Being Cyrus

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Transcript

00:00:31Ordinarily, people would consider me distant from the usual emotions of human life, but how ordinary are people anyway? I

00:00:42suppose I look at life a little differently. My impressions are molded by a series of events that were not

00:00:49in my control, and I've grown through this life from the outside.

00:03:37What?

00:03:46Densha!

00:03:52Bloody deaf idiot.

00:04:01Mr. Setna? Hi, I'm Cyrus.

00:04:04I've come regarding the pottery school.

00:04:13Mr. Setna, how do you do, sir?

00:04:15I'm Cyrus.

00:04:16It's...

00:04:17It's truly an honour to be standing before you.

00:04:19Honour?

00:04:21You have come from where?

00:04:26Jamshedpur, actually, I was...

00:04:27Sir, you can't hear when I'm yelling to you.

00:04:29What have you done?

00:04:31Hello, I'm Katie.

00:04:33My wife.

00:04:34Hello, Mr. Setna.

00:04:35I'm Cyrus.

00:04:37Like I was saying, sir,

00:04:38It truly is an honour.

00:04:39I've been following your work ever since I can remember.

00:04:41His work was on the cover of Time magazine in August 92.

00:04:44The year before we got married.

00:04:46He's famous for a lot more than that, Mrs. Setna.

00:04:48He, um...

00:04:49His work was displayed at a private showing,

00:04:51I think at the Guggenheim Museum in New York, I believe.

00:04:53Where?

00:04:54U.S., ma?

00:04:56Sala, you're not going to go.

00:04:57What nonsense, these people.

00:04:59They have no reasons to inform also, Dinsha.

00:05:02Dinsha.

00:05:04Yes, yes, Baba, I heard.

00:05:06The private collectors are not obliged to inform the...

00:05:11the sculptor.

00:05:12Anyway, this was a private showing.

00:05:14Anyway, Hala, I am not interested in selling my art anymore.

00:05:21So, you've come from Vailad?

00:05:23No, from Jamshedpur.

00:05:25I was on the night bus.

00:05:26It took me quite a while to find this person.

00:05:28Jamshedpur!

00:05:29Not us.

00:05:30Not exactly.

00:05:31Come in, come in.

00:05:33It was really as simple as that.

00:05:37This would be my home for the following year.

00:05:40At first, I thought it may have been Dinsha's need for a pottery assistant,

00:05:43which he had advertised for.

00:05:45But somehow, Katie's eagerness to allow me in

00:05:47told me that I'd be doing a lot more

00:05:49than just getting my hands dirty with clay.

00:06:04I apprenticed Dinsha Sitna, sculptor avant-garde,

00:06:09now vanished into obscurity.

00:06:13A recluse, whose works had won several accolades,

00:06:16which they knew nothing about.

00:06:19You must hear my story.

00:06:21You know the day it'd been Dinsha got not.

00:06:22Dinsha, do you remember how drunk it got?

00:06:24Dinsha!

00:06:26Me, they knew nothing about either.

00:06:28But within that year, they found a friend in me.

00:06:31I think it had something to do with the fact that a new face around

00:06:34gave some color to their seemingly mundane lives.

00:06:39Besides, they sure could do with an extra hand around the house.

00:06:46Dinsha was an amiable fellow, I guess.

00:06:50He wasn't a very practical man.

00:06:52More the dreamer-talker variety.

00:06:53You know, hundreds of years ago, somebody like me

00:06:57must have stood on a hill like this and played,

00:07:00joined the dots with the stars.

00:07:06They saw shapes and things.

00:07:08They saw bears, insects, virgins, some whores,

00:07:14twins, triplets.

00:07:18What imagination.

00:07:20Tuti has called them constellation.

00:07:22First smoke of the morning and the stars would always come out for him.

00:07:26Maybe I was born under a planet that was artistic.

00:07:34If I could sell my artistic experiences for what they cost me,

00:07:37I'd be a bloody millionaire.

00:07:39But my Nitaru, there is no planet for money.

00:07:46All these dead rocks are bloody piss poor.

00:07:50Your wife loves astrology.

00:07:53My wife loves astrology because she and that bloody Bollywood chappie,

00:07:56she had the same birth date.

00:07:58What do you understand?

00:08:00She loves astrology because no astrologer has ever been unkind to her.

00:08:05The way she thinks life has been.

00:08:07Why has life been unkind to her?

00:08:23The way she knows life is the same thing.

00:08:39had plans of her own. Katie was a piece of work. My eyes would rarely get past her swish of

00:08:48hip and

00:08:48bounce of breast. I would blush profusely and she would love it. Most people make eye contact. Katie

00:08:55liked to make breast contact every chance she'd get. Her tits were the front desk, her PR troops

00:09:01and they were oblivious to my discomfort. But I guess she was sweet, articulate, but hopelessly predictable

00:09:12and could not get through a sentence without relying on inappropriate cliches.

00:09:23Katie would lie around the whole day dreaming of things she could have been. She was in need of a

00:09:28plan to change her life. I caught glimpses of this dream every now and then and saw no harm

00:09:33in encouraging her half-baked aspirations.

00:09:47It's your brother from Dubai.

00:09:53Hi, Pesta.

00:10:02So I went along, for I was sure of one thing. If I wanted, I could play Katie like a

00:10:09violin.

00:10:16Leo Tolstoy once said, all happy families resemble one another. Each unhappy family is unhappy in its own

00:10:24way. This is about the Setna family. The two brothers, their old father, Fardunji, and a few variants thrown in

00:10:32for good measure.

00:10:33This is my side of their story.

00:10:40Hmm. That's Dinshah's brother, Faruk, on his wedding day. Embarrassed at not marrying earlier, Faruk seemed proud at finally landing

00:10:49a young, dimure bride.

00:10:51Unlike Katie, he had a clear plan of what he wanted.

00:10:58Their father, Fardunji, was a millionaire in his own right.

00:11:01In name only, mind you.

00:11:04He was the owner of an entire building in Bombay, yet lived like a pauper under the harsh hand of

00:11:09his son, Faruk.

00:11:12Dinshah was the older of the Setna brothers. He and Faruk never saw eye to eye. He hated being here.

00:11:20After inheriting the country house over his father's building in Bombay, he had little interest or use for the family.

00:11:32How relaxed Faruk's bride Dina felt at this moment is anyone's guess.

00:11:37Someone who finally answered one of Faruk's repeated offers in various matrimonial columns.

00:11:42A lamb to the slaughter, one would imagine.

00:11:45And yet,

00:11:47He had a rich past once.

00:11:53But something had changed along the way. The fruits and nuts had multiplied.

00:11:59And now they were one screwed up family, like any other.

00:12:12Sahil, he's old, so please treat him carefully.

00:12:17He is worth much more than you can ever imagine.

00:12:19So just get on his good side.

00:12:23Here.

00:12:26Have you thought about what you're asking me to do?

00:12:29Hey, when you think too much and don't do now, nothing happens.

00:12:32Sahil, you think you came here by chance?

00:12:34This is our destiny, Sahil. Dina can keep knocking me.

00:12:37The fool doesn't care about anything, okay?

00:12:39Let alone you or his family in Bombay. I mean, it's just...

00:12:42I know, I know.

00:12:43But listen, you just follow my instructions.

00:12:47This will work out for everyone.

00:12:50Just remember...

00:12:50Just relax, okay?

00:12:53You were meant for much better things than this.

00:12:59They should be dry by the morning.

00:13:01Hey, Dinsha.

00:13:03I'm sorry.

00:13:04Good night.

00:13:05Good morning, good morning.

00:13:33Good morning, good morning, good morning, good morning, good morning, good morning, good morning, good morning, good morning, good morning,

00:13:42good morning, good morning, good morning, good morning, good morning, good morning, good morning, good morning, good morning, good morning,

00:13:46good morning, good morning, good morning, good morning, good morning, good morning, good morning, good morning, good morning, good morning,

00:13:55good morning, good morning, good morning, good morning

00:15:58Mr. Setna?

00:16:01Mr. Fardunji Setna?

00:16:03I'm old, dear, but you are not deaf.

00:16:07Can I help you, dear?

00:16:09I'm sorry.

00:16:10The television was on so loud that...

00:16:12The volume button is stuck on full.

00:16:14What can I do?

00:16:16You know, nowadays it's very expensive to fix them.

00:16:19I could take a look for you, Philip.

00:16:21No, no, thank you.

00:16:21No, no, Mr. Setna, I'm Cyrus, Katie's friend.

00:16:26Katie from Panjgani, your daughter-in-law, and Dinsha, your son.

00:16:31Oh, yes, yes, Dinsha, my son, and Katie's wife.

00:16:36They've given me something for you.

00:16:39It's for your birthday and for Parse New Year.

00:16:44They told me, you know, Katie actually telephoned me last night and told me to expect you.

00:16:52But I didn't get a chance to speak to my Dinsha.

00:16:56He's working very hard, you know?

00:16:58Yes, I know.

00:17:00Anyway, Katie said to say that they're both in the best of health.

00:17:03Not to worry.

00:17:04You know, they asked me to give that to you in your hand, Mr. Setna.

00:17:08Please be careful.

00:17:11May I come in, please?

00:17:12No, no, no, no.

00:17:14If they will find out, they will take it away from me.

00:17:18You know what they did to me the other day?

00:17:21They pushed me.

00:17:22They kicked me.

00:17:23Asked me to get out of the house.

00:17:25Said I'm a burden on them.

00:17:26He pushed me so hard that I fell on my knees.

00:17:30No, just, just look at the knees.

00:17:33Your son did that?

00:17:34Dear, you don't know what it's like.

00:17:36These are portions that are so small that I stay hungry for the whole day.

00:17:41Sometimes I feel so weak that I can hardly stand.

00:17:45I get giddy and fall down.

00:17:47And they say I'm a burden because I injure myself.

00:17:50Did you put the door on the chain?

00:17:53They don't allow me to do that.

00:17:55They have a key and they said that they would have to break the door if I can't open it.

00:18:01And they also told me the connecting door is sealed from their side.

00:18:09Please, please tell my son Densha and my sweet Katie how they are infiltrating me.

00:18:17Well, I better get going, Mr. Seidna.

00:18:20Is there anything else you want me to tell them?

00:18:22Tell them to visit, you know.

00:18:24Pentecost is not that far.

00:18:25I will.

00:18:27Now, please look before opening the door next time.

00:18:29You shouldn't just open it, you know, without knowing who it is.

00:18:42It wasn't about the bruise.

00:18:44What sickened me was the sight of how helpless and vulnerable he was.

00:18:48How quickly everything seemed to break down once you get this old.

00:18:53Considering old Fardunji owned the entire building,

00:18:56I found it strange that he was caged into the back room of his son's house.

00:19:01Hmm.

00:19:02Someone was going to have to take care of this old man.

00:19:26How quickly did he get this old man?

00:19:46Now, please don't give me some other excuse this time.

00:19:50It's supposed to be a gift, isn't it?

00:19:51I mean, couldn't you wrap it up a little better or something?

00:19:55Cyrus, please trust me.

00:19:57He loves these chocolates.

00:19:59I'm sure he does, but I mean, they'll probably melt by next week.

00:20:04That's not my problem.

00:20:05You just make sure that you keep him company with the style.

00:20:08Anyway, darling, I have to leave.

00:20:10I have to go and pick up that bloody clay foot in shop before the shop closes.

00:20:16Do you know what he uses?

00:20:19Cyrus, the latest phone.

00:20:21The team has games on it.

00:20:23It's a phone, Katie.

00:20:25You dial, you speak, you hang up.

00:20:29It's a child.

00:20:38It's a這種.

00:20:39There's aųjum, Bitcoin.

00:20:39We bought it for five minutes.

00:20:42We bought it all together.

00:20:45We bought it.

00:20:45We bought it now.

00:21:15Hello, Mr. Seidman. Do you remember me? I came here before.

00:21:21Even as the words spilt out, I could tell he'd been having a foggy day in Neverland.

00:21:25I've seen statues with more expressive eyes. It had been, what, only a week?

00:21:31Sinility was pissing all over him in Hari.

00:21:34Katie and Dinsha's friend.

00:21:36Who?

00:21:37From Panchgani. I had brought you that peramni last week.

00:21:41No, no, thank you.

00:21:42No, Katie and your son, Dinsha.

00:21:48Ah, Dinsha and Katie's friend.

00:21:51How are you, Mr. Seidman?

00:21:53How is my Dinsha and that Katie?

00:21:55They're fine. Here, these are for you.

00:21:59You like chocolates, don't you, Mr. Seidman?

00:22:01Katie said these are your favorite.

00:22:07Mr. Seidman, I need to use your telephone.

00:22:11Chocolates?

00:22:12Do you use any chocolates?

00:22:14Yes, Mr. Seidman.

00:22:15Should we keep them in the fridge while I make a short call?

00:22:26Hello.

00:22:41Highly indebted pursuit intervention techniques.

00:22:43The state trooper moves in close to-

00:22:46I am going to call Kriti and Dinsha in Pajgini.

00:22:50You know, they will not allow me to call long distance anymore.

00:22:54Will they be dropping in sometime soon?

00:22:57Do you think they have realized through the thin wall that you have a visitor?

00:23:02I really hope so.

00:23:04Come. Come over here.

00:23:07You can't take those to bed with you, you know, Mr. Sedna.

00:23:10Sit.

00:23:12Good.

00:23:16Should we open the bag?

00:23:20Let's try one, shall we?

00:23:30No, no, son. I will take this after dinner.

00:23:33Sure you will. You just try one now. A small piece won't hurt.

00:23:48Delicious.

00:23:53Hello, Papa.

00:23:57Mr. Faruk Sedna, I am Cyrus.

00:24:00KT and Dinsha's friend.

00:24:01So you come from Pajgini?

00:24:03Yeah. A week ago.

00:24:07You brought a gift also.

00:24:15Stupid idiot. Open your mouth.

00:24:18Papa!

00:24:19Hey!

00:24:21Do you know, are you aware?

00:24:23Is my stupid brother aware that his father gets loose motions every time he eats this shit?

00:24:29So, Papa!

00:24:32Papa.

00:24:35Papa, come and spit it out.

00:24:37Papa, one.

00:24:39Papa, two.

00:24:40It's too late, Papa.

00:24:41You shut up.

00:24:43You please don't interfere.

00:24:45It's none of your business.

00:24:47You've given your message. No, now please get out.

00:24:52Papa, what have you got here?

00:24:54Mr. Bonone man, why don't you listen to me?

00:24:58I don't care.

00:24:59My boy, don't you?

00:25:02What's going on here?

00:25:05What happened, Papa?

00:25:06My brother has sent a new messenger boy.

00:25:08Salo Chelsea wants to take away his father again long distance.

00:25:12Same bloody joke is going on for the last five years.

00:25:15What is it this time?

00:25:17Did you have any of these?

00:25:18He should have some consideration, no?

00:25:20Papa, you know you cannot.

00:25:21I have cleaned his bums.

00:25:23I know as a beautiful son I will go straight to heaven.

00:25:26But he should have some consideration, no?

00:25:28That's adding fuel to the files.

00:25:32Did you bring these?

00:25:34Yes, I did.

00:25:36I'm sorry I didn't realize.

00:25:37That's very kind of you.

00:25:38But you should know that any food items you bring for him

00:25:41is much better if you give us.

00:25:43I mean we also give him chocolates and all.

00:25:45But you know, you give him the whole bag

00:25:48and there's no control.

00:25:49He doesn't realize he can't have them all at once.

00:25:53Your name is?

00:25:55Cyrus Mistry.

00:25:59Papa, I'll keep these in the fridge for you, huh?

00:26:01I'll give you some after dinner.

00:26:06And bye-bye.

00:26:10How many of these did you eat, Papa?

00:26:11One, two.

00:26:14Oh, yeah.

00:26:16I'm leaving.

00:26:18Bye, Mrs. Sedna.

00:26:23You know you get his stomach upset.

00:26:24Who's stomach upset?

00:26:25What do you mean his stomach upset?

00:26:26What?

00:26:29What?

00:26:30I have to bloody clean it up!

00:26:32I have to clean it up!

00:26:33This is the way he bloody made me out!

00:26:36I have to clean it up!

00:26:37I have to clean it up!

00:26:42I have to clean it up!

00:26:43Now this is what I call hoity cuisine.

00:26:47These Parsi dishes now?

00:26:49They are fit for kings and princes.

00:26:52But nothing compares to the bone we used to get in Bilimora.

00:26:58Better than Bombay?

00:26:59Much better.

00:27:01I remember Mr. Framji was his name.

00:27:04Framji Caterers of Bilimora.

00:27:08It used to be a wedding or function at least once a month.

00:27:12Framji, Sarabhudu, what?

00:27:14Haruchi Akuri used to make?

00:27:16They would break 4,000 eggs.

00:27:19They would put their heart and soul into the preparation.

00:27:24Framji, meticulous about hygiene and traditional method.

00:27:29Everything with your own hands and feet.

00:27:33That's what makes food this great.

00:27:37What are you doing bug bug about?

00:27:41Nobody listens to me anymore.

00:27:43Nobody, nobody, nobody.

00:27:44The Chalini she took off.

00:27:45And for a year I have done all the housework.

00:27:47Look at the house.

00:27:48Look at what I have to clean every day.

00:27:52Oh, it's coming out of my head.

00:27:54I'm cleaning, cleaning, cleaning till the cows come home.

00:27:57Listen, why can't we move to Bombay?

00:28:00I just don't understand.

00:28:02Bombay?

00:28:02Yes, that's Bombay.

00:28:04Where your family is.

00:28:05Where your brother is.

00:28:06Every night something is happening there.

00:28:09This place is dead.

00:28:11Now we can wait for heavens to come down to Singapore and so nothing will happen.

00:28:21No!

00:28:23No?

00:28:36Aren't you coming to bed?

00:28:38Yeah.

00:28:57That can't do doesn't know what he's got he's a fool never your braids and you married him God only

00:29:03knows

00:29:08You're not hold on you're not feeling sleepy than read a magazine or something no why are you poking your

00:29:13nose in my work

00:29:15I'm done on this you know

00:29:29Now what and you should understand no, but why do you have to keep talking when I'm when you know

00:29:34I've been distraught

00:29:35Grab your color the mother

00:29:44Oh

00:30:03Looking back

00:30:05They were a funny bunch all right. I use the word funny loosely perhaps

00:30:11Funny as in not quite understandable

00:30:14Some rattling bones and closets stuff swept under carpets. Maybe I

00:30:20Couldn't really narrow it down more than that

00:30:22But they went on living and loving each other in that funny sort of way

00:30:40What are you doing

00:30:43Trying to make our lives little simpler. How? By playing with electricity. Do you know how dangerous it is?

00:30:51Yeah, I'm trying to connect our old answering machine so that I can take bookings for my pottery school

00:30:59Huh answering machine why what's wrong with your tongue? You can't answer the bloody phone or what?

00:31:05Acting as if you go on holiday every day. You know, I'm busy all day in the pottery shed with

00:31:10my work

00:31:11And you're bungly

00:31:13By the time I reach the phone damn thing is dead so many calls I keep missing

00:31:19And it that's why we have bloody cordless you idiot

00:31:25We keep removed from the charge or could I don't touch the phone I'm expecting a very important call from

00:31:30my brother in Dubai

00:31:31Every day he calls you

00:31:34Must be having a lot of money

00:31:36Yes, he does

00:31:50I don't know how and everyone's going to get out to me

00:32:01I want to get out to me

00:32:01Okay guys, let's get out to you

00:32:05What do you want to get out to me?

00:32:07Let's kill that bastard dog.

00:32:12Redu, there's a pan here.

00:32:49It was upon a time, there was a time for a while, where it used to be for us.

00:33:03Hello?

00:33:06Hello?

00:33:07Long to pick up the phone, I could be halfway to Panjgani in that time.

00:33:10You know it's a big house, this Bhutpangla I live in.

00:33:13Well, do you have the exact time?

00:33:15Exact time?

00:33:16Yes, of course, one second.

00:33:20It's exactly 7 past 2.

00:33:21The bloody clock is slow.

00:33:23It's showing 5 to 2.

00:33:25My stomach is never wrong.

00:33:272 o'clock on the dot and I know it's lunch time.

00:33:29These Bawadamka clocks, they are you.

00:33:31Sir, please sign these forms, sir.

00:33:33The customer is waiting outside.

00:33:34You know it is my lunch time, no?

00:33:36Why do you have to come last minute?

00:33:38Mr. Forrest just gave me these forms.

00:33:40It's for Mrs. Nanavati.

00:33:40Maybe she needs help for a bit.

00:33:44Well, she has to call you back.

00:34:00So, how is that duffer husband of yours?

00:34:03Hello?

00:34:03You have reached in Sharsetna's Berkeley School.

00:34:07You are young and enterprising.

00:34:21Sorry darling, that was the machine I brought Einstein just fixed.

00:34:24I knew that, but the bloody phone got cut out.

00:34:34I am dying here, Maru Raju.

00:34:37Working non-stop day and night.

00:34:39Oof, this is all getting too much for me.

00:34:42I need to be rescued.

00:34:44Don't worry, Maru Jalebi.

00:34:46I will be your Lord Falkland.

00:34:49How sweet.

00:34:51Lord gone?

00:34:53Hello, Falkland.

00:34:54What are you trying to cross the Queen over the puddle?

00:34:58No?

00:34:59Whoever, who cares?

00:35:00This is no puddle I am in.

00:35:01I am fully drowning.

00:35:03I will be your Baywatch lifeguard before you go down.

00:35:06For the third time, I will be there and you will sail away in the sunset.

00:35:11Not some chuttya machi boat that is what you are on right now.

00:35:15Come right now and take me away.

00:35:19You can't rush these things.

00:35:22Do you know?

00:35:23I am wearing the dress you put on.

00:35:25No worries.

00:35:26You must be looking like Mumtaz right now.

00:35:30Otrattani Amna and Manindani Kaani Kaijaam.

00:35:32So, how is that simply wife of yours?

00:35:35Must be okay.

00:35:37Sally is getting too big for her boots.

00:35:39I think these new prides are all like that.

00:35:41First six months they are as good as gold.

00:35:42Then they start to bite the hand that feeds them.

00:35:44I think they think marriage is a lot.

00:35:46It takes commitment, compromise, give and take, ups and downs.

00:35:49They think they have got them hooked, booked and...

00:35:51What the hell do you think you are doing?

00:35:53You have seen my shoes.

00:35:55My feet are...

00:35:56Are you mad thinking about me like that?

00:35:58Do you have any idea how high my BP is?

00:36:01Bloody idiot.

00:36:02I just can't understand where my shoes are.

00:36:05Oh, just shut up.

00:36:06You are losing your mind and you brought it up out of your shoes.

00:36:09Look at this cut.

00:36:11Look at this cut.

00:36:12I can't stand the side of blood.

00:36:23Look at the flowers.

00:36:25Look at that.

00:36:26Oh God.

00:36:28Whatever little beja you had is slowly being fried with the nonsense you smoked.

00:36:31Look at the flowers.

00:36:33I wanted to get them for the dining table but I couldn't find my shoes.

00:36:39It's true now, what they say, that God is in the small details.

00:36:57God is in the little details. What happens to the bigger picture? Who looks after that?

00:37:02What an idiot.

00:37:12S!

00:37:40Oh, my God.

00:37:44Oh, my God.

00:38:32Oh, my God.

00:38:34Oh, my God.

00:39:08Oh, my God.

00:39:12Oh, my God.

00:39:28Oh, my God.

00:39:32Oh, my God.

00:40:02Oh, my God.

00:40:07Oh, my God.

00:40:09Oh, my God.

00:40:36Oh, my God.

00:40:37Oh, my God.

00:41:19Oh, my God.

00:41:44Oh, my God.

00:42:17Oh, my God.

00:42:33Oh, my God.

00:42:39Oh, my God.

00:42:41Oh, my God.

00:42:43Oh, my God.

00:42:47Oh, my God.

00:42:50Oh, my God.

00:42:54Oh, my God.

00:43:30Oh, my God.

00:43:48Oh, my God.

00:43:49Oh, my God.

00:43:52Oh, my God.

00:44:18Oh, my God.

00:44:23Oh, my God.

00:44:56Oh, my God.

00:45:21Oh, my God.

00:46:01Oh, my God.

00:46:04Oh, my God.

00:46:34Oh, my God.

00:46:36Oh, my God.

00:47:30Oh, my God.

00:47:36Oh, my God.

00:48:20Oh, my God.

00:48:37Oh, my God.

00:49:14Oh, my God.

00:49:52Oh, my God.

00:49:56Oh, my God.

00:50:26Oh, my God.

00:50:28Oh, my God.

00:50:33Oh, my God.

00:51:26Oh, my God.

00:51:56Oh, my God.

00:52:26Oh, my God.

00:52:56Oh, my God.

00:53:01Oh, my God.

00:53:57Oh, my God.

00:54:12Oh, my God.

00:54:18Oh, my God.

00:54:45Oh, my God.

00:55:19Oh, my God.

00:55:40Oh, my God.

00:56:13Oh, my God.

00:56:16Oh, my God.

00:56:49Oh, my God.

00:57:14Oh, my God.

00:57:50Oh, my God.

00:58:12Oh, my God.

00:58:29Oh, my God.

00:59:02Oh, my God.

00:59:23Oh, my God.

00:59:26Oh, my God.

01:00:14Oh, my God.

01:00:17Oh, my God.

01:01:06Oh, my God.

01:01:29Oh, my God.

01:01:59Oh, my God.

01:02:03Oh, my God.

01:02:59Oh, my God.

01:03:02Oh, my God.

01:03:32Oh, my God.

01:03:51Oh, my God.

01:04:24Oh, my God.

01:05:04Oh, my God.

01:05:43Oh, my God.

01:06:13Oh, my God.

01:06:42Oh, my God.

01:07:12Oh, my God.

01:07:41Oh, my God.

01:08:11Oh, my God.

01:08:26Oh, my God.

01:08:47Oh, my God.

01:09:40Oh, my God.

01:09:50Oh, my God.

01:10:40Oh, my God.

01:11:10Oh, my God.

01:11:38Oh, my God.

01:11:55Oh, my God.

01:12:13Oh, my God.

01:12:28Oh, my God.

01:13:07Oh, my God.

01:13:31Oh, my God.

01:13:58Oh, my God.

01:14:53Oh, my God.

01:15:20Oh, my God.

01:15:43Oh, my God.

01:15:46Oh, my God.

01:16:41Oh, my God.

01:16:48Oh, my God.

01:17:42Oh, my God.

01:17:49Oh, my God.

01:18:41Oh, my God.

01:18:44Oh, my God.

01:19:14Oh, my God.

01:19:44Oh, my God.

01:20:14Oh, my God.

01:21:10Oh, my God.

01:21:14Oh, my God.

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