- 2 days ago
Tired of enduring contempt from his peers, Dong-man confronts Gyeong-se. He later chastises Ma Jae-yeong over his relationship with Eun-a.
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TVTranscript
00:00:15I love you.
00:00:41Oh, shit!
00:00:51I'll deal with him. You guys good with that?
00:00:54Come on, man. Whoa!
00:00:56Hey! Oh, man!
00:00:58Hey!
00:00:58Whoa!
00:00:59Stop! Stop!
00:01:01Come on!
00:01:02Shit!
00:01:03I'm gonna kill him!
00:01:05Whoa!
00:01:06Hey!
00:01:07Get over here!
00:01:08Whoa, whoa, whoa!
00:01:08Get off of me!
00:01:12What do we do?
00:01:15Oh, shit.
00:01:16Janet!
00:01:18Don't go out there.
00:01:20No, no, wait!
00:01:21Shit.
00:01:23Come on, man!
00:01:24What are you doing?
00:01:25Hey, hey, hey!
00:01:26Hey, stop it!
00:01:27Come on!
00:01:27Come on!
00:01:28Come on!
00:01:28Come on!
00:01:28Get off of me!
00:01:45Sit!
00:01:45Stop it!
00:01:45You didn't drink, right?
00:01:46No.
00:01:47Where's your car?
00:01:47Over there.
00:01:48Let's go.
00:01:49Okay.
00:02:12You should start writing like that.
00:02:14It was dripping with heart and soul.
00:02:16Cool.
00:02:17You know, I truly believe it's Gyeongse's best work.
00:02:21Wish your stories were like that!
00:02:22Wish your stories were like that!
00:02:24You can go anywhere!
00:02:36I saw you coming again.
00:02:37You left me somewhere, but I can't leave you!
00:02:45You're smart!
00:02:45You're smart!
00:02:46You're smart!
00:02:53I came to go.
00:02:53You're smart!
00:02:54Oh, uh, well, the, uh, police came in. I don't, I don't really know what happened.
00:03:03For the window damage. It's 200,000 won. Call me if it's not enough.
00:03:08Oh, okay.
00:03:10Wait, hold on.
00:03:12Did you throw to rock?
00:03:15Yeah.
00:03:18Why?
00:03:21Because I was bored.
00:03:23Bored?
00:03:25No way.
00:03:27So your address is 37 κ΅μ λκΈΈ λλ‘ꡬ μμΈ. Your job?
00:03:51Your job.
00:03:57He's a film director.
00:04:03Who are you?
00:04:05I'm his producer.
00:04:29Oh, oh, oh, oh. Hey, Thuman, Thuman. What the heck? Are you okay? What happened? Are you okay? What happened?
00:04:34What?
00:04:36Hey, they won't take him either. Same deal.
00:04:39They said his vitals are all normal, so he's not an emergency case.
00:04:42He's really beaten up. Tell them that.
00:04:43I'm not an idiot. I explained they beat the crap out of him. Just look at his face.
00:04:47He says he got a concussion and feels like he's dying, but they go, what's your name?
00:04:50And he goes, Hong Dongman. Every question the nurse asked, he answered correctly.
00:04:54He could at least pretend to be unconscious, but he can't even do that.
00:04:57Wait, what? How would I get my name wrong?
00:05:00Sis, you've got to get it wrong. You've just got to keep quiet and pretend you were knocked unconscious. How
00:05:04hard is that?
00:05:05Oh, shit. Oh, shit. Oh, whatever. If the next hospital turns him away, I'm taking him home.
00:05:15Man. Hey, ow. That hurts.
00:05:18Can't you just pretend to be unconscious, huh? Otherwise, you won't be admitted into the ER.
00:05:24That's embarrassing. How am I supposed to act?
00:05:29Guess he's fine, then. It's a miracle.
00:05:34120 over 80. Sir, can you tell me your name?
00:05:40See your name for me? Your name, sir.
00:05:51Here, how many fingers am I holding up? Can you tell me?
00:05:56You kidding me? Why would you get that right?
00:05:58What? It was obviously two.
00:06:00Take him home already. Go on. That's enough.
00:06:03Everyone has said he's fine, and it's not an emergency.
00:06:05All right, fine. I'm taking you home.
00:06:08Whoa, hey, hey, hey, hey!
00:06:09Don't let him do it! Come on!
00:06:10Out of the car! Buckle over!
00:06:11Don't let the car in here!
00:06:18Man, he ate so much.
00:06:24You got any water?
00:06:26Yeah.
00:06:47It's snowing.
00:06:54Here.
00:07:00Here.
00:07:01Oh, yeah.
00:07:16That's better.
00:07:38Hey, come on.
00:07:39Don't do that.
00:07:39I'll give you 10,000 won.
00:07:43I'll give you 50,000.
00:07:46You gotta be kidding me.
00:07:50Hey.
00:07:51No, every hospital says he's fine.
00:07:53He doesn't have a concussion.
00:07:55He's not even in pain.
00:07:56He's going nuts trying to fish out a 501 coin right now.
00:07:59501.
00:08:01Out of the sewer after he threw up in it.
00:08:05Come on, man.
00:08:06Stop moving it.
00:08:07It wasn't 50,000 won.
00:08:08It was 500.
00:08:09Yeah, go lower, lower.
00:08:11You're almost there.
00:08:15Shit.
00:08:16What did he say?
00:08:24I don't know.
00:08:54I don't know.
00:09:13Oh, jeez.
00:09:19Come out here!
00:09:21Oh, for Christ's sake.
00:09:24Damn it.
00:09:27What the hell?
00:09:28What is this?
00:09:29What the hell?
00:09:55What the hell?
00:10:16What the hell?
00:10:17You're the winner.
00:10:18You earned it.
00:10:20You know what though?
00:10:22I could kill someone too if I really wanted to.
00:10:25But I choose otherwise.
00:10:28Do it if you want.
00:10:30Come on!
00:10:32The jokes that I make, they're just to release a little tension.
00:10:37They're not for destroying others.
00:10:43Let me ask you.
00:10:46Why on earth have you been so mean to me?
00:10:49You don't treat the others like that.
00:10:52But every time I make a film, you just rip it to shreds.
00:10:55I've had people ask me,
00:10:57Why does Dongman hate you so much?
00:10:59What'd you do to him?
00:11:02There's gotta be a reason.
00:11:05So why don't you just say it already?
00:11:07I had to think for Heijin, yeah, but it didn't last.
00:11:10Damn it, not that again.
00:11:14What did I do to deserve all your hate?
00:11:22It's because you hated me first.
00:11:28I've got the same question for you.
00:11:58As of today, I'm leaving the aid club.
00:12:02Sorry I stuck around so long without taking the hint.
00:12:06I'm leaving my crap behind.
00:12:08Just make a new chat.
00:12:16I'm a receiver.
00:12:19Oh, it's so quiet.
00:12:25Just be quiet for me.
00:12:27I'll just go off, like this.
00:12:28Wait, him.
00:12:29Mom.
00:12:30Mom.
00:12:43The A-Club isn't some silly thing
00:12:46that you can join and leave as you...
00:12:49Oh, shit.
00:12:52Oh, gosh.
00:13:06Those two used to be inseparable.
00:13:09How did they end up like this?
00:13:12Wait, were these guys close?
00:13:39Oh, shit.
00:13:43Damn.
00:13:45All right.
00:14:00I don't love this man.
00:14:05I don't know.
00:14:06I don't know.
00:14:16I don't know.
00:14:20I don't know.
00:16:35I'm sure it's green, but it was red.
00:16:40I was like, huh?
00:16:42And when I checked it, it said lonely.
00:16:47I thought, I guess, I like being lonely.
00:16:51I figured it was similar, you know?
00:16:54To me liking things like destruction and hatred.
00:16:59I have a lot of anxiety.
00:17:01It's kind of like my default mode.
00:17:03It's why my watch goes red a lot.
00:17:05But whenever it does, I feel like it's kind of rude to whoever I'm with.
00:17:10You know what I mean?
00:17:14If this ever hits the market, so many relationships will be ruined.
00:17:20Because you'll have couples wearing it, and they'll be like, I love you.
00:17:24And then they'll look down, and I won't say love.
00:17:30I hear it doesn't show love.
00:17:34They say love is not an emotion.
00:17:36It's a concept.
00:17:41Love is not even considered an emotion.
00:17:44It's only things like thrilled, or excited, or nervous, you know?
00:17:49It's whatever you feel in the moment.
00:17:52That makes sense.
00:17:54You can't really define it.
00:17:56Because love is different for each of us.
00:17:59No wonder.
00:18:02You know, the word love has always made me feel frustrated.
00:18:05The world is obsessed with love.
00:18:08But I feel like I've been left out.
00:18:10Like how it feels.
00:18:12I mean, I get longing, missing someone, all that.
00:18:15But love?
00:18:16What's that?
00:18:17I've always wondered.
00:18:18Because I don't know.
00:18:20What is love?
00:18:21This is a huge relief.
00:18:26Knowing it doesn't show love?
00:18:28I now feel like I can trust it.
00:18:33Anyway.
00:18:34I guess I can let you see it now.
00:18:38I was worried that you might see love on my watch.
00:18:47Not like...
00:18:48Oh, shoot.
00:18:49There could be some glitch.
00:18:50You know?
00:18:51If you think about it, you could love someone for like...
00:18:55Like just for a split second.
00:18:57Or you know, like a tenth of a second.
00:19:00Or...
00:19:00Because emotions are out of our control.
00:19:09Anyway, there's no love, so yay!
00:19:11Anyway, there's no love, so yay!
00:19:32There's no love.
00:19:33Of course.
00:19:35I've got no one left to talk to.
00:19:41Anytime, you don't mind?
00:19:42Yeah, that's fine.
00:19:43Okay.
00:20:08You better not hit me again.
00:20:11I've told you a bunch of times.
00:20:12I'm not putting up with it just because you're stronger.
00:20:23You stuff your face like that when you're out?
00:20:42But...
00:20:42You...
00:20:42But I...
00:20:43... I don't know.
00:20:58There's no...
00:21:10There's no other way.
00:21:13Should I be scared? Why are you here so early?
00:21:27Your statement was nice and heartfelt.
00:21:31What? Is there some other crisis?
00:21:44Get in.
00:21:50Doors are closing.
00:21:57Did you spend the night somewhere?
00:22:00Just at my house.
00:22:02Then why are you in the same clothes?
00:22:05They're different clothes.
00:22:23Good morning, sir.
00:22:24Hey.
00:22:25Good morning.
00:22:27Let's hope so.
00:22:32He's probably sweating bullets with that man here this early.
00:22:35Who is that? The CEO of Chongi's agency.
00:22:43So? Did you find her daughter?
00:22:47Sorry?
00:22:50Where's your head today? Oh Jung-hee's daughter. Did you find her?
00:22:56I did.
00:23:02Then why do you look like that?
00:23:05What is it?
00:23:08What? Is she mad or something?
00:23:14You're scaring me, dammit! What's going on?
00:23:18No, she's uh...
00:23:20She's not furious at all.
00:23:37Just beg her to go easy on you.
00:23:39Get on your knees if she says to.
00:23:50Doors are closing.
00:23:52I'm sorry.
00:23:53I'm sorry.
00:23:54I'm sorry.
00:23:55I'm sorry.
00:24:00I'm sorry.
00:24:02I'm sorry.
00:24:08I don't know where I am.
00:24:09I'm sorry.
00:24:12I'm sorry.
00:24:15I was like...
00:24:15I'm sorry.
00:24:20What is it going on?
00:24:21I don't know what I'm doing.
00:24:44Una sent me her notes and I gotta say...
00:24:47Damn, they're really good.
00:24:51I'm pissed.
00:24:54So much needs to get fixed.
00:24:58She's spot on.
00:25:00Did she knock you blind and deaf?
00:25:03It's embarrassing.
00:25:04Hey, quit your crying. I'll buy you some dinner.
00:25:07And that's not even what I was saying.
00:25:08I couldn't think of anyone better than John Miran.
00:25:11What if she shuts me down? I was stressing over it all night.
00:25:14Then I just asked her to read the script and she said she wanted to meet me.
00:25:18And asked...
00:25:20To bring you.
00:25:22Chang Miran knows who I am?
00:25:24There's no way she knows me.
00:25:26She saw you.
00:25:27You and Kyung Se were arguing.
00:25:29In front of Ajit that night.
00:25:31Oh.
00:25:33All right, well, she's into me now.
00:25:35Oh, shoot, man.
00:25:37Yeah, that's right.
00:25:39So Miran's got a serious bone to pick with Kyung Se.
00:25:43If she happened to see everything I prepared, she would have gone nuts.
00:25:48Is she okay?
00:25:50Why do you ask?
00:25:53The Oh Chung-hee's real daughter scandal.
00:25:55I don't know.
00:25:57It's not really her fault.
00:25:59But don't mention it.
00:26:00Why would I?
00:26:08Welcome.
00:26:09Oh.
00:26:12What's going on?
00:26:13Oh, hey.
00:26:15It's been a while, huh?
00:26:16Good to see you.
00:26:18Hey, I heard you got the grant.
00:26:20Congrats.
00:26:21Oh yeah, it's no big deal.
00:26:22Your hard work's paying off.
00:26:25This is where the work begins.
00:26:31It's been a while, Dongman.
00:26:34It has been, yep.
00:26:36I was wondering how you've been doing.
00:26:39Doing real good.
00:26:46So what brings you here?
00:26:48Oh, Keong and I have a little meeting here.
00:26:50Okay.
00:26:54Excuse me a second.
00:26:55Yeah, sure.
00:26:57Hi, Ms. Cole.
00:26:59Ah, yeah.
00:27:05Let's go somewhere else.
00:27:07But we're meeting her here.
00:27:14It pissed me off seeing that idiot.
00:27:18Whenever I was his mentor in college,
00:27:21I always thought,
00:27:23this fool can't write.
00:27:24I've never seen someone as bad or as cowardly.
00:27:29His stories never go anywhere.
00:27:31But the idiot obsesses over every little thing,
00:27:34like fonts or his spacing.
00:27:36It's like it's a fetish.
00:27:39He's the first guy who made me feel homicidal.
00:27:41That's how pissed I was.
00:27:43Just reading that crap of his.
00:27:45This is getting personal.
00:27:47I'm one of those idiots now who fusses over fonts.
00:27:49Oh, man.
00:27:50Are you mad?
00:27:51When I get the perfect font,
00:27:52I like my writing a little more.
00:27:57Everyone's out of their minds.
00:27:59They want to give someone like that three billion.
00:28:02I don't get how anyone agrees to that.
00:28:07Heijin's company is going to produce it.
00:28:11I thought you should know
00:28:12so you don't say something.
00:28:17Well, it doesn't matter.
00:28:19I'm not in the club anymore.
00:28:20Hmm?
00:28:33You doing all right?
00:28:35Yeah.
00:28:36Do you have a producer?
00:28:38No, not yet.
00:28:40Kopok doesn't have a producer available.
00:28:42But Che films and Kopok films,
00:28:44they're always sharing producers.
00:28:46Apparently, Che.
00:28:47There's nobody there
00:28:48who can produce besides Heijin.
00:28:51That's not true.
00:28:52Pyeon Una's a good one.
00:28:53They've got several over there.
00:28:55I'm not sure about Una.
00:28:57I mean, a producer?
00:28:58She's inexperienced.
00:29:00What do you mean?
00:29:01She's developed quite a few projects.
00:29:03How many do you think
00:29:04she's saved from being scrapped?
00:29:06That's the problem with her.
00:29:08It feels like every project she picks
00:29:10turns out to be a dud.
00:29:12They say she only goes for stuff
00:29:14that's about to get tossed.
00:29:15Like it's something beneath her.
00:29:19Like she's loyal to the underdogs, you know?
00:29:22No, that's not fair.
00:29:23Established directors have their go-to producers.
00:29:26But she's a young producer,
00:29:27so she's working with a different pool.
00:29:29That's all.
00:29:32I can't say things like that.
00:29:35Yeah.
00:29:36Anyway, that's...
00:29:37That's how I feel.
00:29:42Dong Man.
00:29:44Why aren't you making anything?
00:29:50You think I don't want to?
00:30:00Hi.
00:30:03Oh, hey.
00:30:04How are you?
00:30:05How are you?
00:30:19Hello.
00:30:22Hello.
00:30:38What makes a good poem?
00:30:45I feel like all the well-known ones
00:30:47are so difficult.
00:30:55With a poem...
00:30:58You gotta memorize it.
00:31:00That's how you understand it.
00:31:04It's hard the first time you read it.
00:31:21I've never seen someone talk as well as he does
00:31:23and then direct so poorly.
00:31:25I didn't even like the script, honestly.
00:31:27Right.
00:31:28He wanted us to meet
00:31:29so he could walk me through everything.
00:31:30I was dying from laughing so hard.
00:31:33I could barely breathe.
00:31:33It was so funny.
00:31:35I thought...
00:31:36Was I wrong about it?
00:31:38I got played.
00:31:39You did.
00:31:40These things keep happening.
00:31:41That arm sawing scene?
00:31:43You want to guess how many takes?
00:31:47Cut!
00:31:49Let's try it one more time.
00:31:50I like the emotion, but...
00:31:51Take 17.
00:31:52Give me anger in the good arm
00:31:54and sadness in the other one.
00:31:55Action!
00:31:57Cut!
00:31:58Feels like you're playing the violin.
00:32:00Cut!
00:32:01I want you to give me
00:32:02a little more sadness.
00:32:05Cut!
00:32:07Action!
00:32:11Nobody told me.
00:32:13My performance was totally soulless.
00:32:15Who has soul while sawing off their own arm?
00:32:17I'm telling you,
00:32:18the whole time
00:32:19I felt like I was sawing for real.
00:32:21I just kept sawing
00:32:22over and over
00:32:23till I was half dead
00:32:24and by the time we were done
00:32:25the next morning...
00:32:30Cut!
00:32:32I guess that's okay.
00:32:34Let's wrap here.
00:32:35Good work, everyone.
00:32:37Alright, good work.
00:32:38Great work today.
00:32:40Could you do the right side?
00:32:41Yeah.
00:32:45In the bag!
00:32:46Here?
00:32:47Yeah, yeah, yeah.
00:32:47That's it.
00:32:50It really felt like I'd sawed it off.
00:32:53Here.
00:32:54I couldn't feel it.
00:32:57It felt like my arm was gone
00:33:00in my head.
00:33:02I wasn't able to use my left arm after that
00:33:04and I still can't use it.
00:33:06See?
00:33:10I went that deep into method acting.
00:33:13But people just made a joke
00:33:15out of Sister Vengeance
00:33:15calling it Sister Clueless, you know?
00:33:18Now whenever they have
00:33:19something weird in a script,
00:33:20I'm scared of looking stupid in it.
00:33:22And so many scripts start off strong
00:33:24but then fall apart.
00:33:25A smart, put-together woman
00:33:27suddenly turns into an idiot by the end.
00:33:29I'd be so stressed
00:33:30trying to imagine
00:33:31how I was supposed to channel
00:33:32being an idiot
00:33:33and I began to think...
00:33:35Forget it.
00:33:36I'll write my own.
00:33:38I'm done looking like a moron
00:33:40getting jerked around
00:33:41because of these awful scripts.
00:33:42I'll write it myself.
00:33:44You can come to my class.
00:33:47No, I'm not going to learn.
00:33:48Writing you do in a class
00:33:50is the most boring there is.
00:33:51Authenticity, structure,
00:33:53all that crap sucks.
00:33:54You've got to write dumb
00:33:55and you've got to act dumb.
00:33:56That's it.
00:33:56I agree with that.
00:33:57That's right.
00:33:58You've got to be dumb.
00:33:59Be dumb.
00:34:00That's it.
00:34:00Be dumb.
00:34:01Be dumb.
00:34:01That's right.
00:34:03It seems like there's one person
00:34:04writing every script.
00:34:05Why do they all sound the same?
00:34:07Then they ask the actor,
00:34:08can you do something different?
00:34:09Then write it.
00:34:10Bring me something different.
00:34:12Bring me one.
00:34:13Bring me one.
00:34:13And bring me another drink, please.
00:34:18You should start writing like that.
00:34:19My arm twitched a little
00:34:20when you said that.
00:34:22I felt it.
00:34:24Seriously.
00:34:25It was like it woke from the dead.
00:34:27It kept twitching
00:34:28and twitching.
00:34:31Back in the day,
00:34:32you know what we called
00:34:33Gyeongse?
00:34:35What?
00:34:36Watermelon liquor.
00:34:38He just needs to crack it open
00:34:39and let the audience have a bite.
00:34:42At least a little one.
00:34:43He can't put it down.
00:34:44All he does is hold it,
00:34:46carefully licking.
00:34:47Like this.
00:34:49You're like,
00:34:50can you stop hugging it for yourself?
00:34:52Other people want to have some?
00:34:53Yeah, that's what he does.
00:34:54You're looking at it,
00:34:55this delicious watermelon
00:34:56dripping with juice.
00:34:58And he won't let you taste.
00:34:59He can't open it.
00:35:00Like the green part.
00:35:01That part's sweet too.
00:35:02Come on.
00:35:04Oh my gosh.
00:35:05It's moving again.
00:35:07I feel it.
00:35:08It's twitching.
00:35:09Do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do
00:35:12-do-do-do-do-do-do-do-do-do-do-do.
00:35:13Fuck Gyeongse,
00:35:14that damn bastard.
00:35:15Take the actors.
00:35:16Turn him into idiots.
00:35:17What's my talent?
00:35:18What's my talent?
00:35:20Just licking
00:35:22Watermelons.
00:35:22He's just licking
00:35:23Oh, man.
00:36:03Are you trying to scare me right now?
00:36:05Why are you being quiet?
00:36:09I've discovered she changed her name.
00:36:12She's no longer Xion. She's Una.
00:36:17Una?
00:36:19Yes.
00:36:22And I found out she's somewhere closer than I thought she was.
00:36:27She works at...
00:36:31At Chae Film now.
00:36:34I went there to see, just in case.
00:36:38And I don't think that anybody knew that she was your daughter.
00:36:42If they did, Chae wouldn't have freaked out like that, telling me to find her.
00:36:47And if he had known about Una being your daughter, well, he wouldn't be so hard on her.
00:36:55Um, but no one around her is aware of what her background is.
00:36:59It's like even she doesn't know.
00:37:04It looks like she started as a temporary admin assistant and then went full-time.
00:37:08After high school, she did other similar kinds of work in the industry.
00:37:13I think her joining Chae Film was unintentional.
00:37:19So he didn't even send her to college?
00:37:24Oh, um...
00:37:26Mr. Pyun Jeesu passed away in 2008.
00:37:29Now she lives with her grandmother.
00:37:31Just the two of them.
00:37:35What grandmother?
00:37:37Both of her grandmothers have already passed away.
00:37:40Yes, huh?
00:37:43Mr. Pyun actually got remarried when...
00:37:46Yes, I know.
00:37:48So...
00:37:48It's the mother of his second wife.
00:37:52That's who it is.
00:37:54She's Miss Pyun's step-grandmother.
00:38:05No, Grandma, just put it in here.
00:38:09They started living together when she was 11 years old, after Mr. Pyun remarried.
00:38:16They continued living together even after he passed away, when Una was in middle school.
00:38:22That's not good.
00:38:23I prefer yours way more.
00:38:31Her step-mother moved to Japan for work.
00:38:57No, don't worry. I got it. Just sit down.
00:39:22We should have her moved before the press finds out she's living in a place like that.
00:39:26And probably have her cut ties with her grandmother, too.
00:39:29I'll call her and tell her she needs to move out right away.
00:39:33I'll talk to her. Nobody else talks to her. I'll do it.
00:39:37All right.
00:39:40Where's Miran?
00:39:42She said she had plans with Yijun Huan tonight. She should be with him now.
00:39:45Tell her no drinking and to come home early.
00:39:47Yes, I will.
00:39:55Yes, I will.
00:40:12I'll do it.
00:40:12Yeah, okay. I'm on my way home now. Yes, I'm in the van.
00:40:17She's the one who's in trouble.
00:40:18Take your time reading it.
00:40:21Let's meet again. I'm serious.
00:40:22Okay. Promise?
00:40:24Yeah, of course. Uh-huh. She got it.
00:40:26You'll be safe on your way home, ma'am.
00:40:28See you guys.
00:40:30Good night.
00:40:30I'll see you soon.
00:40:31Good night.
00:40:32All right.
00:40:46Let's share a cab. I'll drop you off.
00:40:50Come on.
00:40:57Please transfer the line number four at this station.
00:41:02Approaching transfer to line number four.
00:41:11The 46 Korean Film Awards Best New Director goes to...
00:41:15Hong Dong Man for Weather Maker.
00:42:02Look, Axe. I hear you're now Dong Man's producer. You're on my payroll. Are you taking outside work?
00:42:15You know that I have writers asking me to read for them all the time. We don't consider that work.
00:42:21Hong Dong Man?
00:42:23Go Hei Jin managed them for ten years till she had to let them go.
00:42:26You think she dumped them because she's not as good as you?
00:42:29Come on, Axe, please. Stop digging up what everyone else has thrown away.
00:42:34You're always obsessed with these scripts that should be shredded.
00:42:37I bet when you watch sports, you root for the underdog, don't you?
00:42:41Do you think that I'm running a charity? That's why I pay you?
00:42:46If we only work with directors who've already been established, we'll never discover the next big talent.
00:42:53And we don't need to. When you've got the money, you... you can stick with the ones who've proven themselves
00:42:59already.
00:43:00It's the ones with no money who dig around in the dumpster.
00:43:03When you get to be my age, you can tell. You just... you smell it.
00:43:07Who is the champ? And who's a chump?
00:43:10There's no such thing as a tragic genius or a hidden master.
00:43:13If you have the money, you can find the money makers, just like that. They don't stay hidden for too
00:43:18long.
00:43:18Do you think I ever stayed hidden? So quit all this digging through the dumpster. You gotta stop!
00:43:27Throw him out.
00:43:29This is so frustrating.
00:43:34I heard a big shot director want to work with someone smaller like us.
00:43:41Because I don't get it.
00:43:45I can't credit you as a writer. I'll give you development producer. That's as far as I can go.
00:43:58Oh shit.
00:44:04Stop leaving me on red, or I'll show up at your place and make a scene.
00:44:16I wish I had an older brother.
00:44:20One who's completely crazy.
00:44:34The wedding's right around the corner. Just tell me whether you've booked someone or not. Give me something.
00:44:39And I have to call you over and over before you pick up.
00:44:41What are you gonna do?
00:44:43I already bragged to the in-laws that we'd get a famous singer for the wedding.
00:44:47Now I'm supposed to tell them it's not happening?
00:44:49That'll make me look bad.
00:44:50You've been in the business 20 years. How do you not have someone you can ask a favor from?
00:44:54Uh...
00:45:30Can you get me a copy of Ma Jae-yong's script?
00:45:33If it's you asking, they'll probably let you see it.
00:45:36Or maybe you could try asking Hye-jin.
00:45:40There's something I need to check.
00:45:43What a shithead.
00:45:47For the longest time, I've just had trouble actually seeing people.
00:45:51They're just these masses, globs of feeling.
00:45:59It feels like you have a thousand open doors wide open.
00:46:21We should meet, don't you think?
00:46:23Why is that? Just go ahead and say it.
00:46:26If you don't want to, I'll go to Kohei-jin.
00:46:29Do you want that?
00:46:35Oh, fuck.
00:46:37Oh, fuck what? What do you mean?
00:46:40I'm the one who should curse right now, you asshole.
00:46:44You know what I got?
00:46:45A thousand open doors, dude.
00:46:48Have you ever seen that before?
00:46:49I'd say you're fucked, shithead.
00:46:52I used to suffer through your writing, so pissed to have to read it.
00:46:55And now I'm happy I did, cause I caught you.
00:46:59Huh?
00:47:00I told you.
00:47:02Reading someone's work, you see right through them.
00:47:04What's going on in their head, who they really are, what kind of life they lead.
00:47:09So why is it that I see Una whenever I read your script?
00:47:15Cause we dated.
00:47:19I used to date Una.
00:47:21I can see that in your writing, asshole.
00:47:24So why is her name missing from it?
00:47:26What, I've got to credit every little bit of help I got?
00:47:29Just cause we dated?
00:47:31Our writing's like our blood type, it's personal.
00:47:34That's why you can't mix it.
00:47:36Your script has two different blood types, it's obvious.
00:47:39Una's sharp as a blade, and you can't pierce a thing, drives me crazy.
00:47:43If you asked me right here to separate the parts that you wrote from the parts that she wrote, I
00:47:48could do it in a heartbeat.
00:47:49You want me to show you?
00:47:51You think I'm the only one who can tell?
00:47:53I would bet anything that Ko Hei Jin can tell.
00:47:57You stole from the wrong person.
00:48:00She's a genius, you piece of shit.
00:48:02That person you stole from shines like a priceless jewel.
00:48:05There's just no way that anybody would mistake who those words belong to.
00:48:09So what's wrong?
00:48:12You don't like her work?
00:48:15What, she only wants what was in the trash?
00:48:19You think that's right?
00:48:23Someone as brilliant as she is, doesn't pursue her own desires like you do, but rescues what's about to be
00:48:28thrown out.
00:48:30And pours her talent into it. Doesn't that make you want to cry with gratitude?
00:48:34You should be worshipping her! She's much better than you, jackass!
00:48:37Damn it!
00:48:39Who are you to give me a lecture? You've done nothing.
00:48:42When you ripped my work back then, you know what I realized?
00:48:45I thought, this guy? He sees himself in me. And he hates himself so much right now.
00:48:51You thought I was as incompetent as you. You despised me for it! You ripped me for it!
00:49:01Do you still think I'm as incompetent as you?
00:49:39You said you'd text me.
00:49:41I think I have a dream.
00:49:52If your heart does not feel like it may be a part of your mind.
00:49:59I think you're so much better out of it.
00:49:59When I see my mind, I'll be better out of it.
00:49:59You need to miss the second.
00:49:59Thanks.
00:50:01Your message turned my watch green
00:50:04For the first time today.
00:50:06That I will be so much better.
00:50:11That's why I want to share my message.
00:50:15And for the first time today, mine just turned green too.
00:50:57And for the first time today, mine just turned green too.
00:51:18And for the first time today, mine just turned green too.
00:51:57And for the first time today, mine just turned green too.
00:52:19And for the first time today, mine just turned green too.
00:53:33The first time today, mine just turned green too.
00:53:42The first time today, mine just turned green too.
00:54:06And now ever since then, I've been so worried about it.
00:54:11Even at the screening, I was so terrified the punk would see it and remember it.
00:54:17Oh shit.
00:54:18I just kept wishing he'd die in an accident.
00:54:23And that's when I started picking on him.
00:54:33You know how people say that my first film was my best one?
00:54:41I'm so sick of it.
00:54:45Every time I hear it.
00:54:50So if Dongman suddenly gets his debut, and it turns out to be good, then well, that would
00:55:05make me nothing.
00:55:08Soβ¦
00:55:12I always hoped that the punk would never debut.
00:55:17I wish he'd just disappear.
00:55:26Dongman never showed it in front of you, but I know for a fact he loved that movie so much.
00:55:34It almost made him cry.
00:55:36He said he wanted to kiss you.
00:55:37It was so good.
00:55:39And that was his life's dream to make something like that.
00:55:45He really loved it.
00:56:02You want to sleep?
00:56:09Why aren't you asleep?
00:56:12Come on.
00:56:13Why are you awake?
00:56:15Calm down and stop worrying so much.
00:56:19We all do things like that.
00:56:21Everyone uses other people's stories.
00:56:24Even if you had told him, he couldn't have done it well.
00:56:29The guys let so many good ideas just slip away.
00:56:34If he'd use his own stories, he'd have three, four films by now.
00:56:40But he doesn't even realize how usable his own life is.
00:56:43He keeps trying to force something out of nothing.
00:56:46Sigh.
00:57:07Kyungsae.
00:57:10You've had it rough for a while.
00:57:14That was a beautiful confession.
00:57:17I'm proud of you.
00:57:20I'm proud of you.
00:57:21I'm proud of you.
00:57:25I'm proud of you.
00:57:30I'm proud of you.
00:57:32I'm proud of you.
00:57:32I'm proud of you.
00:57:33All right, listen.
00:57:34Has anyone here not used Dongman's stories?
00:57:38Kitty,
00:57:39the screw-up brother-in-law
00:57:41that you wrote in X-Family?
00:57:42That's Dongman, right?
00:57:45Sung Tae, your Lone Shark character.
00:57:48I know that's from Dong Man too.
00:57:51Everyone in this room gets excited when he says anything,
00:57:55thinking that you'll use it later.
00:57:57You guys know it. I know it. We all know it.
00:58:02Hey, Sung Tae, you little shit, you don't even hide it.
00:58:05You just jot it down.
00:58:07And what about him throwing up in the sewer
00:58:09and trying to fish his coin out?
00:58:11Come on, you know someone's using that.
00:58:16Kyung Se, the Department of Stress Management,
00:58:19you need Dong Man to finish that.
00:58:24Think about it.
00:58:25I get that he drives us crazy and pisses us off,
00:58:28but we get so many ideas from it.
00:58:31Right?
00:58:33And still, nobody wants him here.
00:58:39We all feel safe because he's so naive,
00:58:42and he doesn't know that everybody's using him,
00:58:45and the strange part about it is we feel guilty for it.
00:58:48So we yell at him.
00:58:52Am I right?
00:58:54Do you guys really think you can come up with anything without Dong Man?
00:59:02Then...
00:59:03How about this? Dong Man is mine.
00:59:06Huh?
00:59:08That's fine.
00:59:10Wang Dong Man and I are best friends now.
00:59:13Everything that happens to him is mine.
00:59:15You got it? He's mine unless I say.
00:59:19Come on, Yang.
00:59:22What are you doing?
00:59:23That's a bad ending.
00:59:26Oh, yeah? Well, I've never been great at endings.
00:59:30I've tried to finish my script 27 times.
00:59:35Damn it.
00:59:35Whatever.
00:59:37Anyway, Dong Man's mine now.
00:59:40I'm out of ideas. I'm too old.
00:59:42Wang Dong Man, he's mine. Got it?
00:59:51Why are you being quiet?
00:59:57Not you.
00:59:59You.
01:00:00I'm sure you want to talk.
01:00:06I'm against it.
01:00:09I'm against Dong Man rejoining the 8 Club.
01:00:14I want to be the only one he sees.
01:00:17Why?
01:00:18To keep all his stories?
01:00:20Yeah.
01:00:22I want every story.
01:00:25Then I'll give every single one of them back to Huang Dong Man.
01:00:28So that...
01:00:33He finally realizes how brilliant he is.
01:00:56How come you didn't tell me you got a girl?
01:01:00Hm?
01:01:01I said you could come back if you did.
01:01:06Well, she doesn't feel the same way as I do.
01:01:08So, uh...
01:01:10Hey, keep it quiet.
01:01:11If Luna finds out...
01:01:13I'm serious. Don't tell anybody.
01:01:15It's not one-sided.
01:01:17She's defending you over here.
01:01:20You come back when you're ready.
01:01:28Oh, jeez.
01:01:39Oh, jeez.
01:02:04Wait.
01:02:07I can't look at you.
01:02:11Please welcome them with a big round of applause.
01:02:14This song is for you.
01:02:30Congratulations to Huang Dongman's beloved cousin, Miss Yi Eren,
01:02:33and her groom, Mr. Kim Shin Young, on their wedding.
01:02:37And I'd like to thank Mr. Huang Dongman.
01:02:40After filming Sister Vengeance, he was the one who fixed my arm again.
01:02:44Mr. Huang, whenever you have a killer script ready, let me know.
01:02:48I'm first in line.
01:02:49Don't forget, now this is for you, the couple in love.
01:02:55It's a kiss and a little bit, but I'm still not a kiss.
01:02:59I'm still a kiss and a little bit, but I'm a little bit,
01:03:01I'm a little bit, I'm a little bit,
01:03:02I'm still a kiss and a little bit,
01:03:08I'm still a kiss and a little bit.
01:03:10If you are our hearts,
01:03:14it's a kiss and a laugh,
01:03:16that won't birthday in the sky,
01:03:21where are we
01:03:29I'm not even hoping for success
01:03:34All I want is to make a film
01:03:38So I can feel less worthless for just a little while
01:04:19All I want is to make a film
01:04:42I should have fallen in love.
01:04:44I never realized I had such a powerful engine inside me.
01:04:47I should have fallen in love.
01:04:49You know Pyong Nuna is a magician with re-writes.
01:04:51Now Dongman's working with her.
01:04:53Think carefully here.
01:04:54Another person's talking now.
01:04:55They even posted a photo of her as a kid.
01:04:57Listen, Zheng He's about to call you.
01:05:00Please answer.
01:05:00No, don't.
01:05:01I'll tell the public on my own.
01:05:03Everyone will hear me speak the truth.
01:05:04That person's showing the same pattern once again.
01:05:07Unknown.
01:05:08I'm pretty sure I haven't had that one.
01:05:09I want to know what made them feel like that.
01:05:39I want to know what made them feel like that.
01:05:41You
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