- 2 days ago
Bos ili Hadžija - Epizoda 23 - Domaća serija
Category
🎥
Short filmTranscript
00:09Oh
00:30Life is, brothers, old bandit,
00:32there when it starts, everything is destroyed.
00:35And you don't want to shake yourself,
00:38be alive, don't want to shake yourself.
00:41We're going to get gas to the desk,
00:44the opportunities are amazing all around us.
00:49It's life, it's not something,
00:52or you're a fan or you're a boss,
00:54svega će biti samo neće nas.
01:00To je život, to je štos,
01:03ili si račijak, ili si boss,
01:06svega će biti samo neće nas.
01:09A-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a
01:11-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a
01:14-a-a-a-a-a-a-a-a-a-a-a-a-a.
01:21Se opcije leže na stolu,
01:24ostađi se, znaš parolu.
01:27Parola je poznata oko,
01:30cilje je visoko,
01:31udriže stoko.
01:41The way to the world is not something, or you can't believe it.
01:46The world is not something, or you can't believe it.
01:47The world is not something, or you can't believe it.
01:48Ni stambule, ne dečena.
01:55Fuckje, pazio ovo molimte.
01:57Više od šeisto objekata igara na sreću
02:00nalazi se u neposrednoj blizini
02:01obrazovnih ustanova i vjerskih objekata.
02:04Logično brati, imamo smisnu.
02:06Dobrodane, zvolite.
02:07Dobrodan?
02:08Ako može da me ovo kopijirate?
02:10Može. Nekoliko, koliko?
02:12Par primirak?
02:13Par. Može.
02:14Dobrodan.
02:21No, no, I don't know what to say about you here.
02:26What is it clear, Murga?
02:29What is it clear, Buraz?
02:31Religion and religion are not the same thing.
02:34What are you talking about, Mother?
02:40Dear God, my dear,
02:43I don't know what to say about you,
02:43The religion, my dear,
02:44is how many people are in the world
02:47with one of the best confidence
02:50that is not true,
02:52you're not working,
02:53you're not working with nothing,
02:55you're playing with red,
02:57you're playing with red.
02:58I'm not sure what I'm talking about,
03:01but I'm not sure what I'm talking about.
03:06You're also talking about, Murga,
03:07and you're just talking about it.
03:12You're going to be an education.
03:12I'm going to buy a diploma.
03:15I'm finished.
03:15But what kind of diploma can I buy?
03:18What can I do?
03:20What do I do?
03:21And some scientist came to me,
03:22I heard him,
03:23he said,
03:24Muraz, my architect,
03:27I believe,
03:28you're the architect.
03:30you're the architect,
03:31they're the architect,
03:31they're the architect,
03:32and you're the architect.
03:34And you,
03:35you're good.
03:37You're going to give me a diploma
03:38so I can become the architect.
03:39Back,
03:40you're the architect.
03:41Thanks for your efficacy,
03:43I'm that.
03:44You you're umm,
03:45I will,
03:45you're right at the Including splinter.
03:46At the same time,
03:47gonna write me about comics.
03:50What did it happen?!?
03:51The mechanics of Muraza,
03:53the mechanics of the human�
03:54I needed to be free
03:55and the mechanics of the material,
03:59the mechanics of the material,
04:06The mechanics of Muraza,
04:08I hope you owe him
04:09I'm 100% sure that you need to print and copy seminars from sociology and philosophy.
04:17But again, I don't want to tell you.
04:19What do you have to do?
04:21No.
04:21When a man wants to cut himself, he'll find the end of the world.
04:25Is that right?
04:26Yes, exactly.
04:28As our people say, it's a problem.
04:31You want to say that when people don't see the cut,
04:34they don't want to cut himself.
04:35Yes, I want to say it.
04:37They're going to do something else.
04:38They're going to do something else.
04:42They're going to do something else.
04:43What are you asking?
04:44Because people are very clear in their own behavior.
04:48Especially with yourself.
04:49If you put them in the library, they'll read more?
04:54Yes.
04:55If they're not, they'll read more in a large or small percentage.
05:00But they'll say 100% guaranteed, they'll be wrong.
05:06What are you asking?
05:08We'll be around a little while.
05:10Now.
05:12Let's go.
05:14Please listen to this one and a half a hour.
05:15Here.
05:17Just a moment.
05:21Here.
05:22Yes.
05:23Please excuse me.
05:26I'm not going to be right now, I hope we didn't have you.
05:28Don't be afraid of anything.
05:31It was very interesting to listen to how much heat is going to be so complex.
05:36Then I'm happy.
05:38It's the easiest to do it, but you need to do something.
05:43Here we go.
05:45It's not my job.
05:47I've heard that I like these wonderful things.
05:51I'm going to take care of myself.
05:53I'm going to pray for you.
05:55It's true.
05:57Here are all the results of the investigation.
06:00The geological dumps are here for thousands of years.
06:04The Austrians did an analysis
06:05and decided that the dump is going to be in the dumps,
06:09even though there is a percentage of the dumps in this location.
06:14Then you don't have to take time to write the answer before.
06:17As I've already said to my friend,
06:20I've had 10 years, even younger,
06:22I would do the dumps.
06:24There are millions of questions.
06:27Unfortunately, I don't have enough money,
06:29but I have enough money.
06:36I've told you.
06:37Just tell me, Rustame.
06:39Demomak, copy me these two examples.
06:42I'm just a little dark.
06:43Oh, I'm sorry, I'm sorry.
06:46It's interesting to me.
06:47I've sold my land.
06:49It was a traumatic experience.
06:52It's not just a land,
06:54but it's gold.
06:55It's beautiful.
07:01Wait a minute.
07:03If I heard well,
07:05it's gold, right?
07:06Of course, gold.
07:08It's a lot of gold.
07:09And this land is rich and resources.
07:12If you have any money,
07:13go there.
07:14Please.
07:20I'll tell you if I have anything to do.
07:22I'll tell you if I can stop you.
07:23If we are here,
07:24I'll give you a few documents to be finalized.
07:28What do you say?
07:28Let me stop.
07:29We've waited 25 miles.
07:31We've paid money.
07:32In this case, you've paid money.
07:33Let's go.
07:36Let's go.
07:38Excuse me.
07:39I'm ready now.
07:40How much did I get?
07:41Two markers, please.
07:45Excuse me.
07:47I'm sorry, I don't have a door.
07:50It's not a problem.
07:51I'll drink some coffee.
07:54Thank you, Chef.
07:56If I can ask you something...
07:59Of course, we are here.
08:01This...
08:01Is there any land to buy?
08:04Yes, my location is the last one.
08:07I've already agreed with the client.
08:11I'll drink it again.
08:12I'll drink it again.
08:13Maybe the next time will be yours, sir.
08:18Good luck.
08:18Good luck.
08:19Good luck.
08:20Good luck.
08:23It's nice.
08:25You hear it.
08:27It's gold.
08:28And gold.
08:28How are the gold.
08:29The gold!
08:30The gold!
08:30Yes, and the silver!
08:32Listen to the silver!
08:33Yes, and the silver!
08:34Wait a second.
08:37Open the glass!
08:39I have to see this!
08:40The official temple of the Austro-Ugrads of the monarchy.
08:45The pechator.
08:47It, back in 1996, on this speciality,
08:52and there are various sources of gold,
08:55and there are large amounts of gold gold,
08:59which are located in the area of 8 meters.
09:03Let's see, let's see.
09:06You know how many gold gold is?
09:09100,000.
09:10And if you buy it, you can pay it.
09:14I've been given 25.
09:16God, I had the opportunity to give him 30, and he would give me 30.
09:22The man is already agreed.
09:25I didn't have the opportunity to give him his number.
09:30Why don't you give him?
09:31Why don't you give him the opportunity to give him?
09:34I don't know where he is now.
09:36You call him his number.
09:38You're crazy. How do you call him when I have his number?
09:43You don't have his number, but you have a package.
09:45Why don't you give him a package?
09:48Why don't you give him a package?
09:50Why don't you give him a package?
09:51My mother, I'm joking.
09:53I don't have a problem with you.
09:56Buraz, you are your employee.
09:59He has a photographic memory.
10:01You should know what to do in the future.
10:05But I'll be honest with you.
10:07Maybe you have a bigger problem.
10:09How many?
10:10How many?
10:18I know.
10:22What did you say?
10:24You're not a thing like this.
10:27You should have been prepared anyway.
10:30You're the only one step up.
10:31That's the only way you line up on the floor.
10:32You're the only two stars.
10:37You're the only one star.
10:37You can't believe me.
10:39You're the only one star.
10:40You are the only one star.
10:40You're the only star.
10:47On the other hand, there is a young family who wants to sleep, play and play, and on the other
10:53hand, there is a profiter who will only use this land so she can do more.
11:00Now I'm going to do it, but I'm not going to do it. I'm really going to give you an
11:05idea.
11:06I'm ready, Mr. Rustem, to give me more than what it costs for.
11:13I've been working for a long time. I just feel the situation where something needs to be done.
11:20This is a classic example of such a situation.
11:23If I could have been a little joy...
11:28I'm not sure.
11:29I'm not sure.
11:31I'm not sure.
11:32However, when I'm thinking about your young lady with your future family,
11:40how they're running, how they're happy, angry, angry, angry...
11:46I can't get rid of them.
11:48I see that you're an idealist who will judge your dreams.
11:51I wouldn't want you to be on the road to not get rid of those dreams.
11:58I'm not sure how to thank you.
12:00I'm not sure how to thank you.
12:01I'm completely... I thank God.
12:04I thank God. I thank God.
12:07I thank God. I thank God.
12:08I thank God.
12:08I thank the sun that has been lighting this way to get into my office.
12:13You hear, my friend. Good and good.
12:16I thank God.
12:18I'd like to ask you to get to the end of the day.
12:22I'm not sure.
12:23I can't.
12:24I can't.
12:25Mr. Rustem, thank you.
12:28We'll see you soon.
12:29I hope so.
12:30It was a pleasure.
12:31Everything is good.
12:32God.
12:33God, God.
12:34God, God.
12:37What did you say, friend?
12:40What did you say?
12:42What did he do wrongly, and he killed himself?
12:45What was that?
12:46What was that, my son?
12:47You can't kill him.
12:48Only if you're a mess.
12:50When you're a mess, you're a mess.
12:52You're a mess.
12:53You're a mess.
12:54You're a mess.
12:55You're a mess.
13:04I'm listening.
13:05Who's this, Frajero?
13:07I've heard the right.
13:08I don't know.
13:10I'm a mess, Frajero.
13:13I'm not a mess.
13:14I'm a mess.
13:14Wait, feet.
13:16I don't know.
13:18I don't know it.
13:20That's it.
13:22He's a muesli.
13:24That's a muesli.
13:25I'll give you a muesli.
13:27I'll give you a muesli.
13:27I'll give you a muesli.
13:27What do I do?
13:28If you're a muesli...
13:30If I'm a muesli, last shot...
13:31...the muesli.
13:33It's been a mess.
13:34It's a muesli.
13:35Until I'm on a mess,
13:35you can't change the muesli.
13:37Do you know what's going on?
13:40You know what's going on?
13:40I know that it's a bad thing that people have to wear.
13:43That's right.
13:45Just a little bit.
13:47That's why Murga is doing this job.
13:50I'm going to solve the problems
13:51and open up two copies in Sarajevo.
13:54It's a competition.
13:55You think Murga is going to find two copies?
13:59I'm going to open up two copies.
14:00I'm going to open up one big copies in the center of Travnik.
14:04The return is written.
14:05I'm going to open up two copies.
14:08I'm going to open it up.
14:08But you don't go back to Travnik.
14:11Let's take a copy of Travnik.
14:13You can buy it.
14:14You can be a dick.
14:15You don't go back to Travnik,
14:18you don't clean everything.
14:19Let me see how I do this.
14:24So, you're doing it with a much more.
14:26I need to understand that.
14:28I'm not going to drive this car everywhere.
14:31I can't see you anymore.
14:34Let's see how the old car is going for you.
14:38God, I'm not going to do it.
14:40Wait, what car is it?
14:42It's like a new car.
14:43No, no, let's leave it.
14:44I made a real estate.
14:47Look at this.
14:48There are two copies in Sarajevo,
14:50and the car is only the copies in Travnik.
14:53Wait, wait.
14:56Let me explain to you why the car is the copies in Travnik?
15:00Because of the meaning of Travnik.
15:03You think you don't know what the car is going to do?
15:07You know what I'm talking about with the previous video?
15:09You know?
15:11Tell me, please, you can't eat something else from me.
15:15Leave it a little.
15:16You're right.
15:18I'm not going to do it, I'm not going to do it.
15:21Listen, listen.
15:23You're right, you're right.
15:24You're right, you're right.
15:25You're right, you're right.
15:29You're right, you're right.
15:30But what you do are you doing?
15:32I've seen it in the sense of it,
15:32and not trouble it.
15:33Let's look at that.
15:43Now I want to do it.
15:47I've seen it.
15:51Let's go!
15:53Let's see.
15:54I can see you, but I'm not afraid of it.
15:57Why is it going to be afraid of it, dear Helena?
16:00It's a chance that I can't forget.
16:03Why is that a strange person who doesn't leave the price
16:06that's full of gold, brother, and you'll have to buy it.
16:09Dear Helena, he's not an ordinary person.
16:12He's very sentimental.
16:13He's not a bad kid.
16:15It's a old school.
16:17I'll just be my money to pay for it,
16:20and then I'll give him a donation.
16:22I'll give him a donation.
16:22I'll give him a donation.
16:23I'll give him a donation.
16:25But he'll be a donation.
16:27What's the name of it?
16:29Maybe they're not?
16:30What's the name of it?
16:32I've sent you to ZK.
16:34I've sent you to ZK.
16:34What are you doing?
16:35Look, you'll ask her to ask her.
16:39Let's ask her.
16:40I'll go.
16:41I'll send you to ZK.
16:43Okay.
16:45I'll go.
16:48Hello, Mila.
16:50I'm...
16:51I'm...
16:51I'm fine.
16:52I'll see.
16:52I'll give you something to me.
16:54I'll send you to ZK.
16:56I'll just check it out.
16:58I'll just check it out.
16:59What?
17:00No, no, no.
17:02I'll wait for you.
17:04I'll just wait for you.
17:04I'll just wait for you.
17:05I know you're a little bit.
17:06I'll give you a donation.
17:07I'll give you a donation.
17:07I'll give you a donation.
17:09Okay.
17:10Okay.
17:13Okay.
17:15Okay.
17:16Okay.
17:17Let's go.
17:17Let's go.
17:18Let's go.
17:18What do you say?
17:20You say it's just like a suz.
17:21What?
17:22It's all, Helena.
17:24We're not able to make this opportunity.
17:27What do you say?
17:30I say it's all.
17:32Let's go.
17:33This is the second best choice in life.
17:36Yes.
17:37Yes, but who is the first one?
17:38Yes, maybe you?
17:39Yes.
17:42Yes.
17:44Yes.
17:49Yes, yes.
17:52Yes, yes.
17:56Yes, yes.
17:57Yes, yes.
17:57Yes, yes.
17:57What's up?
17:57Stare.
17:57I didn't tell you what happened today.
18:01No, you won't believe me.
18:03Let's try, Arane. I don't think so.
18:32What is the secret?
18:33It's the secret, so it's the secret.
18:34He's look back up. Like an ninja.
18:38I know, I'm not sure if they're dead.
18:41Well, I'm sure he's dead,
18:43at the moment, he's dead and looked down.
18:46He couldn't believe not.
18:47It's not possible to see what happened.
18:48Should I get on a bike or not?
18:50What bike? What bike?
18:52Have you gone on a bike?
18:53Where are you now?
18:58He's just sitting at the train.
19:02That's right.
19:32I don't know what to do.
19:34I'm sorry.
19:35I'm sorry, my master.
19:37You know, Buras, until that moment,
19:39you were able to sue him,
19:41and from that moment, you're going to sue him.
19:43What a sue?
19:457000 euros.
19:46Well, he's going to say that Mutetov is old,
19:50who left Mutetov when he was young.
19:53What a shame?
19:54What a shame.
19:57How did he know this?
19:59Well, he's going to be known as Mutetov.
20:02He's going to be the same, Kontaž.
20:03And the old ones are looking for years,
20:04but Mutetov is old,
20:06but they didn't know it before.
20:08What a shame.
20:12What a shame.
20:15What a shame.
20:17What's going on?
20:18Nothing.
20:18We don't want to call Kontaž.
20:20When?
20:22When you go to the old one?
20:24Why do you know that it's old?
20:26Averu, please.
20:27Wait a minute.
20:30Wait a minute.
20:30How do you know that the old one intervenesal,
20:34and that's what he said?
20:35What did he say?
20:37He told us the old one while we were driving him.
20:39Yes, yes.
20:41What a shame.
20:43You know what, Konta is now?
20:45That's enough.
20:47We went to Pješačkog.
20:50Mutetov was never known as old.
20:51We went to Pješačkog.
20:54Yeah, he's a man.
20:55That's what we said,
20:58we didn't want to go to Pješačko.
21:01I was able to go to Pješačko.
21:02I was able to go to Pješačko.
21:02You think I was able to go to Pješačko?
21:04I was able to go to Pješačko.
21:08I'll be able to talk about it.
21:08I'll be able to go to Pješačko.
21:10I'll be able to go to Pješačko.
21:16Ej, Bani!
21:18What's up, Rutko?
21:19Give me one Vlahov.
21:20What's up?
21:22What's up to Pješačko?
21:24You don't have to go to Pješačko.
21:26You don't have to go to Pješačko.
21:31This is natural dopamine.
21:34What's up to Pješačko?
21:35What's up to Pješačko?
21:36He came to the man who said that he had seen him for 100 years.
21:40You have to go to Pješačko.
21:42Every man in the news has been 10 years.
21:45I'm sure that he looks like that.
21:46What's up to Pješačko, means something to be a little.
21:50Let's go to Pješačko.
21:52I'll be able to drink a little.
21:54Let's go, Rutko.
22:01How are you, Fakje?
22:02What's up, Fakje?
22:04What's up, Fakje?
22:05What's up?
22:06I'm going to talk to you about Pješačko.
22:09What's up to you about Pješačko?
22:11What's up to you about Pješačko?
22:12I'll be able to get up to you.
22:14Okay, let's go.
22:16I'll be able to talk to you, I'll be able to talk.
22:18That's how I love you.
22:21I can't be able to talk to you.
22:22How many hours?
22:27How many minutes I'm going to talk about him.
22:29He calls me, he's not sure.
22:31Hello?
22:33Do you want to tell me?
22:34Good morning.
22:38Great, here's me for 14 minutes.
22:43Thank you and all good.
22:45See you soon.
22:48Faxone, from tomorrow, Murga, a new man.
22:51I'll solve the problems.
22:52I'll solve this country with Rustoma.
22:55Murga Bolan.
22:56Now I have to, but I have to.
23:00Is it better to check this whole story?
23:02Faxone, I don't know what to check.
23:04Jelena has checked.
23:06That's a great woman.
23:07Do you think she gave her so much money before she checked?
23:10Is it to me that you have to decide the money from Jelena?
23:13No, I didn't decide.
23:15She left the money for our wedding.
23:17I just told her that we invest these money.
23:21She's a young man.
23:22Oh, oh, oh, oh, oh.
23:24Oh my, my God.
23:25What am I doing with him?
23:28Let's deal with him.
23:29Let me ask him.
23:30What do you want, Murga?
23:32At the end of the day,
23:33it's better to be together than being again.
23:35But when he tells you that something is wrong,
23:43it's not something that needs to be done.
23:45My mother, I don't count you.
23:47You're the same as a Jijija.
23:49You're the same.
23:50All will be fine.
23:53I'm not going to kill him.
23:55Bye.
23:57Bye.
23:57What are you doing?
24:02Rustem, Rustem, Rustem, Rustem.
24:04What is that?
24:05I don't remember me.
24:10Wait.
24:16Rustem.
24:18Rustem, Rustem.
24:19I don't know about it.
24:22Rustem, Rustem.
24:25Rustem, Rustem.
24:26Oh, crap.
24:31Hey, wait a minute.
24:35Now, my mother...
24:41Let's go.
24:44Inspector, give me something to me.
24:47I really wanted to try to figure out some interesting type.
24:50I mean, man, it's all.
24:52What is that?
24:52That's it. We're here formally.
24:57Let's check the account.
24:59Mr. Murrize, I believe you.
25:03Let's check.
25:04I don't have any number.
25:07Mr. Murrize, we agreed that 28.000.
25:16I said you won't work pro bono.
25:19You are very talented.
25:20Listen, this is a great business.
25:24I would like to go to the beach and to celebrate it.
25:27Unfortunately, I have a very important conversation.
25:30Everything is all right.
25:31There will be a opportunity for a partnership.
25:34You know the location.
25:35The location is yours.
25:37I recommend you to wait a few days
25:40before you call the agency for an assessment.
25:45Just so that we don't break our hearts.
25:47I understand.
25:48I don't know.
25:49But you know, there's no sentimentality.
25:52I didn't have any sense.
25:54I didn't have any sense.
25:56Look, look.
25:58There are the flowers.
26:00What is the problem?
26:01Why are you?
26:02Where are you?
26:03I'm going to kill you, Murrize.
26:05I'm going to kill you.
26:06I'm going to kill you, Murrize.
26:06This old, red, red, red.
26:09No red.
26:10Everything is legal, Osmany.
26:11To you, the family was not legal.
26:14I don't know how you were to present to you,
26:16but this is my old friend,
26:19Rusem Djozic, the name is Rusem.
26:23We haven't seen it yet. It doesn't change anything.
26:26You're not able to protect criminals.
26:29Here, Mr. Djozic.
26:30This is the circus. You know I'm going to go before we get to the police.
26:34You won't. We'll go together.
26:49You won't.
26:49Murga, talk to Arana. Is he going to kill Osman?
26:52He's going to kill him.
26:54What am I going to kill him? I don't understand.
26:58I'm going to give a man his land without killing him.
27:00How do I kill him?
27:02I'm going to kill him. He's going to kill him.
27:05I'll kill you, brother.
27:06Who did he kill me?
27:09The final affair was 128 billion.
27:13I'll be there.
27:14I'll be there.
27:15I'll be there.
27:16I'll be there.
27:17I'll be there.
27:19I'll be there.
27:28What about you with me?
27:31I'll be there for 1990s.
27:36What do I call you with my daughter?
27:41I'll be there for weeks.
27:44I'll be there for months.
27:47What about you with my daughter?
27:55What do I say?
27:56What about you with my daughter?
27:56I'm telling you I'm married and I'll never want to kill you.
27:58What do I say?
27:59What do we want?
27:59I am trying to get someone else.
28:01What kind of sweet look from today, my brother?
28:05I'm sorry, I pray for you.
28:07It's a hard day.
28:09It's a poor question.
28:09More than any more, it's a bit more of a drink.
28:11I'm sure.
28:12I'll tell you, the frayer brought me a queen.
28:16She was a little girl who broke me.
28:19I said, my brother, you're not the first man, you're the last man.
28:23I'm tired of this world.
28:26We had to sit down with this one. We had never seen it for 100 years ago.
28:31We had to get married in the desert.
28:34He said to me, what is this?
28:37It was never easier to get married than now.
28:41I don't know how to get married.
28:44I don't want to get married.
28:45But from the beginning, I had to get married.
28:48First, I mean, it was a completely false Zagrebacic accent.
28:52The other one was the old actor.
28:55Nothing.
28:56And the third, you know, it was like something he forgot, but he returned.
29:01Wait, the Zagrebacic accent?
29:03Yes.
29:04It was so elegant.
29:07Yes.
29:08Do you know him?
29:09Well, well, well, I've been talking to him now.
29:12I'd like to call him some money.
29:15No, no, I don't know.
29:18He was already on the Kanar.
29:20No, he did not.
29:22No, no, no.
29:23No, I don't know him.
29:23I've got him because I have some land in the desert.
29:25Then you buy land in the desert.
29:27Then you buy it in the desert.
29:28Yes, but it's not mine, it's not mine.
29:31But then you'll get married and he's selling this land in the desert.
29:34Well, when he sells this land and he sells it for 5 miles.
29:38Then he will not go to the desert.
29:39You see it.
29:41You see it?
29:42You see it?
29:42It's all better than it's all.
29:43Thank you very much.
30:14Thank you very much.
30:52Thank you very much.
31:13Thank you very much.
Comments