- 5 hours ago
Later... with Jools Holland Season 68 Episode 1
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00:18Welcome to a brand new series and welcome to my dear old friends. Let's begin with squeeze
00:31me.
00:32Why don't you scratch me? If it makes you feel good, go on, attack me. I promise I won't look.
00:40Let me wipe the sweat from your brow. It's so easy when you know how. I want your love and
00:49I want it now.
00:54Why don't you kiss me like they do on the screen? You know this is me. You don't know where
01:02I've been. Stand up closer, I won't find it all. I never think that my love is small. I want
01:11your love cause it's such a ball.
01:14Oh, she's like a baby in a cradle. I rock her across the street. A man is at the table,
01:23a baby in the tree. But I want love and I'm a beauty.
01:47Why don't you hit me? Give me a heart attack. Go on and love me. And I might love you
01:55back. I know you're much better.
01:58I know you're much younger than me. I know you're much younger than me. When I pulled you off of
02:02the street. It's cool loving it's ours to be.
02:09She's like a baby in a cradle. I rock her across the street. A man is at the table, a
02:16dirty other team. But I want love and I'm a beauty.
02:23She's like a baby in a cradle. I rock her across the street. A man is at the table, a
02:30dirty other team. But I want love and I'm a beauty.
02:37She's like a beauty. She's like a baby in a cradle. I rock her across the street. A man is
02:42at the table, a dirty other team. But I want love and I'm a beauty.
02:48She's like a baby. She's like a baby. It's like an independence.
02:58She's like a baby. It's like an independence. Oh my no-no-no-no. The toughness is like an economy.
03:05And I'm just ready to finish.
03:05Even more than a baby. She's like a baby. And I ain't at the table before you throw it.
03:18How lovely to have my dear friends in this room. Thank you squeeze
03:23With why don't you from their new album Trixie's a marvelous array of incredible guests this evening
03:29Because we will be welcoming from Sussex and Bergen in Norway tomorrow
03:36But mine head it's get down services
03:41From New York the extraordinary Aja Monet
03:47But now from Mullinger in Ireland it's Niall Horan
04:17The games you never played before
04:21Now I was like a cell you saw the screen so it did look for me for sure
04:30Nights with force
04:33Things I've never felt before
04:36Clashin' lights when you first saw me
04:41Yeah I met you at a dinner party
04:45Shoulder leaves to eat a coffee
04:49Yeah I met you at a dinner party
04:54We were pissed on thought just for the fun
04:58But who would be the first thing
05:03One kiss on your neck you're so concrete
05:07I think I'm done looking for somebody
05:09I think I'm done looking for somebody
05:37I think I'm done looking for somebody
05:39I think I'm done looking for somebody
05:44I think I'm done looking for somebody
05:48Yeah I met you at a dinner party
06:10Chandelier's 2 a.m. coffee
06:13Yeah I met you at a dinner party
06:19Chandelier's 2 a.m. coffee
06:21Yeah I met you at a dinner party
06:36The wonderful voice of Niall Horan
06:43I'll be chatting to him later
06:45But now I'm going to chat to my dear old friends over here
06:49from squeeze Chris Difford and Glenn Tilbrook so it's very it's lovely to have
06:59you here on the show and your new album Trixie's okay which came out in March
07:05and it's really almost 50 years I think since it was first conceived and I was a
07:10small part of that but it's an amazing set of songs that you both wrote tell us
07:16what it's about it's about a fictitious nightclub dodgy place to go sort of
07:21places that we wouldn't be able to get into at the age that we wrote this but
07:26of course we could now yes probably run one and what sort of people inhabit this
07:32club sort of people I think we hadn't met at that time I mean I remember you and
07:37I were playing in pubs and we'd meet some nice people there but I think there was a
07:41mixture I think the thing that Trixie's portrayed is a mixture of different
07:46classes and different types of people mixing together I think that had an
07:50element of danger to it is it based on some of the characters that we actually
07:54sort of seen in our younger days in South East London and on the fringes of the
07:58nefarious world yeah we used to play in the pub called the Bell do you remember
08:02that yes and there's some dodgy monkeys there wasn't that let's face it you're
08:07still friends with them of course I mean I've loved hearing all these songs
08:12because I mean between you you have a catalogue of extraordinary songs
08:17everybody's covered your songs and they range from songs that if to put it simply
08:21alike ones that Burt Bacharach might have written or ones that might have been
08:25written for sort of rock and roll band what keeps you inspired now well the fact that
08:31we've got such a great catalogue of songs when we go on tour which we're doing
08:35later in this year with Billy Bragg you know the fact is we got all these great
08:41songs we've got to preserve them make use of them love them and with a great band
08:46take them out on tour so you know Trixie's with we're playing live and it
08:50sounds amazing we just don't know European to we played the whole thing from
08:55beginning to end and it was just amazing you know people loved it now we grew up
09:00together and learned our trade together by going in the back of a van and doing
09:06all that stuff and it was at the time called new wave and punk music we were
09:09one of the first groups to go to America and it was a very strange time and it's
09:13very turbulent time do you look back on those days with fondness now I think you
09:18know one of the things about Trixie's that struck me is that we would never got
09:23away with releasing anything like that in 1977 or 78 it was just too diverse a bunch of
09:28songs too many chords too many chords so I've always been guilty of but you know I
09:34think that in a way when when we broke through we had to sort of simplify what
09:38we did and learn to grow out of that and so you know it was a great time it was
09:43very exciting time and it was all also a time when you could identify with the
09:47other bands around you to a certain extent I mean it's some of the songs are
09:51just so fantastic when it also includes the original demos which were done in a
09:56tiny sort of shoebox studio in in Islington which I think are great you
09:59know the whole the whole the whole exactly me with very long hair and
10:04skinny but we haven't played together this century and people have tried to you
10:09know said oh well you know Jules you're gonna be back with squeeze at some point
10:13and just because of circumstances really it's never it's never worked out there
10:18was even offers in America there was a TV show that tries to get together but one
10:21finger another it hasn't worked out but I propose that we actually do play to show
10:27the love tonight for the first time ever for years would you like to do that I
10:31think we should that'd be okay with you wait I'd love it too it'd make me very
10:36happy because we make great music together and I'm very proud to be part of of it
10:41thank you very much it's great to have you here thank you very much for joining us and
10:45the world to hearing more from Trixie's in a moment and now I'm going to go over this way thank
10:49you very much
10:49Christopher and Glen Tilburg next an extraordinary Grammy nominated surrealist
11:01blues poet who began writing at the age of eight with a song she describes as the
11:07portal of possibility please welcome Aja Monet
11:11a
11:17a
11:20a
11:21a
11:21a
11:21a
11:24a
11:25a
11:25a
11:26a
11:28a
11:29a
11:30a
11:30a
11:30a
11:32a
11:38Said we're going to the elsewhere
11:44Yeah, yeah, yeah
11:49Said we're going to the elsewhere
11:51We be somebodiness
11:56When the streetlights in your veins go on
11:59And some are walking up and down the sidewalk of your grin
12:04Diamonds twinkling on the street
12:07The thirst of our cool
12:12On the shorelines of a smile
12:17Washing up against moon-shuttle-lit eyes
12:21Freeing impulses, whereas folk we lord
12:26Laughter
12:27Laughter in the face of death
12:32The carnival of flowers sprouting from clothes
12:35With earth's skin
12:39The perfume of stones kissing cuss words
12:43The rhythm echoing reverb
12:46Rhythm
12:49Where the garments of Jupiter genius
12:52Sparkling of spaceships
12:56Scattered in desire
12:59Dressed in vibration
13:01Cooking on a stone skillet
13:05Afro-curl satellite levitating
13:08Comb the skies
13:09Heaven words
13:11Embrace the marvelous
13:13Embrace the marvelous daydreams
13:15Born in the forest of our refuge
13:17We, we, we, we were born to be sun-rained
13:21We were born to be sun-rained
13:24We were born to be sun-rained
13:24Radiant, radiant, falling upon the horizon
13:27Newly each day
13:29Shining
13:31Waywardness
13:31Let's go
13:34Let's go to the elsewhere
13:38Set loose
13:40Where as we escape the strangeness
13:43Whispers of flesh as mirror
13:45Treasuring the mystery of ourselves
13:47Where the, where the spirit dwells
13:49From not so distant constellations
13:53Let's go
13:56Let's go
13:57To the elsewhere
14:03Let's go
14:04To the elsewhere
14:05Set loose
14:07When we get there
14:08Set loose
14:10When we get there
14:19Set loose
14:23When we get there
14:25We need not climb on the shoulders of our elders to look at their toes.
14:35There's love in the elsewhere.
14:41There's liberation in the elsewhere.
14:45Talk, talk, talk about the blood.
14:50Talk, talk about the blood.
14:55There's revolution.
14:57There's revolution in the elsewhere.
15:01Peace of mind in the elsewhere.
15:06Neither here nor there.
15:08Neither here nor there.
15:10The end.
15:11The end of the world.
15:14The end of the world as we know it.
15:16Let's go.
15:19Let's go to the elsewhere.
15:44With elsewhere from her new album, The Color of Rain.
15:48Thank you, Arja Monet.
15:53CHEERING AND APPLAUSE
15:56Now, let's move over to this corner,
15:58because Tom Rowlands of the Chemical Brothers
16:01and Norwegian artist Aurora have formed a remarkable duo.
16:06So please welcome Tamora.
16:08CHEERING AND APPLAUSE
16:18I don't think I understand this feeling.
16:28Oh, I can't show it first.
16:35I can't look first.
16:39I'm gonna drink it all.
16:56I wanted to touch what I couldn't.
17:00I wanted to feel what I shouldn't feel.
17:03I wanted to taste the world for my part
17:09Oh, I drink a lot
17:12Oh, I drink a lot
17:17I drink a lot
17:25Good to be here
17:33I want to feel, I want to feel
17:36I want to feel, it feels me
17:44I want to feel, it feels me
17:55As I count the lights on the runway
17:59I'm chasing the speed of an airplane
18:02I just want to feel the whole song in my heart
18:08Oh, I drink a lot
18:12Oh, I drink a lot
18:14Oh, I drink a lot
18:18Oh, I drink a lot
18:32I drink a lot
18:49I wanted to feel
19:16To the waves of the world of a life rain
19:20I'm reaching the heights of a flood wave
19:24I want to be one with a sparking of love
19:29Oh, I dream to love
19:33Oh, I dream to love
19:37I dream to love
19:39I dream to love
19:44I dream to love
19:48I dream to love
20:00Oh, I dream to love
21:06What a ravishing and mystical sound that was.
21:09And now I am delighted to have at the piano my dear friend, Niall Horam.
21:14Great to have you here.
21:15Very good to see you.
21:19Thanks so much for coming on the show.
21:21Great to have you here.
21:22You've got a marvellous album.
21:24You're about to go on tour and everything.
21:25Since One Direction, you've had two number one albums.
21:28But let's go back to the beginning moment.
21:30Where does music start for you?
21:32What's the first music that you thought, hey, this is for me?
21:34What got you excited?
21:36I remember a lot of vinyl at home when I was a kid.
21:40My parents are mainly 70s American rock music fans.
21:45So I grew up a lot on Laurel Canyon stuff like the Eagles, Fleetwood Mac, Crosby Stills, all that kind
21:51of stuff.
21:51So I remember going to an Eagles concert when I was four.
21:54Four, the RDS in Dublin, and just looking at the stage and just not really knowing who they were or
22:00what it was I was at.
22:02But I remember thinking, that's what I want to do.
22:05That's the kind of thing.
22:06And to this day, I'm still a lifelong Eagles fan.
22:09I love them very much.
22:10How great.
22:11What a great, interesting start to the whole thing.
22:13And when you did start your solo career, did you have an idea of what you wanted to do or
22:19did it evolve?
22:19Well, I think it is a constant evolution, but it all starts from rock, really.
22:26I think the fact that I picked up a guitar at a young age is always helpful when you go
22:30to write a song.
22:31And I think that kind of guitar, pop, rock sound is something that I knew exactly where I was going
22:38to go with it,
22:39what the initial stuff was going to sound like.
22:41But then I also had this love for singer-songwriter.
22:44I grew up on Damien Rice and a lot of Irish folk music that kind of got me into the
22:50singer-songwriter side of things, too.
22:51So I think both of them played into what I do now, yeah.
22:55And earlier tonight, you played Dinner Party.
22:58Yeah.
22:58What was the inspiration for that song?
22:59Great song.
23:00Well, the inspiration is, it's actually about the first night that I met my now girlfriend years ago.
23:07And, yeah, it tells the story of what happened that night.
23:11But after I'd written the song, it kind of, it told me what the rest of the record was going
23:16to be about.
23:16And the Dinner Party not just being that one night, it being, you know, the nucleus for the rest of
23:23our time together.
23:25And it allowed me to write songs from all the different angles of a relationship, whether it be the good
23:31and the bad times.
23:32And I think after I wrote, I'd written a lot of songs up to that point, but once I'd written
23:36that song, I thought, right, I'm out the gate here.
23:39I know exactly what I need to say, what I need to do.
23:41And thinking of a dinner party, who would some of your, if you were throwing a dinner party, say, next
23:45week, obviously you'd be...
23:47Thank you very much, correct.
23:49Who else would you be having at your dream dinner party?
23:53That's a good question.
23:54Um, I've spent a little bit of time around the actor Joe Pesci.
23:59Yes, very good.
24:01And he's a big golf fan like myself.
24:03We played at the same club in Los Angeles.
24:06And I see him around waving his hands and being very Joe Pesci-like, obviously.
24:10And he could tell a yarn, he could spin a yarn, he can.
24:13And I think he'd be a good guest.
24:15I'd like to see Fleetwood Mac in the same room.
24:18That'd be fun.
24:19All of them.
24:20All of them would be a good laugh.
24:21Don Henley.
24:23Yes.
24:24Don Henley, Joe Pesci and Bill Murray.
24:30Nice mix.
24:30Yeah, a nice weird mix.
24:32Yes.
24:32And you.
24:33Oh, thanks very much.
24:34I'd enjoy that very much.
24:36Now, you are a global megastar.
24:38But when you've got time off, what do you do?
24:40What's your sort of little downtime to quiet thing that you do that no one knows about?
24:44If it was up to me, I wouldn't leave the house.
24:47No, I like being at home.
24:49I've got into a bit of cooking, mowing the lawn, a bit of gardening these days.
24:53I'm only 33.
24:56I'm a big, big golfer.
24:58I spend a lot of time playing golf and I have my own golf management company and we manage
25:02some players and that's a bit of a side hustle for me.
25:05But yeah, I like the freedom of golf, sticking a phone in the bag, not worrying about, you
25:11know, whatever's going on in life and just getting out there and concentrating on that
25:15one thing.
25:16Yeah, golf is my kind of my thing.
25:18And always like golf courses.
25:19They look so lovely.
25:20It's a dream landscape.
25:22It's been great.
25:22I'm looking forward, I'm counting the moments till our big dinner together.
25:25Absolutely.
25:26And it's been great having you on the show.
25:27The songs are fantastic.
25:28What are you going to play for us in a moment?
25:29I'm going to play the song that comes with the album in June.
25:32Tastes so good.
25:33Can't wait to play it.
25:34First time ever.
25:35Thank you so much.
25:36It's great to have you.
25:37Really great to have you.
25:39Nile Horan.
25:39What a nice fellow.
25:42And now I go to this bit of the room here where there's a
25:46duo who met in school in Minehead, Somerset performing a song inspired by
25:52faulty heating.
25:53Please welcome Get Down Services.
26:00My name's Josh.
26:01Everyone say yes.
26:03Everyone say yes.
26:05My name's Ben.
26:07Scream.
26:08Come on.
26:10We're Get Down Services.
26:12Balcony.
26:13Scream.
26:20That's all, she.
26:23I bang my head on the radiator
26:26I hang my socks on the radiator
26:30I bang my head on the radiator
26:34I bang my head
26:37I bang my head on the radiator
26:41I hang my socks on the radiator
26:45I bang my head on the radiator
26:49I bang my head
26:51Go on, son
26:54Stuff's coming out
26:56Oh, yeah
26:57Let's actually go
26:59Oh, yeah
27:01The weight scales in my belly
27:03Oh, yeah
27:05I trust them
27:06Oh, yeah
27:08The eating more flour are called a shit cake
27:12Oh, yeah
27:14Oh, yeah
27:16My body fizzes and my armpits trickles
27:20Got it, son
27:21Here we go
27:23I bang my head on the radio
27:25Oh, yeah
27:27I bang my socks on the radio
27:29Oh, yeah
27:30I bang my head
27:32Oh, yeah
27:34I bang my head
27:36Oh, yeah
27:38We're gonna stroke the doggy
27:40Oh, yeah
27:41And then we're gonna hit the doggy
27:44Not really, that'd be illegal
28:01I've got three words for you
28:04The Dyson Airblade
28:07It was once just a man
28:09Looking at his hands
28:11Thinking
28:11I'm gonna make these so fucking dry
28:14You won't believe me
28:15It's the life dog middling
28:17Oh, yeah
28:18The dog swiggling
28:21Oh, yeah
28:221,500 minor sweets
28:24Oh, yeah
28:26And the big fat guy
28:28Fucking oh, yeah
28:29The smell doesn't stop
28:32I feel sick
28:33Just stop nipping it
28:36I feel sick
28:37Five to six days a week
28:39Everything's fucking sick
28:41I'm back up in fucking shit
28:43And I'm fucking mad
28:45On the radio
28:46I feel sick
28:48I'm getting on the radio
28:50I'm feeling sick
28:52I'm getting on the radio
28:54I'm feeling sick
28:55I'm getting on the radio
28:57I'm feeling sick
29:00I'm feeling sick
29:02I'm feeling sick
29:02I'm feeling sick
29:05I'm feeling sick
29:06I'm feeling sick
29:07I'm feeling sick
29:09I'm feeling sick
29:10I'm feeling sick
29:10I'm feeling sick
29:10I'm feeling sick
29:11I'm feeling sick
29:11I'm feeling sick
29:14I'm feeling sick
29:18I'm feeling sick
29:20I'm feeling sick
29:42I'm like a gonger's burial shamer, oh yeah
29:47I failed the task, oh yeah
29:51And someone punched me in the face, oh yeah
29:55Thank you very much Jules, oh yeah, thanks for watching, thanks for watching, yes
29:58Thank you
30:18There she lay on the hospital floor, blood on her face and spikes in her mind, everyone knew she could
30:26take no more, but she ran screaming with death by her side.
30:30The window was broken, smoke trickled in, along with the spiders and smells. How did I know where the end
30:39might begin? Where the story was so hard to tell, the story was so hard to tell.
31:46But you can mend the face, I'm lost in the line, to visit the place, the place we call Mars,
31:59the place we call Mars.
32:22As we rest in shelters of tears, down by the champagne parade, how do we know where the end might
32:31begin?
32:32As the night turned into the day, it seemed so long since the last man fell, for the sake of
32:39being alive. The hospital stands and it's just as well, cause the wound is still in my mind.
32:47The wound is still in my mind, you can't remember mine, but you can mend the face, I'm lost in
33:00the line, to visit the place, the place we call Mars.
33:08The place we call Mars, the place we call Mars, the place we call Mars.
33:295, 9, 8, 7, 6, 5, 4, 3, 2, 1
33:47Thank you, Squeeze, who you can see on tour somewhere near you soon. Wonderful, have Squeeze back in the studio.
33:58Now, I'm going to chat to Tom Rowlands and Aurora, who together are Tamora. Welcome to you both, very good
34:05to see you.
34:08And, um...
34:09First of all, it's fantastic seeing you earlier on, your voice sounded amazing and the vibrations, but how did this
34:15project come about, how did you meet?
34:17Well, we were making music together in the studio, which is something we love to do, isn't it?
34:22Very much so.
34:23And, um, the feeling was so strong with these songs we'd written, that we thought this deserved a band, this
34:30deserved, like, a project of his own, as opposed to just a featuring kind of thing.
34:34Yeah, it's own name.
34:35So it's been, like, it's been ten years since we met, and I guess two years since we began making
34:40this world.
34:41And did Tom approach you?
34:43Yes, he came out of my mail.
34:47And he said, please, come home.
34:48No, yes, it was kind of like that.
34:50And then I was like, yes, of course, I want to make more.
34:53And it's just been, yeah, absolutely wonderful.
34:56Am I right in saying, did you see a war was...
34:58I saw it at Glastonbury, yeah.
34:59I was actually... It was a year I didn't go to Glastonbury.
35:02I was sitting on the sofa, and there she was, singing.
35:06And she pulled me off the sofa and was like, come on!
35:09There's a lot of this in our relationship.
35:11There's something happening here.
35:14How did you decide on the name?
35:20Well, one name we really wanted to have was Taken.
35:23We couldn't be called The Thing.
35:26And then... You wanted to be called The Thing?
35:27Yes, for like a minute, but it's over now.
35:29That's so yesterday.
35:31And then for a while, I wanted us to be Rat, because I love rats.
35:34Rat, with double A. Rat.
35:36You know, but thank God, Tom was like, maybe not.
35:39Yeah, true. People could get confused.
35:41We do do that.
35:42And then to Laura, it's just a good smash.
35:45A mix of your two names.
35:46I believe... Am I right in thinking that it also means
35:49friendly companion on Earth?
35:51On Japanese. In Japanese, yes.
35:53Yes, you're right.
35:54They have some good words for things that we don't have words for.
35:56Isn't that wonderful?
35:57Yeah.
35:58And how would you describe your working relationship with Tom?
36:01Who does what?
36:04We share a lot, don't we?
36:05Everything... All the production and the playing.
36:08Obviously, I don't sing quite as much.
36:09You do sing a bit.
36:11A little bit, yes.
36:12Aurora tries to get me to sing more, and I'm like, it's all right.
36:16I think you have this.
36:18And dance more, but you have it in you, Tom.
36:19Yes, I do.
36:20And where do you record?
36:22Well, between our two studios.
36:23So Aurora has an amazing studio above a fjord, and you play music with the windows open,
36:30and it drifts across the most beautiful place you've ever seen, and I have a little cave
36:35in Sussex where we get together.
36:38Nice.
36:39And is it right that after you've finished recording, your parents gave you a present?
36:43Oh, it was a very moving handover, wasn't it?
36:47Yeah, my parents did you a present.
36:49Mm.
36:50A very important thing to our country, a cheese cutter.
36:53Cheese cutter, yes.
36:54Yeah.
36:54Antler horn.
36:55Made from horn.
36:57But for brown cheese only.
36:59Yeah, for brown cheese.
37:00Well, what happens if you try and cut yellow or soft cheese, what happens?
37:03Or you just die.
37:04Yes.
37:05Immediate.
37:06Yes.
37:06It's very sad.
37:07And finally, Niall earlier was talking about, you know, the things he liked to do when
37:12he was relaxing and that, you know, just simple things often bring the most happiness.
37:15Simple things.
37:15How about you both?
37:16What things would you do to relax and enjoy yourself?
37:21I like to ride my bicycle, it's very boring, but that's what I like to do.
37:25Where do you ride it?
37:26I mean, out in the woods, on the downs.
37:28Oh, yeah.
37:29It's nice, you know.
37:30I like riding, but I like riding a bicycle in the city, because I'm a nosy parker, so
37:34I like looking.
37:36And how about you, Laura, what's your thing, what would you do to relax, if you want?
37:42Well, I like having really, really, what the heck is it called, when you play just
37:50really low, you know, on piano.
37:52And I do like a very...
37:54Pianissimo.
37:55Yeah, pianissimo, very softly to myself.
37:58Oh.
37:59That really calms me down, because in piano, my favourite sound is often in between there.
38:04In between when you hit the notes, the lingering of the notes, so that is very relaxing to me.
38:10Mm-hm.
38:11And of course, reading books and pleasuring myself.
38:16Yeah.
38:19I was going to say, if you were just to show us, when you enjoy yourself, how you play the
38:24piano, pianissimo.
38:30That's just...
38:31Well, just...
38:31Yeah.
38:32Okay, so I'm really...
38:33There's a soft pedal.
38:33I'm really terrified.
38:35But that's okay.
38:35You just do it very soft.
38:36Terrified of the sound.
38:37But I play piano, but I hate it.
38:40Pianissimo, because a piano can be pianissimo as well.
38:45Oh, yes.
38:48Maybe this is what I do to relax.
38:55Enchanting.
38:57Woo-hoo!
38:58That's a wonderful play.
38:59Congratulations.
39:00What a lovely, lovely sound.
39:03In the meantime, thank you so much for joining us tomorrow.
39:11And now, let's welcome back in this corner, the wonderful Niall Horan.
39:23Thank you so much for joining us.
39:46Out of my pocket with my car keys
39:51Got me exactly where you want me
39:55Exactly where you want me
39:59Can't take another breath without you
40:02Can't walk down the street
40:05No one knows what you're made of
40:08It tastes so good to me
40:10And my hand's not wrapped around you
40:13No one can't fall asleep
40:15No one knows what you're made of
40:19It tastes so good to me
40:26Pathetically
40:28And I look in pieces that you'll never be
40:34Perfectly taught you in me physically
40:37A voice is up in my mind
40:42Say it's your struggle like
40:45Every night
40:48Can't take another breath without you
40:50Can't walk down the street
40:53No one knows what you're made of
40:56It tastes so good to me
40:58When my hands got wrapped around you
41:01When my hands got wrapped around you
41:02No one can't fall asleep
41:04No one knows what you're made of
41:07It tastes so good to me
41:09And it tastes so good to me
41:19It tastes so good to me
41:41Can't take another breath without you
41:44Can't walk down the street
41:46No, I don't know what you meant
41:49But it tastes so good to me
41:52When my hands are wrapped around you
41:54I know I can't fall asleep
41:56I know I don't know what you made of
42:00But it tastes so good to me
42:05It tastes so good to me
42:08It tastes so good to me
42:13It tastes so good to me
42:30Yes, thank you, Niall Horan!
42:34And thank you to all of my guests this week
42:37So we're going to finish
42:38As I said earlier, for the first time ever
42:41Not since I started with Squeeze
42:43That Chris Difford and Glenn Tilbrook wrote
42:46Take Me, I'm Yours
42:47That was our first hit single in 1978
42:49We haven't played together as one
42:52Since probably the 1980s or something
42:54But I'd like to play for the first time ever
42:57On British television this century certainly
42:58To have us reunited here in this room
43:00Please welcome
43:02Squeeze!
43:02Squeeze!
43:22I've come across the desert to greet you with a smile
43:26My camel looks so tight
43:28It's hardly worth my walk
43:30To tell you my travels across the northern east
43:34I see your preparations
43:36You invite me first to please
43:42Take me, I'm Yours
43:45Because dreams are made of this
43:49Forever there'll be a heaven in your ears
44:01On the streets
44:03On the streets
44:03Distract me
44:04From my white
44:05Across to the mountain
44:07Some memories
44:08Of mine
44:09That's this
44:10And this
44:10And this
44:11And this
44:11And this
44:11And this
44:12And this
44:12And this
44:12And this
44:19And this
44:22And this
44:25And this
44:28And this
44:30And this
44:30And this
44:30And this
44:30And this
44:30And this
44:30And this
44:31And this
44:32And this
44:32And this
44:32And this
44:32And this
44:33And this
44:34And this
44:35And this
44:36And this
44:38And this
44:39And this
45:07It's really been some walkin' you never seem to change
45:11Your great attention, your leisure, romantic, just as strange
45:15My equal price to know it's the game I've just appeared
45:19To seek out this future, my love at last I'm here
45:27Take me out of yours, because dreams are made of this
45:34Forever there'll be a room in your ears
46:07At last, my love at last
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