- 13 hours ago
- #buzz
- #buzzwithary
- #hassanchoudary
- #arydigital
Hassam Khan & Ahsan Afzal bring energy, laughter & candid conversations to the show.
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
Host: Hassan Choudary
Guest: Hassam Khan & Ahsan Afzal
Watch Buzz every saturday at 10 : 30 PM only on ARY Digital!
#Buzz #BuzzWithARY #HassanChoudary #ARYDigital
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
Host: Hassan Choudary
Guest: Hassam Khan & Ahsan Afzal
Watch Buzz every saturday at 10 : 30 PM only on ARY Digital!
#Buzz #BuzzWithARY #HassanChoudary #ARYDigital
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
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FunTranscript
00:00Hello, Assalamualaikum warahmatullahi wabarakatuh, my name is Hassan Chaudhry and this is Buzz.
00:13Buzz is a very interesting episode with you.
00:18This is why we will start this week's episode.
00:23Yes, this week's beginning, you can see the trailer.
00:30Power packed, fantastic trailer.
00:33Trailer launch.
00:35Trailer launch.
00:37Trailer launch.
00:40Star power.
00:42Film's full of cast.
00:44I'm sure that you will see a trailer launch.
00:47This is a very young director.
00:57One of probably the youngest directors we have in the country.
01:00Youngest film director in the country.
01:02They have got a teaser and told me about the film.
01:07If you have seen trailer trailer, you will have to think that in the film there will be so much.
01:13In the trailer, there will be so much.
01:15It feels like we will take time to take the time.
01:19It's been so much entertainment that we expect from the film.
01:23If we can see it, we can put our money in the film.
01:27We will die, Almaz.
01:31But I won't be an animal with you.
01:32You're eating it
01:34What?
01:35You're eating it
01:37Why are you eating it?
01:40Who will you die next time?
01:42Take a long time.
01:44I will not be a male.
01:46Who is that?
01:51You're dead.
01:52Marble set cutthroat
01:53Chaternay ke liye
01:54Tum jaysse loog mertte
01:56Aray, hum pahele hi marae wae
01:57Ami chaternay chutnay ko shawm nahi hain
01:59Aasta alayko
02:03Hab toho shair me koji khaale ni lieta
02:04Hiztad ki roti kya hoti ya, jaanthi bhi hai tu
02:06Aray, khaali na hiztad ki roti
02:07Mujhe hiztad ka pisa
02:09Hano
02:09Hiztad ka chikan
02:10Hiztad ka mutran kha na
02:12Chori, daaka
02:17Kya khaafi nahi hain yeh, yeh, sab ko
02:18Yeh tab tharke bhi haathen pouti kori
02:20Toh pelti, mujhe pelti
02:22Tere liye toh koii khulla na de
02:23Lekta hai tuffaan aane waala hai
02:36Chote sahab
02:37Mujhe maaf kerti chote sahab
02:40Chote sahab ka bhaut bada hai
02:45Ego
02:46Mujhe maaf kere ladele
02:50Yaan lita ka cheri aanth pahar dhunga meh
02:53Kya kya pahar dhunga?
02:54Aanth, interesting
02:56Mujhe maaf kere ladele
02:56Yaan lita ka cheri aanth pahar dhunga meh
02:57Kya kya pahar dhunga?
03:01Kya kya pahar dhunga?
03:08Aanth, interesting
03:11Aanth, interesting
03:26Come on, don't go!
03:30The film will be released on Easter and on Easter, as you know,
03:46we will remain a few weeks.
03:47Inshallah, the next week will start the Ramadan.
03:49And I'm going to tell you about Ramadan.
03:52The Ramadan 3D Press has a few weeks and some days after Ramadan.
03:57The Ramadan 3D Press has been ready for your moment
04:01I'm getting ready for Ramadan.
04:03This is a great time actually.
04:05The Ramadan 4D Press has been ready to go and get ready.
04:09But that's how you know, every Ramadan, ARY Digital for a long time is very important and very important programs.
04:18And this time, because Buzz and you have to join me, I hope that,
04:22Inshallah, Ramadan, we have to go to these programs, behind the scenes,
04:28its snippets, its sneak peeks, inshallah, Buzz will show you.
04:32So Buzz will be together.
04:34But I have to admit that I have to admit that I have to enjoy the scenes.
04:49You can enjoy the scenes or not enjoy the scenes.
04:52And what you think that I have to enjoy the end of Aira and Kamiyaar will be happy or not?
04:57This will be in the comments section.
04:59But we have to enjoy the scenes.
05:04Of course, we have to be a fan of Kaffeele.
05:06The fan of Kaffeele is also a fan of Ziba and Jamiyaar.
05:09And the kids are also a fan of Sif and Warda.
05:13If you are interested in Sif and Warda's track, you can see it?
05:16This is a very interesting story.
05:18Please, in the comments section, please tell me.
05:20And what you think about Jamiyaar and Ziba's relationship,
05:24this can continue to be done?
05:27This is a part of a episode that we have seen in this episode,
05:29that Jamiyaar has found the relationship from Jamiyaar.
05:31That's the reason that Jamiyaar has also found the relationship between Jamiyaar.
05:33That is the reason why Jamiyaar has also found the relationship between Jamiyaar.
05:35And in the other way, that scene that was so gut-frenching,
05:39when Jamiyaar comes to Jamiyaar, which is a relationship between Jamiyaar,
05:43Jamiyaar is also told that Jamiyaar is a card block.
05:45The card has 2-3,000.
05:48and then the child says that your job is to give me money, not to give me
05:53and you know, there are many stories in the comments section
05:57and many people say that this story is very relatable, of course it is very relatable
06:03and even throughout the episodes, I think that this story is very important
06:10but now the track is a little bit wider than it is
06:17so I don't understand that as a viewer I am confused as a viewer
06:21or the drama or the writing I am confused
06:24what are you talking about?
06:26I am sure in the comments section and of course we have also got a show
06:30which was a high note that I have started with you
06:33and many people like me now complain that drama is a drama
06:37but here are my videos, I already have a canal of the views and turns
06:43where I am at the same time, I have been aware of the viewers
06:45that I have one of my friends, I will be aware of the views and turns
06:48which will be interesting because I am aware of the views and turns
06:50where I am, which I talk about the views and turns
06:52when I am talking about the Turners
06:55today our bosses have been the buzzer
06:56where there are 2 boys that show up
06:58in the internal days, that I am not convinced
07:01and the audience is not a desire
07:02that this audience is a desire
07:03that this show up the audience
07:05percent کے کرداروں کے حوالے سے
07:06آگے چلتے ہوئے کیا فیصلہ لیں گے
07:08ہم بھی کوشش کریں گے کہ ان سے وہ
07:10information کسی طرح سے gather کرنے کی کوشش کریں
07:12تو میرے ساتھ please
07:14پرجوش استقبال کیجئے گا
07:16بس پہ آ رہے ہیں
07:18حسن عفضل خان اور حسام خان
07:20السلام علیکم
07:23حسن خان بوئیز
07:25کیسے ہیں حسن
07:25حسن
07:27بیٹھیں بیٹھیں
07:31کیسے میں نے کہا
07:33یہ جو دو شر پسند بوئیز ہیں
07:35دونوں پہ نظریں ٹکی
07:37وی آرڈینس کی کہ اب یہ کیا فیصلہ لیں گے
07:39اس موڑ پہ آج آپ دونوں آئے ہیں
07:41ہمارے شو پہ
07:43پہلا سوال یہ نہیں پوچھتے کہ آپ فیصلہ کیا لیں گے
07:45تو کہاں ہی ختم ہو جائے گی اور شو بھی ختم
07:47ہو جائے گا بجے یہ بتائیں کیسا فیڈ بیک ہے
07:49بھائی کیسا بحسوس کر رہے ہیں حسام آپ
07:51بہت ہی اچھا فیڈ بیک ہے
07:53مطلب میں نے
07:55ایکسپیکٹ کیا تھا
07:56اتنا نہیں کیا تھا
07:57مطلب ہر طرف سے پاری پہ مل رہی ہیں اور
08:00بس اللہ کا شکر ہے بہت اچھا فیڈ بیک ہے
08:03ایسن آپ کا کیا فیڈ بیک ہے
08:05میں ابھی تک کب میں نے جتنا کام کیا اس میں سے
08:07پروبیلی دی بیسٹ
08:09اچھا
08:09کیونکہ
08:10کافی کام کر لیا آپ نے
08:12کافی کام
08:13کافی کام
08:14کتنا کئی کر لیا ہوگا
08:16کافی کام
08:16فور پلیز
08:17فور پلیز
08:17فور پلیز
08:17فور پلیز
08:18فیڈ بیک ہے
08:19فیڈ بیک ہے
08:21بہت اچھا
08:22کہانی میں بہت انویسٹیڈ ہیں لوگ
08:23اور یہ وہ ڈراما ہے جو
08:26ہر طرح کا پوپلیشن سیگمنٹ دیکھ رہا ہے
08:28so i'm really happy with that
08:30آپ تو لیکیو ہے
08:31لوگ یہ بھی کہہ رہے ہیں کہ
08:32تھوڑا کھچ گیا ہے
08:33لبا ہو گیا
08:33آرڈینس انجوائی بھی تو کہہ رہی ہے
08:35پرفارمنس اچھی ہیں
08:37at least
08:37تو وہ تھوڑا سا آپ کو
08:39انٹریکٹ رکھتی ہیں
08:40آپ کو دیکھنے میں مجبور کرتی ہیں
08:42تو
08:43i don't think کہ اتنا وہ محسوس ہو رہا ہے زیادہ
08:46سام پہلے مجھے یہ بتائیں
08:47yes sir
08:48tell me something about your journey
08:49یہ کیسے شروع ہوئی
08:50ہم
08:51acting میں کیسے آیا آپ
08:52sir
08:54it's a tough journey
08:55پہلے تو مجھے
08:56بالکل بھی پتا نہیں تھا
08:59کہ مجھے ایکٹر بننا بھی ہے
09:00یا نہیں بننا
09:01اچھا
09:01دوستوں کے ساتھ
09:02چلے گئے تھے
09:03دوستوں کو پتا چلا
09:04کہ یار کوئی ایک coordinator ہے
09:06وہ شوٹس پہ لے کے جاتا
09:07اور پیسے بھی دیتا
09:08اور تفریقی تفریق ہو جاتی ہے
09:09تو میں چلا گیا وہاں پہ
09:11اور
09:12وہاں پہ میں نے دیکھا تو
09:13ایک الگ ڈائنیمک تھی
09:15کہ
09:15nobody is noticing me
09:18تو کیونکہ میں تھا بھی ایکٹراز میں
09:20اس میں
09:21تو میں نے سوچا
09:23کہ کیا کرنا چاہیے
09:24کیا کرنا چاہیے
09:25تھوڑا ایک دو سال انویسٹ کی
09:26اپنا آپ کو
09:27کچھ کمرشلز کیے
09:28سپورٹنگ لیڈ
09:30سیکنڈ لیڈ
09:30ایکٹراز
09:31پھر اس کے بعد
09:32مجھے
09:32اللہ کا کرنا یہ ہوا
09:33کہ انہوں نے مجھے
09:35بیج دیا
09:35انسٹیٹیوٹ
09:36تو میں آرٹس کونسل گیا
09:38وہاں پہ میں نے پڑھائی کی
09:39ایکٹنگ کی
09:39میں نے وہاں پہ
09:40پانس سے چھے سار
09:41تھیٹر کیا
09:42وہاں پہ
09:42سر میسم میرے جو تھے
09:44وہ ایچ او ڈی تھے
09:45تو میں تو چھوڑ کے جا رہا تھا
09:46پہلے سمسٹر کے بعد
09:47کہ
09:48گھر والے نہیں
09:49کہہ رہے کہ
09:50ابھی کہہ رہے کچھ کرو
09:51تو انہوں نے مجھے ایک سپورٹ دی
09:53انہوں نے بولا
09:54تم میں ہے کچھ
09:55تم رکو
09:56تو بس ان کی بات کو سن کے
09:58اور ان کی دور کو تھام کے
09:59بس چلتے رہے
10:00محنت کرتے رہے
10:01اور بس
10:01میں نے آپ کو
10:02سر میسم کے ہی ڈرامے میں
10:03پہلے دیکھا تھا
10:04پرورش میں
10:05but that was not your first drama
10:07اس سے پہلے آپ نے کیا ہے
10:08اس سے پہلے میں نے کافی
10:09کبھی میں کبھی تم میں
10:11میں نے فہد بے کے دوست کا
10:12کریکٹر کیا تھا
10:13چھوٹے چھوٹے
10:14کریکٹرز کافی کرتے کرتے
10:16پھر پرورش ایک ایسا
10:17ڈراما تھا
10:18جس کے بعد میں
10:18نوٹس ہوا لوگوں کو
10:20اور وہاں سے ایک
10:21الگ بوسٹ ملا
10:23اور لوگوں نے دیکھا
10:24کہ یہ بھی کوئی لڑکا ہے
10:25اور آپ لوگوں نے
10:26بڑا سراحہ
10:27حلمت آئی
10:28خون بڑا
10:29اس کے بعد پھر
10:30اللہ کا شکریہ ہوا
10:32کہ شر پسند آ گیا
10:33ایسن آپ کا تو
10:33دور دور سے
10:34کوئی تعلق نہیں
10:35انڈسٹری سے
10:35نہیں نہیں
10:36بلکل نہیں
10:36کوئی ہے ہی نہیں
10:37آپ کا تو
10:37نابغہ تعلق
10:40آپ کیسے آگئے انڈسٹری میں
10:41آپ کے لئے کیا تھا
10:42میں سے آگیا
10:43کہ واقعی جب آیا
10:44شروع پہ
10:45تو واقعی ایسے لگا
10:46کہ کوئی تعلق نہیں
10:46انڈسٹری سے
10:47کیونکہ
10:48پیپل بلیو می
10:50اور نوڈ
10:50شاید آپ بھی نہ مانے
10:51لیکن
10:52کام حاصل کرنے کیلئے
10:54کرنی پڑی
10:55سرکل
10:55میں مجھے اپنا پیلا ڈراما
10:57اے ایروا کے ساتھ
10:58ہی میں کیا تھا
10:59and i was
11:00i was in karachi
11:01میں موف کر گیا تھا
11:02for about good
11:03four or five months
11:04میں
11:05گیسٹ ہاؤس میں
11:05بیٹھ کے دیواریں ہی دیکھ رہا تھا
11:07four or five months
11:08four or five months
11:08ریمبو اور صاحبہ کے
11:10بیٹے اور پانچ منہ تک
11:12تم دیواریں دیکھ رہی تھے
11:13ایسا کیسے
11:13ہاں میں نہیں مان رہا
11:14بتاؤ بھئی
11:15کیسے
11:15ایسا کیسے ہو سکتا ہے
11:16i was in touch with producers
11:18i was in the loop
11:20of getting casted
11:21but it wasn't actually
11:22coming through
11:22it wasn't happening
11:23تو جو karachi
11:25کے پہلا
11:25میں نے ڈراما کیا تھا
11:26اس طرح مجھے ملا تھے
11:27کہ میں
11:27بقاعدہ طور پر
11:28ایک production house
11:29چلا گیا تھا
11:29اٹھ کے
11:30جن میں سے
11:31کسی کا
11:32نمبر میرے باس نہیں تھا
11:33کسی کو
11:33انفارم میں نے نہیں کیا تھا
11:34جا کے
11:34نوک کیا میں نے
11:35کہ بھائی میں
11:36لہور ساہم
11:36مجھے ایکٹنگ کرنی ہے
11:37انہوں نے کہا
11:38اچھا
11:39انہوں نے پہچانا
11:39کہ اچھا
11:40یہ ریمبو صاحب کے
11:40بیٹے ہیں شاید
11:41تو ایک یہ بس
11:43مجھے
11:43دروازے سے
11:44اندر انہوں نے آنے دیا
11:45اس وجہ سے
11:45کہ میں
11:45ان کا بیٹا ہوں
11:46اس کے بعد میری
11:48میٹنگ ہوئی
11:48اس کے بعد میرے
11:49کتنے ایک دو تین
11:50چار auditions
11:52ایک
11:53production house
11:55نے لیا
11:55ایک ڈریکٹر نے لیا
11:56ایک چینل کے پاس گیا
11:57پھر کسی دوسرے
11:58موڈ میں دوسرا
11:59سین دوبارہ چینل کے
12:00پاس گیا
12:00پھر جاگے
12:01میں گاست ہوا
12:02اور اس درامے سے
12:04تھوڑا
12:04اچھا
12:04critically acclaimed
12:06راوان تھا
12:06وہ اچھا ملا
12:07اچھا response
12:08ملا
12:08then i got more work
12:09and then
12:10تب سے لے کر
12:10اب ترین
12:11تھوڑی بہت چالی رہ گیا
12:12تو وہ جو
12:13ایک nepotism
12:14کی ڈیبیٹ
12:14وہ تو ختم کر دی
12:15آپ نے پورا
12:16وہ کہتے ہیں
12:17یہ کیا
12:18ریمبو اور
12:19صاحبہ کا بیٹا
12:20وہ محنت
12:21اس نے کہا کی ہوگی
12:21وہ تو آیا ہوگا
12:22ریمبو نے دو فون
12:23ملائے ہوگا
12:24صاحبہ جی نے
12:24ملائے ہوگا
12:25ایسا مجھے کہا
12:26لوگوں نے
12:36کہ کسی ہمیں
12:37ایسے بندے کی بات
12:38they've given
12:38about about
12:3930 to 35
12:39years of their life
12:41to this industry
12:41and they are big names
12:43they're legends
12:43اور
12:44لیکن ایسا ہے
12:45کہ جب کوئی
12:46نیا بندہ کام شروع کرتا
12:47تو اس کی اپنی جرنی ہوتی ہے
12:48وہ nepotism کا
12:50تیکھیں
12:50we can never answer that
12:52ٹھیک ہے
12:53اگر میں اس کا جواب نہیں
12:54دے سکتا
12:54لوگوں کو لگتا رے
12:55لگے
12:56لگے
12:56I cannot
12:58actually do anything
12:59about it
12:59what I can do
13:00is I can keep my head down
13:01and keep on working
13:02keep on working
13:02and maybe someday
13:03they'll realize
13:04کہ okay
13:05maybe this guy
13:05after your first
13:06second role
13:07has it helped you
13:09کہ
13:09اب تو پتا چل گی
13:11نا لوگوں کو
13:11کہ
13:12ریمبو صاحبہ کا بیٹا ہے
13:13تو
13:14چلو ٹھیک ہے
13:15ہم زیادہ ہو کریں
13:16اس وقت
13:16چاہید زیادہ
13:16لوگوں کو پتا بھی نہ ہو
13:17نہیں
13:18جتنا بھی
13:18آپ جو باقی کا کام
13:19مل رہا ہے
13:20وہ بھی اپنے بلبوتے پر
13:21مل رہا ہے
13:21ابھی تک
13:22ابھی تک کیا ہے کام
13:24چاہے وہ ایک
13:25add ہو
13:26یا ڈراما ہو
13:27یا
13:27کوئی مار
13:28فوٹو شوٹ ہو
13:29everything
13:29it all came to me
13:31because
13:31i was there
13:32at the right time
13:33and i asked for it
13:35or they thought
13:35i should do it
13:37اس میں
13:38ایسا
13:39جو آپ
13:39ایکسپیکٹ کر رہے ہیں
13:41ایسا کچھ نہیں ہوا تا
13:41ایک دو پلیس کرنے کے بعد بھی
13:43اس بنیاد پہ
13:45اگلا ڈراما ملا
13:46کہ پچھلے میں کیا کیا
13:47میں نے
13:48اس حساب سے رول ملا
13:50اسی طرح کا رول ملا
13:51اسی کیٹیگری کا رول ملا
13:52اچھا یہ interesting dynamic ہے
13:53because
13:54میرے نہیں خیال
13:54آپ کا کوئی دور دور تک تعلق ہے
13:56نہیں میرے دور دور تک
13:56کوئی تعلق ہے
13:57انڈسٹری میں کوئی آپ کا دور دور تک
13:58آپ کا
13:59ما شاء اللہ
13:59اتنا ایک تعلق ہے
14:00لیکن آپ دونوں کی جرنی میں
14:02چیلنجز ہیں
14:03ایسا نہیں ہے
14:04کہ
14:04مطلب
14:05آپ کو بھی کام مل گیا
14:06حالانکہ آپ کا تعلق نہیں ہے
14:07اور آپ کو بھی
14:09ایسا نہیں ہے
14:09کہ بہت آسانی سے مل گیا
14:11کیونکہ آپ کا تعلق ہے
14:12یہ بڑی مزے کی
14:13مجھے بات لگ رہی ہے
14:13لیکن اگر
14:14نپوٹیزم پہ ہوتا
14:16تو صرف ایک ڈراما ملتا
14:17کچھ ہے
14:18تبھی تو دوسرا ملا
14:19پھر تیسرا ملا
14:20پھر چوتا ملا
14:21اسی طرح
14:21اگر میں اپنی جرنی
14:24کے بارے میں دیکھوں
14:26تو اگر میں
14:27سیکھ کے نہیں آتا
14:28یا مجھے کام نہیں آتا
14:30تھوڑا بہت بھی
14:30نالج نہیں ہوتی
14:31مجھے
14:32تو شاید
14:32ایک ڈرامے کے بعد
14:33دوسرے ڈرامے
14:34مجھے
14:34وہ اتنا کنسیڈر نہیں کرتے
14:36یا اگر میں کسی
14:38سیٹ پہ گیا ہوں
14:39اور میں
14:39چار پانچ دن کے کام
14:41کے لیے بھی گیا ہوں
14:41لیکن
14:42پھر ڈریکٹر نے دیکھا
14:43کہ ہاں اس کو کام آتا ہے
14:44تو اس کو کنسیڈر کریں گے
14:45تو یہ
14:46وہی ہوتا ہے نا
14:47کہ آپ
14:48کوئی
14:48اس وجہ سے
14:49کہ
14:50کوئی کسی کا جاننے والا ہے
14:52تو اس کو
14:52لینا ہی لینا ہے
14:53نہیں وہ اپنا کام
14:54خراب نہیں کرے گا
14:54اگر کسی کو کام آتا ہوگا
14:56تو اسے کام ملے گا
14:57اسی طرح
14:57مجھے
14:58اگر تھوڑا بہت کام آتا ہے
14:59تو اس کے بعد
14:59وہ ریکنائز ہوا
15:00ایسن کو چار پانچ درامے
15:01ایسے ہی نہیں مل سکتے
15:02لیکن ایک ریورس بائس
15:04میں اکثر سنتا ہوں
15:06وہ یہ سنتا ہوں
15:06کہ یار جو
15:07آم
15:08آؤٹسائیڈرز ہیں
15:09ان کو
15:10بہت مشکل ہوتی ہے
15:11to break into the
15:13انڈسٹری
15:14because
15:14انڈسٹری میں
15:15یہ ہے کہ
15:16the انڈسٹری
15:17protects
15:17its people
15:19اور دروازے
15:20جو ہیں
15:20وہ آسانی سے
15:21کھلتے نہیں ہیں
15:22ایسے نے جیسے
15:23ایک ایزامپل دی
15:23کہ
15:23because
15:24he was
15:24ریمبو
15:24ان سائبہ
15:25سان
15:25تو وہ
15:25انٹری تو
15:26مل گئی
15:27اندر
15:28چلے گے
15:28آؤٹسائیڈر
15:29تو دروازے کے
15:30اندر بھی
15:30نہیں جا سکتا
15:31تو یہ
15:32مجھے بتائیں
15:32کہ یہ
15:32واقعی میں
15:33اتنا
15:33چیلنجنگ
15:34ہے
15:34because
15:34like
15:35you
15:35i also
15:36know
15:36a lot
15:36of
15:37other
15:37theater
15:37actors
15:38جنہوں نے
15:38theater
15:38پڑاو ہے
15:39سمجھاو ہے
15:40اور وہ
15:41مجھے یہی
15:41بولتے ہیں
15:42کہ ایسا
15:42نہیں ہے
15:42کام
15:43مل جاتا ہے
15:43کام
15:44مل جاتا ہے
15:44سر
15:44بالکل
15:45کام
15:45مل جاتا ہے
15:46آپ کی
15:46لگن
15:47ہونی
15:47چاہیے
15:47میں
15:47آپ کو
15:48بتاؤں
15:48اگر
15:49میں
15:49ایک
15:49بات
15:50notice
15:50کی
15:50اپنے
15:51گروپ
15:51کے
15:52لوگوں
15:52میں
15:52کہ
15:53تھوڑا
15:54کام
15:55آجاتا
15:55ہے
15:55تو
15:55وہ
15:55سمجھتا
15:56ان
15:56کو
15:56بہت
15:56کچھ آگیا
15:57صحیح
15:58اور
15:59پھر
15:59اس کے
16:00بعد
16:00ایک
16:00ایٹیٹیوٹ
16:01اور
16:02ایگو
16:02آجاتا ہے
16:02کہ
16:02ہم کیوں
16:03جائیں
16:03سر
16:04کوہ پیاسے
16:05کے پاس
16:05نہیں آتا
16:06پیاسے
16:06کو جانا
16:06پڑتا ہے
16:07بار بار
16:07جانا
16:07پڑتا ہے
16:08اور
16:09پھر
16:09ایک
16:09کمفرٹ
16:09زون
16:09ہو جاتا
16:10ہے
16:10ایک
16:10جگہ
16:11پہ
16:11کہ
16:11یہاں
16:12پہ
16:12ہم کام
16:13کر رہے ہیں
16:13چار
16:13پانچ
16:14لوگوں
16:14کے
16:26آگے
16:28اچھا
16:28کام
16:29کر رہے ہیں
16:29تو میری
16:29لئے
16:29انسپریشن
16:30وہ ہے
16:30میں
16:30ان کو
16:30دیکھتا
16:31ہوں
16:31اور
16:31انہوں نے
16:32کیا کیا
16:32انہوں نے
16:32اسی
16:33طرح
16:33مہنت کی
16:33جیسے
16:33میں
16:34انہوں سے
16:34پوچھ
16:34کے
16:35پھر
16:35میں
16:35وہ
16:35مہنت کی
16:36تو
16:36آپ کو
16:37مہنت
16:37کرنی
16:37پڑتی ہے
16:38ایک
16:38ٹائم
16:38لگتا ہے
16:39وقت
16:39لگتا ہے
16:39لیکن
16:39ہو جاتا ہے
16:40حسن
16:41میری
16:41میری
16:41ایک
16:41ڈیٹ سال کی
16:42لرننگ
16:42یہ ہے
16:42continuing
16:43on
16:44to
16:44اس
16:44پوئنٹ
16:45کہ
16:45کوئی
16:46سپیسیفک
16:46سٹریٹیجی
16:47نہیں
16:47کہ
16:47آپ
16:48سٹریٹیجیز
16:49کر سکو
16:49کہ
16:50یہ
16:50کرو
16:50کہ
16:50آپ
16:51کو
16:51کریئر
16:51میں
16:51پروگریشن
16:52ملے گی
16:52when
16:52it
16:53comes
16:53to
16:53acting
16:53کیونکہ
16:54theater
16:55background
16:55ہے
16:56نیپورٹیزم
16:56کا
16:57ٹاگ
16:57یہ
16:58چیزیں
16:58نہیں
16:58بھی
16:58ہوتی
16:59کچھ
16:59لوگ
16:59پاس
16:59ان کو
17:00پھر بھی
17:00کام
17:00ملتا
17:00کئی
17:01لوگ
17:01پاس
17:02تینوں
17:02چیزیں
17:02ہوتی
17:02پھر
17:03بھی
17:03کام
17:03نہیں
17:03ملتا
17:03یہ
17:04میں
17:04پہلے
17:05آج سے
17:05چھے
17:05مہینے
17:06پہلے
17:06میں
17:06بڑا
17:06چارٹ
17:07بنالی
17:07تھی
17:07یہ
17:08ہوتا ہے
17:08کمرشل
17:09سکسیسفل
17:09drama
17:10یہ
17:10کروں
17:11گا
17:11تو
17:11یہ
17:12کاروں
17:12تو
17:12فالورز
17:13ملیں
17:13گے
17:13کام
17:14ملے
17:14گا
17:15کچھ
17:16نہیں
17:16ہوتا
17:16ریسنٹلی
17:17ریلائز
17:17کہ
17:17بس
17:18کسمت
17:18ہوتی
17:18ہے
17:19سارا
17:20تو
17:20کسمت
17:20نہیں
17:20ہوتی
17:21ہمشور
17:21ہارا
17:22تو
17:22کسمت
17:22نہیں
17:22ہوتی
17:22لیکن
17:23ایک
17:25وہ
17:25فائنل
17:25لیرنگ
17:26ہوتی
17:26کسمت
17:26کی
17:27جو
17:27بندہ
17:28جس کا
17:28کونی
17:28کنیکشن
17:29نہیں
17:29ہے
17:29وہ
17:30اگر
17:30کوئی
17:30ایکٹر
17:30بننا
17:31چاہتا
17:31ہے
17:31تو
17:31پتہ
17:33نہیں
17:33آپ
17:33لوگ
17:33بتر
17:34بتا
17:34سکتے
17:34کہ
17:46ہمارے
17:47جو
17:47ڈریکٹرز
17:48ہیں
17:49یا
17:49پروڈیوسرز
17:49ہیں
17:50وہ
17:50آڈیشن
17:50کی
17:50کال
17:51دیں
17:51گے
17:51کہ
17:52ہمیں
17:52اس
17:52ایج
17:53گروپ
17:53کے
17:53ایکٹرز
17:54چاہیئے
17:54آپ آئیں
17:55آڈیشن
17:55کریں
17:55ہمارے
17:56ہاں
17:56تو
17:56ایسا
17:56نہیں
17:56ہوتا
17:57کوئی
17:57ایسا
17:57پروسس
17:57نہیں
17:58ہمارے
17:59یہ
18:00انسٹرگرام
18:00کے
18:00ثروح
18:00ہو سکتا
18:01ہے
18:01میں
18:02کہ
18:03اگر
18:04آپ کی
18:16دروازوں
18:17پہ
18:17ایک
18:17تو
18:18آپ
18:18نے
18:18جانا
18:18اوپر
18:19سے
18:19میں
18:20نے
18:20ایک
18:20جگہ
18:20آڈیشن
18:21دیا
18:21تھا
18:22اور
18:22وہاں
18:24پہ
18:24مجھے
18:24کال
18:25آئی
18:26اور
18:26بہت
18:26چھوٹا
18:27سین
18:27ملا
18:28مجھے
18:28میں
18:29گیا
18:29وہاں
18:29میرا
18:30دو
18:30دن
18:30کا
18:30کام
18:31تھا
18:31اور
18:31وہاں
18:32سے
18:32یہ
18:32ہوا
18:32کہ
18:33میں
18:33نے
18:33جب
18:33وہاں
18:33پہ
18:34کام
18:34کیا
18:35تو
18:35وہاں
18:36پہ
18:36میری
18:38اچھی
18:38دوستی
18:39ہو
18:39گئی
18:39دیریکٹر
18:39نے
18:40میری
18:40کام
18:40کو
18:40سرا
18:40ہا
18:41اس کے
18:42بعد
18:42جب
18:42وہ
18:42اس
18:43دیریکٹر
18:44کسی
18:45اور
18:45پروڈکشن
18:45ہاؤس
18:46میں
18:46کام
18:46کر
18:46رہا
18:47تھا
18:47تو
18:47وہاں
18:47پہ
18:48سلسلہ
18:51ہو
18:51گیا
18:51تو
18:52پھر
18:52جب
18:53ان کو
18:54ضرورت
18:54پڑی
18:54سرچ
18:55کی
18:55تو
18:55انہوں
18:55نے
18:55سوچا
18:56کہ
18:56کس
18:56کو
18:56بلا
18:56سکتا
18:57تو
19:06دوستی
19:08آپ کے
19:08be
19:09for
19:10men
19:11for
19:11boys
19:11and
19:12for
19:12girls
19:12Women
19:13are
19:14there
19:14any
19:14barriers
19:15to
19:15entry
19:15if
19:16you're
19:17a
19:17girl
19:18maybe
19:18it's
19:18more
19:19difficult
19:19is
19:19it
19:20easy
19:20if
19:20it's
19:20a
19:20boy
19:21کیا
19:21ہے
19:21یہ
19:21سینریو
19:22I
19:22think
19:23for
19:24all
19:24the
19:24problems
19:24that
19:25women
19:25face
19:25in
19:25our
19:25society
19:26acting
19:27is
19:27one
19:28which
19:28they
19:29have
19:30it
19:31a
19:31little
19:31easier
19:32as
19:32compared
19:33to
19:33boys
19:33which
19:33simple
19:34economic
19:34reason
19:35is
19:36that our stories are more female oriented.
19:39In a drama, there are 10 women and 3 women in a drama.
19:43So, there is already a demand for female actors here.
19:46Secondly, unfortunately, in our society,
19:49the arts and media can't understand the best in many places.
19:53So, there is no permission to the girls at home.
19:56That's why the supply of female actors is small.
20:00So, when there is a demand, there is a chance of getting casted.
20:03This child seems like a lump.
20:05This is a big lump.
20:08Because one person can recognize the other person.
20:11It's absolutely like that.
20:12So, this is a simple egnomics,
20:13which is why I think there is a relatively higher chance as a female to get casted.
20:17Aesan has said that there are more female oriented stories.
20:23Even in Sharpasan, you can see it.
20:25The girls are less, the girls are more comparatively.
20:29Although Sharpasan is a relatively male centric play.
20:32It is.
20:32But there are a lot of female characters.
20:36So, the male characters are most likely to be in our drama.
20:38Sharpasan is probably an exception.
20:39The one person is probably an exception.
20:40The one person is an exception.
20:42The one person is a very special character.
20:43So, this person is a very special character.
20:44It means that there is a very special character.
20:46Usually, when I talked about it, the man is also written by the woman.
20:49The female characters are written by the female characters.
20:51in the drama.
20:52So, already when the artist is less written for men,
20:56there will be a artist that will entice you and say this is a really good character.
21:03So, male actors, especially younger actors who struggle or have just broken into the industry,
21:08there will be a lot of limited choices, isn't it?
21:10Absolutely, I don't think that you would like to tell me.
21:14Don't you think, generally, our perception is that our female actors are really good?
21:18Yes.
21:19Is it right?
21:20Maybe that's because they have written a lot of performance margin.
21:24And such performance margin,
21:27they don't get the male actors.
21:30They get less written.
21:32But when they get written, they get it.
21:33But hold that thought,
21:35Khawati now, it's time for a break.
21:38When we will come back,
21:39Hossam and Hossam and Hossam will be a part of their relationship.
21:42Where are you going?
21:43Welcome back Khawati now,
21:44Hossam and Hossam will be a part of our relationship.
21:47When you came back to people, what have you decided to decide?
21:51Do you have to decide or do I have to do it?
21:54Or do I have to do it?
21:55Or do I have to do it?
21:56Or do I have to do it?
21:57Or do I have to do it?
21:58Yes.
21:59Yes.
22:00I think so, I don't know.
22:01But I was waiting for a moment.
22:03I was waiting for a moment.
22:04Now, Perverish was a good hit.
22:06And people had a great success.
22:08If you got it from Perverish, you got it?
22:10Are you sure?
22:11Yes, I think so, I don't know.
22:13But yes,
22:14because after Perverish,
22:16I was a big character.
22:18And it was very impactful.
22:20I remember when you came back.
22:22It's not like it was a lot of screen time.
22:24It was a little duration.
22:25But it was a little impact.
22:27There were very good scenes.
22:28It was a very impactful character.
22:30So, I was waiting for a moment.
22:32I was just wondering,
22:33that Perverish had so big for me.
22:35My time was very big.
22:36So, what's next?
22:37What's next?
22:38What's next?
22:39I called me from my iDream.
22:41So, I knew that I was a 49er.
22:42My son was also a share.
22:44I said, yes, I had to do it.
22:46I didn't know that he was a big character.
22:49I just told him that he was a character.
22:52And he said,
22:53where will you work?
22:54And I asked him,
22:55yes, I will.
22:56Please tell me.
22:57After that,
22:58I went to a meeting.
22:59In a meeting,
23:00after that,
23:01I explained my character.
23:03Okay.
23:04Is this your meeting?
23:06I mean,
23:07I was locked up.
23:08After that,
23:09when I went to a set,
23:10then,
23:11it was a half hour meeting.
23:12It was a meeting.
23:13It was my first day.
23:15It was a very important scene.
23:17It was a very intense scene.
23:20So,
23:21everyone was a little nervous.
23:22I didn't know.
23:23I was able to pull off.
23:24Which scene?
23:25The hospital.
23:26I was able to see everything.
23:29I took off.
23:30It's an admit.
23:31He is a whole.
23:32And I was boards.
23:33It was a whole..
23:34That was your first scene?
23:35Yeah, it was my first scene.
23:36That was my first scene.
23:37That was the first scene.
23:38It was the first scene.
23:40It was the first scene.
23:41That's right.
23:42Did you know exactly that scene?
23:43that this guy can do it or not
23:45so I was isolated
23:47with the scene
23:49I was sitting in the room
23:51and I was ready to do it
23:53and when the scene came back
23:55the associate said
23:57that there is a little pressure
23:59that you called it for the first scene
24:01that you called it for the first scene
24:03and then you keep a few hands
24:05I don't know where the story goes
24:07and I don't know
24:09so that he was standing there
24:11and then there was one
24:13that he was talking about
24:15that he was talking about
24:17he was assisting
24:19and he was talking about
24:21that he got a gut feeling
24:23that these people are trusting
24:25so now he will do it
24:27and then he took it
24:29and all his expressions
24:31he took it
24:33very good
24:35and then
24:37the first scene
24:39the first scene
24:41after that
24:43the bonding
24:45was a little advanced level
24:47that if we are doing a scene
24:49then what kind of treatment
24:51the director's confidence
24:53that the actor can deliver
24:55so this was the process
24:57good
24:59you thought
25:00where will I look at
25:01so many people
25:02no
25:03when I read his narration
25:05and you are also in New Zealand
25:06in the hostel
25:07yeah
25:08in the hostel
25:09but now
25:10if you give me a narration
25:11and ask me
25:13to choose which character
25:15I would still choose
25:16why
25:17because
25:19I think he is the underdog
25:21that would matter a lot
25:22at the end
25:23okay
25:24at the end
25:25if there is an end
25:27if there is an end
25:28if there is an end
25:29if we ever get to the end
25:30so I had a message
25:31that something big is coming up
25:33after Eid
25:34after the last year
25:35okay
25:36so just
25:37to see his dates
25:38what was his message
25:39from the production house
25:40we have Adil Suri brothers
25:41and he had a message
25:42I said
25:43okay
25:44when Eid came
25:45then I asked
25:46what date is
25:47he said
25:48yes
25:49I said
25:50office narration
25:51he narrated
25:53he narrated
25:54all of me
25:55and Minahil's track
25:57so there were such things
25:58I asked
25:59how many scenes
26:00with Ferasid
26:01he said
26:02three
26:03and I said
26:04okay
26:05and you knew
26:06who was playing Ferasid
26:07I knew
26:08who was playing Ferasid
26:09and how was the character
26:10in this character
26:11there were three characters
26:13which is Vali
26:14if you recall
26:15how many characters
26:16how many characters
26:17but when he was in New Zealand
26:18his tone
26:19body language
26:20was a little different
26:21he was a good child
26:22he was back
26:24it was a rebellious
26:25and people
26:26also have hatred
26:27and feel
26:28he was not
26:29he has confused
26:30he has a confusion
26:31but when
26:32his arc starts
26:33he will have
26:34anything else
26:35now you have given it away
26:36in my opinion
26:37no no
26:38people anticipate
26:39that the title
26:40is for the change
26:41to change
26:42no
26:43I have never said
26:44that
26:45you don't want to comment on it
26:46that
26:47is doing
26:48or not
26:49I should not comment on it
26:50should comment on it.
26:52If something happens,
26:53then he doesn't know how much time will happen.
26:55I don't know how many days are.
26:56But he always loved him.
26:58He was watching him alone in the episode.
27:01That's why I think it's a little confusion.
27:03Because I think it's genuine feelings.
27:06It's genuine feelings.
27:07When he was sitting in taxi in New Zealand,
27:09he was watching him.
27:09In New Zealand, there was a lot of talk about it.
27:12But it's like a girl.
27:15What will happen? What will happen?
27:16But in the future, there's a complication.
27:18That's the death of Hafsa's death.
27:19When this happened, when this happened,
27:21when this happened,
27:22the lily had no concern on his own.
27:25He had no concern for his own marriage.
27:28And he said,
27:28I'm going to get married with Minali.
27:30And his mother also said,
27:31that's the 40th anniversary of his daughter.
27:33All of this.
27:34All of this.
27:34What is this?
27:37The answer is that
27:39the only girl in a family is the only girl.
27:42He often has emotions.
27:44This is the answer to the answer.
27:45He has no idea.
27:46No, no, no.
27:47No, no, no.
27:48He doesn't express his emotions in common. He is alone, not his father, nor his brother.
27:55He does not have the luxury to be weak in front of his mom, especially who will be alone.
28:01Okay? He has eaten his eyes, he has eaten his eyes alone.
28:04When he didn't eat his eyes, he made his eyes alone.
28:08Okay? He has eaten his eyes alone.
28:10He was sitting on his eyes.
28:13He gave his mom a message.
28:15He doesn't show the world what he is going to do with it.
28:19But maybe you have hinted that he has a lot of pain in his wife.
28:26Especially when he got to meet Shazbin, he had said that he didn't know what to do with my wife.
28:33Eagle-eyed viewers also noted that he is up to something.
28:37Up to something is not true, but it was a pain in his wife.
28:41It was registered there.
28:42But all of them are saying that his wife's feelings, the excitement of marriage has been registered.
28:47So if you have a story, you will understand something.
28:50He will tell you.
28:51He will tell you.
28:52He will tell you.
28:53Why are you loving him, you are leading him?
28:58You are loving him?
28:59Yes.
29:00You are loving him.
29:01Where is he loving him?
29:02He is calling him, he is calling him, he is calling him, he is calling him, he is calling him.
29:06Thank you so much, you have called back.
29:09It was confusing me at the beginning of the beginning of the year.
29:13He is loving him from one time, so after that, he is ready for the rest of his life.
29:19And now he is going to take his life to the rest of his life.
29:23Sorry, I will address this too.
29:25The feedback that you told me about the whole hospital scene, obviously, you didn't write about it.
29:30But as the actor who is playing that character,
29:33it was so believable that his life turns into his life.
29:37A girl is in hospital and in gynecology ward.
29:41But Hamaad is a young girl.
29:44He did not try to investigate him.
29:47He could not do anything else.
29:50And he seems like a smart kid.
29:51It's not like that.
29:53I am sure.
29:54But he is a young man.
29:58And the first time he was not a love.
30:01He was a mother.
30:03He was a mother.
30:05He was a mother.
30:07And he was a father.
30:08He was a father.
30:10He was a mother.
30:11He was a mother.
30:12And now he is everything.
30:13And then another girl who loves her,
30:16he is according to her mother,
30:18she is desolated to her.
30:20So she is emotionally hurt.
30:22And then she said,
30:23let's go, let's go,
30:24she loves her with a mother.
30:26And now she is going to back off.
30:29Now my mother wants to do it.
30:32I'll do it.
30:34Because I didn't want it,
30:36I was trying to get my mother to get her.
30:38I said okay,
30:40I was so convinced,
30:42because my first marriage didn't have to be,
30:44my mother didn't have to be.
30:46If I wasn't convinced,
30:48one thing came to be.
30:50It's a flip side,
30:52when I wasn't convinced,
30:54and I was breaking up,
30:56then I was breaking up after that,
30:58why did I do that?
31:00It's been 6 months,
31:02you're doing it.
31:04That's exactly what you're doing in the zone.
31:06This character
31:08feels a little confused.
31:10It's a guilt.
31:12Yes,
31:14it feels like it's all because
31:16it's also happened,
31:18because you're saying that
31:20you need to investigate it,
31:22but it didn't do it.
31:24It's my mother,
31:26you have to do what to do,
31:28and I was saying that
31:30it's a hint that
31:32it's a hint that
31:34you have to do it.
31:36It didn't have to be so convinced,
31:38she said okay,
31:40I'm going to do it.
31:42I'm going to do it.
31:44I'm going to do it.
31:46I'm going to do it.
31:48I'm going to do it.
31:50I'm going to do it.
31:52I'm going to do it.
31:54I'm going to do it.
31:56You're looking at it.
31:58She's got a good question.
32:00She's got a good question.
32:02In human psychology,
32:04which are the most strong emotions?
32:06One is guilt,
32:08and when someone is oppressed,
32:10it's a response.
32:12Guilt, and when someone is oppressed,
32:14it's a response.
32:16He's an actor.
32:18He's an actor.
32:20He's an educational actor.
32:22He's an actor.
32:24He's an actor.
32:26He's an actor.
32:28Sometimes you've seen a joker.
32:30You've seen a taxi driver.
32:32Sometimes a person is good in the midst.
32:35But the loophole of society
32:38is always faced by doing it.
32:40It's imperfect.
32:42It's not in any point of story.
32:46It's not that anyone has claimed
32:48that he's a perfect character.
32:50He's a very good man.
32:51Nobody said that.
32:52It's grey characters.
32:54Human character is human.
32:56He's a human.
32:58He's a vulnerable.
33:00He can give it a society.
33:02The operation can give it a lot.
33:04He can give it a guilt.
33:06We're watching a lot of characters.
33:10When you were shooting,
33:14it would obviously not happen
33:16that all actors will be together.
33:18Do you have to shoot with whom?
33:20Do you have more scenes?
33:22Do you have to shoot with their friends?
33:24Yes, I've seen a lot of work.
33:26I've done a lot.
33:28You've seen a lot of them.
33:30I've seen a lot of them.
33:32I've seen a video call.
33:34I've seen a lot of them.
33:36I've seen a lot of them.
33:38Okay, how was the experience with Numan Ajax?
33:40Wonderful, wonderful. I learned a lot.
33:42I learned a lot about Numan.
33:44When your dialogue started,
33:46and when your dialogue ended,
33:48after and after,
33:50the split second is so important.
33:52It's very important.
33:54I learned Numan Ajax.
33:56Did you get a chance to work with whom?
33:58I have a lot of work with you.
34:00I have done a lot of work with you.
34:02I have done a lot of work with you.
34:04I have done a lot of work with you.
34:06I have done a lot of work with you.
34:08I have done a lot of work with you.
34:10How was your experience with Numan Ajax?
34:12They were very serious characters.
34:16I didn't know how they were personally.
34:18I had a chance to meet them.
34:20So, when I went to the set,
34:22I thought,
34:24this is a man.
34:26Now, I am very serious.
34:30Tell me what I am going to do.
34:32I don't do it.
34:34I have done a lot of work with you.
34:36I have done a lot of work with you.
34:38I have done a lot of work with you.
34:40If you are willing to ask them,
34:42then they will tell you the truth.
34:44Or,
34:46otherwise,
34:48they are all on.
34:50But I have learned a lot of things from them.
34:52I have learned a lot of things from them.
34:54When you are closed up,
34:56you don't have to move.
34:58Be still. If required.
35:00If you are required to move.
35:02Staying still in your clothes,
35:03you have learned from Numan.
35:04Yes.
35:05He has learned a lot.
35:06But they are always moving in the whole character.
35:08Yes.
35:09That would be like a scene,
35:10in my opinion.
35:11That when we were doing the scene,
35:12I should move.
35:13Look,
35:14his expressions are not moving.
35:16Yes.
35:17If you look at him,
35:18his eyes are doing the twitching.
35:21It's all of that.
35:22Physically,
35:23the whole body is not moving.
35:25I think that's what he meant.
35:27Yes.
35:28If you are closed up,
35:29you have to take a game with your expressions.
35:32I have the most fun in the scene,
35:37I will give everyone credit.
35:39He is very good.
35:41He is a very good performer.
35:43He is a very good performer.
35:44He is very good character.
35:45With that,
35:46I didn't know what to do with my scenes.
35:48I didn't know how to pull off.
35:49When I was reading the scenes,
35:50I was standing standing in wrong.
35:52And I said,
35:53how to do this?
35:54Because what is written,
35:55what is written,
35:56what is written in the imagination,
35:57it's very dangerous.
35:58You are also saying,
35:59that it's very dangerous.
36:00They are saying,
36:01that it's very dangerous.
36:02It's very important.
36:03When will it happen?
36:04The next 10.
36:05The next 10.
36:06The next 10.
36:07The next 10.
36:08The next story is very important.
36:09Good.
36:10Good.
36:11And also, shout out to Sabah also.
36:13Sabah is also.
36:14He made Minayal very well.
36:16Very well.
36:17They are contrasting characters.
36:18And I got a lot of energy.
36:20No, it's good.
36:21All of you,
36:22young actors,
36:23young pool of actors,
36:24with somebody like Numan Ajaz,
36:26Nadia Afghan,
36:27Seemee Pasha Sahibah.
36:28All of them are seniors.
36:30Mixed, Young,
36:31Hira, Afan, Harim.
36:33It's a big mixed-plate cast.
36:36Of course,
36:38you have seen a different shoot.
36:39All of them are all.
36:41Yes,
36:42It's a big synergy.
36:43That's why,
36:44I don't need to film drama.
36:45It's not very much.
36:46Yes,
36:47If you have seen a story,
36:48you can see a story.
36:49It's a big story.
36:50It's a huge story.
36:51It's a huge story.
36:52It's a huge story.
36:53The story is a huge story.
36:54It's a huge story.
36:55It's a huge story.
36:56It's a huge story.
36:57Yes,
36:58It's a huge story.
36:59If you had a character here, you would come here.
37:02Then the wave will be made.
37:05We will discuss the whole story.
37:07Then we will put the whole story together.
37:09Nice, nice, nice.
37:10So, all credit goes on to S&N.
37:13All credit goes on to S&N.
37:14All credit goes on to S&N.
37:16All credit goes on to S&N.
37:18All credit goes on to S&N.
37:21What's next for both of you?
37:23Is there any opportunities in the past?
37:25Calls are starting to come on?
37:26Sir, we are looking at some other good routes.
37:31And we are looking at a good light.
37:35But I think it will be a bit too far.
37:37It's not too far.
37:38So, people are considering.
37:41And people are considering better character, better craft or better graph.
37:47Besides, one project is going on.
37:50I'm very nervous now.
37:52Because one of the first few years,
37:54that after that, then Sharp Asan, the third one will be better.
37:59God will do that too.
38:00S&N, do you think you have arrived now?
38:03I don't have a feeling.
38:04My heart is saying that I don't have a debut.
38:06But...
38:07It's not even after 4 projects.
38:09It's not even after 4 projects.
38:11I will tell you.
38:13But right now I'm shooting.
38:15I think you have pretty much arrived.
38:16Yeah, I have.
38:17I mean now people know you.
38:19No, that's why I say yes.
38:21I have built a facial recognition publicly.
38:25That is true.
38:25And now within the industry also, I'm relatively much more...
38:28Yeah, you're recognized now.
38:29Much more recognized and well respected.
38:31But...
38:32It's the one who is for himself.
38:35It's the one who is arriving with a bang.
38:39It's a little change.
38:40It's a slow burn.
38:41People arrive slowly.
38:43So, I'll just say that...
38:45Sometimes people do work for a number of years and then they suddenly arrive.
38:50Yes, that's also.
38:51But I think one step at a time with each project,
38:54I arrive a little more than the last one.
38:56What's in the pipeline, if you don't know?
38:58I am shooting a love triangle.
39:00Okay.
39:01And it's a very different character as to...
39:03Compared to the ones that I've done before.
39:05God, don't you think about films in such a film?
39:09I'll do it in the future.
39:11There's a plan to do it in the future.
39:13There was an opportunity to do it in the future.
39:15I didn't do it for a few reasons.
39:17I thought I was focusing on the time on television.
39:19Then there will be a hero and then there will be a hero.
39:21Yes, there was a hero in the role.
39:23Okay.
39:24But I just felt like it's more appropriate to focus on television right now.
39:28Good, good.
39:29You have a lot of reach for our films.
39:31And beyond reach, just to polish yourself more and you know,
39:35give content to the audience.
39:38I think television is the right place to be right now.
39:41I will do films in the future.
39:43I don't know how to do it, but it's a manifestation.
39:46I will do it or do it.
39:47Good.
39:48I wish you both all the very best.
39:50I thought it was good to talk with you both.
39:53It's always a joy to have young actors, young talent on my show.
39:58And I hope that you will do a good job.
40:01Inshallah.
40:02Inshallah, inshallah, we will also have a chance to do it.
40:04Of course, on that note, we will have a chance to do it.
40:08Inshallah, we will have a chance to do it in the next few weeks.
40:10Until you will keep your heart, remember your heart.
40:14With that, first.
40:20And тогда,
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