- 2 days ago
Igra sudbine, Epizoda 1838, Igra sudbine 1838, Igra sudbine 1839, Igra sudbine Epizoda 1838, Igra sudbine Epizoda 1839, Epizoda 1838 Igra sudbine, Epizoda 1839 Igra sudbine
Category
📺
TVTranscript
00:00The End
00:00The End
00:01The End
00:01The End
00:02The End
00:03The End
00:04The End
00:13Hello.
00:16I'm here.
00:17Good. Good.
00:19You were so fast, you didn't do anything.
00:24You heard me.
00:24The girl started asking me,
00:27first of all, she said to me,
00:28she called me in the last room.
00:33Okay.
00:36There is another important thing
00:38that I have to tell you.
00:41What thing?
00:43You definitely need to do it,
00:45but let's go slowly.
00:48Let's go and solve the situation.
00:55I don't know.
00:56I can't do it.
01:00I can't do it.
01:02The big doubt is that these are
01:06the emotional muscles.
01:07You know?
01:09Yes, it's clear to me
01:10when I'm in a matter of time.
01:14You know,
01:15they're cutting the biological brain.
01:17And now...
01:19They're cutting all muscles
01:21so they can be like my mother.
01:23Yes.
01:23Mm Baltic
01:37How long did we feel
01:39used to change the situation?
01:41The situation
01:42already found out?
01:44How long had we been,
01:45into?
01:45In a week or a week?
01:47No, only one thing or a week.
01:48No.
01:48Sniper
01:54Nido
02:00Nido, spavs?
02:03Sade više nek spavu, eh, mutas
02:10Ja nemogu iš ovakva
02:15You will only be a lover, and when I come back, there will be the rest of you.
02:21You don't have to do it.
02:22You don't have to do it.
02:27I want to admit it.
02:29What do you mean?
02:30What do you mean?
02:34Nothing.
02:36That's fair, now I'm not sure.
02:38No, no, nothing.
02:39No, nothing, nothing.
02:40You just said that you're waiting for the audience, and that you're waiting for later.
02:43This is what you're waiting for when you come back.
02:45Really?
02:45Really.
02:46Bye.
02:47Bye.
02:48Bye.
02:48Let's see.
03:02People call him Alexander Sechoro.
03:06Sechoro, no, it's not for a break.
03:09An area that's very important, quite a point.
03:11The Frenchman is called Silovus.
03:16So, there is no museum or TV in which he didn't come.
03:23A walk like a bird, a dark and a dark.
03:28And it was taken to us as a Frenchman.
03:33Francoise, what do I do with these Frenchmen?
03:37What do they do with the Frenchman?
03:39I don't know.
03:41What do I do with the Frenchman?
03:43I don't want to do anything.
03:44For now, I'll start.
03:51Well, it's good. It's a lot of fun.
03:53I thought it would be good.
03:55I think it's already tomorrow I can go back to training.
03:58That doesn't come up to me.
04:00I didn't want to think about it.
04:01I just share information.
04:05You and me, you and me have to talk about something.
04:10What is that?
04:13Let's listen to you.
04:14I'll be back.
04:18I'm going back on you.
04:29I'll be back on you.
04:31I can't wait.
04:35You can see.
04:36You can't wait.
04:38I can't wait.
04:40I'm going back.
04:41I'm afraid of you.
04:42I'm afraid of you.
04:43I'm shocked by myself.
04:45Why are you shocked?
04:46Wait, excuse me.
04:47Excuse me.
04:48You don't have anything to do.
04:49You wouldn't have such a reaction.
04:50Gabriela, I don't have anything to do from you.
04:52Leave me, please.
04:53Just leave me to peace.
04:56That's okay.
05:04Only my son Relja can see what you see.
05:07You see, that I feel the flame, the water that kills me.
05:12That x-fuck.
05:15What is it?
05:16I'm afraid of you.
05:46Sometimes it's hard, but often it's hard, and everything is unrighteous, except for the truth.
06:00Like in love in the war, there is no law, you don't have one life, only one chance.
10:45What? You didn't have anything to do with children?
10:48No, no, no, no. I see that I have children.
10:51I really love them a lot.
10:53I don't know, it's hard to talk about such things
10:59about our relationship, if you understand.
11:01I don't understand.
11:03I think that we would have forgotten.
11:04It would be hard to talk about the relationship.
11:11Yes, I agree.
11:12I agree that we can talk about everything.
11:17You see, I thought that girls like girls
11:20with whom they can talk openly about everything.
11:23Yes, they really love it.
11:25I'm very happy that I can talk about all of them.
11:31But, honestly, I had great plans on this topic
11:37with my former partner.
11:39It's strange to talk about everything.
11:41I don't know about that.
11:42You mean, you're on the galaxy, right?
11:44Yes, I'm on her.
11:47Okay.
11:50I have a question for you.
11:52As always, I'm on her own side.
12:10I don't know what I'm talking about.
12:11I'm on her side.
12:13I'm on her side.
12:17I'm on her side.
12:17I'm on her side.
12:18I'm on her side.
12:18I'm on her side.
12:18Sit down.
12:20Sit down.
12:21Good.
12:27There was no secret between us, right?
12:30No, no, there was no secret.
12:34I received you here to work as a birth child.
12:39Yes, yes, and thank you very much.
12:42The conditions are okay, the payment is okay.
12:45Yes, I'm very satisfied with the payment, and the conditions, and all of them.
12:49Have I ever had something like that?
12:52No, no, Chef, it's a good job.
12:57I'm really happy here.
12:59Just a moment. I don't know what I'm talking about.
13:02Why did you call her a death sentence?
13:19Okay, I see, we've grown people.
13:24I think we can talk about everything, so my question is
13:29Do you have any feelings for Alexi?
13:34I see, Uroša, I don't have anything to do with that.
13:38I mean, Alexi and me, it's a complete story of the past.
13:43And I believe that my actions related to this topic
13:46do not have any connection with them.
13:48Do you understand that?
13:50I don't know.
13:52I don't know.
13:53I don't know.
13:53I mean, what we're hoping in our lives,
13:55and the other thing is how life is really changing.
13:58How life always finds a way to get out of the wall.
14:02I mean, really, no one of us knows what we're doing today, what we're doing today.
14:06It's great that you said, but I think that it's a great common place.
14:11But, you see, before I try to ask, I think that people who are in connection,
14:23or who are not in connection, may have these actions.
14:26But when there is a person or a woman who is in love,
14:30I think that these actions are not in connection.
14:33I think that you're not in connection with the people who are in connection with the people.
14:37You're wrong.
14:38No.
14:39No.
14:40No.
14:41No.
14:42No.
14:42No.
14:43No.
14:44No.
14:44No.
14:44No.
14:46No.
14:48No.
14:49No.
14:50No.
14:51No.
14:56No.
14:58No, no.
14:58No, no.
14:59No.
14:59No, I don't know.
15:00No.
15:02No, I won the other side.
15:02It's all right!
15:03No.
15:04No.
15:04No.
15:05No.
15:05No.
15:06I'm sure that there will be time for this.
15:10But I think that I think that things should be a little bit.
15:16That we're going through a step-by step.
15:17Absolutely.
15:21And...
15:22I have another question.
15:24Is that a speech?
15:25You have a speech?
15:26Yes.
15:27And we're going with a special topic for today.
15:30Okay.
15:30Let's hear what the speech is, because today I'm going to be able to say.
15:33Yes.
15:34Yes.
15:35Yes.
15:36I don't want to call me a partner.
15:39Can you?
15:41We can be friends when we open the room for a wheelchair,
15:46or whatever.
15:47But now I want to be a mom.
15:50Okay.
15:52I understood.
15:53And I think I will be able to do that.
15:55So don't blame me.
15:56Now you're a mom.
15:57No more.
15:59No more.
15:59No more.
15:59No more.
16:01Now I want to be a mom.
16:03And then...
16:05Then...
16:05After that...
16:06Then...
16:07Then...
16:07Then...
16:09Then...
16:09Then...
16:09Then...
16:10Then...
16:10Then...
16:10Then...
16:12Then...
16:16Let's eat.
16:17Come on.
16:18Is it really good?
16:19It's good.
16:20It's good.
16:21Let's try it.
16:21You don't want to.
16:22I haven't forgotten it.
16:24Go ahead.
16:26Go ahead.
16:34I don't know what to say.
16:36I don't know what to say.
16:37I don't want to make a mess.
16:39I'm not from yesterday.
16:40I need to look at how the girl is playing.
16:47Ksenija?
16:47Yes.
16:49Ksenija, yes, yes.
16:51I've promised everything I know.
16:53I know everything I know,
16:55and I've promised everything I've promised you.
16:59Yes, that's right.
17:00Yes, that's right.
17:01I don't know anything about that.
17:03You think I'm a big bitch,
17:07or you're trying to do something
17:08a little bit to do something?
17:12Yes.
17:14I ask you to tell me,
17:17I'm going to do it momentarily.
17:18First of all,
17:19you've told me the most important thing.
17:21That's right.
17:22That's right.
17:23That's right.
17:23That's right.
17:25That's right.
17:26That's right.
17:27That's right.
17:28You don't understand
17:29that we're all in danger.
17:30with you.
17:55With you.
18:00Hello.
18:04That's right.
18:09That's right.
18:12That's right.
18:14That's right.
18:23That's right.
18:26That's right.
18:44That's right.
18:48That's right.
18:48That's right.
18:52That's right.
18:53That's right.
18:53That's right.
18:54That's right.
18:55That's right.
18:56very well.
18:57You need to know
18:58how many people
19:00come to the coffee.
19:02I'm the other one.
19:04I just wanted Ksenija to come here, nothing else.
19:09No, no.
19:09My heart is holding up for the girl.
19:13Please don't do that.
19:16It didn't have to make such a big problem.
19:19It's not a problem, Mimona.
19:21It's a dubioz.
19:23But let me tell you that you...
19:25...that you are asleep, stupid.
19:28But now I will return to you on you.
19:31You can't do that.
19:33It's clear.
19:34No, I'll do it.
19:38Okay.
19:40And try to do your job.
19:44See you.
19:46See you.
19:47Bye.
20:11You said you have to offer a house.
20:14Plac.
20:15Plac is the key.
20:16You can create a whole building.
20:18And it's a beautiful place.
20:19Right?
20:21How is the house?
20:22One by one, no one.
20:24There's no hospital.
20:26It's a disaster.
20:27It's clean.
20:27Everything is clean.
20:29It's clean.
20:29If you want, I'll send you an address.
20:31You can check everything out.
20:32Okay.
20:33Go ahead.
20:33Because you know,
20:34the house is not clean.
20:37And then there's a girl from Australia
20:40and she says that she is ideal.
20:43Everything is clean.
20:44Everything is clear.
20:45Now you just have to agree with yourself.
20:47And finish the job that we've done.
20:49The good body.
21:26What do you think?
21:32What?
21:33Okay, go ahead.
21:35So, what?
21:37So, what do you think they have to do with her?
21:40What do you think?
21:43What do you think?
21:44How about the phantom.
21:48How about the phantom?
21:49and still in the places and so on.
21:50Yes, that means nothing ever again?
21:54Nothing.
21:57Lenka did not say anything for her?
22:01No.
22:03You did not ask her?
22:06If I ask her, she will know that I know,
22:10and I do not want her to know that there are no people.
22:15Listen and watch.
22:17You know what it is in this film?
22:21Don't care about the woman who is a friend.
22:37I've heard about my dad.
22:39He said that Relja will be pushed until the end of the day.
22:42Yes!
22:46Kraljice, carice, thank you, Tate.
22:48Please, love me.
22:50Nothing.
22:50You know what she says?
22:51She said that the victim is funny and that everything will be okay.
22:54I really hate Relja.
22:56You know, she always makes these problems.
22:58And you know what I mean?
22:59What I think is that they will wait for all of us to do that.
23:03Only to be able to get the money.
23:04And, you know, they will be asking me to tell me,
23:05they will be able to find something that doesn't allow you to do with the food.
23:08And that they will be able to do that.
23:14And that they will be able to do it.
23:17And that the police will be able to do it.
23:28She's changing her, she's doing it immediately.
23:31Yes. You know what? When she comes to Banja Veštica,
23:35you just say, novinarčić, and she's gone.
23:38I can't even imagine her and her.
23:41Imagine the whole sadomaso story.
23:44She and that novinarčić.
23:47Imagine who knows what they're doing together.
23:50I don't want to imagine.
24:07It's from that film, right?
24:09And what does that mean?
24:12You know, you, Uroš.
24:14Many people know the name of our job.
24:16A woman has come to mind.
24:18Okay, friend, stop the drama, please.
24:20What time?
24:21What time?
24:22When you go to one place,
24:23when there's another person,
24:26another person, another person, another person,
24:28Okay, come on, let's start with the quotes from the film.
24:31What does Vito Corleone say?
24:33A woman can't be a woman
24:35if he doesn't spend enough time
24:37with his family.
24:39Vito Corleone is the same.
24:43And Velibor?
24:47I don't think that it was so easy there.
24:52It's not always.
24:55He has a good counsel for me.
24:58I have.
24:59I have.
25:02So, you'll be replaced with Clintons,
25:04who's from the Legia of Stranaca
25:06and who doesn't know the two streets in Beograd.
25:09Is that right?
25:10No, I'm sorry, I'm sorry.
25:11I'm sorry, I'm sorry.
25:12I'm sorry, I'm sorry.
25:12I'm sorry.
25:14I'm sorry.
25:15I'm sorry.
25:30I'm sorry.
25:31I'm sorry.
25:32No, no, I'm sorry.
25:44No.
25:45I'm the police inspector and the other girl.
25:47Yeah, the other girl. That's really nice.
25:51So who is the other girl who is talking about?
25:56No, he's our team from the company.
26:00He helps us marketer,
26:03to write a good text,
26:06so that we can't really talk about it.
26:09But I don't sound like you're talking about it.
26:12Do you know that my job is supposed to be a lie?
26:16No, don't worry.
26:19Hello.
26:21Where are you?
26:22I'm here to visit you,
26:25to give you a candle.
26:26I see that you're living with us here.
26:29And you might be a novinist.
26:34Let's go to the office,
26:36I'll tell you all together.
26:40Let's go.
26:40Let's go.
26:55And that's it?
26:56What is it, Britak?
26:58What is it like?
26:59Like there's a point.
26:59Tell me everything.
27:01Tell me everything.
27:02I want to know everything.
27:02I don't know everything.
27:03What is it like?
27:04What is it like?
27:06What is it like?
27:07No.
27:08I don't know.
27:09I'm on it.
27:10I'm on it.
27:11I'm on it.
27:13You know who I am.
27:14When I watch it, I don't leave it. I know everything.
27:18What happened and what happened.
27:21I've been waiting for a long time.
27:25I don't have it.
27:26Yes, I know, Panchi.
27:28I mean, it's all around the house,
27:31it's maybe the most interesting place.
27:34Yes, yes.
27:36It's a huge house.
27:38It's a huge house?
27:41It's like a building in the village in the village.
27:44It's not, but we're kind of used to it.
27:48Yes, it's true.
27:49I understand it. I read my life.
27:52It's true.
27:52It's true.
27:53It's true.
27:54It's like a big room, a house.
27:58It's like we're getting a little bit away.
28:02Who?
28:02I don't know.
28:03I don't know.
28:04I don't want to be.
28:05But we're not here.
28:07We're not here.
28:08We're not here, we're not here.
28:11We're not here, we're not here.
28:13We're not here, but we're here.
28:14I'm trying to be, and I think we're here,
28:19To the right.
28:20We're still here.
28:21I don't understand.
28:22Let's look at this place.
28:23This house is like a place.
28:24This place is like a Chinese one,
28:26and it's like five minutes.
28:28I know.
28:29All right.
28:30All right.
28:31Yes, I know. I don't know. I don't know what to say. I mean, maybe it's all a habit, but
28:40it's hard for me.
28:42It's hard for me?
28:42Yes, it's hard for me.
28:44It's hard for me.
28:44It's hard for me.
28:46Why do you work for me? Why do you work for me?
28:47Why do you work for me?
28:48Why do you work for me?
28:50It's what you're saying.
28:53Sorry, Panchi, I've come here because I have a lot of help with you.
28:57I'm waiting for you. What do you do?
29:02I'm waiting for you.
29:04I'm waiting for you.
29:20I can't wait for you.
29:23Thank you, Petrovic.
29:35I'm waiting for you.
29:39I'm waiting for you, brother.
29:40I know how many of you are waiting for you.
29:41I'm waiting for you for a while.
29:45You're not a fool.
29:47You've been thinking of it for a long time.
29:49I'm not a fool.
29:50I'm not a fool.
29:51But how do you go there?
29:53How do you go there?
29:54What are you playing?
29:55Shaha, Mice, Trule, Kobile.
29:57Zuce.
30:00It's like in the field.
30:02I'm honestly saying, I don't think I'm going to sleep for a long time.
30:06Really?
30:07Really, dear.
30:08I can't wait for you.
30:10I'm not sure.
30:11100% off.
30:12I'm not sure.
30:14Do you want to ask me all the time?
30:17Do you want to do something else?
30:20Do you want me to ask a question?
30:41No…
30:42Hmm?
30:44I said to you, I haven't seen anything, I don't know anyone, I haven't been anywhere.
30:52It doesn't cost me anything to try, you know.
30:56No, it doesn't cost you anything to try. I'll tell you, but it's a bad thing when you...
31:02You're just a stupid, dumbass man.
31:05It's a bad thing.
31:08Well, I just wanted to say that you're just a bad thing, but if you say that you're stupid...
31:14No, I've only learned a text.
31:15You know, from the last time.
31:17I've been thinking about it.
31:19So, if I want to ask you something, before you write your...
31:29How do you say it?
31:33Vokabular, like that.
31:35And that bad thing that you remember, that I know.
31:40I'll ask you something before.
31:47If I want to know God...
31:52Tanjuško.
32:11Alright, let me tell you.
32:16Wow, I believe that this story isn't just a� to this perfect format.
32:20Let me talk a bit about everything you can say about everything you see.
32:21I know that it has been too much to this sort of influence us in everything that occurred.
32:25Of course...
32:26How do you say something like a robot, but it would be a little bit like that.
32:33Yes, yes, I think.
32:37But you know how it works, that everything that happened,
32:42and what happened during that and after that,
32:45she started to spend time with Vukashina.
32:49And then she became fascinated by her and her profession.
32:55Yes, I believe.
32:57But no, Vukashin, the old Vuk.
33:01And he knows how he has a good heart.
33:05I mean, Masija has a good heart?
33:07Yes, he knows.
33:07But he knows that he has a good heart.
33:10And he knows that he has a good idea.
33:11Okay, what do you want from her?
33:15She doesn't have her own position.
33:18I don't understand what is the problem now.
33:22What is the problem now?
33:23The problem is that she turned herself into the head
33:25that she needs to be an inspector.
33:27No, a police officer in the office.
33:31What?
33:32Asija?
33:33Yes, yes.
33:34That's how I reacted.
33:37She couldn't do that.
33:39She's so beautiful.
33:41She's not that good.
33:42She's not that good.
33:43She's not that good.
33:44She's not that good.
33:44I know.
33:44I'm the same thing.
33:46I'm the same.
33:46They're the same.
33:47They're the same.
33:48How?
33:48I don't care.
33:50Because she's not a vegetarian, she doesn't eat meatball.
33:55How will she get to Jurca against the criminals?
33:57I know, I know, Panci.
33:59And that's why I thought that maybe you can call her like you.
34:03And when she starts to talk about everything about it,
34:06I pray that she just gave her that stupid idea.
34:11I'll write it down to the end.
34:13Just to get rid of my situation with my mind.
34:20Go, go, go.
34:31Go, go, go.
34:34Go, go.
34:35Go, go.
34:38Go, go.
34:39Stay here.
34:47Sit.
34:48What is this thing?
34:49What is this new job?
34:52What is this new job?
34:54I don't know.
34:56What is it?
34:57Abraising?
34:58Abraising?
34:59Abraising?
34:59Abraising in the criminals?
35:00I don't know.
35:01I don't know.
35:02I just wanted to take care of the criminals.
35:04the Parisian chalapac, and anything else.
35:07Where did I get to my job?
35:11Tell me, I wanted to make you out.
35:14I didn't have a candle.
35:15Okay, but you don't give me a candle, you only open the door.
35:20Vanja, I wanted to come to me,
35:22sorry to make me a nice guest
35:26and show you how I'm still with you.
35:29I wanted to make something unobased, romantic,
35:34But if it's stupid, nothing.
35:35No, no, no, no, it's not stupid.
35:37I'm really upset, but I'm surprised.
35:41You're surprised?
35:41Yes.
35:42And then suddenly, some newsletters
35:46wanted to ask you,
35:50will you give me the rules
35:52while I try to be Chancellor?
35:57First of all, you have to free those food,
36:00I don't understand.
36:01You have to make love like this.
36:03Why are you praising him?
36:05You can see that he's not only his own.
36:06Mariana, my happiness, my love,
36:09my destiny,
36:11take care of me.
36:25You are listening to me now.
36:29You are listening to me now.
36:34Oh, it's impossible.
36:38Even your parents are still alive.
36:53Who would you call me?
36:56How do you carry it to me?
36:59Yes, it's a counterattack.
37:01It's the best defense. I want to tell you what you're doing.
37:18I didn't expect you to expect.
37:33Sorry, Lukáš. Hello?
37:37Don't worry, listen. You have to hurry to come to the hotel.
37:42What is it? What are you doing?
37:44I don't know. Now I'm going to go.
37:47Okay, come on.
37:50I have to go because of the job.
38:03It's time for me to tell you something.
38:06Did you sell it?
38:07No, I didn't have a job. This is much bigger than...
38:11...Ariana?
38:12What did you do?
38:14My happiness is good.
38:20It's time for me to tell you something true and true.
38:36This thing you've done is so unfair that I don't have a word.
38:42You've ruined it. You've ruined it all.
38:46Look at this.
38:48I've been working for a long time.
38:51Until now, I'm not a career that two young colleagues make this kind of intrigue.
38:57This kind of intrigue is so very interesting.
39:07I have some thrilling acts because I don't have to appreciate it,
39:19The head of the head of the bed, and what I got for it?
39:23I only got the value of the juvenile face.
39:25Let me tell you, let me go.
39:45I said that it is my good
39:47that it is my illustration of it.
39:58I said that it is my illustration of it.
Comments