- 7 hours ago
Más de... Rafaela y su loco mundo
Category
🎥
Short filmTranscript
00:00.
00:16Good morning.
00:17Good summer, from then out.
00:19Good to see you.
00:22Hello, everybody.
00:23Hello.
00:28Hello.
00:31Hello.
00:32Good morning.
00:35Look at this one.
00:36With my car one day, I'm out of my car.
00:40Good morning, I'm on the way.
00:42I think I've arrived at 7-10,
00:44but I'm here.
00:46At 6.47, we're at 7.
00:49The people who come late
00:51is the worst, but the people who come late
00:52is the worst,
00:53you don't have to eat with the sight.
00:55The people who come late,
00:57you like it,
00:58you like it, but...
01:01careful.
01:02Today is the first day of filming,
01:05but I've been working for months.
01:08I don't know,
01:08it's a kind of...
01:09for you to see the amount
01:12of time
01:14and things that we have to film.
01:18Because sometimes
01:19I say,
01:19we have to go fast,
01:23we have to go fast,
01:24but we have to film
01:24very fine.
01:28Joaquin,
01:29ayer has painted eyes,
01:30but I think we should
01:31have to do it.
01:32Now?
01:33Yes.
01:35Joaquin,
01:36I'm sorry.
01:37Okay.
01:38You can put too
01:39in the eyes?
01:41You can put too in the eyes.
01:43Well.
01:45You can put too.
01:46Now,
01:47now it's late.
01:49But listen,
01:49listen,
01:51But,
01:51listen,
01:53wait,
01:54wait,
01:54wait.
01:55Look,
01:56wait,
01:56wait.
01:57Wait,
01:58wait,
01:58wait,
01:59wait,
01:59wait,
01:59wait,
02:01wait,
02:01What do you say? Because you are more beautiful and more good than the palo.
02:06But what do you say? Guapo, no? Guapo, too.
02:09Lo primero que he dicho...
02:10Ah, perdón, perdón.
02:11Oye.
02:12Guapo.
02:13Guapo.
02:13Guapo.
02:14Guapo.
02:14Guapo.
02:14Guapo.
02:14Guapo.
02:14Guapo.
02:14Guapo.
02:15Guapo.
02:16Guapo.
02:18Guapo.
02:18Guapo.
02:19Guapo.
02:25Guapo.
02:31Guapo.
02:32Guapo.
02:34Guapo.
02:35Guapo.
02:36Guapo.
02:36Guapo.
02:37Guapo.
02:38Guapo.
02:38Guapo.
02:39Guapo.
02:41Guapo.
02:42Guapo.
02:42Guapo.
02:43Guapo.
02:43Guapo.
02:44Guapo.
02:46Guapo.
02:46Guapo.
02:46Guapo.
02:47Guapo.
02:47Guapo.
02:47Guapo.
02:48Guapo.
02:48Guapo.
02:49Guapo.
02:53Guapo.
03:29In fact, I don't need the process.
03:31That's me.
03:32I'm not sure.
03:32I'm not sure.
03:34I'm not sure.
03:34I'm not sure.
03:35I'm not sure.
03:37I'm not sure.
03:37We need more skin.
03:39Look.
03:40Look.
03:42Look.
03:43Look.
03:43The old trend is already here.
03:44Viva the old ones!
03:46The 100 is complicated.
03:48Okay.
03:49Okay.
03:50We're going to...
03:52We're going to black out the villain.
03:56If it's bad, there's more opportunities.
03:58And it's gone.
03:59It's been a great year.
03:59It's been a very good year.
04:10No, no.
04:15All the people will change their skin.
04:17And we're all like this one.
04:19Like a camera.
04:21Nice.
04:24It's been a long time.
04:25It's been a long time.
04:26Yeah.
04:26We're just leaving the darkness.
04:43We're going to make a super spectacular ride.
04:46With the motorcycle, I have to drop a wall.
04:50So look at it.
04:51The ball is crossing a wall, very realistic.
05:06Very good.
05:08Thank you very much.
05:13Hello, I'm Pepa Charro.
05:18I interpret the role of Berta.
05:20I'm the captain of the SS, of the Social Security.
05:24In the social media, I'm going to tap my eye because I have done a great job.
05:28But in the other eye I have done a parche.
05:30So for not to lose my job, I decided to tap it with this hand.
05:33I also have a manicura that I have put a color to play with Paula.
05:38They are Rocio Saiz and Paula.
05:41All in love.
05:45Lastingback, that's the end,행ies.
05:47Costumes, orderly.
05:48What?
05:48No, we're going to pass it away.
05:54What?
05:55Off the table.ō
05:59erasley, music. He
06:02doesn't escape his head. Fromediator,
06:07Nashville, yeah. Can Ilave My
06:07Eyes? No, come on,
06:07it's possible. That's, that's,
06:10that'sUlip.
06:12I wanted to strengthen what I have better, my beauty.
06:16But now it's the Death Pool dog.
06:19Here we go.
06:20I love it.
06:23But, man, this is the first one that they lead?
06:27No.
06:28Is it impossible in A4?
06:30Yes.
06:32I've seen it too.
06:33What are you doing?
06:40I need to know.
06:42But now, how is it?
06:48Well, today we are filming a wonderful plan with a spectacular prótesis of latex,
06:54a crucial moment of the episode where they find a diamant in his mouth.
06:59Well, that's and many other things.
07:05Why is it there?
07:06Tell me.
07:07What's going on?
07:08It's a lie.
07:09It's a lie.
07:11It's a lie.
07:13Yes.
07:14It's plastic.
07:19These are the confessions.
07:21Yes.
07:22Action.
07:23Hi, I'm Mariana Teres.
07:25I'm in this episode of El Locomundo de Rafaela,
07:28doing the marquesa.
07:30What's going on?
07:31I've been waiting for them to have one more,
07:32but I was a millionaire.
07:34I'm any millionaire.
07:35We're investing in farmhectic and I was a millionaire.
07:40What kind of making up was this?
07:42It's humiliated.
07:44It's humiliated.
07:45It's humiliated.
07:46It's a half an hour and a half.
07:47I've been in a hall with three people accolades,
07:50very smarts.
07:51But the body remembers the trauma.
07:52And then I've had three phrases, which is the best that I work all day, and a divine sequence with
07:59Arturo Valls, with Aníbal vestido de mujer.
08:07The other day I had to eat a plate, with a hand, and today I was liberated from a sofa.
08:14So sometimes it's a game, sometimes it's a game. But it's a great series, you have to watch all the
08:18chapters, especially the mine, which is the 6th.
08:22.
08:22.
08:25Do you want to come back now, or do you want to come back?
08:27No, it's impossible.
08:29I've brought you a gift.
08:31Toma.
08:32You can do it.
08:34You can do it.
08:38You've eaten it, eh?
08:40I've got a lot of fun.
08:42I've got a lot of humor.
08:43I've got a lot of fun.
08:46I've got a lot of fun.
08:54I've got a lot of fun.
08:55I've got a lot of fun.
09:00Now I've got a lot of fun.
09:02Hello.
09:03Hello, go.
09:04You've said you've been dead.
09:06Well, I've got...
09:11Well, we've got the run.
09:14We've been doing that for the last day and we're going to go to a library.
09:18And...
09:19Ah, wow.
09:22Do you want to throw the ball out of the team?
09:24No.
09:31If you can put someone in my place,
09:36all that will be closer to me.
09:38When, Nacho?
09:39No, no, no.
09:52If you want to throw the ball out of the team,
09:54I can't do it.
09:58If you want to throw the ball out of there,
10:02I can't do it.
10:03Let's go!
10:10Let's celebrate the series!
10:24.
10:24.
10:24.
10:24.
10:24.
10:25.
10:35Hello!
10:37Thanks!
10:40Hello!
10:41Thank you, thank you.
10:43Yes!
10:44Thank you!
10:46Thank you!
10:47Thank you!
10:47A big deal!
10:48A big deal, a big deal,
10:50a big deal.
10:53So this is esto no sé que yo se ha acabado
10:59Okay
10:59What it is que queremos a toda esta gente aquí detrás esperando queremos
11:02a unas palabras y la ten
11:09Gracias a todo el equipo por el trabajo maravilloso que han hecho haciendo que yo decía de rafael a esa
11:16zona series aquí
11:17están emocionados
11:18Look at the camera.
11:20Well, he's done.
11:21Until now, Rafael is the loco.
11:27We're going to have a scene in chapter 6, in the top,
11:30where Debo has discussed with Dylan,
11:34here in the car,
11:35that they discuss with one more of Platon
11:39and the other more of Aristóteles,
11:41and they leave it.
11:43This is a flashback that they show,
11:44in this piece of Cadillac,
11:46that I'll take my home.
11:54I'm Sonsoles,
11:55I'm the supervisor of VFX,
11:57and I'm trying to do the digital effects.
12:01In this case, although they're quite simple,
12:05they're very imaginative effects,
12:07because to Ernesto,
12:08suddenly a tree grows up in the salon
12:13or when the table is filled,
12:18we see very well all the elements of the table
12:21and they're flying in the camera,
12:23while they're presenting the actors.
12:26I think that the most complicated
12:28will be the house of the tree
12:30within the salon,
12:31because we're going to see
12:32how they, with the photocopier,
12:34which has a magic photocopier,
12:36they create a house of trees
12:38within the salon
12:39and we have to see
12:40how it's going to form.
12:41So all this
12:42we're going to have to do in 3D
12:43and it's like an effect
12:46made for that plane
12:49inside the house
12:50and it has to be a bit realist,
12:52so I would say
12:54that it's the most complicated of all.
12:59Hello, I'm Jorge Albariño
13:01and I've been doing the promo session
13:03of the cartel,
13:05of the series,
13:07which is a crazy cartel.
13:10Very Dalí, very absurd,
13:13all very cool,
13:14with a design of the cartel
13:15that is incredible
13:18and we've been spending
13:19well with these characters.
13:29Yes.
13:33With the
13:34benefits
13:37from being tall
13:39from being tall
13:54perfect.
13:55Usually,
14:05How did you think it was?
14:06Much better.
14:09Look at that absurd, I show you what you can record,
14:11I show you in my mobile, what you have behind you.
14:36Well, this is the map of the house of Rafaela,
14:40and all the chapters, in principle, start here,
14:44because the adventures occur within this beautiful house of stories.
14:48We did a design that approved by all directors and directors,
14:54which is a bit of the image of the house of Rafaela,
14:58and it took us to a maquetist.
15:30What is the name of Rafaela,
15:32There's a sound of hispano.
15:34I'm going to give you a signal.
15:37I'm going to give you a signal.
15:38I'm going to give you a signal.
15:40Can you tell us about how many people do you know?
15:43How are you?
15:49Now there's a guy...
15:51It's a...
15:53But I'm going to do it.
16:07I'm going to give you a signal.
16:08It's a little closer to my wife.
16:11This is a gesture for my look.
16:13And then, at the end, I'm going to go with my hands.
16:14Yes.
16:28Well, outside, the chaletsk does not go well.
16:30No, don't worry.
16:32Well, now we're going to make the villain out.
16:36But the guy is going to be...
16:45Oh!
16:50Joder, how are you?
16:51Very big!
16:55You're not the chance to...
16:58You look great, you're not the chance to vote.
16:59You're the first...
17:00You're the first...
17:00You're the first...
17:01You're the first training.
17:01You're the always the chance to vote.
17:04Well, I'm Tia Olivia.
17:11I'm in the last chapter to come to the final touch with the diamond that no one can find anywhere.
17:22It has been super fun, very difficult,
17:27and since I've never worked with this type of prótesis,
17:32I had to give gestuality, movement,
17:35I had to give a minimum to that,
17:37but very well, very well, very well,
17:40I've been testing things,
17:42I've been testing things,
17:45and they've told me,
17:46well, this is, well, this is not,
17:47and I've been feeling phenomenal,
17:49very, very, very well.
17:50Everything, if you want,
17:52it hurts my ears.
17:55You're not going to do it,
17:57but it hurts my ears.
17:58Silencio.
18:05Bájalo, bájalo más alto.
18:07Plancha face,
18:08they put a plancha against the face,
18:10and then when we put the smoke on the rod,
18:12aparte that it sounded a lot,
18:14it was put in front,
18:15so we have to try to make it out between the plancha and the skin.
18:21Okay.
18:22Super.
18:23Hecho.
18:24Eh, pues sí,
18:25todo surge de un cómic que me,
18:28Aníbal me llama para presentarle un cómic.
18:30En la presentación del libro,
18:32dije, hostia,
18:32yo tengo que traer un maestro de ceremonia, guay,
18:34muy bien, todo funcionó,
18:35y Arturo,
18:36se había leído el libro,
18:37porque tú, se leyó el libro, o sea,
18:39yo sé que hay gente que ha ido a presentaciones de,
18:42tú invitas a alguien y dices,
18:43oye, vente,
18:45que quiero que estés la presentación de mi libro,
18:46y a lo mejor no se lo han leído Arturo,
18:47si se lo leyó.
18:48Yo cuando leo ese cómic,
18:49digo,
18:50eh, Aníbal,
18:51esto podría ser una serie perfectamente.
18:53Dice,
18:53Aníbal,
18:53sería muy guay hacer con,
18:55que llevaras este libro a una serie,
18:57hacer una serie con tu libro.
18:59Y le dije,
19:00¿de dibujos animados?
19:00Y le dije,
19:01no, no,
19:01de ficción,
19:02de personajes reales.
19:03Y claro,
19:04en muchas paellas,
19:05pues se ha fraguado la continuidad de toda esta aventura,
19:10que no me pareció tampoco una aventura tediosa.
19:14O sea,
19:14yo no,
19:15yo no pensé que esto iba a convertirse nunca en una serie,
19:17sino a lo mejor que el libro lo hubiera estructurado de otra manera.
19:20De hecho,
19:20el libro,
19:21eh,
19:23ya te digo,
19:24en otro día,
19:25revisando el libro,
19:25me di cuenta de la cantidad de cosas nuevas que hay ahora en la serie,
19:28que no están en el libro.
19:31y licencias nuevas,
19:32personajes,
19:33hay muchísimos que no están en el libro.
19:48Contigo,
19:49al fin del mundo me voy.
19:50Dilo,
19:51dilo a la cámara.
19:52con el personaje me voy al fin del mundo.
19:55Sabes que trabajar conmigo es un sueño.
19:56Mucho,
19:57mucho.
19:57Y para mí es una quimera trabajar conmigo.
20:00El videoclip ya fue demasiado.
20:02Pero sabes que la que está ahí,
20:04la villana,
20:04Laura Weisman,
20:05tiene un goya.
20:06No me digas.
20:07Háblalo con ella.
20:09Cuéntale de tu goya, Laura.
20:10Que le han dado un goya este año.
20:11No me digas, hija mía.
20:13¡Ay, qué guapa eres, hijo!
20:14¡No, pero qué digas!
20:15¡Me lo dice ahora sí!
20:17¡Eres guapísima!
20:18¡Eres guapísima!
20:18¡Eres guapísima!
20:20Son más guapas sin el moreno, yo creo,
20:22pero no me la han dado por guapa, por suerte.
20:26Pues que a mí me encanta hacer punto.
20:27Es una de mis actividades preferidas.
20:29Hago un montón en casa.
20:30Y en rodajes aún más.
20:32Hubo un rodaje en el que le hice una balaclava
20:34a todos los miembros del rodaje.
20:36Aquí no me ha dado tiempo,
20:37porque no me han dado un personaje más protagonista,
20:39pero ya sabéis,
20:40para la próxima.
20:42Soy Bombi Yi,
20:44la H-enemiga de Rafael.
20:46Y yo tengo una secta de chicas
20:51que somos adictas en los rayos uva.
20:54Como puedes ver, me están preparando aquí
20:55la cara bien tostadita.
20:57Nos dedicamos a secuestrar, entre comillas,
21:01a secuestrar a gente.
21:06Me estás interrumpiendo mi entrevista, Karen.
21:08Ah, no, pues que eso es lo que quiero.
21:09Ven aquí, ven aquí.
21:10Este es el...
21:11Este es el guionista.
21:12Acaba de ganar un gollo y viene a hacer una comedia.
21:14Para mí es...
21:15Bombi Yi es un papel...
21:16Eso es cierto.
21:18O sea, si...
21:20Tiene...
21:20Mira, te digo una cosa.
21:22Bombi Yi tiene la...
21:23O sea, tiene la fuerza desatada
21:26que en tu personaje de Salve María
21:29tiene para adentro.
21:31¿Ves?
21:31O sea, su personaje tiene mucha contención
21:33y es escalofriante por eso.
21:35Pero aquí puede sacar toda su maldad.
21:38El autobús del Imserso con destino venidor
21:40más hace rato que salió...
21:42Vejestorio.
21:44¡Ja, ja, ja, ja, ja, ja!
21:46¡Muy bien!
21:46¡Muy bien!
21:49La esencia de que personajes adultos
21:52como Carlos Aurecia, Joaquín Reyes y yo
21:54seamos tres adolescentes...
21:57Bueno, e Ingrid García Johnson.
21:58Aunque ella es un poco más joven que nosotros.
22:00Pero la idea de que seamos adolescentes
22:02pues viene de los gérmenes de Ojete Calor.
22:05Nuestra primera presentación
22:07fue un mercenario vestido de chicas adolescentes
22:09leyendo la Super Pop.
22:10El grupo de amigas está formado por
22:13Rafaela, Chelo, Corpus y Debo.
22:15Cada una tiene una personalidad muy marcada.
22:18Rafaela es la prota, ingenua y aventurera.
22:21Corpus es la tía buena
22:22y luego Debo es la intelectual.
22:25Chelo es la...
22:28digamos que no es el lápiz más afilado del estuche.
22:32Vais a ver en general un puñado de...
22:37situaciones en las que hago el ridículo a base de bien.
22:53Estamos a punto de conseguir la cura del cáncer.
22:59No lo borres, que es arte.
23:01No pintes ahí, que es ese arte.
23:02¡Otor!
23:04Dios mío, ¿cómo lo había visto?
23:06Está feo decirlo porque a mí me da mucha rabia
23:10cuando compañeros dicen
23:11bueno, lo pasamos genial rodando
23:13porque esto es un trabajo
23:15y nos lo estamos tomando muy en serio
23:18y son muchas horas
23:19y hay un equipo aquí muy grande
23:21pero es verdad que reina el buen rollo y la diversión
23:25y que por lo general en una comedia
23:27si tú en otro estás pasando bien haciéndola
23:29el espectador tampoco se va a divertir
23:32y nosotros le estamos poniendo mucho de nuestra parte
23:35para divertirnos lo máximo posible.
23:39Está muy tranquilito hoy el rodaje, en serio.
23:43Está de ambiente muy guapo el rodaje.
24:02¿Dónde está Aníbal?
24:04¡Archus!
24:06Pero vamos a ver.
24:08¡Archus!
24:09¡Archus!
24:10¡Archus!
24:11¡Archus!
24:12¡Archus!
24:12¡Archus!
24:13¡Archus!
24:14¡Archus!
24:18¡Archus!
24:22¡Archus!
24:24Nuevos métodos de dirección.
24:38the work of art is spectacular
24:40well, the work of all the departments
24:42it's true, the work of all the departments is spectacular
24:45and I love the salon
24:47but suddenly the laboratory is the bomb
24:49suddenly the laboratory is not a perejil
24:51there is this man there
24:52it's pure magic
24:53it's that every corner, every space
24:56it has its pleasure
24:57and it's incredible
25:16I've got the mouth full
25:20there is a very famous image of the making of
25:24which is the Harrison Ford
25:26grabbing his hat
25:27to his head
25:28he's wearing a hat
25:30no, no, no, he's in his head
25:34he's crazy
25:37that's what
25:37well, nothing more
25:39do you want to leave
25:41there, constance
25:42I think he has put a good cap
25:44but I, if you put the rope
25:47you can put the cap
25:49that you're crazy
25:49you don't know
25:49I think he's doing the whole work
25:50the whole thing
25:50that's the way I get
25:50that's the way I'm going to find
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