- 2 days ago
The Strain Season 1 Episode 11 | The Third Rail | VAMPIRE SEASON | HORROR SEASON
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00:01Previously on The Strain
00:02Ah, mijo. So good to have my two kids together again.
00:06How many times have I tell you, don't leave your recycling in the hallway?
00:09Now we're talking about the way you speak to my mother.
00:11If she ever tells me, you talk to her like that again,
00:14you're gonna find your body in one of those recycling bins you love so much.
00:18What was in that coffin?
00:20Soil.
00:22Where's that cabinet?
00:23That box was 500 pounds. Don't think it lifted up like that.
00:25If you have the coffin, then you still have him. Do not allow it across the river.
00:30Something evil has taken root.
00:32Grass don't migrate like that. Something's driving them out from underground.
00:35It's hiding down there in the dark.
00:37I tracked the epicenter of the referee's zone.
00:40We have to look at all the decommissioned tunnels near the World Trade Center.
00:44Kill the master and his spawn. We're got it.
00:47They're coming.
00:51Uh...
00:51Alright.
00:54UV light bomb test.
00:57Hey! No, no, no. Come on. Come on.
01:06Now I can't see anything.
01:08That's right. It's better than burning out your retinas looking at the UBC racing.
01:11No fair.
01:12This is a good idea.
01:17Uh...
01:17Well, we're about to find out.
01:20Fire in the hole!
01:28You might want to put that out.
01:30Shh, shh, shh, shh, shh, shh.
01:32All right.
01:35What happened?
01:36In engineering terms, uh...
01:39You would call that a fail.
01:41The epic fail.
01:43Well, light was strong while it lasted.
01:46Was it long enough to hurt them?
01:47Could be bigger.
01:48I need to keep the bulbs bright enough to do the job without burning them out so fast.
01:53Well, if it were me, I would make the lights cycle on and off the strobe like a camera flash.
01:57That might stop the bulbs from burning out.
02:00Well, I could rig up a fog machine, too.
02:03You know, crank some tunes, really get them dancing.
02:05Just...
02:06Forget I mention it. Do what you want.
02:08I'm just joking, Doc.
02:11Hmm?
02:12I mean, uh...
02:13I'm not saying I disagree, because I do agree with you, all right?
02:17Don't fall off your high horse.
02:20The problem is, is that, uh...
02:23We can't do any more tests.
02:25I could put the rest of our bulbs in,
02:28and I'll tinker with the circuit board, put in an oscillator.
02:32But we're gonna have to go with what we end up with.
02:35Hope for the past.
02:36Mr. Fett, you've just described my method of operation for the past six decades.
03:04Mama, what are you doing?
03:08I can't find anything in this damn kitchen.
03:12Apparently, she's searching for an ashtray she once owned from the...
03:16Alvera Hotel, Buenos Aires.
03:19I know it's here somewhere.
03:22Mama.
03:24That broke years ago.
03:26Hmm?
03:30I'll clean it up.
03:35I'll clean it up.
03:36I know it's not moving.
03:42What if you don't have to do...
03:43A little bit more.
03:58It's not a little bit more.
04:01Mama, basta.
04:03Comportate, por favor, hm?
04:05Somos sus invitadas.
04:07No se amalebacadas.
04:10Come on.
04:19I'm sorry.
04:20I understand what she's experiencing.
04:22She's wrong what she said about you.
04:26No, she's not.
04:30Is your mother gonna be okay?
04:33She gets confused sometimes.
04:36She mistakes memories for reality.
04:39She must have really liked that ashtray.
04:44It was from a hotel restaurant
04:46where my father took her on their first date.
04:48He wanted a memento because he knew right then,
04:51from that first night,
04:53that he was gonna marry her.
04:54Well then, maybe it's good that she still remembers it.
04:58I think you're right.
05:11Crispin, open the door.
05:16Crispin, open the damn door.
05:17I'm not playing, bro.
05:30Mama.
05:55Where's Mom?
05:59Crispin, you hear me?
06:00Where's home?
06:01Crispin, you hear me?
06:03Where's Mom?
06:05Crispin, where's Mom?
06:25I don't know.
06:55No!
06:57No!
06:58No!
06:59No!
06:59No!
06:59No!
07:03No!
07:06First, do no harm.
07:08Things have changed.
07:11Have they?
07:13Now, take a remote village, say, 200 years ago.
07:16Residents are manifesting strange symptoms, dying,
07:20fear and superstition rule the day,
07:22and a curse is blamed until someone like you or me shows up
07:25and, through a scientific process of elimination,
07:29traces the disease to its source and destroys it.
07:32The curse is lifted.
07:34People are saved.
07:36Order is restored.
07:38So you believe now?
07:40If we slay the master, this plague of vampirism ends today.
07:44I have to believe it.
07:45Otherwise, I can't justify leaving Zach here
07:49at the risk of being orphaned or worse.
07:57We'll make it back here.
08:00What if we don't?
08:06Maybe one of us should stay.
08:09You mean me?
08:13I would never ask you that.
08:15You just did.
08:18The answer is no.
08:19I didn't mean it like that.
08:21I'm leaving my mother behind.
08:23I know.
08:23I know you are.
08:25You and I are not assassins.
08:29Fed that kill happy exterminator.
08:31This Kamikaze mission is his wet dream.
08:34And the old man is consumed by an ancient grudge.
08:36They have no plan B because they have no one but themselves at risk.
08:39I don't think we have any other choice.
08:48I don't think we have any other choice.
08:53I don't think we have any other choice.
09:09Rem pink.
09:13This was the, uh, weapon Jim Kent chose to use.
09:18You would honor him by taking it.
09:30when will you be back sundown absolute latest that's the whole day hopefully soon what about
09:37mom i think the best thing is to uh take out the thing that's causing all this mrs satrakian
09:44has a plan i understand but why can't i come with you i don't know what's out there i i
09:52can't control
09:52that environment but here you've seen mrs satrakian's basement it's a fortress it's an armory it's the
09:58most safe place i could imagine for you you'll be careful right of course i promise in the meantime
10:05keep an eye on mrs martinez shouldn't that be the other way around should be but you're in charge
10:12you stay in the basement both of you don't let anybody see okay time to go
10:22you're brave
10:32so
10:56i love you
10:58i love you too
10:59so
11:08so
11:25so
11:36so
11:47young boy where is my ashtray i don't know it's not here what did you do with it
11:54i didn't put it anywhere nora can help you when she comes back
12:13wow
12:24where is my daughter she went out with all the others is she getting my cigarettes i need my
12:31cigarettes
12:34cigarettes
12:35see i need cigarettes you shouldn't my mom says you shouldn't smoke
12:43nora will get you some when she comes back
12:45and it's just out with the man who is going to smoke
13:10and we'll be back to him and we will be back to my your feet so
13:26Come on, mama, pick up.
13:30Pick up, mama, please.
13:52Thank you for calling Harlem's Hospital Center.
13:54If you know your partners, just hand your hand.
13:58Nurses, that's 4B.
14:00Yeah, can I just speak to Guadalupe Elizalde, please?
14:02It's an emergency.
14:04May I ask who's calling?
14:05It's Agustin Elizalde, her son.
14:08Yeah, hold on.
14:08OK.
14:11Mr. Elizalde, Guadalupe's shift is until 6 PM.
14:14It's totally crazy here.
14:15She might have called in early or come in early.
14:17I don't know, but I haven't seen her.
14:19OK, thank you.
15:00I've seen her in early years on.
15:03Ask me of me and I have my children.
15:03You can't see them.
15:03Come on.
15:03When you're...
15:04I can't see them.
15:07You can see them.
15:08Don't know.
15:09You can see them.
15:36I need to get out of here.
15:41Help!
15:44It's locked!
15:46Help me, please!
15:50Help!
15:55Please!
15:59Mrs. Martinez!
16:01Oh, there you are, young boy.
16:04The keys.
16:04Give me the keys.
16:06My dad gave me the keys.
16:08Do you want to go back downstairs?
16:11My daughter, my Nora.
16:13They've taken her.
16:15I must go to her.
16:16No, she left on her own.
16:18She's coming back.
16:19They're all coming back.
16:20We never come back.
16:22Never.
16:27We must leave this place.
16:31Please.
16:32I need to get out of here.
16:34If I go get you cigarettes, will you go downstairs and wait for me?
16:55Why the World Trade Center?
16:57The master is drawn to places of great human misery.
17:01He seeks out suffering.
17:05Oh, this is your boy.
17:06I think we're in the right place.
17:13The cave you fear to enter...
17:16...holds the treasure that you seek.
17:31Oh, God.
17:33With any love, Dr. Martinez,
17:35it's gonna get a hell of a lot messier than this.
17:57Oh, God.
17:59Oh, God.
18:06I'm so excited.
18:08I'm so excited.
18:09Oh, God.
18:15I'm so happy now.
18:40Stay to the right
18:44The third rail I don't know if it's live down here, but
18:49uh, that's 625 volts. You don't want to find out.
19:12It's everything that defined these people.
19:14Well, I hope I'm defined by more than just my wallet and my wristwatch.
19:19Everything you see represents somebody's mother, father, son, daughter.
19:23Don't bother.
19:32Oh, my God.
19:39Yes.
19:41It shams sure.
19:43Oh.
19:45Oh.
19:46Oh.
19:48Oh.
19:52Independence is saved.
19:53Kryegle, her to the left there.
20:07Does your phone work?
20:08Can you get a signal?
20:10No, mine doesn't work either.
20:19No more graffiti.
20:22This station was abandoned after 9-11.
20:26I doubt anyone's been here since.
20:28Anyone's still human, that is.
21:03They're nasty.
21:06During daylight hours always, especially when first turned, the transformation that exhausts them.
21:16There's a lot of necks to chop.
21:19No.
21:21Releasing them with alert the master to our presence.
21:25Switch off.
21:26No.
21:26No.
21:30No.
21:44No.
21:46No.
21:47No.
21:48No.
21:54No.
21:56No.
22:04Eve!
22:04It's not her!
22:10We must keep moving.
22:41I should have been there for you, Mama.
23:16Mr. Farrell, you here for the rent, puto?
23:27Look, the rails are clean here.
23:29Ah, service cars.
23:31They use the abandoned stations for turnarounds.
23:36I know these tunnels like the back of my hand.
23:40Now, this line was built on top of the old original 1923 line.
23:45Yeah, it's like, uh, ancient Rome or the city of David.
23:50Shh.
23:53We were hearing that the whole time, Doc.
23:56No, no, this is different.
24:00These, uh, towns, they do strange things to sounds.
24:03You know, like whispering chambers? You know?
24:06If there's a train coming, we're gonna know it, okay?
24:09Come on.
24:14Go!
24:16Run!
24:26You weren't saying!
24:31I know these tunnels like the back of my hand.
24:34For future reference, that's the back of your hand, that's your ass, that's your elbow.
24:37You wanna take lead?
24:38Yeah?
24:39Take point, then go ahead.
24:41Be my guest.
24:41Go for it, Doc.
24:42I'm sick of this Brooklyn Pride shit.
24:44Save it for somebody who cares.
24:45Used to having a last word, huh, Doc?
24:47How does it feel to know that a pawnbroker and a rat killer know more than you do, huh?
24:52You've been waiting for this your whole life, haven't you?
24:54Congratulations on the vampire apocalypse.
24:57The first will be last.
24:59The last shall be first, Doc.
25:00Enough.
25:02Both of you.
25:02Pay attention.
25:20We cannot afford to be seen.
25:22Not yet.
25:36That is a shitty way to go, even for them.
25:41Now I know another way to kill them.
25:43Next outing, you carry the power of Transformer.
25:47She was heading this way, so we're close.
25:51Just be careful.
25:52I know another way to show you, my wife is in a building.
26:15You need a beweging on me?
26:18I don't want to shoot my mom before I got there.
26:18I don't want to tell you.
26:20What?
26:21I don't want to get along.
26:22That's what's going on.
26:22We have one such gentleman on the line right now.
26:24Uh, Marcus.
26:29Oh, jackpot.
26:31Sloppy seconds is more like it.
26:33That food's food.
26:36Check the cash register just in case.
26:38And grab another bag to fill.
26:39We can trade what we can't eat.
26:40Might not find another store like this again.
26:42Oh, damn.
26:45Hey, Val.
26:47The clerk came.
26:48Don't be such a pussy.
26:50You want to eat, don't you?
26:51Check the back room.
26:52Look for canned tuna.
27:34Don't be such a pussy.
27:34Don't be such a pussy.
27:38One way...
27:45Next.
27:46Let's go.
27:59Oh, Jesus, hey.
28:01Follow me.
28:01No, what are you doing here, kid?
28:02Hey, Val!
28:07Where'd you come from, kid?
28:10Hey, uh, somebody else here.
28:15Oh, my God!
28:16Oh, my God!
28:22Hey, what are you, kid?
28:31The moose.
29:07Dead end.
29:08What the hell?
29:09Where'd all the maps go?
29:11Where'd they...
29:12How'd they get through?
29:25If I were hunting rats, this is exactly where I'd assume they'd go.
29:30Or if this is a trap.
29:33Goddamn it.
29:54Goddamn it.
29:59Oh, my God.
30:38All clear.
30:42Shit, behind us.
30:45Go. Hurry. I'll hold them off.
30:48He knows we're here now.
30:50Oh, Helen. All the more reason to hurry.
30:56Go.
31:11Ev?
31:15Ev?
31:18The actor.
31:20Ev, are you there?
31:22Give me a hand
31:26That's a good weather
31:35Really, don't
31:38No
31:45Listen to me
31:53Something's happening
31:54Holding them off with the light isn't gonna get it done
32:06Go
32:07Go now, go
32:14F
32:36F
32:37F
32:42F
32:43F
32:43F
32:43F
32:44F
32:44F
32:45F
32:45F
32:46F
32:46F
32:46F
32:47F
32:47F
32:47F
32:47F
33:11Get him!
33:13Get him!
33:20Get him!
33:49Where are they?
33:54Let's go.
34:01Get him!
34:05Where are they?
34:07Where are they?
34:08Where are they?
34:28Where are they?
34:40Where are they?
34:43Where are you?
34:58God damn it, come on!
35:00What are you waiting for?
35:02Come on!
35:18Come on!
35:30Have you come here?
35:32Please run me!
35:36The old professor...
35:40As a new pupil...
35:43To fail...
35:46As he failed...
35:50I have taken everything...
35:53From him...
35:56And I...
35:58Will take everything...
36:02From you...
36:05Your wife...
36:07Your son...
36:12I...
36:14I...
36:15Am a drinker...
36:16Of men...
36:27Professor...
36:55Mrs. Martinez...
37:02Mrs. Martinez...
37:08Mrs. Martinez?
37:17Mrs. Martinez?
37:19Mrs. Martinez?
37:22I got your cigarettes.
37:24Oh, thank you.
37:33Sweet young boy.
38:03Did anyone see?
38:04Which way did he go?
38:06Which path?
38:09We had him.
38:11No, he had us.
38:13Are you okay?
38:15I think so.
38:17You saw him?
38:18Yeah, I saw him.
38:20I heard her voice.
38:23Kelly.
38:25She was calling out to me.
38:28You tricked me.
38:30Of course he tricked you.
38:32How could you run off like that?
38:34We ended up hunting for you instead of that thief.
38:37Why did you ignite the light bomb?
38:39You chased him away.
38:41We had no choice. He was right there.
38:42Right within my grasp. Now gone.
38:51I will not rest until the master is destroyed.
38:55And now, neither will he.
39:01Break you, you!
39:04Stringer!
39:06Get inside you!
39:09Stay!
39:10Stringer!
39:15Stay!
39:16Stay!
39:16Stay!
39:22Stay!
39:22This way!
39:29How'd you know he went this way?
39:31The master is here somewhere.
39:33We should think this out.
39:35Regroup.
39:36And let them regroup.
39:37Why would we do that?
39:38We may never get this chance again.
39:55God damn it!
39:57Tough choice here, huh?
39:58That's basically a random choice.
40:00No.
40:02Oh, no, no.
40:02Look.
40:03I get it.
40:04I'm on your side.
40:05But this is crazy.
40:06We've got him on the run.
40:07We must press on.
40:08Do what you like.
40:09Stop!
40:10Hold on.
40:11The flashlight's off.
40:13UV only.
40:14Huh?
40:19You see?
40:21I was right.
40:23Now let me go.
40:24Stop!
40:24Wait.
40:26Laura.
40:27What are we waiting for?
40:49That's a lot of monsters.
40:54No way, Pops.
40:56He is here.
40:57I'm a handmaid.
40:58For God's sake, this is suicide.
41:00No.
41:01No.
41:01No.
41:02No.
41:03No.
41:03No!
41:03No!
41:03No.
41:05We're not alone.
41:06No.
41:15No.
41:18No.
41:19No.
41:20No.
41:21No.
41:46Transcription by CastingWords
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