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  • 14 hours ago
Cowboy Roy Rogers travels to Rancho San Angelo, a territory on the American-Mexican border, to help Cookie Bullfincher investigate some mysterious deaths around a silver mine. Roy's suspicion of mine manager Gus Ulrich is shaken by the unexpected arrival of Western author Lee Madison, who advises Roy to read one of her books to help him solve the murders. Meanwhile, Cookie follows Ulrich to the mine and discovers a complex scheme.
Transcript
00:00:07A bell, San Angelo, fill the air with golden melody.
00:00:15From valley to valley, from everywhere, that song rings up to me.
00:00:23The heavenly voices, so sweet and clear, break up in harmony.
00:00:32The bells of San Angelo, I hold dear, they're in my memory.
00:00:41They tell of the magic of new love, of tears through the years made apart.
00:00:48They tell of an old love, still true love, the love that I keep in my heart.
00:00:58For the bells of San Angelo call to me.
00:01:03Come back, come back, they sing.
00:01:07I know that my heart ever there will be when the bells of San Angelo ring.
00:01:15When the bells of San Angelo ring.
00:01:20Dile que nunca me dejé, que nunca se vaya de aquí.
00:01:28Y dile que solo la muerte, que mi alma podrá arrancarle.
00:01:37Split-cevie-campanes, desanam, del vibralam.
00:01:41Su dulce carillon.
00:01:45Del aire a cielo que legrana.
00:01:50Solidaria y su mentise.
00:01:54When the bells of San Angelo ring.
00:02:03It's always good when you come here and we join our voices together in song.
00:02:07I'm only sorry that trouble brings you here.
00:02:10I'm sorry too, Padre.
00:02:11But I think with the help of my friends over the border here,
00:02:13we'll be able to get this thing straightened out.
00:02:15Well, I'm sure glad you come, Roy.
00:02:17As mayor and sheriff, I can only go so far.
00:02:20Word was sent to the mine this morning for Ramon to meet you here.
00:02:23He'll be along any meet.
00:02:31Let's go.
00:03:08Come on.
00:03:09Come on.
00:03:12Come on.
00:03:13Come on.
00:03:13Come on.
00:03:14Come on.
00:03:15Come on.
00:03:16Come on.
00:03:17Come on.
00:03:18Come on.
00:03:19Come on.
00:03:19Come on.
00:03:20Come on.
00:03:20Come on.
00:03:22Come on.
00:03:26Come on.
00:03:36Hi, Sheriff.
00:03:37He's just in time.
00:03:38We've been having a little trouble.
00:03:41Can't do much for him now, boys.
00:03:43He's dead, Cookie.
00:03:44You better start explaining, Alrick.
00:03:46There ain't much explaining to do.
00:03:48Look him over.
00:03:50You'll find he's been stealing high-grade ore
00:03:51from the Monarch mine.
00:03:56That's pure silver.
00:03:58Gridley gave us orders to shoot thieves.
00:04:00You better have plenty of evidence.
00:04:02We've got it. What do you call that?
00:04:10My son.
00:04:15This is the work of the devil.
00:04:17You are murderers.
00:04:25I'll keep this, Cookie.
00:04:27I'm going up to the mine and have a talk with the man who gave those orders.
00:04:30I'm sorry, but Mr. Gridley's busy.
00:04:32Not that busy.
00:04:33Look, nobody's coming up this road without a warrant.
00:04:36On a murder case, I don't need one.
00:04:38Look here.
00:04:40Why, you...
00:04:43They won't bother you anymore, Roy.
00:04:45I'm taking them all in.
00:04:51Get on your horse, you nasty little kid.
00:04:57I'm taking...
00:04:58In nomini Patria, et filia spiritus sanctus.
00:05:01Amen.
00:05:29Let's go.
00:05:32Your name Gridley?
00:05:34That's right.
00:05:35I'm Roy Rogers.
00:05:36Oh.
00:05:37A border investigator.
00:05:39Step inside.
00:05:51Sit down.
00:05:55Drake?
00:05:57No, thanks.
00:05:58Gridley?
00:05:59Your men just murdered a boy from San Angelo.
00:06:02Why?
00:06:03If my men killed anyone, they did it under orders.
00:06:05Anyone else found trespassing and stealing will have the same thing happen to them.
00:06:09This is the second time this has happened.
00:06:12You have no right to take the law into your own hands, and you're not going to get away with
00:06:15it.
00:06:15This is tough country, Rogers.
00:06:17We're in a bad spot here.
00:06:19The Monarch is a small but rich mine here on the Mexican border.
00:06:23While it's all part of the San Angelo Rancho,
00:06:25these hills are in Mexico and make a natural getaway for anyone who wants to hold us up.
00:06:29We can't expect any help from San Angelo over here.
00:06:32And the Lodge isn't much help.
00:06:34The town's even farther away.
00:06:37So you see, we have to be tough.
00:06:38In my opinion, you're just a little too tough.
00:06:41I'm here to protect the interests of the stockholders.
00:06:44Nobody's going to tell me how to run the Monarch.
00:06:46That goes for you too, Rogers.
00:06:47So that's the way it is.
00:06:49Yes, and that's the way it's going to stay.
00:06:51Not if your men are guilty of murder.
00:06:53My men are guilty.
00:06:55So am I.
00:06:57That's what I'm thinking.
00:07:08He frightened you, Cinderella.
00:07:10Well, don't be afraid.
00:07:12I don't think Mr. Rogers is going to be with us very long.
00:07:36Hello, Tramp.
00:07:37Hiya, boy.
00:07:38Hi, fellas.
00:07:39Hello, Cookie.
00:07:40Cookie, don't tell me another hound.
00:07:42Oh, Roy, so help me.
00:07:44I was on my way home and he followed me.
00:07:45Yeah, I know.
00:07:46And as official dog catcher, you had to bring him in.
00:07:49Yeah, yeah, that's right.
00:07:51Roy, I'm sorry I had to let Ben go.
00:07:53I know where they're mine guards go.
00:07:54But I couldn't prove that that boy wasn't stealing.
00:07:56After all, you found the silver on his body.
00:07:59I know.
00:08:00What'd it run?
00:08:01It's really pure.
00:08:02According to the assayers, it runs about 18,000 to the tons.
00:08:05Boy, I sure wish I had a boatload of that stuff.
00:08:08Woo-wee.
00:08:09No wonder Gridley's got to be careful with pure silver floating around.
00:08:12That makes this worth about $40.
00:08:14Not much for a man's life.
00:08:16Well, why'd they shoot him?
00:08:18Why didn't they grab him?
00:08:20He was going to tell us something.
00:08:22Gridley's men got to him first.
00:08:24Well, if you want to go up and take a look around that Monarch mine,
00:08:27I'll give you a search warrant.
00:08:28Then tip him off that we're coming?
00:08:30Gridley's too smart for that.
00:08:31He'd cover up before we got up the hill.
00:08:35Morning, gentlemen.
00:08:37Morning.
00:08:38Hiya, Buck.
00:08:40Where'd you get them duds?
00:08:41Out of them from the Zoot Suit Company.
00:08:43Sharp, ain't they?
00:08:45You sure is a hard man to find, Mr. Rogers.
00:08:47I've been trying to catch you for two days with that communication.
00:08:50My Western catalog get here yet?
00:08:52Yes, sir.
00:08:53Four days ago, but I ain't finished reading it yet.
00:08:55I just got first the song section.
00:08:57Tippy-tie-yah-yo.
00:09:00Ge-longy-doggy.
00:09:04That's your silly-looking outfit.
00:09:06Hey, I wonder if they come in my size.
00:09:09Well, I don't mind trailing thieves and murderers, but this is too much.
00:09:14Please smoke, fellas.
00:09:15Listen to this.
00:09:16Lee Madison will be here Thursday.
00:09:18He's that writer, fella.
00:09:20Lee Madison will arrive on the bus Thursday.
00:09:23Make reservations at the lodge and assist in every way possible in the collection of material for a new novel.
00:09:30Chief Border Inspector, Ian Moffitt.
00:09:33Oh, he writes stories about people like you and me.
00:09:35And he makes us all sound like a bunch of characters who spend their time hanging horse thieves and chasing
00:09:40Indians.
00:09:41Well, let's run the critter out of town.
00:09:43Now, you sound like one of his characters.
00:09:45Well, it looks like you're going to have to be nice to him, whether you like it or not.
00:09:48I haven't got time to be nice to anyone right now.
00:09:51You boys better be the welcoming committee.
00:09:53Gee, that's swell.
00:09:55We'll do it up in good old Western style.
00:09:56Yeah, did you read Murder on the Border?
00:09:58Golly, I did.
00:10:00It's all about...
00:10:02I know what it's all about.
00:10:03Black-hearted villains and roaring six guns.
00:10:06I'd like to see him face some of those roaring six guns he writes about.
00:10:09Well, we'd better get going.
00:10:10The bus will be in this afternoon, and we want to do this upright.
00:10:13Yeah.
00:10:13Oh, I'll be there, too.
00:10:15Hey, maybe we can get Madison to help us with the investigation.
00:10:19That's what I'm afraid of.
00:10:20An armchair detective like that could ruin our chances of pinning anything on Gridley.
00:10:24Oh, I never thought of that.
00:10:27Say, Cookie, what do you suppose Madison would do if he met one of these black-hearted villains
00:10:32with roaring six guns?
00:10:34Oh, I don't know what he'd do, but I know what I'd do.
00:10:38I'd...
00:10:38I'd...
00:10:40I'd...
00:10:41I'd catch a first-pass freeze out of town.
00:10:59Uh, Miss Madison.
00:11:01Would you mind an autograph in your book for me, please?
00:11:04Of course not.
00:11:05Gee, just wait till I tell my wife about meeting the famous Lee Madison and how pretty and...
00:11:10Uh, on second thought, I think I'll just show her the autograph.
00:11:20Uh, Mr. Madison?
00:11:21Huh?
00:11:22Mr. Madison?
00:11:23Huh?
00:11:24Mr. Madison?
00:11:25I say, are you Mr. Lee Madison?
00:11:28Huh?
00:11:28Oh, sorry, son.
00:11:29I've got only insurance I can handle.
00:11:31Oh.
00:11:32Oh.
00:11:33Oh.
00:11:34Are you looking for Mr. Madison?
00:11:36Yes, ma'am.
00:11:38Mr. Lee, he didn't want any broken-down writers hanging around here anyway.
00:11:42Yeah, that's right.
00:11:43Oh, really?
00:11:45Oh, yes, ma'am.
00:11:46He's pretty sore about the whole thing.
00:11:47He's afraid that old buddy dud will butt into everything.
00:11:50Oh, I don't know about that.
00:11:52I like his books.
00:11:55So do I.
00:11:56Well, there are no more buses today.
00:11:58See you all later.
00:11:59Goodbye, ma'am.
00:12:01Uh, were you going to the lodge?
00:12:02Well, I intended to.
00:12:04Well, Swell, come along.
00:12:06Yes.
00:12:11Uh, you'd better sit up front, miss.
00:12:13I don't think Madison would have, though.
00:12:16Royce said that somebody's lab would take a shot at him for writing those corny books.
00:12:20Shot?
00:12:21Royce said?
00:12:22Oh, yes.
00:12:25You too?
00:12:29Sorry, miss.
00:12:30We didn't catch the name.
00:12:32Oh, yes.
00:12:33Helen.
00:12:35Helen Clifford.
00:12:37Helen Clifford, fellas.
00:12:38Well, hello you, Helen.
00:12:39Hello.
00:12:41Yeah.
00:12:55When the rustlers come to town, I just ups and shoots them down.
00:12:59Hot lead.
00:13:01Hot lead.
00:13:02Makes no difference where they're from.
00:13:04I just ups and gives them some.
00:13:06Hot lead.
00:13:08Hot lead.
00:13:23What is that?
00:13:25A six-shooter?
00:13:25No.
00:13:26Sixteen-shooter.
00:13:28Found a rustler on the trail, I just ups and let it hail.
00:13:31Hot lead.
00:13:33Hot lead.
00:13:34Found another three or four, I just ups and let it pour.
00:13:38Hot lead.
00:13:40Hot lead.
00:13:40Hot lead.
00:13:42Hot lead.
00:13:42The West is wild and woolly and it's tougher than a blue shootin'
00:13:46Arms are always itching, making bursts above the shootin'.
00:13:49Let a bandit come inside, I'll just ups and pour them white hot lead.
00:13:54Ha, ha, ha, ha, ha, ha, ha, ha.
00:13:57Hot lead.
00:14:00Hot lead.
00:14:03Hot lead.
00:14:05Hot lead.
00:14:09Hot lead.
00:14:13Hot lead.
00:14:35The End
00:15:00All right, all of you climb out of there fast. Keep your hands up.
00:15:09Where's your passenger?
00:15:14Take your boots off and throw them back in the wagon.
00:15:17Oh, come on!
00:15:25You can start walking when we get to the top of the ridge.
00:15:34Let the bandit come in sight.
00:15:37You just up and pours him water on land.
00:15:50All right, come out of there.
00:15:51I said, come on.
00:16:03Well, where's Madison?
00:16:05He didn't show up.
00:16:08What do you want him for?
00:16:09I want his money.
00:16:11He's rich and I'm poor.
00:16:12You mean you rob from the rich and give to the poor?
00:16:16Yeah, that's right.
00:16:18Besides, I don't like him.
00:16:20Why?
00:16:21Did you ever read any of those awful western stories he writes?
00:16:26Awful?
00:16:26Yes, awful.
00:16:28They give us outlaws a bad name.
00:16:32You better come on up here, little girl.
00:16:39Now, if you'll just hold his line steady, you'll be all right till the boys get here.
00:16:45Don't worry.
00:16:48Sorry to have bothered you, ma'am.
00:16:53Goodbye, Robin Hood.
00:17:09Hey, did you see who's here?
00:17:11Yeah.
00:17:12Want me to stick around?
00:17:13Now, go back to the mine and get a hold of Roberts.
00:17:15Make sure everything's all right.
00:17:21Sounds like Rogers.
00:17:22It is.
00:17:22In the cowboy's dream of heaven
00:17:24Then at a great big moon is shining high up in a prairie sky
00:17:29That's the cowboy's dream of heaven
00:17:32The stars are twinkling, the breeze is whispering low
00:17:37The boys around the camp are singing songs of long ago
00:17:41Or there's an old guitarist drumming out a western melody
00:17:45In the cowboy's dream of heaven
00:17:49While on a distant hill the coyote's crooning out the harmony
00:17:53In that cowboy's dream of the sky
00:17:57He may be weary from riding all the day
00:18:01But when the shadows fall around, you're sure to hear him say
00:18:05Give me a little bit of Rangeland and perhaps a pal or two
00:18:09That's a cowboy's dream of heaven
00:18:12And just as long as I am dreaming
00:18:15I would like a gal who's true
00:18:17That's a cowboy's dream of heaven
00:18:36Oh, Miss
00:18:37Oh, hello, Mr. Rogers
00:18:39Any word for Mr. Madison?
00:18:40I'm sorry, but there haven't been any messages for you at all today
00:18:43I see
00:18:45Well, if you do hear from him, will you let me know, please?
00:18:47Certainly
00:18:48Thanks
00:18:50Oh
00:18:51Well, hello there
00:18:52I meant you
00:18:54I mean, I'm sorry
00:18:56Oh, that's all right
00:18:58I'm used to being bumped around
00:19:00My name's Clifford, Helen Clifford
00:19:01I'm a new guest here
00:19:02Well, I'm Rory Rogers
00:19:03Oh, not the famous border investigator
00:19:06Well, I...
00:19:07Say, by the way, where were you this afternoon?
00:19:09We needed you
00:19:10What was the matter?
00:19:11A masked bandit held us up
00:19:13And there wasn't a soul around to protect us
00:19:16Not even a border investigator
00:19:19I'm sorry, Miss Clifford
00:19:21But I can't be everywhere at once
00:19:24Evidently not
00:19:26Say, by the way, I understand
00:19:27There's quite a bit of trouble around here
00:19:29That, well, people haven't been able to solve
00:19:32Murders, shootings, and things like that
00:19:35We're investigating them now
00:19:37Really?
00:19:38You know, it's such a shame
00:19:39Lee Madison didn't show up
00:19:41He might have helped you
00:19:42I think we can do all right
00:19:44Without the help of Mr. Madison
00:19:45Do you know you should read his book?
00:19:48Murder on the Border
00:19:50Did you ever hear of it?
00:19:51Might give you a solution
00:19:52What would a hack writer like Lee Madison
00:19:55Know about anything?
00:19:56Besides, we have our own ideas down here
00:20:01Mr. Rogers
00:20:22You better come up the mine
00:20:23I've always picked the one of Rogers' sentries snooping around
00:20:25Did he find out anything?
00:20:55I don't know
00:21:09I don't know
00:21:10Go for the hack couch
00:21:16Take care of все
00:21:16What are you doing?
00:21:16Come on
00:21:20See you
00:21:21I don't care
00:21:24Of all
00:21:45That's him.
00:21:46What are you doing spying around here?
00:21:49He won't talk.
00:21:50We've already worked him over.
00:21:52Where's his horse?
00:21:53Cut him loose on the other side of the border.
00:21:55What about Robert?
00:21:57Should be here about now.
00:21:58Let's go.
00:21:59We'll take him with us.
00:22:00Come on.
00:22:01Maybe you'd like to see what we're doing.
00:22:21This is not part of the monarch mine, senor.
00:22:24Right.
00:22:36You're Spanish ancestors certainly knew how to dig a mine.
00:22:39We know how to use it.
00:22:41I'll bet when they dug the San Angelo mine,
00:22:43they didn't expect us to be using it 200 years later.
00:22:45Getting more silver out of Mexico than they did.
00:22:55It's just around the corner.
00:22:57Go ahead.
00:22:59He said go ahead.
00:23:10Come on.
00:23:31Theseतs are red detal
00:23:32Come on.
00:23:32Let him go out.
00:23:32to see if it's more gold in cleaning,
00:23:36Let's go, sir!
00:23:37Mumu.
00:23:37Ain't that a Spanish word?
00:23:38Yeah, it means lead.
00:23:40Lead?
00:23:40Who was lead?
00:23:41Nobody.
00:23:42Who'd ever suspect people are smuggling lead over the border?
00:23:45Only a dope.
00:23:46This is a good idea.
00:23:49Boy, pure silver.
00:23:50Yeah, from the Monarch mine by way of the old, forgotten San Angelo mine.
00:23:55You must have read in The Almanac where silver is cheaper on one side of the border than the other.
00:24:00Gus, what people don't know won't hurt them.
00:24:02People need silver, and I can get it for them.
00:24:04They think this comes from the monarch.
00:24:06What's the difference?
00:24:07Rogers might call it smuggling, but I call it good business.
00:24:11Take that up and put it in the safe.
00:24:12I'm going back to the lodge.
00:24:14OK, boss.
00:24:22Well, hello, Cookie.
00:24:23Where have you been?
00:24:24Out in the kitchen?
00:24:25I've been trailing Gridley.
00:24:26Any luck?
00:24:27Well, not much.
00:24:28I wish I'd followed him to the mine.
00:24:30Hey, Roy, we've been rehearsing a song that Lee Madison wrote.
00:24:33Look at that.
00:24:34Lee Madison?
00:24:35Mm-hmm.
00:24:36I love the West.
00:24:37Oh, ain't that pretty?
00:24:39Cookie.
00:24:39Oh.
00:24:40Isn't it bad enough that he writes books?
00:24:43Uh, may I see that, please?
00:24:48I love the West.
00:24:50How corny can he get?
00:24:52Well, maybe you'd like to sing it with us.
00:24:53Well, perhaps I might if it won't annoy Mr. Rogers too much.
00:24:56Oh, don't mind me.
00:24:57Well, that's fine.
00:24:58What's your favorite key?
00:25:00G.
00:25:00Key of G, boys.
00:25:03Uh, folks, can I have your attention just a minute?
00:25:06In honor of Lee Madison, who isn't here, Miss Clifford is going to sing one of his songs for you.
00:25:17I love the West, the heavenly, heavenly west.
00:25:26In the very heart of me, it's so much a part of me.
00:25:33And I ever shall return to this land for which I am.
00:25:48This seems to bother Mr. Rogers a bit,
00:25:50so perhaps we'd better do it his way.
00:25:58A little faster, please.
00:26:05I love the West, the heavenly, heavenly West,
00:26:15where the skies are bluer and the gals are truer,
00:26:19where the grass is greener and the varmints meaner,
00:26:21where life is rougher and the men are tougher.
00:26:23That's why I love the West.
00:26:25And I love the rain.
00:26:31Oh, give me the range for a change where the wind keeps blowing and the cactus growing where the sun
00:26:42keeps shining and the gals are pining where the light hits lighter and the boys are brighter.
00:26:45That's why I love the West, where the hero, strong and silent, keeps the little gal from harm.
00:26:56Fighting 20,000 Indians are paying off the mortgage on the farm.
00:27:05Yes, I love the West, for everything's best in the West,
00:27:19where the days are hotter in the night,
00:27:22or colder where the young are, younger and the older,
00:27:24older where the high is, higher and the wet is,
00:27:26wetter where the dry is, drier and the best is,
00:27:28better where a man's a man and a rootin' tootin'
00:27:30and the other one.
00:27:30Cover the range.
00:27:31Cover the range.
00:27:31Cover the range.
00:27:33Hey there, Antioquia.
00:27:35You better be careful.
00:27:36Hey, look, Roy.
00:27:37A bullseye.
00:27:38Have you got a hunting license?
00:27:41Roy.
00:27:43Yes, Father?
00:27:45One of our sentries is missing.
00:27:47It is Ignacio.
00:27:48We found his horse.
00:27:50Where'd you find it?
00:27:51On the Mexican side.
00:27:52We need your help.
00:27:54Hear that, boys?
00:27:55Sure.
00:27:56Bob, you take some of the men.
00:27:57Tim, you take the rest of them.
00:27:59Come with us.
00:27:59Come with us.
00:27:59Come with us.
00:27:59Come with us.
00:28:07Hello, Gridley.
00:28:08Coming along?
00:28:09Why?
00:28:10You're the border investigator.
00:28:12I thought maybe you might be of some help to us.
00:28:16You're not intimating I know something about this, Rogers.
00:28:20You can take that any way you want to.
00:28:23Suppose I take it personally.
00:28:26That's all right with me, too.
00:28:27Roy, please.
00:28:28We have more important things.
00:28:30I can vouch for him, Roy.
00:28:32He was up at the mine.
00:28:33That's right, Sheriff.
00:28:35You followed us.
00:28:36Remember?
00:28:50Good morning, Padre.
00:28:51Good morning.
00:28:54Any news?
00:28:56I'm sorry, Padre, but we've searched everywhere.
00:28:58Well, this is true.
00:28:58It was a terrible thing.
00:28:59Much evil has come to San Angelo.
00:29:02But you men must be tired.
00:29:03You've been riding all night.
00:29:05We sure are, Padre.
00:29:06Come in and rest a while.
00:29:08Well, thanks, Padre.
00:29:09But the Sheriff and I have got one more place to look before we rest.
00:29:12We better water the horses, Cookie.
00:29:19I'm tired.
00:29:21So am I.
00:29:22Well, where are we going?
00:29:23To the Monarch Mine.
00:29:24The Monarch Mine?
00:29:26Sure.
00:29:27Well, Roy, you know how they are up there.
00:29:29Why don't we go to town and get a search warrant first?
00:29:32We haven't got time.
00:29:33Oh.
00:30:14I wonder where the reception committee is.
00:30:17I don't know.
00:30:18This might be a good time for us to look around.
00:30:20It's too quiet.
00:30:21I don't like it.
00:30:23Let's get the horses out of sight.
00:30:49Right, sir.
00:30:50llamach
00:30:50CanI ask who you were?
00:30:50Well, more than all of a hallowed and kind of talking for me.ij
00:30:53Oh, I won't let you go in here. I
00:30:53What? Not
00:30:53from God's
00:30:53sonate here that's gotta go.idad. I'll
00:30:54day division? Don't forgive us. Why
00:30:56are you up? Who
00:30:56are you? If you're
00:30:58up to town?
00:31:02That's under your house here.
00:31:06Oh, quit kidding, Roy.
00:31:08Huh?
00:31:09Oh.
00:31:10Oh.
00:31:13Welcome to the Monarch Mine, Rogers.
00:31:15Where's Gridley?
00:31:17Going to town to get the canary some lettuce.
00:31:20Move on up the hill.
00:31:24OK, boys.
00:31:24You can come out now.
00:31:36I'm glad you showed up, Rogers.
00:31:39We're just in time for the picnic.
00:31:4280, boys.
00:31:43Yeah, sure.
00:31:44Sure is.
00:31:48I warned you about trespassing.
00:31:54Where's your search warrant?
00:31:56I've been...
00:31:58I told you we should have got one, Roy.
00:32:08Oh.
00:32:08Oh.
00:32:18We wouldn't want you guys to shoot yourselves.
00:32:23Gentlemen, the first event will be an exhibition in the manly art of self-defense.
00:32:28If anybody lays a hand on Rogers, I'll swear out a warrant for assault and battery.
00:32:33That's what I'll do.
00:32:34Mike will only be defending himself.
00:32:37Won't you?
00:32:38Sure.
00:32:44Why, you!
00:32:48Get up, Roy!
00:33:01Come on, Roy!
00:33:04New!
00:33:18Not a point.
00:33:30Get up!
00:33:32Get up!
00:33:52Get up!
00:33:53Get up, son!
00:33:54What's the matter?
00:33:55The picnic's just started.
00:33:57Come on, get up, Roy!
00:34:01Get up, Roy!
00:34:02Get up, Roy!
00:34:04I can't help you! Get up, son!
00:34:20Come on, son! Get up!
00:34:21Get out of there!
00:34:23Hang on to him for a second.
00:34:27You sidewinder!
00:34:29Get their horses.
00:34:30Let him go.
00:34:42Come on!
00:34:43I'll take you on!
00:34:44I'll have you!
00:34:49Well, come on!
00:34:51Now, calm down, Sheriff.
00:34:52Why, you little...
00:34:54Get your hands off of me!
00:34:56Take it easy, boys.
00:34:57We wouldn't want to hurt the Sheriff.
00:34:59It wouldn't be legal.
00:35:15Come on!
00:35:15Next time, bring a search warrant.
00:35:17Don't worry.
00:35:18Now, get out of here!
00:35:31Hey!
00:35:32Now that we got our guns clean,
00:35:34that just about makes us even with them.
00:35:36Let's go back to the mine.
00:35:38That won't help us find out anything, Cookie.
00:35:41There's something going on at the Monarch
00:35:42they don't want anybody to find out about.
00:35:44So far, the only clues we got are the murders.
00:35:47We can't even prove that they're murders.
00:35:49We will.
00:36:02What's the matter, Trigger?
00:36:05No wonder he was limping.
00:36:07Picked up a rock someplace.
00:36:12Say, isn't that ore?
00:36:14Sure is.
00:36:15He must have picked that up down by the mine shaft
00:36:18when they hit the horses.
00:36:19We better keep it.
00:36:20It looks like Trigger's smarter than we are.
00:36:33Hello!
00:36:34I say, old man, you look as if you've been mixed up
00:36:37in a violent game of soccer.
00:36:39Do they play it out here?
00:36:40Oh, we play it all right.
00:36:42But the rules are different.
00:36:44Oh, by the way, I'm Lionel Bates of Bates, Bates & Johnson,
00:36:48solicitors of London, England.
00:36:50I'm Roy Rogers.
00:36:51How do you do, sir?
00:36:52I'm a stranger out here.
00:36:54Well, I never would have guessed it.
00:36:55This is Sheriff Bullfincher.
00:36:58Howdy.
00:36:58How do you do, sir?
00:37:00Sheriff Bullfincher, you're the very man I've been looking for.
00:37:03I'm trying to find someone in this vicinity.
00:37:06Well, if he's around here, I'll know him.
00:37:08What's his name?
00:37:09Lancaster.
00:37:10George Wallingford Lancaster.
00:37:14Is the law on him?
00:37:16Well, we've been trying to find him for years through Scotland Yard.
00:37:20Scotland Yard?
00:37:21And private investigators in America.
00:37:23Private investigators in America?
00:37:26Oh.
00:37:27Well, it seems to me I remembered somebody by that name a long time ago around here that
00:37:35got to running around with bad company, and I ain't heard of him since.
00:37:40Well, if that's the man, we'll find him.
00:37:43You will?
00:37:44Why, of course.
00:37:44Oh.
00:37:45Well, thank you very much.
00:37:48Oh, and there's one other thing.
00:37:49I wonder if you gentlemen would be kind enough to join me a little later in an important conference.
00:37:54Well.
00:37:56Cheerio.
00:37:58Cheerio.
00:38:05And I'm here to arrange the property.
00:38:07Well, does that mean that the Rancho shall have a new owner?
00:38:11Undoubtedly.
00:38:12However, I can't tell you who or what the new owner's plans for the Rancho will be.
00:38:16What if he won't be reasonable?
00:38:18Suppose we refuse to leave.
00:38:21Well, I'm sorry, but that's no concern of mine.
00:38:25However, I'll do everything possible to see that your people come to know undue hardship.
00:38:30Oh, there is one other thing.
00:38:32If any of you should happen to know the whereabouts of a George Wallingford Lancaster,
00:38:36please let me know.
00:38:40You're seated in this part of the country, and he must be somewhere near.
00:38:43Is there something wrong with your throat?
00:38:46Um, I felt something tightening around my neck.
00:38:51Well, I, uh, I think that's about all, and thank you very much.
00:38:55If you should have any questions, I'll be only too pleased to answer them.
00:38:58Well, Mr. Bates is something I'd like to ask you.
00:39:01Yeah, yeah, yeah.
00:39:05Too bad I missed you at the mine, Rogers.
00:39:08Apparently, mine men played a little rough.
00:39:10Yeah.
00:39:11The next time, it'll be rougher, Gridley.
00:39:13And I hope you're there.
00:39:20Then you never found any trace of the missing sentry?
00:39:23No trace at all.
00:39:24Just kind of disappeared.
00:39:26Come on, get down.
00:39:29It's a trick I taught him.
00:39:31Cookie, do you suppose the missing George Wallingford Lancaster has anything to do with this case?
00:39:37Well, now, he might have...
00:39:38Oh, no, no, no.
00:39:40Well, how could he?
00:39:42Um, but...
00:39:42What are you asking me all those questions for?
00:39:45Yeah, how about that, Helen?
00:39:47Oh, hello, Roy.
00:39:48Well, I just thought it was sort of interesting, and, uh...
00:39:51Well, well, I guess I'll be going.
00:39:52I'll see you boys later.
00:39:53You can go if you want to, but I have something here that's interesting, too.
00:39:56You might want to hear it.
00:39:58This is a report I just got on the ore trigger picked up in a monarch mine.
00:40:02It says there's a little lead in it, not enough to be commercial, and just a trace of silver.
00:40:05Well, that's funny.
00:40:07Now, the silver found on the body was almost pure.
00:40:10It could have been a plant.
00:40:12Thanks.
00:40:13You'd catch on fast.
00:40:14Well, I'd try.
00:40:16Hi, everybody.
00:40:17Hi, boy.
00:40:18We want to see Cookie about his dogs.
00:40:20Well, somebody should see him about them.
00:40:21Yeah, we want to borrow him for a fox hunt.
00:40:23A fox hunt?
00:40:24Yeah, for Mr. Bates, the good old English fox hunt.
00:40:27We want to make him happy if we can, because he promised to do everything he could to help us
00:40:31with a new owner.
00:40:31Yeah, so we'll have a hunt party the first thing in the morning.
00:40:34Now, everyone's invited.
00:40:35How about the dogs, Cookie?
00:40:36Huh?
00:40:37Oh, well, uh, how big is the fox?
00:40:41Well, we don't know yet.
00:40:42We've got to catch him first.
00:40:43Well, thank you, Cookie.
00:40:44Yeah.
00:40:44Come on, boys.
00:40:45Let's go.
00:40:45Hey, boys.
00:40:45I'm going to go with you.
00:40:46See you at the fox hunt.
00:40:47All right.
00:40:48See you at the fox hunt.
00:40:48Come on.
00:40:49Fox.
00:40:50Fox.
00:40:56Be careful of the little feller.
00:40:59It's pretty good, a fox hunt for Mr. Bates.
00:41:05Oh, oh, Mr. Bates.
00:41:12I can't go to no fox hunt.
00:41:14I've got to get out of here.
00:41:15Yes, you can go to a fox hunt.
00:41:17No, I can't go to no fox hunt.
00:41:19Yes, you can, Mr. George Wallingford Lancaster.
00:41:21Shh, Roy.
00:41:23Don't call me that.
00:41:24Don't say that, please.
00:41:26I'll go to the fox hunt.
00:41:27I'll even be the fox.
00:41:28But don't say that again.
00:41:29Shh.
00:41:33Morning.
00:41:33Good morning.
00:41:37Oh, no, Roy.
00:41:39Cookie.
00:41:40Did somebody call that?
00:41:41Oh, welcome, Mr. Rogers.
00:41:42Good morning, Sheriff.
00:41:44Uh, Sheriff, should we, uh, go and have a look at the hounds?
00:41:47Huh?
00:41:47Oh, oh, yeah.
00:41:48Yeah, yeah.
00:41:48But you better let me go first.
00:41:50You might scare the dogs.
00:41:53Come on, Roy.
00:41:54I'll be alone in a minute, Cookie.
00:41:55I want to find out if two and two still make four.
00:41:58Oh, all right.
00:42:00Well, see you later, Mr. Rogers.
00:42:07Roy.
00:42:08Roy.
00:42:09Roy.
00:42:13There's something I must tell you.
00:42:15You've got to go on that fox hunt this morning.
00:42:17Why?
00:42:18Because I'm positive Mr. Bates is in great danger.
00:42:21Oh, you must have been reading Murder on the Border again.
00:42:26Well, maybe you should read it, too.
00:42:29Oh, miss.
00:42:30Any word for Madison?
00:42:31Still no word, Mr. Rogers.
00:42:33I'm a little worried.
00:42:35Better put in a call to headquarters for me.
00:42:38I'll take it here.
00:42:39Surely.
00:42:42Operator, long distance, please.
00:42:47It'll be a minute.
00:42:53San Angelo Lodge.
00:42:55This is Captain Moffat's office calling Roy Rogers.
00:42:58Just a minute, please.
00:43:00That's a coincidence, Mr. Rogers.
00:43:01Here's headquarters calling you.
00:43:03That is a coincidence.
00:43:05I'll take it.
00:43:08Hello?
00:43:08This is Captain Moffat's secretary speaking.
00:43:11The captain isn't in right now, but he asked me to tell you that Lee Madison would
00:43:15be unable to come to San Angelo.
00:43:17What happened?
00:43:18She was sick.
00:43:19I mean, his secretary was sick.
00:43:21His mother was ill.
00:43:23I don't think you're telling me the truth, Miss, uh, whatever your name is.
00:43:27But you sound like somebody who needs a good spanking.
00:43:30What?
00:43:32Well, you certainly aren't the one that's going to give it to me.
00:43:35And furthermore, I think you're the rudest man I ever met in my life.
00:43:38And I think you're the nosiest girl.
00:43:40You ought to have more respect for other people.
00:43:43I give people respect when they deserve respect.
00:43:45And you certainly don't.
00:43:46Well, just the same.
00:43:48The next time headquarters calls me, make sure you're not on the other end of the line,
00:43:52because I never want to talk to you again.
00:43:57Hello, Miss Madison.
00:43:59Oh!
00:44:01You deliberately tricked me.
00:44:03Mm-hmm.
00:44:04And it worked, too.
00:44:05Now, how about a little explaining from you?
00:44:08Well, I found out about what you thought about Lee Madison and her books the day I arrived
00:44:12here.
00:44:12And furthermore, someone even went gunning for her.
00:44:18Oh, look.
00:44:20I guess that makes us even, Helen.
00:44:25Okay, Robin Hood.
00:44:30What is that?
00:44:32That's just an old British tradition.
00:44:34Oh, oh.
00:44:34Uh, boys, this is Mr. Bates.
00:44:36From all the way from England over here to Hunter Fox.
00:44:39I want you to take him out on the trail and show him a good time.
00:44:42They're certainly a strange bunch of hounds.
00:44:45Uh, do they follow a scent?
00:44:46Huh?
00:44:47Uh, you know, uh, uh, smell.
00:44:49Oh, uh, uh, just a little.
00:44:53What's that?
00:44:54Oh, uh, uh, that's an English saddle.
00:44:57Oh, why didn't they finish it?
00:44:58Where's the rest of it?
00:45:00Uh, that's the sort of saddle that George Wallyford Lancaster might ride.
00:45:02Oh, uh, she would?
00:45:04Uh, certainly.
00:45:06Hey, Cookie.
00:45:07Huh?
00:45:08We've decided to have you drag the trail.
00:45:11Come on.
00:45:11I want you to meet someone.
00:45:19Cookie, meet Louise.
00:45:21Is that what I gotta drag the trail with?
00:45:25My word.
00:45:26You can say that again.
00:45:28Come on.
00:45:31Oh, we're gonna leave right now.
00:45:32You be sure and give us a good head start.
00:45:35And before you come, blow this.
00:45:42Like that.
00:45:44You fellas remember, we're only kidding.
00:45:46Come on.
00:45:51Quaint little thing, isn't it?
00:45:53There should be some kind of music in it.
00:45:56Oh.
00:46:00She would have liked to get up early in the morning.
00:46:05There are such a lot of things to do.
00:46:09To watch the sun come sealing.
00:46:12Over misty hills revealing.
00:46:14Tiny diamonds sparkling on the dew.
00:46:18It's great just to be living come the dawning.
00:46:23Everything is clean and bright and bright.
00:46:27Gee, but I like to get up early in the mornin' so I can spend a longer day with you.
00:46:36My, but it's pleasant to be arising at this hour of the day. My, but it is.
00:46:41There are such a jolly lot of things that you can do, don't you know?
00:46:45To see the dawn a-breaking to the sound of earth awaken with the rooster there to take his view.
00:46:55Don't worry, Rogers won't finish.
00:46:58And to know another night is true.
00:47:02Gee, but I like to get up early in the mornin' so I can spend a longer day with you.
00:47:11Gee, but I hate to get up early in the mornin'.
00:47:15I would rather sleep the whole day through.
00:47:21Oh, come on, Louise.
00:47:23You don't know what a pretty cabin you'd make.
00:47:26It's a silly business.
00:47:28Sheriff happened to drag a wise bait along.
00:47:32Good morning.
00:47:34Good morning.
00:47:35Mind if I join you?
00:47:36Why should I?
00:47:37It's Mr. Bates' party.
00:47:39Yes, I know.
00:47:40I'm so happy.
00:47:44I'm so happy.
00:47:46Let's go.
00:47:49On here.
00:47:49Did you hear that?
00:47:50That's it.
00:47:51Here they come.
00:47:53Come.
00:47:53Come.
00:47:54Come.
00:47:55Come.
00:47:58Come.
00:47:58Come.
00:47:59Come.
00:47:59Come.
00:48:01Come.
00:48:07Come.
00:48:26The first time I knew a raccoon was related to a mule, come on, come on, come on.
00:48:51You go ahead, Lee. I'm going to drop behind.
00:49:07I'm going to drop behind.
00:49:09I'm going to drop behind.
00:49:12I'm going to drop behind.
00:49:47I'm going to drop behind.
00:49:59THE END
00:50:25THE END
00:51:15THE END
00:51:16THE END
00:51:16THE END
00:51:16THE END
00:51:33THE END
00:51:33THE END
00:51:33THE END
00:51:37THE END
00:51:37THE END
00:51:37THE END
00:51:38THE END
00:51:53THE END
00:51:55THE END
00:52:04THE END
00:52:22THE END
00:52:23THE END
00:52:23THE END
00:52:34THE END
00:52:35THE END
00:52:36THE END
00:52:36THE END
00:52:43THE END
00:52:46THE END
00:52:46THE END
00:52:53THE END
00:53:09THE END
00:53:11THE END
00:53:11THE END
00:53:15THE END
00:53:28THE END
00:53:30THE END
00:53:31THE END
00:53:32THE END
00:53:33THE END
00:53:35of the nay had me right you don't mean that oh here's the silver we found on
00:53:47the murdered boy it's almost pure Lee was right it was a plant
00:53:52here's the real or from the monarch there isn't enough silver and a ton of
00:53:55it to pay their light bill I wonder why they got this silver I think they got
00:54:00it across the border where it's cheaper smuggling they couldn't do it without
00:54:05getting caught we watch that border like a hawk say cookie didn't you tell me
00:54:11there was an old Spanish mine across the border all the old timers around San
00:54:15Angelo talk about it but nobody knows where it is I think I know one old timer
00:54:21that might come on I know Domini 1751 that was very long ago that's before I got
00:54:35here
00:54:37here's some funny writing here so humbra that may mean something perhaps this is
00:54:45what we are seeking as the sun rises the shadow of my arms and the pillar of my
00:54:58strength shall mark that which God made and from whence came the bells of San
00:55:04Orange you know but what does that mean the shadow of my arms the pillar of my
00:55:10strength arms sure that must be a cross cookie do you know where there's a cross
00:55:16around here sure up on top the church no I mean up in the hills near the border
00:55:22where the mine could be not now boy there was an old shrine many years ago to
00:55:27which the people came to pray to Santa Guadalupe at Easter sure Padre I
00:55:33remember on your side of the border here near some room rock
00:55:38okay let's see if we can find it I've got an idea thanks Padre
00:55:54here it is I remember here's where we used to come to Easter sunrise services when
00:55:59I was a kid how tall was the cross oh gee I don't remember Roy well I'd say with a
00:56:05base that size it'd be about eight or ten feet tall what was it the Padre said as
00:56:11the sun rises the shadow of my arms the sun comes up over there it should cast a
00:56:16shadow in that direction isn't the border over there by those red hills runs right
00:56:20along the top of them the monarch mines over there too right on the other side of
00:56:25that hill well if the old San Angelo mines over there looks to me like we'd see
00:56:29some ruins or something well after all these years and years the rain has washed
00:56:33all traces away people have looked for it well it must be in that direction let's
00:56:38have a look
00:57:06in that direction I to the north and this is as a
00:57:06archaic and right now and the front where he is he doesn't have any
00:57:07there just go something to see if you want to get him out of there
00:57:11is there for us here in the United States
00:57:11but we're out of the way that we are feeling it and if there is no water
00:57:12in the woods all over there and then we're going to get to go with the
00:57:25I don't know anybody who'd park around here in the border way over there nothing to do around here
00:57:34Roy
00:57:37Cookie go get the flashlight out of my saddlebags, uh-huh
00:57:41Right if this is the old son Angelo mine, then your hunch was right. Yeah, hurry up cookie
00:58:03Oh
00:58:12Cookie
00:58:16You can't look Lee well, of course I cannot very pretty miss Madison. They're missing sentry those dirty no good
00:58:24you're right cookie
00:58:25He didn't get there by himself. We'll have to leave him now the Padre will get him later
00:58:42Hey, it's hollow in there
00:58:47Well, this is an old Mexican iron
00:58:50These are steel bolts
00:58:52Must be a door here someplace. Well, this is loose
00:58:56Move back. I'm going to throw my weight around a little
00:59:02So
00:59:04Say I wrote in a book one time where
00:59:09That ain't an old tunnel. It's a new one
00:59:11Where's the B boy right into the Monarch go back to the lodge and bring the boys we might need
00:59:15some help take trigger
00:59:19All right, but be careful. Oh, don't you worry. I'll be with him. Hey, Roy. Don't you think?
00:59:23Oh
00:59:25Oh
00:59:26Oh
00:59:26Oh
00:59:26Oh
00:59:26Oh
00:59:27Oh
00:59:28Oh
00:59:31Oh
00:59:32Oh
00:59:36Oh
00:59:49Lazy days, alopin' havin' fun
00:59:55Got no work to do because my work's all done
01:00:03Lazy days, relaxin' in the shade
01:00:09Got no plans to make because my plan's all made
01:00:16I ain't a-roundin' up no cattle
01:00:24I ain't a-fixin' today
01:00:30Gonna take it easy on the breezy side
01:00:37Of a drapey sack of new mold hay
01:00:44Lazy moon, you'll soon be ridin' high
01:00:51Then I lay around and watch the moon roll by
01:00:58Lucky me, I found the way it takes
01:01:05Livin' like I love it on my lazy days
01:01:17Lazy days
01:01:21Hey, look!
01:01:25Mr. Trigger!
01:01:27Well, what happened?
01:01:28Well, where's Roy?
01:01:29I suppose Mr. Rogers is in trouble
01:01:35Well, something's wrong
01:01:37Let's go
01:01:59Yeah, is that any way to treat a lady?
01:02:01I caught her comin' out of the old Spanish mine
01:02:03A mine?
01:02:03Yeah, Rogers and the sheriff are still in there
01:02:16Tell the boys to block the entrance
01:02:18Send someone back to guard Miss Madison
01:02:20Right
01:02:21Sit down
01:02:26How did they find the mine?
01:02:29By looking
01:02:32Don't be funny
01:02:34Just answer my questions
01:02:38Does anyone else know about her?
01:02:41Before we're through Miss Madison
01:02:43You'll be talking like a magpie
01:02:45Is that for me, Gridley?
01:02:46Yes
01:02:46This is Miss Nosy Madison
01:02:49Watch her
01:02:50Sure
01:02:50It's a pleasure
01:03:08If you support her
01:03:09He'll block the back way
01:03:09Good
01:03:10We'd better find them
01:03:33We'll block the back way
01:03:33Come on.
01:03:54Get down there.
01:03:58Get down.
01:03:58I'm gonna get down there.
01:03:58Hey, Gridley.
01:03:59They're down with the shaft.
01:04:01They're in the shaft.
01:04:09Hey, this, this is the shaft.
01:04:16If we can make it back to the mine,
01:04:17we might be able to hold them off.
01:04:18Let's go.
01:04:44The boys will be in position a minute.
01:04:46They'll wait for your signal to move in.
01:05:03I knew I was too young and pretty today.
01:05:55Come, Kookie.
01:05:56We're going to get rid leave.
01:05:59Snap out of it.
01:05:59Come on, Kookie.
01:06:00Snap out of it.
01:06:00We'll get out of here.
01:06:10We're taking you with us.
01:06:13Okay, okay, take it easy.
01:06:15Get out that wicker.
01:06:17All right.
01:06:46Looks like they flew the crew.
01:06:48There's one of them to go away.
01:06:52Roy!
01:06:56Good old fella.
01:06:58Boy, you sure had us worried when Trigger come in alone.
01:07:01Was Lee with him?
01:07:02No.
01:07:02Don't be shy.
01:07:05Well, she must have been here.
01:07:07Here's her hat.
01:07:16Come here, boy.
01:07:18All right, go find her.
01:07:38Round them all up, Bob, and take them to town.
01:08:02Hey!
01:08:36Come on, Tramp.
01:08:38Come on, boy.
01:08:41Come on.
01:08:41Come on.
01:08:41Come on, Chef.
01:08:44I'm warning you, Rogers.
01:08:46Don't follow us.
01:08:50Lee, I hate to do this to you, but it's just like it says in your book.
01:08:53It's all right, Roy.
01:08:54Go ahead.
01:08:57Roy, are you crazy?
01:09:00Oh, boy.
01:09:02Oh, boy.
01:09:02Oh, boy.
01:09:02Oh, boy.
01:09:04Turn the dogs loose.
01:09:06Oh, Roy.
01:09:07I said turn them loose.
01:09:09Go get them, boy.
01:09:10Go get them.
01:09:11Go get them.
01:09:20Roy, we could have got them without you doing that.
01:09:24You're not going to leave her alone, are you?
01:09:28Well, I'm not.
01:09:30Oh, boy.
01:09:32Oh, boy.
01:09:45This is Leo.
01:09:46Downtown.
01:09:46Oh, boy.
01:09:49There's now in the sand.
01:09:49But this is going to get out of here in the sand.
01:09:49They don't work out of here.
01:09:50They're going to go down.
01:09:51Hey.
01:09:51Oh, boy.
01:09:52No.
01:09:52Oh, boy.
01:10:02It gets me out of my life!
01:10:02You?
01:10:02Someone nowлат and lured.
01:10:02Whoo! Whoo! Whoo! Uh!
01:10:20Whoo!
01:10:21Love her!
01:10:25heart
01:10:27Ooh
01:10:40Throw your gunbelts down here, and I will.
01:10:49Come on, boy.
01:10:51Come on, boy.
01:10:52Come on, boy.
01:10:56Come on, boy.
01:10:58All right, come on down and keep your hands up.
01:11:43Stay where you are.
01:11:44I said stay where you are.
01:11:58Come, come on.
01:12:04Go.
01:12:06Toadie.
01:12:12Oh.
01:12:14Oh.
01:12:14Oh, oh, oh, oh, oh.
01:12:45Get up.
01:12:46The picnic's just started.
01:12:56Atta boy, Roy.
01:12:57Hit him.
01:13:00Save one for me, Roy.
01:13:05Oh, no you don't.
01:13:09Are you all right, Roy?
01:13:11Sure.
01:13:12How about you?
01:13:13She's all right.
01:13:14Hey, you missed her a mile, Roy.
01:13:16That was a good trick.
01:13:18That was quick thinking, Lee.
01:13:20Thanks for the help.
01:13:21I'm certainly glad you finally got around
01:13:22to reading Murder on the Border, page 77.
01:13:25You're glad?
01:13:26I'm glad you wrote it.
01:13:27Come on.
01:13:40Boys, you'll find Gridley over there in those rocks.
01:13:42You better go get him.
01:13:43Right.
01:13:44I say, Rogers, how exciting.
01:13:46So you've got your men.
01:13:48Yeah.
01:13:48Yeah.
01:13:49We got him all right.
01:13:50Well, take him in for me, will you?
01:13:52I got to be going.
01:13:53Goodbye, Mr. Bates.
01:13:55Bye.
01:13:56And there's your man, Mr. Bates.
01:13:58Roy!
01:14:01That's the dirtiest double-crossness trick I ever heard of.
01:14:05I thought you were a friend of mine.
01:14:07And I thought you were a friend of mine.
01:14:09Instead, you're George Wallingford Lancaster, wanted by Scotland Yard.
01:14:12What's that?
01:14:13There he is.
01:14:14Don't you move.
01:14:15I've got you covered.
01:14:17Come on.
01:14:17The other things are yours.
01:14:19Well, what about Scotland Yard and the cattle?
01:14:21They were all yours.
01:14:23You are the sole heir to the estate.
01:14:25And nobody has to leave the rancho?
01:14:27Nothing they should say.
01:14:28So it's all yours.
01:14:29Mine?
01:14:30Nothing.
01:14:32I'll take it.
01:14:33Come on.
01:14:33Get out of here.
01:14:34Shut your mouth.
01:14:36Resistant and Earl.
01:14:49Well, Mr. Madison, did you get enough local color?
01:14:52Enough for just the best story I ever wrote.
01:14:55I'm going to call it The Bells of San Angelo.
01:14:57You'll never guess who it's about.
01:15:00The Earl of Lancaster.
01:15:01Naturally, old girl.
01:15:05Quiet or I'll trade you in for an English bulldog.
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