- 9 hours ago
Bos Ili HadžIja - Epizoda 22 - DomaćA Serija
Category
🎥
Short filmTranscript
00:30Life is, brother, old bandit, when it starts, everything is destroyed.
00:35But you don't want to be a fool, you don't want to be a fool.
00:41We're going to get gas to the desk, people are wonderful around us.
00:49To your life, to your life, you're a fool, you're a fool, you're a fool, you're a fool.
00:55Everything will be just a fool.
01:00To your life, to your life, you're a fool, you're a fool, you're a fool, you're a fool.
01:21To your life, to your life, you're a fool, you're a fool, you're a fool, you're a fool.
01:29The goal is to be a fool, you're a fool, you're a fool.
01:33We're going to get gas to the desk, people are all over us.
01:41To your life, to your life, to your life, you're a fool, you're a fool.
01:47You're a fool, you're a fool, you're a fool.
01:56Okay, good, good, good, good, good, good, good, good.
02:01Opa.
02:01Opa.
02:02I...
02:03...and...
02:04...with vegan.
02:05How are you?
02:07We are good.
02:08How are you?
02:09How can we help you?
02:11This is the stamp of Murga from Travnika.
02:16Could it be?
02:17Who would ask?
02:18He is his boss.
02:19I am Murgin boss.
02:20I am a bit of a job.
02:23A job?
02:24Yeah.
02:26You know how to copy or machine?
02:29No, I am not, mate.
02:31I am not a job.
02:32I am going to go for the town.
02:33I am going to go for a road trip.
02:35Oh, mate.
02:37You are a bit of a job.
02:39You are a bit of a little bit of a job.
02:42Yes, yes.
02:43I will not have a job.
02:45I have to do it already.
02:46I know what I am doing.
02:48He saw the video on the internet that he saw on the television.
02:53Wait, is it when there are manjars?
02:56Yes, yes.
02:57That's what you're watching.
02:58There's a lot of hits from Otravnika to Busovače, Miova Bila.
03:04The people will be leaving when they have the internet.
03:06No!
03:06What are the reactions?
03:08Where is it?
03:09What kind of people?
03:10Someone who has managed to fight the city,
03:13someone who has found himself.
03:15That's standard.
03:16Yes, there are a lot of people.
03:18No, there are a lot of people.
03:19Yes, there are a lot of people.
03:20Yes, there are a lot of people.
03:22I'll see Murgui and Kosinan Sakic.
03:24I'll see Kosinan Sakic.
03:25Yes, no, no.
03:26Where are the young people?
03:28Yes, siran!
03:29Here he is!
03:32Here he is, Rođo!
03:33What is Rođo?
03:35Dear, sit down. Where did you go?
03:37Where did you see Rođo?
03:39Why did you see me on that video?
03:42Or is it on the internet?
03:43No, you don't have internet.
03:45No, you don't have internet.
03:47No, I wouldn't have internet.
03:47I wouldn't have internet, Rođo!
03:48Ah, you didn't have internet.
03:49Ah!
03:50I want to tell you that you are the internet star.
03:53The video on the television is always a lot.
03:55And you ask me where I am so much.
03:57I don't want to see you.
03:59The video is connected with your door.
04:01What will you do here?
04:03You know the situation of me,
04:05and you are watching me as I am.
04:08Wait, wait...
04:09I see you who you are.
04:10Are you from the reality of two women?
04:13Yes, yes.
04:14You are the only thing to do.
04:16You are the only thing to do.
04:17You are the only thing to do.
04:18And you are the only thing to do.
04:21You are the only thing to do.
04:25What happened to you?
04:28What happened to you?
04:30What happened to you?
04:31What happened to you?
04:32We were filming something together.
04:35I didn't...
04:36I didn't even know you were wrong.
04:38We were able to take two or three pieces of Jack.
04:41We were able to break it.
04:42We were able to break it.
04:43We were able to break it.
04:45I was able to break it.
04:47Listen, listen.
04:49I didn't do it.
04:51If I'm going to break it,
04:54I'll do it again.
04:58I'm going to do it again.
04:59I've been working on Germany.
05:00I've been working for three months.
05:02I'm going to break it up.
05:04I'm going to break it up.
05:06I'm not going to pay me anymore.
05:08I'm going to break it up.
05:09I'm going to go to Ukraine.
05:11I just wanted to ask you,
05:12I'm going to know you.
05:14Ah, don't care.
05:16You should get me to take a chance.
05:18If you get me away,
05:18you must take care of me.
05:18You should take care of me.
05:19If you take care of me,
05:22you shouldn't be able to tell my husband.
05:26You're such a woman.
05:27If you want to talk about a woman.
05:29Then when I took care of me,
05:31I'm doing that once I took another one.
05:34I just believed it when I took another one.
05:37Yes, there was a problem.
05:40There were so many years.
05:42But a lot of killed by myself.
05:43What a v shell.
05:44Maybe you're a little girl.
05:47She's a little girl.
05:49She's a lady in Ukraine, a girl from the last two.
05:52We don't know what's going on here.
05:54Come on, bring her out.
05:56Put her on the way.
05:59I'm a great organisation of your sexual orientation.
05:59You'll save the woman!
06:02Tell her, who's here to be here?
06:04How is she?
06:06She's here.
06:06Not yet?
06:06I don't have any money.
06:09I have this one, a man.
06:10I have this one, a man for the last half of the years.
06:12I only have any money.
06:14No, no, no.
06:15No, no, no, no, no, no.
06:19What do you say?
06:20I'm a man, I'm a man, I'm a man.
06:22What should I mean?
06:24I know what you're doing.
06:26I know...
06:28...you're doing drugs.
06:30I know...
06:31...you're doing drugs in the morning,
06:32...you're doing drugs in the morning.
06:33I don't care, God, all the drugs.
06:35We are doing drugs.
06:41We are doing drugs in the morning.
06:42I'm going to be selling drugs and I'm going to buy drugs.
06:45I'm going to help you in the morning,
06:46I'm going to be selling drugs.
06:48That's why I'd do this.
06:49Okay, you're not going to be doing drugs.
06:51You're doing drugs in the morning.
06:53I've got many problems.
06:55I'm going to be talking about drugs.
06:55I have a lot of problems.
06:56I don't have time for you...
07:00And now we're talking about what we're doing.
07:02Sorry, if I could, for a stupid question.
07:06How do you think you're going to go to work,
07:10and leave two women home?
07:12I told them to go to Germany.
07:14Look!
07:15I don't want to go.
07:16I don't want to go.
07:17I don't want to go.
07:19When we fall, I said Murga.
07:22He said, if I could only know what to do in Sarajevo,
07:24then I could go.
07:25Everyone has to go.
07:26I don't know.
07:28But you know what, Konta?
07:29Maybe you should go to Germany.
07:32You should go to Germany.
07:33I'm going to go to Germany.
07:34That's what I'm talking about.
07:36I'm going to go to Germany.
07:40Here's my mother.
07:44I'm a little bit earlier.
07:47I'm going to go to the door.
07:50Hello, how are you?
07:51I'm going to go to the door.
07:53I'm going to go to the door.
07:57I'm going to go to the door.
07:57Thank you for this.
07:58I don't want to go to the door.
08:01I'm going to go to the door.
08:04God knows what you're talking about.
08:06I'm going to go to the door.
08:08I'm going to go to the door.
08:22Yeah, I'm going to go to the door.
08:25Yes, and I can do the door.
08:27I'm going to go to the door and I think what is happening here?
08:30Yes, as if I'm going to go to the door.
08:35We're going to go to the door, we're going to go to the door.
08:40Yes.
08:40and your new friends.
08:42Who is better?
08:44I don't know, who is better!
08:46I don't know how sweet you are.
08:48But...
08:49I'm a little bit nervous about Ukraine.
08:52I'm not a good guy.
08:55I'm not a bad guy.
08:56When we watched the show,
08:58I don't know that you're not familiar with Muris.
09:01You're in the room.
09:02You're in the room.
09:04You're in the room.
09:06We have family in the room.
09:07We have family, we need to stay in two cars.
09:10Okay, who are you?
09:11No, a little girl.
09:12Yes.
09:13From two sisters and children.
09:16The mother gave us to the farm from our village.
09:20The first girl.
09:22And she said, you're not a kid.
09:25We went to the middle school together.
09:27What a nice thing, why are you here?
09:29Let's eat it, I'll eat it here.
09:32There's a lot of support.
09:34I knew I'd buy it.
09:35Thank you, son of a while.
09:37I don't get lost.
09:39I guess that's why I'm taking a room with two women.
09:41I don't know how to get married.
09:42I don't care for the two women.
09:44Why are you hungry?
09:47Why are you hungry?
09:51I don't care for the people.
09:59There's a lot of people.
09:59I hate him, I don't care.
10:02I have a lot of people.
10:02I don't care for the people.
10:04I'm a birokratist. I'm a birokratist.
10:07That's not that I love people.
10:11I'm a brother.
10:13I'm a brother.
10:14I'm a wife.
10:15I'm a wife.
10:16She's a wife.
10:18She's a wife.
10:19She's a baby.
10:22She's a baby.
10:23She's a baby.
10:25She's a woman.
10:29It's a judge of things, that's the case.
10:32Yes, they're the judge.
10:37I don't know how to get together.
10:41I've never told you about it.
10:42I'm not saying that.
10:44I've never told you about it.
10:45Not yet, but soon.
10:48Come on, who is this?
10:54How many years?
10:55God, what years?
10:57I am not very sensitive, and not very sensitive.
11:01What?
11:01You can't ask for a year?
11:04It's time for a year.
11:06Yes, I know that you are about 35-6 years old.
11:12And if you are with them you are a young man,
11:14and you are not going to?
11:16God, I...
11:17Everything is going to be done.
11:19God, I will see you.
11:21You will see you soon,
11:22and you will see you again.
11:24Oh my dear, you know what?
11:27The world has changed a little bit,
11:28as you tried to test the last time.
11:30We've got to get out of it.
11:32I have to get out of it.
11:35I have to get out of it.
11:35Please, please.
11:38She is a young woman.
11:40She has to get out of it.
11:42Please, please.
11:43Please, please.
11:43Please, please.
11:44Please tell me what you think.
11:51Please tell me what you think.
11:52I have to get out of it.
11:53I have to get out of it.
11:56I have to get out of it.
11:59I have to get out of it.
12:00I have to get out of it.
12:02I have to get out of it.
12:03But, Arane, you can only talk about it.
12:07But it's not like it is.
12:09It's not like it is.
12:09It's not because a woman can lead
12:12a successful career and a marriage.
12:14It's not a woman to be just a machine for work.
12:17How a woman is a career?
12:19You know what is a woman's job and what is a woman's job?
12:21Once they're in a job, they're looking for us.
12:23People and women have the right.
12:25dance are also in the dressers.
12:28And women, programs and children are now in the home.
12:29What are they about you?
12:31No, no, no.
12:31I'm trying to get out of it.
12:32They're helping us for those from the village.
12:33I tell them how they're married.
12:36I'm sorry, but you don't have anything to say.
12:38I'll say they can't tell you.
12:39I don't have anything to say.
12:40No, no, I'm not going to join you with me.
12:44Neandertal, he may be my family, but I didn't have to deal with it.
12:48I don't know what I'm doing.
12:50I'm just saying that every guy is the same.
12:52It's not the same.
12:54Muris is the same.
12:55I know what I want from Muris.
12:57I've got everything I want.
13:01Learn to cook.
13:03Find my children.
13:04That's my favorite.
13:06I don't know how to cook.
13:08I don't know how to cook.
13:09I don't know how to cook.
13:10That's why Muris broke up in the kitchen.
13:12Pusti the end of the kitchen.
13:14I've got to do Njemačka.
13:16You have to do the right thing.
13:18You need to do the right thing.
13:20You need to do the right thing.
13:23Sit down.
13:25It's very nice that we've met.
13:27Now I have to go.
13:28I don't know what to do.
13:29I don't know what to do.
13:30I don't know what to do.
13:31I don't know what to do.
13:37I don't know what to do.
13:38I don't know what to do.
13:40You're the victim of the patriarchal.
13:42You're the victim of the patriarchal.
13:44You're the victim of the house.
13:46I'm sorry.
13:47You're the victim of the house.
13:52You're the victim of the house.
13:54I'm sorry.
13:54I'm sorry.
13:56I don't know what to do.
14:08I'm sorry.
14:10I'm sorry.
14:12I'm sorry.
14:14I don't know what to do.
14:20I'm sorry.
14:21I'll lose you.
14:22I'll kill you.
14:24I'll get you out of the house.
14:25I'll kill you.
14:26I can't stop your mother as a gun.
14:27A gun?
14:28Yes.
14:28After you go to the living room for three people.
14:32You would go to go for some sweet delivered.
14:34You have to go to the house.
14:35Where are you from?
14:37Where are you calling me?
14:38I'm sorry.
14:38How a lot of women are at home.
14:39No, I don't give up a woman.
14:42Tubbson is one of the blood.
14:44I don't give up to you.
14:46God, I'm good to go.
14:48I need to go for a while.
14:50I'm going to lose a little.
14:51God.
14:53Let's get out of here.
14:54Maybe I'll change a little bit.
14:56What?
14:57What?
14:57You know what?
15:01You're the most famous.
15:02You're the most famous.
15:04Take it out.
15:07You're the most famous.
15:09You're the most famous.
15:10Let's go.
15:14Let's go.
15:14Let's go.
15:15Take the time.
15:19Let's go.
15:23Let's go.
15:24My mother...
15:25How will you clean your heart?
15:38It's not the same.
15:41It's not the same.
15:43Let's go.
15:50Let's go.
15:52Now it's up.
15:52How can I help you?
15:55Amela.
15:56I am Amela.
15:58Fark, I'm sorry.
16:00I'm completely lost.
16:02I don't know why.
16:04I brought my USB stick.
16:09Can I ask you,
16:10can I ask you,
16:11can I ask you,
16:11can I ask you,
16:14can I ask you,
16:16can I ask you,
16:21can I ask you,
16:22I don't know.
16:22I did a couple of days for the revolution.
16:25You can talk to me.
16:27Yes, of course.
16:29Now this is our job.
16:32Here we go.
16:33A moment.
16:51Look at this, don't forget it's wrong.
16:56They're not something like this.
16:58What do you think? I worked in a professional studio.
17:04I thought, you know, it's a bit sterile.
17:10Professionals work for money. It's capitalistic.
17:16I think it's better to go to amateur.
17:20Amateurs work from heart, soul.
17:24It's the energy of the product.
17:26What do you suggest?
17:28I don't know.
17:31You can do a new set of photographs with an amateur.
17:37I think you're the amateur.
17:42I'm the amateur. I'm not a realtor.
17:45If we don't have any new ones,
17:48would you be interested in bringing a new clientele
17:53who didn't do yoga before?
17:55To me, it's the goal to bring the people that work on the first time,
17:59not the people that work on the years.
18:00I'm talking about these photographs, I'm telling you,
18:03are very sterile.
18:05I've never seen it before.
18:07I'm thinking, I don't know how to do this.
18:11I can't do this.
18:12But you're feeling the rage in the product.
18:16Do you know me?
18:17Then you're going to bring the new clientele.
18:20I don't know if you don't do it.
18:21I'll try it.
18:22I'll try it.
18:23We'll just make this room.
18:24This is done with a photo session.
18:27And then, what's happening to you,
18:29how are you ready?
18:30Well, what do I need to do?
18:31I'll try it.
18:32I'll try it again.
18:33I'll try it again.
18:34Hello, Džidžo.
18:36Hello, dear Amela.
18:39Hello, dear Amela.
18:40Hello.
18:41I'm Džidža.
18:42Good morning.
18:43I'm Džidža.
18:44I know you from now.
18:46No, I don't know.
18:47I know you from the television.
18:50You're doing yoga.
18:52Yes.
18:53Yes, I'm really doing yoga.
18:55I'm just being one thing.
18:57I'm just doing yoga.
18:59Yes, you're doing yoga.
19:01I'm doing yoga.
19:01I'll give it to me.
19:02I'll try it again.
19:03God, dear.
19:04Amela, set is ready.
19:15Opa.
19:20I don't know what I'm going to do now.
19:24I don't know, is it going to be Mr. Gigi to go to the store?
19:29I'm going to get it.
19:31I said that you wanted to try yoga.
19:33We can do it.
19:35I'll show you a few pieces,
19:36and I'll show you the photo for catalog.
19:39I don't know if I knew it.
19:42Don't be careful.
19:43He's amazing.
19:46I know him when he was a child.
19:48You know him when he was a child.
19:51He was so nervous,
19:53and he was so nervous.
19:54I'm going to talk to him now.
19:58I'm going to try it.
20:00I'm going to try it.
20:03You don't need anything.
20:05That outfit is ideal.
20:07Thank you very much.
20:09I'm going to try it.
20:11Okay.
20:12Okay.
20:15Wait a minute.
20:16I'm going to try it.
20:17That's so nice.
20:19What do you think, my mother?
20:21I'm just getting tired.
20:24I'm standing there.
20:27I'm standing there.
20:29I'm standing there.
20:29Hello.
20:32Hello.
20:33Okay.
20:33Okay.
20:36Let's go to the table.
20:38Stable.
20:40That's right.
20:42That's it.
20:44Here we go.
20:45Here we go.
20:45On the other side.
20:46On the other side.
20:49Okay.
20:51Okay.
20:51Let's go to the table.
20:53What do you think?
20:54Let's go to the table.
20:55Okay.
20:59That's right.
21:01Let's go to the table.
21:03Out of the table.
21:04Kuk is down here.
21:11That's right.
21:13This is a table.
21:15So, yeah.
21:17This is a table.
21:17Here it is.
21:18The kuk is up there.
21:18Can't go to the table again?ется.
21:18I'll let me go to the table. He'll
21:23I'll let
21:24him, the dome. To what else
21:27you get up? Do else you
21:28get maybe?
21:28There's a bridge.
21:29Where is it?
21:32That's it.
21:34Don't show me the bridge.
21:37That's it, right?
21:38That's it.
21:39Look at that.
21:48What's this, dear?
21:49What's this, dear?
21:51What's happening in the work?
21:54We'll shoot a catalog for yoga.
21:55What's this?
21:56What's this?
21:58I don't know about yoga.
22:01One, one!
22:03Yoga is an essential part.
22:07It's an essential part.
22:10It's not a problem.
22:12Yoga is a problem.
22:13I'm asking for a job.
22:15I'm going to have a school.
22:17I'm going to have a job.
22:18What will you say?
22:19I'm going to have a story.
22:21What do you say?
22:22It's not a bad thing.
22:25What's wrong?
22:26I'm going to have a job.
22:27I'm going to have a job.
22:38I'm going to have a job.
22:42I'm going to have a job.
22:42If we are not opening you,
22:43she's my career had to be an and we will start.
22:48They are no matter.
22:49She wants her to kill you, boy.
22:53She wants nobody to kill you.
22:54Outside, mother.
22:55She wants me to kill advantage.
22:56She wants women to kill advantage.
22:59She has less money.
23:00She wants more than women.
23:02She wants i want her to kill advantage.
23:07She wants me to kill you.
23:10I'm sorry, I'm sorry.
23:11Can I help you with a couple of women?
23:14A few of yoga?
23:16Please don't have to be in the way.
23:20I'm sorry, I'm sorry, I'm sorry.
23:20I'm sorry for my studio yoga.
23:22I don't want yoga to be just for women.
23:24I'm sorry, I'm sorry, I'm sorry.
23:28I'm a perfect trainer for you.
23:31I think it will be a good day.
23:32I'm sorry, I'm sorry.
23:35I'm sorry.
23:38That's it, right?
23:40I'm sorry, go.
23:42I'm sorry, I'm sorry.
23:44I'm sorry, I'm sorry.
23:48Can we go to the club?
23:51No, I'm sorry, we'll be in contact with you.
23:53We'll be back from the original idea.
23:58I'm sorry.
24:01I'm sorry.
24:03I'm sorry, I'm sorry.
24:04I'm sorry.
24:05I'm sorry.
24:06I'm sorry.
24:08What are you doing?
24:10Just let it go.
24:11Okay.
24:15Okay, let's go to the position.
24:18Okay.
24:20Okay.
24:20How much?
24:25How much is it?
24:26How much?
24:27I have to buy all these negative genes.
24:31How much is it?
24:34How much is it?
24:35Do you have to spend the car and two women's children
24:37or her?
24:39I don't know.
24:40How much is it?
24:41It's a tough question.
24:43Hany, right.
24:44Okay, here we go.
24:46I'm a bridge.
24:51What's the bridge?
24:52Down here.
24:55What's the bridge?
24:57Bravo, Jiđo.
25:01What's that?
25:02Hany, go up.
25:03Up, up.
25:06Okay.
25:06Let's go.
25:08Okay.
25:10Guys, can you see me a little bit of a picture?
25:13You're my brother.
25:15Okay, we're ready for three minutes.
25:18Let's go.
25:20Let's go.
25:33What?
25:34What?
25:34What's that?
25:35What's that?
25:36What's that?
25:37What's that?
25:37What's that?
25:37That's a big deal.
25:39I'm really going to fly.
25:41I'm going to tell you something like a bird.
25:44I'll never know what you're going to say.
25:47I'm going to tell you something.
25:48I'm going to tell you something, man.
25:51You start to tutor me.
25:54What you're calling me?
25:54What's that?
25:54I'm not enough to askrest to design on that song.
25:58Started up.
26:00I am playing and writing.
26:03I had found a song in a dress story.
26:04I was playing and sent meALD software.
26:12I had never really thought about anything.
26:13I'm going to see you guys, women.
26:14I don't like a race.
26:16There is a garam.
26:18And look when they have little girls,
26:20when you have little girls,
26:21all are the same.
26:23That's it, that's it.
26:25When I go back to the film,
26:28do you know what her story is?
26:29She's got her, she's got her,
26:32she's got her,
26:32she's got her.
26:34Why didn't you let him go straight?
26:37Why didn't you let him go straight
26:40into the water?
26:41That's it!
26:42The worst thing,
26:42I didn't have to ask her,
26:45but she asked me to ask me.
26:48That's another story, Arane.
27:01People, listen to TV.
27:03Now is the episode of the morning program.
27:06What is the episode?
27:07It's always tomorrow.
27:08Yes, yes, but we were alive,
27:10we were at home.
27:12Who are you?
27:14Yoga Academy.
27:16Amela Sedin.
27:17Look at that.
27:19Look at that.
27:20Look at that.
27:24From amateur to TV
27:26for only 5 days.
27:29But you can see that
27:31Sedin is a young yoga master.
27:32Okay, good.
27:33This is a little wider,
27:34and the other is a little wider.
27:35Yes, I'm going to get her.
27:38I'm going to get her.
27:39Yes, I'm going to get her.
27:47I can see that the other girl is in the Gen.
27:50You can do the gaffes in your life.
27:52Now you can see why his two women can live together.
27:58Matuj, what's going on?
28:00Tomorrow, I went there.
28:03Where is it?
28:05Where is it?
28:07Where is it?
28:10Where is it?
28:12I went to Samelo.
28:13He left me while God gave me.
28:16I have to go.
28:16You can see it.
28:19You can see it.
28:19You can see it.
28:21You can see it.
28:22How is it?
28:25I have to go.
28:35It's time to go.
28:38What's going on?
28:40What's going on?
28:44What's going on?
28:46What's going on?
28:48It's actually 5.000 EUR a month.
28:50Let's go.
28:51I'll have to go.
28:52I'll have to go.
28:54I'll have to go.
28:55I'll have to go.
28:58Later, I'll have to go.
28:59Easy.
29:01I'll have to go there.
29:02Wait until later?
29:04Actually don't call me.
29:05It's the one who's gonna hear you.
29:06It's too loud to quickly.
29:08Not to turn up.
29:10You records it will be awesome t Quincy.
29:12A definition will come if it's okay.
29:14Try it.
29:14If I say that one needs them, that one needs it.
29:16I'll have to go.
29:17All right.
29:19You will open the door.
29:21It's a great way!
30:12To be continued...
30:28To be continued...
31:01To be continued...
31:19To be continued...
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