05:59It's like I'm going to go back to the river, but if you were to go out, you wouldn't want
06:02to go to the border.
06:07Then I'll go back to the river.
06:09Then I'll go back to the river.
06:13Yes, I'm sorry.
06:14Yes, first incident was a special investigation.
06:16I've had to go back to the river.
06:18The river is a man.
06:18I'm sorry.
06:20Yes.
06:20But you can't go back to the river, and you can't go back to the river.
06:27It was a woman who was a woman.
06:28However, it was a woman who was not a woman.
06:33It was not a woman.
06:34It was a matter of fact.
06:36It was a matter of fact.
06:39The attorney, can I have a drink?
06:43Now?
06:44Yes.
06:46No.
06:48No.
06:53Well...
06:56Why?
06:57No.
06:58I'm going to get out of the apartment.
07:00It looks a lot.
07:02I'm getting involved in the apartment.
07:05It's like a man who is eating.
07:07You can't drink and eat it at the restaurant.
07:10It's because there's no other way.
07:12I'll do it.
07:13Let's go!
07:18Let's go.
07:19Yes.
07:20We're going to go.
07:37I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
07:44I'm not sure I'm just a dumb guy.
07:49I'm not sure if you're a dumb guy.
07:52But I don't think it's a good guy.
07:53I'm not sure if you're a good guy.
07:55You're a good guy, and I'm not sure if you're a bad guy.
07:59But I think it's more strange.
08:03I don't know.
08:06What about you?
08:06Ah, you used to write a book?
08:10Ah...
08:11Just...
08:12I was a writer.
08:14What?
08:15It was a drama?
08:15Yes.
08:19I think it was a good thing.
08:20It was a good thing.
08:23It was a good thing.
08:25It was a good thing.
08:26It was a good thing.
08:28It was a good thing.
08:30Where did you go?
08:33Well, she said Hmm.
08:34I wish I was talking about a little funny.
08:36Well, sometimes it's a little bit better.
08:41I don't know.
08:43Ah, you're not a guy.
08:46Wow.
08:54I'm sorry to write it so well, I'll give you a text.
08:58I'll give you a text.
08:59Yes.
09:00I'm going to take the time to the Rebeca.
09:03It's a small piece of paper.
09:09It's a little bit more than a small piece of paper.
09:13It's a huge thing for the fans.
09:15It's true?
09:18The Rebeca's face is not a big deal.
09:21I've been watching this before.
09:22Yes, it's been a long time since I've been here.
09:26I haven't seen it yet.
09:33Oh...
09:35It's been a long time since I've been here.
09:39It's been a long time since I've been here.
09:41Yes.
09:42Then...
09:44I'm going to go with you?
09:47Yes?
09:49If you're going to go, I'm going to go with you.
09:52I'm going to go with you.
09:54I'm going to go with you.
09:55I'm going to go with you.
09:57But if you're not going to go with you...
10:05But you're going to go with me.
10:07Wait a minute.
10:09I found out.
10:11What's that?
10:13What are you doing?
10:14You see what I was looking for?
10:17That's right.
10:18I swear to you...
10:18I'm thinking about it.
10:22Yes, I'mный of you.
10:24You can't tell me.
10:27I'm looking for a new video.
10:29But it's so painful.
10:33I think it's a big problem in the past.
10:35I don't like the fact that he's in the past, but I don't know.
10:36I'm not sure what he's in the past.
10:36It's not the case of the man who's in the past.
10:39It's been a bit difficult for a couple of years.
10:44That's how it's been.
10:53I'm not sure that this person has been in the past.
11:00It's not a way to get the suffering from a woman who's in the past.
11:04Yeah!
11:05Oh!
11:06Why are you going to play this with like this?
11:08I'm suppose to be.
11:09I guess you're not as if you're too big.
11:12And the lady could live there?
11:15I think you're good.
11:15I'm so excited for you.
11:16Really?
11:17So I look at the video.
11:19I know how long ago he got unexpectedaction to get out.
11:22He was finally here.
11:22So I was going to go clean it up with a lot of support.
11:29The video is on the 8th anniversary of the UFO.
11:34This is the 8th anniversary of the UFO.
11:48Ah...
11:51Ah...
11:52Ah, really...
11:56Uh-huh.
11:58I'm sorry.
12:00I'm sorry.
12:00I'm sorry.
12:02Why are you doing this?
12:05Why are you doing this?
12:06Why are you doing this?
12:08It's crazy.
12:10It's crazy.
12:13But it's important to me.
12:15You're not talking to me.
12:16You're not talking to me.
12:17You're talking to me.
12:22When it comes to me,
12:23you're talking about it.
12:25Yeah.
12:26I'm not talking about this brand.
12:28I was like a spider.
12:32What are you doing here?
12:33I'll take this thing.
12:34I'll talk about it.
12:35I'm not talking about it.
12:37Oh, my God.
12:38I'm a teacher.
12:39You've got a sister and a girl.
12:41Yes, she's like a girl.
12:43What's wrong with you?
12:44I can't remember it.
12:45Look at that.
12:46I'm a little bit better.
12:48But I'm a little bit better.
12:50I'm a little bit better.
12:51I don't know how to deal with you.
12:53I can't remember that.
12:54I'm a little bit better.
12:59Give me a little bit better.
13:04Then, when I'm thinking about the same thing, I can't do it.
13:06I can't do it.
13:08I can't do it anymore.
13:08I can't do it.
13:09You can't even see it!
13:11But you still don't know what a person.
13:17There's a lot of people who know what they're doing.
13:20You know what?
13:23You don't know what a person.
13:24You don't know what a person.
13:25You don't know what a person is.
13:26You don't know what a person is.
13:38I've been reading the mini novels first.
13:39Well, you're waiting for the mini novels.
13:40What's the richtige?
13:41You're not going to кабine a lot?
13:43No, you're not going to get out.
13:47You're not going to be an idiot?
13:49You're wrong, you're not going to get out.
13:52My heart is completely open.
13:55You're right, isn't it?
13:55I'm lost.
13:55It's been a long time against you.
13:58So I'm tired.
14:02You're right.
14:05I have nothing to do.
14:16Oh, nice to see you.
14:23Well, it's very interesting.
14:33I'm sorry.
14:35I'm sorry.
14:35I'm sorry.
14:36I'm sorry.
14:43I'm sorry.
14:45I'm sorry.
14:47But it's a little bit boring.
14:56Hi, I'm sorry.
14:57I'm gonna say something ...
14:58Ah, I'm not, I'm not, I'm not, I'm not.
15:00I'm not, I'm not.
15:01Therine ...
15:04Rebecca 작가님 ...
15:05...
15:05...
15:08...
15:09...
15:09...
15:09...
15:09...
15:10Hey, how are you going?
15:11You've been a lot of fun.
15:13Let's go for a while.
15:14Oh, you're so funny.
15:16I've got a lot of time.
15:23Hey!
15:26Don't you think I'm going to go!
15:33The attorney...
15:59I'll be back.
15:59Here is a moment to wait for you.
16:00Yes.
16:06I'm a teammate.
16:07He is already sitting with a friend.
16:08He is a brother.
16:11He has a girl.
16:13He is not a guy and not even at his age.
16:19He's not a guy and he's too old.
16:22Two and he's even good.
16:23My friends are good at the notion of it?
16:25Just him.
16:25Please let me know what you like.
16:36Please let me know.
16:39Again, it's going through.
16:449.
16:449월 22일.
16:49유 작가님, 우리 보작 졸업했잖아요.
16:53공모전 당선돼서 데뷔합시다.
17:39네, 확인했어요.
17:41근데 작가님, 늦을 것 같으면 미리 확인해 주세요.
17:44미리 말씀을 해 주셨어야죠.
17:47매번 작가님 대본 기다리느라 사무실에서 날방관께 도대체 몇 번인 줄 아세요?
17:52제 소중한 저녁은 누가 보상해 주냐고요.
17:55작가님, 너무 축하하세요.
17:57내일부터 메인 페이지에 배너 프로모션 들어가게 될 거고요.
18:00나중에 빌딩 올리고도 저 오는 척하게 없게요, 작가님.
18:03여주인공 포가 비현실 쪽으로 뾰족하다고 하셔서요.
18:06네, 그러면 이번이 마지막 수정이자.
18:09한 번만 더 마감 넘기시면
18:11작업실에 쳐들어가서 천장에 줄 매달고 지켜보고 있을 거예요.
18:14거기서 꽉 죽어버리려고요.
18:20선배, 괜찮아요?
18:23태민아, 봐봐.
18:25둘 중에 뭐가 더 나을까?
18:29전남편의 비밀스런 사생활이라.
18:33나쁜 남자 느낌이 좋겠는데요?
18:35그치.
18:35나도 역시 왼쪽이 더 나았어.
18:38아니, 왜 이래요.
18:39오른쪽이 딱 봐도 나쁜 남자인데.
18:41뭔 소리야.
18:43야, 왼쪽이 더 나쁜 남자지?
18:46아이고, 우리 선배 큰일 났다.
18:47이제 나쁜 남자 구분도 못하고.
18:49뭐래?
18:50저도 오른쪽 같은데요?
18:53아니, 왜.
18:54이거 오른쪽으로 해.
18:55네?
18:55남자 피부 톤 다운 시키고 타이틀 크기 더 키우고.
19:11아, 우빈이 얘네 작가님 만나러 간 거야, 만 거야?
19:18아, 왜 전화를 안 받아?
19:42아영아.
19:45아영아.
19:47제가 가라고요?
19:51오픈일이 이번 주인데 그리 없다는 게 말이 되니?
19:54연재 미루면 독자들이 사무실 쳐들어와서 내 목에 칼이라도 들이밀 기세야.
20:00아우.
20:02좀만 더 기다려보시는 건 어때요?
20:04아우, 우빈이 이놈의 새끼.
20:05아무리 지가 발굴한 작가라도 그렇지.
20:07엄연히 1등 작가고, 1인데.
20:10아니 뭐, 작가랑 연애해?
20:11지 기분 나쁘다고 잠수 타고 그러면 안 되는 거 아니니?
20:14맞지?
20:17그건 그렇죠.
20:19근데...
20:20전 한 번도 뵌 적이 없는 분이라서요.
20:22가서 일부라도 받아오자.
20:25제발 나 좀 살려주라.
20:26응?
20:36연결이 되지 않아 음성 사소함으로 연결해.
20:50선배.
20:51설마 퇴근하세요?
20:52아니.
20:54팀장님이 레베카 작가님 만나고 오라고 하시네.
20:57나 할 일도 많은데.
20:59혹시 무슨 일 생기면 저한테 제일 먼저 연락하세요?
21:02아유, 무슨 일 있겠어?
21:04아, 뭔가 제 촉이 좀 이상해서 그래요.
21:08어허.
21:09말이 씨가 되니까 진정, 진정.
21:12나 갔다 온다.
21:13네.
21:13고생 다녀오세요.
21:14나 갔다 올게.
21:15덤빈 선배.
21:16응.
21:25아영아.
21:26너 언니가 맨날 집에 혼자 있는 거 알아 몰라.
21:30바닷가에서 막국수에다가,
21:32소주일잔을 딱 같이 하면 얼마나 좋겠냐.
21:34언니.
21:35나 회사 일 때문에 온 거잖아.
21:37괜히 따라왔다가,
21:38대리님이라도 마주치면 어쩌려고 그래.
21:41에휴.
21:41암튼.
21:43아휴.
21:44너도 사연 많은 동네 가서 그냥,
21:45마음이 싱싱생송하겠다.
21:48야.
21:48너 그 동네 거의 뭐 한,
21:5010년만에 가는 거 아니야?
21:53아휴.
21:54그러게 말이야.
21:56아니 왜 하필 작업실이 여기냐고.
21:59너 올라올 때는,
22:00빈손으로 올라오지 말고 그냥 양손 받으러 오는 거야.
22:03응?
22:03알았어 알았어.
22:05이따 일 끝나고 연락할게.
22:10놀라왔네.
22:12나 그 도치네.
22:13이 아지는 올게.
22:17아휴.
22:24빨리 와봐.
22:26너무 좋아하지 않으니.
22:27도로나 해보는 게 뭐다.
22:28빨리 몸분할게.
22:30응용도 다신까지 올라왔어.
22:31미쳤어.
22:32나 한 번 먹을래.
22:32빨리 몸분할게.
22:33야, 빨리.
22:34야, 야, 야.
22:35야, 야, 야.
22:37야, 야.
22:38야, 야.
22:38야, 야.
22:38야, 야.
22:38야, 야.
22:44야, 야.
22:44야, 야.
22:44야, 야.
22:48야, 야.
22:51야, 야.
22:51아, 죄송합니다.
22:56면허증 좀 주시죠.
22:58네.
22:58면허증요?
23:00네, 잠시만요.
23:08유아영.
23:09맞지?
23:13대박.
23:14명헌 오빠?
23:19아, 오빠 진짜 경찰된 거야?
23:23언제까지 백수로 살 순 없잖냐.
23:25정신 차려야지.
23:27근데 여긴 무슨 일로 온 거야?
23:30아, 회사일 때문에 잠깐.
23:33어.
23:35아우.
23:36근데 오빠 멋지다.
23:38그래?
23:41혹시 책방은?
23:44오빠가 계속 운영하고 있어?
23:46어.
23:46만년 적자인데 추억도 많고 항상 와주는 손님들도 있고 해서 놓기가 쉽지 않네.
23:53정이 많으면 돈을 못 번다던데.
23:56그런가?
24:02차량 전환 신고 발생 3번 국도 신택 승용차.
24:05네, 출동하겠습니다.
24:06무경장!
24:07신고 들어왔어.
24:08갑시다.
24:09예.
24:10가봐야겠다.
24:11어, 가봐.
24:11회사일 마무리되면 책방 한번 놀러와.
24:14응.
24:15번호 그대로지?
24:17어.
24:18연락할게.
24:27차는 바로 빼줘.
24:41대루님!
24:42저기, 여긴 식당인데요.
24:45손님이 휴대폰을 두고 가셔서요.
24:47와서 밥값 계산 좀 하시오.
24:49차도 가져가셨으면 좋겠는데.
24:52밥값이요?
24:55내가 진짜 살다살다 참 이런 경우가 다 있네.
24:59어.
25:00자.
25:02하나.
25:03둘.
25:04셋.
25:05맞죠?
25:17저, 죄송한데 다시 한 번만 볼 수 있을까요?
25:20자.
25:42우빈이가 갑자기 증발이라도 했다는 건데 이걸 지금 나보고 믿으라는 거지?
25:47저도 좀 당황스럽긴 한데.
25:50여기 식당에 대리님 핸드폰이랑 차도 그대로 있어요.
25:54아우, 머리야.
25:55그러면 이제 뭘 어떻게 할 건데?
25:57작가님한테 안 가겠다는 거야?
25:58다 왔는데 당연히 가봐야죠.
26:01아, 근데 그전에 경찰에 실종신고라도 해야 되는 거 아닌가 해서요.
26:04우빈이 사라진 건 우리가 알아서 할 테니까 너 빨리 작가님 작업실로 가.
26:08알았지?
26:09네.
26:10알겠습니다.
26:14아, 팀장님.
26:17이것 좀 보시겠어요?
26:19저도 같이 와요.
26:20직종신고 후 수사에 진전이 없자 가족들이 직접 확보한 CCTV를 인터넷에 올리며 제보를 기다리고 있다.
26:25오우.
26:26대리님 사라진 거랑 완전 똑같네요.
26:30스타트랙에 나오는 양자 텔레포테이션이라고 들어보셨죠?
26:33공간 이동하는 거.
26:34지금 외계인들이 그 기술로 인간들을 자기네 우주선으로 납취해서 지금 잔인하게 생체 실험을 하고.
26:39있는 겁니다.
26:39바로 이게 우리나라에서 아주 빈뻔하게 일어나고 있다는 증거고요.
26:43걔들은 니네를 안 잡아가고 뭘 하는 건지 모르겠네.
26:45아니 왜 보고도 못 믿으세요, 팀장님.
26:48너 빨리 경찰서 가서 실종신고나 해.
26:51아이고, 답답하다, 정말.
27:00선생님.
27:02우리끼리 따로 조사해보는 건 어때요?
27:04좋아요.
27:05이거 뭔가 있어요.
27:07아이고.
27:18아이고.
27:23아이고.
27:55Huh? What?
27:59설마 둘이 사귄 거야?
28:05Ah...
28:06설마...
28:07아니겠지...
28:21홍삼?
28:2311시 21분 결제...
28:27CCTV는 2시?
28:30하...
28:31대체 어디로 간 거야?
28:35네, 현장에 저희 중계차가 나가 있고
28:38곧 있으면 경기도 연쇄살인범 박현주가 호승차량에 탑승하게 될 건데요.
28:43네, 지금 박현주가 나오고 있습니다.
28:45이 시간에 조사로 초췌해진 모습인데요.
28:47어딘지 여유로워 보이는 표정이기도 하네요.
28:50자신의 죄를 비우치고 있을까요?
28:52경기도 주민들의 6개월의 악몽이...
28:57피해자들의 시신은 어디에 있습니까?
28:59유가족들에게 할 걸 없습니까?
29:01네, 지난 6개월간 남성 9명을 살해한 범인 박현주의 모습입니다.
29:08어떻게 여자 혼자서 남자 9명을 살해했는지가 궁금하실텐데요.
29:13박현주는...
29:13traits Adem은 박형들에게 말씀해주세요.
29:26조용 fairly Help
29:29이 이상완 말하는 성도� suficiente54
29:33발사고 싶어요. 회생님을
29:34반발하십시오 그럼 말하십시오 사람이 또 jaw Twitch
29:361말 사호 있나요? 우리 모두인사
29:4301명을 살펴드립니다.уль이 인사할
29:53He is too busy.
29:55Let's go.
29:56He is coming.
29:59I got the right foot.
30:01We have to go.
30:01Oh, no.
30:01We're coming.
30:02Stop.
30:03Stop.
30:25Did you see a picture of him?
30:31It's not like that.
31:51야야야.
31:52네.
31:54야, 저...
31:55차량 세워!
31:57정원월세인, 정원월세인!
31:59차량 지세우겠습니다.
32:30You are so far, I'm still waiting near
32:37Another man is no use at all
32:44How could I forget?
32:53Still I miss your touch, my love
33:00Just keep me in my mind, more rip-less
33:11I never left your side
33:16Oh, I know that I can't be handless
33:25But I wish your love
33:28Never let me go, my dear love
33:50Another love is no use at all
33:57How could I forget?
34:07Still I miss your touch
34:11I know that I was so blessed
34:13So I miss you
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