White Zombie

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Transcript

00:00:28Transcription by CastingWords

00:00:58Transcription by CastingWords

00:01:26Transcription by CastingWords

00:01:45Transcription by CastingWords

00:02:21Transcription by CastingWords

00:02:24Driver, what is it?

00:02:27It's a funeral of themselves.

00:02:30They're afraid of the men who steal dead bodies.

00:02:33So they dig the grave in the middle of the road.

00:02:37Their people pass all the time.

00:02:50Well, that's a cheerful introduction for you to our West Indies.

00:02:54They dig the grave of a friend.

00:02:59They dig the grave of a wolf.

00:03:01They dig the grave of an alien in their life.

00:03:07They dig the grave of an alien alien viene.

00:03:29Do you know where is the house of Monsieur Beaumont?

00:03:57Zombies!

00:03:58Allez vite! Allez!

00:04:07It's got like pens clutching me.

00:04:24It's got to go!

00:04:35It's got to go!

00:05:00Why did you drive like that, you fool?

00:05:02We might have been killed.

00:05:03Worse than that, monsieur.

00:05:05We might have been caught.

00:05:07Caught?

00:05:08By whom?

00:05:09Those men you spoke to?

00:05:10They are not men, monsieur.

00:05:13They are dead bodies.

00:05:16Dead?

00:05:17Yes, monsieur.

00:05:19Zombies.

00:05:20The living dead.

00:05:23Corpses taken from their graves.

00:05:26For me to work in sugar mills.

00:05:29The fields at night.

00:05:35Look!

00:05:36Here they come!

00:05:47Look.

00:05:49Look.

00:06:01Excuse me, please.

00:06:03Have you got a match?

00:06:06Did I frighten you?

00:06:09I'm sorry.

00:06:10I'm ugly enough, I suppose.

00:06:11No, it wasn't you.

00:06:13Something happened back on the road there.

00:06:15We stopped to speak to some men.

00:06:18Our driver told us they weren't men at all.

00:06:21He said they were corpses.

00:06:25Corpses.

00:06:27Surely you don't believe it, do you?

00:06:30No.

00:06:32Well, I don't know.

00:06:34Haiti is full of nonsense and superstition.

00:06:37They're always mixed up with a lot of mysteries that have turned your hair gray.

00:06:42I've been a missionary here for, oh, 30 years.

00:06:46And at times, I don't know what to think.

00:06:49Come, let's go in the house.

00:06:51Oh, yes.

00:06:51Come, please.

00:07:01Is, uh, is Mr. Beaumont in?

00:07:04You're expected, Dr. Bruner.

00:07:07Yes, I, I've been sent for to marry someone.

00:07:13Maybe, uh...

00:07:25Uh, is, uh, how long is it that you know Mr. Beaumont?

00:07:30Oh, only a few days.

00:07:32Madeleine introduced him on the docks in Port-au-Prince.

00:07:35Oh, and you?

00:07:36I met him on the ship coming from New York.

00:07:38He was very kind during the voyage.

00:07:41Oh, Madeleine and I planned to be married the moment she arrived.

00:07:43But Mr. Beaumont persuaded us to come here.

00:07:46He promised to take me out of the bank at Port-au-Prince and send me to New York as

00:07:50his agent.

00:07:51Hmm.

00:07:53Strange.

00:07:56Very strange.

00:07:58You...

00:08:01I'll tell Mr. Beaumont you're here.

00:08:05Sir.

00:08:13It's all right, isn't it, Doctor?

00:08:16Oh, I guess so.

00:08:18You see, I...

00:08:20I've only met Mr. Beaumont once or twice.

00:08:23But, but he never struck me like a man that would take the trouble to play his fairy godfather to

00:08:28a young couple like you.

00:08:33Unless...

00:08:34Unless what, sir?

00:08:50I suppose you'll think I'm a meddling old fool, but, you know, I'd feel a good deal better if you'd

00:08:55clear out of this place after you're married and have nothing more to do with Mr. Beaumont.

00:09:04The young people have arrived, sir, and Dr. Bruner.

00:09:08They're waiting in the reception hall.

00:09:11Show them to their room and tell them I'm out.

00:09:14Yes.

00:09:15No, wait.

00:09:16Perhaps I'd better see them.

00:09:18It might look odd if I didn't.

00:09:20Very odd, sir.

00:09:22Especially as Dr. Bruner is a trifle skeptical as to your motives, sir.

00:09:29Never mind my motives.

00:09:31Has that other person sent word yet?

00:09:34No, sir. Not yet, sir.

00:09:39He's 24 hours late.

00:09:42I wish you'd keep away from that man, sir.

00:09:47He'll make trouble for you.

00:09:48You needn't worry about that.

00:09:50I'm not afraid of him.

00:09:51I'm not easily frightened, sir.

00:09:54You should know that.

00:09:55But what you're planning is dangerous.

00:09:58Don't you suppose I know that, Silver?

00:10:01You don't seem to realize what this girl means to me.

00:10:04Why, I'd sacrifice anything I have in the world for her.

00:10:09Nothing matters if I can't have her.

00:10:19I think, uh, I think you like Hades?

00:10:22Most people that...

00:10:24Oh.

00:10:26Madeline.

00:10:27I'm delighted to see you.

00:10:30Neil, you're more than welcome.

00:10:31Thank you, sir.

00:10:33Doctor, it was very kind of you to come.

00:10:35I know what a busy man you are.

00:10:36No, no, not at all.

00:10:38There's a, there's a native family live out here that I've been trying to see for a long time.

00:10:42After this young couple are safely married, I leave.

00:10:45But surely you'll stay for dinner after the ceremony.

00:10:48No, no, no.

00:10:48No, I must run along.

00:10:50Well, that's a great pity.

00:10:51We had something very special prepared for this occasion.

00:10:55It was very good of you, Madeline, for humor, the whim of a lonely man.

00:10:58There was so little time to prepare.

00:11:01I couldn't do half the things I wanted to for you.

00:11:04You've done more than enough already, Mr. Beaumont, for a comparison giving Neil a position in the state.

00:11:09Neil?

00:11:10Yes, yes, indeed.

00:11:12Oh, yes, of course.

00:11:13I'm sure Neil will make a very good agent.

00:11:15But you must be tired after your drive.

00:11:17You'll get some rest.

00:11:19Silver!

00:11:22Silver will show you to your rooms.

00:11:24This way, please.

00:12:06This way, please.

00:12:52This way, please.

00:13:06This way, please.

00:13:08This way, please.

00:13:31This way, please.

00:13:36This way, please.

00:14:03This way, please.

00:14:09This way, please.

00:14:52I'm delighted to see you again, Monsieur Beaumont.

00:15:20I'm sorry that kept you waiting, Monsieur.

00:15:27I have been on a journey, seeking men for my milk.

00:15:33Men, they work faithfully.

00:15:36They are not worried about long hours.

00:15:43You, you could make good use of men like mine on your plantation.

00:15:48No.

00:15:51That's not what I want.

00:15:55Then perhaps you wish to talk about the young lady who came to your house this evening.

00:15:58You've seen her?

00:16:01When?

00:16:03On the road, tonight.

00:16:17There was a young man.

00:16:21There to be married tonight.

00:16:24You've waited too long to do anything.

00:16:26What do you want me to do?

00:16:29If she were to disappear for a month, what do you hope to gain by her disappearance?

00:16:38Everything.

00:16:39Everything.

00:16:40Do you think she will forget her lover in a month?

00:16:43Just give me a month.

00:16:45One little month.

00:16:49Not in a month.

00:16:50Not even a year, Monsieur.

00:16:55I have looked into her eyes.

00:17:00She is deep in love.

00:17:03But not with you.

00:17:05There to be married within an hour.

00:17:08There must be a way.

00:17:21That is the way.

00:17:27The cost.

00:17:30The cost is heavy.

00:17:33You give me what I want.

00:17:35Then you may ask anything.

00:18:02No.

00:18:03Not that.

00:18:28Only a pinpoint, Monsieur Vermont.

00:18:32In a glass of wine.

00:18:34No.

00:18:39No.

00:18:40Boston.

00:18:41Stop.

00:18:42The time is very brief.

00:18:44Mets do you share if I am to help you.

00:18:50Keep it.

00:18:51Monsieur, keep it.

00:18:58You may change your mind.

00:19:15Send me word when you use it.

00:19:33I'll find another way.

00:19:35There is no other way.

00:19:54They are driving away evil spirits.

00:19:58Close it.

00:19:59Close it.

00:20:04Let me see him.

00:20:23I love you, Madeline, more than anything else in this whole world, dear.

00:20:27Heaven or hell lies the mystery of all of you.

00:20:30You could raise me up to paradise, or you could blast my word into nothingness.

00:20:34There's time even yet, dear. I can make you the envy of every woman.

00:20:38I'll give my own life to make you happy.

00:20:43Oh, listen to me, dear, before it's too late.

00:20:47Don't. Please.

00:20:48Don't go into that room.

00:20:50We can be in Port-au-Prince in half an hour.

00:20:53There's a boat sailing at midnight.

00:20:56You've been so wonderful. So spoiled every day. Now.

00:21:04One last gift before I lose you forever.

00:21:07Come on.

00:21:51We are gathered together here in the sight of God and in the face of this company to join together

00:21:59this man, this woman, in holy matrimony, faith.

00:24:09What do you see in the glass?

00:24:12I see.

00:24:16I see.

00:24:18I see.

00:24:20Love.

00:24:22Far more than you deserve.

00:24:25Is that all?

00:24:26No.

00:24:28I see.

00:24:38What is it?

00:24:41I see.

00:24:43Death.

00:24:46Madeline.

00:24:48Madeline.

00:24:51Madeline, what's wrong?

00:24:53Madeline, my dear.

00:24:54Please.

00:25:04No.

00:25:06No.

00:25:08No.

00:25:10Madeline.

00:25:12Madeline.

00:25:14Can't we do something?

00:25:16Jesus.

00:25:17Please.

00:25:19Madeline.

00:25:26Madeline.

00:25:30My wife.

00:25:33My wife.

00:25:35My wife.

00:25:38My wife.

00:26:03The brave of our Lord and Savior

00:26:06and the love of God and the fellowship of his angels be with us evermore. Amen.

00:26:41Amen.

00:27:06I love you.

00:27:35Neil!

00:27:37Neil!

00:27:39Neil!

00:27:41Neil!

00:28:02Neil!

00:28:28Oh, my God.

00:28:37Look.

00:28:50Zombies.

00:28:53Yes.

00:28:54They are my servants.

00:28:56Did you think we could do it alone?

00:29:00In their lifetime, they were my enemies.

00:29:04I know the witch doctor.

00:29:08Once my master.

00:29:10Secrets I tortured out of him.

00:29:13Van Gelder does wine, swollen with riches.

00:29:18He fought against my spells until the last.

00:29:21Even yes, I have troubled heights.

00:29:26His Excellency Richard, once minister of the interior.

00:29:32Garcia, brigand chief.

00:29:35Marquis, captain of gendarmerie.

00:29:40And this, this is Chauvin, the high executioner, who almost executed me.

00:29:55I took them, just as we will take this one.

00:30:03But what if they regain their souls?

00:30:08They will tear me to pieces.

00:30:11And that, my friend, shall never be.

00:30:16They will eat it again.

00:30:20I can't.

00:30:24But.

00:30:45They will eat it again.

00:30:45But the lava.

00:31:30Madeleine.

00:31:36Madeleine!

00:31:43Madeleine!

00:31:44Madeleine.

00:32:13Madeleine.

00:32:14All right.

00:33:11There's two explanations to strike me.

00:33:14Either the body was stolen by members of a death cult that use human bones in their ceremonies, or else...

00:33:22Or else what?

00:33:24She's not dead.

00:33:29I'm not dead.

00:33:32I'm not dead.

00:33:55But the natives brought here from Africa.

00:33:58Some of them can be traced back as far as ancient Egypt.

00:34:03And beyond that yet in the countries that was old when Egypt was young.

00:34:07Yes, but what has that to do with Madeline?

00:34:10I kissed her as she lay there in the coffin.

00:34:13And her lips were cold.

00:34:17Let me explain.

00:34:19Now, just a minute.

00:34:20I'll explain.

00:34:22Wherever there is a superstition, you will find there is also a practice.

00:34:26Now, do you remember what your driver told you the night he took you to Beaumont's house?

00:34:30Oh, about those horrible creatures we saw.

00:34:32Yeah.

00:34:32He said there were corpses taken from their graves.

00:34:35That's it.

00:34:36Now, wait.

00:34:36Now, that's the superstition.

00:34:38Now, for the practice.

00:34:40The golders that steal the dead corpses from the graves are supposed to put them there in the first grave.

00:34:47Do you mean that Madeline was murdered so that somebody could steal her dead body?

00:34:52Ah, nonsense.

00:34:53No.

00:34:54Not her dead...

00:34:55Not her...

00:34:56Her body, yes.

00:34:57But not her dead body.

00:34:58That's what I mean.

00:35:00Well, surely you don't think she's alive.

00:35:03In the hands of natives.

00:35:05Oh, no.

00:35:06Better dead than that.

00:35:07Excuse me, please.

00:35:08Have you got a match?

00:35:20You don't believe that, do you?

00:35:25Say, there's been lots of people that's been pronounced dead that came alive again and lived for years.

00:35:31Now, if nature can play pranks like that, why isn't it possible to play pranks with nature?

00:35:37Oh, I don't know.

00:35:38Oh.

00:35:41Your driver believed he saw dead men walking.

00:35:48He didn't.

00:35:50What he saw was men alive in everything but this and this.

00:35:57Well, the whole thing has me confused.

00:36:00I just can't understand it.

00:36:02I don't blame you.

00:36:04I don't blame you.

00:36:05I've been trying for years to get to the bottom of this thing.

00:36:08To separate what you call fact from fiction.

00:36:12The law.

00:36:13The law of Haiti acknowledges the possibility of being buried alive.

00:36:18Here it is in the famous room.

00:36:20I'll read it for you.

00:36:22It's in French.

00:36:24Do you speak French?

00:36:25No.

00:36:27Excuse me, please.

00:36:28Have you got a match?

00:36:29Right here.

00:36:30Here's one.

00:36:30Oh, thanks.

00:36:31I didn't see it.

00:36:32I'll translate it for you.

00:36:33If you should read it.

00:36:35Article.

00:36:36Article 49.

00:36:39The use...

00:36:41The use of drugs or other practices which produce lethargic coma or lifeless sleep shall be considered attempted murder.

00:36:53Yes.

00:36:55Attempted.

00:36:55Yes, I see.

00:36:56Yeah.

00:36:57All right.

00:36:58If the person has been buried alive, the act shall be considered murder.

00:37:04No matter what result follows.

00:37:08Beaumont.

00:37:10I say, you said that you couldn't understand why he was so interested in us.

00:37:14Do you think he did this?

00:37:16No.

00:37:17No.

00:37:17I think it's native word.

00:37:19Native word.

00:37:19Exactly.

00:37:21Of course, if you want to, we can go to Beaumont's house first.

00:37:26If I can get my hands on the devil that's responsible for this, I'll make him such an example that

00:37:33every rich doctor in Haiti will be shaken and expanded.

00:37:35But we can't do this alone.

00:37:39Can't the authorities help?

00:37:41Sorry.

00:37:42Neal.

00:37:43My father.

00:37:44You don't know these islands.

00:37:46The native authorities are afraid to measure.

00:37:49I'm not.

00:37:50I got friends among the natives.

00:37:52They'll tell me things that no gendarme could ever get out of them.

00:37:58Because I'm a preacher.

00:38:00They think I'm a magician.

00:38:04Before we get through with this thing, we may uncover sins that even the devil would be ashamed of.

00:38:15Oh, these witch doctors.

00:38:17That's a rejoice.

00:38:25I know, he's not a servant.

00:38:27He's never aondenation.

00:38:28No maus.

00:38:29That's a glimpse of the woman.

00:38:30Who has a son of a father?

00:38:30I can't remember.

00:38:31To you?

00:38:32To you?

00:38:38I know.

00:38:43To you!

00:38:47Who has a son of a father?

00:38:47You're a son of a father.

00:38:47He's a son of the father who was a son of the princess.

00:40:27Foolish things.

00:40:31They can't bring back the light to those eyes.

00:40:37I was mad to do this, but if you'd have smiled on me, I'd have done anything for you, given

00:40:46you anything.

00:40:48I thought that beauty alone would satisfy.

00:40:54But the soul is gone.

00:40:57I can't bear those empty, staring eyes.

00:41:04Oh, forgive me, Madeline.

00:41:06Forgive me.

00:41:09I can't bear it any longer.

00:41:11I must take you back.

00:41:16Back to the grave, Monsieur?

00:41:21No.

00:41:23You must put the light back into her eyes and bring laughter to her lips.

00:41:28She must be gay and happy again.

00:41:30You paint a charming picture, Monsieur.

00:41:34One that I should like to see myself.

00:42:00You must bring her back.

00:42:02Aren't you a trifle of pain, Monsieur?

00:42:06How do you suppose those eyes will regard you when the brain is able to understand?

00:42:12Why?

00:42:41Can't you trust me?

00:42:46Better to see hatred in them than that dreadful emptiness.

00:42:51Perhaps you're right.

00:42:53It would be a pity to destroy such a lovely flower.

00:43:00Let's drink to the future of this flower.

00:43:03A glass of wine?

00:43:07Silver, bring wine.

00:43:09We have a toast to drink.

00:43:38The future...

00:43:40Monsieur.

00:43:57Only a pinpoint, Monsieur.

00:44:01A flower.

00:44:04Or perhaps a glass of wine?

00:44:18What are you trying to do to me?

00:44:20I have other plans for Mademoiselle.

00:44:24I'm afraid to fight not the greed.

00:44:32I have taken a fancy to you, Monsieur.

00:44:36Silver!

00:44:38Silver!

00:44:40Silver!

00:44:44Silver!

00:44:45Silver!

00:44:49Silver!

00:44:52Silver!

00:44:55Silver!

00:44:57Silver!

00:44:59Silver!

00:45:02Silver!

00:45:04Silver!

00:45:05Silver!

00:45:07Silver!

00:45:14Silver!

00:45:16Silver!

00:45:19Silver!

00:45:20Silver!

00:45:22Silver!

00:45:26Silver!

00:45:28Silver!

00:45:35Silver!

00:45:40Silver!

00:45:47Don't! Don't!

00:46:19To the future, monsieur.

00:46:48Vulture! You!

00:47:01No! Not that! Not that!

00:47:11We ought to be picking up an old rich doctor around here, pretty soon.

00:47:14His name is Pierre. I've known him for years. He's a great old fellow.

00:47:20I don't know just where we'll find him.

00:47:42Come, son. There are evil spirits in the road.

00:47:49I will give you an awonga.

00:47:54And here is one for the opera.

00:48:00Good job.

00:48:08Young man, he's sick with three birds.

00:48:14Here. Hey, wait a minute. We can't afford to have you sick.

00:48:18Neil, why don't you go over there? We've got a hard day before us tomorrow.

00:48:24Now. Now then, Pierre. Come on. He's gone. We'll talk.

00:48:29It is a dangerous thing you asked me to do.

00:48:33Oh, well, now, listen. Here. You're old friends, you and me, and I want to go on.

00:48:38Turn back before it is too late.

00:48:42Oh, no. I've come too far to turn back now.

00:48:45I'm too old to go all the way with you.

00:48:49Well, listen. Can't you get somebody to go visit?

00:48:53My people are afraid of the mountain.

00:48:58Why?

00:48:59Because it is called the land of the living dead.

00:49:06Well, have you ever been there?

00:49:09I am the only man that ever came from there in life.

00:49:19There is an evil spirit man that is called murder.

00:49:27Come.

00:49:30All about what it is.

00:49:48Well, can I run?

00:50:17I can't see you.

00:50:39Just as old Pierre said, a cloud of vultures always covers over the house of the living

00:50:47dead. Madeline, is she there? Oh, I must go and see. Now, now, now, now, kneel, my boy. Please, please,

00:51:01lie down and rest. Please. You'll feel stronger in the morning. You rest. Let me go up to see what

00:51:16I can do.

00:51:40Why is she so restless tonight? Perhaps she remembers something.

00:51:46They never remember anything when they are like that. No? Because his couple...

00:51:58Oh, my God.

00:52:04Oh, my God.

00:52:11Oh, my God.

00:52:43Madeleine!

00:52:45Madeleine!

00:53:23Madeleine!

00:53:25No, no! I can't! I can't!

00:53:28You must. It's your turn.

00:53:31Let it all away!

00:53:33Shhh!

00:53:35He might hear you.

00:53:37No, I... I can't stand it!

00:53:40I'm going to run away!

00:53:42He'll find you and make you my path.

00:54:01Remember, your hand.

00:54:02No!

00:54:06Thick-thick-thick!

00:54:13All right Pettis!

00:54:14I'll go!

00:54:14You have to arquitect.

00:54:14Thick!

00:54:14Oh, my God!

00:54:18Thick-thick!

00:54:27Thick-thick!

00:54:59Can you still hear me?

00:55:08It is unfortunate you are no longer able to speak.

00:55:13I should be interested to hear you describe your symptoms.

00:55:28You see, you are the first man to know what is happening.

00:55:39None of the others did.

00:56:04You refused to shake hands once.

00:56:09I remember.

00:56:12Well, well.

00:56:14We understand each other better now.

00:56:17I know.

00:56:54THE END

00:57:21THE END

00:57:54THE END

00:58:23THE END

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01:00:43THE END

01:00:44THE END

01:00:45THE END

01:00:51THE END

01:00:58THE END

01:00:59THE END

01:01:01THE END

01:01:02THE END

01:01:05THE END

01:01:13THE END

01:01:21THE END

01:01:49THE END

01:02:18THE END

01:02:20THE END

01:02:25THE END

01:02:50Madeline

01:02:55Madeline

01:02:56I found you

01:02:58You're alive

01:03:00Alive

01:03:02What's the matter?

01:03:04It's I, Neil

01:03:16Oh, my darling

01:03:19What have they done to you?

01:03:40Who are you?

01:03:45And what are they?

01:03:46For you, my friend

01:03:47They are the angels of death

01:03:49Who are you?

01:03:56Who are you?

01:03:59Who are you?

01:04:04Who are you?

01:04:17Who are you?

01:04:25Come!

01:04:27Come!

01:04:28Come!

01:04:29Come!

01:04:33Come!

01:04:38Come!

01:04:40Come!

01:04:54Come!

01:04:55Come!

01:04:57Come!

01:04:59Come!

01:05:01Come!

01:05:02Come!

01:05:03Come!

01:05:07Come!

01:05:11Come!

01:05:13Come!

01:05:14Come!

01:05:16Come!

01:05:18Come!

01:05:38Madeline

01:05:40Don't you know me, dear?

01:05:42It's Neil

01:05:43You!

01:05:43I could swear

01:05:46For a moment she recognized you

01:05:51Come on!

01:05:52Don't let him get away!

01:06:13Let me get away!

01:06:15Ah!

01:06:19Piggers

01:06:32You!

01:06:35Maybe

01:06:37Oh!

01:06:41P pourtant

01:06:43Change

01:06:46Oh, Madeline, my darling.

01:07:03Leah, I, I dream.

01:07:16Excuse me, please.

01:07:17Have you got a match?

01:07:43Have you got another round of honey?

01:07:44vacuum generator, I, I, I, I, I, I...

01:07:47You went more than 50 miles of years of Napoli.

01:07:48So what you put were doing the переп discovery?

01:07:48Well, knowing a thing, let's go my way.

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