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Nooray Zeeshan & Hania Ahmed bring fun conversations, energy & exclusive moments to the show!

Buzz — The Show That Talks!

A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.

Host: Hassan Choudary
Guest: Nooray Zeeshan & Hania Ahmed

Watch Buzz every saturday at 10 :00 PM only on ARY Digital!

#Buzz #BuzzWithARY #ARYDigital #kafeel

Category

😹
Fun
Transcript
00:06Hello, welcome to my name is Hasan Chaudhry and this is Buzz!
00:13Buzz's episode with a more episode, which we are prepared to represent.
00:26We didn't share our two episodes on the first two episodes, so today we will talk about those two episodes,
00:33because it is true, I haven't seen the three or four episodes.
00:37Dr. Baho's first two episodes really liked me, Meharine Jabarq's treatment was fantastic, especially the second episode, or the first
00:46episode of the end of the scene,
00:48it was 7 minutes, a single take shot, it was so beautiful, a big shout out to all the actors
00:55as well, and of course, Sonny Mehdi's writing was very realistic,
00:59it was very close to me, it was very good to see this drama on television screen, and I have
01:05a whole hope that Dr. Baho will be excited and his story will be hooked.
01:10I hope you will be very successful behind the cameras, that Dr. Baho's cast with you will be very soon,
01:17so just keep your hands up,
01:20and inşallah you will be very soon, Dr. Baho's favorite characters, and of course, actors, characters, you will play them,
01:27you will be very soon.
01:29This week, I'm finally reached our 52 episodes.
01:34A part of me is also thinking that 52 episodes are probably more than a drama for a prime time.
01:4252 episodes means that if you go every week, if you go every week, it's about 6 months of time.
01:48I have to say that in those 6 months, there were so many months, many weeks of time,
01:54where the show has been very entertaining, engaged and engaged,
01:58especially, the start of the process of the film.
02:01Back to the end, till the last shot, I want to say, that Fero has engaged, hooked,
02:07like Gaza has come together when it comes to a screen screen,
02:10and this model has been key to a screen.
02:11There is a lot of appreciation, or appreciation or appreciation or 9th part of this movie.
02:16Such a fabulous actor.
02:18Some of them have been being finished and allowed to deliver on the stage.
02:21Some of them have slipped on the stage with the performance.
02:24The film has slipped on the stage.
02:28حلے سے بدنام ہو کے نکالا گیا اور جو جو اس کے ساتھ tragedy ہوئی جو کہ اس کی بیٹیوں
02:34کے ساتھ
02:34ہوا جو گل اس کے بیٹے نے کھلایا اس کے باوجود فراست کی جو فطرت ہے وہ تبدیل
02:41نہیں ہوئی and i think there was a great message there as well ہم نے دیکھا کہ سنم اور فدا
02:45بھی
02:46ان کا جو track تھا وہ طلاق پہ ختم ہوا جا کے میں کچھ لوگوں کا feedback دیکھ رہا تھا
02:51ان کو یہ لگا کہ یہ تھوڑا سا excessive ہو گیا کیونکہ ہم already شازمین کا ایک
02:55ایسا relationship دیکھ چکے ہیں جہاں پہ شک کی وجہ سے شازمین کی شادی انجام
03:00تک نہیں پہنچتی تو شاید فدا اور سنم کا جو track تھا اس کی happy ending ہو
03:05جانی چاہیے تھی آپ کا اس کے بارے میں کیا opinion ہے میرے سے ضرور شیئر کیجئے
03:08گا بہرحال i do want to give a big shout out to sarah sadhain جنہوں نے یہ
03:12drama لکھا and of course also احسن تالش جب ہماری ان سے بات ہوئی تھی شرپسند کے
03:17set پہ ہم آپ کو لے کے گئے تھے تو انہوں نے کہا تھا کہ ان کا جو goal تھا
03:21وہ یہی
03:21تھا کہ اس ڈرامے کی کہانی جو کہ seemingly کافی ordinary ہے اس کا treatment
03:26ایک theatrical یا stage play کی طرح ہو and right till the end i think جو ان کا
03:31core مقصد تھا انہوں نے اس کو بہت خوبصورتی کے ساتھ achieve کیا
03:35so huge shout out to احسن تالش اور اگلے ہفتے شرپسند کی جگہ آپ لوگ
03:39دیکھنے جا رہے ہیں مرزا کی ہیر جس کو again احسن تالش نے ہی direct کیا ہے
03:44اور مرزا کی ہیر سے جڑے بہت سارے teasers آپ already دیکھ رہے ہیں کچھ
03:49teasers کو آپ لوگوں نے پسند کیا کچھ teasers کو دیکھ کے آپ کو یہ بھی
03:52لگا کہ ہم آپ کے ذہن میں کچھ سوالات آ رہے ہیں کہ یار یہ
03:55ڈراما کس چیز کے بارے میں اس کے میں جو کردار ہیں ان کے کیا
03:59actions ہونے والے ہیں تو آپ کوئی مسئلہ نہیں اگلے ہفتے جب پہلی
04:03دو episodes دیکھیں گے تو اس کے بعد نہ صرف آپ کے ساتھ میں اپنا
04:06تجزیہ شیئر کروں گا مجھے پوری امید ہے کہ آپ بھی اپنے
04:09comments کے طرح میں بتائیں گے آپ کو ڈراما کیسا لگا and of course
04:12جیسے میں ڈاکٹر بہو کے بارے میں کہہ رہا ہوں اسی طرح مرزا کی
04:15ہیر کی کاس کے ساتھ بھی آپ کی ملاقات کرائیں گے نہ صرف
04:18کاس کے ساتھ کوشش کریں گے کہ جیسے ہم پچھلے چند ہفتوں میں آپ
04:21کو بہت سارے ڈراموں کے سیٹس کے اوپر لے کے گئے ہیں اسی طرح ہم
04:25آپ کو مرزا کی ہیر اور ڈاکٹر بہو کے سیٹس کے اوپر بھی لے کے
04:28جائیں اس کے علاوہ آپ کا بہت سارا فیڈبیک آ رہا ہے بہت
04:32سارے اور اے آر وائے کے ڈراموں اور پروجیکس کو لے کے اس
04:36انٹرو میں اتنا وقت نہیں ہوتا کہ ہم سارے آپ کے فیڈبیک
04:38کو اڈریس کریں but rest assured آنے والے ہفتوں میں بز آپ کو
04:42بہت ساری latest updates کے ساتھ بتاتا رہے گا latest
04:46چیزوں کے بارے میں بتاتا رہے گا بڑی عید پہ بھی اے آر وائے
04:49کچھ فلمیں آپ کے لیے لے کے آ رہے ہیں وہ کون سی فلمیں
04:52شاید آپ کو اندازہ ہو مزید اس سے جڑی information بھی آپ کے
04:56ساتھ شیئر کریں گے فلال خواتین حضرات بقت ہوا چاہتا ہے
04:59آپ کو آج کے ہمارے گیس سے ملانے کا آپ نے notice کیا ہوگا
05:02میں نے انٹرو میں کفیل کی بات نہیں کی کفیل ہر ہفتے آپ لوگ
05:06بہت enjoy کر رہے ہیں اور جو constant ایک feedback کفیل کے
05:08بارے میں آ رہا ہے وہ یہی آ رہا ہے کہ آرڈینس اس کے ساتھ
05:11بہت relate کر رہی ہے especially now that zeba has walked out of that
05:17marriage with jamie لیکن کہیں نہیں آرڈینس کو یہ بھی ڈر لگ رہا ہے کہ
05:22کہیں زیبہ جامی کے پاس واپس تو نہیں چلی جائے گی میں آپ کو یہ
05:25confidence کے ساتھ کہہ سکتا ہوں کہ مجھے نہیں لگتا زیبہ جامی کے
05:29پاس واپس جائے گی لیکن ایسی کیا وجہ بنی کہ زیبہ نے یہ
05:33فیصلہ کیا کہ جامی کو وہ جویریہ کی شادی پہ invite کرے اور
05:37اپنا خلا کا فیصلہ فی الحال کے لیے واپس لے لے یہ سوال
05:41discuss کرنے کے لیے خواتین حضرات آج ہم نے جویریہ کو ہر
05:45سیلف یہاں پہ بلا لیا along with her sister تو آج آپ سے ملاقات
05:49کرائیں گے خفیل کی young cast کے ساتھ مجھے ہمیشہ بہت
05:51اچھا لگتا ہے جب ہم young actress کے ساتھ آپ کی ملاقات کرتے ہیں
05:54جب میں خود بھی ان سے ملتا ہوں بہت کچھ سیکھنے کو ملتا ہے
05:57تو خواتین حضرات میں چاہوں گا کہ آپ بھی young talent کو میرے
06:00ساتھ مل کر اپریشیٹ کریں اور warmly welcome کریں بس پہ آ رہی ہیں
06:04حانیہ احمد انورہ زیشان
06:07اسلام علیکم حانیہ نورے how are you guys
06:10please have a seat thank you for coming to my show
06:13thank you so much for inviting
06:16absolute pleasure
06:17پیچھے آپ کی تصویریں لگی ہیں
06:18چاہے ہیں آپ لوگ سکرین کے اوپر آج کل
06:21کیا لگ رہے ہیں
06:22بہت اچھا لگ رہے ہیں
06:23اتنا اچھا فیدبک کر رہے ہیں
06:25ہر طرف سے
06:26it's overwhelming
06:27ایک دم سے پھر یہ بھی لوگ بولنے پھر وہ بھی لوگ بولنے
06:30it's really overwhelming
06:31اچھا مجھے انڈویجولی تھوڑا سپنی اپنی جنریز کے بارے میں بتائیں
06:34آپ کو تو ماشاءاللہ
06:35despite being so young
06:37already 6-7 سال ہوگی ہیں
06:38acting کے لئے
06:39this is your second year
06:40آپ کا پرورش سے دبیو ہوا
06:43تو پہلے آپ بتائیں آپ سینئر ہیں
06:45اس ماملے میں
06:47سینئر ایکٹر آپ بتائیں کہ
06:48آپ کا یہ کیسے
06:49مطلب
06:49you've been acting since you were 9
06:51yes since i was 9
06:52میرے بابا کے فرنڈ تھی
06:53میڈے انڈیسٹری میں
06:54انہوں نے نے میڈے
06:55میں گئی آدیشن کے لیے
06:57اسی وقت کوئی ستل شوٹ ہوگی
06:58وہ ستل شوٹ کی
06:59اگلے دن بل بورڈ بھی آگیا
07:00ہر جگہ
07:02i was like oh my god
07:03یہ تو میں ہوں
07:03مام بابا سف کیا
07:05ایک ساتھ ایک سوٹ کیا
07:06اس طرح کٹے کردے
07:07دراما سٹر کر
07:07i started with commercials
07:08ایک شوٹ
07:09پھر دراما سے
07:10اور اب
07:11تو how old were you
07:12when you faced
07:13camera for acting
07:14the first time ever
07:15i think i was 10
07:17you were 10
07:18yeah
07:18تو دس سال کے بچے
07:19کیا بتائیں
07:20ایکٹنگ کے بارے
07:20آپ کو کھڑا کر دیا
07:22کے سامرے
07:23تو میں نے اسے
07:24میرے تو
07:26انجوائیمنٹ تھی
07:27نا جانتی
07:28اتنا پتہ نہیں
07:28تو فکر
07:29تو فر می
07:29it was like
07:30You know, meeting new people, having fun on set and stuff.
07:33And which drama was it?
07:34I don't know this too.
07:35It doesn't even remember?
07:36It doesn't even remember your debut scene?
07:38No.
07:39Wow, wow, wow.
07:40Your debut, we all remember.
07:42Perverish.
07:43How did it come to you?
07:46How did it come to you in acting?
07:48I was on a set before.
07:49Meesam was directing that drama.
07:51So I was on a set for that role.
07:53But I didn't get that role.
07:54Because I wasn't that good at acting before.
07:56Which one was it? Mairi?
07:58Yeah.
07:58After that, Meesam said to me that I will reach you.
08:03Because I am acting.
08:04And Meesam says that if I am not saying anything,
08:07I am just watching you, I speak.
08:09My eyes are in my eyes.
08:11So they had an eye that was in my eyes.
08:13So they had an eye that was in my eyes.
08:16And they had an eye that was in my eyes.
08:18So after that, they called me and said that this is it.
08:21I gave him an audition.
08:22And he was like, yeah, come on.
08:24So after that, I had perverish.
08:26And how was the perverish feedback?
08:28I know that it was very good.
08:30But how did you personally get the feedback?
08:32But first, I didn't expect that Anya would get so much hype.
08:37Because I was new at this drama thing.
08:39It was my first drama.
08:40So I didn't know how much it was.
08:42I didn't know how much it was happening.
08:43And then we will get to the pictures.
08:45And then we will get to the fan pages.
08:47So when I saw it, I was like, okay, this is mine.
08:55It was hard to believe that I am getting this fame.
08:59So with your permission, if I am allowed to disclose your age, you are both 16.
09:05You have publicly told me before.
09:07And I have also asked you and revealed it.
09:1016 is, I mean, it's a very, very young age.
09:14I don't remember that I was 16 or 16 years ago and what I was doing.
09:17And mashallah, already you have a popularity.
09:21And you are working with big actors.
09:24And you are working with young people.
09:25So how does a 16 year old cope and deal with all of this?
09:30Anya?
09:31First, I have a habit of working with my childhood.
09:34You are saying that you are like, that you are done.
09:37Now let's go, child.
09:39But I have been working with nine years old.
09:41So I have a habit of having a habit.
09:42And also, this is a good skill that I can manage a lot of things at once.
09:47So I am very multitasking.
09:48I have my CIs on my side.
09:50Of course.
09:51Of course.
09:52I have my CIs on my side.
09:53I am working with my shoots.
09:54I have so many hobbies.
09:56I sketch, I paint, I play badminton.
09:58I do a lot of stuff.
09:59So I manage it.
10:01It's easy.
10:01How do you manage it?
10:03How do you manage it?
10:03I think we both are workaholic as well.
10:06Yeah.
10:06So we like it.
10:07At 16?
10:08Yeah.
10:09I know that you are workaholic in the age of 16.
10:12Today's generation is a lot further.
10:13What awareness is that.
10:15So you, friends and classmates,
10:19all of you are working with hard work.
10:20All of us work together in our fields and passions.
10:24All of us are very ambitious.
10:25All of us are doing it already?
10:26Yes.
10:26All of us are very ambitious.
10:27Also, parents are very supportive.
10:29Yeah.
10:29So that's the main thing.
10:31If parents are supporting them, we are there with us.
10:33Is it not like a sudden overwhelming feeling that when you come on TV and your drama is very hit
10:41or your character resonates with the audience.
10:44Like you are saying that people want pictures with you outside and people want pictures with you.
10:48So at any age, it can be a little daunting.
10:51What is this? I am not prepared for this.
10:55So, have you ever come this feeling that I am not so well equipped to handle all of this?
11:00Noori, tell me first.
11:01I am shocked from childhood and I was prepared for this since my whole life.
11:08Sivir, sorry I apologize.
11:10You are saying that you are saying that you guys are about 16.
11:16I have told many interviews that when I was little I used to have a red lipstick and I used
11:22to do acting in my mirror.
11:23And I pretended that oh my god, Papa Raji is here.
11:27Who was your inspiration during that phase?
11:30Yourself?
11:31Yeah.
11:32But who did you see actors?
11:34Mahira Khan.
12:00Mahira Khan.
12:00I was just asking you both.
12:03It's not like you have formal training in acting.
12:06Is this a lead?
12:07No.
12:07Because we have institutes where people go to acting.
12:11But I did a short course in art council theatre.
12:13Okay.
12:14So, I learned a lot of stuff there.
12:16So, what was that short course about?
12:18How was that?
12:18It was theatre.
12:19I did theatre.
12:21They told me how to act.
12:23In theatre it is very different.
12:25But there were my voice classes.
12:27When you talk about it, you talk through your stomach or your throat.
12:32Because if you talk through your throat and you cough.
12:34If you talk about it, it will get worse.
12:36And then you can't cope up with the scene anymore.
12:39But when you speak with your stomach, you can go long term.
12:43And for that to speak for your stomach, you have to do exercises for weeks and months.
12:47After that, you can breathe from your stomach.
12:51So, I did voice classes, acting classes, theatre.
12:54This is very nice.
12:56But acting is such a profession.
12:59I get to speak to a lot of actors.
13:01That this is an ongoing process and you continue to learn.
13:05Right?
13:05So, at this stage of your career, you have done 6-7 years of work.
13:10But I suppose, whatever roles you want to do with age and time,
13:14you will get more prominent roles and efforts.
13:20Similarly, for you as well.
13:22To prepare those roles or to make your acting skills better,
13:27what are you doing now?
13:30Because I am growing up, I watch dramas.
13:33So, I am watching a lot of dramas.
13:35I am very inspired by Sahar Khan, Sahajal Ali.
13:39So, I follow both of them.
13:41I watch their acting.
13:42Mama especially, who is my script,
13:45I see every scene of Mama's acting.
13:48Mama corrects me that you can see here.
13:50And then the directors, of course.
13:51It also happens to me that we are going to meet every scene.
13:55But Mama doesn't correct the expression, I have seen it.
13:57Yes, it is.
13:58She is still eating.
13:59She is not eating.
14:00What is the reason for her?
14:02She said to me that I am saying that I am doing the expression.
14:03So, I do practice a lot.
14:05I do practice a lot.
14:08I do practice a lot.
14:08But I think more time by time.
14:09Okay, more time by time.
14:10I do practice a lot.
14:11What is your process like that?
14:13What is your process like that?
14:14He was a layered character.
14:17It wasn't that straightforward.
14:18And he was a complex character too.
14:21The first character you are playing on the screen.
14:24What did you do for the preparation of that?
14:27What did you do for the preparation of that?
14:29First of all, I saw my character as a person.
14:31What is the character doing?
14:32What is the character doing?
14:32How is the character sitting?
14:34How is the character doing?
14:36How is the character doing?
14:36And after that, I hung out with people who are like that.
14:43And when I was on scene, I remember that my character and the people who are together with my character.
14:53What would they do?
14:54So I go and I see and then I act like that in front of the camera.
14:59And I write down that this is my character.
15:02This is the one who does it.
15:03And I bring life into the character.
15:06Like I make a human.
15:09And when I am ready, when I show the director,
15:11Then after that, I will portray it in front of the camera.
15:15And what is the process for now?
15:16When you have new roles offered, like Kaffeele has been offered.
15:19So what is the process for now?
15:21You also send your mom to your mom.
15:23Who share the script with you?
15:24Who makes your decision?
15:26Yes, this is a good script.
15:28I am sure that after you will have many scripts.
15:30If you chose Kaffeele, I chose Jaberia.
15:33What was the reason behind it?
15:35And who helps you to decide if you do it or not?
15:38There are scripts.
15:39I and my mom are sitting together.
15:41When we read, we see, is it good for what I am doing right now?
15:44I have seen and studied.
15:46And Kaffeele, I think it should be portrayed out.
15:50Kaffeele is a story of every house.
15:51And it is very normalized.
15:53So it should not be normalized.
15:54And it is such a drama.
15:55So I was like, yeah, let's go for it.
15:57It should be a drama.
15:58It should be a drama.
16:00It should be a drama that the problems of the house
16:02should be outside.
16:03It should not be normalized.
16:05So that's why I thought I should do that.
16:08And this is a similar process.
16:09Does my mom decide to do it or you decide to do it?
16:25No.
16:25It should be a drama that the characters are my age appropriate.
16:28So we decide to do it.
16:30Then we give the script to me.
16:32But we don't have to clash with it.
16:33We don't have to watch it or not.
16:35If you're comfortable with it.
16:36Then we give the script to me.
16:37Then we give the script to me.
16:38Then we give the script to me.
16:40Okay, so you have a term called age-appropriate characters.
16:44Nooray, I'm watching some conversation with your character.
16:50This is an actor who is 15-16 years old.
16:53And the actor who is playing a 16-year-old in the drama.
16:56Right?
16:56Yeah, of course.
16:57This is not well defined.
16:58But what will your character's age be?
17:01My age is mine.
17:03But you're older.
17:05She's 20-21.
17:07Javiria is 20-21.
17:09So the conversation is that how appropriate is it?
17:12And it's not just you and Kafir.
17:13I generally do this conversation.
17:15Because mashallah, there are a lot of young, talented actors in front of me.
17:22So generally, a conversation is going on.
17:25Kids who are 14-15.
17:26When they cast it,
17:28Is it appropriate?
17:29Is it okay?
17:30It's a debate.
17:31It's an ongoing debate.
17:32So I just wanted your opinion on it.
17:33How appropriate and inappropriate do you think that is?
17:36Because as you're telling me,
17:37your parents are very mindful about that.
17:39It's on both sides.
17:40Everyone has different POEs.
17:41My parents are very conscious about what I'm doing on character.
17:46My family watch all my projects.
17:49So they all see who character is.
17:52It's not in any character.
17:53It's not in any other character.
17:55So they're very conscious, very mindful and very concerned about it.
17:59So in my family, it's very appropriate age.
18:02As much as you can do characters.
18:04After 18, we'll start making great characters.
18:07So it's my opinion.
18:09Your take is that it's a character.
18:13You're an actor.
18:13Your job is to act out a character.
18:16So if you have a director, writer, producers offer a character,
18:19then you'll have to think about it.
18:21As an actor, it's your job to just do that character.
18:23Yeah, if I'm fitting into that character,
18:25I would say that I would do it.
18:27And Javeria was one of the characters that I wanted to know.
18:32And I also wanted to be Javeria, be a part of Kafeel.
18:37And when I got Javeria, I said yes, I wanted to act.
18:39So as the actor who was playing Javeria, because in your previous project,
18:43the Parvarish, your character was your age, I suppose.
18:47Were you, as the actor who was playing this character,
18:50did you feel uncomfortable at any stage?
18:52That I'm acting out in my scene,
18:55as an actor who's playing this character, I'm feeling a bit uncomfortable.
19:00As Aniya or as Javeria?
19:01As Javeria, in Kafeel.
19:03It was kind of strange that I'm 16 years old and I'm, you know,
19:07I'm a dhulan, but it was kind of strange.
19:09But then I also saw this as my acting, as my work,
19:12that this is what I do, I act.
19:15So then I was like, yeah, I just work professionally and I act.
19:19Khawateen, ladies and gentlemen, Aniya and Nooray are going through Gufthugu.
19:22You don't want to meet you after a very short break.
19:26Welcome back, Khawateen and gentlemen.
19:28Young actors are still there for them,
19:31and I hope that you will learn a lot of things.
19:33Yes.
19:34So when Kafeel came to you, obviously there are 3-4 siblings,
19:403 daughters, 1 brother,
19:42and a little introduction of your characters was also in the latter half.
19:46I think after 10 episodes.
19:48Yes, after 10 episodes.
19:48After 10 episodes.
19:49So this was a concern,
19:51and when I remember feedback,
19:53a lot of people said,
19:54what happened to this story?
19:55We didn't sign up,
19:57we were watching a lot of drama.
19:59What happened?
20:00There were so many negative feedbacks,
20:01and we were thinking,
20:03what happened to our episode?
20:05Why did we all say that?
20:05So it didn't happen to be disheartened?
20:07No, we don't know that people will be set.
20:08Because the generation is growing up,
20:11and the consequences of it.
20:12The drama is that a big marriage does not affect only two persons,
20:16but a lot of people.
20:18The children are also affected,
20:19the children's lives are affected,
20:21so they need to show it.
20:22It was also about the whole family,
20:23not just the couples.
20:25People were triggered,
20:26because it was only about their house,
20:28so they were like,
20:29oh, this is our house.
20:32Where do we all go to the house?
20:35When I interviewed Sunam,
20:37they also said this,
20:39and I also saw a lot of feedback,
20:42where a lot of people are saying,
20:43we can relate to it.
20:46The children are relating to it,
20:48the daughters are relating to it,
20:50and the households say,
20:52that there are such stories in the beach.
20:55After this drama,
20:55after the air,
20:56did you get the feedback directly?
21:00Yes, a lot of people have said,
21:02that when I play on TV,
21:06they shut down,
21:07because it's so related,
21:09and it's so happening.
21:10So a lot of people came and said,
21:12that Kafeel is very normalised.
21:15I went to an event,
21:16and there was a woman that had especially said,
21:20that what you have done in Kafeel,
21:21is my story of my house.
21:23My daughter is your daughter,
21:25and it resonates with your character.
21:28I was like,
21:28oh that's,
21:29you know,
21:29it's a good thing,
21:30that people are realizing,
21:33that yes,
21:34the whole generation is affected,
21:35and awareness also has a lot of projects.
21:38Is your generation watching TV?
21:40Now they are watching Gen Z projects,
21:42they are watching.
21:43I don't know who,
21:43I have lost count.
21:44Are you guys Gen Z or what?
21:46Gen Z.
21:47You are Gen Z,
21:48and there is a generation after you as well.
21:50Gen Alpha.
21:50They are Gen Alpha.
21:51Gen Beta?
21:52No, after Gen Alpha,
21:53Gen Beta.
21:55Then Beta is also coming.
21:56Yes.
21:57Now the kids are coming from Beta.
21:59Then Alpha and you are Z.
22:02Yes.
22:02Then you are two generations coming.
22:05No wonder.
22:06You guys think that you are old enough.
22:08So,
22:08Kafeel is one story,
22:10and we are showing a lot of things.
22:12We are making a lot of channels,
22:13and a lot of dramas.
22:14How do you follow the drama?
22:16How do you relate to characters and stories?
22:19For your generation of children.
22:21My friends are friends.
22:22They watch the drama.
22:24They watch the drama.
22:26They watch the drama.
22:26Now, I think generation dramas are watching.
22:29Yes.
22:29I think 3-4 years ago,
22:32that our younger generation,
22:34has more interest in foreign content.
22:38You know, Netflix or Amazon,
22:40they like to watch content.
22:41Now, I also think that our drama's younger audience
22:46has increased.
22:48And I think that this is also the case.
22:50Correct me if I am wrong.
22:51Because young actors like you,
22:53when they come on screen,
22:55I think you are more relatable
22:56to the audience who are watching.
22:58Because in our drama,
22:59it is also the case that
23:00when the actors are younger characters,
23:04they don't relate to the audience members.
23:06Yes, that would not happen.
23:07So, this is a factor,
23:08that when our children play with the same age characters,
23:13they connect a lot to them.
23:15Because they see that they are our age.
23:18It's the same age, it's the same generation.
23:20So, they feel connected.
23:21But tell me something,
23:22do you guys get special treatment in school now?
23:24I am studying privately, home schooling.
23:26So, but yes, it happens that...
23:28You get special treatment in the house,
23:30on the side of the house.
23:31On the side of the house.
23:32On the side of the house.
23:33On the side of the cousins.
23:34On the side of the house.
23:36No, they are just like,
23:38they are like,
23:38I will flex you,
23:40I will flex you.
23:40I will say,
23:41Nure Zishan is my friend,
23:42my cousin.
23:43It's like that, it's cute.
23:44It's cute?
23:45It's nice, yeah.
23:46Okay.
23:46How about your special treatment in school?
23:48I mean,
23:49I don't know special treatment now.
23:51I know all of them.
23:52I am so tired in school.
23:53So, I know all of them.
23:55But then,
23:55we all come and say,
23:56teachers say,
23:57I've seen a lot of drama.
23:58My children watch a drama.
24:00I see all of them.
24:01Sometimes parents,
24:02they take pictures with me.
24:04So, I feel good.
24:05So, the important question is,
24:07how good are you guys in your studies?
24:09I think we are pretty good.
24:11Yeah.
24:12Yeah.
24:12And as young actors,
24:15how important do you think it is for you guys
24:18to focus on your studies as well?
24:19It's really important.
24:21To complete the degree.
24:21It's really important.
24:22If you study it,
24:23you have to complete it.
24:24There's no excuse on it.
24:25For me,
24:25my first priority will always be study.
24:27and this is the condition that my parents set
24:29to do acting,
24:31but I have to complete it.
24:32I also want to be a psychologist.
24:34So, that's why I'm also like continuing my career.
24:36But Miki,
24:37I don't think that you're going to become actor,
24:39you're going to get money,
24:40you're going to get roles,
24:40you're going to get more work.
24:41I think when you're passionate about something,
24:44you go with it for a while.
24:46And I'm passionate about study and psychology.
24:50So, yeah.
24:50So, you have to become a psychologist,
24:52acting and both things,
24:53do you have to play together or
24:54do you have to do it right now?
24:56But you have to become a psychologist.
24:57If you have to choose one thing,
24:59who choose one thing?
25:00No, you don't have to choose one thing.
25:02I think the industry is very unhinged.
25:07Sometimes you get projects,
25:08sometimes you don't get projects.
25:09So, this is not a proper career.
25:12So, I think if I'm,
25:13I wanted to be a psychologist
25:15and if I continue that,
25:17then one thing is going on,
25:18then I'll do it.
25:19There are a lot of actors,
25:20some lawyers.
25:23She studied from Harvard,
25:25law degree,
25:26acting too.
25:27So, I'm going to do it.
25:28Amir studied from Harvard,
25:29and Mavera studied from
25:30University College London.
25:31Oh, really?
25:32I don't know.
25:33Yes, but she's a lawyer.
25:35Yes, but she's a lawyer.
25:36She's a lawyer.
25:36So, I think that she has to do high
25:39and acting too.
25:40So, she's going to become a psychologist.
25:42What do you want to become?
25:43Aeronautical engineer.
25:44Aeronautical engineer?
25:45Oh, oh, oh, oh, oh.
25:47So, as a psychologist and an aeronautical engineer,
25:50it's not going to be acting in my mind.
25:52It's going to be.
25:53It's going to be difficult.
25:54No, it's going to be.
25:54As a psychologist,
25:56when patients are coming to you,
25:57they would want to confide in you
25:59and that factor of trust comes to you.
26:02And when they're seeing you on television,
26:03I think it's going to be a little bit.
26:05That my doctor is an actor.
26:08I think it's the opposite.
26:10Because they will see that
26:11your character is like this.
26:12So, they would feel comfortable.
26:13Because I have a lot of girls,
26:16I think teenage girls,
26:17that open up to me without me saying anything.
26:20Okay.
26:20So, I will take my picture
26:21and then they open up.
26:23We saw your self harming thing.
26:25And I do this.
26:26And I have seen the character
26:28and then I also went to therapy.
26:31So, they just open up.
26:32I think they feel comfortable then.
26:34Because they see that I have
26:35the character and they understand
26:36that I am the character.
26:38Because people see the character
26:41as an actor.
26:42that the characters have played
26:44they are the only one.
26:45They are the only one.
26:46They are the only one.
26:46They are the only one.
26:47They are the only one.
26:48So, they just felt comfortable.
26:49And I think.
26:50In your generation,
26:51in your opinion,
26:52what do you think is taking
26:53the most toll on young kids these days?
26:57What kind of pressures are there
26:59which is the most important impact on children's minds?
27:05What I think is the pressure of being successful.
27:09Because the world is moving so fastly.
27:11Everyone is so successful so fast.
27:13So, you know.
27:13to have a lot of pressure.
27:15I have to do this.
27:16I want to do this.
27:17I want to give parents this.
27:19There is a lot of things going on at once
27:21in your mind.
27:22So, I think.
27:23I have seen people at once
27:24as a single child.
27:26And they are a lot of pressure.
27:28I want to do this and that.
27:30I want to do it so fast.
27:31It's also that, parents also say that I have grown up with you.
27:38Now you are responsible for doing this. Which is, you know, it's okay.
27:42But you should also see that she is not getting so much pressure.
27:46She is getting so much pressure. So she is going to a wrong way.
27:50Or she is going to a wrong way.
27:52But are parents aware what their kids are up to these days?
27:55Sorry, this is for me. I will only do this conversation.
28:00But how aware are they?
28:02That today's generation, what are their activities?
28:08What are their friends? Who are they hanging out with?
28:10If they are using the internet? Social media?
28:14What are they searching? What are they studying?
28:16What are they looking at?
28:17Do you think that parents have some awareness?
28:20Yes, it is awareness.
28:22Yes, it is awareness. They look up to our friends or what we are using.
28:27Social media, we check a lot.
28:29My mom has all my Instagram work.
28:32She keeps checking what I am doing.
28:35Where I am going out.
28:36And who is sitting with me.
28:38So parents are very aware.
28:39Now it's time for social media.
28:40Parents have a phone.
28:42They have a phone.
28:43They have a phone.
28:44They have a phone.
28:46So they are aware.
28:48Back to Kafeel.
28:49They have so many actors.
28:52They have so many actors.
28:54So on the set,
28:56Do you have the best friends?
28:58Or who is the best friends?
28:59Tell us.
29:00Noorah, tell us first.
29:01I was known before Hania.
29:03Okay.
29:04How do you know Hania?
29:05How do you know Hania?
29:06I think Iqbar had a special shoot.
29:09Yes, we worked together.
29:10But we didn't have any friends.
29:12Yes.
29:12That's why we had a special hug.
29:15We had a special hug.
29:16We had a special hug.
29:16When we met in Kafeel,
29:17it was on the set.
29:19Yes.
29:19I met with him.
29:20No.
29:21I met with Aashur.
29:23Yes.
29:23Then I met with Hania.
29:25Then I met with Hania.
29:27Then I met with Arika.
29:28Then I met with Arika.
29:28So who was your best bonding?
29:31Who was your best friend?
29:32Noorah.
29:32No.
29:33No.
29:33Tell us.
29:33No.
29:34Tell us.
29:36No.
29:36I think the girls.
29:38The girls.
29:39The girls.
29:40The girls.
29:41The girls.
29:42The girls are so strong.
29:44Oh yes.
29:45Our girl code is very strong.
29:47It's so insane.
29:47Let's go.
29:48Noorah has said everything.
29:49Tell us.
29:50Hania.
29:51No.
29:52Tell us.
29:53No.
29:54No.
29:55The girls are the best friends.
29:58Everyone is very balanced.
29:59Yes.
30:00I've never been so comfortable with anyone.
30:02But in this set.
30:03I was so easy.
30:05I didn't have my survival mode on.
30:07I was like.
30:07Yes.
30:08It's a relaxed scene.
30:09Everyone is together.
30:10So how do you know Sanab and Imaat?
30:12Because when you are watching on screen.
30:14In fact, in the past few weeks.
30:16The scene with your father.
30:17I was like.
30:18Here is the daughter's wedding.
30:19The father is not going.
30:20The father is not showing interest.
30:21And even when he shows up.
30:23He is sort of devoid of emotion.
30:25It doesn't mean that he is on the daughter's wedding.
30:35He is such a good person.
30:50He is.
30:52Yes.
30:53He is such a good person.
30:54Yes.
30:54He is such a good person.
30:55In the first interview.
30:57It's very good that he always holds a door.
30:59For everyone.
31:00For women especially.
31:01And I love that.
31:02And how do you see Sanab with her?
31:05Sanab Ji.
31:06She has learned a lot from him.
31:08One thing I learned from Sanab Ji.
31:10Is that she is so educated.
31:12She is.
31:12And the things you say.
31:14It's so meaningful.
31:16It's like so meaningful.
31:18Yeah.
31:18You get to learn something from each conversation.
31:21The things you say.
31:22It's always right.
31:23It's very meaningful.
31:24You get to learn a lot.
31:25She is very supporting as well.
31:26If my scene was like.
31:29When I tell her.
31:30That.
31:31That.
31:32That.
31:34That scene.
31:35She helped me a lot.
31:36Like.
31:37I was getting a little anxious.
31:39Because.
31:40The scene was like.
31:40That scene was good.
31:41But I did it.
31:42So.
31:42You have to calm down.
31:44You have to support.
31:45She is very patient with you.
31:46She doesn't do it.
31:47She doesn't do it.
31:48She doesn't do it.
31:49She is not like that at all.
31:51So.
31:51Who is the most important thing?
31:52Sanab Ji.
31:53Or Aashir.
31:54Aashir has done a lot of acting.
31:56Aashir is also very young.
31:57But when he is doing it.
31:59We have to sit.
32:01When we were in a group.
32:03Aashir was saying.
32:05If you are serious.
32:06You do it.
32:07And just take your eyes.
32:09And take your eyes.
32:09And take your eyes.
32:11And take your eyes.
32:12And take your eyes.
32:13We all are always talking about acting.
32:16That we all have adopted.
32:18So we have adopted.
32:18And what was the most fun moment?
32:20This shoot.
32:22Tell me how fun.
32:23Tell me.
32:23Tell me.
32:24There was a break-up scene, the break-up party.
32:28Oh, yes!
32:29There was a scene when Aashir comes, he will crush out and then he walks out of the room.
32:36So I and Haya are standing and we are looking down with our emotions.
32:39We are looking down with the whole character.
32:41So Aashir goes to the side of the room.
32:44No, he goes out and the side of the room goes outside.
32:46He goes to the other side.
32:47Then he goes to the other side.
32:49We have so much control of the room.
32:52It was so funny.
32:53It was a scene.
32:54What was the scene?
32:55It was a funny moment.
32:56We had exagerated that Imaad bhai said,
33:00One more talent.
33:01Imaad bhai!
33:04Imaad bhai, you have seen it.
33:06We all noticed.
33:07I had a lot of comments on him.
33:09Imaad bhai said,
33:10One more talent.
33:12It was so funny.
33:14I don't know which scene.
33:15When we went to school,
33:18Aashir was a dancer.
33:20Then there was a line.
33:22There was a line.
33:23There was a line.
33:24One more talent.
33:25Aashir has improved so he added a line.
33:28Imaad bhai said,
33:29One more talent.
33:31Imaad bhai!
33:31To cover up that silence, he did that.
33:33But it was quite funny.
33:34Imaad bhai.
33:35Imaad bhai.
33:45Imaad bhai.
33:49Imaad bhai.
34:00It was very selfish.
34:02That he said to go back.
34:03But Jaberia didn't say that.
34:05Correct me if I am wrong.
34:06Jaberia didn't say that.
34:07No, Jaberia didn't say that.
34:07In the end, when Imaad bhai had a conversation,
34:10Jaberia said that I had rejected you.
34:12I couldn't leave you back.
34:13And when I was with my father,
34:16and when my father went back,
34:17I didn't say anything.
34:18When I told him to open my notice and go back,
34:20I didn't say anything.
34:21So obviously,
34:22I don't want my,
34:23Why would I want my mom to go there?
34:25But,
34:25A daughter will always have a soft spot in her heart for her father.
34:30Yeah.
34:30It was just that.
34:31I think you were very clear in your dialogues and the way that you performed it.
34:36Yeah.
34:36I think you were very clear in your dialogues and the way that you performed it.
34:38that,
34:38that,
34:38that,
34:38that,
34:39that,
34:40that,
34:41that,
34:45that's all she was sharing with her mother.
34:48Yeah.
34:48She was very clear that,
34:49not at the cost of you going back to him.
34:52Yeah.
34:52But,
34:52that when it became a catalyst for a marriage at the moment,
34:55in which Jami is the same to them,
34:58that,
34:59that,
34:59that,
34:59we are on the cliffhanger.
35:01Obviously,
35:01I don't want to spoil it but,
35:04what would you tell us to call us at this point?
35:07I shouldn't call ourselves
35:08that we will never leave it before,
35:08if Jami's the same to them.
35:10I was just watching it.
35:11Come on.
35:13Yeah,
35:14we don't want to get our jobs.
35:16Now it's not finished.
35:18It's done at shoot.
35:18Sure
35:19Yes, it's done.
35:20But it will be something that people will like, I don't know.
35:25I tell you that I have so much trust in the team of Kafeel.
35:29I don't think that Zeba Jami will go back again.
35:31I think there is a lot of lesson and learning in these characters and their actions.
35:36I think focus on that.
35:38What is the path of point A to point B?
35:40What is the path of point B?
35:45I think the point of point B is that it's the path of point B is this.
35:47The path of point B is started and we have a whole path of point B.
35:51And the path of point B is that we are going to a conclusion.
35:54It's all about means to an end.
35:56Do you have the script or roles offered to people,
36:00that is the offer of point B.
36:03After it, do you think there is some improvement in career graph?
36:06So I have a lot of options now.
36:16There's a lot of change. I think there's a lot of change.
36:20Back-to-back hits, mashallah.
36:23So I guess there's a little bit of change in the industry.
36:28There's a lot of different scripts.
36:30Gen Z content.
36:31Gen Z content and the issues that are normalized, they don't do normalize.
36:38There's a lot of scripts. So I think there's a lot of change.
36:41Who are the actors that you look up to? Male and female?
36:44Hania?
36:44Sajjal Ali.
36:45Sajjal Ali?
36:46Yeah. Sajjal Ali and Mahira.
36:48Sajjal Ali and Mahira Khan.
36:51And male actors?
36:53Males, Bilal Abbas.
36:55Bilal Abbas?
36:55Numan Ajaaz.
36:57Numan Ajaaz.
36:58You've done Numan Ajaaz.
36:59You've done Numan Ajaaz.
37:00You've done Numan Ajaaz.
37:00What have you learned from Numan?
37:02I learned a lot.
37:04When he was acting, when he was acting,
37:08I would sit with Nisam and I would see the scenes and how he acts.
37:13I observed and saw it.
37:15I learned a lot from him and told him.
37:18When there's a serious scene, you don't blink at that scene.
37:21If you blink, in a serious scene, the scene will hit.
37:25So, they learned a lot.
37:28I learned a lot.
37:28My idea was that I was reading one line and give one line.
37:33They told me, make it your own.
37:36Like Aniya said.
37:38In the script, it's written like your character.
37:41But it's also on you.
37:43How you make it your own.
37:44How you make it the character.
37:45How you bring life into it.
37:47So, I also learned that.
37:48Thank you so much, Aniya and Nore.
37:50It was a pleasure chatting with you.
37:52And I was saying in my intro, it's very good.
37:54Talking about younger generations.
37:56Because you get to learn a lot.
37:58I wish you both all the very best.
38:00Thank you so much.
38:01Hopefully, Inshallah, you will be doing a good job.
38:04Again, I wish you all the very best.
38:06Khwartz Tino, we will wrap up today.
38:09Inshallah, next week, you will be again with your favorite guest.
38:13Or in this set.
38:14Or in any other set.
38:15Or in any other set.
38:17So, you will remember that.
38:18God bless you.
38:19God bless you.
38:19God bless you.
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