- 1 day ago
The Deadly Pursuit (1946) – Classic Crime Thriller is a gripping film noir packed with suspense, mystery, and danger. When an ordinary man becomes entangled in a web of crime, deception, and murder, he finds himself running from forces beyond his control. As the truth slowly unfolds, every clue leads deeper into a world of betrayal and intrigue. Featuring classic noir atmosphere, unforgettable performances, and thrilling twists, this vintage crime thriller remains a fascinating journey into the dark side of human nature.
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Short filmTranscript
00:00:00I
00:03:33What do you want?
00:03:35Can I see Mr. Roman?
00:03:37What do you want to see him about?
00:03:39I'd like to give him something that belongs to him.
00:03:52Come inside.
00:04:03What was it you just said at the door?
00:04:07I said I wanted to see Mr. Roman.
00:04:10What for?
00:04:12I've got something for him.
00:04:14Could mean a lot of things.
00:04:16What have you got?
00:04:19Well, you're not Mr. Roman.
00:04:22Well, you're not Mr. Roman.
00:04:22How do you know?
00:04:25Well, you just don't fit.
00:04:29Is it all right, Mr. Gino?
00:04:31Well, I guess it's all right.
00:04:33I'll take him in myself.
00:04:35Come on.
00:04:37I'll take him in myself.
00:05:18I see Andy there.
00:05:26I like it.
00:05:30It's all right.
00:05:34You're a good barber, Miss Carnish.
00:05:36Oh, thank you, Mr. Rahun.
00:05:40How do you feel?
00:05:41How do you feel?
00:05:42I mean, how does it feel being a barber?
00:05:45Cutting men's hair.
00:05:49It feels good, huh?
00:05:53Look at her.
00:05:53She's blushing.
00:05:56Oh, I'm sorry, Mr. Roman.
00:05:57You moved.
00:05:58But you didn't.
00:05:59Quick enough.
00:06:04Get her out of here.
00:06:06Stupid dame.
00:06:09The beast.
00:06:11The filthy beast.
00:06:29Hey, you.
00:06:50Catch him.
00:06:59What can I do for you, Jack?
00:07:02Are you Mr. Roman?
00:07:04That's right.
00:07:13What you'd like to have is back.
00:07:18Is it mine?
00:07:19It's got your name in it.
00:07:22Where'd you find it?
00:07:25I don't remember the name of the street.
00:07:28It was in front of a restaurant, though.
00:07:32How much was in it?
00:07:33$81.
00:07:35I spent a dollar and a half for breakfast.
00:07:37There's $79.50 there now.
00:07:43How do you like there for an honest guy?
00:07:45I don't.
00:07:49I don't know.
00:07:50I don't know.
00:07:50How do you like that?
00:07:54He comes all the way out here just because he found it.
00:07:58You know, you ought to get a medal.
00:08:01Gino, go buy him a medal.
00:08:03Thanks.
00:08:03I got a medal.
00:08:06Oh.
00:08:09Next G.I., huh?
00:08:10Yes, I was in the Navy.
00:08:17I like him.
00:08:18I want to do something for him.
00:08:20Give him a sawbuck.
00:08:22That's the trouble with you, Gino.
00:08:24You have no appreciation for honesty.
00:08:33Tell me something.
00:08:35What made you bring the wallet back?
00:08:39Well, I don't know.
00:08:41Now that I'm here, I wonder myself.
00:08:44I guess I'm just a sucker.
00:08:50I like that, too.
00:08:52Can you drive a car?
00:08:54Yes, sir.
00:08:55You got a job.
00:08:56What do you need two chauffeurs for?
00:08:58Fire Claiborne.
00:08:59All right.
00:09:00No, wait a minute.
00:09:01I don't want to take another fellow's job.
00:09:04Take it easy, Chad.
00:09:06The name's Scott.
00:09:07Chuck Scott.
00:09:11Okay, Scotty.
00:09:14Hello, Fats.
00:09:17Fats, what do you do besides talking the telephone all the time
00:09:20and trying to reach you for 45 minutes?
00:09:23Oh, never mind that.
00:09:24How about Johnson?
00:09:25Did you contact him yet?
00:09:27Or what's he stall this time?
00:09:30Oh.
00:09:32I'll have him at my house for dinner Wednesday night.
00:09:36No Fats, not Thursday, Wednesday.
00:09:57Yes?
00:09:58Right. Be right there. Thanks, Job.
00:10:02Oh, Job.
00:10:04Like in the Bible?
00:10:05Kings, Chronicles, Ezra, Nehemiah, Ezra, Job.
00:10:08Fine, I won't forget it.
00:10:09Bye.
00:10:10Bye-bye.
00:10:29Come on, Tony.
00:10:31Bye.
00:10:39You!
00:10:40Bye.
00:10:42Bye.
00:10:44Come on.
00:11:44Mr. Roman, there's something wrong. I can't slow the car down.
00:11:48Relax, Scotty. I take care of all that back here.
00:11:50You just handle the wheel.
00:11:53You mean you...
00:11:53That's right.
00:11:55Yes.
00:12:15He's right on time.
00:12:16Eddie, you don't know how he drives.
00:12:19We'll find out.
00:12:21Maybe not.
00:12:24We'll find out.
00:13:01We'll find out.
00:13:01We'll find out.
00:13:26How do you feel, Scotty?
00:13:28Fine.
00:13:29But I don't get it.
00:13:31Who does?
00:13:34Yeah, he's all right.
00:13:35He's a good chauffeur.
00:13:37You're all right, Scotty.
00:13:39Thanks.
00:13:40What do we do now?
00:13:48Well, Mr. Johnson, how do you like our little house?
00:13:55Oh, it's charming.
00:13:57Oh, it's charming.
00:13:57However, I never thought I'd enjoy the pleasure of having dinner here.
00:14:02You know, Mr. Johnson had the idea I didn't like him.
00:14:05just because he took away some of my business.
00:14:08I guess he doesn't know you too well.
00:14:11I must say there aren't many men would have taken it the way your husband has, Mrs. Roman.
00:14:17And live and let live.
00:14:20That's my motto.
00:14:24Isn't that so, Gino?
00:14:26Oh, the world is big enough for all of us.
00:14:29You too, Mr. Johnson.
00:14:33Well, thank you, Gino.
00:14:36I have a very interesting house, too, in Havana.
00:14:40I'd be very pleased if you'd all come and visit me sometime.
00:14:42You've been in Havana, haven't you, Mrs. Roman?
00:14:44No, I've never been there.
00:14:46No, Mrs. Roman doesn't travel very much.
00:14:48Oh, I'm sorry.
00:14:50Doctor's orders?
00:14:51No, mine.
00:14:59Well, if you'll excuse me,
00:15:02I'll, um, I'll let you go on with your business.
00:15:07Oh, good night, Mr. Johnson.
00:15:10Good night, Mrs. Roman.
00:15:11It was nice meeting you.
00:15:23She's lovely, isn't she?
00:15:24Oh, she's beautiful.
00:15:27How about a little brandy?
00:15:28Well, I don't mind if I do.
00:15:32Where's Tommy?
00:15:33Oh, he behaved badly.
00:15:35I put him in a cellar.
00:15:37Oh, Tommy's a dog.
00:15:38It's a big dog.
00:15:40Oh, yes.
00:15:41I'm not drinking alone, am I?
00:15:43No.
00:15:44Mr. Roman,
00:15:45could I ask you a very personal question?
00:15:48Yes, of course.
00:15:50What is your business, really?
00:15:54Gino,
00:15:55what business would you say we were in, really?
00:15:59No, I'd say
00:16:00the amusement business.
00:16:03The amusement business?
00:16:05Yes.
00:16:06Strictly for laughs.
00:16:13All kidding aside, Mr. Johnson.
00:16:15I still want to buy those two ships of yours.
00:16:17But I don't want to sell.
00:16:19Oh, maybe we can talk you into it.
00:16:21What do you say, Mr. Johnson?
00:16:23Well, I'll think it over.
00:16:25Oh, no, that'll be too long.
00:16:30I can let you know tomorrow.
00:16:32No, tonight.
00:16:34Now.
00:16:41Well, how much would you give me for them?
00:16:43Nothing.
00:16:56Oh, you're joking, huh?
00:16:58Oh, well.
00:17:00I've had a lovely evening,
00:17:02but I've got to run along.
00:17:03We can go into it further tomorrow.
00:17:04Oh, no, you can't go now, Mr. Johnson,
00:17:05without seeing the rest of the house.
00:17:06Well, you haven't even seen the upstairs.
00:17:08Or the wine cellar.
00:17:09Oh, we have a nice wine cellar.
00:17:10Well, I would like to see the wine cellar.
00:17:18Napoleon brandy?
00:17:211815?
00:17:22Oh, Gino, I don't believe it.
00:17:24Why, I didn't think there was a bottle
00:17:25of real Napoleon brandy left in existence.
00:17:28Why, Gino, do you realize that...
00:17:30Gino?
00:17:36Gino?
00:17:38Gino?
00:17:39Hey, Gino?
00:17:47Gino?
00:17:52Gino?
00:17:57Gino?
00:18:00Cino!
00:18:02Hey, Cino!
00:18:06Cino!
00:18:12Cino!
00:18:20Oh, no.
00:18:23Cino!
00:18:23No!
00:18:24Oh, no!
00:18:27No!
00:18:29No!
00:18:30No!
00:18:31No!
00:18:32No-no-no-no!
00:18:35No, no!
00:18:38No!
00:18:40Help!
00:18:42Help!
00:18:44No!
00:18:44Let's go.
00:19:41Turn off here, please.
00:19:44Turn off here.
00:20:39Stand off and close, miss.
00:20:41Think you'd better step back?
00:20:45What happened to Claiborne?
00:20:49He's gone, miss.
00:20:52It's Mrs. Wilman.
00:20:56I beg your pardon.
00:20:58I didn't know.
00:21:01Oh, that's all right.
00:21:03I think I like it better the other way.
00:21:14Is there anything I can do?
00:21:17Yes, Mick.
00:21:17It's three years ago.
00:21:20If you can't do that, call me, miss.
00:21:23And if you can't do that, just look the other way.
00:21:31You can go back to the car.
00:21:32I don't know.
00:21:33All right.
00:22:01Let's get to the car.
00:22:14What's out there, straight ahead?
00:22:18Well, Havana, I think.
00:22:24Have you ever been there?
00:22:27Yes, I was a long time ago.
00:22:31What was it like?
00:22:33Oh, for me, it was cheap hotels, cheap restaurants, cheap friends.
00:22:44All places are like me, Brooke.
00:22:49It would be worth $1,000 to me to get to Havana.
00:22:54$1,000?
00:22:56Yes.
00:22:58Steamship tickets only about $30.
00:23:02I could never make it alone.
00:23:05Why not?
00:23:07Have you ever been afraid?
00:23:09Really afraid?
00:23:13What do you want me to do?
00:23:16I want you to take me to Havana.
00:23:19But why me?
00:23:23I think I can trust you.
00:23:28You mean you think I look like I, um, need $1,000, huh?
00:23:33Oh, have it your way.
00:23:35But I still think I can trust you.
00:23:37Well, when can we go?
00:23:41How soon can you leave?
00:23:43Now, right this minute.
00:23:47That's a pretty long swing.
00:23:51I'll take the sailings tomorrow.
00:23:56Think I better take you home now?
00:23:59All right.
00:24:07That'll be $42.20.
00:24:09Sign there, please.
00:24:11Uh, two tickets for Havana tonight, please.
00:24:14I'm sorry, there's no space available.
00:24:15We're completely sold out.
00:24:17Are you sure?
00:24:19Just a moment.
00:24:20There may be a cancellation.
00:24:25Yes, here's one.
00:24:27But it's a single cabin.
00:24:28Will that do you?
00:24:29Uh, yes, it'll have to.
00:24:32How many tickets?
00:24:33Uh, two.
00:24:34How much is that?
00:24:36That'll be $57.60.
00:24:41Sign there, please.
00:24:46The SS Cuba.
00:24:47Leaves spare 26 at 11 o'clock tonight.
00:24:50Thank you, sir.
00:24:51Keep the chairs.
00:25:16I'll take it, Joe.
00:25:17Yes, ma'am.
00:25:35I got the tickets for Havana.
00:25:38Uh, it's on a ship called the, uh, Cuba.
00:25:41Leaves 11 o'clock tonight.
00:25:43Now listen carefully.
00:25:44Have dinner with him as usual.
00:25:46At 9.30, say you want to take a drive.
00:25:48I'll be waiting in my room.
00:25:49Now, don't you call.
00:25:49Have Job call as usual.
00:25:51I'll bring the car around.
00:25:52No, don't worry.
00:25:53They don't know where I am.
00:25:54Yes, I'm picking him up at the Union Bank now.
00:25:57Good.
00:25:58See you later.
00:26:00Bye.
00:26:34Flowers, did you take care of them, huh?
00:26:36Yeah.
00:26:37Red and white roses, big anchor.
00:26:40$150.
00:26:42You know, 80, 15 years ago in Cicero?
00:26:45Same roses, the same anchor.
00:26:47Could have picked it up for a double saw bug.
00:26:50Maybe two bits.
00:26:55$150.
00:26:57Brother, I don't care what they say.
00:26:59That's inflation.
00:27:05I don't care what they say.
00:27:05Scotty.
00:27:07Yes, sir?
00:27:09Mrs. Roman goes for a drive almost every day, doesn't she?
00:27:13Yes, sir.
00:27:14Where did she go?
00:27:17Nowhere in particular.
00:27:18What do you mean, nowhere?
00:27:20Well, just along the beach.
00:27:24Always the same place.
00:27:27Yes, yes, same place.
00:27:29How do you know that?
00:27:30I didn't.
00:27:33I didn't.
00:27:33I want to go there, Scotty.
00:27:34What do you mean, uh, now?
00:27:38Now.
00:27:42Yes, sir.
00:27:54What do you see out there?
00:28:01What do you see out there?
00:28:12I wouldn't know.
00:28:13It must have a special meaning for her.
00:28:16It must have a special meaning for her.
00:28:16What does it mean to you?
00:28:19I don't know.
00:28:20I'm not a psychiatrist.
00:28:23You don't have to be to figure this out.
00:28:28Is that right, Gino?
00:28:31I'd say she was contemplating a voyage.
00:28:41She ever say anything to you about it?
00:28:42She ever say anything to you about it?
00:28:45Why would she tell me?
00:28:50You've got the kind of face women like to talk to.
00:29:01Her life to cure for an urban university.
00:29:02I promise.
00:29:02Oh, my word.
00:29:03Chi, her heart didn't care her.
00:29:05Oh, too.
00:29:06Try to see it.
00:29:06Don't go with you, 참.
00:29:06Jude, can you?
00:29:16cig, I'm aLord.
00:29:26Let's go.
00:29:51Let's go.
00:30:23Let's go.
00:30:51Let's go.
00:31:02Eddie, they're gone.
00:31:06Where do you think they've gone, Gino?
00:31:07I don't have to think. I know.
00:31:10To a van on a cuba.
00:31:12Found it in a wastebasket.
00:31:23What do you want me to do?
00:31:27Play the other side.
00:31:31Let's go.
00:31:33Let's go.
00:31:41Let's go.
00:31:48Let's go.
00:31:52Let's go.
00:31:55Let's go.
00:32:14What do you want me to do?
00:32:42I didn't know you were a musician.
00:32:46I haven't played in a long time.
00:32:52Still scared?
00:32:55I'm getting over it.
00:32:57But you don't get over three years of terror in one night.
00:33:03He couldn't follow us here.
00:33:12What's our first stop?
00:33:14Havana.
00:33:17Looks like all roads lead to Havana.
00:33:21That's what you wanted, wasn't it?
00:33:26I owe you a thousand dollars.
00:33:37Who did it belong to before?
00:33:42They don't ask you that when you spend it.
00:33:44I owe you a thousand dollars.
00:34:14I owe you a thousand dollars.
00:34:15I owe you a thousand dollars.
00:34:31I owe you a thousand dollars.
00:34:43I owe you a thousand dollars.
00:34:53Chuck.
00:35:00I owe you a thousand dollars.
00:35:26I
00:36:06I
00:36:07I
00:36:07I
00:36:08I
00:36:10I
00:36:11I
00:36:11I
00:36:11I
00:36:12I
00:36:12I
00:36:13I
00:36:14I
00:36:19I
00:36:20That's not our boat
00:36:23How much time do we have
00:36:25Forget time
00:36:28You think we'll make it
00:36:31We've got to
00:36:33Señor
00:36:34El caballo no puede estar aquí toda la noche
00:36:41What are we stopping here for
00:36:42El caballo no puede estar aquí toda la noche
00:36:44What was that?
00:36:45The horse is tired
00:36:48Take us back to the boat
00:36:53Did you hear me? Take us back to the boat
00:36:55I already told you the horse is tired
00:36:58Chuck
00:36:59Let's get out
00:37:08Say uh
00:37:11What
00:37:12Our boat leaves in an hour for South America
00:37:15How much of a walk is near the dock?
00:37:17I don't understand English
00:37:19Let's go, Pancho
00:37:24What did he say?
00:37:27Something about
00:37:28Not understanding English
00:37:32Must not understand money either
00:37:35I
00:37:35Didn't take his fare
00:37:38Chuck
00:37:39What do we do now?
00:37:41I don't know
00:37:45Uh
00:37:48Let's get a drink
00:37:52All right
00:37:53Wait a minute
00:37:56We should go back to the boat
00:37:59Who's afraid now?
00:38:15We should go back to the boat
00:38:26You're still scared?
00:38:35Pardon me.
00:38:37Pardon me.
00:38:37Pardon me.
00:38:42Pardon me, sir.
00:38:43Pardon me.
00:38:48Pardon me.
00:38:54Pardon me, sir.
00:38:58Three pesos.
00:39:01Three pesos.
00:39:03You'll get it.
00:39:17Pardon me.
00:39:20This morning's completion
00:39:23This is the tears
00:39:25This is the ecstasy
00:39:35Where lover's capture
00:39:39moments of rapture
00:39:43My heart will always be
00:40:06Havana, like the stars in a dream song
00:40:12And guitars in a theme song
00:40:16You're a promise of love
00:40:23Havana, lover's thrill to your splendor
00:40:30As your harvest renders
00:40:34Till the moon high above
00:40:39Earth who yearning up and down
00:40:45Don't eat any steam meat here
00:40:51It's a steam meat
00:41:13Tell me again
00:41:14I love you, darling
00:41:17I love you
00:41:21Darling, I don't care what happens now
00:41:24I just don't care
00:41:26Laura, don't keep saying that
00:41:28Please don't keep saying it
00:41:30I won't
00:41:31I won't say it anymore
00:41:34Because I do care
00:41:39Havana, will you win the tomorrow
00:41:44In this fashion to sorrow
00:41:54Lola, Lola
00:41:57Lola, Lola
00:42:01Lola
00:42:02Lola
00:42:17Lola
00:42:42Mark and a scar
00:42:44Knife wound
00:42:45Know the marks
00:42:51We're waiting, Mr. Scott
00:42:57Oh, can I make you understand
00:42:59You've got the wrong man
00:43:03I loved her
00:43:04You loved her so you killed her
00:43:07That's understandable
00:43:10She was all I had
00:43:11So you made sure no one could take her from you
00:43:14Oh, you're blind
00:43:17Why would we come all this way together
00:43:19I let you tell me why
00:43:22Just answer three questions
00:43:25How long had this woman been in Havana?
00:43:30Oh, we got off the boat
00:43:33Around six o'clock this evening
00:43:35Eight hours ago
00:43:37Had she ever been here before?
00:43:39No
00:43:39Did she know anyone here?
00:43:41Anyone at all?
00:43:42No
00:43:43There is your answer
00:43:45Do you still insist somebody else did it?
00:43:48In a place where she had just arrived
00:43:49In a place where she had never been in her life before
00:43:52And above all with your own knife
00:43:54It wasn't my knife
00:43:56But you just admitted a moment ago
00:43:57It was your knife
00:43:57I didn't admit it was my knife
00:43:59I merely said it looked like my knife
00:44:00But it wasn't
00:44:00Oh, yes
00:44:01Now I remember
00:44:03The knife you bought
00:44:05You did buy a knife
00:44:07Yes, I bought a knife
00:44:08Save your strength, my friend
00:44:10You may need it
00:44:16Your knife
00:44:18Let me see
00:44:21Describe it again, please
00:44:27On the handle of the knife I had
00:44:29The little carved monkey was holding his ears
00:44:33The knife you've got
00:44:34He's covering his eyes
00:44:35You can see that
00:44:36He's covering his eyes
00:44:37But not mine
00:44:39Don't joke
00:44:39If you don't believe me
00:44:40Ask the shopkeeper
00:44:41Find out what kind of a knife I bought
00:44:51Are you sure this is the place?
00:44:54Yeah, yeah, that's it
00:44:57I repeat, for a stranger in Havana
00:44:59You certainly found an out-of-the-way place
00:45:01In a very much of a hurry
00:45:03We didn't find it
00:45:04I told you a guide brought us here
00:45:06I know
00:45:07The guide who kept pestering you
00:45:09The one who drove you to the nightclub
00:45:11You don't believe anything, do you?
00:45:13My clients have a chronic tendency
00:45:15To color the truth
00:45:20You first, Mr. Scott
00:45:29Just a moment, please
00:45:30Not so quick
00:45:41First chin
00:45:45I'm Chin
00:45:47I'm Lieutenant Acosta
00:45:48Homicide Squad
00:45:53What can I do for you?
00:45:55Madam, would you please tell the gentleman
00:45:56We'll ask the questions
00:46:00Take a look at this man here
00:46:03Did you ever see him before?
00:46:05Yes
00:46:05Yes
00:46:06When?
00:46:09The gentleman was here earlier tonight
00:46:11Alone?
00:46:12No, he was with the lady
00:46:15Did he buy anything?
00:46:18Silk handkerchief for a lady
00:46:20That all?
00:46:22The gentleman also bought a knife
00:46:25What kind of knife?
00:46:26A knife was a jade handle
00:46:29To cut letters
00:46:30To cut fruit
00:46:31To hang on a wall, maybe
00:46:34Describe the jade handle
00:46:36A jade handle had a carved monkey
00:46:38We know that
00:46:39Describe the monkey
00:46:40Monkey was holding his eyes
00:46:42So
00:46:45You're crazy
00:46:46I bought the one that was holding his ears
00:46:49The gentleman is mistaken
00:46:52Are you sure the one he bought
00:46:54Was holding his eyes?
00:46:56They come three to a set
00:46:57First one is sold to this gentleman
00:46:59The others I still have
00:47:01I can show you
00:47:03Show me
00:47:11These are imported from Hong Kong
00:47:13I only wanted one set
00:47:15Cost too much
00:47:18Never sold any except to this gentleman
00:47:22See?
00:47:28Well, Mr. Scott
00:47:33I don't understand
00:47:34I
00:47:36I'm sure I bought this one
00:47:39The one that's holding its ears
00:47:40Why did you buy any knife?
00:47:41I didn't buy any
00:47:43I mean, I didn't intend to buy a knife
00:47:44But
00:47:45Lorna was looking for jade
00:47:46And she said the only jade she had
00:47:48Was on the knife handles
00:47:50And the one we finally bought
00:47:51Was this one
00:47:53The one that's holding its ears
00:47:55Perhaps Madame Chin
00:47:56Switched to the knives, huh?
00:47:59She must have
00:48:02Did you ever see Chin before?
00:48:07No
00:48:08Then why would she change the knives?
00:48:22Answer me
00:48:23Answer me
00:48:26Why would she change the knives?
00:48:31I don't know
00:48:35Because you are a stranger
00:48:36Because you are a stranger
00:48:37And only because you are a stranger
00:48:39We've given you every chance to clear yourself
00:48:43You should have been locked up an hour ago
00:48:47Admit it
00:48:48You know you killed her
00:48:54Admit it!
00:48:55Okay
00:48:57All right
00:49:01Then you did kill her
00:49:05Yes
00:49:06Why, Mr. Scott?
00:49:14Because she was afraid
00:49:16Because she wanted to go back
00:49:17Back?
00:49:18Where?
00:49:19To her husband
00:49:20Her husband?
00:49:22Her name wasn't Mrs. Scott
00:49:24Her name was
00:49:26Mrs. Eddie Roman
00:49:28We left Miami together last night on the Cuba
00:49:31We docked here this morning
00:49:33Didn't leave our cabin until it was dark
00:49:34Wound up in that
00:49:36Nightclub
00:49:38We had a drink there
00:49:44Mr. Scott
00:49:47You are a gentleman
00:49:51Only from the viewpoint of the police, of course
00:49:53Let go
00:49:55Hold her
00:49:59There
00:50:01Jose
00:50:01There
00:50:03Go
00:50:04Here
00:50:05Please
00:50:06Let it go
00:50:22Oh, my God.
00:50:53¡Un momento!
00:50:57¿No viste su nombre?
00:50:58Sí, le subió hasta el último piso allá.
00:51:01¡Arriba!
00:51:02Llévase allí.
00:51:03Muy bien, jefe.
00:51:10El escape de la gente.
00:51:17Vamos a envejejar abajo.
00:51:18Está buena idea, Ana.
00:51:34¡No!
00:51:37¡No!
00:51:39¡No!
00:51:41¡No!
00:51:42¡No!
00:51:50¡No!
00:51:56Oh, my God.
00:52:33¡Acostas!
00:52:37Debe de estar en el edificio. No hay señas de lavanda.
00:52:39¿Cómo puede haber escapado por la feria de emergencia?
00:52:41Búsquelo en todos los cuartos.
00:52:43¿Y este cuarto qué vamos a hacer con él?
00:52:44Debe estar aquí en este edificio.
00:52:46Vamos a buscarlo. Tiene que estar aquí adentro.
00:52:53¡Abran la puerta! ¡Es la autoridad!
00:52:57¡Abran la puerta!
00:53:00¡Adelante!
00:53:04Fuere de aquí. No tiene ningún negocio aquí en mi casa.
00:53:07Si no se callan, me la llevo a la tarde.
00:53:08No cae nada.
00:53:09Él está en este piso. Vámonos para abajo.
00:53:10Sí, él está en el edificio. Lo encontraremos.
00:53:12Seguro. Vamos.
00:53:16¡Abran la puerta!
00:53:25¡Abran la puerta!
00:53:30¡Abran la puerta!
00:53:31Si, no te vio nunca me antes.
00:53:35Pero te ayudas.
00:53:37¿Por qué?
00:53:40¡Cubes!
00:53:41¡Abran la puerta!
00:53:47¿Hay otro camino de aquí?
00:53:50¡Abran la puerta!
00:53:51The way you came in, a very kind of?
00:53:55Yeah. Yeah, I'm an American.
00:53:59Miss, I just thought of something.
00:54:01Do you know the man that takes the pictures at the La Habana Club?
00:54:03You know the little flashlight photographs?
00:54:06It's not that it matters now, but I just thought that maybe he did get something.
00:54:11And if he did, it might...
00:54:24.
00:54:25.
00:54:25.
00:54:26.
00:54:51I
00:55:13Happy happy
00:55:46Happy happy
00:55:51Happy happy
00:55:52Happy happy
00:56:04Happy happy
00:56:07Happy happy
00:56:08Happy happy
00:56:09We pay you the same as we paid the last time and not one cent more
00:56:13Then perhaps I do business elsewhere
00:56:16Look, we run the stuff across, not you. What do you have to do? Just wear out that seat
00:56:21Of course that you do
00:56:23I don't mind assuming the usual business risks
00:56:25But when it comes to knifing women
00:56:27Knifing women? All you did is switch a couple of knives
00:56:31I had a visit from the police tonight
00:56:34They asked a lot of questions
00:56:36In our business you can't afford visits from the police
00:56:39No
00:56:41No
00:56:42No
00:56:43No
00:56:44No
00:56:45No
00:56:45No
00:56:45No
00:56:46No
00:57:00No
00:57:04No
00:57:12No
00:57:14No
00:57:14No
00:57:18No
00:57:19No
00:57:20No
00:57:21No
00:57:21No
00:57:21No
00:57:22No
00:57:23No
00:57:24No
00:57:24No
00:57:24No
00:57:24No
00:57:25No
00:57:25No
00:57:26No
00:57:27No
00:57:27No
00:57:27No
00:57:28No
00:57:28No
00:57:29No
00:57:35No
00:57:35No
00:57:36No
00:57:36No
00:57:36No
00:57:37No
00:57:39No
00:57:45No
00:57:46No
00:57:46No
00:57:47No
00:57:50No
00:57:51No
00:58:24Listen, I'm getting tired of this for the last time.
00:58:28The same stuff, the same place, and the same price.
00:58:32No deal.
00:58:33No?
00:58:35Then you're out of business.
00:58:36I don't think so.
00:58:38No.
00:58:39Who's going to buy your stuff?
00:58:41You are.
00:58:42Yeah?
00:58:43Why?
00:58:45If you don't, certain people may find out certain things
00:58:49which you might not want mentioned.
00:58:53Sorry you said that.
00:58:55I'm sorry it had to be said.
00:58:57I'm sorry.
00:59:04THE END
00:59:36THE END
01:00:04THE END
01:00:09THE END
01:00:11THE END
01:00:12THE END
01:00:15THE END
01:00:17THE END
01:00:17THE END
01:00:17THE END
01:00:18THE END
01:00:20THE END
01:00:21THE END
01:00:22THE END
01:00:22THE END
01:00:22THE END
01:00:23THE END
01:00:23THE END
01:00:23THE END
01:00:24THE END
01:00:24THE END
01:00:24THE END
01:00:24THE END
01:00:25THE END
01:00:25THE END
01:00:25THE END
01:00:25THE END
01:00:25THE END
01:00:25THE END
01:00:26THE END
01:00:26THE END
01:00:26THE END
01:00:29THE END
01:00:29THE END
01:00:30THE END
01:00:32THE END
01:00:34THE END
01:00:40THE END
01:00:41THE END
01:00:42THE END
01:00:45THE END
01:00:55THE END
01:01:20THE END
01:01:54THE END
01:02:15THE END
01:02:16THE END
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01:02:21THE END
01:02:22THE END
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01:02:29THE END
01:02:30THE END
01:02:42THE END
01:02:43THE END
01:02:44THE END
01:02:54THE END
01:02:55THE END
01:03:20THE END
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01:03:30THE END
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01:03:45THE END
01:03:45THE END
01:03:55THE END
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01:03:55THE END
01:03:56THE END
01:04:06THE END
01:04:10THE END
01:04:10THE END
01:04:10THE END
01:04:11THE END
01:04:11THE END
01:04:24THE END
01:04:25THE END
01:04:25THE END
01:04:25THE END
01:04:26THE END
01:04:26THE END
01:04:30THE END
01:04:38THE END
01:04:42THE END
01:04:42THE END
01:04:43THE END
01:04:43THE END
01:04:44THE END
01:04:45THE END
01:04:46THE END
01:04:57THE END
01:05:00THE END
01:05:01THE END
01:05:05THE END
01:05:05BUT THAT'S ALL
01:05:07WHY DO YOU
01:05:08KEEP LOOKING
01:05:08AT THE CLONK
01:05:11I DON'T KNOW
01:05:12DOC
01:05:14I KEEP FEELING
01:05:15THAT THERE'S SOMETHING
01:05:16THAT I GOT
01:05:17TO DO
01:05:18DON'T LET THAT
01:05:19WORRY YOU
01:05:20THAT'S SYMPTOMATIC
01:05:21IN SHOCK CASES
01:05:23BUT YOU DID
01:05:24REMEMBER TO CALL ME
01:05:25YOU DID REMEMBER
01:05:26TO COME HERE
01:05:28YOU'RE PRETTY WELL
01:05:29OUT OF A TECK
01:05:33YES BUT I KEEP FEELING
01:05:34THAT I
01:05:34I KNOW
01:05:36TECHNICALLY THIS WOULD BE
01:05:37IDENTIFIED
01:05:37IN A CASE
01:05:39SUCH AS YOURS
01:05:39AS AN ANXIETY
01:05:41NEUROSIS
01:05:43THAT SOUNDS TERRIBLE
01:05:44DOESN'T
01:05:45BUT IT'S NOT CHUCK
01:05:47BELIEVE ME
01:05:47IT'S NOT
01:05:49YOU UNDERSTAND
01:05:52YES
01:05:57I STILL KEEP FEELING
01:05:59THAT I
01:06:10I
01:06:10GOT
01:06:10THE TICKETS
01:06:11AT 11 O'CNIGHT
01:06:12NOW
01:06:13I'M JUST A CAPITAL
01:06:14HAVE DINNER WITH HIM
01:06:15AS USUAL
01:06:169.30
01:06:16YOU WANT TO TAKE A DRIVE
01:06:17I'LL BE WAITING IN MY ROOM
01:06:19SEE YOU MEAN
01:06:31BE HAPPY LARNA
01:06:33WE'RE GOING TO HAVE FUN TONIGHT
01:06:35I'M GOING TO TAKE YOU OUT
01:06:37WE'LL GO TO THE FLORIDA CLUB
01:06:39OR WOULD YOU RATHER GO FOR A RIDE
01:06:42TAKE A LOOK AT THE OCEAN
01:06:45SCOTTY SHOWED ME A RONDEVOE THIS AFTERNOON
01:06:48GOT A VERY NICE FUEL
01:06:58VERY NERVOUS THIS EVENING LARNA
01:07:00WHAT'S THE MATTER
01:07:02JOB
01:07:03WILL YOU PLEASE TELL SCOTTY TO BRING THE CAR AROUND
01:07:08SCOTTY'S GONE
01:07:12GONE
01:07:13YEAH QUIT
01:07:15HE SAW HIM LEAVE
01:07:17EVEN YELLLED AFTER HIM
01:07:18DIDN'T EVEN TURN AROUND
01:07:20IT'S GOING TO COST YOU
01:07:21125 BUCKS FOR A NEW UNIFORM
01:07:25STILL WANT TO GO FOR THAT RIDE
01:07:29THANKS NOW
01:07:48GOOD EVENING, COMMANDER
01:07:49GOOD EVENING, BAD
01:07:54WHAT'D YOU BRING ME HERE FOR US?
01:07:56HOW ARE YOU DRINKING?
01:07:57STILL LIKE BOURBON?
01:07:58YES, SIR HADDY
01:08:00TWO BOURBONS AND WATER, BEN
01:08:02YES, SIR
01:08:02THE DRINK WILL DO YOU A LOT OF GOOD
01:08:05IT'LL HELP YOU LET GO
01:08:06LEAVE ATTENTION
01:08:08THAT'S ALL YOU NEED, CHUCK
01:08:16BEN
01:08:17TURN THE CLOCK TO THE WALL
01:08:19WHAT'S THE IDEA?
01:08:20MY FRIEND IS A CLOCK WATCHER
01:08:50placebo!.
01:08:50350
01:08:53YEAH
01:09:18yok
01:09:20NO
01:09:46I don't understand, Your Honor.
01:09:48My Honor, I just don't understand you.
01:10:01Why don't you answer it?
01:10:04It might be Scotty.
01:10:06It couldn't be Scotty.
01:10:08Or could it be Scotty?
01:10:10Gino said that...
01:10:11Maybe he could.
01:10:12Maybe he didn't.
01:10:23Answer the phone.
01:10:28Answer it.
01:10:33Hello?
01:10:39It's for you.
01:10:45Yes?
01:10:47Who wants to talk to him?
01:10:50The Fats.
01:10:51Yeah, I wanted to see you.
01:10:53Talk to you about your place.
01:10:56I'll be right over.
01:10:57Wait for me.
01:11:01No, alone.
01:11:13No, alone, alone.
01:11:29No, alone...
01:11:29Oh, no, alone.
01:11:33No, alone.
01:11:37You're right?
01:11:39I can't remember those people.
01:11:39I love you, I'm so guilty.
01:12:08You've been reading the paper, huh?
01:12:12Mr. Johnson was an obstinate man. I don't like obstinate people.
01:12:22Adi.
01:12:35Adi.
01:12:37Can't we talk things over together like two civilized human beings?
01:12:42All I want.
01:12:43I know. All you want is to leave this house.
01:12:46The way I came in.
01:12:49I had nothing then and I'm asking for nothing when I leave.
01:12:54Just let me go.
01:13:00Living in this house for three years, you must have found out a lot of things.
01:13:06I wouldn't tell anyone.
01:13:07Come on.
01:13:14Job.
01:13:17Adi.
01:13:19Please, Adi.
01:13:21Don't have him lock me in.
01:13:32Don't have him.
01:13:38Don't have him.
01:13:47Job.
01:13:48Job.
01:13:50I want Mrs. Romans not to leave her room until I get back.
01:13:52Understand?
01:13:53Yes, sir.
01:14:05Doc.
01:14:05Look.
01:14:08Her name was Lona.
01:14:14Lona.
01:14:20Lona what?
01:14:29What was her name?
01:14:32Good evening, Mr. Roman.
01:14:34Hello, Sally. How are you?
01:14:35Fine, thank you.
01:14:36Good evening, Mr. Roman.
01:14:40Good evening, Adi.
01:14:41Hi, Adi.
01:14:49How is Mrs. Roman tonight?
01:14:50Quite well, thank you, Albert.
01:14:52Shall we join you later?
01:14:53No.
01:14:55How about a little supper, Mr. Roman?
01:14:57No, I think I'd like a bottle of wine.
01:14:59Lonsan 28.
01:15:02Yes, sir.
01:15:03Lonsan 28, sir.
01:15:04Yes, sir.
01:15:10Eddie, why don't you let me have him?
01:15:12Picked up.
01:15:13How far can he get in that uniform?
01:15:15He'll grab him in a minute.
01:15:20Chuck, I've got to make a phone call.
01:15:22We'll be back in a minute.
01:15:23Yes.
01:15:32Are you listening?
01:15:34Why don't you let me have him picked up?
01:15:38What I want to know, I can't ask him in the police station.
01:15:43What do you think the deal was?
01:15:46Eddie, don't get mad, but they had something cooked up.
01:15:50What I can't get is the guy running out.
01:15:55Maybe he didn't.
01:15:57Look, Dr. Averson.
01:16:09Hello?
01:16:12I'm still at the Florida Club.
01:16:14Just for me.
01:16:16Oh?
01:16:17Well, I'll be back in about a half an hour.
01:16:20Bye.
01:16:24My dog.
01:16:28Oh, hello, Rowan.
01:16:33Hello, dogs.
01:16:34Hiya, doctor.
01:16:36How's the Navy?
01:16:37Fine.
01:16:38Commander, huh?
01:16:39Look at all this spinach.
01:16:41You've done all right for yourself.
01:16:43Not bad.
01:16:44How's Mrs. Rowan?
01:16:46Fine, thanks.
01:16:48Haven't seen you since you joined.
01:16:50Yes, it has been some time.
01:16:52Oh, won't you sit down and join us?
01:16:54No, thank you.
01:16:55I have a friend waiting for me at the ball.
01:17:20When are you getting out?
01:17:21I may stay here.
01:17:22How do you like Sawyer?
01:17:24Turn your practice over to a small guy.
01:17:26I like him very much.
01:17:27So does Lorna.
01:17:31Lorna.
01:17:32Lorna.
01:17:34Mrs. Rowan.
01:17:36Why, of course.
01:17:37It was silly of me.
01:17:39Sure you want to join us for that drink?
01:17:41No, thank you.
01:17:42My friend's still waiting for me.
01:17:44Nice seeing you.
01:17:45Remember me to your wife.
01:18:08Well.
01:18:10Hello, Job.
01:18:12Keep away from that door.
01:18:14Oh, yeah, that's right.
01:18:15Job.
01:18:15Life in the Bible.
01:18:32Chuck.
01:18:35Chuck.
01:18:40I didn't think you were coming.
01:18:44I didn't think you believed any of the things I told you.
01:18:48I believed you.
01:19:00Want to buy your best fancy?
01:19:02Sure, I'd like to send you the place, Eddie, but I don't like the way you buy.
01:19:06Pardon me, will you okay this check?
01:19:11Aren't you afraid you'll miss your boat, Eddie?
01:19:18What did you say, Fancy?
01:19:19I said, aren't you afraid you'll miss your boat?
01:19:22What boat?
01:19:24Aren't you leaving for Havana tonight?
01:19:27What are you talking about?
01:19:29I swear I saw your car at the docks this afternoon.
01:19:36Okay, it's a secret, it's all right.
01:19:40Start all over.
01:19:41Only slower this time.
01:19:43I saw your chauffeur.
01:19:44Buy two tickets for her.
01:19:48Skip it.
01:19:49I didn't see a thing.
01:19:52Chino, call the house.
01:20:18I'm sorry.
01:20:18If they're on the Cuba, they left 15 minutes ago.
01:20:20If they're on the Cuba, they left 15 minutes ago, but I don't think they're on the Cuba.
01:20:24Don't ask me why, because I don't know.
01:20:26I don't think they're on the Cuba.
01:20:29Find a mistake and we'll find them on the...
01:20:33Yeah, here it is.
01:20:35The Cristobal.
01:20:36Freighter.
01:20:37He's pure 42 at 1130.
01:20:44Watch the road, I'm taking over.
01:21:00What time are we shoving off?
01:21:02Great, they're loading. Another hour, maybe two.
01:21:06No, they're still loading. We won't pull out of here for another hour yet.
01:21:09I'll stay down on the pier until we leave.
01:21:11Bad break.
01:21:12Only two ships leaving for Havana tonight, this and the Cuba.
01:21:40Keep this door open.
01:21:43Keep this door open.
01:22:06Keep this door open.
01:22:07I'll go see.
01:22:07...
01:22:07...
01:22:12...
01:22:14...
01:22:22...
01:22:26Oh, my God.
01:22:53Oh, my God.
01:23:23Oh, my God.
01:23:25Oh, my God.
01:23:27Oh, my God.
01:23:43I didn't think you'd ever get back.
01:23:47Chuck, will this boat ever get started?
01:23:50It doesn't matter now.
01:23:51What do you mean?
01:24:01Tell me again.
01:24:06I love you.
01:24:10I want you to keep telling me that as long as we're together.
01:24:16That'll be forever.
01:24:18I want you to keep telling me that as long as we're going to be there.
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