- 4 hours ago
Bad Company Season 1 Episode 6
Category
🎥
Short filmTranscript
00:00The Argyle is having a few tiny financial issues.
00:03When I do iron out these financial issues, I get my job back, yes?
00:06Yes, yes, yes.
00:06Christian, this is Nick, CEO of Chevy's Chicken.
00:10So here's the pitch.
00:11Chevy's Chicken sponsors the Argyle Theatre.
00:14I think we might have a deal.
00:15Dad said Mum went psycho after having me here to go.
00:18I know he's your dad, but trust me, he's not a good guy.
00:21Please don't let him Melissa Catecute.
00:22Reminds me of the time Papa took me to Paris.
00:24I remember when Papa took me to Paris.
00:26I took me to Paris.
00:28He said to me, you're...
00:29Brayden Lowe, captain of the Tigers, wants to act.
00:32Caitlin Allard from the Marvel movies.
00:34Oh, why is everyone obsessed with her?
00:36I want to be in whatever play she's in.
00:38She wants to be in La Pison, Amoite, Andrea.
00:41What?
00:41Instead of Margie.
00:42Christian, no.
01:03This is supposed to be my big moment, you know.
01:06It's Margie Argyle, not Caitlin Argyle.
01:09Papa didn't even marry her mother.
01:11I'm Margie Argy.
01:13Jacob Fanner here this morning.
01:15Margie, where the hell have you been?
01:18Oh, here she is.
01:19Lady Macbeth.
01:20The architect of my downfall.
01:22Oh, please, you're the architect of my downfall.
01:25Neither of you are architects.
01:26You're both strong women in the industry.
01:29Engineer of my sorrow.
01:31What is that?
01:32Is that Sherry?
01:32Who goes on a Sherry bench?
01:34Your nana.
01:37Okay, get her out of here, please.
01:39Back to the Argyle.
01:40She's an embarrassment.
01:41Oh, sorry, embarrassment.
01:42Yeah.
01:42Sorry, embarrassment, everyone.
01:44Jacob.
01:45Grab that.
01:45No!
01:46Yes, I'll grab that.
01:47Come on, Christian.
01:48Come on.
01:49Okay, mum's overdone it.
01:50Okay, here we go.
01:52Christian, I made love ones.
01:54Okay.
01:54Remember?
01:55Bring it up!
02:00Where have you been?
02:01Oh, my God.
02:02I went to this four-day party in Castlemaine.
02:04It went off.
02:05I actually hung out with this really cool, aspiring playwright.
02:08He was like, I love your stuff.
02:10Oh, my God.
02:11Get it together, Margie, please.
02:13You're letting everyone down.
02:14Look at these two.
02:15Look how sad they are.
02:16Look at Jacob's little face.
02:18We need you to step up and direct this show like only you can.
02:22Oh, yeah.
02:23I really want to get up and direct my sister in the play I was supposed to be in.
02:26Thanks.
02:27Well, I mean, it is sold out and the whole world's watching our little theatre,
02:31but if you don't want to be part of that,
02:32then we'll just let Caitlin swoop in and take all the glory.
02:36Sold out?
02:37Mm-hmm.
02:38The whole world.
02:40Yeah.
02:41Okay, I'll do it for those guys.
02:43Okay.
02:43But I need four long blacks, unlimited access to your work credit card,
02:47a two-hour sleep, and pass me that bin.
02:50Oh, God.
02:50Yep, yep, yep, yep.
02:53Okay.
02:54Get the flap, Christian.
02:55Got it, got it.
02:58Sorry.
03:00Yay, we have a show.
03:02Everything's as it should be.
03:03You all right?
03:04Get the flap!
03:05Yep, got it.
03:06Oh.
03:07Big one, isn't it?
03:13Oh, God.
03:14Hey, this is Ryan.
03:15Leave a message.
03:16Ryan, are you getting any of my messages?
03:19Can you please just call me?
03:20I'm worried sick.
03:23Okay, Brayden, let's try it again.
03:25Feeling better?
03:26I could run a marathon.
03:28I...
03:31I...
03:33I...
03:34I am?
03:35Oh, yeah, that's it.
03:36That's it.
03:37I am...
03:41I am a surf no more, is the line.
03:44Yep, that's the line, Brayden.
03:45You're killing it, Brayden.
03:46He doesn't know the lines.
03:47I know, I know.
03:48And where is my famous sister, Caitlin?
03:50She's still on a first-class flight out here.
03:52First-class flight?
03:53I only ever get to go premium economy.
03:55Oh!
03:55That's all right, I've got this.
03:56Okay, look, everyone, just bring it in.
03:58Bring it in.
03:58Okay, now, obviously, we're up against it
04:00because of decisions that have been made
04:02by third parties who do not understand what we do.
04:04Julia.
04:05Bitch.
04:05I am a surf no more.
04:07Yes, Brayden.
04:09Here we go.
04:10Now, you move stage left.
04:11This is when we come alive
04:13and we pull together
04:14and we become the beat
04:16of the same...
04:17Oh!
04:18Oh, oh.
04:19Oh.
04:20Oh.
04:21I think we'll be fine.
04:22We just give him some
04:23performance-enhancing drugs or something.
04:25He is badly injured, Julia.
04:27It's a kicking leg too, isn't it?
04:28Now, how bad do you think it is?
04:30Wow, we're in so much trouble.
04:32The football club is going to sue our asses.
04:34Well, what's your big idea now, hey?
04:36You put Caitlin in instead of me.
04:38We're down a class member.
04:39We need Ryan.
04:40Well, that's a shame, isn't it?
04:41Because thanks to you,
04:42I don't know where Ryan is.
04:44I didn't do anything.
04:45It was your nepotism policy.
04:47God, Papa's legacy
04:48is just going down the toilet.
04:49Do you know what?
04:50I'm a little tired of hearing about Papa.
04:52Was he even French?
04:53No.
04:54Because do you know
04:55what we call Papas in Australia?
04:56We call them Dads.
04:57Not Papas or Fafas or Dadas.
05:00Dads!
05:00When have I ever said
05:01Dadas or Fafas?
05:02When have I ever walked into this office
05:04and said Dadas or Fafas?
05:05I haven't said it.
05:06Have you even been to Paris?
05:07I've been there.
05:07I've been lots of times.
05:08Okay, okay.
05:09Whoa!
05:10Everyone's really frazzled right now.
05:12Why don't we just chill out
05:14and come back to this tomorrow?
05:16I think I need a Valium Spritz.
05:18So do I.
05:19Thanks for mansplaining my emotions.
05:21Fafas took me to Paris.
05:23Oh, Fafas, fuck off!
05:25Mansplaining.
05:26Hey.
05:27Do you know what mansplaining is?
05:43Morning, everyone.
05:43I can feel the buzz of show day in the air.
05:45It is electric.
05:46How's the hangover?
05:47I don't get hangovers.
05:48I just get more ideas.
05:50Has anyone heard from Ryan?
05:51He's still not answering any of my texts or calls.
05:54No, sorry.
05:55No, sorry.
05:57Would you like a cup of tea, Julia?
06:01Um, yes, please.
06:02Thank you, Jacob.
06:04That's very kind of you.
06:06Don't worry, J-Mac.
06:06We'll find him.
06:07Find who?
06:08Ryan is missing.
06:09Oh, I just spoke to him.
06:10What?
06:11What?
06:11Yeah, he let me in on this amazing deal
06:13where I can use my super to invest in a condo.
06:16No.
06:17I just sent the paperwork through.
06:18I'm headed to the Gold Coast.
06:21Donna.
06:22No, Donna, I need to see that contract.
06:24Okay, here it is.
06:26Hang on, have a look.
06:28Ryan McNamara Holdings.
06:29Tom's put the business in Ryan's name
06:31because he's been bankrupt so often.
06:33God, Tom, you dodgy piece of shit.
06:34Oh, man.
06:36Pigs.
06:37Don't worry, Donna.
06:38There's a 48-hour cooling-off period.
06:40I will get you out of this.
06:41I just told Ryan that I'll pull out of the deal
06:43unless he speaks to you.
06:44Oh, there we go.
06:45That's great.
06:46But he'll only speak to you, Maggie.
06:47Oh.
06:48Yeah, we do have a really strong connection.
06:50Where is he?
06:51They're at a hotel by the airport,
06:52but they're flying outside.
06:53I'll go.
06:54I'm coming and I'm driving.
06:55There's no guarantee you haven't been
06:56on the Sherry's this morning.
06:58I've had two.
06:59Two?
07:00I had three.
07:01I had three.
07:02This morning.
07:02One of them's medicinal.
07:04I've got this thing at the moment in my throat.
07:06Anyway, in the end, it was viral.
07:07I was just so worried about my vocal cords.
07:09Oh, I cannot believe I'm in a Tesla.
07:11I feel soiled.
07:13That might have been the Sherry's.
07:14You need to burn sage or something.
07:17Oh, quick, there they are.
07:18Oh.
07:19Oh, it's the button, Maggie.
07:21It's that button.
07:22There's no button.
07:23There's a button on the handle.
07:24Where?
07:25Just this button.
07:26Oh, God.
07:27Out.
07:28Stop right there.
07:29Oh, yeah, all right, Maggie.
07:30We're not in one of your scenes.
07:31Julia.
07:33How do you do, young lady?
07:34Good, thanks.
07:35What is this, Tom?
07:35What are you doing?
07:36Dragging our son into one of your shonky Ponzi schemes.
07:39So you never mum?
07:39You completely betrayed me.
07:40Let's go, Dad.
07:41So immoral, Julie.
07:43Immoral?
07:43Well, you're the bankrupt liar with more ex-wives than Nicolas Cage.
07:46You're a wonderful actor.
07:47And you've got a woman's ass.
07:49Yeah, real mature mum.
07:50Oh, check the label.
07:51Those genes are from witchery.
07:52Are you having one of your little episodes?
07:54You know, she did this after Ryan was born.
07:56Gets hysterical.
07:57Oh, how dare you?
07:59I mean, all right, I wasn't coping.
08:01But only because you were never home.
08:02Why would I want to be home when it was just a guilt trip?
08:04Yeah, you really pushed him out, mum.
08:06Did she crush your creative spirit, Tom?
08:08Yes.
08:09You get it.
08:10Yeah, I get it.
08:11I get you.
08:13You know, you're the sort of person who thinks they're creative
08:16but have never had an original idea.
08:18You would have met Julia at university
08:20and made her do all your work for you
08:22because you sucked her in over some sort of sob story.
08:24What was it?
08:25My rich dad doesn't love me.
08:27Was that it?
08:28And, of course, the relationship was all about you
08:30until Ryan came along.
08:32And then you just had to do a few things
08:33to help out with the baby, but you couldn't.
08:35And when Julia got quite rightly upset,
08:37you called her a psycho
08:38and then moved on to, what was it,
08:40someone a little bit younger,
08:41someone a little bit funner,
08:42the nanny?
08:43What a walking cliche.
08:45And now that you're starting to bald,
08:46the list of available women is drying up.
08:49So now it's time to circle back around to Ryan
08:51who actually is creative and vulnerable
08:52and ruin his life.
08:54But the most important thing is to skip out
08:56just in the nick of time
08:57before people realise the real truth,
08:59inside is an empty void.
09:02Ryan, your part in L'episonne Moitié
09:05and the internet is available again if you'd like it.
09:07I'll be in the Tesla.
09:09Now that's a monologue.
09:15Won't open.
09:17It's push the button and then pull the handle.
09:20Push the button, the handle pops out, pull the handle.
09:23It's not the handle.
09:23I know, it should be simpler.
09:25It should be simpler.
09:31Wow, there's media everywhere.
09:33Caitlin will be here in a second.
09:35We are a united front.
09:37Why is she getting flowers for stealing Margie's show?
09:39Just play along with it, Jacob, please.
09:41She hasn't even rehearsed yet.
09:42She doesn't need to rehearse.
09:43She knows the work inside out from Papa.
09:45Caitlin!
09:47We're over-thrilled to have you here.
09:49Welcome to the Argyle Theatre.
09:50Sorry, where's my sister?
09:51She's in a meeting now.
09:53OK, we have presents for you.
09:55Allergic.
09:56Right.
09:57Allergic to those?
09:58Yep.
09:59Putting them in the bin.
10:00OK, shall we adjourn to the...
10:03Shall we...
10:03Let's sit down.
10:04How about I take you through the run sheet?
10:06For tonight, Acts 1 through 7.
10:08There, didn't know players had seven acts?
10:10She's got it.
10:11Just a note as well,
10:12Act 7 is when the Chevy's chicken mascot
10:15will enter the stage.
10:15We're no longer doing that.
10:17What?
10:18I've just become an ambassador
10:19for vegan beauty products, so...
10:21Oh, I didn't know you were vegan.
10:22I'm optically vegan,
10:24which means no meat on the stage
10:26or anywhere in the building.
10:27So, actually, could you do a meat sweep, you guys?
10:30What's a meat sweep?
10:31There is actually some chicken nuggets in the freezer.
10:33Happy for you to take those.
10:34Caitlin, Caitlin.
10:35Sorry, just a big sponsorship deal like this
10:37is kind of keeping Papa's Theatre open.
10:40OK.
10:40Yeah.
10:40I can walk.
10:42Would you like me to walk?
10:43No, no, we'll lose the chicken.
10:44We'll figure something out.
10:45No big deal.
10:46OK.
10:46Good.
10:47OK.
10:48Then it's time for my press conference.
10:49Sure.
10:53What just happened?
10:55Margie, maybe don't play with it.
10:57It's not a toy.
10:58What's this do?
10:59Margie, listen.
11:01I just wanted to say thank you.
11:03Appreciate that.
11:04I'm sorry about the nepo stuff.
11:06OK.
11:07Mum, I can't get the handle.
11:08I've told you a million times.
11:09You push it in.
11:10I'm literally pushing.
11:12That's what I'm doing.
11:13It doesn't work.
11:18Dad's crying.
11:19Company's dissolved.
11:19And I'm back in the play.
11:21Can we get a feed?
11:22I'm hungry.
11:22There's no, it's in the freezer at home.
11:26Put your belt on, please.
11:28Caitlin, Caitlin, four hours on stage alone.
11:35You must be thrilled.
11:36Oh, my God.
11:37I just can't even tell you.
11:38And you're doing the role instead of your sister, Margie?
11:41Thank God, you're back.
11:42Caitlin?
11:42Wow, what's going on here?
11:44Brian.
11:44I mean, I basically grew up here.
11:46OK, Caitlin seems to have organised her own press conference.
11:50For some reason, she's very tough, Margie.
11:52Great publicity, though.
11:53Look how many people are here.
11:55Look at her.
11:55Wow.
11:57Sorry.
11:58Looks like she's had a bit of work done.
11:59Hello.
12:01Hello.
12:03Look at you.
12:04Look at you.
12:05Look at you.
12:06You look slick.
12:07Oh, I'm sorry.
12:09I just heard that you were going to do la pizona motte entree,
12:12and now I'm doing it.
12:13Oh, really?
12:13You didn't know it was me?
12:14No.
12:14Because it's been advertised as me for ages.
12:17Like, ages.
12:18I would never do that.
12:19Oh, you wouldn't.
12:20I'm actually a McNamara, new CEO of the Argyle Theatre.
12:22Welcome.
12:23And I'm a son.
12:24Caitlin.
12:26Carmel.
12:26Oh.
12:27Caitlin.
12:28Caitlin.
12:28What?
12:29First a photo.
12:30Come, Carmel.
12:30Caitlin, over here.
12:31Carmel.
12:34You could get a photo.
12:35You cannot imagine how thrilled I am to have secured Caitlin for this production.
12:39And, Caitlin, why are you back to do your father's play?
12:42I remember when Papa took me to Paris during his lapizona motte entree.
12:46No, Papa took me to Paris.
12:46And he said to me, you'll do this one day, and you'll do it better than me.
12:51Oh.
12:53If you'll excuse me.
12:55Caitlin.
12:55Caitlin, wait, wait, wait, wait.
12:56No, no.
12:57It was me.
12:58Papa took me to Paris.
12:59No, Papa took me to Paris.
13:01Papa took me to Paris.
13:02Papa took me to...
13:03No, Papa took me to Paris, and we walked along the Seine.
13:06What?
13:07Hey?
13:07What?
13:08You're wrong, Margie.
13:09Papa took me to Paris.
13:11Apparently not.
13:13Caitlin, can we get a good look, Caitlin?
13:18I need to talk to you about something.
13:21We can't have any Chevy's Chicken on stage, or any Chevy's Chicken branding in the theatre,
13:26or any Chevy's Chicken near Caitlin, and I'm actually running late for the toilet, so I probably should go.
13:31What?
13:32Are you kidding?
13:33We've already organised the chicken meal deal, and I've got the Chevy's Chicken mascot sitting right there, ready to go.
13:38She said if we didn't take it out of her contract, she wouldn't get on stage.
13:41What was I supposed to do?
13:42Christian, did you try and negotiate?
13:44Oh, I came this close to negotiating.
13:47Yeah.
13:47You don't understand.
13:49This chicken deal was going to get the place back in the black, then my job here is done, and
13:53I could leave.
13:56Oh.
13:56What?
13:58No, I just didn't know you were leaving, that's all.
14:02Well, I'm not leaving right now.
14:04Don't get sad.
14:05I'm not sad.
14:06I'm just, you know, I've learnt a lot from the mentor-mentee, sort of.
14:09We do work well together.
14:11We did great work on the chicken meal deal.
14:13It's a really good meal deal, Julia.
14:15Yeah.
14:16Could have had chips with it, though.
14:17Absolutely should have had chips.
14:19I don't know how we missed that.
14:20Major oversight.
14:21Oh, well.
14:22Show must go on, I guess.
14:30Ladies and gentlemen, tonight's performance is on Moiti on Turo, starring Caitlin Allard, will commence in 15 minutes.
14:37Can we get, um, can we get us on the stage of the dance?
14:40Yeah.
14:43Poo!
14:44Caging Margie.
14:45If anyone sees Margie, can they send her backstage, please?
14:48If anyone's in stage, Major, she should be here.
14:51Ha!
14:55Ryan, darling, just wanted to wish you good luck.
14:57Oh, my gosh, Mum.
14:58It's Chooker's.
14:59It was bad luck.
15:00Whatever.
15:01Let's just get all this out of our system, eh?
15:03System, Mum, this isn't some craze.
15:05This is literally forever.
15:06Forever.
15:08Wonderful.
15:09I'll just go and enrol you in a barista course, then.
15:11Down door closing.
15:16Ladies and gentlemen, tonight's performance is so good, so please take your seats as quickly as possible.
15:21The show will commence in silence.
15:22It's so much of a coming, it's so loud.
15:24Yes.
15:32Some of the wealthiest people in Melbourne are in this, right?
15:35God, it's so thrilling.
15:37Our wealthiest board member is sitting next to you.
15:40This is like a networking orgy for you, Carl.
15:43As I was saying, Phyllis, Caitlin's only doing this production because of me.
15:48It's actually me.
15:49And I have secured the most fabulous sponsorship deal with Chevy's Chickens.
15:54Again, that was me.
15:56I did that.
15:57I'm sorry, am I just your underling now, doing all your dirty work?
16:03Kate, Caitlin, I just wanted to say I'm a huge fan of you.
16:08It's an honour to be sharing the stage.
16:09Please, please, don't speak to me or make eye contact until we're on stage.
16:13And even then, keep your distance.
16:15I'll be so far away from you, Madam, my lady, my princess.
16:18Stop, stop, stop.
16:19Leave, leave now.
16:20Right now, yep, going.
16:24Put the wig on now.
16:25Oh, good.
16:26Put the wig on now.
16:26That's a five-minute call, everyone.
16:28That's five minutes until beginners.
16:31Have you seen Margie?
16:36Oh, my costume.
16:37What a waste.
16:39You okay, Mugs?
16:40Yeah.
16:42That's clearance.
16:43Stand by for the top of the show.
16:46Should be you up there, bub.
16:47Not Caitlin.
16:50When are we going to have the conversation about me coming back to the bank?
16:53Shh.
16:53The play is about to say.
16:55That was supposed to be.
16:56Shh, shh, shh.
16:57You said, you said.
16:58Shh, shh, shh.
16:59You said.
17:03Shh, shh, shh.
17:10Mama?
17:16Mama?
17:18Where is my Mama?
17:21Is she buried half alive?
17:24Am I lost to her forever?
17:27I will search for Mama, for no one has loved me more.
17:37Isn't your son up there?
17:39Aren't you embarrassed?
17:41And she will search for me.
17:43Quite the opposite, Carl.
17:45Quite the opposite.
17:46Mama?
17:47Mama?
17:48Mama?
17:49Oh, sorry, bro.
17:50Sorry.
17:53Oh, this is going to be wrong.
17:58Here we go.
18:00This is our big moment.
18:01I know.
18:02I did this.
18:02Ah!
18:03Ah!
18:04Ah!
18:04Ah!
18:07Ah!
18:07Ah!
18:08Ah!
18:09Ah!
18:09Ah!
18:11Ah!
18:13Margie's on the stage.
18:14Margie's on the stage!
18:16What is happening?
18:20Get off!
18:22You get off.
18:23What did she do?
18:24I...
18:24I don't know.
18:27What did she do?
18:42Is it a hint of winter?
18:45Get her off!
18:47Get her off!
18:49Get her off!
18:51Get off!
18:54My hair!
18:56My muscles!
18:59The crops suffer,
19:02just as I suffer!
19:04What's that to stand up?
19:06Seam side, Sal?
19:07Idiot!
19:12God, we've got two women doing a one-woman show.
19:15Okay, what do we do?
19:16We leave her. It was supposed to be her out there.
19:19Julia, help us. Fine, I can't fight you people anymore.
19:22Let's get Caitlin out of there.
19:24Christian, Ryan, come on.
19:25Come and help me.
19:27Where is God in all of this?
19:30Oh!
19:33Oh!
19:35Oh!
19:39Oh!
19:39Oh!
19:42Get off!
19:45Okay, Julia's standing by.
19:48I am a serf no more.
19:52Let's go.
19:54Do it, Julia.
19:56Winter is finally upon me,
19:59and the snow begins to fall.
20:03Will I be left here to starve?
20:08Chookers!
20:10Chookers!
20:11Chookers, everyone!
20:12What is this?
20:13What is she doing?
20:18Oh, hark!
20:19What has that chicken from the future said?
20:22Oh, my God!
20:24Everyone loves Chevy's chickens.
20:27Even vegans.
20:29Is that meat?
20:31You will be hearing from my lawyer.
20:35Yes.
20:37Amateurs.
20:39Yes.
20:41All yours, Maggie.
20:43Thanks, Chook.
20:52And so, as I breathe my final breath
20:56and see God's blue sky one last time,
20:59I choose these parting words.
21:04Papa took me to Paris.
21:09Woo!
21:47So, the idea was always to have two women on stage,
21:51because it takes two women to speak to the patriarchy.
21:55That really came through.
21:56And then the arrival of the roast Chook.
21:59Modern-day capitalism.
22:00You know, it's the commodification of feminism,
22:02which is literally burying women alive.
22:05Oh, my God.
22:05Mm.
22:06It's thrilling.
22:07Mm.
22:07It's groundbreaking.
22:08It's urgent.
22:08It's now.
22:09And, uh, who played the Chook?
22:11I can't remember.
22:12That's me.
22:13That was you.
22:13I played that.
22:14Somebody like an usher, was it?
22:17Mum, you were, like, really great.
22:18You're like the talk of the play.
22:19Oh, stop it. I was not.
22:20No, you are. Seriously, I'm really proud of you.
22:23Oh, darling, thank you.
22:25I'm very proud of you, too.
22:26You're all wonderful up there.
22:27Wonderful.
22:28Thanks, Mum.
22:29Guys.
22:30Literally everyone in this room is talking about me at the moment.
22:33Can you hear it?
22:33There's a buzz.
22:34There's a buzz and it's rising all the time.
22:37How dare you humiliate me?
22:39Yes.
22:40How dare you?
22:41This theatre company is an embarrassment.
22:43Whose idea was it to have a chicken on stage?
22:45Mm-hmm.
22:47Interesting.
22:47Mm.
22:48That was Carmel's idea.
22:50What?
22:51Yes.
22:52Yes.
22:52Carmel signed the Chevy's Chook deal, didn't you?
22:55Mm-hmm.
22:55Yes.
22:55I'm just an underling.
22:56That is a lie, Caitlin.
22:59Is it?
22:59Why don't you check with Phyllis, our wealthiest donor?
23:01She was there when you claimed all the credit for the chicken deal.
23:04There she is.
23:06She's just there.
23:08Okay.
23:10I'm a Caitlin.
23:11Well, everyone, I reckon we might have a bit of a hit on our hands, yeah?
23:16Oh!
23:17Oh!
23:19Oh!
23:21Margaret, are you not wearing a bra?
23:23I am unapologetic.
23:24Oh, my gosh.
23:25That is stunning.
23:26Christian, can you do something about that?
23:28Absolutely.
23:28We'll cover those up with some...
23:29We've got a tote.
23:30There we go.
23:31Let's get something on there.
23:33Wow.
23:34Yeah.
23:35Oh, we've got copious totes.
23:37A lot of totes.
23:37There's a lot of totes.
23:39Christian.
23:40Christian!
23:41Yes?
23:41We need more ice.
23:43Sorry.
23:44Yeah?
23:44I've got to, um...
23:46Oh, yeah.
23:46Wow.
23:47It wasn't me, Phyllis.
23:48You must remember.
23:48It was Julia that came to you.
23:50Well, I remember distinctly.
23:51Ooh.
23:51That has not gone well.
23:53I'm sorry.
23:54I'm done.
23:55So, are you sticking around?
23:56Caitlin!
23:59You tell me.
24:02Chuckers, Carmel!
24:03I was like, you know?
24:04Take it off!
24:04Bring it up!
24:08I'm a boss beat with a bad company.
24:11I've been to Paris.
24:12I'm the baddest.
24:13I'm a witcher.
24:14Strap cut stories to tell.
24:15Watch me bucket on set.
24:17Triple threat.
24:17No sweat.
24:17I'm a bad, bad, bad, bad, bad, bad, bad.
24:19I'm the baddest.
24:21I'm a boss beat with a bad company.
24:25I'm a, I'm a, I'm a, I'm a, I'm a.
24:27I'm the baddest.
24:29Get the flag!
24:30Got it?
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