Lets.Love.2026.WEB-DL-PREMIERE HD.English

DJ COSTOM

Transcript

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00:03:11the love behind it instead of the anger uh the the vows are yeah i'll get it i'll get it

00:03:18fucking but don't do that thing where you overthink it because then you're just getting here

00:03:27fucking i wonder if those guys have gotten here yet

00:03:32thank you very much

00:03:35have a good one thank you

00:04:01oh

00:04:03hello

00:04:10oh

00:04:12i wasn't dead i wasn't expecting you to be here no one no i was i always knew i was

00:04:17going to come here

00:04:18i was nervous you said you thought you weren't invited

00:04:24yeah but of course they called you no no i was joking no i was joking when i said i

00:04:30was i was

00:04:30joking when i said oh i'm will i be invited i'm like yeah i would hope so i mean i

00:04:35know i'm not

00:04:36you not you but i'm still i want to post that i mean yeah oh my god that's really quite

00:04:42impressive

00:04:42so this is real it's real well it looks very real i can't go i can't go back now it's

00:04:48like a flashback

00:04:48or something yeah yeah yeah but i let's not let's not get into all this right now like like fans

00:04:57here

00:04:57it's like the big weekend i don't want to we don't have to it's a big weekend for us too

00:05:01you know like

00:05:02we'll find our moments to have together inside of the madness of the circus it'll be good

00:05:09yeah you know no you're right it is it's a reset yeah and it's gonna be great it's gonna be

00:05:16really

00:05:16great i'm nervous i'm excited yeah and then all these fans here is like a huge huge thing

00:05:23where are you gonna be wonderful i love you i love you

00:05:40what what what are you looking at no i just there's there's fans around and stuff i don't

00:05:46want to break the illusion you know what i mean but i keep it the illusion yeah there is no

00:05:51illusion

00:05:52like the illusion like like like uh like like the the beatles the beatles they they were all

00:05:57married but you never like saw them out there married

00:06:03do they add you to the panels it was ridiculous

00:06:16you haven't changed a bit oh please i do feel like there's a little

00:06:20lovely you know i'm excited this is this is crazy um no this is crazy you know what we're doing

00:06:27there's uh multiple fan events there's a panel i mean i don't know that but i just mean cosmically i

00:06:32don't really know oh cosmic yeah hell if i know yeah i'm i'm i'm um i'm excited to meet a

00:06:37lot of people

00:06:37i think it's so good to see you thank you you look gorgeous and exactly the same it's not true

00:06:45look at

00:06:45you oh like a baby's up there i'm still a baby some little nibbles okay other things which are um

00:06:53being outright rejected it's just the life of a writer that's how it goes but i want to talk to

00:06:57you about something because she's got something she's working on right now we're hoping to do a

00:07:01sequel you are we are i mean the 10 year anniversary the sequel how special would that be

00:07:06you know are they are they trying to keep track of how many people are coming to see if we

00:07:09do it or

00:07:10yeah i'm i'm not quite sure i'm i'm still trying to get a hold of jerry to see what's happening

00:07:14but um

00:07:14but by the end of this weekend you know i'm hoping that we'll have an idea of what we want

00:07:18to do i was

00:07:19thinking sort of like an anti-romantic comedy where we kind of get together a little bit of lost in

00:07:24translation where we anti yeah just like an anti-romantic yeah but i thought you're hearing

00:07:32what i'm saying right yes okay here you're hearing it why great i was looking in your eyes i couldn't

00:07:37tell if you were actually listening or not nice how are you good to see you oh my gosh it's

00:07:42so nice to

00:07:42see you i'm so glad you're here wow yeah look at you look at you i know you know no

00:07:49i'm gonna i'm gonna

00:07:49check in so um i'll see in a bit i'll see you in a bit i'm just gonna go check

00:07:53yeah really yeah

00:07:54you two together you've got um facial hair that has happened yeah that's right he's all grown up

00:08:02it's uh this is crazy this is like i'm a little overwhelmed i mean all the fans again press

00:08:08checking in what was the name uh nigel thomas okay

00:08:16okay okay so we don't seem to have a reservation oh really not nigel nigel thomas

00:08:25how do you spell that really uh sorry n-i-g-e-l and thomas as well thomas okay t

00:08:43would it be under any other name um could be weintraub

00:08:51no because i'm part of the the film it's the don't delete the kisses

00:08:55oh i'm so sorry i need to take you downstairs hey i can take you down and then they can

00:09:01let

00:09:01you know okay that's all i've been told do you guys remember any good any good anecdotes from

00:09:09satin that be oh oh

00:09:21i need to take all of you downstairs downstairs yes okay

00:09:26did you check in yeah it's probably just someone must have snapped it you know i'm sure it's

00:09:31is that a joke oh it's a killer song okay yeah thank you because that's my kids

00:09:35treatment i'm sorry i think this is probably where the cops are

00:09:39is that what they're saying okay we're being blown up okay

00:09:50do you get nervous at this sort of thing oh they did a wonderful job yeah yeah jerry it's um

00:09:57it's ronnie um there's been a mistake um i told the people here that it was december

00:10:05okay um well it's just the banner we paid for we put a deposit on the room so we can

00:10:10we can't we

00:10:10can't take that back is who wanted to see us ronnie okay so just leave just like completely leave and

00:10:15then just hi hi hi the delete the messages

00:10:24do you have to go how much of that conversation do you hear

00:10:30what i'm sorry who are who are you sorry i'm um

00:10:35i'm ronnie riskin hi ronnie yeah i work i work with ronnie riskin hello hello

00:10:40hello writer um ronnie riskin oh we're for jerry at the studio studio okay okay i mean like the

00:10:45brand studio okay is jerry on his way that's uh that's what's interesting about what what we've

00:10:50just discovered is this the room that we're going to be in because it looks like it's not

00:10:53quite prepared so i just get a little worried we've got like a half hour before everyone starts

00:10:57arriving so this is as prepared as it'll be what do you mean it says no no we i'm sure

00:11:01sure you guys

00:11:02have some tables that you can set up here we need the panel don't say any tables i know well

00:11:06this

00:11:06what no it was going to be the room um i've got here i was really excited and i spoke

00:11:13to the people

00:11:13that work here and they've relayed information to me that i'm not going to give to you they've said

00:11:18that there weren't any tickets sold what that nobody bought any tickets

00:11:27no i'm sorry that that's not right you've been misinformed clearly because we we came here for

00:11:34the 10-year celebration that has been sold out the truth is it's the celebration 10-year anniversary

00:11:39of don't don't uh you know don't delete it is gone it's cancelled yeah it's cancelled

00:11:45i know it's cancelled what is cancelled the event the entire event yeah no no i've i've received

00:11:52messages from the fans from who fans the fans i've had messages saying what that they're coming we've

00:12:00put a lot of work into this and we've all come far and wide i had an hour and 40

00:12:04train oh yeah

00:12:06uh yeah we've just traveled from los angeles i know we bought the flats pr team says that because the

00:12:10event nobody turned up and wanted to see you see you guys that we're gonna have to pull it and

00:12:14um

00:12:15you can back me up on this there's no rooms here nobody can stay here oh me man

00:12:21we can definitely well no hang on we've got rooms they have rooms we can do rooms don't talk about

00:12:26rooms

00:12:26you guys were in charge of this you guys in the pr team were in charge of this i'm not

00:12:29in the pr team

00:12:30and we know that there were tickets sold and that people are coming so we don't understand there's

00:12:34got to be a mix-up so why don't you get jerry on the phone please get him on the

00:12:37phone because you

00:12:38obviously don't know what you're talking about yeah that's right i'm out of my depth i normally

00:12:41am creative i'm thinking about ideas at the desk okay walk this way please thank you now

00:12:48um i know there's no one on the phone sorry is it running i'm only risking okay mate what's going

00:12:55on the event's cancelled why um because there's here there

00:13:02i'm so fucking anxious this is the that always happens

00:13:07every time she does anything you just it burns to the ground

00:13:09i actually see how this was i got messages i got the dates wrong i said december and they thought

00:13:17december so it's not i mean you said to them when they thought december september and then they thought

00:13:24december um you think it's weird that if i want to kind of like keep this illusion alive it's like

00:13:33we

00:13:33earlier we were together in the lobby and we had like a quick kiss wait did you get you guys

00:13:38actually

00:13:38came together oh yeah we're together we're still we're still together like you know like

00:13:45oh i thought you think you thought that we i thought you guys were oh this is absolutely insane

00:13:51i could lose my job and i can't afford to lose my job i've worked months to get there and

00:13:54i've got two

00:13:54ideas um the one is animation course i don't care yeah look at the good news is yeah um in

00:14:03five days

00:14:04in five days listen listen everyone if you want some good news yeah jerry's going to be in town um

00:14:11so jerry will be here eventually but five days

00:14:16this is fucked i'm going what do you say apparently he got the dates wrong he got the dates wrong

00:14:23yeah fucking reason that we came here was to do this event which is now not i know i understand

00:14:28i

00:14:29okay but now we didn't come here to just have a loving do you know what i mean we came

00:14:32here to

00:14:33work to do this we are going to work we're going to work on the pitch so we'll find a

00:14:37place to say

00:14:37they have got rooms we will work together we'll make this happen we'll put together an incredible

00:14:42pitch for the sequel and when jerry gets here after i cut his head off we will pitch him the

00:14:48idea

00:14:49thank you thank you thank you there's no rooms

00:15:31i think what i'm going to do is um try and find a hotel if i can i'll find a

00:15:37hotel for all of us

00:15:38okay if necessary i'll try and find a hotel for me no offense if i can't find a hotel for

00:15:45me

00:15:46i think i'm good uh come on man nigel like you gotta chill out we're in this like there's there's

00:15:53it is what it is we're all together i think that you are missing a bit of a of a

00:15:58golden ticket

00:15:59right in front of you do you think absolutely we can write the sequel how long have you been married

00:16:05eight years eight years yeah can you believe it no it's nuts i honestly can't even imagine being

00:16:14with anyone longer than i think four months but what i'm saying is like me and jess uh haven't

00:16:23seen each other and been together in so long you can take what's happening between us and use that

00:16:27as like a a jumping off point right you know to to dive into this the sequel idea but we're

00:16:33not going

00:16:33to make the sequel in four days are we like at best we will write it yeah i think that

00:16:39it's i think

00:16:39it's a moment that we should absolutely take advantage of and and just fully just be in the

00:16:47moment no i'm not being a prick about it i just but this is too long to stay in the

00:16:52art

00:16:53looking arse into nowhere waiting waiting for a thing that might not even happen in four days you

00:16:58really think that's gonna happen in four days you need a shot i need a shot okay cheers cheers come

00:17:05on to

00:17:09the sequel there you go it'll come and the right person will come along and it'll happen you know

00:17:16sometimes it's just gotta kiss a lot of frogs in order to be your prince i've been thinking do you

00:17:25ever

00:17:26do you ever like see somebody like a woman and you think am i doing everything wrong

00:17:32and i should just drop everything and go be with that person does it ever like do you have that

00:17:38flash ever of like another life that you could have had yeah

00:17:45jackson is a growing man he really has grown into a man he doesn't feel like a boy anymore i'm

00:17:53sure

00:17:56but yeah of course i get the idea of thinking it was that the life i was supposed to have

00:18:03yeah yeah

00:18:04with that woman over there who i've never met before who just looks like she could be the answer to

00:18:08all my prayers the idea of like what it means to yeah to be with somebody yes and then all

00:18:15of a sudden

00:18:15maybe think that you've chosen wrong or that you should all of a sudden just a completely different

00:18:22path of course yeah yeah i think that's pretty universal yeah absolutely yeah of course

00:18:27because we can explore that theme in the film maybe

00:18:32maybe in the so far non-existent film it exists it exists for you quite clearly

00:18:39it exists for all of us strongly for you yeah yeah but no i do think that's

00:18:45good yeah everyone this song is called impatience yeah so you know it's something to explore yeah

00:18:53like the naivety of that i suppose because of course that person probably isn't going to be the

00:18:57out since you're prez you know why not

00:18:59i know

00:19:00i know

00:19:02I'm selfish, I can't help it, I'd never feel like myself, when you're not mine, and I'm so impatient, and

00:19:22I know you hate it, but I'm scared of the not-so-funny tricks of pain.

00:19:35And I hate saying goodbye, no, I'm never satisfied, it's a war that I'm losing, to no one, and I

00:19:54know you're caught up.

00:19:58Are we doing shots over here?

00:20:00We did shots, yeah.

00:20:01Ah-ha.

00:20:02How many shots did you have?

00:20:03Hello?

00:20:04Sorry.

00:20:05Yes, thanks for calling back.

00:20:08No?

00:20:08I feel like she kind of, she looks like you when you were younger, and the same for her as

00:20:11Mara.

00:20:12No?

00:20:13Yeah, okay.

00:20:14Alright, thanks for letting me know, cheers.

00:20:17That was a hotel I had called.

00:20:20Yeah, yeah.

00:20:21It was a third one I had called, and they've got nothing, so.

00:20:25Hello, sorry, um, don't mean to interrupt, but we could hear that you need somewhere to stay, and I've got

00:20:33somewhere you could stay.

00:20:34Oh.

00:20:34A bunkhouse, yeah.

00:20:35A bunkhouse?

00:20:36What is a bunkhouse?

00:20:37Like bunk beds.

00:20:38No, no, it's kind of somewhere you bunk.

00:20:41Don't get caught up on the bunk bit, go for the house bit.

00:20:43Yeah.

00:20:44Wonderful.

00:20:45Yeah, yeah, yeah, yeah.

00:20:46Look at that.

00:20:50Sophie, it's sweet.

00:20:52Yeah, thank you.

00:20:54Really saved the day.

00:21:04Holy shit.

00:21:08Yeah.

00:21:08This, this is, yes, this is the house.

00:21:13Yeah.

00:21:13This is our house.

00:21:14The house, yeah.

00:21:16Mike and Michelle, you guys must like love this movie.

00:21:19Yeah.

00:21:19My uncle bought it, yeah, so it's like, bought it cheap at auction, but it's like your house.

00:21:24You bought it because of you.

00:21:25That's crazy.

00:21:26That's incredible.

00:21:27Okay, shots, let's get inside.

00:21:29Come on, shots.

00:21:29Absolutely.

00:21:30Yeah, be Mike.

00:21:31Yeah.

00:21:32Memory fucking lame shots.

00:21:37Okay.

00:21:38Yes.

00:21:41I feel like this is like a year's of therapy undone.

00:22:17It starts off with the script, right?

00:22:19Mm-hmm.

00:22:19It was just the characters are fucking amazing.

00:22:21And then she was brilliant, and I was doing my thing, and it just kind of like...

00:22:25Yeah, no, I mean, your character is my favorite, for sure.

00:22:28And because Michelle has blonde hair, I dyed my hair blonde.

00:22:32Yeah.

00:22:32And how do you know each other?

00:22:34We met online because we wanted to meet you guys, so we knew it was your 10th year anniversary,

00:22:40so we wanted to be here to celebrate.

00:22:42Wow.

00:22:43Yeah.

00:22:44That's incredible.

00:22:45That's great, right?

00:22:46Yeah.

00:22:46It was my idea.

00:22:47Do you think you would ever want to be an actress?

00:22:49No, no, no.

00:22:49You're very pretty.

00:22:52I was going to say, yeah.

00:23:01You're having a good time?

00:23:03Lovely.

00:23:04And that's my husband.

00:23:06Husband in...

00:23:07Real life.

00:23:08Life.

00:23:10Not everything's a movie, actually.

00:23:13I was talking to your wife.

00:23:16There's the pretend one and the real one.

00:23:18How would you do that?

00:23:20Because you're an actor.

00:23:21You play a character that gets married, but you can have two wives.

00:23:24You can have as many wives as they write you.

00:23:26She's like your real wife.

00:23:29Wow.

00:23:31You've really...

00:23:32Oh, you understand.

00:24:04Oh, hey.

00:24:06Hi.

00:24:07Sorry.

00:24:09Sorry.

00:24:10Yeah, I was just in there.

00:24:11Yeah, you're all wet.

00:24:12You're sticky.

00:24:13Yeah, I just took a shower.

00:24:15Um...

00:24:16Oh.

00:24:16Oh, yeah.

00:24:18Sorry.

00:24:18Yeah.

00:24:19There's a...

00:24:20drip.

00:24:22Well, this is...

00:24:24This is...

00:24:24You look good.

00:24:26You look great.

00:24:27You like...

00:24:27Yeah.

00:24:28It's...

00:24:29This is crazy being back here.

00:24:31It's...

00:24:31I mean, it's...

00:24:33It's...

00:24:33It's a lot.

00:24:34I feel like Mike again.

00:24:36It's pretty...

00:24:37Pretty wild.

00:24:38I mean, I think it's all just kind of coming back.

00:24:40It's like sort of fucking coming back.

00:24:42You know what I mean?

00:24:43For me, the word's fucking.

00:24:45Like when I say fuck, fucking, fucking, that's what always gets me right in the accent.

00:24:50Yeah, I don't know if I can get out of the character now.

00:24:51It's like kind of stuck in them.

00:24:53It's fucking crazy.

00:24:55Like for me, I...

00:24:56Okay, so I was walking across the lawn and then suddenly I saw...

00:24:59Do you know there's bunnies out there?

00:25:01Mm-hmm.

00:25:02And you know that the first time that I really think that I found Michelle, I was like,

00:25:05this bunny, it feels like soft.

00:25:08And for me, when I start to feel soft, when I see something soft, it just gets longer and more

00:25:14available.

00:25:16There it is.

00:25:17There it is.

00:25:18Louisville, that's right.

00:25:18Yeah, that's right.

00:25:19Yeah, that's right.

00:25:20It's weird that it just hides somewhere inside of you waiting for it to be recognized.

00:25:27Uh, what if Mike and Michelle get reacquainted when Mike is in a bar on his own doing shots, morose,

00:25:37ruminating, miserable?

00:25:39Uh, he looks over and sees that this nice song is coming from this wonderful creature that is Michelle.

00:25:46Oh.

00:25:47Oh, hey.

00:25:48Oh.

00:25:49You getting inspired?

00:25:51A little thing occurred to me.

00:25:53A little free-flip.

00:25:54I'm trying to say that anymore.

00:25:57How are you?

00:25:58Good, how are you?

00:25:59I'm good.

00:26:00You sleep?

00:26:01Yeah, sort of.

00:26:03I don't know what, um, yeah.

00:26:06Well, maybe we can do a little brainstorming later.

00:26:09I've got some ideas, too.

00:26:10Hmm.

00:26:12I don't know, yeah.

00:26:13I might, I might make a move later.

00:26:14I might make a move home.

00:26:17I'm so happy you're here.

00:26:19Yeah, I am as well.

00:26:21In a different world, I would love to stay, but, uh...

00:26:24What about in this world, that you just stay a little longer?

00:26:26Hmm.

00:26:26We have a cup of tea.

00:26:27We have a little chat.

00:26:29I have some ideas, too.

00:26:30We see where it goes.

00:26:31And then make your decision after that.

00:26:33How about that?

00:26:35Well, once all the trains have stopped.

00:26:36Yeah.

00:26:37Uh.

00:26:38Ah.

00:26:40I wasn't born yesterday, you know.

00:26:48Wait, so you're writing?

00:26:50Yeah.

00:26:51Oh, hang on, come here.

00:26:54What is it that you're trying to write?

00:26:57The sequel.

00:26:59This sequel?

00:27:01Yeah, this sequel.

00:27:02But Nigel's writing this sequel.

00:27:04I don't think so.

00:27:06That's what he's here for, Jackson.

00:27:08What do you mean, I don't think so?

00:27:09He hasn't done a drop of work.

00:27:11Yes, he has.

00:27:11I just spoke to him this morning.

00:27:12He's got an idea.

00:27:13He's got ideas.

00:27:14Well, I have ideas.

00:27:15I was out there in nature today, and I have so many ideas.

00:27:30You're not a writer.

00:27:31You're an actor.

00:27:33I have a ton of ideas.

00:27:34What are your ideas?

00:27:35Well, uh, I mean, I don't have my notes, but, uh, okay, for example, it's, it's, it's,

00:27:40it's ten or nine years later.

00:27:41Um, and, uh, so, Mike and, um, uh, uh, Michelle.

00:27:48Michelle.

00:27:49Mike and Michelle.

00:27:49Well, they, uh.

00:27:51Uh.

00:28:04Uh.

00:28:05Uh.

00:28:07Uh.

00:28:08Uh.

00:28:20Uh.

00:28:21Uh.

00:28:23Uh.

00:28:30Uh.

00:28:35Uh.

00:28:36Mm-hmm.

00:28:37Mm-hmm.

00:28:38Mm-hmm.

00:28:39Mm-hmm.

00:28:41Mm-hmm.

00:28:42Mm-hmm.

00:28:45Mm-hmm.

00:28:46What are you doing?

00:28:49I am writing.

00:28:50Yeah.

00:28:51What are you writing?

00:28:55Working on ideas for the sequel.

00:28:58Really?

00:28:58Mm-hmm.

00:28:59Nice.

00:29:00Yeah.

00:29:01I think you shine when you're on screen, but I think your ideas are

00:29:06very welcome, of course, but Nigel is the writer.

00:29:08You and Nigel have, like, a nice little connection,

00:29:11but I, uh, I don't think he's that good of a writer.

00:29:14What?

00:29:15I don't think he's that good of a writer.

00:29:16The movie was a success.

00:29:18And you think that's because of that script?

00:29:21I'm trying to figure out with Mike and Michelle really

00:29:25what's happened.

00:29:26I'm just really trying to piece together what's happened

00:29:29between where we left them and where we meet them now.

00:29:31True.

00:29:32And sort of what's going to happen now.

00:29:37We brought that to life.

00:29:38We gave that everything that it had as, like, the soul of the film,

00:29:41understanding these characters.

00:29:42We created it.

00:29:44Like, for example, when we shot the scene where Michelle comes in

00:29:46out from the rain, which is a little cliche in my opinion,

00:29:48she's like, I'm wet, and Mike goes, oh, yeah?

00:29:50You be Michelle, I'll be Mike, and let's, like, do that scene.

00:29:53Door opens, Michelle comes in, she's dripping wet, and Mike goes,

00:29:57hey, no cliche.

00:29:59Yeah, she says, I'm wet.

00:30:00And Mike goes, oh, yeah?

00:30:02Is it raining?

00:30:04Yeah.

00:30:05How much?

00:30:06Enough to make me wet.

00:30:09That was, those were his words.

00:30:11It's beautiful.

00:30:11It was great.

00:30:12That's not, we had to work with him.

00:30:14People loved it.

00:30:14Yeah, and you worked it beautifully, because that's what you do.

00:30:16You make magic out of words.

00:30:18I appreciate that.

00:30:18You make the magic.

00:30:20I just seem to become very, very stupid when I'm around Jackson.

00:30:29Not Mike.

00:30:31It's a very strong feeling, and I don't think it's right.

00:30:36Not really that dumb.

00:30:39I see it in you, too, right now.

00:30:43Something's making us stupid.

00:30:46I don't know what you mean.

00:30:47It's raining.

00:30:53You don't have curly hair, right?

00:30:56Me?

00:30:56Yeah.

00:30:57No.

00:31:00I like green.

00:31:09What are you doing under a tree with him?

00:31:11What the fuck are you doing?

00:31:12What the fuck am I doing?

00:31:13I was having a moment with him.

00:31:14What the fuck?

00:31:14What moments are you meant to be having with him?

00:31:16Get in there. What are you doing?

00:31:17See, I come out here, and I see you, yeah?

00:31:20Cozy, cozy, trying to catch up with him all year,

00:31:23under a lovely tree, and I know what you're doing.

00:31:26I'm sorry, but just... I was 16, and I was watching this film,

00:31:29and I knew we had a connection.

00:31:30He was looking at me through the screen,

00:31:32and I was looking at him, and something just happened.

00:31:35Oh.

00:31:36And he didn't know he was in love with me,

00:31:38but now he's finding out.

00:31:41So, I'm sorry, but if right now...

00:31:44You've come here just to ruin this moment for me.

00:31:48I'm going to come for you.

00:31:50Are we clear?

00:31:52Because you're my friend, and I love you,

00:31:54and you're a great person, okay?

00:31:57Okay, it's kind of mixed signals there.

00:31:59I'm not going to lie, it's a bit.

00:32:00But, yeah.

00:32:02How can you love somebody if you haven't been with them?

00:32:06Who?

00:32:07Fine, Mike and Michelle.

00:32:08Yeah.

00:32:08And Nigel.

00:32:10Yeah.

00:32:10And Andrea.

00:32:11Yeah.

00:32:15If we don't get intimate...

00:32:17Yeah.

00:32:18...we're children.

00:32:19We're, like, struck by love,

00:32:23like, hopeful and unaware,

00:32:25and, like, we don't actually know each other.

00:32:31We are crazy and obsessed

00:32:36obsessed over people that we have not been with.

00:32:40Mm-hmm.

00:32:41So what are we obsessed with?

00:32:44The dream of them?

00:32:48Mm-hmm.

00:32:48And I think there maybe is a door

00:32:50between our dreams

00:32:54and actually love,

00:32:57which has to involve another person.

00:33:01And right now,

00:33:02I'm not sure if it does involve those other people

00:33:04as much as we think it does.

00:33:11I see you.

00:33:13Yeah, what do you see?

00:33:15You.

00:33:18You think you got it all figured out?

00:33:21You think you know exactly what you're doing,

00:33:23but you have no idea.

00:33:25Just like the rest of us.

00:33:28And I love you.

00:33:31But I don't know if I can keep going.

00:33:38You talking to me?

00:33:39See, that's so good.

00:33:41Was that...

00:33:42your character?

00:33:44Was that...

00:33:44That was Mike.

00:33:46You heard the accent, right?

00:33:48Yeah.

00:33:49Yeah, that was...

00:33:50that was really good.

00:33:51That felt real, right?

00:33:53Yeah.

00:33:58Ah!

00:34:06Hiya.

00:34:06Hey, yeah, yeah, good.

00:34:09I'm gonna go get some tea.

00:34:10All right, yeah.

00:34:12I'll see you in a bit.

00:34:12Yeah.

00:34:13Would you mind?

00:34:14Oh, yeah, yeah, no, it's fine.

00:34:15Just relationship stuff, you know?

00:34:17Oh, yeah.

00:34:18Yeah.

00:34:18Yeah, and it's one...

00:34:19Also, I was working on the sequel

00:34:20and trying to...

00:34:22get in the creative flow.

00:34:24Yeah.

00:34:24You are gonna like this.

00:34:27I've worked it up for you, Locke.

00:34:28If you come here, Locke,

00:34:29I've got this map

00:34:30that I've got for here.

00:34:32So now,

00:34:32you can see it.

00:34:34This...

00:34:35This...

00:34:35is where you found your headspace

00:34:38in Kisses.

00:34:39So I just thought,

00:34:40here, yeah,

00:34:41Mike went there

00:34:43to get his headspace.

00:34:44So,

00:34:45why doesn't Jackson

00:34:46go up there

00:34:47to get his fucking headspace?

00:34:49That's good.

00:34:50I love the idea.

00:34:51Well, I love you.

00:34:58Uh...

00:34:58Well, I'm gonna tell everybody.

00:35:00There you go.

00:35:01You get me.

00:35:03Yeah.

00:35:03You get me.

00:35:06Going to the mountain, Bobby.

00:35:07Hey.

00:35:08That's it.

00:35:09Hey, man.

00:35:10Hey.

00:35:10You all right?

00:35:11Hey.

00:35:11To the mountains.

00:35:12Like for a walk?

00:35:13Yeah.

00:35:14For a walk to, like,

00:35:15get the juices flowing,

00:35:16clear our heads a bit,

00:35:17be in the mountains.

00:35:19Mike,

00:35:20Michelle,

00:35:21Meadow,

00:35:21we're gonna bring it all right back.

00:35:23We're going to the fucking mountain.

00:35:24Who's playing Meadow?

00:35:25Going to the fucking mountain?

00:35:27Going to the fucking mountain.

00:35:28That's right.

00:35:28Well, I suppose...

00:35:30You suppose?

00:35:30We gotta get all the way up there.

00:35:33You should go.

00:35:33Depo.

00:35:34Come on.

00:35:34Let's get our coats.

00:35:36I won't come,

00:35:36but you should definitely go.

00:35:38What do you mean you won't come?

00:35:39You know what?

00:35:40Come.

00:35:41Don't come.

00:35:42Maybe you want to hike.

00:35:44Maybe you don't.

00:35:45Jess.

00:35:47Jess.

00:35:48Okay.

00:35:50Yes, I don't massively

00:35:51want to come up the mountain.

00:35:53No, no, no, no.

00:35:53Nigel.

00:35:55You can't stay here.

00:35:57We need you up there.

00:35:59What do you mean?

00:36:01We have a chance here

00:36:03to recapture that lightning

00:36:04in a bottle that we had

00:36:06on the first film.

00:36:07And I can almost see it.

00:36:09I think getting up there

00:36:10at the mountain is the answer.

00:36:11You wrote it.

00:36:12You wrote it in the first film.

00:36:14Mike has to climb the mountain

00:36:16to find the answer.

00:36:17Yes.

00:36:18So now,

00:36:19it's time to live it.

00:36:28It's going to be fun, you guys.

00:36:30What is that?

00:36:30It's the map.

00:36:41I think this is it, guys.

00:36:43Look at that.

00:36:45Where are you going?

00:36:46Up to the spot.

00:36:48Well, I don't think

00:36:49we should go there, honey.

00:36:50We have to go to the same spot

00:36:51that we were before.

00:36:53But why there when

00:36:54this is completely empty?

00:36:56We're trying to capture

00:36:57the lightning in the bottle.

00:36:59We need the exact same spot.

00:37:01Guys, if we're going to do it,

00:37:02let's do it.

00:37:03It's like up over this ridge.

00:37:05I don't know exactly,

00:37:07but I know the feeling of it,

00:37:09you know?

00:37:10Just be logical for a second.

00:37:12Are you seriously

00:37:13not coming up here?

00:37:14No, because there's

00:37:15a flat bit there.

00:37:17Just there.

00:37:19But it's not the same.

00:37:20Right there, it's flat.

00:37:22Literally flat,

00:37:23right in front of us.

00:37:23But it's not the same.

00:37:25It looks like that.

00:37:26It's all overgrown, honey.

00:37:28It's much easier down here.

00:37:31Over here somewhere,

00:37:32like I don't know why

00:37:32we don't just actually do it,

00:37:34you know?

00:37:35Do you want to go up there?

00:37:36Up there?

00:37:37Or there?

00:37:39Well, I...

00:37:41Great idea, Nigel.

00:37:42We're coming.

00:37:44You're right.

00:37:45Thanks.

00:37:50Flat.

00:37:50That's perfect.

00:37:51Yeah, it's just easiest.

00:37:53Yeah.

00:37:54This is great.

00:37:55You're such a spoiled

00:37:55bastard, man.

00:37:56Yeah.

00:37:56We were so close to

00:37:57like the actual...

00:37:58I mean, this is fine,

00:37:59it's nice, but like

00:37:59we were so close

00:38:00to the actual spot.

00:38:01That's where we did

00:38:01the scene.

00:38:02Up just above

00:38:03that little ridge.

00:38:04So up a massive hill.

00:38:05You literally wrote

00:38:06up a massive hill.

00:38:07Jackson, we all

00:38:08wanted to be here.

00:38:09That was way too high up.

00:38:10It's all been overgrown.

00:38:11This is nice and flat.

00:38:11Let's just let it be.

00:38:12You didn't know

00:38:12where it was also,

00:38:13to be fair.

00:38:18I think there's

00:38:19an instruction booklet

00:38:20in there if you need it.

00:38:22Uh, okay.

00:38:23That should be all right.

00:38:24I just know

00:38:24that it was

00:38:25when we did it,

00:38:26it was so close

00:38:27to the forest.

00:38:29Yeah, it was.

00:38:29It was up there,

00:38:30for sure.

00:38:30I think everything's

00:38:31just overgrown

00:38:32a little bit.

00:38:32Because we disappeared

00:38:33into the darkness.

00:38:34That scene was so beautiful.

00:38:37I can help you

00:38:38if you need it.

00:38:39I got it.

00:38:40I'll give you a hand.

00:38:40Once I've done this one,

00:38:41I'll come and...

00:38:42I got it.

00:38:43It's fine.

00:38:43Do yours if you want,

00:38:45but I've just got to

00:38:46do mine first.

00:38:47How did I get this part?

00:38:50What do you mean?

00:38:51You were...

00:38:52Why did you choose me for it?

00:38:54You are Michelle.

00:38:57You embody her.

00:38:59You brought her to life.

00:39:02You made it clear

00:39:04that you were

00:39:05the only choice.

00:39:07Nobody else passed on it.

00:39:10Yeah.

00:39:11Yeah.

00:39:12They did.

00:39:13But that doesn't matter.

00:39:15You were the one.

00:39:17You were Michelle.

00:39:19I mean, if it was a competition,

00:39:20like, I'd be winning,

00:39:21but it's not,

00:39:21so it's all good.

00:39:22Why would you be winning?

00:39:24Because I'm further along.

00:39:30Why are your tent in two parts?

00:39:31What?

00:39:33Your tent.

00:39:34Like, look,

00:39:34you see how this is looking over here?

00:39:36Yeah, but where's your silver bit?

00:39:37Silver bits,

00:39:38you keep it tidy.

00:39:39That's the rain fly.

00:39:40Like that.

00:39:41I guess I just,

00:39:42I really had major imposter syndrome

00:39:45back then.

00:39:47I'm still working on it.

00:39:48That's good.

00:39:49Well, listen,

00:39:49you should be proud

00:39:50of your work.

00:39:52Nigel, do you need help?

00:39:53Huh?

00:39:54Do you need help?

00:39:55No, thanks.

00:39:56Is it supposed to be

00:39:57a circle tent?

00:39:58No.

00:39:58Do you need help?

00:39:59Are there instructions?

00:40:01No, I don't need them.

00:40:02Of course.

00:40:03There are men.

00:40:04They don't look at instructions.

00:40:05I would think that Nigel

00:40:06would look at the instructions.

00:40:08I think it's good

00:40:09if you do the pole early,

00:40:10because then you can just

00:40:11pop that in the middle,

00:40:11you know?

00:40:12For the vulnerability you gave

00:40:15and...

00:40:16Because I think

00:40:17instead of having to

00:40:18talk about it

00:40:19or say things like

00:40:20I'm proud in some sort

00:40:21of a repetitive way

00:40:22where sometimes

00:40:23I get stuck on the words,

00:40:24I need to just absorb

00:40:26it with you.

00:40:28It feels very nice.

00:40:30I'm so led.

00:40:31Do you need help, Jackson?

00:40:32No, no, no.

00:40:33You guys just keep

00:40:35chilling.

00:40:36You can agree that,

00:40:37like, for example,

00:40:39America makes better tents,

00:40:41better cinema.

00:40:42I'll give you this.

00:40:43Americans make good cinema.

00:40:45What about the 90s?

00:40:46Oh, Seven.

00:40:48Seven's great.

00:40:49Seven's great.

00:40:50It is great, isn't it?

00:40:52Yeah.

00:40:53Goodfellas, 1990.

00:40:54Yeah.

00:40:57Pulp Fiction.

00:40:59Wow.

00:41:01Ghostbusters.

00:41:02You like it?

00:41:02Yeah, it's incredible.

00:41:03Yeah.

00:41:04Who plays the woman

00:41:06in the tower?

00:41:07When they go to the tower,

00:41:08that's...

00:41:08Sigourney Weaver.

00:41:09Sigourney Weaver, yeah.

00:41:10She's incredible in this.

00:41:11Yeah, no, she's amazing.

00:41:12Yeah.

00:41:13But, um,

00:41:14I mean, she's one of the best.

00:41:15Yeah, I mean,

00:41:15for me, I think when I saw

00:41:16that movie, too,

00:41:17it was like,

00:41:18it felt dated,

00:41:19in a way,

00:41:20because by the time,

00:41:20like, I was watching...

00:41:21Don't worry.

00:41:22Yeah.

00:41:22And I guess it was.

00:41:23Effects in 25 years

00:41:24will always look dated.

00:41:25Yeah.

00:41:25Is the story there?

00:41:26Yeah.

00:41:27Is it the story

00:41:28that will hold up?

00:41:29No, it's cool.

00:41:30Yeah.

00:41:30I don't think you put this

00:41:31in the middle first.

00:41:32You know,

00:41:33it probably takes two

00:41:34for each tent,

00:41:35so it would be great,

00:41:35and there's...

00:41:36It'll be a great starter.

00:41:38I mean, I was like

00:41:39eight or nine

00:41:39when that came out,

00:41:40and it's still...

00:41:40Oh, wow.

00:41:41I'm jealous.

00:41:42It's amazing.

00:41:42Well, Raiders,

00:41:43I was like eight or nine.

00:41:44Guys?

00:41:45Obviously,

00:41:46when I come do this

00:41:49as a little teamwork,

00:41:50a little team exercise.

00:41:51Yeah, hang on.

00:41:51Hang on.

00:41:52I think this is not a test,

00:41:52and I blame you for it,

00:41:54but I think American people

00:41:56don't know that many British films.

00:41:57You know what I'm saying?

00:41:59Yeah.

00:41:59Oh, excuse me.

00:42:00You all right, Shug?

00:42:02Yeah, that'd be great.

00:42:03Hi.

00:42:04Thanks.

00:42:04Wow.

00:42:07I think we should look

00:42:08at the instructions.

00:42:09What do you think?

00:42:10Let's see what that looks like.

00:42:12If I hold it in place,

00:42:13then you think I'll hammer it.

00:42:16Wait.

00:42:18Is that...

00:42:19Is that a line?

00:42:21Give a man a fish,

00:42:22he'll eat for a day.

00:42:23Teach a man to fish.

00:42:24Oh, stop it.

00:42:26And I'm giving you something.

00:42:27I don't need to fish more than this.

00:42:28I go to the market.

00:42:28The beautiful thing of that scene

00:42:30was your improv.

00:42:31The lines that you created,

00:42:32that you wrote.

00:42:47Hey.

00:42:48Hey.

00:42:48Come in.

00:42:49Yeah, come in.

00:42:50Come on.

00:42:51Come on.

00:42:52Fuck, it's...

00:42:55working and stuff.

00:42:56What's that?

00:42:58No, it's just so stupid.

00:42:59It's absolutely stupid.

00:43:00It's the...

00:43:01Do you remember that part

00:43:02where it was something like

00:43:06someday we'll have a night

00:43:08where these mornings don't come?

00:43:10Something like that.

00:43:11No.

00:43:12One day we'll have a night

00:43:14without a morning.

00:43:15One day we'll have a night

00:43:16without a morning.

00:43:16Yeah, yeah, yeah.

00:43:18And it was...

00:43:19And in one version...

00:43:21Mm-hmm.

00:43:21Because it repeated,

00:43:23it meant without a morning

00:43:24where we have to leave.

00:43:25Yes.

00:43:26And then another one

00:43:27was about mortality.

00:43:29Yes.

00:43:30He's trying to take...

00:43:32credit for coming up with that.

00:43:34Is he?

00:43:39It really bothers me.

00:43:41Why?

00:43:44I'm made to want things.

00:43:46It's my talent.

00:43:47I'm a...

00:43:48I can want.

00:43:51And there's something about him

00:43:53that's...

00:43:53Hmm.

00:43:54So goddamn magnetic

00:43:56and charming

00:43:59and just right there

00:44:01for the taking.

00:44:05And yet...

00:44:07the thoughts in his head...

00:44:09Jess, stop.

00:44:10I don't want.

00:44:10I get that you fancy Jackson.

00:44:13Of course I get that.

00:44:14He's an attractive,

00:44:16charismatic,

00:44:17famous man.

00:44:19This, all this,

00:44:20is too much.

00:44:21This is doing you harm.

00:44:23Ah!

00:44:27So fucking annoying.

00:44:32It's scraping up here again.

00:44:35Yeah.

00:44:39It brings back

00:44:41all the memories,

00:44:42doesn't it?

00:44:45Mm-hmm.

00:44:48My God,

00:44:48you were so sexy directing.

00:44:51Holy shit.

00:44:54I loved the way

00:44:56you looked at me.

00:44:58There was no other way.

00:45:02It was inevitable.

00:45:06Your beautiful eyes.

00:45:09Like a little puppy dog

00:45:10just taking it all in.

00:45:13I didn't know

00:45:14what to do with myself.

00:45:16Yeah.

00:45:18I mean,

00:45:18I knew what I wanted to do,

00:45:19but it was...

00:45:20I was trying...

00:45:22I was trying to keep it professional,

00:45:24but that did not fucking last.

00:45:27You did not do that.

00:45:27No, I didn't.

00:45:35You're such a good person.

00:45:44You're not gonna do that, man.

00:45:48That's stupid.

00:45:51That'll be stupid.

00:45:56I've loved you

00:45:57the best way I can.

00:46:03Yeah.

00:46:05I know.

00:46:45You are cordially

00:46:49invited to the tenth.

00:46:54The first sign.

00:46:56I think it's just...

00:46:58That's it.

00:46:59Right.

00:46:59Okay.

00:47:07I guess we need to

00:47:08suss out

00:47:10where Mike and Michelle are

00:47:11since we've left them.

00:47:13Yeah.

00:47:14Have they been

00:47:14sort of in each other's orbit?

00:47:17Do we want to hold that

00:47:18and suspend it,

00:47:19or do we want to give

00:47:21the audience that thing of

00:47:22oh, yeah, they're gonna fucking...

00:47:23We need the fire.

00:47:24Yeah, yeah.

00:47:24We need the fire

00:47:25because it's been pent up.

00:47:26We all know as audiences

00:47:27that it's been there

00:47:28this whole time

00:47:29and that they

00:47:30were meant to be together

00:47:31and they just

00:47:33didn't see it.

00:47:34Or the fact that they have

00:47:35two fish out of water.

00:47:36Yeah, exactly.

00:47:37It's very helpful for that

00:47:38because...

00:47:38It's as if

00:47:39they look at each other

00:47:40for the first time

00:47:41as these new

00:47:42evolved people

00:47:45may realize

00:47:46that it's...

00:47:47It's us, you know?

00:47:49It's...

00:47:50Us.

00:47:50It's always been us.

00:47:56Can I kiss you, please?

00:48:07I would love that.

00:48:08I just don't.

00:48:09My head's not...

00:48:12Oh, man.

00:48:14Yeah, I know.

00:48:15I know.

00:48:15I'm sorry that I asked.

00:48:16I'm sorry.

00:48:19We're married.

00:48:20I shouldn't have fucking asked.

00:48:21That was stupid.

00:48:22I'm sorry.

00:48:24Oh.

00:48:26Oh, no.

00:48:27Hi!

00:48:28It's a little weird.

00:48:31It's me!

00:48:32Oh, hey.

00:48:34Hi.

00:48:36Crazy, right?

00:48:37That's very crazy.

00:48:38Yeah.

00:48:39In a good way.

00:48:40Pretty fucking crazy.

00:48:42You have great eyes.

00:48:45Huh.

00:48:48You're welcome.

00:48:49You too.

00:48:51Oh.

00:48:55Let's do a scene.

00:48:56Um, what do you mean?

00:48:59Like, um, just your Mike and Michelle and we do a scene together.

00:49:03I don't know.

00:49:04It's, like, amazing, right?

00:49:06I don't know if it's amazing.

00:49:07I think it's a little weird.

00:49:09I think it's a great idea, right?

00:49:10You've got a whole thing going on right now that's pretty...

00:49:12No.

00:49:12I would love to kiss you, but I think it's the wrong thing to do.

00:49:16That was mad.

00:49:17That was insane.

00:49:18I mean, we're having a great connection right now, right?

00:49:21This is, this is, uh, this is getting really fucking weird.

00:49:24You know, you do realise, I haven't really wanted to kiss you for 10 years.

00:49:28You haven't?

00:49:28No, not at all.

00:49:29Well, now you're just giving me a backhanded compliment.

00:49:32Yeah, all right.

00:49:34I, I really, I love you.

00:49:36Okay.

00:49:53It's the best kiss ever.

00:50:08And drip.

00:50:26No, Andrea.

00:50:31Look, I mean, I get that it's complicated.

00:50:34It's not complicated.

00:50:35It's not complicated.

00:50:37So it's just, I understand that you need, like, if you,

00:50:40have the need to go talk to her right now.

00:50:42It's fine.

00:50:42I'll wait for you.

00:50:43I'm just, okay, just, please.

00:50:45Just, no, but seriously, it's just, it was great, right?

00:50:49No, it was fucking weird.

00:50:49It was, it was great.

00:50:50It was fucking weird.

00:50:51No, it was fucking weird.

00:50:52Weird in a, you know, like, passionate way, right?

00:50:56No, not, no, not at all.

00:50:57It's just.

00:50:58Not at all.

00:50:58I gotta, I gotta fucking, can you fuck off, please?

00:51:01Just fuck off.

00:51:03All right, that's enough.

00:51:03That's, like, you're fucking crazy.

00:51:07Fuck off.

00:51:25I think taking it down should be easier than putting it up was.

00:51:29Uh, yeah.

00:51:30I hope so.

00:51:33Yeah, all right.

00:51:34I'll shit my bag's still in there.

00:51:36Oh.

00:51:46I'm not gonna let this pitch fall to the wayside, are we?

00:51:49We're gonna really do something with it.

00:51:52But it's not like we're gonna do a pitch and then suddenly get paid.

00:51:54It's, um, it's still gonna be a long process, isn't it?

00:51:58You need to believe in the process.

00:52:00Okay.

00:52:00And I think it's all gonna be better.

00:52:01Okay.

00:52:02Because of all of this.

00:52:04Yeah.

00:52:05Do you?

00:52:05You're gonna be better because of it.

00:52:21Hello?

00:52:24Yeah, I like that.

00:52:25Party rings.

00:52:26Party rings.

00:52:27Jelly, jelly, jelly, jelly, jelly, jelly, jelly.

00:52:29They like that.

00:52:30Especially Jackson.

00:52:30He's like, eh, little boy.

00:52:55Hey.

00:52:56Hey.

00:52:57What?

00:52:59Yeah.

00:53:00Got the invitation.

00:53:01Got the invitation, yep.

00:53:03Because it didn't happen on the anniversary thing, I thought I'd do one for you.

00:53:07So, um, it's a little bit lower scale.

00:53:09Great.

00:53:14I'll have the same as what he's having.

00:53:16All right.

00:53:18He's getting in there, lovely.

00:53:21There'll be art.

00:53:22Shit.

00:53:22Go on.

00:53:26Hey.

00:53:26Hello.

00:53:27Hey.

00:53:28Oh, no.

00:53:29Come on.

00:53:29Okay.

00:53:30It must be the pub that's just right at the bottom of the hill.

00:53:34Yes.

00:53:36We get each other.

00:53:38Yeah.

00:53:39Close enough.

00:53:41You're an amazing person.

00:53:44This is the best time I've ever had.

00:53:49Can I give you a hug?

00:53:52Yeah.

00:54:02Oh.

00:54:04Not the best day.

00:54:06No, I'm not.

00:54:07I'm sorry.

00:54:09Nigel is an insecure motherfucker who is really a narcissist and can't really write that good.

00:54:14Yeah.

00:54:19We got left out of the bunkhouse.

00:54:21Just come to get the key.

00:54:23Oh, yeah.

00:54:23So I put a sign up for you to have come.

00:54:27Surprise.

00:54:27Yeah.

00:54:28I'm just not in the mood.

00:54:30Can I talk?

00:54:31Can I talk to you just a minute?

00:54:35Um.

00:54:37I don't know what you, like, think you saw.

00:54:39It wasn't my fault.

00:54:40Like, I wasn't going, I wasn't trying to fucking do anything.

00:54:44Like, you know, I was-

00:54:45Are you feeling serious?

00:54:46It wasn't your fault.

00:54:47You were kissing another woman.

00:54:48God, guys, you're fucking melodramatic.

00:54:50I'm not.

00:54:51I walked into you kissing another woman.

00:54:54Holy shit.

00:54:55Andrew, holy shit.

00:54:55I give you so much freedom and that is what you choose to do-

00:54:58You're being a fucking drama queen all the fucking time.

00:55:02I'm not.

00:55:02I'm stating the obvious.

00:55:03What would you do if you walked around the corner?

00:55:04You're always just creating drama all the time.

00:55:07I'm not.

00:55:07You don't feel like there's an apology?

00:55:09Fuck off.

00:55:09Fuck off?

00:55:10Fuck off.

00:55:10Yeah, yeah, yeah.

00:55:11Fuck off.

00:55:12Fuck off.

00:55:13Okay?

00:55:13I'm finally fucking free.

00:55:15That's how this is gonna end?

00:55:16You're finally fucking free?

00:55:23Alright?

00:55:23Yeah.

00:55:24Fuck off.

00:55:24Goodbye.

00:55:30I'll leave you too.

00:55:31I'll just, um-

00:55:36I'm happy to just, you know, let you in and you can have a little sleep or something.

00:55:43I'll get a future steamer.

00:55:46You sure?

00:55:48Of course.

00:55:56I'll get a future steamer.

00:55:56She was our director.

00:55:57She directed you to be with her.

00:55:59You did it.

00:56:00Very-

00:56:01So you think, you think that, that, that, that, that, that she, like, took advantage of

00:56:05that dynamic?

00:56:06I mean, she probably did take advantage of the dynamic, but you probably were begging for

00:56:10it, but you just weren't ready for it, and you just never could live up to it.

00:56:13And then you succumbed to it, and then you didn't become what you needed to be as a man, because

00:56:17you were always smaller.

00:56:18You were always less than.

00:56:19Yeah.

00:56:23I'm really sorry, mate.

00:56:24It's, um...

00:56:26I mean, it was fucking, if it wasn't awful, which it is, there is a world where it would

00:56:34almost be funny.

00:56:35It was so ridiculous.

00:56:36It was so fucking ridiculous.

00:56:38After my stupid, clumsy attempt to pitch you a little, uh, I was doing my own little pitch,

00:56:46you then quite rightly say no, and then three seconds later see what we're saying.

00:56:52Yeah, I'm sorry.

00:56:52I know it's not funny.

00:56:53I just don't know, I don't know if I'm more angry, uh, of, uh, Andrea's, all the things

00:57:00that she stopped me from really going after, or if I'm more fucking angry at myself for

00:57:06allowing myself to follow Andrea's, uh, plan that's not...

00:57:11You should definitely be mad at yourself.

00:57:12I mean, because you, like, signed up for it.

00:57:15But you were also...

00:57:16I swear when you signed up for it...

00:57:18I mean, but she was in charge.

00:57:19She was always in charge.

00:57:20I mean, frankly, too much for you.

00:57:22She was in charge.

00:57:22She was a woman.

00:57:23Had you known it and been okay with it, or...?

00:57:27Yeah.

00:57:29I had been, I think.

00:57:33There was something inside me that just knew...

00:57:38He was too young.

00:57:39Yeah.

00:57:40It's complicated because I've...

00:57:42Look, I've cheated.

00:57:43I've cheated, but...

00:57:44I've cheated, but we've also had, like, open...

00:57:46Like, an open thing in times...

00:57:48Everybody knows that.

00:57:49I know, like, three people that she slept with.

00:57:53That she slept with?

00:57:54Yeah, she's...

00:57:55You guys talk about having an open relationship, right?

00:57:59Yeah, but...

00:58:00Yeah.

00:58:01Huh.

00:58:02Oh, Nigel, there's so many things leading up to that.

00:58:04I think...

00:58:06I think that...

00:58:09We've both known for a while now that this is...

00:58:13Coming to an end.

00:58:15Really?

00:58:16Yes.

00:58:17That bad?

00:58:18Yes.

00:58:19Uh-huh.

00:58:19I think it's been on...

00:58:22A downward slope.

00:58:24And I think last night we had a beautiful moment.

00:58:26And it seemed like...

00:58:29Like a new, a new beginning.

00:58:30A new, like, like, figuring things out.

00:58:32So seeing it today was just extra...

00:58:35Mm.

00:58:37Um...

00:58:38It's not something that I see.

00:58:41And visually...

00:58:41Watching it happen in front of me, the...

00:58:44Everything just...

00:58:46Exploded.

00:58:47Boom.

00:58:47Trouble.

00:58:48Again.

00:58:49I wake up and she's fucking off with Nigel.

00:58:51And somehow I'm the guy to blame?

00:58:53I'm the fucking bad guy right now?

00:58:55It's time for me to just...

00:58:57Accept what I've known for a long time.

00:58:59I'm sorry.

00:59:00I'm so sorry for you.

00:59:03You must be very hurt.

00:59:05I'm sorry.

00:59:07I'm just glad you're here.

00:59:09Are you?

00:59:17You know I really wanted to kiss you up there.

00:59:21Did you?

00:59:25Okay.

00:59:26I wasted 10 years of my goddamn life.

00:59:30But why would you waste your time?

00:59:31You had every opportunity in the world at your disposals

00:59:34and you didn't...

00:59:34You didn't...

00:59:35You didn't make any moves.

00:59:37You know?

00:59:38What do you mean?

00:59:38You didn't make a single fucking move

00:59:41with everything that happened afterward.

00:59:43I was too...

00:59:45Prissy or something to just take control of my own situation.

00:59:49I was just watching opportunities fly by, you know?

00:59:51But why were you...

00:59:52Why are you watching them fly by

00:59:53and not taking them and grabbing them?

00:59:55I don't know why.

00:59:56There's sometimes...

00:59:56There's just a part of you that like doesn't...

00:59:59Just go.

01:00:00I don't know.

01:00:08Jesus.

01:00:10You are so super pretty.

01:00:15So are you.

01:00:21It could be unlocked.

01:00:23It's like in the middle of nowhere.

01:00:24People leave shit unlocked all the time.

01:00:28Oh, fuck.

01:00:29People in the country never watch their shit.

01:00:32Jesus.

01:00:33This is just...

01:00:36cute.

01:00:46Okay, hang on, hang on, hang on.

01:00:48What?

01:00:48Wait, no, no, no.

01:00:49Look where we are.

01:00:51Can we just...

01:00:52We're in a fucking sitting room.

01:00:54Okay, okay, okay.

01:00:55In the middle of the area.

01:00:57I don't know who the fuck's gonna come in.

01:01:02You stay that side of the wall,

01:01:03and if someone comes in,

01:01:05we'll just have a glass of wine.

01:01:14Wait.

01:01:44I'm going to have a couple of threes.

01:01:47I can't wait.

01:01:48I don't know who can do it.

01:01:49That was a chega.

01:01:49I can't wait.

01:01:50I have a plush.

01:01:51they're not really there

01:01:53like he sees them

01:01:55but they each represents like

01:01:57a part of his consciousness

01:01:58that only he can see

01:02:00and then when Michelle meets him again

01:02:02she's so desperate to be with him

01:02:03that she indulges him

01:02:06in his delusions

01:02:08even though she cannot see them

01:02:10that could work

01:02:11correct it

01:02:14Mike is completely alone

01:02:16lost everyone

01:02:17and he's crazy

01:02:20that shit

01:02:25turns out writing's fucking hard

01:02:30I bring it to life on the screen

01:02:36I'm Jackson Roberts

01:02:39and I'm an actor

01:02:47right

01:02:49right

01:02:54so

01:02:55act one

01:02:59arriving at the farm

01:03:01and the fallout of

01:03:04revelations

01:03:05act two

01:03:06going up the mountain

01:03:10and

01:03:11are coming together

01:03:12act three

01:03:15seeing the light

01:03:17clearly

01:03:20resolved by

01:03:21literally walking down

01:03:23the hill

01:03:23as the sun

01:03:25come up

01:03:26yeah

01:03:26I like that

01:03:30morning

01:03:31hey

01:03:32hey

01:03:34you alright

01:03:38good

01:03:38I'm gonna come down

01:03:39one sec

01:03:41yeah

01:03:42I just wanted to say

01:03:43I've been working on the pitch

01:03:44idea

01:03:45and I think we've got it into a pretty good shape

01:03:48so

01:03:48if we are gonna do that later

01:03:50I'd like us to be

01:03:51cool

01:03:52yeah

01:03:53good

01:03:53yeah

01:03:55yeah

01:03:55yeah I know

01:03:55we're good

01:03:56okay

01:03:58appreciate it

01:03:59good

01:03:59cool

01:04:00I'm actually quite excited about this

01:04:01yeah

01:04:02yeah I think so

01:04:02yeah it's not bad

01:04:03it's exciting

01:04:04yeah

01:04:05I'm very excited

01:04:09I want everyone's input

01:04:11because I'm gonna need

01:04:12obviously you and Jess

01:04:13to be out there

01:04:15doing the dance

01:04:15oh yeah

01:04:16yeah

01:04:16I mean I want to hear it as well

01:04:18yeah I've

01:04:18I've

01:04:19I've come to a realization

01:04:21that I'm

01:04:21a much better actor

01:04:23so

01:04:25then

01:04:25writer

01:04:26that's probably true

01:04:27yeah

01:04:28okay

01:04:29so

01:04:30you know it reminds me of this

01:04:31uh

01:04:32this great John Lennon quote

01:04:35we're not all writers

01:04:50well no you are

01:04:50you are the front man

01:04:51that's why

01:04:53I really need you to

01:04:54sort of be on board

01:04:55and fucking doing your thing

01:04:56today

01:04:56doing the dance

01:04:57bringing the show

01:05:00appreciate that

01:05:00you're welcome

01:05:01it's true

01:05:02it's true

01:05:02oh

01:05:03hello

01:05:04whoa

01:05:04hello

01:05:05hello boys

01:05:06what are you the doing

01:05:07just getting some wood

01:05:09for I don't know

01:05:09maybe a fire

01:05:10okay

01:05:10it's cold

01:05:11it is cold

01:05:13hi

01:05:13hey

01:05:14morning

01:05:15you alright

01:05:16yeah

01:05:17you

01:05:18very good

01:05:19I was just explaining

01:05:19to the folks

01:05:20that I've got a pretty

01:05:21good sort of um

01:05:22pre-pitch

01:05:23oh really

01:05:24yeah

01:05:25if you'd like to

01:05:26go through it

01:05:27mm-hmm

01:05:28yeah

01:05:28we sort of lead it

01:05:30yeah

01:05:30Andrea

01:05:32um

01:05:32and we hand over

01:05:34to the pretty people

01:05:35who can actually

01:05:36do it

01:05:36I think that's going to be

01:05:37the sort of thing that

01:05:38clinching it

01:05:39not just talking about it

01:05:40but actually seeing

01:05:40yeah

01:05:41I love it

01:05:41a bit more of that magic

01:05:42I love it

01:05:43love that

01:05:44yeah

01:05:44I uh

01:05:45I just

01:05:45can I have a minute with you

01:05:47and we'll get back to this

01:05:48of course

01:05:48yeah

01:05:49yeah

01:05:50yeah of course

01:05:50yeah

01:05:50okay

01:05:51cheers

01:06:07um

01:06:08look

01:06:11I want

01:06:13to apologize

01:06:17if you were in my situation

01:06:20you would have told you to fuck off

01:06:22I literally

01:06:23that woman jumped at me

01:06:24leaped on top of me

01:06:25I'm not gonna be physical

01:06:27like what am I supposed to do

01:06:29this is

01:06:30this is your apology

01:06:31you stormed right off

01:06:33and ran down

01:06:33I'm just kidding

01:06:34what's the problem

01:06:35are you not attracted to me anymore

01:06:37it's not about attraction

01:06:38Jackson

01:06:38I mean you're

01:06:40you're gorgeous

01:06:42like your eyes

01:06:43that smile

01:06:44that

01:06:46that you're

01:06:47out of

01:06:47I mean when we're walking down the street

01:06:49people don't go

01:06:49oh look at that old lady

01:06:50and that guy

01:06:51like they don't fucking think that for a second

01:06:52they're like

01:06:55why would you say that

01:06:57because I thought maybe you were worried about that

01:06:58I was

01:06:59I'm

01:06:59I am now

01:07:01you know this is just like

01:07:02and don't delete the kisses

01:07:04right before they make up

01:07:05remember that scene

01:07:07oh my god

01:07:08saying all the shit

01:07:09they don't mean to each other

01:07:10I hate you

01:07:11I hate you

01:07:13this isn't a scene

01:07:14Jackson

01:07:15no I know but

01:07:16you can't

01:07:17you can't write

01:07:18life

01:07:18because you don't listen

01:07:20I'm listening

01:07:21I'm listening to every word you're saying

01:07:23and it is bullshit

01:07:25this is like

01:07:25based on nothing

01:07:26you're not

01:07:27you don't listen to me

01:07:28you don't trust me

01:07:28you know what

01:07:29I'm done

01:07:31you're done

01:07:31mm-hmm

01:07:32oh wow

01:07:36fine

01:07:38fine

01:07:39you're not even gonna fight for me

01:07:41nope

01:07:43well

01:07:44hey

01:07:47come here

01:07:55oh wow

01:08:03okay

01:08:05okay

01:08:06okay

01:08:28there's no set here at all

01:08:30I've spoken with three people and told them the same thing

01:08:32all there is

01:08:33all there is is a hole in the floor

01:08:33what's the hole in the floor about

01:08:37yeah

01:08:38well can you put me through to the person I need to speak to please

01:08:44oh yeah

01:08:45that's it

01:08:46hello

01:08:46sorry two seconds

01:08:47sorry two seconds can you hold

01:08:48um there's nothing here

01:08:49so we start in two weeks

01:08:51so you need to start getting the sound and everything

01:08:55what are you doing there

01:08:57we're

01:08:57we're just here to see Jerry

01:08:59can you just

01:08:59Jerry's not here

01:09:00he's casting all the words

01:09:01no no

01:09:02Ronnie

01:09:03you told us

01:09:04four days ago

01:09:04when you fucked everything up

01:09:06that he was gonna be here

01:09:07so you better become a fucking genie

01:09:09and produce him for us

01:09:10right now

01:09:11or I will hurt you

01:09:25oh

01:09:26oh

01:09:27oh

01:09:28oh

01:09:29hi

01:09:29oh

01:09:31hello

01:09:32you're on mute

01:09:33Jerry

01:09:33it's Ronnie Riskin

01:09:35oh

01:09:36you're on mute

01:09:37sir

01:09:39hello

01:09:40there

01:09:41there can you hear me

01:09:42loud and clear sir

01:09:43yeah where do I look

01:09:44at my face

01:09:45I can see you

01:09:46it's a weird angle

01:09:47but yeah hey Ronnie

01:09:48how are you

01:09:48yeah good

01:09:49yeah good sir

01:09:50how are you

01:09:50couple of emails

01:09:51hi Jerry

01:09:52hi Jerry

01:09:52hi

01:09:53oh

01:09:54hi

01:09:54Andrea

01:09:55we bumped into each other

01:09:56uh just a few weeks back

01:09:58on the lot in the cafeteria

01:09:59we bumped into each other

01:10:01we crossed paths in the commissary

01:10:04that's right

01:10:05it was great

01:10:06running into you

01:10:07and I think I mentioned to you then

01:10:08that it's the uh

01:10:0910 year anniversary of our film

01:10:11Don't Delete the Kisses

01:10:12um and we've

01:10:13we're all here together

01:10:14Jackson and Jessica

01:10:16Jackson

01:10:17great man

01:10:17great to see you again

01:10:18hey Jackson

01:10:19how you doing man

01:10:20and Jessica Riley

01:10:21what

01:10:21Riley

01:10:22Jessica Riley

01:10:23oh yeah

01:10:23hi

01:10:24hi

01:10:24yeah and this is uh

01:10:26our writer Nigel

01:10:27he wrote this wonderful movie

01:10:29Nigel

01:10:29who's that

01:10:30Nigel Thomas

01:10:31I wrote the

01:10:32I wrote the film

01:10:33so do you

01:10:34are you still a writer

01:10:35yep absolutely yeah

01:10:37still a wonderful writer

01:10:38yeah

01:10:38busy as as ever

01:10:40and and now we're so lucky to have him here

01:10:42because we were thinking of

01:10:43bringing the crew together

01:10:45and creating a sequel

01:10:47since the first one did so well

01:10:50what we have so far

01:10:51is Mike and Michelle

01:10:53say let's say 10 years later

01:10:5410 years after our last film

01:10:56uh was out

01:10:57now they're older

01:10:59let's make sure

01:10:59we're not old

01:11:00older

01:11:0110 years older

01:11:02just older

01:11:03a woman in her 40s

01:11:04is sort of

01:11:05like a good midway

01:11:06we skew her a little younger

01:11:08and and yeah

01:11:09that's

01:11:09yeah

01:11:10but we don't have to play her younger

01:11:12I think it's universal

01:11:13because

01:11:13because love is universal

01:11:15and because

01:11:16and Jessica's just like

01:11:17independent now

01:11:18and she's maybe like

01:11:19eating a lot of pasta

01:11:21eating her way

01:11:23through Europe

01:11:24that's where the eat pray love comes into

01:11:26now you're singing a tune I know

01:11:28yeah

01:11:29so so so Mike is married to an Italian woman

01:11:32let's say

01:11:32for the sake of argument

01:11:34if I also could just say that

01:11:35you know for me

01:11:36getting to play Mike

01:11:37is the honor of my career

01:11:39um

01:11:40and and the fact that you would even consider

01:11:42uh making a sequel

01:11:43and giving me another chance

01:11:44to to to reprise my role

01:11:47they have a happy marriage

01:11:48Mike has gotten over his uh

01:11:50there's never been a pair like Mike and Michelle before

01:11:53I mean a lot changes over 10 years

01:11:56who are Mike and Michelle now

01:11:58yeah so

01:11:59where we are is

01:12:00they meet up accidentally

01:12:01in Tuscany

01:12:02maybe this is a chance for me

01:12:03to get that momentum coming

01:12:05and maybe it's my cycle

01:12:05you know

01:12:06and and don't get me wrong

01:12:07I was I was attached to a lot of projects

01:12:08and you know

01:12:09they didn't really ever get off the ground

01:12:10or get made into anything

01:12:11um

01:12:12which

01:12:12you know

01:12:13that's that's okay

01:12:14like

01:12:14it's it's hard

01:12:16it's very hard

01:12:20and we're in Tuscany

01:12:21we thought

01:12:22you know

01:12:22what a beautiful visual

01:12:23to bring us to a romantic country

01:12:25let's just keep in mind

01:12:26other locations

01:12:27Arkansas for example

01:12:28has really good tax incentives

01:12:30Arkansas could be great

01:12:31Tuscany and Arkansas

01:12:32anything is up for

01:12:33yeah anything is open to negotiation

01:12:35I guess

01:12:35but but generally

01:12:36and genuinely

01:12:37Michelle is over this

01:12:39Michelle is absolutely

01:12:40you know

01:12:40she's long past having

01:12:42loving feelings for Mike

01:12:43she's matured

01:12:44yeah

01:12:44she's matured

01:12:45hold on

01:12:46oh did you want to see a little

01:12:48yeah

01:12:49a little scene

01:12:49would you like a little scene

01:12:50yeah

01:12:51I guess I need to concentrate

01:12:52on the accent for a second

01:12:53it's alright

01:12:54you fucking tell me what to do

01:12:56you fucking tell me

01:12:57I fucking love you

01:12:59by some

01:13:00by a twist of fate

01:13:02they have to go

01:13:03on a road trip together

01:13:04coincidences are really

01:13:06um

01:13:06they're in

01:13:08considered a thing now

01:13:09in the movies

01:13:10uh

01:13:10I just gotta

01:13:11I haven't

01:13:12I want to get the accent

01:13:12just right for you

01:13:13so you can see

01:13:14ah

01:13:15cool Jackson

01:13:17cool

01:13:17give us a

01:13:18shh

01:13:18what

01:13:19very soft

01:13:20okay

01:13:20you ready Jerry

01:13:21yeah

01:13:21incredible

01:13:22how are we gonna get out of here

01:13:24well I mean

01:13:25it is all downhill

01:13:26you could just

01:13:26pop her in neutral

01:13:28and roll her down

01:13:29talk about the car

01:13:30us

01:13:32wait I'm sorry

01:13:33how did you

01:13:33what are you doing here

01:13:35I'm selling artifacts

01:13:37you're selling artifacts

01:13:39well

01:13:39you

01:13:39you married an Italian

01:13:41sure sure did

01:13:42but

01:13:42gosh

01:13:43I mean that makes sense

01:13:44you're feeling it right

01:13:47what's really great about that

01:13:48is that Nigel uses

01:13:49what we create together

01:13:50and then that

01:13:51kind of can inspire his script

01:13:52but the idea of the car crash

01:13:54was his

01:13:55that was yeah

01:13:55and we fed off

01:13:56great

01:13:56the end of the movie

01:13:58is they're on a beach

01:13:59on a beautiful Italian beach

01:14:01they look to each other

01:14:02and they start to go

01:14:03toward each other

01:14:04and just as we think

01:14:06their lips are gonna start to

01:14:07touch

01:14:07black out

01:14:08can you just run it down

01:14:09for me one more time

01:14:10maybe just the story beats

01:14:11not that they necessarily

01:14:12have to stay

01:14:14hold on hold on

01:14:15oh

01:14:20intense

01:14:21you see

01:14:22it's all still there

01:14:23and we really

01:14:24we just love the chance

01:14:26to get to

01:14:26really bring this to life

01:14:27and share this with audiences

01:14:29around the world

01:14:30really so

01:14:31yeah

01:14:35I'm really feeling this

01:14:37I love the way you have

01:14:38the real life people

01:14:40right there

01:14:41yeah

01:14:41that's how committed we are

01:14:43you say lines to each other

01:14:44that really makes sense

01:14:46it's like

01:14:47pulling back part of the curtain

01:14:49to see the process

01:14:50this really checks a lot of boxes

01:14:52for us

01:14:54it's got some romance

01:14:56it's got people who aren't too old

01:14:58it can take place in Italy

01:14:59and or Arkansas

01:15:01we can talk about cast

01:15:03and location

01:15:03and budget

01:15:04and setting

01:15:05and script

01:15:06and whether we need a writer

01:15:07but today

01:15:09this

01:15:09gotta tell you guys

01:15:11it's really fun for me

01:15:12I rarely get to do this

01:15:13I'm gonna say

01:15:13this is a green lit picture

01:15:15right here in the room

01:15:16whoa

01:15:17what?

01:15:19really?

01:15:20it's a go

01:15:20whoa

01:15:21whoa

01:15:22wow

01:15:23go so much here

01:15:46here we go

01:15:47here we go

01:15:47who knows

01:15:48here we go

01:15:50I'll call you

01:16:14let's go

01:16:16let's go

01:16:35it's about our relationship and it falling apart you can't write life me saying that we're over

01:16:44we're done this is it this is the end that's real I would love to see you you're my person

01:16:54I should have

01:16:55known it all along and they just realized that it's us you know it's it's always been us

01:17:17so

01:17:23so

01:17:26so

01:17:33so

01:17:40so

01:17:46so

01:18:14know what I think we should do

01:18:17I think we should get naked

01:18:20and run in that sea

01:18:22come on

01:18:23come on

01:18:24come on

01:18:26get that

01:18:28get that

01:18:29get that

01:18:32get that

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