- 2 months ago
Naumaan Ijaz | Nadia Afgan joins Hassan Choudary for unfiltered talks, candid moments & behind-the-scenes stories! 🔥
Host: Hassan Choudary
Guest: Naumaan Ijaz , Nadia Afgan
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➡️ • Buzz - All Episodes
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
Host: Hassan Choudary
Guest: Naumaan Ijaz , Nadia Afgan
Watch more
➡️ • Buzz - All Episodes
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
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FunTranscript
00:00my name is hassan chaudhary and this is buzz
00:10today is a very important episode with you
00:14it is important that you can see today
00:17we are not in our own set
00:19we are here to a very big drama set
00:22which is a very popular drama
00:24you can appreciate it and appreciate it
00:28of course today we are on the set of Shere Pasant
00:31here we are on the set of Shere Pasant
00:32here we are on the set of Shere Pasant
00:34we are here to try and do our own
00:36and we will try to do our own
00:38and know that Shere Pasant
00:39has made such a mega blockbuster hit
00:41and how many minutes are left
00:43and what is the process
00:45I am so excited and I can't wait
00:47to have that conversation with all the actors
00:49follow me, let us show you
00:51what is the place in here
00:53what is the place and who is here
00:55Shere Pasant is not the place
00:57that are being shot
00:59because they are the force
01:00who are so
01:00who are so
01:06we are on the other side
01:07without being a shock
01:08it is not the case
01:10but the intention is
01:13is there
01:14whether it's like
01:15that you are looking at fave
01:16What you see from the eyes that you can see, that is true.
01:19Sometimes, it is true.
01:24Don't go away, no doubt, no doubt.
01:32First, thank you. You promised us that we came to your set.
01:36Always welcome. Always welcome.
01:38Your pleasure has emerged as another feather in your cap and as another blockbuster hit.
01:43How do we do it?
01:44I'm going to ask you, how do we do it?
01:48How do we do it?
01:50This is just a miracle of God.
01:54Back-to-back, back-to-back.
01:56MashaAllah, thank you for the blockbusters.
01:59This is a story of viewers.
02:02It is a story of a story.
02:04If you look at it, it is an ordinary story.
02:07What was the process of making it extraordinary?
02:13It was an ordinary story.
02:17When I read the script first, I thought that there is no factor in it.
02:21You have to add that factor in it.
02:23You have to add that factor in it.
02:25You have to add that factor in it.
02:27It is the most important character.
02:29Who will do it?
02:31I have to add that factor in it.
02:33In my opinion, there is only one person who can have a character book.
02:35I have also added that factor in it.
02:37I have also added that factor in it.
02:39I have listened to that factor in the drama.
02:41There were two rules for this drama.
02:43One, you need to create a hole and one, you need to create a hole.
02:48Is this the truth?
02:49Yes, it is.
02:49I said to Abdullah Sahaja that you can't shoot a hole in a random hole.
02:56There are many problems.
02:58You have to get a car and have a problem.
03:01If you have married, then we will do it.
03:04I said to him, we need to set it.
03:08The first time he said yes, we will settle it.
03:11The second thing I said is Numaan Ajaaz.
03:13The obvious thing is that he is a character and no one can do it.
03:17And every person is saying that no one can do it.
03:19Exactly, he cannot do it.
03:21It was the first choice for me.
03:22The names came, but you don't get such an age.
03:27Numaan Ajaaz is standing from the 90s and standing in the same place.
03:34But the casting is extraordinary.
03:37Even the young actors that you have,
03:39that you are making a career.
03:40Yes, all the young actors,
03:41I said that the major support of all the young actors,
03:46I said that we will all be young and new.
03:49We will try to do that.
03:50That you don't want to look at the most channels.
03:54That you don't need regular faces.
03:57Keep new faces.
03:58Because you have support and support.
04:00You have such a great main cast.
04:02You have such a great era.
04:04Afan, Harim.
04:05Afan and Harim.
04:06You have such a great pillars.
04:09Nadia Afghan.
04:11Amazing actor.
04:12Amazing actor.
04:13Amazing actor.
04:14And Numaan.
04:15I have a good pillars.
04:17We will keep the new cast.
04:20I have a good combination.
04:22I have a good combination.
04:24It is very theatrical.
04:26It reminds me of a theatre play.
04:28It is a corner.
04:29I have said exactly that.
04:31I have learnt it.
04:32I have learnt it before.
04:34I have learnt it.
04:35It is very theatrical.
04:36But it is three-dimensional.
04:38So, it is a good thing.
04:40Thank you so much.
04:41I know you are pressed for time.
04:42And thank you again.
04:44You have given us the opportunity to come to the set.
04:46But you can also tell the girls who do the work and work.
04:51What do they have done with them?
04:53This is a horrible uncle.
04:54It is a hell of a man.
04:56I will be angry with you.
04:58Who was also doing it?
04:59Gynecology and surgery?
05:02If he knows his wife,
05:04then do not ignore them.
05:06There is a lot of time for me.
05:08I will see.
05:10My friends,
05:13there are very few situations in my life
05:15that I am not getting into words.
05:18And today,
05:20this is a chance.
05:21I am very happy.
05:23My personal achievement is today
05:25that I am with this moment
05:27that I am not only a person
05:29who I enjoy doing my work.
05:31But I have no shame in admitting
05:32that I am a huge fan.
05:34And I think without a shadow of any doubt,
05:36he is absolutely the best actor we have in this world.
05:39This is the best actor we have in the country.
05:41What do I say to them?
05:42What do I say to them?
05:43It is a challenge to show the sun to the sun.
05:46And I think that I have no doubt
05:49that I have no doubt.
05:50So I am just going to say,
05:52I have with me
05:54the one
05:55and
05:56the only
05:57that I have no doubt.
05:58Thank you very much.
05:59Thank you very much.
06:00Thank you very much.
06:01Thank you very much.
06:02Thank you very much.
06:03It is such lovely kind words.
06:04I mean,
06:05I am not capable of it.
06:06It is true and
06:07it is true.
06:08It is true.
06:09It is true.
06:10It is true.
06:11It is true.
06:12It is true.
06:13It is true.
06:14It is true.
06:15It is true.
06:16It is true.
06:17It is true.
06:18It is true.
06:19It is true.
06:20Be nice and be caring towards everyone.
06:21This is what I have always believed in.
06:22Whatever you are doing,
06:23you just do it honestly.
06:24First of all,
06:25I would like to thank you.
06:26You have given the opportunity
06:27that we can
06:28engage with you.
06:29And
06:30I would like to come with you in a frame.
06:32In my opinion,
06:33this is a big dream.
06:34And my dream is complete.
06:36I will ask you only one thing.
06:38Like Ruby
06:39asks,
06:40How do you do it?
06:41How do you do it?
06:42How do you do it?
06:43How do you do it?
06:44How do you do it?
06:45How do you do it?
06:46It is true.
06:48It is not a one man show.
06:50Always.
06:51It is always a team
06:52which makes a difference.
06:53It is what I have always believed in a game.
06:55And I have always believed in a game.
06:56And that's what I have always believed in.
06:58That in my opinion,
06:59I make the most own knowledge
07:00and then crazy ecosist.
07:01And into it,
07:04And the story is all about office.
07:06And a lot of awareness
07:07makes it feel like
07:08none of it.
07:09He does still feel like
07:11someone writes.
07:12He Bisagrandes write.
07:13And there's a topic
07:15that made well written.
07:16The director
07:19hoogle's introduce.
07:20That's our дор Spect Richard.
07:22so I think it's a complete package all together
07:26content is the main thing
07:30which makes great difference
07:33if you give content to someone
07:35then you get a job or not
07:37people get involved with the story
07:40and hit the content
07:42and then you get a writer or director
07:45or actor automatically hit
07:47or people get started
07:49but people are connected with that content
07:54which I always understand
07:56so alhamdulillah
07:58I think whenever I was offered to do so
08:01there are many bad scripts
08:05somehow or the other
08:07they also have a good method
08:09there is another method
08:11that you have to put
08:13to make it interesting
08:15and to make it
08:17a director and actor
08:19a page on the page
08:20is very necessary
08:21and to make it work with a producer
08:23and to make it work with them
08:25no I trust them
08:26and they will definitely do something
08:28out of the box
08:29this time
08:30and I think
08:31it's not always
08:33that this formula is
08:36the formula
08:37it is no formula
08:38not the formula
08:39only one formula
08:40you are working to do it
08:41if you are working on this
08:43if you are working on this
08:44then you will drop the work
08:45that you can also
08:47you will be able to create
08:48and you will also
08:49you will also do it
08:50It's a normal story of a...
09:20Well, it's very theatrical.
09:50It's a normal story of a person.
10:20It's a normal story of a person.
10:50It's a normal story of a person.
11:20It's a normal story of a person.
11:22It's a normal story of a person.
11:24It's a normal story of a person.
11:26It's a normal story of a person.
11:28So,
11:32it's a normal story of a person.
11:34It's a normal story of a person.
11:36It's a normal story.
11:38It's a normal story of a person.
11:40It's a normal story of a person.
11:42It's a normal story.
11:44It's a normal story.
11:46It's a normal story of a person.
11:48It's a normal story of a person.
11:50It's a normal story of a person.
11:52It's a normal story of a person.
11:54It's a normal story of a person.
11:56It's a normal story of a person.
11:58It's a normal story of a person.
12:02It's a normal story of a person.
12:04It's a normal story of a person.
12:06It's a normal story of a person.
12:08So,
12:12it's a normal story of a person.
12:14more than I started exchanging my notes with him.
12:20There wasn't any plans planned. You can plan your clothes.
12:24You can plan the rest of the person.
12:27But you can do it, you can do it, you can do it, you can do it,
12:31you can do it, you can do it, you can do it,
12:35you can do it.
12:37You can do it, you can do it, you can do it.
12:44So the twitching of the eye was not in the script.
12:51It is not in the script. The way he walks is not in the script.
12:55As he keeps his pouch.
12:58When you have a pouch for a long time,
13:01and you will know that if you open the bagel,
13:04when you have a pouch, you will have to go out the style.
13:08You see?
13:09If you adopt it, you will have to go out the style.
13:13So you have to go out the style.
13:15You have to go out the style.
13:17Because it is the pouch.
13:20You see?
13:23This pouch will go out the style.
13:25Sorry.
13:27Look at the top of your thoughts.
13:29Where you have the end of the time,
13:31that is the remarkable…
13:33continuously kept it. There is a scene where people get shocked, but they don't have shock.
13:44When you eat the food, you're standing up and standing in your hands, and you're talking with your daughter,
13:52and if you're getting a tooth, you're getting a tooth, and you're getting a tooth.
13:55But you're not getting a tooth. So people said, you have to keep this tooth,
13:59so I think this is something natural.
14:03Or you're cutting mackers down, or you're cutting a boot,
14:06you're cutting a boot.
14:08I've seen people put hands under the tree, cut a boot when you're back.
14:13And then you look how bad it is.
14:15If you're to be at an angle, you're tightening your belt and you're getting a tight.
14:18It's not happening.
14:22If you have to keep your hair,
14:25then you shouldn't let it happen.
14:28So, he is one of them, why are you wanting to be like yourself, it's very sophisticated.
14:37No one doesn't want it, that's the best part that everybody is loving for Asana.
14:41But people, they don't, actually, you know, what I feel is, when any actor is doing it,
14:48he is very conscious of doing it.
14:52Now, my opinion is that you leave conscious of doing it,
14:56and you will lose your work in your work.
14:58I don't understand that the drama is God's voice.
15:01It's our choice, how much we can bring our drama to the reality.
15:07This is the reason why our drama stands out.
15:11This is the only reason why our drama stands out.
15:14Because our subject is in the reality.
15:17We are different actors, we are not being trained by any academies.
15:28We have that, I have,
15:30which I have done with my engineers,
15:32Kaui, Fadal, Abid, Talat.
15:37All these big guns, my universities,
15:40I am a graduate of them.
15:42I have given them 10, 10 money for me to put 1.1.
15:47When you think about it, what was the first attribute of the character that you gave was the first that you gave?
15:53The first thing that you gave was the first to lend.
15:55This was the first thing, that you gave us a walk like this.
15:57This was the first thing.
15:58You said that it will walk like this.
15:59So it didn't go straight.
16:01It didn't go straight.
16:02It didn't go straight.
16:03It didn't go straight.
16:04It didn't go straight.
16:05and his head was following me
16:07He was so short that he's just wearing the cap and jumped
16:11and he said someone asked me a message
16:15How? how? How! How?
16:17How? How? How are you?
16:19Because people have been forgotten
16:21I don't go home.
16:23On the set of stuff.
16:25But when I cast a presence of the客
16:29and then I became in the area of the store
16:32So it's a great thing.
16:34That's the time of the process of coming to the end.
16:37And then it starts to respond automatically to the body.
16:43My method is not.
16:46Is this a very difficult task?
16:49No problem.
16:54But if you have come to your work and you have to do this work,
16:59and with this work you have a love and enjoy it
17:04and every night you have to look forward that you have to come again and then do it
17:10automatically you have to go into it and you can develop it
17:15that when will I wear it, when will I wear it
17:19then you have to get a lot of things that I will be honest with you
17:25and when you are alone, you will see them as well
17:31that if I will do that, I will do that
17:33because you start living in that particular character
17:37for the time being but you start living in him
17:40you know
17:41sometimes you have to lend something that Numan Ajaz takes home a certain characteristic
17:51Numan Ajaz is an actor at home as well but actor playing a character of a father, a husband
17:59he is also, I am also, you have to act
18:01I mean I have to act in front of my wife, my kids, a good human being
18:05so one must then ask
18:07but where actually I am, I think I have lost myself somewhere
18:11and I am trying to discover myself
18:13Really? Yeah. And is that primarily because of being an actor?
18:17because you have lent so much to
18:19Being this type of an actor
18:21who doesn't believe
18:23in doing anything
18:25I am doing what I am doing
18:27I am doing what I am doing
18:29I am doing what I am doing
18:31I am doing what I am doing
18:33I am doing what I am doing
18:35Oh it has been ages
18:37I have not been doing what I am doing
18:39Is that a good thing or a bad thing?
18:41It is a bad thing
18:43When you are in your lives
18:45You will die
18:47You will die
18:48Your dreams
18:50You will die
18:51It will die
18:52And you will die
18:54In what you are feeling of being an actor
18:56And what you are
18:57Who are you
18:58Where you are
18:59And where you are
19:00so I am more or less. Is that too much of a cost that you paid for being an actor? No, no, I love this, I enjoy that state of mind as well. Is it not tiring? No, it is very refreshing.
19:15I can't stand alone, I have to sit alone, I have to stand alone, I have to stand alone, I have to do better today. What that is wrong with you? Why didn't you lose your own self?
19:32Because today morning you have talked about this kind of rudely,
19:37so you can be fit in.
19:38If you have no feeling that you have a bad feeling,
19:42today you have done a bad feeling,
19:45why is it? What do you have to give?
19:47My name is what I have to give this world.
19:49Everything goes out of my life.
19:51I have people who are in daily routine.
19:54If they are not happy, they will not be able to be a good person.
19:58What did you have to give this world?
20:00What did you have to give this world?
20:03You have to give this world expression.
20:06It has been so many years, so many characters,
20:08and you are still at it.
20:10With every new character, even with Farasad,
20:14with every episode, we see a new twist or a new characteristic that you have given to Farasad.
20:19These expressions, which people say that
20:21there are seven or eight expressions of actors,
20:23what is the reason that you have to give this world?
20:25I don't know.
20:26You don't have to give this world.
20:27I don't know.
20:28I don't know.
20:29I will be honest with you.
20:31I never wore makeup in my entire life.
20:34Never for any character?
20:36I don't have makeup until now.
20:38I would give this world that I would give this world.
20:42I would give this world instruction just for 10 years.
20:44Lord, you can give it to the Lord,
20:47and you can carry it with water,
20:49and you can kill it with blood and the face of it.
20:51And Lord, and you have to give it to God,
20:53and God Almighty, it will be done.
20:54That is it. I'm not selling this. I'm selling the character which I'm playing.
21:08But no, but if you get a new artist, do you still stand up and conceive something in that stage?
21:17Yes, absolutely. It's a great practice. You can see yourself in the audience. You can see what you want to do.
21:26It's in the final set. With the approval of the director.
21:31Does Nomar Ajaz need approval? Does he seek approval?
21:35I do. I do. I don't. I don't. I don't do anything in any territory. I don't do anything without approval.
21:42It's my pleasure that those directors who work with me or who I work with, I'm grateful to them.
21:49They give me the margin and opportunity to play that character. But the moment the director says cut my eyeballs,
22:00it automatically goes on the director's face and expression. I read out his expressions whether he's happy or not.
22:06If he's happy, then it is. Because I'm only answerable to him. I'm not answerable to the rest of the world.
22:12He's answerable to the rest of the world. Because he has to show the audience.
22:17You don't think you as an actor are answerable to the audience?
22:19No. My job on the set is to satisfy my director,
22:23as he conceived as a storyteller. Whatever expression he wants me to give it to him,
22:30I will give that expression.
22:31I don't know about people. I don't know about people.
22:34No, I'm not saying that audience is responsible for the character.
22:38Sir, I don't know about the audience. Sir, I'm not saying that it's a team work.
22:42My job is to satisfy one person as an actor and that is my director. That is it.
22:51That is it. I'm not going to say that I'm a director's actor. But it is a team which makes a difference.
23:07What is your process of picking a script? Because our stories that we discuss are very ordinary stories.
23:14So, the stories that we pick, they are extraordinary stories.
23:18No one should have any significance.
23:20I don't have to worry about the small ones.
23:23No, I'm very happy.
23:24You also had a very limited scene.
23:26I'm very happy doing one scene. I'm very happy doing 100.
23:30I'm very happy because I know what I'm going to do and what is going to happen.
23:34But what makes you decide? Even if it's one scene, I do it.
23:37No, I have done it. It all depends what kind of a character it is for a short while.
23:42Even if he is there for a short while, what kind of a character it is.
23:45Then it is my and my Allah's job to make that character hero.
23:50I don't do hero character. I make characters hero.
23:53So, what kind of characters speak to you?
23:54Do you have to do this character?
23:59Or do you have to do this character?
24:00No sir, I've never asked you.
24:02No, I'm saying that there is no character.
24:04No, I'm saying that there is no character.
24:06What kind of a character character?
24:08I have to give him a character.
24:10I have to give him a gimmick.
24:12So, they tell you that you have to do this character and you like it?
24:14I have to give him that I don't do it.
24:16Sir, what a joke.
24:17Really?
24:19You don't choose that I have to do this.
24:21Not even a single producer or director of this country can say that I chose that.
24:26But as an actor is also a question?
24:28No, I will give him the same.
24:30If I don't have to do anything, then I will do it.
24:33And I will do it that I will do it.
24:35That there is no one in mind.
24:37If you want me to do it, I will do it.
24:39If you want me to do it.
24:40If you want me to do it, I will do it.
24:45If you want me to do it, I will do it.
24:49I am very happy with the talent.
24:51I think we all should be encouraging them.
24:54But I request all of them to focus the work the way we have done it.
24:58If they want to, look, social media is also a big and small.
25:01If you want me to do it, I will do it.
25:02If you want me to do it, I will do it.
25:04I will do it.
25:05If you want me to do it, I will do it.
25:08I will do it.
25:09Sir, what a joke.
25:10Are you doing the new crop of actors?
25:13Are you happy with the talent?
25:14I am very happy with the talent.
25:15I think we all should be encouraging them.
25:17But I request all of them to focus the work the way we have done it.
25:22If they want to, look, social media can become a big and small.
25:26Don't consider social media.
25:28Today, social media is sitting here, so you are doing it tomorrow.
25:32Social media is a tool that takes care of children.
25:35It will be great.
25:36Talent fees are not in this country.
25:39We are underwaged.
25:42You can see the world, sports and entertainment are a big sector.
25:48They make good money.
25:51So, unfortunately, that is not in Pakistan.
25:53But children, it is sad that the children who have come to work,
25:59if you can't do it, please, don't do it with them.
26:05You think that we collectively as an industry have been able to do justice to your talent
26:11and your skill set?
26:12Ah, what can I say about this?
26:16As an actor, who has so much?
26:17I am sure, Alhamdulillah, God Almighty.
26:19But if you talk about that perspective, no, not at all.
26:23There is still so much left untapped.
26:26Oh, very much.
26:28You have produced content in the past.
26:32So, you have never thought that you have the untapped potential to explore yourself.
26:38There is no life here.
26:41The person who wants to work here is the person who wants to work here.
26:44Or who wants to work here?
26:45Yes, who wants to work.
26:46There are many people who want to work with him, who wants to work here, do not.
26:49I think that if I have done your work, I should be paid on time.
26:54He is not the best, he is not the best.
26:58Other than being an actor, sir, what do you see in yourself most?
27:02A writer?
27:03A director?
27:05No.
27:05A storyteller of any other form or kind?
27:09No, I think that the person who wants to work is the person who wants to work.
27:14But don't you think that every actor has a potential to be a writer?
27:18No, I designed stories.
27:20Mrs. and Mrs. I know, I know you have.
27:23And there are a lot of things which I designed myself as a story line.
27:29I am working on a few stories at the moment as well.
27:32I am working on a few stories at the moment as well.
27:34I am working on the masses and I am working on those things.
27:35I am working on the media as well.
27:38We are working on the media as well as we can educate ourselves.
27:44And that's why I am working on the media.
27:46People say that you have done that.
27:48And that's why we are doing it.
27:49And that's why I am working on the media.
27:52I remember when it was a TV show,
27:55we had content in 4 o'clock.
27:59Then we were working on the media.
28:01We were working on the media.
28:03We were working on the media.
28:05We were working on the media.
28:07They were working on the media.
28:09It was very important to me.
28:11We were working on TV.
28:14There was a lot of things.
28:16There were things things that we could bring up.
28:18There were many things.
28:20There were a lot of things.
28:22The media is just fine.
28:24There is no question like that.
28:26There are a few questions.
28:27Why do you have to limit your stories?
28:30Why do you limit your stories?
28:33There is a lot of success in our lives?
28:34Many cultures have left behind it.
28:37any director asked me about what I can do
28:40look now
28:41now I'm going to take a small talk
28:43director can not be employed
28:46that your creativity is not working
28:49he will find his vision
28:52because it is soلم
28:54to make sure
28:55the crew who are the dolent
28:57has never taken them
29:00especially if you don't have to keep their footwork
29:03you will do this
29:04you have to get involved
29:05royalties
29:07Finally, sir, how do you see the future of Pakistan's drama industry?
29:15I am still hopeful. I love my country. I love my people.
29:19I love each and everything of this country.
29:23I am going to put it on the washing machine and put it on Pakistan.
29:28I am going to put it on the washing machine.
29:30I am going to put it on the washing machine.
29:33With this hope, sir, in this year, I want to thank you, sir.
29:38It's an honor. It's a privilege. It's a pleasure.
29:41That you have a chance to sit in one frame.
29:46Sir, whatever you do, whatever you do, whatever you do.
29:49We love you.
29:51We love you.
29:54And as I said, every time you appear on the screen,
29:57you bring a character out of the blue and you're like,
30:00man, how do you do it?
30:03How do you do it?
30:04How do you do it?
30:05How do you do it?
30:06How do you do it?
30:07It's a pleasure.
30:08Sir, thank you so much, sir.
30:10My pleasure, sir. It's an honor for me.
30:12Thank you very much.
30:13On that note, خواتین وزرات بقت ہوا چاہتا ہے
30:15ایک بہت ہی چھوڑی سی بریک کا
30:16بریک سے جب واپس آئیں گے
30:17تو آپ کے ساتھ
30:18اور بہت بڑے بڑے ستاروں کی ملاقات کرائیں گے
30:20کہیں جائے گاں
30:23Welcome back خواتین وزرات
30:24میرے ساتھ اس وقت وہ اداکارہ موجود ہیں
30:26جن کی بولیوی لائن اس وقت پورا پاکستان دھورا رہا ہے
30:29فراست جی آپ یہ کیسے کر لیتے ہیں
30:32تو ان سے پوچھیں گے
30:33کہ یہ انہوں نے کیسے اچیف کر لیا
30:35اسلام علیکم نادیا افضن کیسی ہیں
30:37علیکم اسلام حسن میں بہت کل ٹھیک
30:39پورا ملک یہی لائن بول رہا ہے
30:41فراست جی آپ کیسے کر لیتے ہیں
30:43کیسے کر لیا نادیا آپ نے یہ
30:45کیسے کر لیا آپ نے
30:47خطبہ ہوتی ہو جاتا ہے
30:49جب میں نے سنو چندہ کیا تھا
30:53تو اس میں نوہ کٹا ایک لائن تھی
30:55اور تب بھی احسن ہی نائریکٹر
30:57تو میں نے احسن کو کہا ہے
30:59احسن یہ کیا ہے
31:00اور پرانے پی ٹی تیو کیو ڈرام ہیں
31:02اور اس نے کھیں تکیا گلام داختر
31:04تو میں بلو گی تو میں
31:06میں نے کہا ہے کہ ان میں بہت بھی بھولت Change
31:08اور احسن نے کہا کہا کہ آپ کو بھولتے ہیں
31:10میں نے بولا
31:12تک کچھ بہت بہت بہت بہت بہت رکی
31:14اسو خوت ہے
31:16مجھے تلسیák
31:18اس پر میں یہ واقع نہیں ہے
31:20احسن سکر میں دو، تین جگہا یہ وہ
31:22جی آپ کے لیتا ہے
31:24ہم نے سوچا کہ ہم اس کو
31:26نسیو رہا رہا ہم بھی
31:28It was not that much. It was not much in the transcript.
31:32I was just a place but we said that this is Ruby's one thing. She will be completely in awe of her husband.
31:36She will be completely in awe of her husband. She will be completely in awe of her husband.
31:40She will be watching her every time.
31:42Because we are. We have 90% of women.
31:44But the interesting thing is that this is annoyingly bunny line.
31:47This has come many times.
31:49And now the person is anticipating that when it will come.
31:53Because it's the variation.
31:56It's sad, it's a variation.
32:01Or if it's happy, it's a variation.
32:03If it's in awe, it's a variation.
32:05So that's the thing.
32:07Asher has cut the trailer, the teaser cut the trailer.
32:09He also took all the variations.
32:11How did you practice this line?
32:14I didn't practice it.
32:16It's the emotion that's happening.
32:18How happy are you with the feedback that Asher Phasand is getting?
32:21I am very happy.
32:23But I was thinking about it.
32:25I was thinking about it.
32:26I didn't have negative characters.
32:28Although Ruby is not negative, she just follows.
32:30She is like a horse.
32:32She is like a horse.
32:33She is like a horse.
32:34She will go back and forth.
32:35She says she is the right.
32:36She is the right.
32:37She has the right.
32:38And also Pharasat and I think Ruby does not think that those things are wrong.
32:42They are all right.
32:44You know, they are very God-fearing people and they think they are very, very God-fearing, yes.
32:49It seems that Ruby also feels that everything is bad and people are bad.
32:54So, I think, I don't know.
32:59And with Nomi Bhai, it's just like Nomi Bhai will tell me a lot of things.
33:03We will do this and I will say that Nomi Bhai will do this.
33:06Nomi Bhai doesn't match the connection with our mind.
33:10Because I don't know how much work we have.
33:13We've spent so much time together in Lahore also.
33:16It's just like, you know, he drops a line and I pick it up and I drop a line and he pick it up and we talk about it.
33:21We don't even have to think about it.
33:23We were doing a wedding scene tomorrow.
33:25So, Nomi Bhai said, I will do this.
33:28And Nomi Bhai said, I will do this.
33:30And then when we were doing the scene, I said something else and then he said, he just picked it up.
33:34But tell me, how does that work? Off-camera, he's Nomi Bhai and on-camera, he's Farasad Ji.
33:39It's amazing.
33:40I had written a story yesterday that Abhay Bhavi was on set and I was like, Nomi Bhai is the real ruby.
33:45But Nomi Bhai is like, Hamil Shah.
33:47The first serial in which I was playing the seductress, which was Katil, who Meharin Chabbar produced and directed that.
33:56It was a long time. I was a con artist in that.
33:59And Nomi Bhai was like, I mean, I was doing a scene with Ijazz and I was supposed to seduce him.
34:07And I, I cannot tell you, he was so helpful.
34:12And I was like, I don't know how to do that.
34:14How is it working with somebody like him? You have a lot of scenes with him and your scenes are talked about a lot as well.
34:21After so many years, even now, what is it that, you know, working with him brings?
34:27Because you are doing a lot of work, you are doing a lot of good work.
34:29But somehow, when you are with him, you are doing a different thing.
34:34Asan, what do you know?
34:36The thing is that Nomi Bhai owns whatever he is doing. He owns his character.
34:40And he puts in a lot of work.
34:41I feel like he is doing a lot of effortlessly, but he is doing a lot of work.
34:45He is doing a lot of work.
34:46He is doing a lot of work.
34:48And when I am doing a project, I want to own that project.
34:51I want that character to be the best character.
34:53And I am so grateful for that.
34:55I think when I come to the set, I think like Ruby.
35:00And if I was doing that, I would be doing that.
35:03Then I was doing that.
35:04My heart is that I am so best at doing that.
35:06I think about my expressions.
35:08I think that I have written a line like that.
35:10I remember the lines like water.
35:12And then I think that this is an actor.
35:14And I like to be with him.
35:16And the same thing is with Nomaan Bhai.
35:18Nomaan Bhai, I think that I enjoy working with them.
35:21Because when I am doing, we rehearse it so many times.
35:25And we want those characters to be like perfect.
35:29Nomaan Bhai, it's like...
35:30I feel like I am sitting with Farasad Ji.
35:32I feel like this is Ruby.
35:34That's not Nadi Afgan, you know?
35:35Ruby or Boobie now?
35:36Yes.
35:37Exactly.
35:38And then I just like pick up from his actions.
35:43And he picks up from my actions.
35:44So that action reaction is so important.
35:47But it is also important that your next person
35:49will be so much in your character.
35:51He will be so much as you are.
35:53Well, we are glad that you are in Dubai.
35:55Because we are having fun to see you in this work.
35:59Thank you so much Nadiya for your time.
36:01I hope that you will come to our set very soon.
36:03Thank you so much.
36:05Always a pleasure.
36:11Let's introduce yourself.
36:12My I love you.
36:13I love you all.
36:14I love you all.
36:15My God so much.
36:16That was awesome.
36:17I love you all.
36:19You are clear, you are saying truth, and you are sitting there.
36:21No, ma'am.
36:24I have said so many times.
36:27I am a single person of my master.
36:30God, all of you.
36:34How do you do this?
36:36How do you do this?
36:37How do you do this?
36:38How do you do this?
36:39How do you do this?
36:40What will I do?
36:41God has made my heart so good.
36:44Karbala?
36:46Karbala?
36:46Yes.
36:47Oh, Bhala.
36:49What is it?
36:52You are seeing everything.
36:54We understand that we are not seeing anything.
37:02I hope you will enjoy this episode very well.
37:05As we have told you that we will try to do your whole team with you.
37:11It's an honor for me that today we have interviewed Numan Aja.
37:15You get to learn so much from him.
37:17He will have a great story.
37:18If we have any of you, you are going to get into your family with us.
37:20And we will have to do this set.
37:20We will have to join us.
37:21Hopefully, we will have a great deal.
37:22Hopefully, we will have a great deal.
37:23Hopefully, we will have a great deal.
37:23we will sign off next week hopefully you will be able to join us in our studio
37:28or in any set you will be able to join us until you will be able to join us in the next week
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