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Later with Jools Holland S68E04 07 June englishsub watchfull🍿🍿
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00:17Welcome to the show and welcome to Ellie Goulding
00:25I heard what you said Just as I was tasting freedom Don't want the pills But you kind of make
00:37me think I need them I'm tryna be a Hollywood baby Cause you made me think that London hates me
00:46I'm trying my best
00:50I'm trying to escape this feeling in my head You're in my mind You're everywhere like all the time Is
01:00this the way it's supposed to be? It doesn't feel like love to me
01:21I heard you tell me that I'm pretty Then you say it's just the last Always saying something shitty After
01:27saying something nice You know every single button to press Only you could call me trashy In my black carter
01:35dress
01:35You're in my head You're in my mind You're everywhere like all the time Is this the way it's supposed
01:45to be?
01:46It doesn't feel like love to me It doesn't feel like love to me
01:54It doesn't feel like love to me It doesn't feel like love to me
02:02Oh, get out my head Get out my mind
02:07Good night, goodbye Tonight just said
02:10Love to me
02:12Love to me
02:12It doesn't feel like love to me
02:17A taste of fire of my time Arms up high to leave me young
02:24You know Tonight's mind, the misstep masterpiece
02:28It doesn't feel like love to me Like love to me
02:36It doesn't feel like love to me
02:39Doesn't feel like love, feel like love
02:44Doesn't feel like love
02:46It doesn't feel like love to me
02:50It doesn't feel like love to me
02:53It doesn't feel like love to me
02:59Oh, yeah, yeah, get out of my mind
03:03Goodnight, goodbye, tonight just say
03:07It doesn't feel like love, feel like love
03:12It doesn't feel like love, like love to me
03:25It doesn't feel like love to me
03:34Ooh, ooh, ooh
03:46Thank you, Ellie Goulden.
03:52A room full of wonderful guests this evening.
03:55From Margate, it's Pigeon.
04:00From Ladbroke Grove, we welcome Courtney Pine.
04:03CHEERING
04:05From Duran Duran and old friend, Simon Le Bon.
04:09CHEERING
04:10From Manchester, Westside Cowboy.
04:14From Walter, Wesley Joseph.
04:18CHEERING
04:20But now, from Nashville, it's Mitski.
04:23CHEERING
04:28Where did it go?
04:32Where's my home?
04:36Where's my home?
04:41Where did I leave?
04:46Where'd I go?
04:49Where'd I go?
04:54Where'd I go?
04:56A woman always on the street called me a bitch
05:00I ditched all my blocks to stay
05:03I just wanted my man to be a peregrast
05:07Peregrast, peregrast with nothing in my head
05:11I keep thinking, surely somebody will save me
05:14At every minute I'm at no one with
05:18I just wanted my man to be a peregrast
05:21Peregrast with nothing in his head
05:24Oh, where did I leave?
05:29Where'd I go?
05:32Where'd I go?
05:36Where's it going?
05:39Where's my home?
05:43Where's my home?
05:46Whoa-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha
05:52Oh
05:52If night is like you pinched a hole in your tomorrow
05:55I would fuck the whole world
05:59OK
06:00I'll stay out until my mind is like a heater glass
06:03Go, you've got nothing but no
06:05Oh, like a bug floating in my salted empty
06:10Before the sleep trumps I left them through
06:14I will float into my mind
06:16It's like a fear of locks
06:18Fear of locks locked in the door
06:21Fear of locks locked in the door
06:43Fear of locks locked in the door
07:13Fear of locks locked in the door
07:42And we welcome a legend of British jazz
07:44And a dear old friend of mine
07:46The wonderful Mr. Courtney Pyne
07:49So good to see you
07:50How are you?
07:51Good to see you
07:51Very nice to see you here
07:54Good to be here
07:55Now, first of all, congratulations
07:57Because you're marking 40 years in music
07:5940 years?
08:01Yes
08:01You sure that's right?
08:02That's not a typo?
08:03I think that's right
08:03It can't be 40 years
08:04Why has the time gone so quickly?
08:05I don't know where it's gone
08:06I don't control that part
08:08But you've put a special record out
08:10Out of the Ghetto
08:11A Modern Day Jazz Story
08:12Wow
08:12It's got lots of things on it, hasn't it?
08:14From all the work over the years
08:15Over 40 years
08:17I've had the chance to traverse the galaxy
08:19And meet so many different types of music
08:22From Brian Ferry
08:23To Mick Jagger
08:25To Soul to Soul
08:26So many various artists
08:27Who have their different isms and schisms
08:29But the main thing that I've got
08:31From playing jazz
08:32Is to look at the audience
08:33Catch the vibe
08:34And explore that
08:36And that's what I've been doing
08:37I've been exploring
08:39So many different vibes
08:40That I'm into
08:41And it can all be reflected
08:43In jazz
08:44Whether it's hip-hop
08:45Whether it's drum and bass
08:46It doesn't really matter
08:48As long as you get
08:49That communication with the audience
08:51Well, I think you have done it
08:52You spent 40 years doing it
08:53And in fact
08:53Your debut album
08:54Journey to the Urge Within
08:56Remarkably got into the pop 40
08:58Outrageous
08:58Which at that time
08:59Is unbelievable
09:00Unbelievable
09:01Our other guest
09:01Simon Le Bonho
09:02Is who we love
09:03But the lot of the charts
09:04Was that
09:04It's popular music
09:05But to get a jazz album
09:06In the charts
09:07Then what a thing
09:07Well, I just thought
09:09That jazz
09:09Should be given a chance
09:10And I went with
09:11An amazing record label
09:13Called Island Records
09:14Because of Bob Marley
09:15Ernest Wranglin
09:16Because of
09:17What Island Records
09:19His repertoire
09:20Meant to me
09:20As a youngster
09:22And I used to go
09:23To the Notting Hill Carnival
09:24And feel that vibe
09:25And it was just
09:26It just made sense
09:27To go for a record label
09:28That had no boundaries
09:29You know
09:30They didn't care
09:30The year I signed
09:32Julian Cope
09:33Remember Julian?
09:34Yes
09:34The Chair Drop Explodes
09:35The Christians
09:36And myself
09:37That was
09:38That was a label
09:39For that year
09:40And as far as
09:42They were concerned
09:42If Julian didn't
09:43Want to do an interview
09:44I would turn up
09:44And do it
09:45And out of it
09:46He wasn't coming
09:47Today was he
09:48Maybe
09:49Behind me
09:50There's a lot
09:50Of great new
09:51British jazz artists
09:52Ezra Collector
09:54And you've had some on the show
09:57Yeah loads of them
09:57There's loads of them
09:58What do you make of them?
09:59Absolutely buzzed by them
10:01The energy that they're showing
10:03They're telling stories
10:04Just as in the way that
10:06Pop stars are able to tell stories
10:08Because in jazz
10:09You play through the repertoire
10:10You play through
10:11Louis Armstrong
10:12Charlie Parker
10:13Ella Fitzgerald
10:14You play through this repertoire
10:15And then eventually
10:16You get to your own sound
10:17But these guys are telling their own stories
10:19Right now
10:20And where does jazz start for you?
10:22What's the first jazz that you ever heard?
10:23And you realise
10:24Hang on
10:24This is a thing
10:25The first jazz I heard
10:26I didn't even realise it was jazz
10:27It was a
10:28It was Scar
10:29I didn't even realise that what these guys were doing
10:32Was jazz
10:34So when I found out who these guys were
10:35Ernest Wranglin
10:36Who produced My Boy Lollipop
10:38Tommy McCook
10:39Yeah
10:40Roland Alfonso
10:41The Scatterlites
10:42Scatterlites
10:43Oh fantastic
10:43When I realised who these people were
10:46They were jazz musicians at night
10:48And then they would do sessions
10:49Creating blue beat, scar
10:51And reggae music
10:52So that's the first sound that I heard
10:54That made me think
10:55Oh
10:55You can't improvise
10:57Infinite
10:58Yeah
10:58Now of course
10:59One of the greatest artists of all time
11:01Is somebody who we both like very much
11:03Of course is Duke Ellington
11:04Oh absolutely
11:05And in lots of ways
11:06He's born in 1899
11:08And he had this fantastic career of music
11:11Always reinventing things
11:13Always making something new
11:14And has a beautiful
11:14Not only sound
11:16But also the way he talks about things
11:18Very eloquent
11:18He talks about composing as dreaming
11:21And playing music as dreaming
11:22You know there's not many artists who think
11:25Oh I'm actually dreaming
11:26And I'm going to make a sound out of it
11:28They think oh this is a nine to five
11:29I'm going to practice my scales
11:30But Duke Ellington
11:32Found a way to interface
11:33With the audience
11:35Whatever was going on in the audience
11:37He embraced that
11:38He actually took that into his compositions
11:40And made it so powerful
11:42We're actually still playing his music to this day
11:44Exactly
11:45We're going to play something in a minute
11:46But I was looking into
11:47I don't think what we're going to play
11:49Because you mentioned this song
11:50But he recorded a piece in 1940
11:53Called Never Know Lament
11:54And then in 1942
11:56A man called Bob Russell
11:56Added the lyric to it
11:58Which was
11:59Don't get around much anymore
12:00Which is not one of the most famous jazz standards
12:02And the interesting thing I learnt today
12:04By looking it up on my phone
12:05Is that Bob
12:06The last song Bob Russell wrote
12:08Was He Ain't Heavy
12:09He's My Brother
12:09For the Hollies
12:10Oh my goodness
12:11What a span
12:11What a span
12:12That's music
12:13What a great lyric
12:14Win win win
12:15But the Duke Ellington piece
12:17Was actually composed in 1940
12:20And it was composed
12:21For women
12:23Because all the men had gone to the war
12:26And the women were left at home
12:28And they didn't get out to the dancers
12:30So don't get around much anymore
12:33It's because they couldn't get out
12:34There's no guys to take them out
12:36So we'll recreate that tonight
12:38Thank you for joining us
12:39The wonderful Courtney Pine
12:42See you in a moment
12:44Yeah, we can see you
12:44Thanks
12:46Courtney Pine
12:47Now
12:47Over to this corner
12:49A band who formed in lovely Margate Kent
12:52Performing Miami
12:53From their first album
12:55Outer National
12:56Please welcome
12:57Pidgin
12:57CHEERING
13:22Thank you
13:32I just woke up this morning, I saw a fly going to Miami, after placing it in my garden,
13:46I just broke my ticket.
13:54Come on, let go.
13:59Come on, let go.
14:04Miami, Miami, Miami, Miami.
14:07Come on, let go.
14:12Come on, let go.
14:17Miami, Miami, Miami, Miami.
14:29If you close your eyes, it's just like a Miami
14:34Big hotel pantries, Lisa ice cream
14:40Hot damn skin, hot damn sun
14:45Hot damn skin, hot damn sun
14:51It's just bright, it's just fun
14:56It's just the sun, it's just the sun
15:01That is it so Miami
15:04That is it so Miami
15:06That is it so Miami
15:09That is it so Miami
15:13Come on, let go
15:16Come on, let go
15:23Miami, Miami, Miami, Miami
15:26Come on, let go
15:30Come on, let go
15:36Miami, Miami, Miami, Miami
15:39F-I-A-M-I
15:43Go to Miami
15:44F-I-A-M-I
15:52Everybody
15:53Go to Miami
15:54Go to Miami
15:55M-I-A-M-I
16:19I'm going to go, man.
19:23What a pleasure.
19:25It is always a pleasure to play with this man.
19:27Our tribute to the one and only Maharaja of good taste, the legendary Duke Ellington, thank you, the wonderful Courtney
19:33Pine.
19:38Next, a Manchester quartet performing a song from their forthcoming album, It Goes On.
19:44Please welcome West Side Cowboy.
20:14Maybe soon, I'll follow you and I will sit for my soul.
20:21Out of some blue or some fantasy fortune, the locks have held, oh, and the rain sounds like bells, the
20:29plastic of the car, so I'm totally fine.
20:33Have you heard that the boys, they're gone this time?
20:56Have you heard that the boys, they're gone this time?
21:08It's storms, they're gone this time?
21:10It's storms and the cars should pass.
21:11You know, I've got this like a bullet when you talk like that on the ship.
21:15And it's pitch cracks, they're gone this way, they're gone this time, and the rain sounds like bells, the plastic
21:24of the cars, this one's totally fine.
21:27Oh, have you heard that the boys, they're gone this time?
21:33Oh, have you heard that the boys, they're gone this way?
22:00Oh, have you heard that the boys, they're gone this way?
22:02Have you heard that the boys, they're gone this town?
22:13Have you heard that the boys, oh, they're gone, oh, they're gone this town?
22:25Have you heard that the boys, they're gone this town?
22:39Have you heard that the boys, they're gone this town?
22:51Have you heard that the boys, they're gone, oh, they're gone this town?
23:06Have you heard that the boys, they're gone this town?
23:21Have you heard that the boys, they're gone this town?
23:24Have you heard that the boys, they're gone this town?
23:34Have you heard that the boys, they're gone this town?
23:41Have you heard that the boys, they're gone?
24:04Simon Le Bon
24:05Nice to see you
24:11So it's great to have you back on the show
24:14Thank you
24:14And you've got a wonderful new song out, Duran has a wonderful new song out
24:18We have
24:18Free to Love, which we're going to see in a moment
24:21But tell us about the song, who wrote it and what inspired it?
24:25Well it started off as a little Niall Rogers riff that we had
24:29And it was knocking around, just maybe five minutes of it
24:34Just the riff and then it got drums and bass
24:37And John and I went into the studio and built a song around it
24:41And then Nick came in and did his magic
24:46It's about being free from fear
24:50That's what it is, to be able to love
24:52And it's very simple
24:54We just wanted to lift ourselves and as many other people as we could up
24:58Great, well very commendable
25:00Andy, to help you, you've got Niall Rogers performing on it
25:03Niall is amazing
25:04You know, we've had an amazing relationship with Niall
25:07It goes back to when he did a remix of The Reflex
25:11And he calls us his other band
25:17And we've had ups and downs with Niall
25:20But we've made great music together, well we think we have anyway
25:24In a moment we're going to see this video for the song
25:26It's a fantastic pastiche of Top of the Pops
25:30Yeah
25:30Thursday night, Legs & Co, Pans People, The Lot
25:33Completely different world
25:35I mean music was completely different then, wasn't it?
25:37Do you think?
25:38Yeah, I think it was
25:38There weren't so many bands around, there weren't so many acts
25:41There was a lot more attention
25:42And Top of the Pops had this, it was very special
25:46Because it was the focus of everybody's attention
25:49In sort of modern music in this country
25:52And we just wanted to relive it a little bit
25:56Yeah
25:57Anyway, we're now going to see this fantastic Free to Love
26:00Let's have a look at it now
26:01We're under no illusion
26:05Chasing the dream
26:08And all the confusion
26:11There's no substitution
26:14For being the best that we can be
26:19Be free to win or lose
26:22Do what you want to do
26:26Be free to see it through
26:31Be free to see it through
26:31Out there and free to love
26:37Thank you
26:40All the costumes, all of the things, very good, very good of that time
26:44Duran Duran have been together now for 40 years
26:47You sold over 100 million records worldwide
26:48Next month you're going on the road including headlining the British summertime at Hyde Park
26:53Yeah
26:55Sorry, I've been told I have to plug some shows
26:58Well, I've done that for you
26:59No, no, there's ones coming in October
27:01We're playing in Belfast, Glasgow
27:06I'm pleased you're saying this
27:07Liverpool, Leeds, Birmingham
27:10And finishing off on Halloween at the O2
27:13It must be a joy still to keep performing live
27:16It's funny, I mean, people have asked me a lot
27:20Did you think you'd be doing this when you were as old as I am?
27:27And we didn't really think about what we were going to be doing
27:30But now we're here, we're in the place that we're at
27:33It's the thing that keeps us excited
27:36And gets us out and gets us up and gets us in the studio
27:41We love going on stage and playing our shows
27:44Music's a great thing
27:45But what's the key to you sticking together in your longevity?
27:47Because often bands argue, they split it up on one person, you know
27:52I think the big thing is that we split all the income equally
27:59It really does make a difference
28:01No arguments
28:02Yeah, well, yeah
28:03So it sounds banal but it's really, I think that's the main thing
28:08Yeah
28:09And we feel equal
28:11And we like what we can do together
28:13Yeah, yeah, and equal in your input
28:15Because you're making the whole, you are making the whole thing together
28:17Yeah
28:18Yeah, well, it's great, it's great to have you here
28:20Thank you
28:20Look forward to seeing you in Hyde Park
28:21Let me reiterate, you are doing lots of shows
28:23Including the ones in October
28:24And at Hyde Park in the summer
28:26The wonderful Simon Le Bon, thank you so much
28:29Thank you
28:30Great to see you in Hyde Park
28:38Wesley Joseph
29:08I was a-shoutin'
29:09It was all for sure
29:13She said
29:14I'll never beat her
29:15And I care
29:16But I'll never see you there
29:18I swear
29:19She called me and she brought you where for
29:23Three steps cuttin' through the air
29:25Now I'm lookin' at the shoulders turn
29:28Three steps comin' on my own
29:30When I seen her on my long song
29:33Who's there when the feeling goes
29:35In the violin we were seeing for sport
29:38She's there when I'll never know
29:40I was goin' through the motions
29:43Yeah
29:44This feels so
29:45You see her life ain't
29:47Oh no
29:49I'm not sure
29:50If she like me
29:52Oh no
29:54Three steps cuttin' through the wind
29:55Now I feel like you know me
29:57Oh no
30:00All night long
30:05Livin' on my mind
30:06I'm a sin-sane
30:07Bonafide
30:08Ain't no wasting time
30:09On the intake
30:10On the flow
30:10When the flick is time
30:13Till you see the shine
30:14Uh
30:14I got loose feelings
30:15That I left on the tempo
30:17I got loose feelings
30:18I afflict in the end
30:19Uh
30:19Missin' when the hearts beat
30:21Livin' in crescendos
30:22Then she told me softly
30:23That it's so pretend
30:24No
30:24A finger floss spinning
30:25So we step on the ceiling
30:27When I'm near ya
30:27Ain't no room for innocence left
30:29We was on the low
30:30Never talk
30:31What's against the glow
30:32For when I see ya
30:33I miss the way your skin is undrewed
30:35And she said
30:36I'll never be there
30:37And I care
30:38But I'll never see them
30:40I swear
30:41She come and she go
30:42You where for
30:45Three steps cuttin' through the wind
30:47Now I'm lookin' at the shoulders tight
30:50Three steps comin' on my own
30:52When I seen all my low sun
30:55Who's there when the freedom goes
30:57And the boner we was in just good
31:00She's there
31:01But I'll never know
31:02I was goin' through the motions
31:05Yeah
31:06I feel shocked
31:07Is she a light fiend?
31:09Oh no
31:11I'm not shocked
31:12Is she like me?
31:14Oh no
31:15Three steps comin' through the wind
31:17Now I feel like you know me
31:19All night long
31:20All night long
31:24All night long
31:30Yeah all night long
31:31Mm-hmm
31:32Yeah all night long
31:35Three steps cuttin' em low
31:37Till I'm all night long
31:40Till I'm all night long
31:41Till I'm all night long
31:44Uh-uh
31:48I
31:57Wesley Joseph
32:02Now I'm delighted to welcome to the piano Ellie Goulding
32:07Lovely to see you
32:10So congratulations on your excellent new album. I know too much
32:15Where does the title come from?
32:18My gosh, I have a song on the album called I know too much and it's probably
32:23the most
32:25Honest song I've written and it's kind of it is what it is. You know, I know too much and
32:29it's it's kind of tongue-in-cheek
32:30but also
32:32just I don't know some kind of comment on on everything all my life so far and
32:38music and
32:39Yeah, I couldn't think of a more apt title for everything that I'm singing about
32:44So it's just like I do know too much way too much. What do you know too much about?
32:51I mean, I think we all know too much at this point. I think we are being forced to know
32:56too much
32:58And so it's kind of I guess like a comment on everything on just too much information
33:02But also knowing too much that it's like dangerous or something. I don't know. Yeah
33:08Yeah, a lot of information not a lot of knowledge. You know what I mean? Yeah, too much knowledge too
33:13much stuff
33:13Yeah, yeah, it's a great record
33:15But also I should say you just had a baby in March a few months ago. I'm a nine-week
33:20-old
33:20Congratulations. Hey, nine-week-old baby fantastic
33:24Great news
33:25Thank you. Thank you. Also congratulations that you are able to have the energy to get out and perform. How
33:32is it?
33:32I hope it's not too much. No, it's the thing that keeps me going, you know, I
33:36Got back in the studio again. I have I have two now. So
33:40The first time I went back in the studio and I I was kind of a robot
33:44I made this album called higher than heaven and I don't remember it
33:47And I think any woman that's had a baby can relate to that postnatal
33:51Like phase of like what the hell just happened to me? And so I wrote all this music and
33:57And I call it kind of like, you know, some someone heard a song from it the other day and
34:01was like
34:02I thought this was AI, you know, that's the new thing and I'm like no
34:05Well, it's kind of because I was kind of a robot. I didn't really know what I was doing at
34:09the time
34:10But anyway now I'm much more human and I know
34:13I've sort of done it already. So this time around I'm a lot more
34:17Equipped I suppose to to get back into my mind. I try hi human intelligence
34:22That's what we need. That's what we need. Yeah, and you're all right in thinking that classical music has it
34:26been an early influence for you?
34:29Yeah between I mean I grew up my mum brought me up on
34:33Really dance and rave music and I discovered classical music when I was 11 or 12
34:37I play clarinet in an orchestra and then I started playing guitar
34:41But um it was this one CD my grandfather gave me that was just a classical CD and that
34:46Those songs became the kind of I guess anti-anxiety
34:51Soundtrack for me and still is so I listen to classical all day every day. I play it to my
34:56baby
34:56Wow, that's great. It's got a great show on Radio 3 earlier with Jules Holland all the best people come
35:02on it
35:02Will you come on as a guest and chat about that? I'd bloody love to
35:06Guess to hear about the tracks that your grandfather gave me
35:08I would love that I would love that and you're also speaking of earlier music your you first came on
35:13the show I think in
35:152009 it's one of my earliest
35:17Anxious moments happy memories. No, it was happy because I was so I was so happy to be on the
35:24show
35:24It was I was just like I've made it. Oh my god
35:26I've made it and you know, I grew up watching it
35:30I discovered some of my favorite artists you had Yasmin Levy on the show when I was on you had
35:34wild beasts the band
35:35Who sadly aren't together anymore, but I love them so much. Please get back together if you're watching this and
35:41And yeah, and I was so nervous though. I don't remember it. I've never watched it back
35:46I had my hood up. I was so shy and
35:49It was yeah, so it's nice to be back in a slightly calmer capacity
35:53Yeah, well a lot of your early hits having a huge new lease of life
35:57Because they appear on YouTube or social media things and have brought you a whole new audience isn't it? How
36:02does that work?
36:03Well, just I just I discovered that I've got younger fat like my friends kids will thus
36:09They'll say to their like my friends. Oh, oh, yeah
36:11I love Ellie. I love that song from tick-tock and that's what they you know
36:15That's how they know me and it's amazing. I mean, you know love it or hate it like I feel
36:19like it gives it breathes new life into
36:23Older songs that were made that maybe were part, you know
36:26Came and when and now having this new kind of lease of life. So I think it's amazing. Yeah, bring
36:31music to a new generation
36:32Yeah, it's great to have you. What are you going to be performing for us in a moment?
36:36I'm going to sing another new song is called four seasons
36:40It's quite good. I think I heard it. Oh, it's fantastic. Thank you. Thank you very much for joining us
36:44Ellie Goulding
36:49Wonderful Ellie Goulding and now with another wonderful song from our top four album. Nothing's about to happen to me.
36:56Please welcome back Mitski
37:11How do I let our love die when you're the only other keeper of my most precious love?
37:28Yes memories
37:29Yeah
37:32Yeah
37:35I've been drinking
37:38I've been drinking
37:41Why's that gotta me?
37:46I can't call you but you and me
37:52Cause I'll do anything
38:01Cause I'll do anything
38:01For you to love me again
38:09If you don't like me well
38:17If you don't like me well
38:18If you don't like me well
38:18I will change for you
38:32Bars
38:35Bars
38:36Such magic places
38:41You can be with other people
38:46You can be with other people
38:48Without having anyone at all
38:53But now
38:57They say they're closing
39:03I'll do anything
39:04So I'm leaving
39:05So I'm lighter in
39:08Outside
39:09Watching all
39:11The cars
39:13Passing by
39:15Like a kid
39:16Waiting for
39:18My ride
39:25I'll do anything for you to love me again
39:37If you don't like me now
39:45I will change for you
39:52I will change for you
39:58I will change for you
40:40I will change for you
40:57If it's real or not
41:03It's real enough
41:07Daydreaming, fake feelings
41:09Fucking round under four seasons
41:11I think that I might be falling in love with you
41:16I need it, wanna keep it
41:18Quit messing around but the doubt can't
41:21I think that I might be falling in love
41:29I think that I might be falling in love
41:34Kiss me, it's a symphony
41:36Love, are you not next to me?
41:39Yeah, I swear it's stay here forever
41:42With a less day of all night
41:45Make it less for a lifetime
41:46I don't usually trust guys like you
41:50But right now I don't care if
41:53It's real or not
41:58It's real enough
42:03Daydreaming, fake feelings
42:04Fucking round under four seasons
42:07I think that I might be falling in love with you
42:11I need it, wanna keep it
42:14Quit messing around but the doubt can't
42:16I think that I might be falling in love
42:25I think that I might be falling in love with you
42:34I think that I might be falling in love
42:41Boy, you must be a tourist
42:43Now we're caught up in flores
42:46Drinking for your 7-5 like it's a white wine
42:49Why you feel like a lifeline
42:51I don't usually trust guys like you
42:54But right now I don't care if
42:58It's real or not
43:02It's real enough
43:07Daydreaming, fake feelings
43:09Fucking round under four seasons
43:11I think that I might be falling in love with you
43:16I need it, wanna keep it
43:18You mess around but the doubt can't
43:21I think that I might be falling in love
43:29I think that I might be falling in love
43:39I think that I might be falling in love
43:43I think that I might be falling in love
43:52I think that I might be falling in love
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