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00:04:43İstanbul'a tamamen anvola, Antarktik, Kanada.
00:04:48Bir sütçü.
00:04:49Ayna ilk defa orosan zorla ile tanımışım.
00:04:53Bir de uzman Insan Boundarı'ya benden,
00:04:54binunion bir sürü, y―dekler ve burada.
00:04:56Sağlam sadness.어야im,
00:04:58hümetli ortakta, altın burda,
00:04:59yıla ve onupa ya da girelidir. Orada bir ber 용ansı,
00:05:01bir de bu da işin anlatıyla.
00:05:02SORUNDS-EZE'i
00:05:03bir 프로esi. Sağlam 2D internet almayınızı.
00:05:12Ben anlayan online asfrooms,
00:05:14I'm trained as a journalist,
00:05:16I did one week of journalism in RMIT.
00:05:18I like to start by inserting myself in a story.
00:05:22How long can I stand in a change room
00:05:24before someone wonders if I'm dead?
00:05:26Everyone knows that's Journalism 101,
00:05:28but I come from an online world
00:05:30where we're on a 30 second kind of budget.
00:05:32So 10 films in 10 different countries,
00:05:34it's like Steven Spielberg, James Cameron,
00:05:37name another male director,
00:05:39because that's the shoes that I'm stepping into for this show.
00:05:41But there can only be one winner.
00:05:44And I'm afraid that it's going to be me.
00:05:47Any further questions?
00:05:52So buckle your seatbelts.
00:05:55Secure your tray tables in front of you.
00:05:58This film-making odyssey is cleared for take-off.
00:06:04Ten films.
00:06:06Ten countries.
00:06:09This is Race Around the World.
00:06:22I'm Zan Rowe and this is Race Around the World.
00:06:26Yep, we are back.
00:06:28And it was only a 27-year break between seasons.
00:06:31Australia, for the next ten weeks,
00:06:34you'll be travelling the globe without even leaving your couch.
00:06:37Six films every week delivered to you by six young filmmakers
00:06:40with no agenda but curiosity
00:06:43and the drive to tell a damn good story.
00:06:46And the race has already begun.
00:06:49So, shall we take a look at where they landed ten days ago?
00:06:58Wow.
00:07:00That is quite the spread of destinations.
00:07:03Alaska, Egypt, Nevada, India, the Philippines and Moldova.
00:07:11I'm going to be honest, I don't know a lot about Moldova,
00:07:14but it's fair to say no two films are going to be the same.
00:07:17And it won't just be you watching at home with strong opinions.
00:07:20We have judges for that.
00:07:21Joining us for every step of this journey,
00:07:23our series regular is a Race Around the World icon.
00:07:26He won the popular vote in the 1997 series.
00:07:30He was also disqualified.
00:07:32Please welcome John Safran.
00:07:39And our special guest this week.
00:07:41She's been on both sides of the camera as a performer and producer.
00:07:45The creative force behind classics like Secret Life Of Us,
00:07:48Love My Way and Bump.
00:07:50She's spent decades defining Australian storytelling,
00:07:53so is the perfect person to judge what comes next.
00:07:57It's Claudia Carvin.
00:08:01And for 40 years, she's been synonymous with Australian cinema.
00:08:05She famously fought censorship and championed fresh voices.
00:08:09She's never once let a filmmaker off easy
00:08:11and she's hardly about to start now.
00:08:13It's Margaret Pomerantz.
00:08:18Margaret, you're the matriarch of film critique.
00:08:21Well, I'm old enough to be.
00:08:23I say that with love.
00:08:25You've seen it all.
00:08:26How can these filmmakers impress you?
00:08:27By making decent films.
00:08:29It's pretty simple.
00:08:31It's not so simple, actually.
00:08:34Doing it all in 10 days, new country, finding a subject.
00:08:37Wow.
00:08:38Yeah.
00:08:38Claudia, these six filmmakers were cast
00:08:41because they're all really different.
00:08:43Are you up for seeing a really different perspective on the world?
00:08:46I am, but it's going to be hard to be authentic
00:08:48when you don't have, like, a crew of 50 people
00:08:50with a script and, like, no budget, missing planes, jet lagged.
00:08:55How do you feel about being tough on our filmmakers?
00:08:57I'm a heavy hugger, not a heavy hitter.
00:09:00No, I'm a heavy hitter.
00:09:03Bring it on.
00:09:04Bring it on, I say.
00:09:06John, you were on the show in 1997.
00:09:08What was the toughest storytelling lesson
00:09:10that you learned out there on the road?
00:09:12Me, personally, I kind of wrote, you know, a beginning, middle and end
00:09:17to everything before I went there.
00:09:18And then you'd deviate from it totally.
00:09:20And then, like, you'd trip over and be thrown somewhere else
00:09:23or whatever.
00:09:24But I found just cockily kind of going,
00:09:27I'll just go there and I'll work it out
00:09:29and I'll just meet someone or whatever.
00:09:31Like, that never worked for me.
00:09:33The key difference, though, between this and the first season
00:09:36is that they don't know where they're going,
00:09:37so they can't write the beginning, the middle or the end.
00:09:40There can be no pre-planning for any of these films.
00:09:43Does that send a shiver down your spine?
00:09:44Yeah, but the reason for that is they can just
00:09:46bloop, bloop, bloop, bloop, bloop and kind of find people.
00:09:49Like, we couldn't do that.
00:09:50We'd have to, like, get on the telephone to ring someone
00:09:53who knew someone who knew someone in Sicily.
00:09:55And there wasn't a season before us that we could kind of go,
00:10:00oh, so we do that or whatever.
00:10:01So, yeah, it was totally crazy.
00:10:03There was a bit of post, wasn't there?
00:10:04Because they blurred out your penis
00:10:06when you were running naked through the streets.
00:10:08Yeah, they blurred it out.
00:10:10I remember getting a phone call while I was in one of the companies
00:10:12going, good news, the censors at ABC say
00:10:15we can put your unblurred penis on.
00:10:18And I said, I don't want that.
00:10:20I only did it because I thought it could be blurred.
00:10:22And then they were giving me this thing of how, oh, it's really good
00:10:26because women are usually nude in things
00:10:28and this is going to be a feminist, you know, like,
00:10:30it's a man nude or whatever.
00:10:31And I said, can't I, like, donate some sort of, like,
00:10:34some bean bag to the feminist reading room at a university
00:10:38rather than my big statement going to be...
00:10:41Your big statement!
00:10:42Yeah, my big statement!
00:10:43Oh, your big statement!
00:10:46Well, there was no gentle landing for our Intrepid Six.
00:10:49New country, new culture, first deadline.
00:10:53And for some, an urgent quest to find a chemist
00:10:56and the Filipino word for Imodium.
00:10:58Here's everything that's gone down.
00:11:00The good, the bad, the stuff you don't see on TripAdvisor.
00:11:05Just landed in the Philippines!
00:11:07Welcome to Manila!
00:11:09Last time I had chicken foot was in Peru
00:11:12and I ended up shooting myself for the next four days.
00:11:17What's Vegas?
00:11:18What was the point of time?
00:11:19Third place is to be over-simulated.
00:11:21Hello.
00:11:23I am in Egypt.
00:11:25Mostly a big building, but if you walk all the way across,
00:11:29here you go, there's a big guy.
00:11:31Hi.
00:11:32Hi.
00:11:33Hello.
00:11:33I'm in India, about to get a spiritual reading.
00:11:39Do you think they'll know that I'm a tourist?
00:11:42I'm in Alaska.
00:11:44Drinking cold choccy milkshake in negative 30 degrees Celsius.
00:11:51In, um, Moldova in this nightclub with this weird underground thing.
00:11:58I sat wrong, but I'm not.
00:12:01Waking up in Vegas.
00:12:03I'm jet-lagged beyond belief.
00:12:05And yet, we must make a video.
00:12:09Admittedly, I didn't know this place existed a few days ago.
00:12:12I'm gonna go for a walk, try and talk to some people maybe.
00:12:15The secret police in Egypt are not fans of, of filming in public.
00:12:21Miss my flight.
00:12:23It's really flight embarrassing, actually.
00:12:30So we've got stuck in, uh, low tide.
00:12:34I'm in some random remote village, um, on the border of Ukraine.
00:12:38We were pretty, like, quickly approached by the military.
00:12:42Um, slightly aggressive, hands on their guns.
00:12:44Basically told us we couldn't film there.
00:12:47I had to stop editing and focus.
00:12:50Second copy on an upset gut.
00:12:53Pray for me.
00:12:55Life is averted.
00:12:55Getting directed to the toilet right now.
00:12:58Five pesos?
00:13:00Yes.
00:13:00Can I pay when I come back?
00:13:01Well, I'll say this is my toilet paper.
00:13:05So, from all across the world, here are our next generation of racers.
00:13:14Hi, gang!
00:13:16Jayden, where are you?
00:13:18Are you in a market?
00:13:19Hey, Zen.
00:13:20I'm in, uh, the middle of Manila right now.
00:13:22I'm actually in a little Chinatown market.
00:13:24I feel like a bit of a fraud.
00:13:26Why do you feel like a fraud?
00:13:27Well, I'm in Chinatown, but I'm in the Philippines.
00:13:31Like, doesn't sound right, does it?
00:13:33Mikaela, I see a window, I see glass, I see not much else.
00:13:37If you caught me five minutes ago, you would have seen the gorgeous snow outside.
00:13:42I'm in Alaska, and it's been snowing today.
00:13:44Are you keeping nice and warm?
00:13:46I'm sitting on top of the heater, so yes.
00:13:49And Elliot, where are you right now?
00:13:52I'm in Chisinau, Moldova.
00:13:54It's actually quite cold.
00:13:55It's not Alaska cold, but cold.
00:13:57I love that you're already competing with who's got it worse.
00:14:01Kate, it looks pretty warm where you are.
00:14:03I'm in Mumbai, baby, sweating bullets.
00:14:08But it's the city of dreams.
00:14:10Well, it is so good to see all of you.
00:14:12You're all looking happy, healthy, alive.
00:14:15Which I'm just quite relieved at, quite frankly.
00:14:18Well guys, what do you reckon?
00:14:19Should we watch some movies?
00:14:21Yes!
00:14:26Let's go to our very first destination.
00:14:27The Philippines, a nation of over 7,000 islands.
00:14:33Jayden landed in the bustling capital of Manila, but soon hopped, skipped, or more accurately, skipped to a tiny remote
00:14:40fishing island.
00:14:41Jayden, how did you find your story?
00:14:45Yeah, I think my story sort of came about just by the generosity of the amazing Filipino people.
00:14:51I had a little brush with luck, where on a pretty empty plane, I ended up sitting next to this
00:14:57Filipino guy, Paul.
00:14:59And Paul was dead set the biggest legend I think I've ever met in my life.
00:15:03Because by the time we'd landed, he'd linked me up with two of his friends.
00:15:08He had booked me a van, a ferry, a taxi, a boat, a translator, accommodation, and all the accommodation back
00:15:18to where I began.
00:15:19And it just sort of all came together from that.
00:15:22You got very lucky, Jayden.
00:15:25Here is Pamilia Muna, which translates to Family First.
00:15:29Let's take a look.
00:15:49In the last days, in the first days, it was really good.
00:15:53There was no valley, no diamonds.
00:15:55It was good.
00:15:56There was a lot of different islands that were in the mountains.
00:16:05There was a lot of different islands that were in the mountains.
00:16:12There were some people who were digging into the mountains.
00:16:15There was no need for them from the mountains.
00:16:21All those of us who were fighting them.
00:16:27I was STARBOOKING
00:16:32There was no need for them.
00:16:34To be done!
00:16:36And they had married.
00:16:37So, they had the same.
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00:21:56Yani wiş ve ateşte bir ş说.
00:21:59Claudia'yı da.
00:22:00All right, you know,
00:22:03then boom at the end,
00:22:05come on.
00:22:07I just felt like I sat
00:22:09in the bleakness for too long.
00:22:10It was too much for me.
00:22:11But I mean, he's sad too.
00:22:13He knows he's destroying
00:22:15something that he loves.
00:22:17And I think that
00:22:18there's a real poignancy
00:22:20in the film.
00:22:21Thank you.
00:22:25Well, David Lynch might well have been speaking about Jayden
00:22:28when he said,
00:22:29''Ideas are like fish.
00:22:30If you want to catch the little fish, stay in the shallow water.
00:22:33But if you want to catch the big fish, you've got to go deeper.''
00:22:37Ten days ago, our most Lynchian filmmaker, Kate, landed in India,
00:22:42the world's most populated country
00:22:45with an estimated 1.47 billion people.
00:22:49I think everyone can tell there's a bit of a dodgy connection in India,
00:22:53so we're not getting Kate super clear,
00:22:54but we've got a little bit of Kate, which is wonderful.
00:22:57Kate.
00:22:58G'day.
00:22:58You started your journey in Goa.
00:23:00What did you think of Goa when you first landed?
00:23:03I thought it felt like the Gold Coast.
00:23:06There was something un-Indian about it.
00:23:08So I headed to Mumbai, the city of dreams.
00:23:11No offence to Goa.
00:23:12No offence taken.
00:23:14I'm talking on behalf of Goa here, of course.
00:23:16Well, let's take a look at Kate's film.
00:23:19Here is Live the Ultralife.
00:23:42Jürgen likes to dance the negative feelings away.
00:23:48And Koran?
00:23:50Koran likes to click.
00:23:53I like to click memories of people.
00:23:56Like...
00:23:57It's click.
00:23:58In one click, I capture everything.
00:24:01The movement, the happiness.
00:24:02I like to click.
00:24:04It's not about photography.
00:24:06Photography is just like this,
00:24:08but it's clicking some memories.
00:24:10I like to click.
00:24:11It's not about money and all.
00:24:13I like to click the memories.
00:24:19Others like to sit by the beach and watch the sunset.
00:24:24And some people like to jump up and down in clubs
00:24:29and drink alcohol,
00:24:31which is not good for your health.
00:24:36Chetan likes to hang off trains to relax.
00:24:41Chetan likes to hang off trains to relax.
00:24:45Bollywood style.
00:24:55Some people do the laundry as a little distraction from intrusive thoughts.
00:25:10Dabbling in a bit of spiritual healing can't hurt.
00:25:15Ashwini told me that you can manifest positivity just by thinking it.
00:25:24I've often felt a little hopeless.
00:25:27And I have to admit,
00:25:30it has sometimes been difficult to fit in.
00:25:35We all have our own crosses to bear.
00:25:39Some are larger than others.
00:25:44However, I would argue that if you have a little faith,
00:25:49you'll be right.
00:25:51It's so easy to get mixed up in the hustle and bustle,
00:25:56but even a simple daily act can be a sign of divine intervention,
00:26:05such as relaxing on a train.
00:26:11Or you can have a click.
00:26:15This is my sister I clicked.
00:26:18She looks like some I don't know.
00:26:23And dance the sinful thoughts away.
00:26:31These are just some examples of living the ultra life.
00:26:44I really love that.
00:26:46I thought that was beautiful.
00:26:47I was intrigued by every single one of those subjects.
00:26:51And I think India has like swept Kate away.
00:26:55Like it's such a sensory assault,
00:26:58India, the smells and the colours.
00:26:59And I think Kate's really captured that.
00:27:02And I like your crazy droll voiceover.
00:27:07It's like a diary entry.
00:27:09It's really personal.
00:27:10And yeah,
00:27:12I really feel like I've sort of walked in your shoes.
00:27:15Sick.
00:27:16Thank you, Claudia.
00:27:18Well, can I have a contrary view?
00:27:21I think you're a filmmaker in search of a story.
00:27:25And I just don't like the voiceover.
00:27:28I think, you know,
00:27:30that's why professional voiceovers are paid so much money.
00:27:33Because they're good at it.
00:27:37And I found a lot of the writing cliche.
00:27:40You know, all of us have crosses to bear and you've got that big cross.
00:27:44No.
00:27:45And, you know, I think you've got to avoid those cliches in your film.
00:27:50Did you see any irony in that cliche though?
00:27:52Do you think that maybe Kate was being a bit playful with that?
00:27:55It's such an obvious echo?
00:27:56No, it's just obvious to me.
00:28:00Yeah.
00:28:00India, I was so overwhelmed by the multitude of stories that I struggled to know what exactly
00:28:09I would focus on.
00:28:10I think you should try to make things a bit easier on yourself by going,
00:28:15like pulling on the brakes somewhere and deciding,
00:28:16I'm going to spend time in this church.
00:28:19I'm going to spend time with this woman who does the mind reading.
00:28:23Maybe that's going to help you form a bit of a storyline or whatever.
00:28:28Maybe you should have pulled the brakes and spent time with a train guy or whatever like that.
00:28:33Yeah, he was so cute.
00:28:35Why didn't you stick with him?
00:28:39I think she's got a really specific voice and a tone that she's going to keep
00:28:46sculpting and it's going to be more refined and it's going to get more specific and even better.
00:28:53Yeah, I think that you're obviously curious in your filmmaking and that's a really good thing.
00:29:02Next up, from India to Cairo.
00:29:05This week, William spent a significant portion of the ABC budget actually getting to Egypt,
00:29:11taking a carefully plotted 34-hour route around restricted airspace.
00:29:17William, you've been sent on an expedition with all the gear you could possibly need to make this film.
00:29:23That's pretty easy, right?
00:29:24Oh, I mean, not quite.
00:29:26Salaam alaikum, everyone.
00:29:28Welcome to Egypt.
00:29:30Yeah, like you said, I took 34 hours to get there, met up with a fixer, tried to figure out,
00:29:35you know, what the go was on the ground and immediately he said,
00:29:39Oh, I'm surprised you got your camera through.
00:29:42I'm sure they would have confiscated it otherwise.
00:29:45I asked a couple of my other creative friends who I've met during my time in Cairo and they all
00:29:51said,
00:29:51yeah, the best camera in Egypt is the smallest one.
00:29:53So what you're about to see is all shot on iPhone.
00:29:57Wow.
00:29:57So you just pivoted straight off the bat.
00:29:59Just locked in, baby.
00:30:03Absolutely nothing went to plan, but the film exists anyway.
00:30:07I don't know.
00:30:08I reckon that sounds like a pretty perfect start to a filmmaking competition on TV.
00:30:13Here is your film, which you've titled Al Asmar.
00:30:31Al Asmar.
00:30:34Al Asmar.
00:30:36Al Asmar.
00:30:45Al Asmar.
00:30:46Al Asmar.
00:30:48Al Asmar.
00:30:49Al Asmar.
00:30:49Al Asmar.
00:30:50Al Asmar.
00:30:51Al Asmar.
00:30:52Al Asmar.
00:30:53Al Asmar.
00:30:54Al Asmar.
00:30:55Al Asmar.
00:30:56Al Asmar.
00:30:56Al Asmar.
00:30:56Al Asmar.
00:30:57Al Asmar.
00:30:58Al Asmar.
00:30:58Al Asmar.
00:30:58Al Asmar.
00:30:59Al Asmar.
00:30:59Al Asmar.
00:31:02Al Asmar.
00:31:32İzlediğiniz için teşekkür ederim.
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00:42:25Hoşçakalın.
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00:43:38abone ol.
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00:43:57abone ol.
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00:45:20abone ol.
00:45:22I had one when I got started out here.
00:45:24My shrine to MJ, from when I started homeless
00:45:26to when I worked my way up to being a headliner.
00:45:28I came out here from Florida.
00:45:30I had two kids and I was trying to make some money
00:45:32and do something. A friend of mine saw me on the beach
00:45:35in Colorado Beach
00:45:36and they were like, hey, you gotta come to Vegas.
00:45:38You got good talent, you know? I wasn't doing makeup.
00:45:40But I came out here anyway.
00:45:42I mean, my first card was actually this card here.
00:45:44So it shows I wasn't even wearing makeup.
00:45:47I was just wearing these costumes.
00:45:49Hey, move.
00:45:50Move it and lose it. Beat it. Beat it.
00:45:53Don't carry me black and white.
00:45:54Gotta go. This is my first scooter.
00:45:56When I first paycheck I got from MJ Live,
00:45:58I bought this scooter. I'm always paying tribute to Michael.
00:46:00Even when I'm in the ring, I wrestle.
00:46:02I'm a wrestler. I created a moonwalk DDT
00:46:04so I went viral for that. What's that?
00:46:06It's a move when I kick the guy in the ground
00:46:07when I moonwalk with him and then I plant him.
00:46:09On his head. As Michael trivia artists,
00:46:11you know, we're not him. Michael could stand there
00:46:14and not do nothing.
00:46:16And everybody in the audience
00:46:18just passed out.
00:46:19That's all. He might turn his head.
00:46:21Someone just fainted.
00:46:23That person just had a baby.
00:46:26Boom. Three people died.
00:46:28You know?
00:46:30There's more MJ trivia artists now.
00:46:32But where were you when Michael was around?
00:46:34There weren't a lot of MJ trivia artists.
00:46:36Michael passes and everyone looks at it
00:46:38as a money opportunity.
00:46:39Oh, I can get paid. I can do this.
00:46:41I never looked at it like that. I'm still me.
00:46:43You know? I'm still... I get to do my passion.
00:46:45I get to do what I love.
00:46:46And I thank Michael for it.
00:46:48Because of Michael, I'm where I'm at today.
00:46:50You know? I'm paying tribute to a man
00:46:52that I grew up wishing I got to meet.
00:46:54Wishing I got to hang out with, dance.
00:46:55I might have been his best friend.
00:46:56You thought Macaulay Culkin was his friend?
00:46:58Macaulay would have had to be there
00:46:59because, you know, once I step in,
00:47:00it would have been bad for this.
00:47:03Now, it was clear.
00:47:05It takes a lot more money to love MJ this much.
00:47:11Hee hee. Love you.
00:47:20I like the way it started out.
00:47:22Tonally, I thought it was going to be
00:47:23a bit like Best in Show or like White Lotus
00:47:26or those sorts of vibes.
00:47:28It was sort of intelligently satirical or something.
00:47:32But then the tone shifted
00:47:33and then I didn't know what I was meant to feel
00:47:36about the subject.
00:47:37And I felt a little bit conflicted.
00:47:40Like, am I laughing at this person?
00:47:42Or am I empathising with this person?
00:47:44And I just felt a little bit confused.
00:47:49It's a bit too chaotic for me.
00:47:52I must say, I wasn't interested in the subject matter.
00:47:57So that's, you know, a bit of a turn off to begin with.
00:48:01But I also found the way you put it together,
00:48:04the editing of it was actually rather jarring.
00:48:09Yeah, listen, my favourite bit in the film was where you were in it for the seven seconds.
00:48:14Like that whole thing of that awkwardness over the money.
00:48:18I can't even explain why.
00:48:19But it's like, yeah, I think you've got the kind of storytelling thing where you being in it
00:48:24and people seeing you kind of trying to struggle through things is going to be, yeah,
00:48:30really what you should like lean into.
00:48:32Do you know, I'm absolutely the opposite of you.
00:48:35I like documentaries where the filmmaker doesn't intrude too much.
00:48:41Please do not watch any of my shows.
00:48:43I do.
00:48:46They're a rare exception.
00:48:50And you're one of them.
00:48:51I mean, I've got to admit.
00:48:53Don't listen to her, Lucinda.
00:48:54Don't listen to her.
00:48:55There are some mixed messages going on.
00:48:58Lucinda, you are a content creator.
00:49:00You've got tens of thousands of followers on Instagram.
00:49:03You make your own short video content day in, day out.
00:49:07Why didn't you put yourself in this first film?
00:49:09Um, maybe because that's what's expected.
00:49:12And I feel like maybe I needed to take myself out of the story and see how I could do
00:49:17it,
00:49:17knowing that I can rely on that, hopefully, in the coming weeks.
00:49:22Yeah, yeah.
00:49:22I just think one of your strong hands would be putting yourself more into these.
00:49:27And not only you.
00:49:28Like, I'd say that's the same to William if he's still listening,
00:49:31if he hasn't, like, marched off in a huff because Margaret insulted him or something.
00:49:36The flies took him off.
00:49:37Oh, that's not fair.
00:49:42Well, we've crisscrossed all over the world and there's only one destination left.
00:49:47All the way over in the largest state in the USA,
00:49:52Michaela was sent to Alaska.
00:49:54Remote, vast and currently a crisp minus 18 degrees.
00:50:00Oh, my goodness.
00:50:00Michaela, coming from Western Australia, is this the first time you've seen snow?
00:50:04I've never seen snow before.
00:50:07And, yeah, it's insane.
00:50:09It's mind-blowing to me.
00:50:11Nothing looks like anything I've ever seen before.
00:50:13Alaska is a massive state.
00:50:16Where did you go and what drew you to your destination?
00:50:18I decided to go to the northernmost town in Alaska called Utweavik, or it used to be known as Barrow.
00:50:26And it's in the Arctic Circle.
00:50:28It's literally the furthest you can go.
00:50:29Wow.
00:50:31So, if you've ever been curious to visit the Arctic Circle, Michaela is about to take you there.
00:50:35Here is Arctic Willows.
00:50:40I don't know if I want to be here forever.
00:50:57I've always felt like a black sheep, like I don't fit in.
00:51:04I think about moving away a lot, just because, you know, it could be better.
00:51:13I actually have moved away a few times, but every time I needed to come back, I got homesick.
00:51:21The culture keeps me here.
00:51:23That's the only thing that's preventing me from running off.
00:51:25If I don't get her to the food for a certain amount of time, I start to feel sick.
00:51:31That's something that a lot of Native people experience.
00:51:35My mom is not in the place.
00:51:38I finally, like, made the big decision two days before he was born, thinking that I had two months to
00:51:47plan.
00:51:47He was born two days later at 32 weeks.
00:51:51I never thought that I would be a single mom at 20, by choice.
00:51:57He is actually biologically my brother.
00:52:00And I'm adopting him.
00:52:03It's a symbol for our willows.
00:52:07We have our willows up here.
00:52:08And they're kind of seen as a symbol of resilience, because they will grow back from anything.
00:52:14They'll thrive through anything.
00:52:24My family is very, very religious.
00:52:27When the church came in, a lot of our traditional practices were frowned upon and discouraged and bad even.
00:52:38Other than entire people were not allowed to dance.
00:53:07I still hold on the fear of the judgment.
00:53:13And a lot of people are like, it's easier now.
00:53:17Life is easier now.
00:53:18We've got running water.
00:53:20And we've got stores.
00:53:22You can just go to the store.
00:53:24I believe in going back to our traditional practices.
00:53:32Our houses were warmer back then is what I'm trying to say.
00:53:35Our clothes were warmer than the store-bought clothes.
00:53:39Our foods nourished us better than the store-bought foods.
00:53:44The thing that keeps me here is being in touch with my culture.
00:53:48It's very important to me.
00:53:56Maybe I need to find a way to stay connected before I can go.
00:54:01Because I don't know if I want to be here forever.
00:54:08I also think that I need to come to terms with the fact that I'm not like everybody else.
00:54:18But that's terrifying.
00:54:20And it's not easy anywhere.
00:54:23Life is not easy anywhere.
00:54:31Maybe there's a purpose that we haven't discovered yet.
00:54:35We're still so early and disturbing.
00:54:45I really loved that.
00:54:47I really empathised with your protagonist.
00:54:52She had this gentle strength.
00:54:54I thought it was a really confident piece of filmmaking.
00:54:57She was obviously very comfortable and she trusted you as a storyteller.
00:55:02I think it's the most moved I've been tonight.
00:55:06Thank you.
00:55:07I think there was a film in there, but I don't know that you found it.
00:55:13I came out with more questions than answers in the film.
00:55:19Is the baby hers?
00:55:21Is it her biological brother?
00:55:23Has she adopted it?
00:55:25Why has she adopted it?
00:55:26She's from a religious family.
00:55:28Why isn't the religious family looking after the kid?
00:55:31She's ambivalent.
00:55:33She wants to go and then she wants a culture.
00:55:36You introduced a lot of elements without, you know, giving any explanation, you know.
00:55:44I love that ambiguity.
00:55:46And she said, I'm adopting it.
00:55:48It was my mum.
00:55:49If you could hear, she said, it's my mum's baby.
00:55:52And she wasn't in a good place.
00:55:54She has a strong connection to community.
00:55:56But why are we going to unpack every part of her family life?
00:56:00Like...
00:56:00I think these two, if I can kind of bring them together, which I know you won't like Margaret.
00:56:05Oh no, I will.
00:56:06I will love it.
00:56:06I think the happy medium is that maybe you could have been clearer about what the ambiguity
00:56:12was.
00:56:13Totally fine to have ambiguity.
00:56:14In fact, it's better.
00:56:16But I think you should have held the hand a bit more about these tensions and these things
00:56:21that have loose ends.
00:56:23You can be clearer about the ambiguities is what I'm getting at.
00:56:25Does that make sense, Michaela?
00:56:26Or am I a mad person?
00:56:28No, it makes sense to me.
00:56:29Yes.
00:56:30Which is really important.
00:56:31Yes.
00:56:31Totally.
00:56:32Not ambiguous at all.
00:56:34But yeah, you don't think about the reception when you're editing it so quickly.
00:56:39So it's like kind of all hitting now.
00:56:42It's the first time I've kind of got to watch the film without editing it.
00:56:45Yeah, that's an incredible point.
00:56:47You make these films, but you're reminded that you're making them for an audience.
00:56:51You're making them for hundreds of thousands, millions of people around Australia.
00:56:57And three very tough judges, I have to say.
00:57:04Well, there you go.
00:57:06Six incredible films from around the world.
00:57:08Every single one completely different to the other.
00:57:12And now we have to score them.
00:57:14Each week, the judges pick their top two films.
00:57:18They give two points to their favourite film and one point to the runner-up.
00:57:22At the end of the ten weeks, the filmmaker with the highest score gets their own project
00:57:27funded by the ABC.
00:57:29A dream for anyone at any stage in their career, let alone at the beginning.
00:57:34All right.
00:57:35Margaret, your top two films.
00:57:37My top film is Elliot's from Moldova.
00:57:42And that gets him two points from me.
00:57:46And my second, but it's so close to being a first, is Jayden's from the Philippines.
00:57:52And for that, he gets one point.
00:57:56Two beautiful films.
00:57:58Claudia, how about you?
00:58:00It was almost a line ball for me as well.
00:58:04Elliot gets two points from me and Michaela gets one.
00:58:13And John?
00:58:15Jayden, two points.
00:58:17Elliot, one point.
00:58:18Okay.
00:58:22Some clear favourites in the first week of Race Around the World.
00:58:27Okay.
00:58:27Let's check the first episode leaderboard.
00:58:32The big winner this week is Elliot with five points.
00:58:38Jayden is the runner-up with three.
00:58:41And Michaela is on one point.
00:58:45William, Lucinda and Kate are not on the leaderboard yet.
00:58:48But the adventure has only just begun.
00:58:52Well, Australia, we've heard what the judges think about the films tonight.
00:58:55Now it's your turn.
00:58:56Go to abc.net.au slash R-A-T-W to vote for your favourite.
00:59:02All right.
00:59:03How are you feeling, team?
00:59:05Pretty bloody good.
00:59:07Honestly, blown to bits by Margaret.
00:59:09It had to happen, and I love that.
00:59:12It's time to find out where you're all heading next.
00:59:15Are you ready?
00:59:17Never.
00:59:23Oh, Wales!
00:59:27Kate is frozen but does not look happy about going to Greenland.
00:59:31From India to Greenland.
00:59:33Oh, that's hilarious.
00:59:34Kate, what's running through your mind right now?
00:59:37Um, my favourite colour is green.
00:59:41She's funny.
00:59:42I don't really know much about Greenland.
00:59:44You know what?
00:59:45That's a story idea for me.
00:59:46Elliot, you're the front-runner so far.
00:59:49Is South Africa a good place for you to head next to make a film?
00:59:52I might try and do something a little less heavy.
00:59:55Maybe something nice about a, I don't know, a little baby giraffe or something.
01:00:03Michaela, you looked pretty excited about heading to South Korea.
01:00:06Any story ideas forming in your head?
01:00:08I know the fashion there is insane.
01:00:10It's like the place for fashion at the moment.
01:00:12It's very exciting.
01:00:14You can also get a really good facial, so a bit of me time on the road.
01:00:18Noted.
01:00:19And Jaden in Peru.
01:00:21This one was written in the stars.
01:00:22I mean, you love adventure.
01:00:24Will you be climbing Machu Picchu in the next 10 days?
01:00:27Look, I don't know about Machu Picchu.
01:00:29I think my main concern is after last time in Peru that I hope I'm not making a four-minute
01:00:33film of me sitting on the toilet with questionable sound effects.
01:00:39Can I have just one bit of advice?
01:00:41Can you just steer clear of the chicken feet?
01:00:43You know I can't promise you that, Zan.
01:00:45I think I can actually hear the bell.
01:00:48Your chicken feet are now ready in the market behind you, so...
01:00:51Yeah, I've got my guy back here.
01:00:53All the best.
01:00:54We're going to let you go, but time is already ticking.
01:00:58Your next 10 days starts now.
01:01:02Bye, team!
01:01:03Good luck!
01:01:08That's our show.
01:01:10A big thanks to our amazing judges.
01:01:12Margaret Pomerantz, Claudia Carvin, and of course, John Safran.
01:01:19Next week, a new batch of films, new countries, new judges.
01:01:24Except for you, John.
01:01:25We're stuck with you forever.
01:01:26I'll see you next week.
01:01:27.
01:01:28.
01:01:29.
01:01:29.
01:01:31.
01:01:31.
01:01:32.
01:01:33.
01:01:33.
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