00:00Let us in this article talk about this interesting period of time which is the peak of art in South Asia.
00:05And is present between the flames.
00:07We will see a glorious and ancient history and in stark contrast to it, those who keep their art alive in the streets.
00:13A sad story of traditional artisans.
01:05To understand this, let us turn the pages of history.
01:07Look at the excellent planning and use of bricks of the same size in the sheds.
01:11Or take the example of the extensive use of silk in Harappa and the Taxila University in Gandhara, which is one of the world's largest
01:17It is considered the oldest university.
01:19In fact, this title has been a unique confluence of Muktalif Saqafat and Akyat which gave birth to wonderful things.
01:26And the beauty that this union later gave birth to is reflected in these intricate flowers and Indian patterns.
01:34It sparkles.
01:35This was the golden period when the Islamic tradition of class was formed through the fusion of different cultures, which was extremely noble and central.
01:42Sakafati emerged as a pillar of power, a craft that embraced everything from the Majazit to the royal palaces.
01:50Then in 712 AD the arrival of the Arabic ritual letter in this region proved to be a tremendous breakthrough.
01:56From here, through the simplicity of Kufi, the daring of Sulus and the beauty of Nastaliq, such a wonderful tradition of Khataati emerged.
02:04This marked the beginning of a long and glorious journey for the next 1300 years.
02:09To understand this historical journey in more depth, let us consider the personality of Mir Sus Dehlvi.
02:39The guards were part of the strict system of protection that we call culture. This culture is not just a bookish term.
02:46This is a living example of elegance, refined manners and hospitality which has made the air of a city like Lucknow fragrant.
02:53kept. One such
02:55Mahal where everyone was given freedom and every thing involved a special maintenance.
03:01We can easily glimpse this magnificent culture through these three aspects. First, when ten
03:08I had to insist for years to provide employment to the poor.
03:25That 400 year old art in which delicate shadow-like work is done with white thread on white cloth.
03:32These are the magical colors of this clay. But over time, these colors have also taken on a new form.
03:36Section. Now on the one hand, Classy is guilty of
03:52Pictures of Maghribi painting were included, where more emphasis was placed on the beauty and individuality of the artist than on the physical appearance.
03:58This change became more visible in the twentieth century. Such figures as Hanif Ramay and Shakir Ali
04:05A
04:20A skill emerged that unnecessarily distracts both the mind and the eyes. And this change
04:26The result is a new and independent example of modern calligraphy art, steeped in deep red and gold hues.
04:34It describes the appearance very well.
04:49The 2025 edition of the Banalakwami title is titled Namaish, which was released in Lucknow. Just imagine, over a hundred artists from around the world will be participating.
04:57He participated in it by making Mahram's serious and Rohani Mohammed Banyad. He also performed Acrylic and Turkish beautiful
05:04of samples
05:05The purpose was not just art but to convey a universal message of humanity and history, and this effort
05:11It was magnificent. But the point is not reached here. On the one hand, this art is becoming the pride of global galleries.
05:18But on the other hand, the old
05:32Take the case of artisan Muhammad Usman or the centuries-old profession of horse-drawn carriages disappearing from the city.
05:37They are falling prey to traffic and mechanical age. And perhaps most heartbreakingly, traditional
05:44How is Asatija's condition?
05:47Artisans like Ashim Akhtar Naqvi, who once carved more than six thousand designs on historical buildings, are today
05:54We see this sacred art being limited to mere wedding cards and cheap commercial nameplates.
06:13Fun has never
06:15This disappearance of elite professions and arts is not just the closure of a few shops. This is actually a sign of the coming
06:20The loss of a generation's culture, its elegance, and its historical identity.
06:27Death is the one who never knows us
06:28So at the end of this whole ordeal, a big, silent question comes to mind. Are they confined to confined rooms?
06:35Will these modern and world-class exhibitions really be able to save the true face of an entire culture or will it be left on the streets?
06:42one who puts in his blood and sweat
06:58Happened
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