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Un documentario sui controversi romanzi fotografici italiani degli anni '60 noti come Killing, alias Satanik in Francia e Sadistik in America. È anche la base per la serie di film cult turchi girata come Kilink. Include interviste con gli attori originali che erano volti noti degli spaghetti western, dei film splatter e dei drammi storici degli anni '60 e '70.

#Diabolikal #Kriminal #Killing #Satanik Sadistik #Film #Docufilm #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime

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00:10:07and to everyone.
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00:55:32But
00:55:33Not
00:55:33era
00:55:34Farnese. Around the
00:55:45The identity of whoever played Killing has been shrouded in mystery.
00:55:50This is because killing disguised only with the mask or only with the suit could be interpreted by any
00:55:58actor.
00:55:59Thus many believe that Killing was embodied by several people.
00:56:04Instead, no.
00:56:07I can't tell you the name in the sense that it's Gori.
00:56:20Yes, let's put it inside a shirt.
00:56:23I don't want to hurt her.
00:56:25No.
00:56:26Not used to it.
00:56:27Oh no.
00:56:29I'm talking to killing.
00:56:31Ninth.
00:56:33It can be said that Gianni Corri made very few cuborelli.
00:56:35But maybe nothing.
00:56:37The only actor who played the real killing is me.
00:56:42The one wearing the suit and the mask at the same time and the one undressed and with his back turned to Dana.
00:56:49But why am I telling you right away because I'm telling you it's Gori.
00:56:53Because I put him together with Rosario.
00:56:56Because I refused to do killing.
00:57:01It says who I can call.
00:57:02Then he told Gori that since he is poor, even if you know him, you see he doesn't have a face.
00:57:09mimic.
00:57:14And automatically if you want to work with me you'll put the mask back on.
00:57:19But now it's almost perfect.
00:57:20Here we are.
00:57:21Here we are.
00:57:25I remember Farnese who was already an established actor because he made films etc. which were turned into
00:57:33editorial staff.
00:57:37And here the spider is right.
00:57:40The one with Kimba who was a spider.
00:57:44And it has the same character.
00:57:46That is, the same actor.
00:57:54But in reality the killing actor didn't need a big character because he was always masked.
00:58:02So he could also have been an extra.
00:58:06Vito Fornari went under the mask when he had to play a character that then became killing.
00:58:12But the real killing with the killing suit and the mask was Aldo Alcani.
00:58:17Who was as tall as me is tall.
00:58:19He had the same height as me, let's say physically we were the same height.
00:58:23So it was 100% him.
00:58:27In killing Alcani there is more than once.
00:58:34So it couldn't be killing.
00:58:40Killing couldn't have a face.
00:58:43I knew him.
00:59:10I was.
00:59:40Music
01:00:10Music
01:00:39Music
01:00:53When we went to shoot on location
01:00:56Then it is clear that a bell of two hundred, two hundred times even more was formed
01:01:03I was with the duda and the duda I was shooting the piece and then I wanted to take off the mask
01:01:12Taken off, I turned around for a moment and Rosario Borelli, no, they must not see you
01:01:19It is precisely to maintain this mystery
01:01:23This Killing skull is very deformed, it's not just
01:01:37I noticed before that in one cover the mask looks different
01:01:40So there were probably various periods, various customs even in the history of Killing and to understand why
01:01:49Music
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01:02:18Music
01:02:19Carlo Rambaldi is the one who designed Chiesa's costume.
01:02:29Does that make me think? Yes.
01:02:32The first model was made, then obviously the costs were therefore high.
01:02:37Rambaldi was already a paid man back then.
01:02:41Carlo Rambaldi was a great cinematographer who loved very much, and not only that.
01:02:48Let's bring Rosario Morelli, when he was doing Rambaldi, he was the assistant director of photography in the tear-jerking threads, where Rosario Morelli was.
01:03:00It was all a joke before, now I remember.
01:03:05At first it was all a complete joke, but then what was chosen was here on the sides without having these
01:03:13bone.
01:03:14And this paint was put on with the cape.
01:03:25And I remember that little by little others began to emerge, as always happens in these cases.
01:03:32If it happened, let's do the same, in short.
01:03:35There I am.
01:03:46Whoever was the main interpreter of all these masked or semi-masked men, so many of them came out.
01:04:03And then there was supposed to be the Killing movie, the movie that never made...
01:04:10That is, the first tests had started and then after he said it was too violent and in that era the violence
01:04:18there was censorship.
01:04:31They were choosing the actors, obviously me and Luciano Paoli.
01:04:53Luciano Paoli was a character that Rosario immediately liked, because he had this softness in his work.
01:05:06And then he let himself be shaped.
01:05:08I mean, he, she said, even though she was good, but she said tell me what you want.
01:05:27I wish you would do this scene like this and...
01:05:35I know he had changed his name, Luciano Paoli was his stage name, but then he changed his name again
01:05:41of art.
01:05:44Because it's not decades ago, I think I heard he made a movie, but I don't see it
01:05:49so much.
01:05:55And I remember her with great pleasure because it is difficult to find professionals, actresses, let's say, who meet these requirements.
01:06:08And then, I must say, incredible humanity.
01:06:12A beautiful woman with photos.
01:06:30I had a great time with her, I'd even like to meet her again, but who knows, life...
01:06:39separate things a bit, in short.
01:07:13A bit of things, in short.
01:07:37A bit of things, in short.
01:08:08A bit of things, in short.
01:08:10A bit of things, in short.
01:08:12A bit of things, in short.
01:08:16A bit of things, in short.
01:08:21A bit of things, in short.
01:08:25A bit of things, in short.
01:08:27A bit of things, in short.
01:08:30A bit of things, in short.
01:08:30A bit of things, in short.
01:08:30A bit of things, in short.
01:08:31A bit of things, in short.
01:08:33A bit of things, in short.
01:08:35A bit of things, in short.
01:08:37Thank you all.
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01:12:49Thank you all.
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