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A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
BUZZ EPISODE 53 | Farhan Tahir | 20 June 2026 | Bas Tera Saath Ho | ARY DIGITAL
Host: Hassan Choudary
Guest: Farhan Tahir
Watch Buzz every saturday at 9:00 PM only on ARY Digital!
#buzz #farhantahir #hassanchoudary #ARYDigital
BUZZ EPISODE 53 | Farhan Tahir | 20 June 2026 | Bas Tera Saath Ho | ARY DIGITAL
Host: Hassan Choudary
Guest: Farhan Tahir
Watch Buzz every saturday at 9:00 PM only on ARY Digital!
#buzz #farhantahir #hassanchoudary #ARYDigital
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FunTranscript
00:08and this is a buzz a very very very very special episode of buzz because i have with me someone
00:15jinn ko meinne itna dekha hai aur sara bahar ke tv ke oper dekha hai aaj kal hum unko
00:20aapne television screens ke oper bhi dekh rahe hai but he's somebody jinn ko meinne
00:23aapne saare favorite american tv shows mein dekha hai toh aaj ki ye jo conversation hai
00:28please uh i do apologize in advance us mein aapko eek fanboy nazar aayega because
00:33woh bhot sarai aise sawal poochhra hooga jio aise projekts se related jinn ko aapne bhi bhoht
00:38shokse dhekha hai uh unki age toh meinni uspe comment karunga but we've actually grown up
00:43watching all those amazing projects that he's been a part of i have with me pehle
00:48unne paakistan ka naam paakistan se bahar roshan kiya aur aaj kal woh paakistan mein apna loha
00:53manwa rahe hai faran tahir sahab salam hi sir how are you sir kya chala sir
00:57sir mein belgul thik haun aap kaise such a pleasure and such an honor to be chatting
01:01with you and mine as i've always said that i've been aapka program
01:05we get you know such a pleasure sir sir sir sir did you know that i've been
01:34There is no problem at home. There is no problem at home.
01:44You need to understand both the environment and the resources.
01:50You can't do the work that you have to do the work.
01:53You have to do the work that you have to do.
01:56No, there are resources there.
02:03You are very comfortable here.
02:06It's as if you never left.
02:07It's not like you have to do the work of Hollywood.
02:11No, no, no, no.
02:13You are doing a lot of work.
02:14That's the reason why.
02:16Look at the set.
02:18The set you keep so calm and peaceful.
02:21I think the work that you do on screen will be better.
02:26If you create tensions off screen.
02:30The audience is not very comfortable.
02:33It takes a few small things.
02:35That's why I always look at the set.
02:39Keep peaceful.
02:40Don't put things in your heart.
02:44Whatever you have to do, do it on the screen.
02:46Do it on the screen.
02:46Are you enjoying the process?
02:59Loving it.
03:00Loving it.
03:01I'm sure that it's quite different.
03:02It is.
03:03There is another thing.
03:04They say freedom of speech, freedom of speech, freedom of expression.
03:08That's fine.
03:09That is why you do some things.
03:12The fun is here that you have to be with it.
03:15You have to be with it.
03:16You have to be with it.
03:17In a restricted environment, in a restricted creativity.
03:20You have to be in a restricted environment.
03:20Yes.
03:21You have to be with it.
03:22You have to be with it.
03:24You can show something physically.
03:25Here you have to be with the tea and tea.
03:27Okay?
03:28That's its own fun.
03:29That's my fun.
03:30I think that creativity is more than ever.
03:33All the villains that you've played and now we're seeing you in a villainous role in Bustera Sath Ho.
03:39Yes sir.
03:40These villains and those villains obviously there's a lot of difference in them.
03:45But is it difficult to play these villains or easy?
03:48Look, one thing.
03:49Mursaleen.
03:50Mursaleen.
03:50One thing is that if you look at my resume,
03:54half and half are they positive characters and are they negative characters.
03:58Why do you stand out?
03:59Yes.
04:00People like bad boys.
04:02And you do the villains really well.
04:04Because I want to be like as a bad boy.
04:08So that's it.
04:09Okay, the second thing I've said before,
04:11that I'll never give any character negative or positive.
04:14Okay.
04:16Because when you come with that approach,
04:18you've removed many possibilities.
04:23Then you're the one that you've thought.
04:26You take the character as a person.
04:35You're the one that you've seen.
04:59And every person wears some pieces.
04:59Okay?
04:59So that's why it's not that you've opened up.
05:01You've got to be able to text it.
05:04So that's why our job is to take a little bit of a dial.
05:07So that the audience's opinion is that I've seen this character.
05:12Okay, what's the one that's done? Why did he do it?
05:14So I always watch it.
05:15And once you have to take a double action,
05:20this woman or the other one that you have seen this character.
05:21And you've seen this character as well,
05:25You've got to look at it.
05:26But in my opinion,
05:28there's a person who is playing this character.
05:31Once you're getting into the opening scene.
05:33You're going to get into the opening scene.
05:36You just took a moment
05:36I've taken a moment.
05:39Look at that.
05:40You're going to get into that character.
05:41And the first scene in that was what she's doing
05:42is that she's doing.
05:42So she's doing so.
05:43She's putting a paying attention.
05:43And the kids are getting money.
05:44to balance every situation.
05:47Yes, there are such a way.
05:50Where there is a person who comes from.
05:52He comes from personal or pressure.
05:55Now, he has its own justification.
06:00I have to say that every character,
06:02I have to say that every person,
06:05I have to say that
06:06that today I will be the worst person in the world.
06:09Unless you have to play a character.
06:13Every character has a justification.
06:15If they are good or bad,
06:18they are justified for that person.
06:23Yes.
06:25What is the end of the audience?
06:27That is the audience's work.
06:30If there is something bad,
06:32if there is something bad,
06:33if there is something bad,
06:34I am not doing bad.
06:36If there is something bad,
06:36I am not doing bad.
06:38And this is also the case.
06:40Some times,
06:40as you can see it,
06:41you have also said that
06:44you are good people.
06:45I have to say that you are good people.
06:47I have to say that you are good people.
06:48And the truth is that
06:49the end of the day comes to your father.
06:50It goes to the night.
06:51Yes, it goes to the night.
06:52Yes, it goes.
06:52He has kept his father.
06:53He has kept his love.
06:55He has kept his blessings.
06:58He has kept his blessings.
07:06He has kept his love with his children.
07:08And it should happen.
07:09I mean,
07:10I think there is a conversation
07:11that he has kept his love with his children.
07:13It is natural.
07:14But in the days of the days,
07:15he does a lot of blame.
07:17He does a lot of blame.
07:17He does a lot of blame.
07:18But he does a lot of blame.
07:19Okay?
07:20So,
07:21it may happen that after doing it,
07:22there is a guilt of guilt.
07:24That I have done a little bit of blame.
07:27Will we know,
07:28at some point,
07:29the back story
07:30that
07:30some of the people
07:32Yes, yes, yes.
07:33You will see that.
07:34And you will also see that
07:35you know,
07:36he has a justification.
07:38That I have stood in business.
07:41In this house,
07:42I have worked.
07:44Okay?
07:45So,
07:45he has his own justifications.
07:47He has a lot of pressure.
07:48He has a lot of pressure.
07:50He has a lot of pressure.
07:51He has a lot of pressure.
07:53And okay,
07:53sometimes he has not done well.
07:56He has strong.
07:59Sometimes he has a lot of pressure.
08:02Sometimes he has a lot of pressure.
08:03And he has also a lot of pressure.
08:05So,
08:06I think that
08:07if you are a lot of characters
08:09that are showing a lot of blame
08:14that are on one side,
08:15then,
08:16what is the value of that?
08:19Because he is in all people.
08:20So,
08:21I have to see this way.
08:24but that's your win exactly that's your win exactly sir
08:31i'm sorry i'm going to bring back your career trajectory again as well as well um iron man
08:38and star trek and you know the jungle book and my favorite lost and you know prison break and
08:45scandal and gray's anatomy and whatnot um is it your passion for acting that you are settling in
08:54well uh in the pakistan entertainment industry yeah is it because this is where you belong to
09:01and so you feel at home what is it both both dekho yaar mehne yee kaam mujhe yee pata hai
09:08that you will not guard me 6 foot in the ground you will not guard me good mediocre this is
09:15okay that's one thing the other thing is that we sometimes say that you are working there
09:20why are you working here you see work is work is work and now life is very global
09:27if i have learned something from there then this is my belief that i share it here and
09:32the other thing then i apply to you as a part of my life here you will learn something from
09:35us this is not one way street you are learning something from here from here and there is
09:40there is a way that happens here i see it here and there is also the way that this is
09:44where work is coming my life you have to understand that mystery is also the way that i have to
09:47make the mystery that i have to make the difference so this is my way that like my house
09:50i have to come back and i want to go back and i was going back and i have to
09:55go back and go back and
10:00How many times do they come?
10:02It's personal.
10:03That's a different thing.
10:05But when they come,
10:06then why do they leave this industry?
10:10And if we can do a good job
10:12then I think it would be
10:15it would be really
10:18unjust thing not to do it.
10:20Have you started now getting annoyed by this question?
10:22What question?
10:23People are asking,
10:24are you doing Hollywood?
10:26No, don't do it.
10:27But my point is,
10:30look,
10:33being able to work outside
10:34is very easy.
10:36If you want to do something better
10:38then you will have to put your hands in it.
10:42Okay?
10:44And again,
10:45my opinion is that
10:47every day you have said
10:48that I have mastered this,
10:51that day you will die of creativity.
10:52you will die of creativity.
10:55If you want to do this,
10:56then you will have to keep the whole life
10:58in the middle of the day.
10:59You will have to observe people.
11:01Okay?
11:02There is something that you can see
11:04that this person is like this.
11:06Let's file it in the brain.
11:07Okay?
11:08Our whole job is to observe
11:09and then take the observation
11:11and take the observation
11:12and put it in the way
11:14that people can connect with it.
11:16Hmm.
11:17So this is a game.
11:18This is a game
11:18that I play everywhere.
11:20If you have come here
11:21then you will have to see
11:22what a game is here.
11:23That's why
11:24I also talked about it.
11:26that I have to wait for a year
11:28and just wait for a year.
11:29To see
11:30what happens here?
11:32What happens here?
11:32If you come and get
11:33something that happens
11:34that's unfair.
11:36Come and see.
11:37Understand.
11:38Then you will have to go.
11:41You will have to go.
11:42You will have to go.
11:43Then you will have to go.
11:44Okay?
11:44What was your initial assessment
11:46of the work
11:47that you are here?
11:49My assessment
11:50and my complaint
11:51is that
11:53there is a lot of talent.
11:55There is talent.
11:56It is more than the talent.
11:58The talent.
11:58It is only our problem
11:59is that
12:00the genre is limited.
12:02We have to work on them.
12:04We have to work on them.
12:05We have to work on them.
12:06We have to work on them.
12:06That's because
12:08the artist
12:09doesn't get the chance
12:10to get the talent
12:12and the reporter
12:13to grow.
12:15So now
12:16you are going to go.
12:17The second problem
12:18is that
12:19the negative character
12:20or positive character is.
12:22No.
12:23Okay.
12:24So
12:24I don't have to see these things.
12:26Sorry, I'm sorry.
12:28It's a classic chicken and egg situation in a way.
12:31Because people often say that this is what the audience wants.
12:35We are making them.
12:37But you can also see that they can't make themselves.
12:41No, but when they get so popular in this genre,
12:46then people say that they are making them.
12:48They say that this is what the audience wants.
12:50Look, my friends are watching this.
12:55They go directly to the AC and open the computer or TV,
13:00and start the network.
13:02Which means that there is a demand.
13:04But they say that there is a niche audience.
13:06No, no.
13:09Look, the whole thing is that it is a business.
13:11The truth is.
13:13You keep on the shelf that you think you are watching.
13:17Now, let's see here.
13:18I say that here is a very big demographic.
13:23Young audience.
13:25My meaning is that young children are not a cartoon child.
13:28I'm talking about it.
13:29Young people like me.
13:30Yes, exactly.
13:32Now, there are some issues and problems.
13:39People in the late 20s, mid 20s, early 30s.
13:42Exactly.
13:43There are other issues.
13:44We need to address those issues.
13:47We need to address those issues.
13:48We need to address those issues.
13:48The whole thing is that children,
13:49you know, 18-20s,
13:52children's love.
13:53It's a marriage.
13:55It's a marriage.
13:56It's a marriage.
14:00It's a marriage.
14:10Okay?
14:10I'm just saying that our menu is expanding.
14:16It's expanding.
14:17It's expanding.
14:19It's expanding.
14:20If you make five or six different ways,
14:23you're doing it.
14:24You're doing it.
14:25You're doing it.
14:26You're doing it.
14:27But make some new things for people.
14:40You're doing it.
14:42Human rights.
14:43You're doing it.
14:43It's a marriage.
14:45You're doing it.
14:46You're doing it.
14:47And then,
14:48you're doing it.
14:49You're doing it.
14:50You're doing it.
14:55I don't want to go to the house, but he won't come inside.
15:01Shayan, what are you doing? Stop it, brother.
15:03Just do it, Pupo.
15:04He's a man in the house. He's a man dying.
15:08Ash, I've done that, but I just want to talk first.
15:11He doesn't have to do this.
15:13What did he do?
15:20Welcome back, Khawattino's Raat.
15:22I have with me the man, the Iron Man, Farhan Tahir.
15:24Sir, this is one of the perks of Pakistan's drama.
15:28This is the fact that the audience of the drama is insane.
15:31It's insane.
15:31It's insane.
15:33It's not just that you can see Pakistan.
15:35It's the world where the Hindi can understand the world.
15:38I've also seen it.
15:39I've seen it that there are many more captions.
15:43I've seen it.
15:45When you started the drama,
15:48you've noticed your fan-following.
15:50Absolutely.
15:51Because, look, the truth is that the people who are watching my work
15:55are a particular person who are watching my work.
15:56The people who are watching my work,
15:57the people who are watching my work.
15:58The people who are a common man,
16:00he doesn't see it.
16:01He suddenly says,
16:02who is a good-looking man?
16:05He's doing a great job.
16:06He didn't have to do it before.
16:08I don't know, Miss King.
16:09I don't know.
16:21Do you get amused at that?
16:22How do you react?
16:24Look, like,
16:26I and my brother Ali are coming out of the show.
16:30So, I'm sitting on the side of the show.
16:31I know that this person has earned his place here.
16:34So, you have to give the person the focus.
16:39Now, there are two or four people who are coming to me.
16:42You are a phenomenal actor.
16:51What a former.
16:52Mashallah.
16:53What is your friends doing?
16:54What I will do with you,
16:56and what they are doing...
16:57and every actor...
16:58A good job.
16:59Who does this little-looking work?
17:01They win?
17:02So, I asked him,
17:03I said,
17:04I've come up with a little competition.
17:07He is not a competition.
17:09Because it's the same as the segment.
17:11It's the same.
17:12It's the same.
17:12Father...
17:13My father and my son.
17:14That segment.
17:15So, it's not going to happen now...
17:17that's one of them.
17:19Who are they taking?
17:19Oh, man.
17:20The whole money is coming.
17:23That's not a problem.
17:25Secondly, we've always worked with him.
17:27I'm sitting there and asked him,
17:30what do I do?
17:31It's our dialogue.
17:34Now he's doing his fat suit.
17:39He said, I'm fat.
17:41I said, I've done fat.
17:43You need to brush your dog out.
17:46So that your mouth is big.
17:48This is all credit.
17:50No, no, no.
17:51I didn't mention it.
17:53I'll do that.
17:56So we have dialogue.
17:59Because we have to see how the quality of work is better.
18:04I always think that always the best idea should win.
18:09When I direct myself,
18:11I want the best idea to win.
18:15I want the best idea to win.
18:19Okay?
18:20We always have to see that when we go to work,
18:23or when we go to work,
18:25we leave our ego at home,
18:29or leave the door outside.
18:31When we go to work,
18:32then work should be top priority.
18:36This is what you have to offer your role in Pakistan.
18:42How did you learn from yourself?
18:45I'm very interested in that.
18:46That's what happened.
18:48Because our circle is always there.
18:51You know,
18:52it's always there.
18:53It's always there.
18:55It's always there.
18:56It's always there.
18:57It's always there.
18:59It's always there.
18:59It's always there.
18:59We all have to do this.
19:02I have to say that,
19:04I have to say that,
19:04and then I have to offer one thing,
19:07another thing.
19:08It's very easy.
19:09Re-entry.
19:10Yes.
19:11Re-entry or entry?
19:12Entry?
19:13I mean,
19:13I mean,
19:15nepotism,
19:15I mean,
19:16nepotism,
19:17if you have a justified nepotism,
19:20then you have to do it.
19:21You are saying that.
19:22You are saying that.
19:24I mean,
19:25nepotism,
19:26you will do one or two things.
19:28On the other side,
19:30you have to understand the audience
19:30that this is a good thing.
19:33Okay.
19:34Now,
19:34there is a doctor.
19:35Okay.
19:36His son is a doctor.
19:38So,
19:39the father will try to do it
19:40in a good place.
19:42Now,
19:42if your son is not a good doctor,
19:46then it is nepotism.
19:48And if you have to do it,
19:50then it is nepotism.
19:51Yes.
19:51But,
19:52to help one another,
19:54to help one another,
19:54to help one another,
19:55that is nepotism.
19:58Yes.
20:00It is necessary that,
20:00the rest of the people
20:01are still in Qatar.
20:03I understand that.
20:04But,
20:05in the same place,
20:06they will also favor your people.
20:09How do you offer them?
20:10What kind of clients
20:11are you starting to offer?
20:11I am going to offer you.
20:13Look,
20:14I am going to another channel.
20:17I am going to another channel.
20:17You are going to be a short politician.
20:18Right.
20:19Now,
20:20you are going to be a poor politician.
20:23You are going to be a poor child.
20:24I am going to be a poor child.
20:26I am going to be a poor child.
20:27I am going to be a poor child.
20:28The only three daughters.
20:29Oh!
20:30Okay.
20:30You 사atted in that way.
20:31That I am so proud
20:31that I am surgeon.
20:32I have 이건,
20:33I am only one of my soldiers
20:35Are you USEN asking me to tell me,
20:38if every kid has killed him.
20:39I mean,
20:40it is going to be a joke
20:40to just my children.
20:42If I amnees on the screen,
20:44not Messiah,
20:45not Messiah,
20:47I am gonna die.
20:49I will kill aliens, mythological creatures, shoot down in the bazaar.
20:57To die, it's also a fun thing that people remember.
21:00I don't have a difference in that.
21:01I've never seen a character in the script and seen how many lines are in it.
21:08Okay?
21:09You should have to be cut of character.
21:11Yes, yes, yes. What is that?
21:12You should have to be cut of character.
21:14You should have to be cut of two scenes.
21:15You should have to be cut.
21:16Within this landscape, someone in your mind,
21:19that you are such a character, you will have to be fun.
21:21Yes.
21:22There is no character.
21:24I just want to see it.
21:25My attempt to be that my father played three or four.
21:30Okay?
21:30Now, someone played a character.
21:32Yes, someone played a character.
21:34Okay?
21:36I mean, as much as I can give variety,
21:40and my hope is that people,
21:42the producers and directors,
21:44they will see this.
21:45Okay, man.
21:46You should have to do some kind of work
21:46in which there will be more challenges.
21:49I need a challenge.
21:51I need a challenge.
21:52I need a challenge.
21:53I don't need a job.
21:53I don't need a job.
21:54I always say,
21:55not all work is good work.
21:56Yeah.
21:58You do the work in which there will be fun.
22:00You think we are telling the kind of stories
22:03that would challenge actors and their skill set?
22:06As I said,
22:07just as I was saying,
22:09yes, it is challenging.
22:10But,
22:10until our genres are limited,
22:15there are new challenges.
22:18There is science fiction,
22:20there is horror,
22:21there is drama,
22:23there is comedy,
22:24everything is done.
22:24So,
22:25you will be changing.
22:27You will be changing.
22:27In the same way,
22:28there is theatre not much.
22:29Yes.
22:30I have been brought up for six months.
22:33There is a variety of challenges.
22:36There is challenges within the genres.
22:39Yeah.
22:40So,
22:40we need to expand this.
22:42This is my challenge.
22:44This is my challenge.
22:45Which is not a criticism,
22:46which is an analysis.
22:50How are you finding the actors here?
22:52I love them.
22:53Look,
22:54it's fun to be here.
22:55I have been there,
22:56when Ramadan comes,
22:58and you keep a kid at the table,
23:00and you keep a kid and a kid,
23:00it's time to take a kid.
23:02Here,
23:02the off screen conversations,
23:05are those conversations.
23:06Okay?
23:07It's very fun.
23:08It's fun to be here.
23:09It's fun to be here.
23:10It's fun to be here.
23:10It's fun to be here.
23:12It's fun to be here.
23:12It's fun to be here.
23:14It's fun to be here.
23:15You can grow your head in this way.
23:17You will work with yourself.
23:18But you did mention that we have a lot of talent.
23:20We have tons of talent.
23:22So these,
23:22who are our artists,
23:23who are working,
23:24are working in a very difficult situation,
23:25obviously,
23:26are working here.
23:28Do you think that their skill set is that
23:30if they get the opportunity internationally,
23:31if they get the opportunity,
23:32they can shine?
23:34Yes.
23:35I always think about Pakistanis,
23:38my firm belief is that
23:39you give the right environment
23:41and the right support.
23:43It will not only work.
23:45He or she will shine in it.
23:47He will excel.
23:48He will excel.
23:48You see,
23:49our doctors and engineers
23:50go outside.
23:52MashaAllah,
23:53they make names,
23:54because they get support.
23:56They get the environment.
23:58So,
23:59I think that if we go here,
24:03I bet you on my life
24:05that they will shine.
24:08And if we can help that,
24:10we should help that.
24:12Okay.
24:13And in the future, sir,
24:14can you do work on both sides?
24:17I heard you said,
24:18that you are now
24:18like this,
24:19technology is coming.
24:20Technology is coming.
24:21Now,
24:22I went to a series
24:23there,
24:24from here,
24:26and went to the house
24:27and went to the house.
24:28They are coming.
24:29It's already coming.
24:30it's coming.
24:31It's coming.
24:32I'm not going to do that.
24:36But it's coming.
24:37But you can do it.
24:39The way you can do it,
24:42the way you can do it.
24:57all the things we need to do is revive all these things.
25:01Yes, we need some support.
25:05This is a very good thing in the film city.
25:07I believe that we are doing this at high time.
25:10There is another issue that the film is the biggest issue.
25:15Look, there are hundreds of cinema theaters here.
25:20Yes, there are no screens.
25:22Now, if you think that the investor is the only money that can be released.
25:28This is a vicious cycle.
25:32How many tickets for the film?
25:35$1,000, $1,200, $1,200.
25:37A man who works on his own.
25:39He will buy his two children and his wife.
25:41He will also buy a popcorn and put a patrol.
25:46If you put 7,000, 8,000, 9,000 rupees on that,
25:51then how will the rest of the film go?
25:53I am saying that you need to make new places.
25:57You need to go to that class.
25:59But you need to make small, small, small theaters.
26:01You need to make 3,000, 4,000 rupees on your ticket.
26:04You need to make more money.
26:08Okay?
26:09We need to do the work only for the elite.
26:11We need to do the people.
26:11We need to make the full experience for the kids.
26:12The person's mood is tired.
26:16The person's mood is good.
26:16The person who works every day.
26:18We need to make a spirit for that.
26:20And, he will give him a chance to give him a moment to let him laugh
26:23for 2 minute moments.
26:23So he will forget his life and forget
26:25two minutes and sit sitting inside the other room and sit in the dark room.
26:29He will give him anything.
26:30It will be done.
26:31If we have to do this,
26:33this has to be a concerted effort
26:35by all of us
26:36you have to give some subsidies
26:39you have to give some subsidies
26:40you have to give some subsidies
26:42you have to give some subsidies
26:43if you have to make it
26:44you have to give some tax
26:46so if you have to give some incentive
26:48then I think this will be a job
26:50and because this is not such a new job
26:52this was before it was here
26:55if you have to talk about Lahore
26:57Abbott Road was the whole thing
26:59it was the enemies
27:00now the shopping mall
27:02we have to do it
27:04so we have to do it
27:05you think the audience
27:07can't accept entertainment
27:10as an industry
27:11or as an art form
27:12it is also hypocritical
27:14it is our unique relationship
27:17with entertainment
27:18with cinema and drama
27:19it is also that
27:20we are very shocked
27:22but we have to go to our children
27:23we have to say
27:26we have to do this
27:27but if it is a hit
27:28then it is ok
27:29then it is ok
27:29then it is ok
27:31it is a love-hate relationship
27:33it is ok
27:34there is also an old
27:35old
27:36new
27:36but you can tell me
27:40what kind of industry is
27:41in this industry
27:43if you look globally
27:45in America
27:45there is a war in the world
27:46and everything
27:47and entertainment
27:49is not finished
27:49but it has increased
27:51you can only see
27:52what trends are going on
27:55at that moment
27:55I will talk a little bit
27:56when the economy is down
27:57people want to see
27:59light-hearted things
28:01when the economy is doing
28:02good work
28:02you can also do drama
28:04and those things
28:05you can also do
28:06so you have to understand
28:07what is the trend
28:08what is the trend
28:09for the trend
28:09you work in that
28:10you have to slip
28:11you have to make money
28:13and make four big projects
28:14and take a small project
28:16and take a small project
28:17but then take a small project
28:18but then take a small project
28:18sir finally
28:20how do you see the future
28:22of Pakistan and entertainment industry
28:25now that you are a part of it
28:26my hope is that it's going to
28:27it's going to be a
28:30a smash hit
28:32Inshallah
28:32I feel like
28:33the other thing is
28:34what you were talking about
28:36the rest of the people
28:37are watching
28:37because Covid
28:38has solved our problem
28:41because we are going to
28:42see foreign films
28:42and we are going to see
28:43who will see
28:44who will see
28:45subtitle
28:46now we will see
28:47our eyes
28:48because we are sitting
28:50in Covid
28:50and we are going to see
28:50so it's not a victim
28:52so I feel like
28:54if we make such content
28:56yes
28:57we have to see
28:58the trend
28:59here
29:01because we are
29:02in our culture
29:02there are
29:04you go to Europe
29:05and there is no
29:06there
29:07we will see
29:09as a novelty
29:11but
29:12we have to see
29:13that
29:13I say
29:14one product
29:15is a domestic product
29:16in any industry
29:17one
29:18you say
29:18export quality product
29:20you have to
29:20understand it
29:22you don't sell it
29:23there
29:23you put jeans
29:25in there
29:25so we have to see
29:27that
29:27there are
29:28which genres
29:31that
29:31we can get
29:34from here
29:34in the end
29:36we have to see
29:37what is humanly relatable
29:40that
29:41what
29:42you put in the frame
29:43that is different
29:44and that
29:45it is necessary
29:46because
29:47there are people
29:48about us
29:49and about us
29:50about them
29:52preconceived ideas
29:53and
29:55we have to see
29:57that common denominator
29:58of humanity
29:59we have to show
30:00that
30:01there is cancer
30:02here
30:03people are dealing with
30:04there
30:04there is cancer
30:06too
30:06okay
30:07so
30:07when you make
30:08connectivity
30:09you make
30:10a bridge
30:10then things
30:11open up
30:12people
30:13reduce
30:14our media
30:16now
30:17fight
30:18after the war
30:18after the war
30:21you fight
30:22on the media
30:22you try to win
30:23the opinion
30:25if
30:25we have to win
30:26and win
30:27then
30:28we have to say
30:29that Hollywood
30:29is showing us
30:31there is no responsibility
30:33for us
30:34to show us
30:35in any light
30:36this is our responsibility
30:38this is our
30:39stories
30:39and we know
30:41how to listen
30:41so
30:42it is our responsibility
30:43to make stories
30:44and show us
30:45and share us
30:47and break
30:47those prejudices
30:48absolutely
30:49sir
30:50thank you so much
30:51sir
30:51it has been an absolute pleasure
30:53one of my best interviews
30:55did I say so myself
30:56very much
30:57sir
30:58Allah
30:59will keep you
30:59and as you will
31:01have to do more work
31:01I will have to do more
31:02I will have to do more
31:05on that note
31:06that
31:06to you
31:06we will wish you
31:08as I said
31:09one of my best interviews
31:10I hope that you will be
31:11very much
31:12and you will be
31:13in the next week
31:15you will be
31:15will be
31:16until you have to keep your
31:17your thoughts
31:17and keep your thoughts
31:18is
31:18love
31:19you
31:20will be
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