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00:00:25I missed you.
00:00:28I missed you, too.
00:00:34You okay?
00:00:37Yeah, what?
00:00:39Not you.
00:00:49Good night.
00:00:54I'm sleeping now.
00:00:56I'm going to wipe.
00:00:57Mm-mm.
00:01:02This guy, you know, get the concept of difference between time zones and countries.
00:01:08He's here.
00:01:15I only paint those women that are particularly special to me.
00:01:19It's intimate, sexual, yes, but it's more than that.
00:01:25It's an exact moment of ultimate connection is captured forever in paint.
00:01:33Oh, boy.
00:01:35Hey, we done here.
00:01:36Diana?
00:01:37We're not doing personal questions.
00:01:39Seems like the personal is a process.
00:01:42Oh.
00:01:43Shit's pointed.
00:01:46Look, Brooke, he's brilliant, but as your friend I'm calling it, the other critics will tear
00:01:52this apart.
00:01:54Did you keep your day job at Sotheby's?
00:01:59Picasso, Klimt, Lucy, and Freud, they were all called pornographers.
00:02:02Look, I know what I believe in.
00:02:03And if the critics don't understand us, then they're wrong.
00:02:12Hi, can I look at a few?
00:02:14Awesome.
00:02:15This is still for the cover, right?
00:02:17So, um, are you the husband?
00:02:21Yeah, hi.
00:02:22Owen Short.
00:02:22Welcome.
00:02:23She's badass, right?
00:02:25I like that.
00:02:27Yeah, I like the tiger shots as well.
00:02:28Can you go back to the tiger ones?
00:02:30Honey.
00:02:31We don't want to be late.
00:02:33Oh.
00:02:34See, when women get absorbed in me, we can talk to them.
00:02:49To Brooke's amazing new gallery and the successful opening.
00:02:52Cheers.
00:02:53Oh, and to me, getting to retire early and fill my life's purpose as a trophy as well.
00:02:58Hmm, let's not jinx it.
00:02:59Hey, if that's what you want, then you should do a news story on it.
00:03:02Feel-good holiday feast days before Christmas.
00:03:04It's local news.
00:03:05No, no, no, no, no.
00:03:05Owen has already done so much.
00:03:07Oh, come on.
00:03:07Isn't going broke and bedding the farm what all good husbands did?
00:03:10Hey, Brooke is living her dream and dreams are at the risk.
00:03:13Okay, when's our next vacation?
00:03:15That's my dream.
00:03:16Oh, yeah.
00:03:16I was thinking Paris.
00:03:17But just me and Brooke, so sorry, guys.
00:03:20Paris in the winter?
00:03:21Texas pictures.
00:03:22If your thumbs don't freeze off.
00:03:24You know, I've always wanted to do Christmas in Paris.
00:03:26Hello?
00:03:27I can't even think of a vacation until this gallery opens Friday.
00:03:30Well, I mean, we should plan it soon before things get too complicated.
00:03:35What does that mean?
00:03:37Just, you know, whatever.
00:03:39Life.
00:03:40Owen.
00:03:41Complicated.
00:03:42Are you guys pregnant?
00:03:43No!
00:03:44Because that would be like a shitty way to tell us.
00:03:45No.
00:03:46The doctor says that we could take the pressure off.
00:03:48It may happen naturally.
00:03:51What?
00:03:52We don't have to talk about this.
00:03:58Is that the rooting hunk?
00:04:00Can't be.
00:04:00I left my phone at home.
00:04:01No.
00:04:02It's, um, Brooke's new Irish artist, Hottie McHatterson.
00:04:05Okay.
00:04:06His name is Ansgar Doyle.
00:04:07He was a street artist in Dublin until a few years ago.
00:04:10But it hasn't broken here yet.
00:04:12Wait until you see the art.
00:04:14Hot.
00:04:15Nice.
00:04:19This guy, he's always texting at 3am with a crisis.
00:04:22What's the crisis?
00:04:23He can't find his paintbrush?
00:04:24No.
00:04:24He's just an artist.
00:04:25They don't sleep.
00:04:26Actually, I learned from his interview that this is an artist who's not sleeping in a lot
00:04:30of married women's beds.
00:04:31That's not what he was saying.
00:04:34Actually, that's kind of exactly what he was saying.
00:04:35Well, as the two divorce attorneys at the table, I would just like to say that men like
00:04:39Ansgar are very good for our business.
00:04:41Absolutely.
00:04:41Core to our business.
00:04:42When you've been doing what we've been doing for long enough, you just conclude that
00:04:46everybody cheats.
00:04:47The wives are just better at not getting caught.
00:04:48Yeah, I mean, I've been hiring so many private investigators, I could teach a course
00:04:51if you wanna go.
00:04:52I'll be right back.
00:05:12Where'd this come from?
00:05:18They're from you.
00:05:23They're beautiful.
00:05:27Hey, I'm gonna make it up to you.
00:05:29Oh, I'm so sorry.
00:05:31I've been so busy and so bitchy.
00:05:34You've been so great.
00:05:39Okay, listen.
00:05:40I wasn't kidding about what I said at dinner about Paris.
00:05:43If you play your cards right, you open the gallery on Friday.
00:05:46Then we drink champagne all night to celebrate.
00:05:48We get in the air on Saturday, on our way to Paris, France, where we spend Christmas next
00:05:54week, French kissing, a little menage-a-do.
00:06:01Now, wait.
00:06:04Now, how about this place?
00:06:05To let it happen naturally.
00:06:07No.
00:06:07Right?
00:06:10It sounds heavenly, but I can't go then.
00:06:15We don't even have any Christmas plans to break.
00:06:18And look around.
00:06:19We haven't even had time to decorate.
00:06:20I know, but I have so much to do after Friday night.
00:06:23I mean, that's when the real selling starts.
00:06:25And I've got more press lined up for ANSCAR, too.
00:06:27And, you know, I can't leave him alone.
00:06:29He needs me.
00:06:32You know what I mean.
00:06:34Let me earn the vacation with sales.
00:06:35That way we can relax and we can enjoy it.
00:06:46Sorry.
00:06:47Yeah.
00:06:47Yeah.
00:06:48You're right.
00:06:50Okay.
00:06:51I'm gonna go take the trash out real quick.
00:06:53All right.
00:07:11Okay.
00:07:33That's fine.
00:07:36Bye.
00:08:02I love my phone up here.
00:08:04Yeah.
00:08:04You, uh, don't want to miss any text messages from Sarah.
00:08:09Is that one of the new producers?
00:08:12Yeah.
00:08:13Thanks.
00:08:19My opening is in four days,
00:08:21and these light fixtures were custom ordered three months ago.
00:08:33I got to replace the pipe that goes down to the basement.
00:08:36It's going to cost about three grand.
00:08:38What?
00:08:39Hang on, just tell him to bring me the lights himself.
00:08:43Why were you talking to Amanda Geisler?
00:08:44I was thanking her for lunch and interested me.
00:08:47Okay, well, she has a gallery full of artists
00:08:48who showed potential ten years ago.
00:08:50She should be taking them out to lunch.
00:08:51Wow.
00:08:52I think we're jealous.
00:08:53I think we have a contract.
00:08:56Giaco, there's no more money figuring out.
00:08:58You'll be able to pay him soon enough.
00:09:00Told you.
00:09:00You have news.
00:09:08You may fall in love with me when I tell you.
00:09:10That good, huh?
00:09:12I haven't.
00:09:13You have who?
00:09:15The customer.
00:09:17The big one we need.
00:09:20Damien Light.
00:09:23Damien Light is here?
00:09:25No, he's in Paris.
00:09:26He's shooting his next movie there.
00:09:27But he saw one of my pieces in the Marais and he likes it.
00:09:30He wants to see more.
00:09:31Because people want us to be there for dinner the day after tomorrow.
00:09:34Wait, where?
00:09:35The hotel in the Marais.
00:09:37Oh, the Marais in Paris?
00:09:40Yeah.
00:09:41Look, we can leave tomorrow, still make it back in time for the opening.
00:09:44You should really answer my texts.
00:09:47Do you see this gallery?
00:09:48I can't go.
00:09:50Oh, whoa, whoa, whoa.
00:09:51I need you there.
00:09:53I'm no good at the business.
00:09:54I hate that shite.
00:09:56If this is real, this could be huge for us.
00:10:00Oh.
00:10:02You think I'm making it up to steal away with you?
00:10:11I'm going either way.
00:10:12I'll try to make it back from the opening on Friday night.
00:10:15Very funny.
00:10:16Oh.
00:10:17You need to check in with the husband first.
00:10:20Um...
00:10:21Or are you more afraid?
00:10:23To leave this mess?
00:10:24To leave your husband alone.
00:10:27What?
00:10:28To let me leave without you.
00:10:35Oh, God.
00:10:35I know. I mean...
00:10:37I have to go.
00:10:37You have to go. It's Paris.
00:10:39It's work.
00:10:40Right. It's work.
00:10:42Oh, God.
00:10:43What do I tell Owen?
00:10:44In person's good.
00:10:46Um, run in, bring a coffee, and just tell him you have the business opportunity of a lifetime.
00:10:49Right.
00:10:50Right. Just be direct.
00:10:51Right.
00:10:52Downplay the fact that you're going to be in a Paris hotel with the world's sexiest man alive.
00:10:58Okay.
00:10:59Get out of here.
00:11:00Go talk to your husband before I have to represent you.
00:11:03It is.
00:11:04We're going to cut it.
00:11:04It's okay.
00:11:05I accept it.
00:11:06Don't worry about it.
00:11:07Hope I'm not interrupting.
00:11:09Hey.
00:11:10I thought you could use this.
00:11:11Brooke.
00:11:12Hey, that's so sweet of you.
00:11:16Uh, this is, uh, Kim, one of our new producers.
00:11:19Hi.
00:11:19Hi.
00:11:21Are you Sarah?
00:11:23Natalia, new intern.
00:11:24Hi.
00:11:25Hi.
00:11:26What are you doing here?
00:11:27Well, you know.
00:11:30What's going on?
00:11:31Everybody okay?
00:11:32Uh, well, I, uh, I have a situation to move with Anscar.
00:11:36What now?
00:11:37It's a long story, um, but it's actually amazing.
00:11:41Damien Light is interested in buying a few of his paintings.
00:11:45That's big news.
00:11:46I know.
00:11:47I know.
00:11:48I know.
00:11:48And I would send him a loan tomorrow, but things could get...
00:11:50You know, he's not a people person.
00:11:51And-and making the sale could be huge for us.
00:11:54It could really make all this hard work pay off.
00:11:55This-this is amazing.
00:11:57Yeah.
00:11:57So I'll be back from Paris in, like, two days.
00:11:59Yay!
00:12:02What's that?
00:12:03I said, yay!
00:12:06You're going to Paris?
00:12:09Yeah.
00:12:11Damien's filming there.
00:12:13You're telling me that you want to go to Paris with Anscar,
00:12:18the Myth of Fidelity guy, tomorrow.
00:12:21After you told me that we can't go on Saturday?
00:12:24I know.
00:12:25I know.
00:12:25But it's business.
00:12:26And I would say, come with me, but it's going to be all meetings.
00:12:28And then I have to fly right back for the opening Friday and...
00:12:32Owen.
00:12:34Owen, please don't be that way.
00:12:39So does this mean I'm-I'm definitely free on Saturday,
00:12:41since we're not going to Paris?
00:12:44Well, yeah.
00:12:45I...
00:12:45Yeah.
00:12:47Hey, Kim.
00:12:48Is that shoot for the New Yorker's Christmas in Las Vegas still available for Saturday?
00:12:52I was going to give it to Jim, but it's yours if you can do it now.
00:13:01Yes.
00:13:02I am available.
00:13:03Let's book that.
00:13:05Thank you for the coffee.
00:13:06I gotta get back to work.
00:13:08Natalia, see if you can book Owen's flight with seats near us.
00:13:11Vegas.
00:13:12Vegas, baby.
00:13:15Shit.
00:13:19This has been Owen Shore with the news you can use.
00:13:23Have a great one, everybody.
00:13:45Not all the time.
00:14:01Not all the time.
00:14:02What are the hell?
00:14:02Are you ready?
00:14:03No, I was just going to leave with you.
00:14:05It was laughing now.
00:14:06No, I'm GOING TOGETHER.
00:14:08No, I'm not feeling it.
00:14:08It was just going to be a good idea.
00:14:08I was just going to love with you.
00:14:09I'm really paying attention for that.
00:14:09Then you're looking for it as a nice fact.
00:14:09And the rest of your coffee you can find.
00:14:09I'm just going to give it a good idea.
00:14:36I can see the flames rise
00:14:39and high in the night
00:14:40reaching their arms out to the sky
00:14:45shadows leap and hide with the lovers tonight
00:14:49tiny embers die as they fly
00:14:54creeping, crawling, dancing with the flames
00:15:01fire waltzing till only ashes remain
00:15:20the more we turn
00:15:23the more we get burned
00:15:31Owen, I feel bad we keep missing each other
00:15:34I'm not sure if you're getting my texts
00:15:37my flight is tonight
00:15:40so when you get a break
00:15:42please call me
00:16:17hey
00:16:18hey
00:16:20that assignment was late last night
00:16:23what was the story?
00:16:25yeah, I didn't want to wake you
00:16:28I'm trying to get these two new producers
00:16:30to put me on hard news stories
00:16:32instead of these dopey features
00:16:36Kim's the one you're going to Vegas with
00:16:48Mark
00:16:50I'm sorry about yesterday
00:16:54I just wanted our first time in Paris to be together
00:16:56and Christmas there away from all this stress
00:17:00it just seemed like exactly what the doctor ordered
00:17:08I'm sorry I got so upset
00:17:14I'm sorry too
00:17:16it's just such a huge break
00:17:18I wouldn't be going otherwise
00:17:27I can't help
00:17:30I want you to be happy
00:17:33even if I don't trust that guy
00:17:34hey
00:17:36you only have to trust me
00:17:39and seriously I look forward to a getaway of just us
00:17:43without the pressure of trying
00:17:44I really really really do
00:17:47well you know we don't have to
00:17:49get away
00:17:50start trying without trying
00:17:52I can't
00:17:54I have to pack my car's coming in an hour
00:18:06in case there's a gym I can work out in
00:18:11alone
00:18:20I need you to be understanding here
00:18:27I need you to be understanding here
00:18:28so no standoff sex?
00:18:29I wish I'd just let it go
00:18:31cause I don't have to be more worried about it
00:18:33come on you guys have been together since high school
00:18:35no way Brooke would cheat on me
00:18:38as long as I wonder she'll stop being interested in me
00:18:41are we on the Goop podcast right now?
00:18:43am I Gwyneth?
00:18:44another greyhound huh?
00:18:46wait no no no no
00:18:47are you trying to get me in trouble?
00:18:48you said just one
00:18:49no I'm sorry cancel that please
00:18:51we gotta go
00:18:52fuck that needy orphan artist
00:18:55if I want to get drunk to forget him
00:18:56I'm gonna drink
00:18:57okay
00:18:57are you forgetting the last time you got drunk?
00:19:00you tried to find a home for every homeless guy in New York
00:19:01I don't remember that
00:19:02yeah exactly
00:19:03come on let's go
00:19:05but come on there's one more
00:19:06no I gotta go
00:19:08I'm pretty sure Eleanor put a tracking app on my phone
00:19:10hi there
00:19:14wait a minute
00:19:15I know who you are
00:19:17you're Owen Shore
00:19:20it's possible
00:19:21you're pretty good
00:19:22you're being pretty great
00:19:23my friend's gonna die when she gets here
00:19:25we're studying journalism at Columbia
00:19:27hmm nice
00:19:28you said in an interview once
00:19:30that it's a reporter's job to expose without shaming
00:19:34wow good
00:19:35I used it in a media ethics paper on microaggression
00:19:39I'm flattered
00:19:39I refuted it
00:19:41shame is a useful tool
00:19:43maybe you're too nice
00:19:44I do love your reporting
00:19:46I was actually just saying how refreshing it is that your stories are funny
00:19:50they're not supposed to be funny
00:19:52you did that one about the guy who marries dogs at a chapel
00:19:55ah yes
00:19:56that was a fine moment in broadcast journalism
00:20:01are you guys together?
00:20:03you mean together?
00:20:04no
00:20:04but he has been hitting on me all night
00:20:06I can't help myself
00:20:07my wife's out of town
00:20:08he thought he had a window
00:20:10oh
00:20:18I think your choices are superb
00:20:20and if you want the smaller one
00:20:21the owner number three to give us a Christmas gift as well
00:20:24right
00:20:25so that is five paintings in all and um
00:20:27one hundred and fifty two thousand dollars
00:20:32plus we have your permission to use Damien's name confidentially
00:20:35with the list of collectors that you've approved
00:20:36of course
00:20:38to Damien Light
00:20:40please tell him how grateful we are for his patronage
00:20:42well on behalf of Mr. Light we are proud to be the first
00:20:46to champion the work of Ranskar Doyle
00:20:49Salty
00:20:56enjoy the moment
00:20:57Paris is a wonderful place to celebrate this time of year
00:21:02we will
00:21:04Salty
00:21:07you're not leaving are you?
00:21:08my friend has to meet you
00:21:10yeah no I gotta get going too
00:21:11well that's a shame
00:21:13maybe I could get an autograph before you go
00:21:16yeah
00:21:20okay
00:21:20two
00:21:21Amy's fine
00:21:22two
00:21:24Amy fine
00:21:26wait
00:21:26I guess that's better for TV and Chicago
00:21:29wait
00:21:30um
00:21:30could you take a picture of us?
00:21:32is that okay Mr. Shore?
00:21:34of course
00:21:35yes
00:21:37thank you
00:21:41thank you
00:21:42nice to see you smile
00:21:43oh my god that's my new profile pic right there
00:21:46okay
00:21:46we gotta go
00:21:47Uber's here
00:21:48nice to meet you
00:21:49wait
00:21:50you can't leave
00:21:50you have to stay and meet Brianna
00:21:52please
00:21:54I don't know
00:21:56you don't know
00:21:58I mean I could probably finish the calamari
00:22:01hmm
00:22:02uh you probably have to go because of that thing you were telling me about
00:22:06remember
00:22:06why don't you both stay
00:22:08sorry
00:22:08do you mind me asking how old you are
00:22:10how old are you?
00:22:12okay
00:22:12I'm out
00:22:13I'm kidding
00:22:14I'm gonna wait for Brianna
00:22:17I knew I had a fan club
00:22:20dude
00:22:24okay
00:22:25if he brings up the forgotten homeless crisis
00:22:27cut him off
00:22:31so they have my favorite martini here
00:22:33have you ever had a monkey martini?
00:22:36okay
00:22:37one monkey while we wait for your friend
00:22:39and then I gotta get home
00:22:40I thought you said your wife is out of town
00:22:52I'll be right back
00:22:52ladies room
00:22:53okay
00:22:55order us two monkeys
00:22:56I really wanna ask your advice on where to send my room
00:23:03two monkey martinis then?
00:23:08I'll show the check and go home
00:23:20she's gonna be like
00:23:24she's gonna be like
00:23:28yeah
00:23:29oh
00:23:30It's completely believable that you lived in the Shire.
00:23:31Oh, hobbits aren't Irish, okay?
00:23:34What are they?
00:23:35I don't know, they're from Middle Earth or something.
00:23:40Oh, look, I hope that you know
00:23:42that you deserve all of this.
00:23:44And the respect even more than the money.
00:23:46They see how special you are.
00:23:51You trusted me with your work,
00:23:53and I love your work so much.
00:23:55Do you know what that means to me?
00:24:00God, I mean, I was just in auction house a wage slave
00:24:05with a normal job six months ago now, I guess.
00:24:08Shh, fuck it.
00:24:10I don't think it all is.
00:24:12Just be here.
00:24:15Right here.
00:24:17Yes, Scar, we should go.
00:24:21Before we go back to our rooms,
00:24:24let's just have one more drink.
00:24:29He's seriously trying to reach you.
00:24:38Okay, I guess we're done here.
00:24:43I'm sorry, I, um...
00:24:47Yeah, yeah, yeah, that was phenomenal.
00:24:50Was it?
00:24:54Look, uh...
00:24:57I love my wife.
00:25:01Okay.
00:25:11Shit.
00:25:21Look, I've never done this before,
00:25:23so I don't really know how to...
00:25:26Shit.
00:25:27You get rid of me?
00:25:29Uh, no.
00:25:30I mean, like, you know, wrap this up.
00:25:32Pretty sure you just did.
00:25:34You get rid of me.
00:25:46All right, I hope you don't think that I'm playing games with you, okay?
00:25:50I'm not that kind of guy.
00:25:52Well, maybe I'm the one playing games.
00:25:58I hope not.
00:26:00I mean, I could use someone to help my reel get into the right hands when I get my Masters
00:26:05in June.
00:26:07You serious?
00:26:09You're right.
00:26:10We really can't see each other again.
00:26:13No, we can't.
00:26:15We should agree on that.
00:26:25I'm sorry you will be cutting your stay-with-us shirt.
00:26:27I hope you found the accommodation satisfactory?
00:26:29Yes, just a change of plans.
00:26:31If they'd call me that old Santa
00:26:34I'd make my run
00:26:36Listen, here.
00:26:38I ain't like old Saint Nick
00:26:41He don't come but once a year
00:26:45No!
00:26:47I ain't like old Saint Nick
00:26:50He don't come but once a year
00:26:52I missed you.
00:26:55I missed you too.
00:27:00Thanks, man.
00:27:01So, having it worked, I want you to hang it by the centerpiece of the show.
00:27:08I would have to rearrange this entire installation to add this.
00:27:11I worked hard to finish it today.
00:27:14And trust me, it's worth it.
00:27:19What's it called?
00:27:21Brooke.
00:27:24And how about...
00:27:26Dreams in Paris?
00:27:28That's even worse.
00:27:38Can you spend some time with me, Vincent?
00:27:41Make a great taco, what can you say?
00:27:44Okay, we'll take it.
00:27:46Fantastic! Cheers!
00:27:48Cheers!
00:27:48Cheers!
00:27:49Cheers!
00:27:50Cheers!
00:27:51Cheers!
00:27:52Let's go.
00:28:24I heard he paints from his imagination.
00:28:27I heard he paints from his experience.
00:28:32Where is Brock? Let's hang her before we go.
00:28:34Uh, yeah, I haven't seen her in a while.
00:28:37I don't think he's very good.
00:28:38Really?
00:28:40I think they're so sensual and immediate.
00:28:42And we just bought $10,000 worth of sensual and immediate.
00:28:49There they are!
00:28:54Bravo! Bravo!
00:28:55El, El, they're talking. How much did you drink?
00:28:58Please, please. I want to go talk to the artiste.
00:29:03Hey.
00:29:05Your beautiful art will hang on my walls.
00:29:07And every time I see it,
00:29:09I will think of you and your great time.
00:29:13Thank you so much.
00:29:14That means so much to me.
00:29:15It really does.
00:29:17What was all the whispering about?
00:29:19Ah, something's a private.
00:29:22What are they?
00:29:24We spoke to someone at New Museum.
00:29:26They love Anne Scara's work,
00:29:28and they're interested in one of the large pieces.
00:29:31Really?
00:29:32Which one?
00:29:33The new one.
00:29:34New museum, Adam.
00:29:35Go buy another one right now.
00:29:37Brooke is an expert
00:29:39about making things happen.
00:29:41I forgot about it.
00:29:42Ha, ha, ha.
00:29:44Now,
00:29:46if you'll excuse me.
00:29:50Hello there.
00:29:53Hi.
00:29:54You look like you get a check.
00:30:01I have to get a check for the caterer.
00:30:03I will come with.
00:30:04I want to hear more about Paris.
00:30:16Oh, my God.
00:30:18What?
00:30:18That woman.
00:30:21Who is she?
00:30:22No one.
00:30:24Why does she look so familiar?
00:30:27I have a serious problem right now.
00:30:29Is that the girl from the bar?
00:30:31Fuck.
00:30:33Why would she show up here?
00:30:35She probably just knows the artist.
00:30:37No, no, no.
00:30:37I think she's looking for me.
00:30:39Why?
00:30:40Because I didn't give her my number.
00:30:41Okay, look.
00:30:42Look, we have to get our story straight.
00:30:44Our story?
00:30:45What the hell happened?
00:30:46Look, you have to back me up on this.
00:30:49Oh, my God.
00:30:50Are you stupid?
00:30:51You're the one who left me at a bar
00:30:52with a woman who was clearly coming on to me.
00:30:54That's our story?
00:30:55You know I can't get drunk anymore.
00:30:57All right, look.
00:30:58Listen to me.
00:30:59We've never seen her.
00:31:00Bad idea.
00:31:01Okay, just say you're right at the bar
00:31:02and then we should have a cat.
00:31:03I can't.
00:31:04I can't.
00:31:04You took a fucking picture with her asshole.
00:31:07Hey.
00:31:08I'm about ready to close up.
00:31:09Yeah, let's close it up.
00:31:10Yeah.
00:31:14Who's that?
00:31:16Who?
00:31:17That woman.
00:31:19Do you know her?
00:31:20Is it possible that...
00:31:21I don't know her.
00:31:23Maybe you've met her.
00:31:25I haven't?
00:31:26Yeah, he meets a lot of people.
00:31:27Yeah, I thought she looked familiar.
00:31:29We have, like, a bunch of new interns at the station.
00:31:32Yeah, she looks like she would be an intern.
00:31:34Let's ask her if that's how you know her.
00:31:36I've never seen her before.
00:31:38Look, this lovely lady was just saying
00:31:41how much she liked my newest painting.
00:31:42It's all in the new museum once.
00:31:44Would you like to buy it, too?
00:31:45If only I could.
00:31:47This is your gallery, yes?
00:31:48Yes, yes.
00:31:49Hi.
00:31:50For Gatwick.
00:31:51Amy, hi.
00:31:52This is my husband, Nolan.
00:31:54We've met.
00:31:55Right?
00:31:57I don't think so.
00:31:58Hi.
00:31:58Oh, um...
00:32:00You must look like someone.
00:32:02I must be confused.
00:32:05Gramercy's Wednesday?
00:32:06Oh.
00:32:07Uh, uh, were you there?
00:32:09I thought so.
00:32:13Oh, probably off the television.
00:32:15Ah, I hear you're incredible with dogs.
00:32:18Dog weddings and a chapel.
00:32:20Right.
00:32:21Oh, that's why you're going to Vegas, is it?
00:32:30Well, it's late.
00:32:32Uh, should we all get going?
00:32:37Uh...
00:32:39Just us, then.
00:32:40All right.
00:32:41All right.
00:32:41I will see you.
00:32:41I will call you.
00:32:42Thank you for everything.
00:32:43Good night.
00:32:44Good night.
00:32:47I'm going to be locking up in a few minutes.
00:32:49Oh, okay.
00:32:50Um, I read your profile in Art News.
00:32:53I'm so happy to have met you.
00:32:54Well, it is an honor, truly.
00:32:57You know, I'd like to buy art someday.
00:32:59I could use some pointers.
00:33:01Oh, I'm going to get going, okay?
00:33:02No, please wait.
00:33:03I'm almost done here.
00:33:03I'll be waiting outside.
00:33:04I would love to give you some pointers.
00:33:07You know, I should really probably get going.
00:33:09No, no, no, you just got here.
00:33:12You want to close up?
00:33:13I can come back here.
00:33:14It's okay.
00:33:16I'll give you a quick tour.
00:33:19Oh, okay.
00:33:24It would be wise to say your goodbyes to your paying customers.
00:33:28And I love that you're always thinking about pleasing the customers, which affords me the luxury.
00:33:34Thinking about the art.
00:33:55Thanks for the ride.
00:33:57So, this way you live?
00:34:00No, I just have to drop something off.
00:34:03I need to wait, though.
00:34:04That's okay.
00:34:04I'll wait.
00:34:31Oh, what the fuck?
00:34:33What?
00:34:34Is your wife home?
00:34:38What do you want?
00:34:44Is she home?
00:34:46No.
00:34:47She's not.
00:34:49Okay, please, let me in.
00:34:50I need to tell you something.
00:35:02I need to talk to her about us.
00:35:11I never talked to her about us.
00:35:22You don't even understand.
00:35:24I actually met your wife a few days ago.
00:35:56Men like I ask her.
00:36:02Yep.
00:36:06Are you okay?
00:36:07Owen's been giving me shit about Ansgar texting all the time,
00:36:10but he gets up and texts in the middle of the night, too.
00:36:12Owen is a news guy. The news never sleeps.
00:36:15He's been acting weird lately.
00:36:17Do you think he's messing around?
00:36:20No.
00:36:20I think you're just letting this dress at the opening get to you.
00:36:23Put your phone away, pay your man a little attention.
00:36:26It's all he wants right now.
00:36:34Right. Right. Just be direct.
00:36:35Right. Downplay the fact that you're going to be in a Paris hotel
00:36:38with the World Soxies being alive.
00:36:41Okay. Get out of here.
00:36:42Go talk to your husband before I have to represent you.
00:36:50What?
00:36:52Owen told me who he was texting late at night.
00:36:54He says it's one of the new producers named Sarah.
00:36:56And?
00:36:58And I stole his iPad.
00:37:00That is a complete violation of privacy and trust.
00:37:03Do you have his password?
00:37:04Yeah, you do.
00:37:05I'm just trying to figure out if I have a reason to worry.
00:37:07Okay. Well, this iPad is marital property,
00:37:09so legally I see nothing wrong with what's happening here.
00:37:11Okay, first, I want to say in my defense that I did not want to snoop,
00:37:14but I just saw his messages come in.
00:37:16And he's been acting weird.
00:37:17He's been staying all later than usual.
00:37:19And he says it's just work assignments,
00:37:20but I don't know where he really is or what he's really doing with her.
00:37:23So many men use the working lady excuse.
00:37:25You want to have a child with this man.
00:37:27I know, but this is all one we're talking about.
00:37:29So many years of nothing but good.
00:37:31I'm not worried at all.
00:37:39Honestly, I don't think he's really cheating,
00:37:41but it just makes me wonder if he would cheat.
00:37:43It's the sliver of doubt that's killing me.
00:37:48God, I hate this about myself.
00:37:53Okay.
00:37:54There's a few ways we can do this.
00:37:56I'm listening.
00:37:57I always tell my clients,
00:37:58if you want to prove that your husband's cheating,
00:38:00you should hire a PI to tail him.
00:38:02But if you want to know for sure
00:38:04that your husband wouldn't cheat,
00:38:07you hire a decoy.
00:38:09What's that?
00:38:10I use them all the time.
00:38:11A decoy's going to flirt with him,
00:38:12give him an opening, and see what he does.
00:38:14And if the husband takes the bait,
00:38:16does the decoy go all the way?
00:38:17No, no, no, no, no.
00:38:18They have a professional code of ethics.
00:38:20Like hitmen.
00:38:21Damn.
00:38:23That's dark.
00:38:24I don't think I need to know that badly.
00:38:25You don't.
00:38:26Owen is the sweetest guy ever,
00:38:28and you're lucky he puts up with you.
00:38:29I know.
00:38:32But if you do find your insecurities
00:38:34keeping you up at night,
00:38:36call this agency.
00:38:37They're open 24 hours.
00:38:39I won't call.
00:38:39You shouldn't.
00:38:40But if you do,
00:38:42get my volume discount.
00:38:53Oh,
00:39:04you're lucky.
00:39:06You're lucky for you.
00:39:07Bye.
00:39:07Bye.
00:39:10Bye.
00:39:11Bye.
00:41:00When you get a break, please call me.
00:41:12Right here is fine.
00:41:54Are you Brooke?
00:41:56I am.
00:41:57Are you the one there Sunday?
00:41:59Yes, Amy.
00:42:00I'm the operative.
00:42:01Operative?
00:42:02Sounds official.
00:42:03It's just a job that's paying for grad school.
00:42:06Speaking of payments.
00:42:09Yes.
00:42:09I take half now and then the other half when I bring you the video from the video guy across
00:42:13the room and the audio from my phone.
00:42:18Okay.
00:42:19Has he been unfaithful before?
00:42:22I don't think so.
00:42:23I don't know.
00:42:24Do you have kids?
00:42:26No.
00:42:27Not yet.
00:42:29Great.
00:42:30Uh, and I'll just need to see a picture.
00:42:32They said you didn't attach one.
00:42:39I'd rather not send this.
00:42:45You know, I'm not sure you're his type.
00:42:49Um...
00:42:49Yeah, maybe.
00:42:50Um, it's hard to tell.
00:42:51I, I'm more attractive when I go out.
00:42:57Um, maybe there's a perfume he likes, or...
00:42:59I'm not gonna tell you what kind of perfume he likes.
00:43:01You're wearing Chanel.
00:43:03My mom has that perfume.
00:43:08Look, I, I know this is probably really strange for you.
00:43:11And you don't know me at all.
00:43:15But, honestly, you have nothing to worry about with me.
00:43:19I have a boyfriend who I'm very much in love with.
00:43:24This gig is just really good money.
00:43:32Uh, this is my number.
00:43:33I already have you saved into my phone as Brianna.
00:43:35And if you decide at any point that you don't want to go through with this,
00:43:39just send me the message, sorry, have to bail.
00:43:42Okay.
00:43:43And you'll respond, so I know you got it.
00:43:46Yeah.
00:43:47I'm like a normal person who texts.
00:43:51Glad to have met you.
00:43:53You know, I didn't think I'd get any more jobs left after the holidays.
00:43:57It's the slow time of year.
00:44:04Just be here.
00:44:06Right here.
00:44:08That's where we should go.
00:44:12Before we go back to our rooms, let's just have one more drink.
00:44:20Owen.
00:44:22What?
00:44:23I, I just have to send a message and cancel something really quick.
00:44:27Then I gotta go.
00:44:29I thought you said your wife was out of town.
00:44:35I'll be right back.
00:44:36Maybe soon.
00:44:37Okay.
00:44:38Orders two monkeys.
00:44:40I really want your advice on where I should send my deal.
00:44:47Two monkey martinis, then?
00:44:49You know, I should probably have a check.
00:44:51You know, I should probably have a check.
00:45:11Look, relax.
00:45:12Hey.
00:45:14Look at where we are.
00:45:18I mean, is there anything better than this?
00:45:24You're right.
00:45:26I'll get now.
00:45:32Hey.
00:45:33Hey.
00:45:35Hey.
00:45:36Hey.
00:45:36Hey.
00:45:37Hey.
00:45:38Hey.
00:45:39Hey.
00:45:39Hey.
00:45:54Hey.
00:45:54Hey.
00:46:05Hey.
00:46:07Hey.
00:46:08Hey.
00:46:12Hey.
00:46:25Hey.
00:46:25Hey.
00:46:31Hey.
00:46:35Hey.
00:46:37Hey.
00:46:39Hey.
00:46:41really and I didn't want to share ah the real reason oh you were willing to go
00:46:49all-in on me for a solo show I appreciate that commitment to risk the
00:46:56feelings mutual and you are more beautiful hmm so have you always loved artists I love art more
00:47:14than I love artists on you like me you're the exception so why did you choose me your work
00:47:25was the most beautiful you know I look at you I see colors really I found out there's something
00:47:42different about my brain when I see colors I hear music and when I hear music I see colors
00:47:50that's called synesthesia yeah I look up at the sky and I see blocks of color moving
00:47:57and hear music and everything about us
00:48:04it's color the music
00:48:10my brain
00:48:16I love that
00:48:25you know there's something in my room I want to show you
00:48:32would you like to see it
00:48:41okay
00:48:43I'm just waiting on a message I don't have any bars here I think I have to go find some
00:48:50reception
00:48:53look your husband's probably working late can you just
00:48:59be here I can't I might have made a huge mistake at home excuse me I have to have to
00:49:06get a hold of
00:49:06Owen I think we should just say good night now I think I'm sorry
00:49:17go
00:49:49You sure you just don't want to help me with my reel to get my foot in the door?
00:49:57You want to answer that?
00:49:59I should.
00:50:01You should.
00:50:07Hi.
00:50:08Hi.
00:50:09Finally, you answered.
00:50:11Yeah, everything okay?
00:50:13Yeah.
00:50:15Did I wake you?
00:50:16What time is it there?
00:50:18It's after 7 a.m.
00:50:21I tried to text and call you last night.
00:50:24Yeah, they just came through now.
00:50:27Oh, it must have been a delay.
00:50:31How'd it go?
00:50:33Great.
00:50:34We sold five paintings.
00:50:37Five.
00:50:38This is not important.
00:50:41No, it is.
00:50:44Did you end up at Gramercy Bar?
00:50:52Oh, and did you go to Gramercy last night?
00:50:57I got, yeah, I got a quick drink and then I came home.
00:51:05I'll see you tonight.
00:51:06I'm coming home early.
00:51:08Oh?
00:51:10Yeah, well, mission accomplished.
00:51:11You know, I have so much work to do, I have to get back.
00:51:16All right, well, you should probably get to bed.
00:51:19I'm sure it's late there.
00:51:21Yeah, I bet.
00:51:26Owen?
00:51:33You're okay?
00:51:37Are we?
00:51:39Yes.
00:51:41Yes.
00:51:42I love you.
00:51:45Love you too.
00:51:46I love you too.
00:52:10Hey.
00:52:10Hey, sit down.
00:52:13Where you going?
00:52:15I have to go home now.
00:52:17But our tickets are for tonight.
00:52:20You understand why I have to get back.
00:52:24No, Brooke, if you have feelings for me,
00:52:28if there are feelings here, then let's not judge it.
00:52:33Let's not resist it, like...
00:52:38I can't stop thinking about you.
00:52:44You worked so hard to get here.
00:52:49I'm yours.
00:52:52I'm sorry.
00:52:54I have to go.
00:53:05I'll find a place for it, but you can't call it Brooke.
00:53:09And how about dreams in Paris?
00:53:12Oh, my gosh.
00:53:13That's even worse.
00:53:26Hi there.
00:53:28Oh, hi.
00:53:29You're early.
00:53:31Um, that's okay.
00:53:45This...
00:53:46What?
00:53:50Was that the artist that just left?
00:53:52Yes.
00:54:01Okay.
00:54:03So...
00:54:03What do you have for me?
00:54:06All right.
00:54:07Uh...
00:54:07I have to tell you something.
00:54:10I let something happen that I shouldn't have.
00:54:15Okay.
00:54:19My phone died.
00:54:22It died?
00:54:23Yeah, I have too many apps or something.
00:54:27Um...
00:54:28I don't know what's wrong with my battery.
00:54:30It's a...
00:54:30It's a new phone, too.
00:54:32So I didn't get any audio.
00:54:35What about video?
00:54:36Video guy didn't show.
00:54:38Yeah.
00:54:40I know it looks really bad.
00:54:44Um...
00:54:46Nothing happened.
00:54:47He was completely faithful to you.
00:54:49He passed.
00:54:53Can I get you coffee?
00:54:55Water?
00:54:55Yeah, I have to be somewhere, so...
00:54:58What?
00:54:58You must have a little time to tell me what happened.
00:55:01Please, sit.
00:55:04Um...
00:55:05Okay.
00:55:08Yeah, I, uh...
00:55:12I got to the bar.
00:55:15So, no set-off set?
00:55:17I spotted your husband.
00:55:19Uh...
00:55:19All right, turn.
00:55:20Okay, wait, hang on.
00:55:20You're forgetting the last time you got drunk,
00:55:22you tried to find a house for every homeless guy in York City.
00:55:24I don't remember that.
00:55:25Yeah, exactly.
00:55:26Come on.
00:55:27Let's go.
00:55:28What? Come on.
00:55:28There's one more.
00:55:29That's when I noticed my phone was dead.
00:55:32No, I gotta go.
00:55:34I'm pretty sure Eleanor put a tracking app on my phone.
00:55:37Hi there.
00:55:40He was getting ready to leave with his friend,
00:55:41so I stalled him by asking a question about journalism.
00:55:46Let me ask you a question.
00:55:47Okay.
00:55:47Do you and your wife have a top five list for a hall pass?
00:55:52What?
00:55:52Like a list of celebrities that we give each other permission to sleep with if the opportunity
00:55:57ever presents itself?
00:55:58Exactly.
00:55:59No.
00:56:00No, what?
00:56:01Brooke would never go for such a thing.
00:56:02What?
00:56:03Ever.
00:56:03Hmm.
00:56:06Why?
00:56:06Who's on yours?
00:56:07Well, I got my boyfriend to agree to a list, but it's, um, it's kind of eclectic.
00:56:14No judgment.
00:56:15Hmm.
00:56:19Okay, come on.
00:56:20Just tell me who's number one on the list.
00:56:23Well, it's not number one, I'm afraid to tell you.
00:56:25It's number four.
00:56:29Number four?
00:56:31Yeah.
00:56:33The suspense is killing me.
00:56:34Number four.
00:56:37I'm unsure.
00:56:41Shut up.
00:56:43There's some news you can use.
00:56:48We talked for 20 minutes.
00:56:51I gave him some openings, but he clearly was not into me.
00:56:55At all.
00:56:59I thought maybe if I could get him to have another drink, it might up my chances.
00:57:04But he would not have one more drop.
00:57:12He was a perfect gentleman.
00:57:16Completely clear about where he stood.
00:57:19Why aren't you bothered that no one's talking about the homeless crisis anymore?
00:57:22So bothered.
00:57:25I tried to reach you.
00:57:26I texted you the code to call it off, but you never responded.
00:57:30Well, you didn't need to, because he wasn't interested.
00:57:32So you talked about work for those 20 minutes?
00:57:35Yeah, we talked about the business.
00:57:37We talked about how to get a leg up.
00:57:41Breaking in.
00:57:43Huh.
00:57:45Owen gets uncomfortable when he's approached about work.
00:57:49That wasn't my perception.
00:57:51Okay, well, right now I'm getting your perception, but what I need are the facts.
00:57:56The fact is this.
00:57:58Your husband passed the test.
00:57:59I made some clear advances, and he declined.
00:58:03What?
00:58:04Amy, I have no proof that you were even there.
00:58:07I have proof.
00:58:11Uh, this is a napkin that he autographed.
00:58:17So are we good?
00:58:21I have to pay you.
00:58:24Right.
00:58:28You know what?
00:58:29I'm not gonna take that.
00:58:31But it's not your fault that your phone died and the video guy didn't show.
00:58:35Right?
00:58:37Please.
00:58:38Take it.
00:58:42Thanks.
00:58:47You should come to the opening tonight.
00:58:49You can meet Ansgar.
00:58:52Will your husband be there?
00:58:54What does it matter?
00:58:55I think you'd enjoy it.
00:59:02Dog weddings at a chapel.
00:59:04Right.
00:59:05Oh, that's why you're going to Vegas, is it?
00:59:12Well, it's late.
00:59:13Should we all get going?
00:59:20Just us, then.
00:59:24Okay.
00:59:36There you are.
00:59:37I need to tell you something.
00:59:38Are you fucking crazy?
00:59:39What are you doing?
00:59:40You can't be here.
00:59:41You have no idea what's going on here.
00:59:42I-I think I do.
00:59:43No, you actually don't.
00:59:45Hey.
00:59:45Hey.
00:59:46Found ya.
00:59:47Mmm.
00:59:47So, uh...
00:59:49I'd like to grab my drink.
00:59:50I really should go.
00:59:53Come on, sis.
00:59:54Slowly.
00:59:54Come with me.
01:00:02Brooke.
01:00:03I'm leaving.
01:00:04I'll see you in the morning.
01:00:06Oh!
01:00:07And the husband scowls in the shadows.
01:00:10Fuck off.
01:00:11Fuck off?
01:00:12Well, fuck me, newsboy.
01:00:13Yeah, fuck you.
01:00:20Help!
01:00:21Help!
01:00:25Get off of me!
01:00:26Get off!
01:00:26What is wrong with you?
01:00:27Are you mad so jealous he can't control himself?
01:00:30You're fucking crazy!
01:00:31Fuck you!
01:00:32Are you okay?
01:00:32You're bleeding.
01:00:33Oh, fine.
01:00:34Oh, my God.
01:00:35Do you need to go to the hospital?
01:00:35I'm not going to the hospital.
01:00:37I'm fine.
01:00:38She's right.
01:00:38You're a mess.
01:00:39Look, I'm done.
01:00:41Do you want to grab a drink?
01:00:42Let's go.
01:00:43Okay, fine.
01:00:43Fine.
01:00:43Let's go.
01:00:44Let's go.
01:00:46Are you hurt?
01:00:48Physically.
01:00:54I'm dropping him.
01:00:57Okay, let's go home.
01:01:06Owen, are you sure you don't know that woman?
01:01:09The one that was with Ansgar?
01:01:11I don't know her.
01:01:13So you didn't meet her at Grand Mercy Bar when I was in Paris?
01:01:17I thought I remember.
01:01:21Do you remember this?
01:01:30What?
01:01:32She gave this to you?
01:01:33When did she give this to you?
01:01:35What did she say?
01:01:36Well, I want you to tell me.
01:01:40I don't understand.
01:01:44She gave that to you?
01:01:45Yeah, she did.
01:01:50Okay, maybe I gave her an autograph.
01:01:52I don't remember.
01:01:53You know, it was crowded and I can't...
01:01:55So you talked to her.
01:01:58I just don't understand why you couldn't say that to begin with.
01:02:05Honestly, it was all a blur.
01:02:08Okay?
01:02:10Okay, look.
01:02:11All right, I...
01:02:13Right.
01:02:15I was leaving with Adam.
01:02:16Some girl comes up.
01:02:17She asks for an autograph.
01:02:21Is this thing we need to make a big deal out of?
01:02:23A girl at a bar?
01:02:24Do we need to make a big deal about it?
01:02:28Who told me?
01:02:31I don't know.
01:02:32She's a fan.
01:02:33She can say anything.
01:02:34Like what?
01:02:36Who knows?
01:02:37Crazy shit.
01:02:38You think she would do that?
01:02:41You never know.
01:02:43Like...
01:02:43You try to be nice.
01:02:45Give an autograph.
01:02:47Give him a picture.
01:02:49What, you took a picture with her too?
01:02:53Yeah.
01:02:53Yeah.
01:02:55On her cell phone?
01:02:57Yeah.
01:02:59She said she was gonna put it online.
01:03:01Which I was not very happy about.
01:03:03Are you sure she used her cell phone?
01:03:05Yeah, Adam took the picture.
01:03:08Look, what difference does it make?
01:03:12You're lying.
01:03:16No, I'm not.
01:03:18I want you to tell me...
01:03:21exactly...
01:03:22if something happened...
01:03:23more than what you're telling me.
01:03:27Don't lie to me.
01:03:34All right.
01:03:36All right, what?
01:03:37You're right, okay?
01:03:38There's more to the story.
01:03:41There's a story?
01:03:45Look, okay.
01:03:46I never meant for things to get out of hand.
01:03:49What?
01:03:51You were spending a lot of time with him.
01:03:53And I was losing it.
01:03:55Okay?
01:03:56What did you do?
01:03:58Oh my God.
01:03:59Um, can we pull over?
01:04:01No, no, no, no, no.
01:04:03I need to get out.
01:04:04Can you let me out?
01:04:05Brooke.
01:04:05No, can you stop the car?
01:04:06Can we just stop the car?
01:04:07Stop the car right now!
01:04:08God damn it!
01:04:12Brooke.
01:04:13Brooke.
01:04:14Hey.
01:04:15Hey, just come back to the cab.
01:04:16Okay, we can go home and talk.
01:04:17Just say what you have to say.
01:04:20Oh my God, you can't even say it.
01:04:29Brooke.
01:04:30Hey.
01:04:31Hey.
01:04:33I made a mistake.
01:04:34Don't touch me.
01:04:35You have to hear me.
01:04:36Okay?
01:04:37In all the years we've been married,
01:04:38I have never done anything inappropriate.
01:04:40I've never done anything to undermine our relationship.
01:04:43Owen, did you have sex with her?
01:04:50You had sex with her?
01:04:57I feel terrible, okay?
01:05:00I don't know what the...
01:05:01I'm sorry.
01:05:02Brooke, please.
01:05:03Just listen.
01:05:05Okay?
01:05:06Just listen.
01:05:06Hey.
01:05:07Get away from me!
01:05:13All those women at work that you go on trips with, your late night outings, give me your phone.
01:05:20Please just go home.
01:05:21No!
01:05:22I want your phone to look through all your texts and everything right now.
01:05:32No!
01:05:39No!
01:05:47No!
01:05:53I've never had a home.
01:05:56I can never even love you at all.
01:06:03I can...
01:06:04I know the truth.
01:06:06Oh no.
01:06:07What did you do?
01:06:15You don't understand.
01:06:16I actually met your wife a few days ago.
01:06:19What are you talking about?
01:06:22She hired me.
01:06:26Hired you?
01:06:27Yes.
01:06:30For what?
01:06:31Like a job at the gallery?
01:06:32No.
01:06:33Then for what?
01:06:34She hired me as a...
01:06:36an operative.
01:06:38A decoy.
01:06:42What?
01:06:43I knew you'd be at Gramercy that night.
01:06:48She set me up?
01:06:51Yes.
01:06:54You were supposed to have sex with me?
01:06:57No.
01:06:58No, okay?
01:06:59That was my own fuck up because...
01:07:03actually...
01:07:04you really are...
01:07:05number four on my list.
01:07:18Sorry, I don't want to talk about it right now.
01:07:30I'm sorry.
01:07:34No.
01:07:37No.
01:07:37Let's go.
01:08:09Let's go.
01:08:37Let's go.
01:08:38Let's go.
01:08:39Bye.
01:08:39Bye.
01:08:40Bye.
01:08:40Bye.
01:08:43Bye.
01:08:50Bye.
01:09:44What are you doing here?
01:09:45What are you doing here?
01:09:46I live here.
01:09:49Amy just went inside.
01:10:02This is the situation.
01:10:05Oh, shit.
01:10:08Did he call and tell you I wasn't here?
01:10:11Did you rush over?
01:10:12She just wanted us all to be on the same page.
01:10:14Look, I realize I crossed a line.
01:10:16Yeah, when?
01:10:18What?
01:10:18When did you decide to cross that line?
01:10:20I was enjoying our conversation.
01:10:23How about what?
01:10:24Your boyfriend that you're very much in love with?
01:10:26I had a hall pass.
01:10:27Oh, really?
01:10:29Protecting your little prostitute?
01:10:30I'm not the one who paid her to have sex with me.
01:10:32She wasn't...
01:10:33You weren't supposed to do that to me.
01:10:37I thought that you would be able to say no.
01:10:39I was banking on the proof and in comfort of knowing with 100% certainty that my husband
01:10:43would be faithful.
01:10:45I thought that, you know, even if...
01:10:50What?
01:10:51Say it.
01:10:52Say what you did to me.
01:10:53Even if I created the circumstances...
01:10:56I have never made a move in my life that wasn't about you.
01:11:00And you're right.
01:11:01I fucked up.
01:11:03I reacted.
01:11:05And I did something wrong.
01:11:07But the ironic thing is...
01:11:09Just for a second, I thought...
01:11:11Yeah.
01:11:13I'm doing something fucked up.
01:11:16And I'm doing it for me.
01:11:18For me.
01:11:19Just for once.
01:11:21But it wasn't.
01:11:24You did this to me.
01:11:25Fuck you.
01:11:26Okay, I...
01:11:28Just really have to say, for the record, that I have always been completely professional
01:11:33and I have never had an incident like this before.
01:11:36You really have no shame.
01:11:40That might be true.
01:11:43But you know what?
01:11:46I'm not the one who dangled a chick in front of my husband to see if he'd fuck her.
01:11:52I don't know why you'd mess all this up.
01:11:57We have a really nice apartment.
01:12:10Hey.
01:12:13Hey what?
01:12:16You want to talk about it?
01:12:45I need to know, Brooke.
01:12:50Did anything happen in Paris?
01:12:56No.
01:12:58In full honesty.
01:13:01All cards out on the table.
01:13:03No, I'm not going to answer that question.
01:13:08Well, would you please fucking answer that question?
01:13:13Were you unfaithful to me?
01:13:18And what if I was?
01:13:20Meaning?
01:13:23I may have made a huge mistake at home.
01:13:25I...
01:13:26We should just think at night.
01:13:27Now.
01:13:27I think.
01:13:28I'm...
01:13:28I'm sorry.
01:13:58Oh, it's cheating on me.
01:14:01I know it.
01:14:02I can...
01:14:03I can feel it.
01:14:05I can feel it.
01:14:07I'm cheating.
01:14:08I'm cheating as in fucking someone who's not me.
01:14:14That's all my fault.
01:14:15I can feel it.
01:14:16That's all my fault.
01:14:22I can feel it.
01:14:45I'll bring you in
01:14:49Get close to me
01:14:51I wanna change
01:14:55Your mind
01:14:58I'll bring you in
01:15:03Closer
01:15:04I wanna change
01:15:07Your mind
01:15:11I'll bring you in
01:15:15Close to me
01:15:18Now can you see that corner there?
01:15:22Two years ago
01:15:24I was sleeping there
01:15:25On that sidewalk
01:15:28I had no one
01:15:31I was drawing pictures on the walls
01:15:32With chalk
01:15:35Some people help me
01:15:38Or you most of all
01:15:42And now I'm here
01:15:46And you're here
01:15:52Look
01:15:54If I went away somewhere
01:15:56Then
01:15:58That's good news
01:16:01It means you're free
01:16:03To do whatever you like
01:16:07No rules
01:16:22I live for each moment
01:16:29What do you think
01:16:30It matters to the universe
01:16:34Do you kiss me
01:16:37Or not
01:16:41I want to change
01:16:43Your mind
01:16:48And bring you in
01:16:50Close to me
01:16:53I want to change
01:16:56Your mind
01:17:01I'll bring you in
01:17:05Close to me
01:17:07Be totally with me
01:17:10Totally
01:17:10With me
01:17:17In this
01:17:19Exact moment
01:17:23All cards on the table
01:17:26As they say in Vegas
01:17:27Baby
01:17:27When you tie
01:17:29It's a push
01:17:31Meaning what?
01:17:34Meaning you hiring Amy
01:17:36Makes us even
01:17:37Meaning what?
01:17:56Meaning I don't have to tell you
01:17:59And that's what makes us even
01:18:00Then
01:18:05Bye
01:18:06Bye
01:18:06Bye
01:18:06Bye
01:18:10Bye
01:18:11Come
01:18:13Bye
01:18:14Bye
01:18:15Bye
01:19:18Are you coming back for Christmas?
01:19:28Is this it?
01:19:49Is this your Vegas ticket?
01:19:53No.
01:20:03Departs in three hours from JFK.
01:20:09Christmas in Paris.
01:20:13Two tickets.
01:20:15Two tickets.
01:20:27Two tickets.
01:20:54She wants to wait until morning to open up hereffective.
01:20:59Should we make some hot cocoa?
01:21:12Can I get my money back?
01:21:34Can I get my money back?
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