possible.
00:26:09Yeah.
00:26:11Pretty.
00:26:21What were you reading?
00:26:25I love this character.
00:26:27The female version of Ulton Caulfield.
00:26:30Yeah, that's what they say.
00:26:32It's not your favorite, apparently.
00:26:35No.
00:26:38SO...
00:26:39What are you doing alone in the bathroom on your birthday reading this book?
00:26:47I'm working.
00:26:48What are you doing ?
00:26:50At our age, we don't ask those kinds of questions.
00:26:53That's true. I'm sorry.
00:27:00Lock you up.
00:27:02My pleasure.
00:27:05Happy birthday.
00:27:08Happy birthday.
00:27:11Happy birthday.
00:27:14Alice.
00:27:15Happy birthday.
00:27:20Emmett.
00:27:21Pleased to meet you.
00:27:28Hey.
00:27:32What ?
00:27:35You were right.
00:27:37I had a good time.
00:27:40I'm happy.
00:27:43Hi.
00:27:43Hi.
00:27:44Thank you for inviting me.
00:27:46Don't mention it.
00:27:47Do you two know each other?
00:27:49They share a dorm room at university.
00:27:52Yes.
00:27:52But I met her first.
00:27:54At the orientation day.
00:27:57It's good.
00:27:58Are you kidding me?
00:27:59No.
00:28:00Well, that doesn't make you any younger.
00:28:01Wait, let me...
00:28:02THANKS.
00:28:05You... you want to give Roger a hand?
00:28:06No, no.
00:28:08We'll take care of it, you've done enough.
00:28:13Um, do you recycle?
00:28:16I invoke the Fifth Amendment.
00:28:23Tell me about your mother.
00:28:25She didn't work, she raised us.
00:28:27Do you have a sponge?
00:28:29Um...
00:28:30No.
00:28:31Sorry.
00:28:33Yeah, my parents...
00:28:34They were married for 35 years.
00:28:36Sometimes...
00:28:37happily.
00:28:38Sometimes...
00:28:39No.
00:28:41I would say they are...
00:28:43abnormally normal.
00:28:45You belong to a species...
00:28:47endangered.
00:28:49People like you should be protected
00:28:50and live in captivity.
00:28:56And you ?
00:28:57Apart from the fact...
00:28:58that they are not environmental activists...
00:29:01What are your parents like?
00:29:05Um...
00:29:06These are not...
00:29:08Not really parents.
00:29:09I believe.
00:29:13But what else?
00:29:15They're crazy.
00:29:18Ah...
00:29:19That explains everything.
00:29:22THANKS.
00:29:23Listen, I...
00:29:25I'll be clear.
00:29:26Crazy women aren't my thing.
00:29:29I'll try to remember.
00:29:33eh ?
00:29:44Oh...
00:29:50Is that it?
00:29:53It's not my thing.
00:29:55You don't know?
00:30:00That'll put my thing there.
00:30:00You don't know?
00:30:00It's not my thing.
00:30:01I have no tricks for this cry.
00:30:10Hey.
00:30:12Hi.
00:30:13Hi.
00:30:16What do you want in your coffee?
00:30:19Nothing, just black coffee.
00:30:21Okay.
00:30:26I'll call you later.
00:30:31I'll call you later.
00:31:01A foot massage?
00:31:05Not so high, Tyler.
00:31:13Alice has left Wonderland
00:31:15to become a wife and a mother
00:31:17like all the other girls.
00:31:20Isn't that sad?
00:31:24Yeah.
00:31:25But for me, the opposite would be even sadder.
00:31:29Your skin is damaged.
00:31:31When you're approaching 30, you need to stay hydrated, believe me.
00:31:34It's kisses.
00:31:36What ?
00:31:37I've been kissed too much.
00:31:40Never repeat that to a married woman.
00:31:53Emmett.
00:31:54Yeah, I suspected as much.
00:31:57Hey, what is this?
00:32:01I'm so happy.
00:32:04It's terrifying.
00:32:05And exhilarating, isn't it?
00:32:07Mom !
00:32:07What do you want, my love?
00:32:09Oh, that's not true!
00:32:10Mom !
00:32:11It's good.
00:32:13We are here.
00:32:14Coward.
00:32:14So.
00:32:16Come here, my angel.
00:32:16What did I tell you?
00:32:36Alice!
00:32:37Dad ?
00:32:38I had forgotten that I needed to wear a jacket for the evening.
00:32:40I found it in the middle of the dining room.
00:32:43It's not mine.
00:32:46So, who does it belong to?
00:32:47Ugh, this stuff stinks.
00:32:50I think it's in Milan.
00:32:52In Milan?
00:32:56He came by this afternoon.
00:32:59Has he submitted a new version of his manuscript?
00:33:04He... he came to see me.
00:33:07To see you?
00:33:09Yes.
00:33:10He gives me writing advice.
00:33:13What ?
00:33:15But...
00:33:16Since when?
00:33:18To Mom.
00:33:22Well...
00:33:24One could not dream of a better mentor.
00:33:28You're so lucky.
00:33:30Yes.
00:33:33I expect a lot from you, you know.
00:33:39Good evening.
00:33:44Good evening.
00:33:45Listen to this.
00:33:46This woman hasn't voted in 20 years.
00:33:50She reads the most scandalous quotes posted today.
00:33:53with the lyrical pronouncements of his senator on the benefits of hydraulic fracturing.
00:33:57and immediately promises to take on whoever comes against him.
00:34:02Wow.
00:34:02And what about that guy?
00:34:04Oh, damn.
00:34:05I love the insults from people who are...
00:34:07You're a bit of a fanatic, you realize that.
00:34:10Yeah.
00:34:11Sorry.
00:34:20Is it that...
00:34:22Do you want a piece of my pacora?
00:34:24Yes, I want to taste your pacora.
00:34:27I read your post, I agree.
00:34:29You can post it whenever you want.
00:34:31Everyone has left, so I'm going to leave you too.
00:34:35Good evening.
00:34:35See you tomorrow.
00:34:36Good evening.
00:34:36Good evening.
00:34:37Thank you so much.
00:34:40It's great to meet people who really enjoy what they do.
00:34:44I always wanted to be a writer when I grew up.
00:34:47And you are?
00:34:49Big?
00:34:50No.
00:34:52Writer.
00:34:56No.
00:34:58And why?
00:35:02I'm just here waiting for the characters to speak to me
00:35:05and instead, I hear a voice in my head saying
00:35:07"It's rubbish, cowardly, and rubbish, cowardly and rubbish."
00:35:11But stop.
00:35:12That voice?
00:35:14Everyone can hear it.
00:35:15You're not the only one.
00:35:16It's the same voice that tells you
00:35:17"I can't believe you said that, you idiot."
00:35:21Everyone hears that voice.
00:35:23Do you think so?
00:35:25Yeah !
00:35:26But most people are unaware of this.
00:35:29Oh yeah?
00:35:30Me, I...
00:35:33I succumb to it.
00:35:35Yeah.
00:35:39So, I like a girl who knows how to give in.
00:35:41It's true ?
00:35:43Oh yes.
00:35:44Yeah.
00:36:03Shit.
00:36:19Subtitling by Radio-Canada
00:36:39Ah, you're here. Hello Alice.
00:36:42Is this the new cover?
00:36:43Yes.
00:36:43Perfect.
00:36:44I was thinking that...
00:36:44Call me Roll Blake.
00:36:45You have had the opportunity to read Karen Mallon's text.
00:36:48Uh... No, not yet. Fischer's book is a huge success.
00:36:51Will you do it this week?
00:36:52As soon as I have a moment. In fact, Milan spoke with the press office.
00:36:56See if there are things we haven't heard yet.
00:36:59This week?
00:37:00Pardon ?
00:37:01This week?
00:37:02Yes, yes, of course. I really need to talk, Harold.
00:37:06Harold, on the front page!
00:37:16The number one rule of writing is generosity.
00:37:20Rule number one: generosity.
00:37:24You must be ready to give yourself completely.
00:37:27Oh, I have a gift for you.
00:37:29It's true ?
00:37:30Yes.
00:37:32A birthday present.
00:37:34I wrote you a poem.
00:37:37I didn't know you wrote poetry.
00:37:39I never write to you, but you inspired me.
00:37:42Hold.
00:37:43I never write to you, but you inspired me.
00:38:22What did you think of it?
00:38:24It's... it's... it's great.
00:38:29Owl.
00:38:34Tomorrow I have an algebra exam and...
00:38:37I hate this subject.
00:38:39Alice.
00:38:40How are you.
00:38:44Okay.
00:38:45Glad you liked the poem.
00:38:50Did you find anything?
00:38:52Nothing we haven't already heard.
00:38:54Shit.
00:38:55Don't call me Suzanne from Simon & Schuster.
00:39:06Sorry.
00:39:07So, are you ever on time?
00:39:09No, but...
00:39:11This is for you.
00:39:16THANKS.
00:39:28THANKS.
00:39:47Wow, Alfred Marx was 28 years old when he started working at the White House.
00:39:51That's good for Alfred.
00:39:58Louise van der Swen...
00:40:00Okay, stop.
00:40:02What ?
00:40:03Is this what you spend every Sunday morning doing?
00:40:06So you just stand there, envying other people's lives, is that it?
00:40:09I don't just do this on Sundays, it's a full-time job.
00:40:13It's not very useful, you know that.
00:40:15Yes I know.
00:40:16You don't have the right to write in front of me.
00:40:19How so ?
00:40:20If anyone is going to write in this apartment, it's me.
00:40:24So, do it.
00:40:26Thank you for pressing where it hurts.
00:40:27Stop.
00:40:28Finally, it's not like there's a limited number of words in the play
00:40:31that I was going to use them all and that there wouldn't be any left for you.
00:40:36Why do you always make sensible statements?
00:40:40It's infuriating.
00:40:42Why do you always make sensible statements?
00:40:44It's really exasperating, honestly.
00:40:47Okay, that's fine now.
00:41:01Are you seeing anyone right now?
00:41:06I wouldn't say that.
00:41:09You know, children, it's probably
00:41:12the greatest choice that life can offer you.
00:41:17Yeah.
00:41:19How is literature doing?
00:41:22Well, actually,
00:41:25I recently read a book that I found extraordinary.
00:41:27Oh yes ?
00:41:28Yes, I would like Jack to read it too.
00:41:30And ?
00:41:31I thought it might be a good idea for you to take a look at it.
00:41:35Perhaps you would like to meet the author.
00:41:38Jack hasn't read it?
00:41:39No, but I'll take care of that, that's not the point.
00:41:42No, I thought you might be interested in meeting her.
00:41:45Her name is Karen Malone, she has...
00:41:46She wrote a magnificent short story, it's called Iowa.
00:41:49No, no, I'm going to call Jack, it's not possible.
00:41:52No, don't do that, that's not why I'm talking to you about it.
00:41:54But all I have to do is tell him, finally.
00:41:56Dad, I can do it on my own, I just want your opinion.
00:42:00As you wish.
00:42:02I insist, Dad, you don't call him.
00:42:05Okay, honey, I won't call him.
00:42:07What's with this guy?
00:42:08So, did you have fun?
00:42:10Yes.
00:42:24Very good job.
00:42:26Um, Alice, do you have a moment?
00:42:30Listen, if you want, I'll refund your registration fee.
00:42:35What ?
00:42:36The official deadline has passed, but they may make an exception.
00:42:45I promise I'm trying.
00:42:49Why not re-enroll when you feel ready?
00:42:58THANKS.
00:43:01Yes, I know it's in high demand these days.
00:43:03But if he could attend the party for the release of Waking Ice...
00:43:08No, it hasn't been confirmed, but...
00:43:10Of course.
00:43:12I will wait.
00:43:12Is this Jack Bowman's office?
00:43:15Uh, yes.
00:43:16You are ?
00:43:16Karen Malone.
00:43:21Karen, hello.
00:43:23I am Alice.
00:43:24Delighted to meet you.
00:43:25Nice to meet you, Karen, me too.
00:43:27Can you tell him I'm here?
00:43:29Hello, Karen.
00:43:30Enter.
00:43:31Good morning.
00:43:31Jack Bowman.
00:43:33Nice to meet you.
00:43:34Okay, it's for me.
00:43:34Hi.
00:43:35Dad ?
00:43:36I'm not on time.
00:43:37Did you see that, flea?
00:43:38I told you I'd sort it out.
00:43:41If you want, afterwards I'll take you to lunch, okay?
00:43:43Ben.
00:43:44Hello, Jack.
00:43:44Do we understand each other?
00:43:45Hello, Ben.
00:43:46Karen, how are you?
00:43:47Alright.
00:43:48Ah, so, happy to be here?
00:43:49Yes, thank you.
00:43:52THANKS.
00:44:06Thank you.
00:44:29Hi.
00:44:30Hi.
00:44:33Kiss.
00:44:36I'm taking care of Tyler.
00:44:38Ah, okay.
00:44:40He is asleep.
00:44:41We spent the day at the park.
00:44:43My name is Alice.
00:44:45Hello, Alice.
00:44:46Good morning.
00:44:47Sadi is at her prenatal yoga class.
00:44:50I think she'll be here in about an hour.
00:44:51Can you tell her I stopped by, if she can call me?
00:44:54Yes of course.
00:44:55THANKS.
00:44:57On the other side, I'd like to see Tyler for a second, if you're okay with that.
00:45:00Yes, come in.
00:45:23He's great, that kid.
00:45:25Yes.
00:45:26We read this in our modern literature class last year.
00:45:30Oh yes ?
00:45:31But I didn't finish it.
00:45:34You can keep this one, if you want.
00:45:38It's aged a bit.
00:45:49Uh, what?
00:45:52What ?
00:46:03Kiss?
00:46:12Can we know what you're doing here?
00:46:14Did you come home earlier?
00:46:16I decided to skip the relaxation class.
00:46:19Is there someone with you?
00:46:22Um...
00:46:22Oh shit.
00:46:26Get out of here, Kiss.
00:46:28All right.
00:46:32You owe me $40.
00:46:34Cleared.
00:46:34Okay.
00:46:39But what the hell did you do?
00:46:41I... I don't know.
00:46:43He's just a kid.
00:46:44I know.
00:46:44If Tyler had woken up, can you imagine the shock for him?
00:46:47You...
00:46:47I know, I know, I don't understand anything.
00:46:54Hey, darling.
00:46:55Mom ?
00:46:56Yes, my baby.
00:46:57Aunt Alice!
00:46:57Yes, my angel.
00:46:59Aunt Alice has lots of things to do.
00:47:08Okay.
00:47:39Subtitling by Radio-Canada
00:48:09MFP subtitles.
00:48:36MFP subtitles.
00:49:09MFP subtitles.
00:49:12MFP subtitles.
00:49:42And not a single one has acquired this status of cultural icon.
00:49:47No, unfortunately.
00:49:49What do you think has made this novel eternally popular?
00:49:59I think we've all been teenagers at some point, and we all remember the turmoil we experienced.
00:50:06can feel at that age.
00:50:11Yes, that's true.
00:50:13Well, you see...
00:50:13So, you're going to decide to tell me this secret, aren't you?
00:50:15Okay, I trust you.
00:50:17Come here, come closer.
00:50:17No.
00:50:18I don't want the others to hear.
00:50:19I moved.
00:50:26SO ?
00:50:27I have to go.
00:50:29Well, go ahead then.
00:50:53It can wait.
00:50:56Great.
00:50:57So, as I was saying, it was summer.
00:50:59My parents had been away for a few days and...
00:51:02The real question I would like to ask you is...
00:51:04I probably answered that at my company, but go ahead.
00:51:08It's possible.
00:51:09How can a 40-year-old man so effectively grasp what is happening in the
00:51:14The head of a teenage girl?
00:51:21The first paragraph is far too complacent.
00:51:23Writing is 95% rewriting.
00:51:26Do you know that?
00:51:27And here, there's a preposition that doesn't fit.
00:51:30The way you're manhandling the language is still a bit...
00:51:34Look at this.
00:51:35Yet I am the immigrant.
00:51:37I was with a friend, I forgot, that's all.
00:51:44I'm sorry.
00:51:45What do you want me to tell you?
00:51:52I do all this because I believe in your talent.
00:51:56Yes I know.
00:51:59Approach.
00:52:10I'm doing all this because I love you.
00:52:14I know.
00:52:15Yes.
00:52:16I have a boyfriend.
00:52:20Oh, that's great.
00:52:23I'm happy, I want you to be happy.
00:52:29What can I do to make you happy?
00:52:36We love mysteries, but there's no mystery character behind this.
00:52:40It's fiction.
00:52:43And uh...
00:52:45At the time, I used to walk around a lot.
00:52:47In the city and...
00:52:49I was listening intently.
00:52:50In the subway, in bars, in the street.
00:52:54As I still sometimes do, by the way.
00:52:56To see if the girls have changed.
00:52:58Yes, that's it.
00:52:59Have they changed?
00:53:02In some respects, nothing changes.
00:53:10Good evening.
00:53:10Good evening.
00:53:12Special delivery.
00:53:13What are you here for?
00:53:16No, no, you can't stay.
00:53:17Go away, I'm waiting for someone.
00:53:19Do you want me to come back later?
00:53:20No, no.
00:53:22For what ?
00:53:22Listen, I just turned 29.
00:53:24Oh yeah?
00:53:25And it's a bit of a mess in my head.
00:53:27A piece of shit.
00:53:31Hi.
00:53:33Hi.
00:53:35Let me introduce you to Kiss.
00:53:38Yeah ?
00:53:38Yes, that's Sally's babysitter.
00:53:42Yeah.
00:53:44You... you're her husband?
00:53:49No.
00:53:51He was about to leave.
00:53:54Yes, uh...
00:53:56Sorry, man.
00:53:59I bought some wine.
00:54:05Alice.
00:54:07I went to Sadie's the other day and I forgot a book.
00:54:13And ?
00:54:14I told him he could borrow it.
00:54:18Before or after forgetting it?
00:54:23Before or after forgetting it?
00:54:27Emmett.
00:54:30Do you have...
00:54:35Shit.
00:54:39Emmett, wait, I'll explain.
00:54:42Please, it was Karen Malone's story day.
00:54:44I was absolutely furious.
00:54:48I'll never see that kid again.
00:54:51Emmett!
00:54:52Wait, we need to talk.
00:54:57Emmett.
00:54:58I won't let you make me as simple as you are.
00:55:16Dad ?
00:55:17Hey, champ.
00:55:18Come, let me introduce you to Alana.
00:55:20Good evening, you must be Alice.
00:55:23Good evening.
00:55:24Come here, sit down.
00:55:26Alana is a talented conductor.
00:55:29Women are making a name for themselves in this profession.
00:55:34Have you thought about Maya?
00:55:37But I will see her.
00:55:38Yes.
00:55:39We just need to wait for Helen to calm down a bit.
00:55:44Dad.
00:55:44Hey.
00:55:48You know how it is, don't you?
00:55:56Okay, sorry, I...
00:55:58I'm going home, I suddenly don't feel very well.
00:56:01Alice.
00:56:01Excuse me.
00:56:02Alice.
00:56:03Alice.
00:56:04Alice.
00:56:16What are you doing here?
00:56:18I'm bringing food.
00:56:21You know I need a lot of sleep.
00:56:26We need to talk.
00:56:28That said...
00:56:29Emmett is my friend.
00:56:30And Kiss, our neighbors' son.
00:56:31Listen, I'm sorry.
00:56:33So much the better.
00:56:36I brought you some dulce de leche.
00:56:41You know I love you more than anyone else.
00:56:43Apart from Tyler, Rob, and my mother.
00:56:45At times.
00:56:49But I'm starting to love you less.
00:56:53And that, I will never forgive you for.
00:57:03Let's stop seeing each other for a while.
00:57:12And what about the book?
00:57:13Go to hell, Alice.
00:57:18I love you more than I love you, Alice.
00:57:59You know what?
00:58:01Wait.
00:58:02I think we'll leave it at that.
00:58:04For what ?
00:58:05I'm exhausted.
00:58:09No.
00:58:11I don't think so.
00:58:15Okay.
00:58:17We did things.
00:58:19Things?
00:58:20Things.
00:58:33Did you sleep with him?
00:58:36Yes.
00:58:47It was wonderful.
00:58:52It must have been wonderful, and it was.
00:58:59Tell me, please.
00:59:02Please.
00:59:03How was it?
00:59:10Did he make you orgasm?
00:59:17I want.
00:59:18I want to make you orgasm.
00:59:21I want to be the first person to make you orgasm.
00:59:26Come here.
00:59:36Look at me.
00:59:46Don't close your eyes.
00:59:48Open your eyes.
00:59:50Don't close your eyes.
00:59:51That's not how it's done.
01:00:04Look at me.
01:00:24Look at me.
01:00:33Look at me.
01:00:50Here we go.
01:01:11Here we go.
01:01:43Here we go.
01:02:14Here we go.
01:02:53Here we go.
01:03:13Here we go.
01:03:17Here we go.
01:03:46Here we go.
01:03:49Here we go.
01:03:52Here we go.
01:03:57I think I could.
01:04:03Here we go.
01:04:15Here we go.
01:04:29Here we go.
01:04:32Here we go.
01:04:46Here we go.
01:04:49Here we go.
01:04:51Here we go.
01:04:59Here we go.
01:05:09Here we go.
01:05:20Here we go.
01:05:39Here we go.
01:06:05Here we go.
01:06:32Here we go.
01:06:37Here we go.
01:06:49Here we go.
01:06:50Here we go.
01:06:53Here we go.
01:06:53Here we go.
01:06:58Here we go.
01:07:10Here we go.
01:07:17Here we go.
01:07:19Here we go.
01:07:19Here we go.
01:07:32Here we go.
01:07:45Here we go.
01:07:58Here we go.
01:08:27Here we go.
01:08:58Here we go.
01:08:59Here we go.
01:09:00Here we go.
01:09:17Here we go.
01:09:23Here we go.
01:09:33Here we go.
01:09:46Here we go.
01:09:51Here we go.
01:09:51Here we go.
01:09:54The film that won the Oscar.
01:10:30Here we go.
01:10:30I can send him a copy.
01:10:33Yes, I'm waiting, yes.
01:10:36Good morning.
01:10:37Just a moment.
01:10:38Yes, I'll send it to you right away.
01:10:40Very well, thank you.
01:10:44My agent told me that it was you who gave him my name.
01:10:47I'm not sure I've been of any help to you.
01:10:51In fact, I was working on a completely new project before all of this.
01:10:54and I'd like you to take a look at it.
01:10:58It's true ?
01:10:59This is the first chapter.
01:11:03With great pleasure.
01:11:06THANKS.
01:11:07Thank you.
01:11:43This is the first chapter.
01:11:49Is this the guest?
01:11:51Okay, perfect. Thank you.
01:11:59Alice?
01:12:01He's on the phone, he'll be finished soon.
01:12:03Can I invite you to lunch?
01:12:07What for?
01:12:10Sorry for keeping you waiting.
01:12:11It's straight off the printing press.
01:12:12That's all for you.
01:12:13And for you.
01:12:15With the new dedication.
01:12:16Not bad, huh?
01:12:18Come in.
01:12:34She still haunts me.
01:12:36Radiant phantom.
01:12:38Alice going under the heavens.
01:12:41That the dream opened to her eyes.
01:12:48Milan Daneker will now read us an excerpt from his latest novel.
01:12:52Waking Eyes.
01:12:53To you, Mr. Daneker.
01:12:59Thank you, Martin.
01:13:02Pardon.
01:13:15She was dragging herself along under the weight of a schoolbag that was too heavy for her.
01:13:21snapping the chewing gum she was chewing as if it were a weapon.
01:13:29But her eyes seemed to scream.
01:13:33Please love me.
01:13:35Love me.
01:13:36"You feel rather alone," she said.
01:13:40My mother no longer has any idea who I am.
01:13:42And perhaps she never knew.
01:13:46She swayed in a graceful pas de deux.
01:13:50A hateful dance.
01:13:52She was very small.
01:13:54Invisible to their eyes.
01:13:56And it would always be that way.
01:13:58As she enjoyed herself,
01:14:00her eyes were opening
01:14:01growing bigger and bigger.
01:14:05Full of surprises.
01:14:10With pleasure.
01:14:11And of an ineffable sadness.
01:14:14THANKS.
01:14:26Alice?
01:14:35Alice?
01:14:36What is it?
01:14:40I need to talk to you.
01:14:47Great evening.
01:14:48Yes, really.
01:14:49It seems like you've been doing this your whole life.
01:14:50No, I was terrified.
01:14:52You were great.
01:14:53What do you think?
01:14:54He came out of it well.
01:14:55Even the critic from the New York Review of Books was there.
01:14:58That's crazy.
01:14:58She was very interesting.
01:15:00She was eating out of your hand.
01:15:02Ben.
01:15:08Alice.
01:15:10Your mother told me what you said.
01:15:13I couldn't do otherwise.
01:15:15Of course, that's nonsense.
01:15:19What ?
01:15:20So that's wrong.
01:15:22You asked him the question, that's what he told me.
01:15:25It's incomprehensible.
01:15:26Yes.
01:15:27One way or another, you may have misinterpreted things.
01:15:31Is that what happened, Alice?
01:15:32I think you would have liked that to happen, actually.
01:15:35Alice?
01:15:37Let me down.
01:15:38It's perfectly normal to have feelings for someone you admire, you know.
01:15:42I am flattered.
01:15:43I confess that I no longer know what to think.
01:15:45He says he may have been able to use some details from your life.
01:15:48Writers are constantly stealing.
01:15:50To give the character more substance.
01:15:52Stop, let me out.
01:15:53Alice.
01:15:55Alice!
01:16:15Good morning.
01:16:18What are you doing here?
01:16:20Is everything alright?
01:16:24Alice?
01:16:32Everything is fine ?
01:16:36No, please, it's…
01:16:39It is…
01:16:41Is this your new book?
01:16:42Yes.
01:16:45What life have you seized this time?
01:16:47None.
01:16:53Finally, there are little things here and there, you know what I mean?
01:16:57Yes.
01:17:10That was a long time ago, all of that.
01:17:14What ?
01:17:17What ?
01:17:18What happened a long time ago?
01:17:22Be specific, give details.
01:17:25You have to be very precise for people to believe it.
01:17:28At that age, trivial things can seem enormous.
01:17:32Your arms…
01:17:34Hot and heavy all around me…
01:17:37The taste of smoke on your tongue…
01:17:40In my mouth…
01:17:41I was just trying to help you.
01:17:43The memory of your erect penis on my thigh…
01:17:45Nothing actually happened.
01:17:46Of course it does!
01:17:47Yet, at the time, you seemed to enjoy it.
01:17:50I had the impression that you were one of the few people…
01:17:54Who were paying attention to me.
01:17:59You saw me as someone important.
01:18:02But that's the case.
01:18:03You used me.
01:18:04Oh no…
01:18:05You abandoned me.
01:18:06Alice…
01:18:07You sent me away…
01:18:08In the void, I was nothing.
01:18:11No, Alice…
01:18:12It's a…
01:18:12A magnificent character.
01:18:16I know, yes.
01:18:18And I lived in the shadow of this character for fifteen years.
01:18:29Goodbye, Milan.
01:18:42Bye.
01:19:10Emmett?
01:19:11Yes.
01:19:14Come and see.
01:19:18What? Jeff messed up again?
01:19:21No, we received a Google alert.
01:19:32It is Prudence that gives them the blue domination.
01:19:35That's what will work.
01:19:37So please, I beg you,
01:19:40Don't break the link.
01:20:14Because I love you.
01:20:21Gentlemen, good evening.
01:20:23Where is Alice?
01:20:24I haven't seen it yet, though.
01:20:29Do you know where Alice is?
01:20:30She had much better things to do tonight.
01:20:33Excuse me, what? Who are you?
01:20:34Her best friend.
01:20:36Are you ready to read, Mr. Daneka?
01:20:38Yes.
01:20:39Let's go.
01:20:40Good evening, see you later.
01:20:41GOOD.
01:20:44Please take a seat.
01:21:04An old lady with a beard let me in.
01:21:08Mrs. Rayburn.
01:21:12Oh.
01:21:20Emmett.
01:21:27I apologize for emailing you.
01:21:34THANKS.
01:21:37I'm not sure I'm ready to face the world.
01:21:39But I believe I am now capable of thinking about someone other than myself.
01:21:46Do you think so?
01:21:51I wish it were you.
01:21:57I'll think about it.
01:22:03All right.
01:22:05You're being unreasonable, you're very convincing.
01:22:31You're the girl from the book, aren't you?
01:22:39No, not anymore.
01:22:52You're the girl from the book.
01:23:17French subtitles?
Commentaires